#11 more to go

[whywasthissohardtomake]

Y'all Ready For This

dananananananananananananana

anyways. First Fancytier thought thingy. let's gooooooooo.

We are starting with space!

not all of my thoughts are completely coherent yet, but I've read through most of what I want to, so I can actually start planning design stuff now! my thoughts are below the cut! mwahahahahah

So! from what I've read from Tumblr users and the extended zodiac space is all about the biiiiiig picture, which figures because space is very big. What I did not realize was how closely tied to creation it is, though thinking about it now that makes sense.

So! my thoughts for consistencies between fancy tier designs are some of the following!

I want heavy, black fabric for the main portions of the outfits. Just very weighty and all light is absorbed into the fabric itself. almost like how thick velvet curtains are described in books.

beading! it should be beaded with some sort of black material! I haven't decided what yet because I haven't looked into the symbolism of different minerals. It could be black diamonds or just black glass, I don't know yet. But either way it should be black and be near invisible against the fabric until the person wearing the outfit moves and it catches the light. Then it's very dazzling and shows off a design.

the design. ooooooo. it should be made of extremely small beading that makes flower and vine designs. Those designs form together to make larger looking stars and other celestial bodies found in the sky, and then all of that comes together to look like a spiral galaxy. so tiny designs that make an even grander design when one steps back and takes in... the Big Picture.

the design should be slightly ever changing, as the space aspect does. it is not stagnant on the outfit, but shifts and moves.

FROGS.

actual vines and flowers wrapping around the outfit. red flowers and green vines. They should be those like eye-searing colors from Homestuck. that's because space's accent color is red, and all of the space characters we've seen so far have been green themed. so ¿por qué no los dos?

I was thinking of maybe having the flowers and stuff being maybe frog related? like flowers that frogs sit on or are part of their ecosystems? or just that frogs are usually depicted near? so the frog aspect really gets honed in on

back to frogs themselves, maybe in like depictions of the gods, space aspect ones always have a frog with them? or multiple? like frogs are there sacred animal/symbol?

I just really don't know yet how to incorporate frogs into the design. I'll have to do more research

also, starlight looking silver for the metal used for jewelry and such.

also maybe make any designs I do kind of feminine? I plan on potentially making a masc, fem, and androgynous version of each fancy tier because I both love and hate myself, but maybe all three for space will be feminine in some manner? idk (this would be because all the space people have been girl-esque, or at the least feminine in some manner)

number eleven is the one most subject to change.

I think that's everything for now??

tune in next time for... TIME!!!!

[jacketrepresents]

My awesome life i just checked two things off my end of semester checklist<3 time for bed

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.

[arinmoss]

Armand...you have bewitched me...

[lab-gr0wn-lambs]

hot garbage 👇

[cubbihue]

Peri was very upset about a lot of things that happened. Within a span of a week, he felt like his entire life has changed for the worst!! He had a dumb bulb on his wand, Timmy was still moving away, and he had to go to a school far from everyone he knew!!!

Of course, the cause and trigger of those emotions was Timmy. But Peri can’t blame his older brother for any of that. So the next logical conclusion for a small child to reach was to blame his parents instead!!! And boy did he blame a lot on his parents.

Many of Peri’s actions in his childhood stems from misplaced grief and anger. By the time he was old enough to know better, Peri got a mixture of stubbornness and a bruised ego to admit he was wrong for how he reacted.

Bitties Series: [Start] > [Previous] > [Next]

Instability: [Start] > [Previous] > [END]

[weirdlilhusky]

BRIGHT COLORS (I think,,)

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No one on Twitter liked my shitcase 😞

Edit ; holy shit thank you guys so much for all the notes??i didn't expect this to get that many slash pos!!!i probably won't upload for a bit (art block came out of no where man) but ^_^

[egophiliac]

I have never been more concerned for a JP update from your art than I am seeing a Cheka knowing the context of Leona’s dream.

My bois ok right?????? My sweet nephews ok right??????

well

uhhhh

I'm sure the real one is fine :)

[sweetmapple]

Mostly Hiring manager, but HR manager and PR manager too

[ghostbsuter]

Danny had everything under control! He did!

It's dark out, time ticking to zero, and he's desperately trying to hide the baby yeti along the shadows of the alleys.

He's so so dead. Even more than he is right now. Turning full ghost even.

When Frostbite finds out that he'd taken his eyes off Snowdrift for five seconds and ended up in the living realm with no preparation, very short notice, or plan, he will never trust Danny with babysitting again!

Oh ancients.

"Hey there— is that a yeti?"

Great, a hero.

Swirling around, Danny stands in front of Snowdrift, hiding their form barely, their fluff and form peeking from behind the legs.

"No—"

"Greetings! My name is Snowdrift!"

Danny glances at the yeti cub as they stand next to him.

"Snowdrift, this is a stranger danger situation, remember what I told you about those?"

The cub peers up at him, confused. "Name no name and call for Dad?"

The teen nods.

Snowdrift looks at the hero, and a light bulb goes off. They quickly slide back behind Danny's form, simply peeking from the side now, curious.

"You saw nothing." The halfa turns to the hero, grinning nervous yet threatening.

"I'm not sure this is how it goes—"

[idliketochill]

D rank endurance

[sableeira]

experimenting a bit with gradient maps, inspired by this awesome artwork

[relicsongmel]

Iris, Miles, and their mutual "secret"

The Ace Attorney fandom is no stranger to discussions of homoerotic subtext in the game's script—pretty much everyone who's spent more than five seconds here will be able to tell you that. Screenshots of lines that imply romantic tension between same-gender characters are all over the place, to the point that many fans are drawn to the series purely by its reputation as "the gay lawyer game." Some scenes are more well-known than others, but one I find brought up fairly regularly is this conversation between Miles and Iris:

This is optional dialogue that can be triggered by presenting incorrect evidence on Iris' Psyche-Lock during the Investigation portion of Bridge to the Turnabout. The argument here is that the "secret" Iris is referring to is the same as her own: that being, a romantic interest in Phoenix Wright. Which is definitely hilarious when you consider that Iris has known Miles for less than a day and she's already reading him for filth (granted, she could have been clued in by the similarly infamous "indispensable friend" line, and she's also exceptionally good at reading people despite Miles thinking otherwise). As a Narumitsu shipper myself I am not immune to enjoying that interpretation; however, I feel like there's a lot of nuance in this scene that isn't often addressed by the fandom at large. Which is unfortunate because watering it down to just Iris calling out Miles for being the gayass he is (to be fair. she's not wrong) does a MASSIVE disservice to both of their characters, and I'll explain why.

My bone to pick with the usual analysis of this scene is mostly centered around the larger conversation to be had regarding the treatment of female characters in fandom spaces. All too often they tend to play second fiddle to the male characters, and a similar principle holds true for ships with their canonical male love interests: mostly ignored in favor of the the more popular M/M ship(s). At best these women are sidelined, at worse they are flattened into wingmen for the boys (as is frequently the case with many AA girls and Narumitsu, Iris included), and at the absolute worst they are demonized for their perceived "competition" with whatever gay ship is most popular and therefore the Only Valid One for the male characters involved (as exemplified by some very "passionate" fans that I generally try to avoid interacting with). Whenever this scene gets brought up, the focus is almost always exclusively on Miles and what the interaction says about his relationship with Phoenix; Iris is only relevant insofar as she's the one initiating Miles' Homosexual Moment™—you could replace her with almost any other character and there'd be a similar level of neglect for their role in the interaction. Only very rarely will you see attention given to what Iris' question about Miles' secret means when she is the one asking it, and what it can tell us about her relationship with Miles/what she thinks of him, and vice versa (absolutely wild how even Miles himself is often flanderized despite being the fandom's golden child). It's all too characteristic of the systemic misogyny that has plagued fandom since its inception, which is deeply frustrating to me as someone who adores Iris as much as I do (if that wasn't obvious by now). So that said, let's dive deeper into what I think the missing link is here: namely, the Iris-Miles dynamic as it pertains to their relation to Phoenix.

Iris and Miles is one of my favorite relationships to explore in the whole series—but as I've described above, unfortunately a lot of people get it wrong in my opinion. Discussion about the two is frequently centered around Narumitsu Love Drama—which is a conversation worth having, don't get me wrong—but the elements at play there aren't always represented the way I envision them, which again, is frustrating. Take the idea of potential jealousy, for instance: it's pretty standard love triangle fare that can be (and often is) quickly turned into demonization when it's used in a shipping context, character assassination be damned (re: Narumitsu fanfic authors that project their personal dislike of Feenris onto Miles via his jealousy of Iris and/or how they tend to portray Iris unfavorably). However, it's not inherently a bad thing to explore: personally, I do believe that there is mutual jealousy between the two of them. Miles might not have the full context of Iris' history when this conversation takes place, but he's emotionally intelligent enough to pick up on what Iris means to Phoenix, and vice versa. And him being a jealous hoe about it isn't out of the question when you consider that he's a bit of a loner by nature and doesn't have many close friends or outlets for socialization outside of his job. The crucial element that's sometimes missed, though, is that Miles not only lacks the self-awareness to realize he's a jealous hoe...he's also a self-sabotaging jealous hoe.

And the same can be said for Iris, who is similarly introverted and doesn't often leave her home at Hazakura Temple.

The whole reason Miles is peering into Iris' heart in the first place can be found in this exchange, after he breaks her Psyche-Lock:

Miles uses the Magatama in order to gain the answers he needs to bring the truth to light and get Iris acquitted, and he does so for the express purpose of reuniting her with Phoenix so they can find closure—in fact, he reiterates this to her multiple times. He obviously recognizes how Phoenix is suffering from what happened between them (I'd argue he sympathizes with Iris' plight as well) and has resolved to do what he can to help him heal, but there's no reason for him to be so insistent that she rectify things with Phoenix when it does nothing but harm his own chances with him. Unless, of course...that's the whole point.

To convince Iris to reveal her secret so he doesn't have to face his own, because he thinks himself undeserving.

And Iris, noticing this because she empathizes with that feeling of unworthiness, calls him out on it in an almost uncharacteristically forward manner when she asks him what he's hiding.

Takes one to know one, indeed.

Iris highly respects Miles for taking on her defense despite the risk to his job as a prosecutor. She's willing to trust him after hearing he's a friend of Phoenix, hearing him out and letting him reason with her. She still keeps her cards close to her chest in some regards, but she's more honest with him than she's been with anyone else in her life apart from her sister. She sees his commitment to the truth and how it starkly contrasts with how she's lived her life to this point, and thinks that this is the type of partner Phoenix deserves—not someone like her, who only knows how to survive using lies and deception. She sees so much strength in him but still recognizes the insecurity lurking beneath his tenacity, which is why when he falters in his logic, she takes a leap of faith and gives him one last chance to examine his reasons for pushing the burden of his unspoken affections onto her, as if to say: "Look in the mirror. Is this really for me? Or is it for you? Do you really seek the truth for its own sake, or do you merely hope to find one truth so you might run from another?"

Her question to Miles is a gamble—a coin flip of self-sacrifice. If she loses and he presses on, she has to face the secret within her heart she's been suppressing for five years. But if she wins and he gives in to the truth in his, she has to live the rest of her life watching it unfold and knowing she threw away her chance to finally stop living in fear of her own love.

Either way, there's no escaping heartache for her anymore.

Miles and Iris both want what's best for Phoenix and prioritize their vision of his feelings over their own. However, they are also both deeply emotionally repressed people who find difficulty in being direct with their feelings, and are predisposed to self-sabotage due to childhood trauma. These tendencies may manifest in different ways for both of them, but the fact remains that such people would likely not compete for a person's affection in the traditional sense, which is exactly what we see with how Iris and Miles deflect their feelings for Phoenix. These selfless, lovestruck idiots toss that man around like a game of hot-potato because their mutual self-hatred for the ways they've harmed him has rendered them terrified of the reality of what he means to them, and desperate to find a way out of admitting to it. It's the most compelling explanation I can think of for why the usually unassuming Iris makes such a bold judgment about what Miles might be keeping locked away, and why Miles goes to such lengths to make sure she talks to Phoenix and tells him the truth—his agreement to defend her was conditional on that exact promise. They go through this whole song-and-dance of playing wingman to ignore their own feelings while still trying to bring Phoenix the happiness they think he deserves—and then they wonder why seeing Phoenix give the other one attention burns them up inside.

Because they’re dumb. And I love them.

TL;DR the Iris Psyche-Lock scene in BttT is so much more than just "haha Miles gay" and I wish people talked about it more. Also Iris and Miles are way more similar than they appear at first glance and if I think about it for too long it makes me physically ill thank you for coming to my TED talk

[p1zzaparty]

sorry for the lack of posting i thought it was actually suchhh a good idea to replay the entirety of fallout!!!

Have some eddie studies while i get back into the groove of things

ive been practicing stylizing him more because im obsessed with capturing his likeness in my style. Actually studying his face a lot more made me realize how crazy square this guy is. I think i tricked myself into believing he was sharper than he actually was because you know, sharp triangles = jerk ass characters. But hes actually pretty soft and round. And long Horse face

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]