#101.6 x 127 cm

[casualist-tendency]

[oncanvas]

Nancy, Alice Neel, 1966

Oil on canvas 50 x 40 in. (127 x 101.6 cm)

[abstracteddistractions]

Emily Mason, "Hear the Wind Blow," 1972,

Oil on canvas,

50 x 40 inches (127 x 101.6 cm)

[huariqueje]

Green Tea Cup - Janet Fish , 1999.

American , b. 1938 -  

Oil on canvas , 50 x 40 in. 127 x 101.6 cm.

[thunderstruck9]

Stanley William Hayter (British, 1901–1988), Untitled, 1946. Oil on canvas, 101.6 x 127 cm. Tate

[cosmicanger]

Lindsay Burke

Full of Potential, 2024

Acrylic on canvas

50 x 40 inches

127 × 101.6 cm

[womblegrinch]

Abbott Fuller Graves (1859-1936) - Hunnewell Gardens

Oil on canvas. 40 x 50 inches, 101.6 x 127 cm.

Estimate: US$30,000-50,000.

Sold Shannons, Milford, Connecticut, 2 May 2024 for US$45,000 incl B.P.

I've tried to find the statue online but to no avail. I don't know if this was painted at the Hunnewell Estate in Wellesley, New Hampshire, or in the Hunnewell Arboretum and gardens in the grounds of the nearby Wellesley College.

[eyeofpsyche]

Nightmares in Art ('Halloween in Art' Series)

Top LTR:

L:

'The Nightmare,' (1781),

Henry Fuseli (1741–1825),

Oil on canvas, H 101.6 cm × W 127 cm,

Detroit Institute of Arts, Detroit, Michigan, USA (1955–).

R:

'Sleeping Venus (La Vénus endormie),' (1944),

Paul Delvaux (1897–1994),

Oil on canvas, H 172.7 cm × W 199.1 cm,

Tate, London, England, UK (1957–).

Bottom LTR:

L:

'The incubus leaving two young women,' (1793),

Henry Fuseli (1741–1825),

Oil on canvas, H 86.4 cm x W 110.5 cm,

Private collection, Paris, France (2010–).

R:

'Nightmare,' (1846),

Ditlev Blunck (1798–1853),

Oil on canvas, H 62 cm x 49 cm,

Private collection, (2014–).

[mybeingthere]

Hernan Bas A Rising Fever signed with the artist’s initials and dated ‘HB ’15’ lower right; further signed with artist’s initials, titled and dated ‘"a rising fever” HB ’15’ on the reverse acrylic on linen 127 x 101.6 cm (50 x 40 in.) Painted in 2015.

[theaskew]

Christina Quarrels (American b. 1985, lives and works in Los Angeles), And When the Clouds Clear, We Will Know the Color of the Sky, 2016. Acrylic on canvas, 127 x 101.6 cm. | 50 x 40 in. 

[uno-universal]

Richard Avedon (American, 1923–2004) Dovima with Elephants at the Cirque d’Hiver, París (August 1955) Gelatin silver print, 127 x 101.6 cm. Dior nightgown advertisement

[themuseumwithoutwalls]

MWW Artwork of the Day (5/12/24) Marie Danforth Page (American, 1869–1940) The Mother (1916) Oil on canvas, 127 x 101.6 cm. Private Collection

Born and raised in Boston, Marie Danforth Page was an accomplished portrait painter, particularly of mother and child scenes. As a student in at the Boston Museum School of Art she studied under Frank Weston Benson and Edmund C. Tarbell. An early pioneer of American women artists, Page is rightly celebrated along with other female artists including Martha Walter and Jane Peterson. "The Mother" won the Philadelphia Prize in the One Hundred and Eleventh Annual Exhibition at the Pennsylvania Academy of the Fine Arts in 1916, a prize voted on by visitors, awarded to the painting they liked most.

[snowrassa]

Moon Studies and Star Scratches, No. 6, June - September 2004 Saratoga Springs, New York; Middlesex, Vermont; Johnson, Vermont; Eden Mills, Vermont; Greensboro, North Carolina Sharon Harper (1966) Chromogenic prints, each 127 x 101.6 cm

"A professor of visual arts and environmental studies at Harvard University, Sharon Harper works with photography and video to explore the ways in which technology shapes our perceptual experience of the natural world. In her series Moon Studies and Star Scratches, she makes multiple exposures of the night sky on large format film at different times and locations to bend time and space into ethereal abstractions. In this hallucinatory image, stars appear as streaking lines of light and the moon registers as multiple shining crescents and dots puncturing an expanse of night sky composed of glowing orange and inky purple and black tones. Her photographs make visible a sense of time’s passing, suggesting both singular moments captured by a camera and the unfathomable time of light years." -- Metropolitan Museum of Art

[huariqueje]

Green Harmony   -     Ciba Karisik , 2020.

Bosnian, b.1959-

Oil on panel,  40 x 50 in. 101.6 x 127 cm

[myanhedonia]

Person person, 2023, by Geoff McFetridge Acrylic on canvas 127 x 101.6 cm

[sims2ccfindsbyck]

Third post of Art cropped and resized to 281x459 pixels for sims 2 custom paintings.

Links lead to the museums and larger pictures. Save the tiny ones here for your custom paintings folder if you want them for you simmies.

Creator: Thomas Gainsborough RA, 1727–1788

Title: Mary Little, later Lady Carr

Date:ca. 1765

Medium:Oil on canvas

Dimensions:50 × 40 inches (127 × 101.6 cm), Frame: 58 × 48 inches (147.3 × 121.9 cm)

Creator:John Constable, 1776–1837

Title: East Bergholt Church [2007, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, exhibition catalogue]

Former Title(s):East Bergholt House from Church Street [1996, Reynolds, The early paintings and drawings of John Constable, catalogue raisonné]

Date:1809

Medium:Oil on paper mounted to panel

Dimensions:7 15/16 x 6 3/16 inches (20.2 x 15.7 cm), Frame: 10 1/4 × 8 3/4 inches (26 × 22.2 cm)

Creator:Attributed to John Constable, 1776–1837 Formerly John Constable, 1776–1837

Title: Study of Hollyhocks

Former Title(s): Hollyhocks

Date:ca. 1826

Medium:Oil on board

Dimensions:9 1/2 x 7 inches (24.1 x 17.8 cm)

Creator:John Constable, 1776–1837

Title: Study of an Ash Tree

Date:between 1801 and 1803 or between 1810 and 1830

Medium:Oil on canvas laid to artist's board

Dimensions:15 1/2 x 11 3/4 inches (39.4 x 29.8 cm), Frame: 15 1/2 × 13 1/4 inches (39.4 × 33.7 cm)

Creator:Richard Parkes Bonington, 1802–1828

Title: Corso Sant'Anastasia, Verona

Former Title(s): Corso Sant'Anastasia, Verona, Italy A highly finished view of the Palace of Count Maffei at Verona

Date:1828

Medium:Oil on millboard

Dimensions:25 5/8 x 17 3/8 inches (65.1 x 44.1 cm), Frame: 30 1/4 × 24 × 3 7/8 inches (76.8 × 61 × 9.8 cm)

Creator:Edward Lear, 1812–1888

Title: The Marble Rocks — Nerbudda Jubbolpore

Date:1882

Medium:Oil on canvas

Dimensions:15 x 9 1/2 inches (38.1 x 24.1 cm)

Creator:James Holland, 1799–1870

Title: Torre Dos Clerigos, Oporto, Portugal

Date:1837

Medium:Oil on canvas

Dimensions:21 1/2 x 15 1/4 inches (54.6 x 38.7 cm)

Creator:Thomas Lound, 1802–1861

Title: A View near Norwich

Former Title(s): Old Houses, Norwich [1851, Royal Academy of Arts, London, exhibition catalogue]

Date:ca. 1850

Medium:Oil on canvas

Dimensions:16 5/8 x 12 3/8 inches (42.2 x 31.4 cm)

Creator:unknown artist nineteenth century Formerly Peter DeWint, 1784–1849 Formerly Joseph Mallord William Turner, 1775–1851 (as purchased)

Title: Street with Church and Figures

Date:1822 to 1825

Medium:Oil on paper

Dimensions:7 3/4 x 5 3/4 inches (19.7 x 14.6 cm)

Creator:Robert Macaulay Stevenson, 1854–1952

Title: `Reve de crepuscule'

Date:between 1890 and 1895

Medium:Oil on canvas

Dimensions:21 x 13 inches (53.3 x 33 cm)