#11 questions challenge

[moe-broey]

Ran out of answer spaces but! I felt it was important to split off Team Plasma since there is a significant ideological difference between them (as far as I remember each ideation of Team Rocket has the same goals/beliefs, Giovanni himself just stepped down and changed his mind)

That said! This is less about favorite gen and more about believing in the beliefs -- especially interesting to consider if you align with the Main Villain and their outlook, or if you believe in the so-called "cause" that may or may not be true, or have some truth to it (like, if you wanted to help Pokemon like og Plasma and Aether Foundation).

Sorry to lump Yell and Star together, I was going chronologically!! You'll have to specify which and why in the tags haha (if you want to that is!)

And honestly that goes for any choice, sell it to me. Why should I join Your team?

[my-current-obsession]

I see a lot of people saying that the royals (mostly Alfred, but I’ve seen a fair bit of complaining about all the others too) are statistically bad in Engage. I have to wonder, what difficulty is this based off of? On my Hard playthrough most of the royals were my best units, and Alfred in particular was amazing. Ivy and Celine were probably the weakest two - Ivy due to being a bit slow and having AWFUL dex and luck, and Celine just lacking power due to splitting her attention between strength and magic.

Is it just Maddening that they’re specifically bad for? I have not (and will not) played that mode in any FE but my impression is very much that Maddening mode is a different experience and you’re basically forced to play a certain way to win. That’s probably even more true here since fixed growths are in play, so you can’t count on RNG to give you good units. You have to find the ones that the game wants you to use, and stick with them.

For me, one of the biggest joys of FE has always been the RNG of it all - I love the random growths meaning different characters shine (and suck) each run, which encourages you to give different units a try. I love that, at least on Normal and Hard, you have enough breathing room to basically play how you want - favor the units of your choice, reclass whoever into whichever classes you fancy, etc - and doing so MIGHT make your life harder but probably won’t doom your entire run. The versatility and random nature of your units growths makes strategy & combat in this game infinitely more appealing and adds to its replayability.

Like I LOVE Persona games and Stella Glow (which gameplay wise is fairly similar to FE) but in those games the characters are what they are, and the stats on level-up are set in stone. Once you’ve done ONE run and know what works, Complacent Gaming kicks in and you repeat the exact same steps in future runs. In FE even if you use the same characters in the same classes, their performance WILL vary based on how blessed or cursed the RNG has been for them.

If Maddening IS as difficult and particular as I’m assuming, and basically every unit’s viability is determined from the moment you get them and you HAVE to play a specific way to win... is it really right to judge units based on that specific difficulty? Like, sure, so-and-so SUCKS on Maddening, but so does EVERYONE except this specific handful of units and if you use anyone else you’re just hurting yourself.

I feel like we should be judging characters based off a difficulty where everyone is at least VIABLE from the beginning, but judging how likely they are to REMAIN that way based on their growths/classes/personal skills/etc.

To put it another way, what would a tier list of a Maddening run look like? My impression is that it has two, maybe 3 categories of who you can actually use, who gets benched immediately, and MAYBE a middle category of who exists to fill a spot on the team and take a few hits/deal a smidge of damage for just a little while until someone better comes along to replace them. Meanwhile on Normal and Hard you can have a full spectrum of who on average is statistically the best through the worst, with everything in between. And considering several “unusable” units on Maddening are at least GOOD or even better on a normal or hard run, can you really call them bad? At the very least CLARIFY you mean they’re bad on Maddening specifically instead of in general.

[beeseverywhen]

I mean like. Not to bring the mood down but... you guys know that's because American media is everywhere right? Like the world is unable to avoid some version of American accent on a regular basis. Of course ppl find it easy to mimic. This is absolutely not restricted to ppl in the UK, its really common for ppl who learn English as a foreign language to have perfect 'American actor' accents (cause the reason everyone's so good at the American accent that's expected of them as actors is cause at large there's little distinction between regions in the 'Hollywood accent' that ends up on TV and films and stuff. You guys have massive regional differences in pronounceation, but what makes it on to TV (in 9/10 cases) is a very standardised version of American English.)

But yeah. It's not just actors lol. Most British ppl can speak in a passable american accent, as can loads and loads of people worldwide. I'm not saying this to be like 'you should feel guilty! 😡' but it does always stun me when Americans are unaware of the impact their country has worldwide on all versions of English (and even on use of native languages. Many countries are using English more and more over their native languages and dialects , and yeah, historical colonialism has had an impact there.)

But in the last few decades things have progressed way way faster and that, is thanks to the impact of anglo/american/ect lead capitalism. I'm in no way dismissing the impact the UK has on this, but in recent years, its the US that is largely pushing that train .While the UK and several English speaking commonwealth countries are very involved in this kind of capitalist imperialism, there's a reason that more and more people are speaking American English. Not one of the many UK dialects, not Australian English, or NZ English. Across the world more and more people are increasingly speaking in the same standardised american dialect that's in so much of the media you export. Hollywood based media, with that standardised accent/ dialect and the standardised 'normal american life', has a stranglehold on the world and I just find it crazy that a lot of you guys don't even know.

It's stupid stuff like. So many countries are importing american cars and are widening their roads/ changing town planning to account for it (this is less of a thing in the UK but I see it more and more when I travel). Its the food becoming avaliable everywhere. Its the influence that for profit healthcare has even on countries with socialised health systems. Its houses being built to account for American style appliances. Fashion trends. Worldwide, everything is slowly evolving to be closer and closer to this 'American standard' which honestly? I really don't think actually represents the lives of real American people either. You've been turned in to products, the system has taken an unrealistic snapshot of 'American life' and it's being sold to you all day in day out, but it's also being sold to the rest of us. It's being pushed on us all.

Kids in the UK go through phases of talking only in American accents. Anyone born later than the 90s is carrying round 2 sets of spelling and vocab, cause we're all so used to the American way, that you barely know which one you're using half of the time. In the UK we have always had really strong regional accents yeah, and dialects differ between areas that seem tiny to you guys, I know. But like. Those dialects are being lost cause all UK accents are evolving to become closer to this standardised american and yeah not great, but at least we share a language! US American society is largely rooted in the same foundations as UK society, largely we have the same flaws! But oh my god. What about the rest of the world.

It's global. This impact continues to be seen, steamrollering ahead, in places that had completely different starting points. UK culture isn't that dissimilar to that of the US, so we aren't losing nearly as much as cultures that had something completely different. So much is being lost.

Languages and dialects and everything else is just being wallpapered over so we all meet the same ideal of the 'American life' and it's not even real! It's just a product based on how ppl were actually living in the US, manipulated until it's the most marketable mould. You guys are victims of it as well but like. It's based on your culture so you don't lose as much if you conform to it. Just like how in the UK, if we conform, we lose more than US, but nowhere near as much as countries that had languages, dialects and cultures that were so so different to UK/US culture. The less like the US, your starting point, the more there is to lose.

And look. I said it to start with. I'm not having a go. That's not what this is. But you guys really need to be aware, you need to make an effort to understand the impact that this plastic Hollywood american culture is having on the rest of the world. You need to actively look for it, and make an effort to not pay in to it. Because when Americans see other cultures represented in media and say its not relatable, when you guys go on holiday and make no effort to learn local customs, and try and pay in dollars and spend your time abroad like you're still in America, when you see cultural differences and immediately argue that the American way is better and of course everyone should have giant cars and never dry laundry outdoors and live in American style homes, without any kind of critical thought. Just 'this is how we do it so why wouldn't everyone else do it this way. This is the only way. The American way is obviously best.' When you guys do that you are individually feeding in to this absolute bulldozing of cultures (including American ones!) to allow for better marketability.

It isn't any one individual American citizens fault that things are the way they are, and you guys are victims of the same system, but you need to have some self awareness when it comes to the fact that as individuals you are unknowingly, helping driving this forwards and as individuals, there are things you can do to limit your personal impact (and no arguing that you have no culture is not it!!! Being all self deprecating doesn't do shit. Take some responsibility and accept that individual Americans didn't create this system, but currently, individual Americans really are doing their bit to keep promoting it, to keep pushing it on the rest of the world.

And I've already rambled for an age so I'll stop here but I just want to make clear as an ending note here, that this really isn't about piling on Americans and being all 'boo it's all America's fault. They should apologise. Their culture isn't worth anything.' Not at all this is the opposite of that. The fact that millions of Americans have been convinced you have no culture, all while a mimicry of American culture is plastered on to the rest of the world, and while you as individuals are encouraged to help that happen, often without even realising what you're doing; is a crime. You've been wronged, as have we all.

And America is not the problem. The problem is imperialism and it didn't start with you guys. It started in Europe, and Europeans, particularly British ppl, have a responsibility to push back and be self aware, take some fucking responsibility and not inadvertently keep feeding in to that system, just as you guys do. The US didn't start the fire, imperialist capitalism is a fire that started burning long before the United States was even considered, but its on all of us, to do what we can to not feed that fire. And right now? You guys are the face of it.

This idea of what America is, is the face of imperialistic capitalism, and that means that even if you don't mean to, you guys are feeding that fire more so than the rest of us. You're responsible for spreading it, more so than the rest of us. And if you don't step up and take responsibility, accept that you're gonna get it wrong sometimes and you need to try to do better; if we don't all do that. There will be nothing left. They'll paper over it all, the lives of real Americans just as much as those in Scotland and India and the Netherlands, and 100 other cultures, that are at risk, thanks to this fire, that's currently, largely coming from America.

So yeah. It's absolutely not just on you guys and ppl who act like there's no racism or wealth divide in Europe or anywhere else for that matter are complete idiots, however, this Americanisation of the world (and I hesitate to call it that. Because its not a representation of real American lives. Its simply wearing an American face.) Its real. It's happening.

And we don't tell you about it to make you feel guilty (those of us who aren't dicks at least) ,we are telling you. We are kicking up a fuss. Because it isn't fair. It's not right and while individual Americans ignore that and refuse to take responsibility where they can (small apples. We aren't asking for you to call a violent revolution in our names. Just take some time to learn about the rest of the world. Stop assuming America is always right and examine your biases. When you find them. Stop personally pushing them.) , while that is happening, as individuals, you are contributing to this. It's not even altruism. This system is hurting Americans too. It's hurting us all. All we ask is that you do what you can to not personally contribute, and keep an open mind, be aware. That's all any of us can do.

when a british actor does an american accent everyone’s like “i didn’t even know they were british until they were on colbert.” but when americans do a british accent everyone’s like “they’re supposed to be from east cocksford but their glottal e’s are north dicksford. shameful.”

[imastoryteller]

20 Compelling Positive-Negative Trait Pairs

Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:

1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.

2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.

3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.

4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.

5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.

6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.

7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.

8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.

9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.

10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.

11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.

12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.

13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.

14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.

15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.

16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.

17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.

18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.

19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.

20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.

These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.

---

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[shesnake]

Stills from We Are Lady Parts season 2, coming May 30

A NOTE FROM NIDA MANZOOR (CREATOR/WRITER/DIRECTOR/EXECUTIVE PRODUCER) IN PEACOCK'S PRESS RELEASE: Making season one of We Are Lady Parts was immense for me. It was a trial by fire, but I found my voice, my style and my confidence in creating this show. Most importantly, I found my tribe - from actors and crew to producers and studio execs. So, coming to season two, I was galvanised. The characters, the world, the tone - it was all there, established, and ready to go. Now it was time to turn things up to 11. I wanted to go bolder, sillier, darker and deeper and that is exactly what we strived to do. In season two, we explore the interior lives of each of the women in more depth. Each of them facing new, existential challenges with all the silliness, pratfalls and banter of season one. The music is bigger too - more wild original tunes (penned by me and my siblings) and dare I say it, even better covers. The season overall asks the question of success. What is success? For a punk band - is fame, stadium shows and major record deals the answer? I wanted to explore the uncomfortable tension between art and commerce and ask how much compromise is too much. I'm really proud of what we achieved, and can't wait to share it with old fans and new.

[reiderwriter]

🩺 Protect and Serve 🩺

Spencer Reid x stripper! Female Reader

For the CM Kink Bingo Challenge

Summary: Spencer makes a fool of himself in front of a very pretty nurse. Who turns out to not be a nurse at all, but a stripper.

Warnings: Erotic dance, pole dancing, uniforms, doctor play (?), semi-public sex, fingering, strip tease, nipple play, use of birth control - condoms, penetrative sex (PinV).

A/N: He's protecting, she's serving cunt. That's the pairing dynamic for this fic. I love writing Spencer as dumb because he does canonically lose it around hot people, and we, dear readers, are all hot people. I added the strip tease song below of you want to really get in the mood!

Masterlist || Bingo Board

“Okay, everyone, listen up,” Hotch called out to the masses, the three teams of officers, and his own team who were lined up and ready to receive orders. 

“We're going to do a simple canvass. Ask anyone you spot if they've seen our missing person and if they've seen any suspicious activity around the area in the last month. You have further lines of questioning laid out in your briefs. Also, we have no reason to believe the unsub will be hunting right now, so we're going to be canvassing individually.”

The crowd nodded in a wave of understanding, taking the information as it came before getting ready to receive their areas to work in. 

Spencer had devised the map himself, so he didn't have to wait in line, instead, walking to his corner of the block and getting himself ready for interactions. 

The clock struck 11, and he began, waiting for the usual shaky characters of the night to stroll out onto the streets. After a series of abductions from this area, and the general disrepair of all local CCTV cameras, the BAU knew exactly where their unsub was hunting from, but not the how, the why, or the who. 

In a last ditch effort, they'd turned to goodwill from the public. 

“Excuse me, sir, do you have a few minutes to answer some ques-” 

“Go fuck yourself.” 

“Okay, have a great evening.”

For the best part of the first hour, all of his interactions were the same repeat of hostility and general apathy. For long stretches of time, nobody walked by at all, and some were even growing frustrated by being accosted by multiple law enforcement officers within the hour.

He'd almost lost hope for a lead when the clock struck twelve, and you'd ran around the corner, nearly bowling him over as you raced to get to work. 

“Shit, oh, I'm sorry-” you said, realising you'd landed in a soft place, and not on the tarmac you knew from experience was a pain. He'd accidentally broken your fall and was all the more sorry for it. 

“No, it's okay… ah, um, it's not that bad.” 

You stood yourself up, removing yourself from the body of the stranger. The body of the man wearing an FBI jacket, who you now recognised as being with one of the dozen or so cops that had stopped you in your dash from your car (parked further downtown so it wouldn't get stolen) to your place of work. 

“Oh, god, I'm so sorry, officer. I didn't mean to- I'm sorry,” you mumbled again and again as you offered him a hand up. He took it hesitantly, grabbing his papers as he jumped on this opportunity to have a conversation with the first normal looking person he'd come across in an hour. 

If he'd been less eager, less tired, and in all honesty, less immediately attracted to you  he'd have realised that you had a destination in mind. One that, while being above board mostly, still made you weary of cops. 

“It's Agent actually - Doctor, but- anyway, um, could I possibly have a few minutes of your time? We're looking into a recent string of abductions in the area, and we’re asking if you've seen anything out of the ordinary.” 

You stood trapped by his surprisingly wide frame, his height dwarfing you by a few inches and the path being just narrow enough that you either had to decline politely, or just push past him to keep going. 

Unfortunately, you, too found him slightly too attractive than you were willing to admit, attractive enough that you'd gladly miss out on a half hours worth of tips to answer questions you'd honestly already answered before now. You'd always been weak for a man in uniform.

“I-I guess so. This will only be a few minutes, right?” 

“Of course, I wouldn't want to keep you from your work,” he said, gesturing down at your outfit. If it weren't for his totally genuine tone, you'd have thought he was being cruel. 

Usually, you didn't show up for work in your performance clothes, trying not to draw any more attention to yourself on the streets at midnight, but you'd been forced to that day. 

It was Uniform Day at the strip club, and your boss was entirely too cheap to buy the Uniforms himself, and absolutely cruel enough to penalise anyone who showed up without some kind of costume. Your nurse outfit had been in transit and out for delivery since 10 am. that morning, arriving exactly 10 hours later. 

It wasn't exactly a realistic cosplay. Sure there was a cute pen clip, and you were technically wearing scrubs, but they were also skin tight, and you knew for a fact that your nipples were hard and visible through the thin material, because taking a glance down, even you could see them. 

“Do you usually work the night shift?” He asked, bringing his clipboard up to take notes of your answers. 

He absolutely did not know you were a stripper. 

“Yeah. We don't really get many people in during the day. Too embarrassing, not the time for it.”

He nodded and tried to pretend like he was writing something of merit down, but secretly, he was very much enjoying the curves Of your body as the tight material hung off your body. 

The “scrubs” were baby blue  but he had no doubt that if the heavens opened right, then they'd become as see-through as cling film. 

He, too, wanted to cling to you. 

“Have you noticed anyone suspicious in the area recently, anything new or out of the ordinary?” 

“I mean, I couldn't possibly say. You know how this neighbourhood is, it's… well, it's not exactly the safest.” 

He nodded again and acted out sympathy, unaware how the feeling should feel now that he was faced with a woman so perfect that he'd entirely lost the ability to process emotions. 

“Right, right…” 

You stood for another moment or two, waiting for his follow up question, but his eyes raked over you in a way you were entirely familiar with. Unlike your usual clientele though, he snapped himself out of it, and had the wherewithal to look bashful. 

“Ask about victim, no leading questions,” he read quickly, before looking up at you and stammering through a new question. 

“S-so. Are there usually a lot of women walking around this area alone at night?” 

You did your nest to hold off a smile, to stay serious as he made the best of the script he was given.  

“Yeah, a few of the places have staff on hand to protect the girls, but my place is mostly women. We stick together as best as we can, but a client or two gets too attached now and again,” he nodded. 

“Patients can often become infatuated with their care staff,” he said, and he was so earnest that you wanted to take everything back and let him go. You wanted to see how long it would take him to realise there was only one body part you and your colleagues cared for. 

“I did think the industry was becoming more gender inclusive. Are there no men on staff?” 

“Oh, yeah. We have men, too. They're mostly request only, though, so we don't see them every day.” 

“Fascinating! You know, believe it or not, anthropologically, humans are predisposed to view women as more caring and are 9 times out of 10 more likely to ask for women to care for them, the gender of the patient doesn't impact the data.”

“Oh, I can believe it.” 

You smiled at him, and he looked taken aback for a minute or two. He finished by smiling back, and you definitely found this conversation worth as much as you'd lost in tips in the last half hour. You were half tempted to invite him back to the club with you for the night, to thank him for providing you with motivation for the night ahead.  

“Um, so, if you do see anything in the future, you can call the police and here is my number,” he said, scrawling something down quickly on a piece of paper and handing it off to you. 

“Oh. Oh, um, right, number. Uh,” you said, rooting around in your purse for your own business card to hand off to him. Partly because you wanted to resolve his misunderstanding, and partly just because you wanted to see what this overly respectful man would do with it. 

“Candy Cayne,” he read, obviously looking past the body glitter that covered the cars and everything else you owned. 

“Well, my real name is Y/N, but you can't be too safe these days.” 

“Right,” he said, smiling again. 

If these were the FBI agents put on the case of making your city safer, maybe you'd invest in a good taser and some more pepper spray. 

Just in case. 

“Spencer, over here!” One of the other agents you'd already spoken to called out from a block down the street, and hastily, Spencer Reid excused himself and let you finally continue on your way to work. 

You had to convince yourself you weren't disappointed. 

Morgan’s brows were furrowed as Spencer reached him. 

“Why were you interviewing the stripper again, I already got her information when she came by me.”

“Stripper? What stripper?” 

“You gotta be kidding me.” 

Morgan looked at the younger man incredulously before turning him around with a hand on his shoulder and pointing in your direction. 

“That stripper, Spencer.” 

He couldn't help but let his eyes trail down to your ass as you quickly walled off, hips swaying perfectly, showing off your complete assets in the tight outfit. 

“She's a nurse,” he defended, even as the blood drained from his face. 

“Uh-huh, and what's her name?” 

“...Candy Cayne,” he paused for a second before turning back to Morgan with a stricken expression on his face. 

“Oh my god, she's a stripper.” 

Five hours into your shift, and about $800 richer, you found yourself swinging around the pole freely again as your regulars slowly trickled out. 

You kept on dancing, though, knowing that the morning crowd was about to get in, the night-shifters that had to wait the entire night to get off on your dancing delights. 

Truckers you expected, security guards and night watchmen, too. Even the occasional older gentleman who found it hard to sleep in the mornings, so bored by retirement, they dropped in a few times a day. 

What you weren't expecting was Spencer.

You heard the door open, the bell ringing out loudly as all the girls stopped to greet their new target. 

“Hello, baby,” one called, the others chorusing around her. 

“Oh it's free for you, sweetheart.”

“Wanna take a ride?” 

“Aren't you just the cutest.”

Spencer spotted you - and your uniform - very quickly. 

As predicted, with a little bit of water, your uniform had gone see through with the tiniest drop of water, the sweat from your ongoing workout and the body oil the matrons lathered you up in before showing off everything. 

Still, Spencer tried to keep his gaze polite as he stood awkwardly at the edge of the stage and tried to engage you in conversation. 

“Hi,” he said, shouting awkwardly over the music. 

You shot him a confused look as you ground against the bar, still enjoying the tips of the last few stragglers. You gave him a confused look as you wrapped yourself around the pole, lifting yourself up and gripping the bar between your legs, pushing your chest backwards as you tipped your head upside down. 

“Can we talk?” He asked, and you, slowly but surely, let go of the bar, ending on the floor with your legs spread wide as the few men enraptured by you wolf whistled and swore. 

Finally, Spencer's bashful gaze dropped from your face as he stared at your scantily clad cunt. 

The baby blue underwear - though you could barely call it underwear as you were barely wearing it - was most definitely not leaving enough to the imagination. Combined with the very clear view of your boobs, Spencer wasn't surprised when his IQ abandoned him, rushing to his second head to let it make mistakes. 

“I'm sorry, officer,” you said, winking at him as you crawled forward, collecting tips as you went. “If my boss sees me talking to you instead of working, I can get fired. Tell me you've got at least a twenty on you.”

He scrambled for his wallet, pulling out all the cash he had and holding out a few dollars to you as you watched him. 

He looked away again, just as you leaned down to take it, and you pouted again. 

“Come on, sir,” you said, wiggling your ass a little to keep the other men entertained while you wore down at his morals. “You have to stick it down my shirt or something. Make it believable.” 

His eyes snapped back to yours, and then immediately to your chest as you sat back on your knees and began playing with yourself, grabbing your tits and bouncing up and down as you showed off your special ‘skills.’ 

Hesitantly, he reached out a hand, and, hating how slow he was going, you met him halfway, pushing your chest into his open hand. 

Though he was apprehensive, his body seemed able to take advantage quickly, and upon depositing the cash, he let his hand trace down the curve of your breast, squeezing it a little. 

“I came to apologise-” he started, trying to remind himself to stick to the script he created for himself. 

You didn't want to stick to any script. 

“Boss, I've got a private dance!” you shouted out to the bar staff, getting a thumbs up from the manager there and a call back of a room number. 

You grabbed the rest of the cash from his hands and lifted a hand so he could help you down the stage stairs, leading him quickly to a private room and closing the door. 

“T-There’s been a mistake, I just came to apologise for my unnecessary comments earlier, and-” he paused, hands lifting up in surrender as you straddled him. 

“What are you doing?” 

“You can talk, but you paid for a dance. I thought this would be better for you, more private.”

“Oh, yes, thank you, that's very considerate.” 

You nodded and began raking your nails down the front of his shirt, loosening his tie a little as you rose on your knees and gyrated your hips. 

His gaze locked eyes with your chest, and for a moment, you worried he wasn't breathing anymore, his entire body having stilled. Then you rocked your hips down into his lap, and you realised he wasn't still but stiff. 

He was rock fucking hard. 

You grinned, and tried to pick the conversation back up with a casual tone. 

“So how is canvassing going?” 

“Hmm?” He said, unlearning. “Oh, uh. Good. We have a few leads we're going to investigate in the morning.” 

“It is the morning, officer.” 

He nodded and gulped, but his gaze had rested gently against your bare skin again. 

You decided to treat him. 

Standing back up, you grabbed the room control and queued up your favorite track to dance with. The private sances were usually boring, a constant reminding of ‘don't touch the dancers’ dropping from your lips as you half-heartedly rocked back and forth. 

Unsurprisingly, though, you actually wanted this man to touch you. 

Spencer willed his brain to quiet, though as it had taken up residence in his pants, he doubted it could hear any of his requests. 

The opening lines of "I Put a Spell on You" by Annie Lennox played on the quiet room speakers, and you watched his hands clench into his pants. 

You took a step forward, pushing your arms up as you swung your hips left and right. 

“You said something about an apology earlier, right?” 

I put a spell on you. Because you're mine.

“Yes,” he said, restrained to monosyllabic answers as your hands trailed down to your legs, catching the hem of your dress and pulling it up. 

You revelled in the way his eyes widened, the way the veins in his hands popped as he grasped himself harder, the hitch in his breathing. 

You pulled the offending garment up and danced it off your body until you were stood in just panties and stilettos. 

Without flashing him even a hint of your breasts, though, you turned and sat yourself on his lap. 

“W-We could've just talked here, right? You don't have to do this if you don't want to.”

“I know,” you said, grabbing his hands and covering your chest with them. 

“But you were so earnest earlier, I felt a bit bad too. Let's call this even.”

You didn't get an answer from him, but his hands did start touching you, and you couldn't help but feel as though you'd won anyway. 

You better stop the things that you do.

Taking your nipples between his fingers, he squeezed, and your ass pushed down into his cock, back arching as you began rubbing against his legs. You repositioned, letting your knees fall either some of his leg, leaning forward to balance yourself against his knee as you rocked your core into his leg. 

“So, what's your name, officer.”

“Spencer-” he sighed, voice warm in your ear as he leaned closer, trying to hook his head over your shoulder to watch the rest of your body writhe. 

“Doctor Spencer Reid.”

“Oh, how fancy, a Doctor. I've never had a doctor before,” you said, straightening and grabbing his hands again. 

“And what a naughty little nurse I've been,” you giggled. 

I tell you, I ain't lyin’.

“I'm not that kind of doctor,” he said, as your hands guided his to your cunt, giving him permission to enter your underwear. 

“And as we've established, I'm not that kind of nurse. But I don't mind.”

He muttered to himself for a second before beginning to pay sweet attention to your clit. As bashful, and shy, and overall clumsy he had seemed outside, he absolutely had the theory of pleasure down to a T. 

The pads of his fingers were rough against your clit, pushing your pleasure buttons roughly as you soaked his pants. 

“That's it, Doctor, that's where the ache was.”

He caught on quickly and kept up his ministrations as you moaned in his lap. 

“Ah, fuck. M-Maybe some medicine would help.me Doctor. A nice big injection.” 

You stood and almost threw a tantrum at the loss of contact, but you returned yourself to his lap quickly. 

He unbuttoned his pants as he stood, and his cock was released and waiting for you when you returned again. 

Before you could get to it, though, his face buried itself in your chest. 

You moaned at the contact, his tongue swirling around your already painfully sensitive nipples. You humped his leg wantonly, giving up the act and becoming the whore he likely thought you were. It was all too much for you, his hot stare, his surprisingly deft fingers. And then he gently bit your nipple, and your cunt clenched around nothing as you twitched and you came. 

“Fuck, cock. Now!” You demanded, as the after waves of your orgasm still rolled through you. You grabbed a condom from the complementary basket nearby and rolled it onto his tip expertly before sinking yourself down on him. 

“D-D you feel better now?” He asked, hands gripping the fat of your thighs as tightly as he'd gripped his pants earlier. 

“Yes, Doctor Reid!” you said, your bounces sloppy as you stretched yourself around his dick. 

He wasn't overly long or ridiculously thick. It was like you'd stumbled into the Goldilock fairy tale, because you'd found the cock that fit you just right. 

Your brain short-circuited after your all too fast orgasm, and you moaned pathetically, almost grumpily as you failed to keep up the stamina. 

You know better, Daddy. I can't stand it ‘cause you put me down.

As if noticing your distress, Spencer stood slightly, using a nearby table to balance out your additional weight, and finally lowered you onto it. You'd taken no notice of it in the past, but you now thanked the heaven that the table was sturdy and roughly cock height, as he began thrusting into you with just the right speed. 

The clock struck six as he licked his fingers again and played with your clit once again, and with a sharp jerk of your hips, your cunt tightened around him and began milking his cock. 

He came with a groan, though admittedly one quieter than your own. 

I put a spell on you.

With a wet pop, his cock exited you, and he quickly went to work discarding the used condom. You tried to sit up quickly, and were surprised you could manage even that much, as you shimmied back into your wet dress. 

“Apology accepted,” you said, as he turned back to you, put together once again. 

You turned to leave, but he caught your waist and spun you back around to him. His lips were on yours in a second. 

His tongue was hot and thick as it opened your mouth, exploring every inch as he forced you to submit once more. When you pulled back, his hand lightly grazed up the side of your face, tucking a strand of hair behind your ear. 

“Yeah. You too. Your apology.”

You couldn't help but let out a giggle as he walked you back toward the door, almost pinning you there for a round two. 

“You really thought I was a nurse?”

“It was dark.”

You gave him another peck on the cheek and pulled away, gaining the respectable distance from your customer aa you re-emerged from the private room. 

“I get off at 7,” you whispered yo him finally, before making your way back to the bar. 

Your doctor sat himself down and waited for the clock to strike 7. 

[lani-heart]

CIRCUS || ATEEZ ot8 || masterlist

genre(s) -> angst, fluff, non-idol, hybrid au, poly au paring(s) -> ateez ot8 x reader warning(s) -> abuse, eating disorder, mentions of mental / physical health, cursing, smut, explicit language / scenes, etc.

abstract -> forced to adopt a hybrid becomes harder than the reader anticipated. in which she'll encounter eight troubled and challenging hybrids to take care of. will she be able to handle it?

-> uploading will start on december 04. 2023

-> taglist closed !!

saving a panther and a fox chapter 00. -> adoption center chapter 01. -> rehabilitation chapter 02. -> hybrid activist side story -> admiration side story -> mine ( 18+ ) side story -> abandoned side story -> pervert ( 18+ ) side story -> our pet ( 18+ )

saving a doberman chapter 03. -> drunk amnesia chapter 04. -> my angel side story -> learning side story -> corruption ( 18+ ) side story -> competition ( 18+) side story -> triggers

saving two tigers chapter 05. -> infiltration chapter 06. -> interviews chapter 07. -> crime scene chapter 08. -> black codes chapter 09. -> adapting to five hybrids side story -> protagisnist side story -> pampered side story -> frustration ( 18+ ) side story -> bet ( 18+) side story -> matz show ( 18+ ) side story -> treatment side story -> five hybrids

saving a wolf and a golden retriver chapter 10. -> trapping thieves chapter 11. -> fostering chapter 12. -> week of hell side story -> therapy side story -> insatiable ( 18+ ) chapter 13. -> case closed chapter 14. -> beef or chicken side story -> outlier side story -> wet dreams ( 18+ ) side story -> kink unlocked ( 18+ ) side story -> switching roomates side story -> triggers prt.2

saving a bear chapter 15. -> reunions chapter 16. -> repaying debts side story -> maknae side story -> apples ( 18+ ) side story -> dynamics chapter 17. -> eight hybrids chapter 18. -> finale

BACKGROUND INFORMATION / ANON QUESTIONS / EXTRAS How human are hybrids in Circus? Do hybrids have two sets of ears ? How does the world work in Circus ? How does the world work in Circus ? Prt. II

HALLOWEEN SPECIAL

NON-CANON ANON QUESTIONS YeoWooSan's children

if you would like to be on the taglist please send an ask or comment under this post. If you message me there might be a chance I don't see if and if you ask on another post such as in one of the chapters it'll be hard to keep up with.

the taglist is closed im no longer taking any more tag requests, the tags are also gonna only be on the chapters to make updating the masterlist easier for me but those who are tagged don't worry

please don't be a silent reader !! reblog, comment, and like <3

[fluff-cember]

Fluffcember 2024

Heyho.

@alpaca-clouds here!

I was asked whether I would create Fluffcember as an official challenge this year, and I thought to myself: You know what? Why not?

Hence this blog - and a really early posting of the list.

Rules

This is a 1-month-challenge for fluffy fanworks.

All sorts of fanworks (art, writing, graphics) welcome.

We will however not accept any AI-Art or AI-Writing!

SFW and NSFW is both welcome - but please make sure to tag it accordingly.

Tag CWs if you share under this tag!

No minimum or maximum word count for writing!

We will reblog entries during the month of December!

If you have questions: The asks are open!

Full list of prompts under the cut.

Day 01: Roasted Marshmallows

Day 02: Winter Flu

Day 03: Snow Man

Day 04: Christmas Sweater

Day 05: Northern Lights

Day 06: Gingerbread House

Day 07: Condensed Breath

Day 08: Sparkling Snow

Day 09: Sugar Rush

Day 10: Carols

Day 11: Slippery

Day 12: Skiing

Day 13: Fire and Ice

Day 14: Winter Soup

Day 15: Naughty List

Day 16: Chocolate

Day 17: Snowed in

Day 18: Mistletoe

Day 19: Fondue

Day 20: Fairy Tales

Day 21: Cabin in the Snow

Day 22: Winter Storm

Day 23: Confessions

Day 24: Christmas Tree

Day 25: The Perfect Gift

Day 26: Forgiveness

Day 27: Family Gathering

Day 28: Cold Turkey

Day 29: Mint

Day 30: Warming Up

Day 31: Fireworks

Alternatives:

Hot Bath

Fallen Through The Ice

Holiday Decoration

Homecooked Meals

Coming Home

[literaryvein-reblogs]

Writing Notes: Plot Method

The Save the Cat! Beat Sheet was originally developed by Blake Snyder to help screenwriters plot movies, but it works just as well with novels.

It breaks down the 3-act structure into small, specific sections (sometimes just one scene long).

Each section pushes your story forward in its own way.

The exact word count/page count of each section depends on how long your novel is and what type of story you’re telling, but you can use the colored chart below and the percentages in the instructions as a guide. 

Context Note: This method is based on the concept of the Three Act Structure, which is an inherently Western approach to plot. It can be a useful way to tell a story, but it is by no means the only one.

ACT 1

Opening Image (0-1%)

Show a “before” snapshot of your protagonist and their world.

What is life like before the adventure begins?

It represents the struggle & tone of the story.

Set-up (1-10%)

Expand on the “before” snapshot.

Explore your protagonist’s life, including the internal flaws and external challenges they’ll have to overcome in order to change for the better by the end of the story.

Present the main character’s world as it is, and what is missing in their life.

Also introduce important supporting characters.

Theme Stated (happens during the Set-up)

What your story is about; the message, the truth.

Usually, it is spoken to the main character or in their presence, but they don’t understand the truth/lesson…not until later, when they have some personal experience and context to support it.

Thus, include a scene where a character says something that hints at what the protagonist’s big life lesson will be - how they’ll have to change and grow by the end of the story.

Catalyst (10%)

The moment where life as it is changes.

Examples: It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc.

There’s no going back to the “before” world from here… What is the inciting incident that pushes the protagonist into the next phase of the story?

Debate (11-20%)

But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take.

Show the protagonist questioning themselves and resisting the path ahead - wondering whether they have what it takes, or whether or they should just run home and hide under the bed.

“Should I just…?” “I really shouldn’t because…” “But what about…” Can I face this challenge? Do I have what it takes? Should I go at all?

It is the last chance for the hero to chicken out.

ACT 2

Break Into 2 (20%; Choosing Act Two)

The main character makes a choice and the journey begins.

We leave the “Thesis” world and enter the upside-down, opposite world of Act 2.

They make the choice to begin their adventure/transformation/journey/new thing.

Show your protagonist deciding to plunge into Act 2.

The Promise of the Premise (21-50%)

This is when the reader thinks “Ah, now we’re getting to the good stuff they hinted at on the back cover of this book!”

It’s also one of the longest sections in your book.

Show your protagonist getting used to their new world - loving it, hating it, making mistakes or doing well, meeting new people (see more below) and keeping the reader entertained.

This is when the main character explores the new world and the audience is entertained by the premise they have been promised.

B Story (happens during The Promise of the Premise)

This is when there’s a discussion about the Theme – the nugget of truth.

Usually, this discussion is between the main character and the love interest.

So, the B Story is usually called the “love story”.

Introduce a new character or characters who will eventually help the protagonist learn their life lesson.

Friends? Mentors? Love interests? Nemeses (nemesi?)? Who are they? How will they help?

Midpoint (50%)

This moment is when everything seems “great” or everything seems “awful,” depending on your story.

The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”).

Either the Fun and Games section has lead to a false victory for your protagonist (they think they’ve been doing great so far) or a false defeat (they’ve been having a hard time so far).

What happens in this moment, halfway between beginning and end?

But not everything we think we want is what we actually need in the end.

Bad Guys Close In (51-75%)

Get ready for a bumpy ride. If your Midpoint was a false victory, now things start to go wrong for your protagonist.

If the Midpoint was a false defeat, well, things seem to be looking up, but the bad guys are getting closer and will have something to say.

Note: Bad guys can be actual physical enemies, but they can also be emotional enemies, like doubt or jealousy or fear.

Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.

Show the protagonist’s newly-built world beginning to unravel.

This will also be one of the longer sections in your novel.

All is Lost (75%)

This is when something happens to make your character hit rock bottom.

It’s the absolute lowest part of your novel.

Maybe someone or something dies (either literally or figuratively).

The initial goal now looks even more impossible than before. And here, something or someone dies.

It can be physical or emotional, but the death of something old makes way for something new to be born.

What does this moment look like for your protagonist?

Dark Night of the Soul (76-80%)

Your protagonist now has time to react to their “All is lost” moment, to mourn what they lost and wallow in hopelessness.

They’re worse off than they were at the beginning of the novel.

Show how low things have gotten.

Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc.

But, you must fall completely before you can pick yourself back up and try again.

ACT 3

Break Into 3 (80%; Choosing Act Three)

The “aha!” moment; the “lift yourself up and try again” moment.

Show the protagonist realizing what they need to do in order to tackle their problems, both external and internal.

Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.

Finale (81-99%)

The protagonist does what they decided to do in the Break Intro 3 beat, and (because of all the learning/growing they’ve done and the support or insight from the B Story), their plan works.

This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story.

The Bad Guys are defeated, the world is changed for the better.

What are the battles? How will the protagonist triumph (or not)?

This is another longer section, so you’ve got the space to make things dramatic and intense.

Act Three is about Synthesis.

Final Image (99-100%)

This is the opposite of the Opening Image, the “after” snapshot instead of the “before.”

Show the reader how the protagonist and their world have changed.

THE END

Sources: 1 2 ⚜ Writing Notes & References

[deliciousangelfestival]

The Imperfect Couple - 2

Character: politician!Bucky x ex-wife!reader

Summary: A separated couple must pretend to be happily married while the husband runs for Vice President, dealing with old issues and political pressures during his election campaign.

Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 , Chapter 5 , Chapter 6 , Chapter 7 , Chapter 8 , Chapter 9 , Chapter 10 , Chapter 11 , Chapter 12 , Series Masterlist

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

As the flash of cameras blinded you, a reporter stepped forward, her voice eager as she asked, "How are you feeling now? We heard you were seriously ill while working abroad."

You forced a smile, nodding. “I’m doing much better now, thank you. The treatment was tough, but I’m fine.”

Another reporter, sensing an opportunity to dig deeper, asked, “Can you tell us how you two met?”

You exchanged a brief glance with Bucky, before turning back to the crowd with a smile that didn’t quite reach your eyes. “Well, we met at a music festival. I was in the corner trying to charge my phone, and this guy”—you gestured toward Bucky with a casual wave—“came over asking to borrow my charger. We started talking, mostly about music—our favorite artists, the ones we didn’t like. After that, we kept hanging out, and, well… it led to this.”

You smiled at the cameras, but there was a hint of something sharper in your eyes. “But, you know, not once did he ever mention his dream of going into politics,” you added, the words tinged with just enough edge to make Bucky flinch.

Bucky chuckled, the sound forced. “I didn’t want to scare her off.”

The press continued to bombard you both with questions, but most of them were directed at Bucky. He answered each one with the polished ease of a seasoned politician, while you stood there, feeling increasingly out of place and suffocated by the whole charade.

The situation you found yourself in—the pretense, the constant spotlight—filled you with a simmering frustration. You hated every minute of it.

As the car doors closed, you finally exhaled, the chaotic blur of cameras and flashing lights now safely behind tinted windows.

“Well done. You’re fitting right in,” Bucky said, his voice carrying that infuriating mix of arrogance and ease as he loosened his tie.

You turned to him, your eyes narrowing. “Do you think I’ll just stay silent? I could write an article that would burn everything you’ve worked for to the ground.”

He smirked, leaning back in his seat, crossing his arms with a casualness that made your blood boil. “Are you blackmailing me, babe?”

“Don’t call me that,” you snapped, rolling your eyes.

“We have to start acting like a happy couple. Nicknames are part of the package,” he replied, his smirk never fading.

“I fucking hate you,” you hissed, your voice barely above a whisper, loaded with every ounce of resentment you’d been holding in.

“I don’t, though. I never did,” Bucky responded, his tone softening, almost sincere.

You faltered for a moment, your defenses momentarily shaken. His words, no matter how simple, had a way of cutting deeper than you expected. But you quickly recovered, crossing your arms defensively.

“If I get elected, I promise your independent news company will have us as a sponsor,” Bucky continued, his tone now all business. “Isn’t your boss stressed out, looking for investors? Independent news still needs money to pay employees.”

You clenched your jaw. He was right, and you hated that he knew it. Your company was struggling, and his offer—no matter how twisted—would keep it afloat.

“Consider this a business relationship,” he added, his eyes locking onto yours, challenging you.

You leaned in closer, voice laced with sarcasm. “Oh, no, no. Whatever Bucky wants, Bucky always gets.”

Bucky’s eyes darkened, his smirk disappearing as he met your gaze with a seriousness that sent a chill down your spine. “Not this time. This time, I’m making sure we both get what we want. But don’t forget, if you decide to play with fire, be ready to get burned.”

The next thing, he did is made a video call, his eyes never leaving the screen. The call connected, and the familiar voice of your brother, Tim, came through the speaker.

“Hey, the numbers are looking great, bro,” Tim said, his enthusiasm evident even through the screen.

Bucky nodded approvingly. “Good. Oh, there’s someone who wants to see you.” He turned the phone to reveal you.

Tim’s eyes widened in surprise. “Omg, you’re back! You’re really here!”

Bucky chuckled, his expression smug. “I know, right?”

You were momentarily stunned, seeing your brother working for Bucky. The betrayal stung, making your heart twist in your chest. Tim’s presence here was a stark reminder of how deeply involved Bucky was in every aspect of your life now.

Tim pointed at you with a half-serious, half-playful expression. “Don’t mess this up.”

Bucky exchanged a few more words with Tim before ending the call. He looked over at you, his gaze intense. “He seems happy working with me. His hard work would be ruined if the truth got out, wouldn’t it, big sis?”

The words hung heavy between you, the implication clear. Bucky knew how protective you were of Tim and how much you cared for him. The tension in the car felt suffocating, every second stretching out as you tried to process the double blow of betrayal.

You turned away, staring out the window as the city lights blurred past. The weight of the situation pressed down on you, the realization of being trapped with no easy escape. Bucky was holding all the cards, and you were left grappling with the enormity of it all.

🌸🌸🌸🌸🌸

The car navigated through a series of well-manicured streets, finally pulling up to a grand, sprawling estate. Your eyes widened as you recognized Bucky’s house, an imposing structure that spoke of old money and inherited power. The sight only deepened your sense of dread.

As you stepped out, you glared at Bucky, frustration etched on your face. “Am I going to stay here?”

Bucky gave you a sidelong glance, his smile barely masking his amusement. “Oh no. We’ll be staying at another house. I just wanted to introduce you to the team.”

A sigh of exasperation escaped you. “Urghh… is your mother here too? I hate her.”

Bucky chuckled, his tone laced with mockery. “No filter, huh, babe? She’s here… but then again, you two have always had differing opinions.”

You shot him a withering look. “She’s the main reason I left. She hated me from the moment you introduced us. Remember? She called me a ‘poor bitch from Monte Cristo.’”

Bucky nodded, his expression a mix of amusement and resignation. “It’s her signature move.”

“Bucky, the longer I stay with you, the more I want to snap. If you put me in the same room with your mother, I might just lose it,” you snapped, your frustration boiling over.

Bucky’s smile remained, but his eyes grew colder. “Good thing you won’t have to share the same roof then.”

As you walked through the house grand entrance, one of Bucky’s team members approached him with an enthusiastic smile. “Introducing her to the public really boosted our numbers. Great move, James.”

Bucky glanced at you with a victorious grin, as if he’d just won a major battle.

Soon, his siblings made their appearance. His brother, a tall, disheveled figure with an air of erratic energy, was clearly under the influence of cocaine. He flashed a toothy grin at you before turning his attention elsewhere. His sister, reserved and quiet, offered you a polite nod, barely acknowledging your presence.

Then, his young nephew Nate bounded up to you, his face lighting up with recognition. He wrapped his small arms around your leg.

“Hey, Nate!” you said, surprised and touched that he still remembered you. “It’s been a while.”

Nate looked up at you with wide eyes. “I remember you! You used to play with me.”

You patted his head gently, feeling a pang of nostalgia.

Meanwhile, Caroline Barnes, Bucky’s mother, observed you from the corner of the room. At seventy, she looked every bit the part of the icy matriarch, dressed head-to-toe in Chanel. Her eyes, sharp and assessing, were framed by a carefully styled silver coiffure. She held her champagne glass with a delicate but dismissive grip.

“Something about her, I always hate. I can’t explain why,” Caroline said with a sneer, her gaze never leaving you.

Julius Barnes, Bucky’s father, stepped in. With his full gray beard and military posture, he exuded authority. “Be nice, Caroline. It’s crucial for her to be here. We can’t afford to lose this opportunity.”

You looked at Julius and Caroline. Both had clearly aged, their faces lined with the stress of the campaign.

Caroline forced a thin smile. “Welcome. It’s so delightful to have you here. I’m sure you’ll find the atmosphere… inspiring.”

You gave a tight-lipped smile. “Oh, you’re such a fucking liar.”

Caroline’s eyes widened in surprise at your boldness. “You’re really brave now,” she said, a hint of shock in her voice.

“Because I’m not part of your family anymore. The marriage between me and James was supposed to have ended,” you retorted, your voice cold and steady.

Caroline’s smile faltered, but she quickly regained her composure. “Well, dear, you must be quite the sight to behold for us tonight.”

Julius stepped in, trying to defuse the tension. “Let’s keep this civil. We have important matters to discuss.”

You glanced at Bucky, who watched the exchange with a bemused expression. It was clear that this charade was far from over, and you were trapped in a web.

As you and Bucky prepared to sit down on the plush couch, the campaign team busied themselves in the background, setting up for the next presentation. You moved to take a seat, but Caroline's voice cut through the murmur of activity with a sharp edge.

“Na-ahh. Put a blanket under her,” Caroline said, her tone dripping with disdain. “We don’t know what kind of virus she’s brought back from another country. And this is a $50,000 couch.”

You stared at her, incredulous. “What the fuck? Is that a joke?” You turned to Bucky, eyes flashing with irritation. “Because strangling her is a joke for me.” You chuckled darkly, “I think it's funny too.”

Bucky’s face tightened as he stepped between you and his mother. “Stop it, Mom. I need her more than I need your attitude.”

Caroline’s eyes narrowed, her face a mask of thinly veiled disdain. “Well, isn’t that just charming,” she said, rolling her eyes as if the very act of speaking to you was beneath her.

Julius, standing nearby, shot Caroline a stern look, his military bearing evident in the rigid set of his shoulders. “We’re trying to keep things civil. This isn’t the time for your petty grievances.”

Caroline huffed, crossing her arms with an exaggerated sigh. “Fine, fine. Let’s all just pretend we’re one big happy family, shall we?”

You took a deep breath, trying to suppress the growing anger bubbling inside you.

The room felt charged with tension, and it was clear that the facade of civility was wearing thin. Bucky gave you a reassuring glance, though his eyes betrayed a flicker of frustration.

Greg part of the campaign team, a wiry young man with an anxious energy, took center stage. He adjusted his glasses and began to explain the next phase of Bucky’s campaign strategy with a mix of nerves and enthusiasm.

“So the next plan is…” Greg said, his voice slightly shaky. He clicked through a series of slides on the screen behind him, each one detailing the upcoming events. “We’re focusing on increasing voter outreach through targeted social media campaigns and local meet-and-greets. We’ve also got a major fundraising event coming up next week.”

Bucky nodded, his expression a mask of professional detachment, though his eyes flickered with a hint of approval. You, seated beside him, tried to maintain your composure, though the tension in the room was almost palpable, especially with Caroline still glaring at you.

Greg continued, his tone growing more frantic as he reached the final point. “And the last thing…” He took a deep breath, glancing nervously between you and Bucky. “Both of you will need couples therapy.”

You couldn’t help but roll your eyes, a sarcastic smirk tugging at your lips. “Oh, isn’t this just wonderful?”

Greg’s face reddened as he tried to recover from his awkward announcement. “I mean, it’s just… well, it’s a suggestion. You know, for the campaign’s sake. Sometimes, a little… uh… harmony at home can be beneficial.”

Bucky gave a tight smile, his gaze fixed on Greg. “I appreciate the suggestion, Greg. We’ll definitely consider it—maybe after we get through the rest of this circus.”

Greg nodded vigorously, clearly relieved to move on from the uncomfortable topic. “Right, of course. Well, let’s focus on the campaign, then.” He hurriedly wrapped up the meeting, leaving you both alone.

You sighed and turned to Bucky. “Did you wake up this morning and decide you wanted to be Vice President, or was it just a spontaneous career choice?”

Bucky leaned back in his chair, crossing his arms with a smirk. “Oh, you know me. I was just lying in bed, thinking how I could add ‘Vice President’ to my list of hobbies. Figured it’d be a nice change of pace from ruining your day.”

You narrowed your eyes at him, unamused. “And here I was thinking you might have a bit of humility left.”

Bucky chuckled, lifting an eyebrow as he shifted in his seat. “Humility? That’s for people who aren’t trying to get elected. But don’t worry, I’m sure we’ll find some way to make this circus amusing for both of us.”

He leaned forward, a glint of mischief in his eyes. “Honey, I’ll give you the ticket.”

You raised an eyebrow, incredulous. “A ticket? To what, exactly? Your endless charade?”

Bucky’s smirk widened as he leaned back, his tone dripping with sarcasm. “To the front row of the greatest show on earth. It’s going to be quite a ride, I promise.”

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[chosopie]

FLUNK OR FUCK - SATORU GOJO

Gojo was the popular kid in college who often attended frat parties and was known for his pretty face and athletic abilities. He had numerous girls up on his shit who would desperately beg him for a chance, but no. His eyes were set on you.

A lot of people didn’t understand why he was so fixated on someone like you. You were a STEM girl—the complete opposite of him. You two came from different crowds that didn’t get along.

Gojo was tempting. You couldn’t deny the fact that he was hot. He had a nice toned figure and angelic facial features. It was like he was sculpted by the gods and descended straight from Olympus. You had nothing against dating him, but you had standards. The kind of man you wanted was someone who was responsible and intellectual. You couldn’t stand the thought of being with a guy who had shits for brains.

“Y/N! What could I possibly do to make you date me?” He whined into your ear. He had been pestering you for 45 minutes now while you were busy summarizing your notes for tomorrow’s upcoming math test.

“Please, just one chance!”

“Ugh,” you groaned, finally turning away from your notebook. “One condition.”

“Anything!” He exclaimed.

“Pass tomorrow’s math test and I’ll let you hit,” you proposed.

“Too easy! It’s just basic math,” he scoffed, crossing his arms.

“Sure,” you rolled your eyes. “Good luck.”

-

It was the day of the test. Gojo was comfortably sat on his chair with his legs crossed, his mind thinking about how close he was to getting some pussy—yours, which made it even more exciting. The professor started distributing the papers to the students in the front row. After all the papers had been given to those students, they started passing the papers backwards. You were one of those students in the front and as expected, you were already leaning over, your back slouched and your forehead close to touching your table while you started solving the problems.

Gojo looked at his paper, carefully analyzing the first equation.

“This ain’t so bad. Y/N taught me this. You just gotta use that one formula,” he thought.

Done. Next problem.

This one wasn’t a challenge either since it was relatively similar to the first problem. Gojo triumphantly smirked and started writing his answers.

Next.

“Guys, what the fuck is that…” he mumbled to himself, his hands clutching his hair. “I’m fucking cooked.”

-

“Do better.” The professor sighed as he handed Gojo his paper.

“Don’t play with me like that,” Gojo nervously laughed. He had to have passed, right? He answered most of the questions. It was just that one question he left blank.

11/30.

The red writing on the top right of the paper stared at him.

“Gojo!” You called, walking over to his seat. He was slouching, quickly putting his paper away the moment he heard your voice.

“What’s your score?” You asked.

There was no response.

“Gojo?” You worriedly asked, then you looked at his stiff face. “So, you failed?”

“Please. Pussy….” he softly pleaded.

“Seriously? That’s the last thing you should be worried about right now,” you sighed, rubbing his back. You suddenly heard sniffles.

“Fine! For fuck’s sake, Gojo! Just come by my apartment at 5 and we could fuck. I’ll teach you too so you better pass the next test.”

“Thank you,” his voice quivered. “You have no idea how much that means to me.”

: ̗̀➛ part 2

[thefusioncelestial]

Mix 11: A Transition Complete

Anonymous asked:

Add a hung twink and jock type transman in your list

Life was great for Alex. He was on the basketball team & popular with everyone. You see everything about him screamed a fine specimen of a man. But he had an open secret.

He was trans. But look at him:

You couldn't tell. The chemical treatments were a resounding success. He had ladies all over him.

But there was one part that refused to change: his reproductive organs. He still had his initial parts despite the hormone regimes. Fertility tests showed that if he had sex with someone of the opposite parts, he would get pregnant. This greatly attracted other men to him. They wanted this stud to have their babies.

Alex was fine with this. However, the winds of society was blowing away from him. Transmen & Transwomen were being demonized. He was a political science major & knew that the next election was going to flip to those who hated people like him. He could get surgery and get an artificial man rod, but that meant bye bye to having kids of his own.

He needed a solution.

His close friends, that included Christian and Shun, knew of his worries. They pondered for a bit on what to do. They decided that Alex would join the fold.

After bringing him over, Alex was explained of the solution: He would merge with another dude. Take their manhood, be reborn completely without question as the man he desired to be.

But there was a problem.

They have never merged beings with opposite sexual organs. If it resulted in an true blending, then Alex would have a cross or both. It must be assimilation.

They had a target.

The annoying Fred:

A twink with a massive rod for his stature. He somehow found about about the David & Goliath Society and wanted in. Truth be told he just walked by the dorm while Shun was absorbing Tim. He heard the explanation, heard the process, and ran as Shun walked out the dorm.

No amount of history shifting would make him forget. The prospect of going from a twink to a buff man or at least an athletic one was too much for him to not want in.

He pestered Christian & Shun to upgrade him for a while. They decided to they would grant his wish, but on their own terms.

They were going to call Fred, but he was around the corner, coming to pester them again. He knocked on their door. He was let in.

Christian & Shun had large smiles on their faces.

"Congrats, you are getting your wish," Shun said.

Fred was excited, but before he could start bouncing with joy, he saw Alex.

"Am I about merge with the most desirable dude on campus," he asked in shock.

"Does he have the size I need," Alex asked.

"Size?" Fred asked.

"I need someone with an larger rod than what their body would suggest their body said they should have," Alex said.

They soon explained the situation to Fred.

He was a bit unnerved.

"You are asking me to get eaten by someone else instead of being the upgraded," he said.

"You get to become one with Alex, you know his rep. With your help, he can act out some of those activities. You'll get to feel what he feels, you get to experience a more mature body," Shun said.

He continued: "Tim in still in here, my experiences also flow to him. And he influences my decisions," he finished.

Alex blushed. Prior to this, Alex agreed to have kids with Shun if he couldn't find a partner by 28. A surrogate father. Tim's desire to start a family influenced Shun. Alex was perfect as far as he was concerned. But now his survival was at stake. He would have to become competition in earnest to live. Shun relished the challenge.

People like Fred looked up to Alex. He had everyone swooning over him. He walked out of many parties with people of both sex & genders literally hanging off his biceps. He could have that. He just got to give himself up.

"We could just force you, ask Tim," Christian said.

"Don't get so hasty. I'll bite," Fred responded.

"Show me you have the goods," Alex said.

Fred took out his phone and showed Alex a picture:

He was well hung alright. He revealed that he was a grower & that was it at rest.

Alex coughed at the prospect of getting it for himself. Fred just wanted the Alex experience. Basketball team, parties, people fawning over him.

They both stripped down to their birthday suits.

Christian took the necklace. Explained how it worked and put it on Alex.

To increase the chances of success. It was decided that Fred would hang on Alex's back like a cape. The idea of "pushing out" the old organs, and let Fred's settle in.

Fred was on Alex's back within the minute. Hanging on, excitedly.

The necklace melted in Alex.

Fred began to melt into Alex. Starting from the feet first and then processing upwards. Alex grunted. Fred blushed & moaned.

Then their reproductive organs & butt. Only Fred's upper half remained.

Stomach, chest, and arms followed. Fred, despite that fact that he was being assimilated was very happy. If he has to upgrade someone else, then Alex was his number one choice. Now only a neck and head, Fred pushed in, fusing starting from the back of Alex's skull.

He was gone. What was Fred was now a mix of dna & biomatter floating in Alex.

Alex & Fred's mind quickly merged. Alex did not want to reject any aspect of Fred and cause a feedback loop elsewhere.

Alex let out a large exhale.

Alex's dna hungrily took Fred's. The new dna fired up and the changes began.

Alex stood upright.

He felt his reproductive organs change. He craned his neck & head upwards. He was moaning. If felt like he needed to pee. But instead of pee or a child, the flesh inside liquefied and solidified into male reproductive organs, and at the same time began to push out.

It started as a massive of slightly off colored skin. At first it just hung there outside, then it perked up & began to constrict and form into the shape of a man's family rod. The birth of new neural paths connecting his reproductive organs to his brain were born.

The remaining mass turned into a liquid filed sack. He felt his new veins and nerves go in and intertwine. Two small hard masses formed inside the sack, and as they grew larger they took in those nerves and veins. He had a pair of balls now.

His body shape shifted. It took more ques from Fred. Alex could feel his body stretch. "ugh" He was taller. His chest got smaller, and his nipples sat more straighter, but they became more dense. He didn't loose mass per say, but his body was making better use of how it distributed the muscle fiber. His body did this all over. He took in more & more of Fred's twink traits.

"uhhh"

More squeezing. His arms met the same fate as his chest. Smaller, but so much denser.

Surprisingly, his legs grew instead. A pop could be heard. Alex grunted in response.

As his stomach contracted, his abs reshaped themselves. Fred's eight pack was now Alex. It was like 8 balls slowly floating to the top, breaking the surface at the same time.They were rounder & more uniform.

His neck stayed the same. His skin became smoother.

His began to morph. His eyebrows were from Fred. His eyes a combination of both with Alex's bags now gone. His lips & mouth a combination. His nose from Fred. His ears from Alex.

His hair shifted color to Fred's brown, but the hair style was from Alex only a bit more metro.

The excess testosterone did their work. Facial hair exploded from all over Alex's body. Arms, stomach, chest, and face were all now partially covered. Alex would need a shaving routine now.

Alex let out a deep exhale & opened his eyes. The merger was done.

He ran to the mirror and checked out his new features. He quickly looked at his new man rod and was elated. He got what he wanted. He could work on his muscle sizes, or absorb a buff dude if it bothered him so much.

Christian wrote everything he saw in his little journal. Shun was proud of the new person birthed before him & nodded in approval.

"Just a sec," Alex said. He ran to the bathroom. 10 minutes passed by. What was he doing? The sink turned on, and Alex washed & dried his hands.

"It works."

They both realized what Alex just did. Must be Fred inside him.

"Welcome to the fold," Christian said.

Alex agreed to become a part of their new society.

He was still a star basketball player, still partied, but now wore protection. He could get someone pregnant now. Fred in subconscious made him enjoy & appreciate his life more. He saw & felt through Fred what the other side felt.

Fertility tests were done. He was fertile. He could still have a family. And with the shifting of history, Alex was always born a man. He didn't have to worry about persecution. But he felt bad for those straddling the line. Part of the agreement in joining the group was to help those within the trans community fully transition via fusion if they wanted. Alex was now in charge of that task within The David & Goliath society. Shun would use his money to help those in need as well, no matter what stage of transition they were at or wanted to stay in.

With Fred's memory, he found his speedo from the earlier picture and put them on. Fred's influence opened him up to these skimpy beach wears.

[themultifanshipper]

Hello.

I have a question to ask. Are you up for a honeymoon fic Landoscar? With a lot of spicy things, hehe.

<3

When Oscar and Lando had woken up severely hungover that first morning after getting married at the Vegas GP, they knew they had made the right choice.

The only problem was how the hell they were going to go on their honeymoon without arousing suspicion.

Gonna go waterboard myself in holy water now brb

Warnings: Lando makes Oscar cry, but in a sexy way, sunburns, handjob, that’s it that's the plot, under negotiated everything, edging, Oscar being in denial, cum, facial, they're both fucking freaks

They got married on 20/11/2023 at 4:12 AM in the little Vegas Chapel after the Grand Prix. It was perfect (they barely remembered it) and the only people there were Alex and Logan (the best men) and the priest (who they had to track down later and make him sign an NDA).

All in all a brilliant night.

And the proof of consummation was… well, all over them and the sheets when they woke up.

How fucking romantic.

It was now a year on from that and they still hadn't been on their honeymoon.

They were determined though. But being in the public eye made any vacationing together quite hard.

So they decided to wait. Wait long enough that if they were seen, it would be reasonable to assume it was just a mates trip to a private Island.

They were currently on said private Island one morning, limbs tangled on a sunbed, sipping some pretty strong cocktails.

“What do you want to do today?”

“I don't care as long as I'm with you”

They giggled and a slap resounded on the empty beach.

“I hate you”

“That's not what you were saying last night when I had you-”

“Okay okay! I get it!”

Disgusting.

After another hour of lounging around, Lando untangled his limbs from Oscar's and got up to get more drinks.

“You want anoth- holy shit Osc!”

His eyes widened as he turned and took in his husband’s (he'd never get tired of saying that) appearance.

“What?” Oscar sat up, confused.

Oscar’s front was a similar shade of red as a lobster, the contrast in skin between his front and back making him look like a vanilla strawberry ice cream.

“Oscar you-” Lando couldn't contain his laughter “you forgot to put cream on again!”

Lando put his hand on Oscar's thigh and Oscar gasped in pain.

“Shit baby we need to go put something on that, let's go”

Oscar ended up laying on his back while Lando straddled his midsection and rubbed Aloe over his face and chest.

“Ah!” he hissed as a hand went over a patch of particularly red skin “careful where you put your bear paws!”

Lando laughed and squirted some more cream on his hands.

“Sorry baby, but it needs to be done. Besides you love my bear paws, especially when I put them on your-”

“Jesus, do you ever shut up!” Oscar laughed and Lando gasped at his meanness.

“Don't be mean to me when I'm helping you out!”

Oscar’s hands came up to cup Lando's ass over his shorts and squeeze lightly.

“You love it when I'm mean though, don't lie.”

“Oh yeah?” Lando smiled playfully “I can be mean too you know”

Oscar couldn't help the snort that escaped him. “Yeah right, I'll believe that when I see it, you’re just too sweet”

“I am not!” he tried to defend but Oscar just laughed at him “You just haven't seen my bad side, yet”

Oscar cackled and shot a look of disbelief at Lando.

Lando raised his eyebrows in challenge and shuffled backwards onto Oscar's thighs, making sure to rub against his crotch on the way.

“Shut up and let me finish putting the cream on” he scowled as he squirted a load straight onto Oscar's hot skin moodily.

“Aw… are you getting stroppy now because I laughed at you, baby?” Oscar cooed, hands reaching for Lando but he slapped them away.

“Touche me, or say another word, and I stop completely, understand?”

Oscar nodded, eyebrows almost fused with his hairline at Lando's harsh tone.

“And we'll see just how fucking mean I can be” the older man growled.

Well shit.

Lando quickly rubbed cream over Oscar's burns, before sitting back and ordering him to take his shorts off.

“Pardon?” Oscar wasn't used to being ordered around.

“If I have to repeat myself then I'll take them off, and I’m not going to be gentle”

That's a point, Oscar thought. He didn't want to take any chances with the burns so he peeled them off himself, making sure to give his skin a wide birth.

Once settled back into the sheets, Lando grabbed more cream and started rubbing it around Oscar's crotch, which was unnecessary given that the skin there was free of burns thanks to his shorts. But Lando apparently decided to turn this into a massage, because he was digging his thumbs into Oscar’s flesh, hard enough to make him groan at the feeling.

Then he dug his thumbs into Oscar's adductor muscles and the younger man yelped and stared daggers at him.

“What's the matter, baby?” Lando asked mockingly, “Am I going too hard for you?”

His eyes were inviting him to a challenge, one he knew Oscar wouldn't back down from.

Oscar shook his head, remembering Lando's warning from before, and quickly settled back down.

This was a new side to Lando. And it was getting Oscar a bit hot and bothered as his husband just carried on massaging/torturing him. The idea of being at his husband's mercy was turning him on enormously.

His dick twitched against his stomach and Lando chuckled.

“Careful Osc, one could think being submissive is turning you on” his voice was full of mirth but Oscar refused to acknowledge him, and stared at the ceiling while shaking his head.

“No? Must be mistaken then”

He continued along Oscar's groin, massaging the cream in and rubbing him in all the right places.

When Lando cupped his balls and pressed on his perineum at the same time, Oscar let out a strangled gasp.

He was dripping, he could feel it. But he refused to give Lando the satisfaction of asking him to touch him.

“You want me to stop Osc?” Lando had a teasing lilt to his voice. Oscar shook his head.

“If you want me to touch you all you have to do is be a good boy and say ‘please”

But Oscar, by some twisted sense of ego, refused to give in so he didn't answer.

Lando laughed softly and ran a finger up Oscar's cock, making the younger man shudder and his hips buck up of their own volition.

“That looks painful, Osc”

“Then fucking touch it”

Lando’s eyebrows shot up in surprise. “Not until you say please”

“Please” Oscar huffed out.

Lando tutted. “That wasn't very convincing, Osc.” His fingers ran along the tip and back down over his balls, but Oscar just about managed to stay impassive. He looked right into Lando's eyes.

“If you want me to say please you're going to have to do better than that”

Lando grinned like a Cheshire cat.

“Oh honey, I'm not going to stop until you're begging”

The look in his eyes was predatory and Oscar almost caved then and there.

But on principal, Oscar did not beg.

Cut to about 30 minutes later and Oscar was whimpering into his arm as Lando placed kitten licks on his dripping tip.

“Still not desperate enough to say please?”

Oscar just growled “nope” but it was so strained Lando barely heard it.

“Fine, maybe I need to try a different approach, then”

Oscar looked on as Lando grabbed the cream and squirted some straight onto Oscar’s cock.

Oscar hissed at the cold, but it was nothing compared to the feeling of Lando's large hand engulfing his cock and immediately starting a fast, tight, pace.

Oscar was writhing at the sudden intense pleasure after so long being teased, and he was having trouble getting air in his lungs as he hurdled towards an orgasm in record time.

His toes curled and his back arched as he felt the orgasm creep up his spine.

But just like that the feeling was replaced by a very tight hold around the base of his cock, the release his body craved ripped away from him.

“No! Lan-”

“Shhh, baby” Lando cooed “It's okay, I’ve got you”

While Oscar slowly came down from his almost-release, Lando reapplied some cream to make the slide as wet as possible, then proceeded to start stroking Oscar at the same pace as before, this time adding extra pressure.

Oscar was openly whining now, hands gripping the sheets so hard it’s shocking they weren't tearing.

“Now, I'm going to do that over and over again until you’re a good boy for me, okay”

Oscar couldn't contain the whine that came out of his mouth. He was getting close again and his eyes were filling up with tears at the white hot pleasure.

“Please” he let out a broken sob as his thighs started clenching with his impending orgasm.

“Oh you can do better than that, Osc” Lando’s pace didn't falter.

“Fuck- please Lan, I'll do anything. I need to come so bad, please, please. Please don't stop…” he was openly sobbing now, tears running down his cheeks as he took shuddering breaths.

He was so beautiful and pliant like this, Lando was unbelievably hard. He took pity on him and allowed him to come, other hand going to massage his balls for good measure.

“Good boy, Oscar. You can come now, go on.”

Oscar screamed as he came, hot spurts of his come landing over his abs and all the way up to his chin.

The sight of him, covered in his own cum, flush deepening the red of his burns, gasping for air, almost made Lando come on the spot.

He shuffled over to Oscar's head and pushed his shorts down to jerk himself off furiously.

“Open your mouth, tongue out” he ordered, grabbing Oscar’s jaw and aiming for his tongue.

It took him no time at all to come, and most of it landed on Oscar's cheeks and chin. It was absolutely sinful, the way his face was streaked with come, tongue hanging out, eyes unfocused, he looked like a sick man's dream.

Fortunately, Lando was a sick man.

“Shit Osc, I can't believe it took me this long to find out you’re a good little slut when you want to be”

Oscar took a long time to reply, trying to regulate his breathing.

When he finally did, a low growl came from his side of the bed.

“As soon as I get the feeling back in my legs, I'm going to fuck you until the sun sets, and I'm not giving you any breaks, no matter how many times you come”

Lando glanced at the clock.

It was only 1 pm…

Shit.

[tojipie]

ma’am you mentioned slipping a guard a wad of cash for a quick closet fuck in your story so like…how often did prison toji have to bribe the guards? 😅

prison boyfriend toji series linked here <3

content: semi-public, intimidation, mentions of incarceration, facials

custodial wing at 11:30

that’s what he’d whispered to you before you parted during your day visit, hand reaching under the hem of your shirt to trace shapes into the curve of your spine.

you didn’t need to ask questions knowing how often the two of you pulled this off. if the state wouldn’t grant you two conjugal visits on account of you not being married.. then you’d just have to make your own. 

getting started wasn’t a challenge in the slightest knowing entry-level guards melted like putty once a little stipend was involved. money was everything in this system, and toji had left you a lot of money.

once every two months was the deal. frequent enough that you’d both get your fill of each other outside supervised visits, but not so often as to draw suspicion. 

naturally, you make a beeline to your destination as soon visiting hours come to a close, mumbling something about needing the bathroom to a clearly peeved officer at the front desk. 

toji comes into view just at the end of the hall, facing away from you. you realize his body is obstructing another person as you you near, bits of their conversation floating in and out. 

“you really should be in your cell fushiguro...”

“just wait till’ she gets here before you do something stupid.. christ.”

you pause just beside toji, peering over at the navy blue-clad stranger in front of you. 

“where’s..” you trail off, eyes flitting between the two men. great, your regular officer wasn’t on duty today. a fucking warning might have been nice. 

the new guard is probably half your boyfriend’s size—and age, not a firm bone in his body by the looks of it. if he did, you figure toji would already be in solitary for sneaking out of his cell. your shoulders relax at the realization. at least this guy wasn’t a threat. 

the inmate shoots you a knowing smile, sly as ever despite the high-stakes situation. you quickly move to rustle through your pockets at the sight of his outstretched palm, placing a wad of cash in his hand.

“why don’t we give our pal a little gift, hm?” toji coos, holding the money up between two fingers and shaking it like a dog treat. “wanna give me an hour with my girl?”

the guard frowns, looking around cautiously.

“we’re not really supposed to take bribes…”

the fake smile on toji’s face falters. “fuck does that mean?” he says in disbelief.

“well honestly, it means that i’m going to have to report this.” the younger man says, reaching for his walkie-talkie to alert the rest of the security team. 

“are you stupid?” toji seethes. sizing the smaller man up. regret instantly washes over the the guard’s face, eyes blowing impossibly wide as he’s backed up against the wall.

“no sir— I mean— i’m sorry!” a tattooed fist slams against the concrete, dangerously close to his face. 

“i could kill you right now. could snap your neck and keep you in that closet over there,” he whispers, jutting his thumb behind him. you know there’s no real intent behind his words, toji simply wasn’t that cruel. 

the paralyzed guard cowers at the threat, taking the two of you by surprise as a wet spot grows on the front of his pants. gross.

“you gonna piss your pants every time a real man speaks to you? huh?” he barks, laughing at the younger man’s misfortune. 

“no no no please,” the guard babbles, motioning toward the closet. “i’ll keep watch i promise, i— i don’t even need the money i’m sorry.”

“good cause you weren’t getting it,” toji sneers, pocketing the cash before picking you up bridal style. 

“that was mean,” you whisper, oddly impressed at the inmate’s intimidation skills.

“yeah? you like when i’m mean?” he mutters jokingly, hands already squeezing the curve of your ass from where his palms are holding your body up. the contact makes you shudder, sending bolts of electricity right to your core.

you loved seeing him like this, as sick as it was. possessive, short-tempered, commanding. it all made your knees weak. 

you find yourself propped up against the door of the closet moments later, held up by his hands as he wastes no time, leaning in to mouth at the curve of your neck. 

the way he maneuvers you without so much as a sigh only stokes the flames deep in your core. toji’s strength was something to behold, an absolute marvel.

the closet is dim, lit by a pull-string bulb older than the two of you combined. you’re so close that you don’t know where your body ends and his starts, making it seem like there’s not enough air for the both of you. 

you reach down with one hand, keeping the other on his shoulder for balance. deft fingers work up the scratchy fabric of his brown uniform, exposing his abs with a hum.

fuck, he was getting bigger, muscles chiseling deeper and deeper as each day went by. the barest hint of black ink peeks just under the hem of his shirt, grabbing your attention for just a moment.

“lift it up angel,” he rasps, mouth still working at the thin skin of your collarbones. purple blood vessels bloom under his lips, the trail of hickeys growing larger by the minute.

the inmate helps you strip his upper half, lips detaching from your body with a sly smile.

“toji, oh my god,” you gasp, running a careful hand over the barely healed tattoo. 

“didn’t want you to see till’ it was finished,” he explains, grinding the hard length of his cock against your clothed core. 

toji hadn’t taken his shirt off the last two times you’d snuck off together, opting fuck you through three orgasms with his pants around his knees, showing off the barest hint of his happy trail. 

you figured it was for the sake of saving time, a precautionary measure in case your situation was compromised. naturally, there was a much deeper reason behind it.

delicate swirled letters brand your name across his ribs, etched into tanned skin amid a background of black and grey mist. the skin around the edge is still pink and delicate. blushed by the spike of a needle over, and over, and over.

god.. how did he even get this done? and so well at that? the things he manages to achieve even while serving time never fail to blow you away.

you hadn’t even realized he’d stopped grinding into you, his palm just barely cradling your face.

“you okay?” he says it so gently, like you’ll break. 

“it’s perfect,” you tell him, basking in the shy smile he gives you. scarred lips finally meet yours, setting you down on the floor of the closet to shimmy your skirt down. toji pulls away with an audible hum, tapping the inside of your calf to get you to open your legs wider.

the inmate wastes no time, hooking a thumb under the fabric covering your heat, and pulling your panties to the side. you feel his hulking body drop to a knee in the dim light, running thick hands up the soft skin of your calves before pressing a gentle kiss to your clit. 

“beautiful,” he whispers, though the stars that dance across your vision keep you wondering if he’s talking about you, or your pussy. 

and then your thoughts come to a screeching halt as a warm, dexterous tongue licks up the length of your slit. the noise he makes is obscene, desperate, groaning low in his chest as he tastes you for the first time in months. 

you nearly forgot how good it feels to be taken like this, struggling to maintain your balance as toji laps at your hole, two hands settling on your knees should they decide to buckle. 

“tastes so fucking good,” 

he says it directly into your heat, shooting vibrations straight into your core. warm velvet sneaks up to lap at your sensitive bud, tracing hot, wet circles in the spot that matters most.

you peek down just enough to see him free his cock from his boxers. two fingers swipe through your heat, using your slick to ease the slide of his hand along his shaft. 

it’s filthy, the way he’s always been so readily able to shift how he acts around you. cold, unforgiving hands turning into warm fingers that bring you nothing but pleasure. 

you’re the only one who sees him like this— who will ever see him like this. on his knees in the back of a cramped closet, making love to your cunt like a man starved. 

the feeling of your approaching high rips you from your thoughts, hands tangling into his mess of raven hair.

“gonna cum,” you whine, pushing at his forehead to get his face away from your clit. the tiniest bit of relief floods your core as he pulls away, his mouth and chin dripping with slick. 

“turn around.”

you haven’t even fully pressed yourself against the door before the blunt head of his cock is sliding into your entrance, filling you to the brim in one fluid motion.

toji takes a second to palm at the flesh of your ass, humming in appreciation as you adjust to his size.

“please,” you groan, “please just fuck me toji, please.”

the inmate pauses, slipping a hand under the hem of your shirt to play with your tits.

“should i?” he whispers, groaning as you clench down on his length.

frustrated, you push your hips back into his shaft, swallowing him over and over while harsh pants ring out behind you. large hands squeeze around your waist to stall your movements, giving him space to rut into you like you need.

the feeling is seismic, explosive. sending you right over the edge and into the abyss as black streaks over your vision. you don’t think you’ve ever been fucked this good before, taking deep, thorough gulps of air as you’re humped and rutted into against the fragile wood of the closet door.

large fingers wrap around your wrist and pin your arm behind you as you reach down to toy with yourself.

“like this,” he tells you. the implications clear as day.

cum on his cock or don’t cum at all. 

and cum you do, shuddering as you flood yourself between your legs. his pace doesn’t let up for a single second, bucking up into that special spot over and over.

“knees,” he commands, tone as urgent as ever. “fuck, get on your knees.”

you don’t have to be told twice, sinking to the floor to face him as he pulls out of you.

“open baby, open up for me.” the noise his hand makes while her jerks himself off is absolutely debilitating.

you tiredly rest your cheek just under the jut of his hip bone, pressing soft kisses under the far edge of his tattoo. the aftershocks of your high leave you breathless as thick spurts of seed cover the left half of your face. 

toji takes you by the face and holds you in front of him, fingers squishing your lips into a pout as he paints your face with the last of his load.

“there we go, there we go, eat it for me,” he pants from above you, chest heaving from the force of his orgasm. you gather as much as you can with your tongue, letting him thumb the rest into your mouth.

“beautiful,” he says, letting you clean off his fingers with your tongue. and this time you’re sure that he’s talking about you, his girl. his everything.

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[veganthranduil]

(This is a slightly re-worked version of my 2021 Terror Camp talk on the subject. You can request access to past recordings via the TC email.)

In a show full of unapologetic imperialists, Harry Goodsir, beautiful cinnamon roll (too good for this world, too pure), is often exempted from the scrutiny that other characters are subjected to, based on his ‘innocent’ nature and his good intentions. I argue that precisely these characteristics that are most formative for his imperialism, but that his imperialism is not legible to us because it is the same form of imperialism we* still practise today. As the character who seems most modern to us because he is, in many ways, quite liberal, he serves as a prime audience surrogate to excuse, and to question our excuses of this imperialism.

We may think of empire as an unapologetic entity, too large to deny its own existence. The fact of its violence is all-encompassing. In the eyes of those who suffer from under it, the empire cannot be ignored—but there are also those who depend on its invisibility for the functioning of their world. This is a story about how the empire hides itself from itself, through the story it tells about itself.

The origins of empires fall together with the historical emergence of liberalism in the 18th century. Mehta (1999, p. 194) writes on this co-emergence:

“It is tempting to see the triumph of liberalism and the concurrent extension of the empire as either discontinuous facts that do not relate to each other or as plainly contradicting each other, and therefore casting doubt on the authenticity of the former. The thesis of discontinuity misunderstands the role of liberalism generally, and especially in this period. From its very inception in the seventeenth century, liberalism had been much more than a mere political doctrine with a local reach. By the early nineteenth century and with added vigor through the course of it, it was a robust mindset with a confidence in its global vision. This liberalism did not mysteriously get transformed into some demonic urge to rule the world the instant the British ventured beyond their shores. [...] liberalism and empire were tightly braided threads such that their separation would have resulted in the fraying of a well-woven mental and political tapestry.”

At the same time, liberalism, in its elaborations as a theory, is at odds with many aspects of empire. Liberalism, on the one hand, relies on the resources and globalisation provided through colonisation. On the other hand, the liberal tradition purports that its values—individual self-determination, basic rights, democracy, or tolerance—hold the world over. These liberal values extend rights that the empire violates and denies. This is not to say that liberalism has not also served as the argument in struggles of liberation and for rights. The language of liberalism can be used to challenge liberalism and demand inclusion, just as the language of liberalism can be used to dismantle it. Suffragists successfully did the former. The globally resurgent radical right is succeeding in a strategy of normalisation that is achieving the latter. What I am saying is that within liberalism, which is caught between needing the empire for its political survival and being at odds with the fact of empire in its moral system, there is a particular rhetorical trick that hides the empire from liberal eyes. Even today, we western liberal subjects deflect when it comes to the existence of this connection.

I use Jeanne Morefield’s concept of “imperial deflections” (Morefield, 2014). She defines an imperial deflection as “drawing critical attention away from the liberal empire’s illiberalism by insisting upon its fundamental character.” It’s a bit like a magic trick: showing you the card by acknowledging the empire’s illiberal acts, and then drawing the attention away from it. Morefield examines British liberal thinkers around WWI and US liberal thinkers post 9/11 to show how the liberal justifications of empire are surprisingly similar in both instances. In both pre-WWI Britain and post 9/11 America, liberals insist it is impossible for them to act illiberally—because they have always been liberal, because they are at heart liberal, or because the long arc of history bends towards a liberal society in both cases. It is these deflections we can see Goodsir employ in the show, at different times, and with different degrees of success.

Goodsir as an Audience Surrogate

At numerous junctures in the show, we are encouraged to view the world we are presented with through Goodsir’s eyes. He, like the viewer, has never been to the Arctic, and approaches it with a sense of wonder. The audience is encouraged to empathise with him through small moments that endear him to us (such as when he insists that he, too, can haul the boat-sledge in 1x02 and promptly falls over, inexperienced at hauling as he is.) In episode 1x02 Goodsir as a viewpoint character also becomes explicit when we hear his testimony after what happened to Lieutenant Gore. Although all members of the sledge party are interviewed offscreen, it is his point of view that we hear and believe, and that helps us makes sense of what we just saw happen. The fact that the captains interviewing him are sceptical of his account just solidifies putting the audience in his corner.

What most solidifies Goodsir as an audience surrogate, however, is his ideology and therefore his position in the show as a “modern” character. My argument is that it’s precisely Goodsir’s liberalism that allows us to identify with him.

Goodsir as a Liberal Subject

Goodsir’s role as a scientist (an anatomist first, and then also a doctor) position him closest to Post-Enlightenment liberal ideas about scientific progress, rationality, and also a new form of masculinity. Goodsir is a decidedly “modern” character, especially when contrasted with other characters: Goodsir is less set in his ways than most of them. While describing the bear prints, for example, the captains are dismissive of his description while Goodsir is sceptical but not dismissive of the idea that the bear could have tracked them to the ship. (He is, of course, very set in other ways, for example in his total embrace of class hierarchies.) He is also positioned in contrast to Stanley’s overt racism when Stanley refuses to perform surgery on Silna’s father.**

Goodsir’s approach to life is informed by his belief in science. We are given little hints throughout the show that approaching things from a detached, scientific angle gives him comfort. When David Young dies, Goodsir is distressed, but the first thing he does is check Young’s pulse. Similarly, he can perform Young’s autopsy only after covering his face, reducing him from “person” to “body.” His account of Gore’s killing, likewise, is focussed on the observable details and reads more like a scientific report than a report from a man who witnessed a traumatic event.

This rationality and distance from emotion is also indicative of an alternative masculinity. The show contrasts Goodsir’s liberal masculinity with the more familiar “male warrior” masculinity of the sailors that surround him. In episode 1x03, Goodsir’s demand of an escort back to the ships is played for a laugh, though immediately undercut when the Tuunbaq does attack the hunting blind, leaving him the character with the more realistic risk assessment. Goodsir embodies an alternative hegemonic masculinity: a liberal masculinity that expresses itself not in outbursts of aggression but in a distancing from emotion. When Goodsir seeks to test his lead poisoning theory, for example, he entices Jacko with gentle words to eat from the food he suspects to be poisonous. He is aware that—should his theory be correct—he is killing the monkey. We are reminded of his gentle words to David Young and realise, perhaps, that his gentleness is not backed up with a deep concern for the person/animal he speaks to. In both cases, the knowledge that can be extracted from dead bodies supersedes sentimentality. Neither masculinity, one might extrapolate from that, offers a way out of the predicament these men find themselves in. Neither can serve as the basis of a new kind of living with each other.

Goodsir’s Liberal Deflections of Empire

Goodsir’s character is an interesting case of nominative determinism. There obviously was a historical Harry Goodsir, but this is not the man we are looking at. We are looking at the fictional “good sir” who was, at first glance, written as the only good man among imperialists. At second glance, however, his name itself becomes an imperial deflection. While other characters make their investment in empire clear from the beginning, Goodsir’s is perhaps harder to spot. Sir John has already failed at one imperial endeavour and is adamant to prove himself. Fitzjames’s stories illustrate that he has no qualms with the mission of empire. But at various points in the show, Goodsir is seen to express discomfort with the logic of action that imperialism dictates. He wants to save Silna’s father (even though he ends up making things worse for him and the crew in the long run.) He expresses discomfort at the treatment of the body of Silna’s father, while he himself tries to be respectful of Inuit customs (though, once again, making things worse by burying his charms with him.) When Francis wants to ask Silna how to kill the Tuunbaq, Goodsir does not translate the question, perhaps out of a sense that “these matters are quite private in her culture.” It is because of this discomfort that Goodsir becomes the prime apologist of empire. The other characters do not feel like they have anything to be sorry for, and therefore do not need to invent justifications. Goodsir employs these justifications at various moments in the show, but two instances stand out for their similarity in phrasing and context, and the differing extent to which Goodsir believes them.

The first instance of an imperial deflection is when Goodsir brings supper to Silna. She has just been kidnapped by Hickey, Hartnell and Manson. When Goodsir introduces himself to Silna, he has a first moment of realization of the meaning and scope of empire and his place in it. He explains their purpose (“For our economy. For trade.”) and seems to have a moment of self-awareness that those are neither good reasons for dying nor for killing. A moment later he points at himself, hoping to introduce himself. “Goodsir,” he says, which is both his name and also an insistence that while the policies that brought him here may be flawed, the men sent to die were good men, not deserving of the scorn we direct at them for the imperial policy they carry out. “This is not how Englishmen act,” he says, despite evidence to the contrary that Englishmen have, in fact, just acted this way. This is the first instance of a textbook liberal deflection: insisting on the character over the actions of empire. What does it matter for Silna that he means well? The helplessness is emphasised by the abrupt ending of the episode after Goodsir’s desperate introduction.

The second time Goodsir insists on the character of Empire over its actions is in quite a different context. A hunting party has just massacred an Inuit family, people that Silna knew, and now Silna is being exiled from Terror Camp. Goodsir knows that it’s safer for her to go, but selfishly wants her to stay. He feels for her, and perhaps feels he must offer some sort of apology for the behaviour of his co-nationals. Then he tells her: “I wish you could come to England and see for yourself. It’s not like we are here. People there are good.” Once again, he insists on the fundamental character—the “English” character—of the empire that exculpates them from the crimes they commit abroad. But even in the speaking, he appears to realise the futility of this deflection. This second deflection is followed by a word spoken in Inuktitut for which no translation is provided.*** Silna reacts with a small smile and a nod of her head. The choice not to subtitle or translate Goodsir’s last word to Silna can be read in various ways, but it remains first and foremost a place to which we—the liberal audience at home—cannot follow Goodsir, who has been our surrogate up to this point, implying perhaps that he has taken a step that we have yet to take in confronting our own imperialism.

Both of Goodsir’s deflections follow violence done to Silna (or threatened against her.) In the first instance, it’s her kidnapping by Hickey and his associates for which Goodsir first apologises, then makes excuses; in the second instance it’s the violence that will be done to her should she return to Terror Camp, as well as the violence done to other Inuit. In both cases, it’s Goodsir’s job to draw attention away from the liberal empire’s illiberal actions by insisting on its liberal character. The extent to which he succeeds—or fails—opens up these liberal deflections of empire for us. Goodsir is not an uncritical liberal audience surrogate. I watched The Terror for the first time during the March 2020 lockdown, and hearing “For our economy. For trade.” hit hard for me as a person living under a capitalist system where economic necessity is continuously valued over human life. Goodsir realises, in justifying, the hollowness of some of his justifications, even as he fervently holds on to others.

Goodsir stays alive long enough to witness all the ways that Englishmen may act, and is made to participate in them. His disillusionment with his co-nationals at the end is nearly complete. But his commitment to liberalism, I would argue, remains.

In the end, Goodsir returns to science. His final vision is that of the beauty that no doubt inspired his career, the wonder that he told Crozier he still feels. But it’s also a vision that remains within the ordered boundaries of the liberal empire: the specimens are foreground on a white background, they are separated from nature, standing contextless and only for themselves. Goodsir’s final vision is that of the liberal imperial project, realised.

* When I write “we,” I am, of course, aware that not everyone reading this falls under the umbrella of Western liberal subjects that this “we” assumes. Like Goodsir as an audience surrogate, this “we” hopes to function as a mirror of reflection for our own deflections of empire. I do not understand myself as a “liberal,” certainly not in the sense that most US-Americans use the term. I see liberalism as the bedrock of how we do politics in the 21st century. In that sense, we are all “liberals.” From the position of someone who is a “liberal,” as a subject of a liberal democracy, I do not exempt myself from the category of people that has, at various points in their lives, made excuses for empire, knowingly or unknowingly. These rhetorical strategies, so ingrained in how we talk about who we are, make it all-too-easy to fall into the trap of convincing ourselves that there is something redeemable at the heart of our empires. We must make these strategies explicit to recognise their falsity.

** Stanley’s refusal did not come out of an assessment of the futility of the procedure, which might have spared Silna’s father further suffering. In that sense, both Goodsir (in his belief that his knowledge can save the man) and Stanley (in his racist refusal of medical aid) fail Silna and her father, because neither of them centre the well-being of the man.

*** I am aware that you can find this translation in many metas written about it. Do not come into my comments to tell me what it means. I looked it up.

Bibliography

Bell, D., 2014. What is Liberalism. Political Theory 42, 682–715.

Hooper, C., 2001. Masculinities in International Relations, in: Manly States: Masculinities, International Relations, and Gender Politics. Columbia University Press, New York, pp. 79–116.

Mehta, U.S., 1999. Liberalism and Empire. A Study in Nineteenth-Century British Liberal Thought. University of Chicago Press, Chicago and London.

Morefield, J., 2014. Empires Without Imperialism: Anglo-American Decline and the Politics of Deflection. Oxford University Press, Oxford.

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3