#1) we can’t and don’t speak for everyone. what works for us doesn’t necessarily work for others. we understand this
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sunlessys · 5 months ago
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let’s see if i can phrase this in a meaningful, legible way…
Problem:
we introject characters that we are fully capable of talking about for hours. they don’t ever get more distinct if that isn’t true. but that leaves us with the question: if you know that character so well, isn’t there implicit pressure for the introject version of them to be exactly the same guy?
if they act in a way that isn’t in character, you’ll notice. they’ll notice. sometimes the pressure comes from other system members; sometimes it’s internal pressure to prove that you are who you say you are. some people are immune to it; some people are more sensitive. as with everything, it varies between individuals.
and there’s an additional problem called “this person’s source is something i could talk about for hours on end and never be done with.” that is: this introject is here because we like their story. the easiest way to prevent an introject from feeling pressure to conform to their source is to give them as much room as they need to decide their relationship with it. this is made harder and more complicated by sharing a head with someone who’s obsessed with them/their world/their story. it becomes a balancing act: how do you let the introject decide where they stand on their source without make other people feel like they aren’t allowed to enjoy a story that they love?
that is: how do you talk about the character in the story without implying things about the real man in your head? how do you examine the character’s traumas without hurting the real man in your head? how do you decide what personal details to share with friends who wouldn’t otherwise know anything without sharing things the real man in your head would prefer to keep to himself? how do you criticize a character’s flaws without shaming the real man in your head? and on and on. nobody wants to force anyone to be something they aren’t. but nobody wants others to give up the things that bring them joy, either.
Solution:
fictional characters and the introjects that resemble them are different, distinct people. when we talk about a story, enjoy fanart, engage with a source, or talk about the character, we are talking about the fiction. we often specify this in the way we talk: Loid Videogame, for example, is different from Loid; the line between the fictional and the real is clearly defined. in this way, Loid can decide for himself what is real to him; he is always free to say “that thing from the story also happened to me,” but it’s never assumed before he decides. this is also useful in the cases in which a system members has some kind of attraction to the character; defining it as “I’m attracted to this character but not the person I need to share a brain with” handily removes the fear of making someone in your brain uncomfortable for having feelings for a character.
this is also helpful for the introjects whose sources haven’t been completed, or who introjected before they reached the end of the story. if it does turn out that later events don’t feel true, or if there’s a wild twist that casts them in a bad light, they can say “well, that’s the story. my life went differently.” and it’s okay, not even surprising.
it means that even people familiar with the source have a chance to get to know the real guy more personally; we’ve always felt better about it when people remember facts about us and not just facts about our various sources. Bren doesn’t even share what his source is if he can help it; he doesn’t want people making assumptions about his character based on something he didn’t share himself.
obviously there’s more nuance to all of it than this. there are as many ways for an introject to experience themselves as their are introjects. but as far as a simple, stopgap rule that lets most of our people live with just a bit less stress? we’ve found this extraordinarily useful.
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rosemarie333 · 1 month ago
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Astro Opinion(Vedic Sextologyyyy 🔞)
I should be sleep but at the same time I can’t because I want to do this one HEHEHEHE
Please do not read if under the age of 18.
ANYWAYSSSS this is my own opinion. All women are safe and sound here but not necessarily for the menzies LMAO sn sn all is welcomed buttttt my opinion is strong so beware. Also I am not well versed in astrology that well but I’m using my own opinion from my experiences with others soo hehe let’s get started!
I’m writing this and tbh I feel like a weird energy when saying this like someone is sitting my stomach and i feel like spinny like IMMA SPEAK WITH MY CHEST STOP IT SPIRIT
1. NOWWWWW girlie don’t ever get me started on a jupiterian man. They are the ones with the biggest THANGS ever but every one that i met doesn’t know how to rock the boat. Like how god bless u with a big one yet you not don’t nun?????? PLEASEEEEE help me. I remember my first ex who was a vishakha moon, uttara bhadprapada sun and jythesta rising like you would think he’d know what to do but baby no. LIKEEEEEEEEEEEE it was so many times i would leave unsatisfied and i don’t know why i kept going back😭😭😭😭. AND we had 7th house synastry AND FUCKING 5th house (well i did to him and my venus was in his 7th) and it still wasn’t good lol idk what lies i’ve been told but bitch 8th house synastry is where it’s at FUCK THE 5th ( i’m kidding LMAOOO)
2. Martian Men, please dm me🙏🏾. I know some people can’t handle the aggression and tbh i can handle it to an extent but like at the same time i love aggression (i’m a krittika sun and venus in kritikka in as my ak in my D9 which i’m not proud abt but I LIKE AGGRESSION). I had a fling with a Dhanishtha sun and Pushya moon man and omg it was great. I also watched Claire Natiki (love her!) where she talks about ashleshas wanting to be dominated and advising us to try martian people bc they have warmth to them we don’t have LMAO bc yk where serpents and we have this cold coiled energy which was SPOT ON BITCH he made me feel some thangs and really took me out of my shell. Too bad he was immature and he wanted to fit in with losers. i think he was a uttara phlanguni rising.
3. Moon men count your days. Y’all are so fucking conservative just like the ladies and for what? I dated a chitra sun man with a magha moon and i think ashlesha rising with a hasta venus and here i am reading that debilitating or fall placements do better than the exalted or the other one and BITCH WHERE WAS THAT IN HIM! LMAO LIKE his whole thing around sex was very tip toey and i respect that he wasn’t necessarily domineering and things but he wasn’t so nice to me in the sexual topic of things. i can attest i wasn’t the best either as reassuring him and i wasn’t perfect in the relationship 😭😭😭(bc i’m a sexual person he felt that i would cheat on him like nigga wtf u mean u cheated on everyone you have been like BE SCARED OF URSELF TF!) anyways he cheated on me and ghosted me after i stupidly took him back so💀 even i’m lunar dominant and i can be conservative at times but tbh i can’t and could never hide the fact that i’m a sexual girly 🤷🏾‍♀️. once i taught him what i liked it did get so much better tho ngl😋
4. Saturn mennn i have a love hate relationship with y’all likeeee very dominant which is what i like but y’all also sassy like how that works? LMAO
Never had an experience with solar men but they are very egotistical and yk CHEATERS so
Mercurial men idkkkkkkk i haven’t experienced any one of y’all so YALL SAFE or venusian men that i remember LMAO. But venusian men are def the type to fuck the baddest in the room for the status LMAO imo idk.
As someone with a sun DK and saturn AK lol 😭def a pattern i see but overall i think i had the best experiences with martian men tbh hehehe hbu y’all! (would love to hear other’s experiences)
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csuitebitches · 2 years ago
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On Being Socially Accepted / Well Liked
Human beings are sociable animals. No matter the degree of sociability, there’s a part of us that wants to be loved, nurtured and accepted by those around us.
I didn’t want to make a guide of how one should be likeable, because if you think a little - from all the people you like, do you like them for the same reason? Not necessarily. You may like one friend for their humour; another for being a solid person thick and thin; a third for their extroverted personality… we’re all different and should be!
Now, you may have certain qualities that you want in all your relationships, regardless of the person. For instance, I’m very adamant about transparency and loyalty. Loyalty to me doesn’t mean standing up for me even if I’m wrong - it means caring for me enough to tell me I’m wrong. However, these qualities wouldn’t make you likeable per se - they would make you accepted within a social circle.
So how does one become likeable?
1. Ease up on the doormat culture
You’ll notice that most of the people you like are capable of having an independent opinion and thought. People pleasers may come across as inauthentic and dicey, especially the ones who change their opinion to agree with the majority. So start cutting out the people pleasing behaviour.
2. Have hobbies
You’ll generally gravitate more towards someone who seems to have their life together as opposed to someone who doesn’t. I’m always keen to talk to someone who does something a little different in their free time. I remember talking to a physicist who also wrote poetry - I was very intrigued by his work, and I invited him to my NYE party along with his girlfriend.
Now, there’s nothing wrong with not having your life together as long as you’re at least trying to make it better. Hobbies don’t have to be expensive. It’s also a better way to expand your circle- not all your friends will enjoy pottery or tennis, for instance.
3. On emotional/ trauma dumping
The worst people to guide you in life, my father always told me, are your friends. Blind leading the blind.
Your friends may have a good heart but not necessarily good advice. Keep the trauma dumping to a minimal unless your friend is okay with you sharing more. Bear in mind that even as a listener, when you hear someone’s traumatic experiences, you may feel emotionally overwhelmed.
Never share your private experiences, current situations, drama, problems, gossip with acquaintances or friends who you’re not particularly close to. Trust me, it can be tempting to engage in catty behaviour but there’s a good chance it’ll bite you in the ass.
4. Figure out your strengths
I know what I bring to the table when it comes to friendship - gentle honesty, alternative solutions and perspectives to issues and I’m always a planner.
One of my friends is a blunt critic and I always speak to her when I know I need a reality check about life.
Another friend is very non judgemental, she’s the one I open up to about the weird things I think of.
A third friend is my party friend, who is 100% the life of the party and I love his energy.
We can’t share the same relationship with everyone. Understand your strengths and hone them.
5. Likeable people don’t care about being likeable
Become detached from this idea of “I want to be liked.” Rather than that, I feel the statement “I want relationships who accept me for who I am” make more sense. As you grow older, you’ll realise that this teenager definition of popularity is nothing but inauthentic bullshit. You deserve friends who care for you and cheer you on.
The idea of “I want to be liked/ popular” also low-key reeks of desperate behaviour. It shows that you don’t really care about your thoughts or opinions as long as you’re accepted and you’re ready to modify your opinions to fit in. That’s the worst way to making friends because you literally can’t be yourself.
6. Yes, looks do matter
Looks do matter to a degree. I don’t mean that in a sense of physical features - I mean it from a sense of grooming.
I’ve noticed that people will be taken more seriously if you look a certain way. That doesn’t mean you have to buy stuff until your money runs out - it just means being at a healthy weight, dressing well, practicing personal hygiene.
7. Observational skills
Whenever I’m at an event and I notice someone feeling left out, I go and talk to them.
I remember being in the shoes long ago and feeling uncomfortable going to places. So when I see someone in the same position, I try to be the person I wanted at that point of time.
It’s important to have keen observation skills but what’s even more important is dealing with it subtly. I remember a girl at a party wearing a dress with the price tag still attached to the neckline at the back. I casually went over, put a hand on her back, discreetly whispered that her tag was out, should I put it back in? She said yes, and I put the the tag inside her dress without people around us noticing me. Discretion is a must in life. Don’t shout your good deeds- do them, don’t get flattered by compliments when people tell you that you were nice, and just play it off like it’s not a big deal.
8. Being impolite
I read a study that polite people are harder to connect with. Overly polite people can be seen as boring and that you need more energy to talk to them because the conversation only revolves around a few “polite” topics (studies, career, life in general, how nice the establishment is, the weather, common friends… surface conversation). I’m not saying don’t be considerate - I’m saying don’t be overly polite. Don’t be over accommodating to other people. You can disagree with things respectfully. You can share a different perspective or crack a joke.
9. What are you like?
Are you better one on one or in groups?
I’m a much better person one on one. I resonate with people better when we have a conversation - when it’s a group, it’s just the usual hi-hellos.
You may prefer groups, if one on one conversations seem too vulnerable.
How do you figure this trait out? Ask yourself a simple question : if you had a meet a new person, would you rather meet them alone at a cafe or at a party with your friends?
Figuring this out is important because it gives you a sense of the relationships you value and how you can take them forward.
10. A balanced ratio of talking and listening
Try to listen more than you can talk. This advice is useless if you’re talking to an introvert. With most introverts I’ve noticed that they WILL talk to you - as long as they don’t have to make the first move. Once you set the ball rolling, they’re happy to talk.
So you have to understand how and when to switch being an active listener and speaker.
A simple generalised guide:
When dealing with extroverts: ask basic/ generic/ yes or no questions, give opposing opinions (most extroverts are generally up for a challenge) and listen more in the beginning, switch to talking more later.
When dealing with introverts: again, ask questions but you can make them more subjective than objective, less generic and definitely no yes/no questions. Talk more in the beginning and then listen more later, to make them comfortable.
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mcytblraufest · 1 year ago
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Holiday Exchange: General Rules and FAQ
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TIMELINE:  Sign-ups open, Discord Opens: 18 October Sign-ups close, everyone must have joined the Discord: 15 November Assignments sent out: 23 November - 26 November Check-in: 9 December - 10 December  Posting Week: Sunday 24th December through Monday 1 January.
RULES FOR PARTICIPATING:  - Must join our Discord for communication - Must tag your recipient in the eventual post  - Must tag this blog in your post so we can keep track of gifts - DM a mod ASAP if you don’t think you’ll get your gift out on time or at all, or you want to withdraw - Must check in at the half-way mark to make sure everything is on-track. -Must request and offer to create around a minimum of three characters. -Any under-18 persons found requesting or offering NSFW content will be banned from this and all future iterations of the exchange. -Because of Tumblr, Ao3 and Discord TOS, you must be 13 to participate.
RULES FOR CREATING:  - Make a good-faith effort to respect creator boundaries - Your gift doesn’t have to contain only requested characters, but it does have to centre on at least one requested character.  - Any shipping must be kept to PG-13 levels or below unless your recipient specifically requested NSFW. Any non-requested NSFW is grounds for a ban from this and all future iterations of the exchange.  -Respect your giftee's DNW. Any gift found to be in violation of a reasonable DNW is grounds for a ban from future iterations of the exchange. - Dark or Violent themes must be tagged appropriately -No AI-created content.
DISCORD LINK - Discord: [here]
CREATING RESOURCES:  - How to add your fic to an Ao3 Collection. [link]  - The Ao3 Collection. [link]  - How to image-describe your art. [link1] [link2]
MINIMUM REQUIREMENTS:  - Art (1 drawing, created to a standard you would normally post as “finished”)  - Writing (1k+ words)  - Playlist (2 hour-long playlists)  - Moodboard (2 boards, at least 9 elements each, for a total of at minimum 18 elements between both boards. Speak to mods if that really doesn't work for your designs)  - Web Weaving (1 board of at least 10 elements)
MISC:  - Tag this blog as well, so we can reblog you!  - You will not necessarily be matched with someone who matches your ‘willing to create about’ exactly. The goal is to have multiple matches, but in cases of more obscure requests you might be matched with someone who only has one commonality between your ‘willing to create’ and their wish list. In that case at least you know what to make your gift around pretty quickly. :D  - Please send asks if you need information. If it is something you do not feel comfortable sending in an ask, you can message the head mod at @antimony-medusa​ - If you ask us a question about something that has been already outlined in this post we will not answer!
FAQ:
-I changed my mind about my gift list, I want to add something, what do I do? You can re-do your entry and we will delete the earlier version of any duplicate entries, or you send us an ask (off anon if you want an answer back) to change something (only minor changes using this method, please).
-Is there an Ao3 collection? I want to add my fic to it. There will be! It will be released once assignments are sent out.
-I added my fic to the Ao3 collection, but I can’t see it? The collection is currently set to ‘unrevealed’, so works can be added but won’t be visible before reveal day, so it’s all a surprise.
-I need to contact my recipient, but they have anon off! What do I do? Talk to us, we’ll contact them for you.
- I didn’t save my assignment message and now I’ve forgotten my assignment, what now? Get in contact with us, we’ll resend it. 
-I can’t finish my gift by the deadline, what do I do? You have two options. Option one is to consider if you can still finish it by a couple days or a week or so later, and ask the mods if you can get an extension. We will check with your recipient to see if it’s okay to extend your deadline. Option two is to drop entirely, in which case you tell a mod, and we will assign your gift to a pinch-hitter so your recipient still gets something. In both cases, the important thing is that you get in contact with a mod ( @antimony-medusa is head mod) as soon as possible to figure out a plan.
-If I want to make more than one gift, can I? You can make as many gifts as you'd like! If you really enjoy making gifts, we suggest signing up as a Pinch Hitter in the discord
-I don't celebrate Christmas, can I sign up? This exchange welcomes all holidays (even a complete lack of holidays), and people will have an opportunity to opt in to what events they want represented in their gift, whether that's real-world holidays, imaginary minecraft events, or no holidays at all.
-I'm only a fan of a small server, can I sign up? You are very welcome to sign up even if your fandom doesn't have the most active tag, this is a broad MCYT exchange. We will do our best to match you with someone else who also likes your block people. If your fandom has less than a thousand fics on the archive, we recommend that you try and recruit friends into the exchange too, so you know that there are people who like the same characters as you in the matching pool. We can't absolutely promise to match on smaller characters, but we have run this exchange twice and we haven't had anyone be entirely unmatchable yet, so fingers crossed that continues.
-Is RPF allowed? While MCYT is in a fuzzy space while we're often close to RPF and many of our older works are still tagged with Video Blogging RPF, this is a character-focused exchange. You will not be able to request or offer direct RPF for this exchange.
-Is shipping allowed? Yes. For the comfort of the greatest number of participants, we ask that participants make a good-faith effort to ensure that any shipping is boundary-respecting, but because there is no broad fandom-wide consensus about how that is defined in specific cases (whether it's okay to write beeduo as /r or /p is an obvious case) or between specific fandoms (lifesteal approach to shipping is different from HBG is different from DSMP), the mods will not be policing any specific understanding of boundaries across the event. The event will operate on Don't Like Don't Read, in that everyone will have the chance to opt in for themselves as to if they are comfortable with shipping or NSFW for each specific character they want to work with, and mods will match based on that.
-Is NSFW allowed? Yes, NSFW is permitted as long as it respects creator boundaries, and both sides of the gift exchange are 18+. People will only be matched to others who specifically requested NSFW work. For the comfort of the greatest number of people in the exchange and the mod team, nothing that would warrant the tags Underage, Rape/Noncon, Dubcon, Adult/Minor, or Incest is permitted.
-My person requested characters I don't want to write, and one of them is a ship I don't like. What do I do? You are only expected to create a gift for the characters you matched on. If you offered to create for Grian (shipping allowed), Good times with Scar (shipping allowed) and Docm77 (only gen), and you matched to someone requesting Grian (shipping allowed), Docm77 (shipping allowed) and Keralis (only gen), you are only expected to make a gift with the characters and relationships you matched on, in this case, Grian. If you are entirely uncomfortable with your match, you can tell a mod, and we can take it off your hands and get it pinch-hit. You will still receive a gift.
-If noncon isn't permitted, is non-consentual touching (platonic) allowed? As technically a punch in the face counts as non-consensual touching, and pvp is a classic part of most MCYT canons, we find banning all nonconsensual contact to be unnecessarily restrictive. As long as nonconsensual contact is not sexual in nature, it is permitted, however, it must be tagged for adequately along with any other potentially triggering content.
-Do you allow dark or violent content? Yes. The lore of many mcyt servers includes death games, abuse, cannibalism, murder-for-hire, and other dark or violent themes. However, all potentially triggering content must be tagged for so readers and giftees can make an informed choice to get infolved or not. We would recommend that you not include particularly dark topics unless requested to by your giftee.
-What is a Pinch Hitter? A pinch hitter is a person who saves the day and steps in when the original creator is unable to deliver their work for whatever reason, making a new work on an accelerated timeline. You can sign up to be a Pinch Hitter in the discord.
-What is a DNW? All participants will have the opportunity to fill out a DNW, which stands for Do Not Want. This is anything that has the potential to ruin a gift for you. DNWs must be phrased politely, (so no "No foster aus because they suck and you suck if you like them"), and they must be reasonable, (so no attempting to box someone into a specific gift, i.e. "DNW anything that isn't a space au where Tommy is a dinosaur-hybrid and Tubbo is a ghost bee and they rampage through the living ship named Las Nevadas"), but they can be as petty (disliking specific art styles) or as broad-reaching (no modern aus, no specific ships, no crossovers with specific servers) as you like. Deliberately breaking someone's DNW is grounds for a ban from the exchange.
-When do I have to join the discord? You have the option to join the dicord and hang out as soon as signup starts on October 18, and you must join the discord so we can communicate with you by November 15. Anyone not in the discord once we start matching will have their sign-ups deleted.
-Is the discord a social server? Can I expect game nights? The discord is primarily an event server, we are not going to be hosting events. We will have a directory of other social servers, if you want to take a conversation started in the discord into a more convivial space.
-What's a check-in and how do they work? Check-ins are there to make sure everyone is on track to finish their piece in time, and to communicate any issues with the mods! If you know that you won’t be able to check in on a specific date (lack of internet, etc), please contact the mods in advance.
-What if I need to drop out? It is your responsibility to communicate with us if you need to drop out of the event for any reason, and we do need that communication. We know that life is no respecter of fic and art deadlines, so no hard feelings if something happens. However, we would hate for anyone to end up having no gift, so please think about this if you are thinking of dropping out close to reveals. Please inform us in advance if you must drop out or think you will not be able to complete your gift on time. Dropping out after the last check-in without informing the mods will result in not being permitted to take part in further events run by this mod team.
I have a question not answered here? Send us an ask on tumblr, contact @antimony-medusa on tumblr or discord!
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vulpiximisa · 6 months ago
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Me: i think im burnt out from idols, i should watch something else
Me also: oh boy colorful boys, lets go DreamFes
So the fact that Crunch only has the second season should have deterred me from even starting it, but I guess I didn’t want to watch anymore IMas Side M, so here we are.
I also did not look beforehand if there was any seiyuu I know in it, but this seems like the type of show that has Nobodies. Anyway, I’ve done this before with Futsal Boys, so I can handle this.
So if I thought UniteUp felt like a sports anime, this would be the more generic, played up straight up sports anime of idols. It’s preeetty much Futsal Boys but with idols. In terms of it selling something that doesn’t quite line up exactly for the target audience? I’ve never seen any of the Puri (not Cure) series or Aikatsu, but I’m assuming those are also “magical” transforming idols using cards? The most I’ve been exposed to costume changing cards is Happiness Charge Precure, which, I’m assuming was inspired by series like that. I’m not a fan of it, but I get what vibe it’s supposed to be. So like, sentai toys, but with idols. 
Anyway, not gonna lie, I binged the first three episodes straight up because it was entertaining enough. It’s not as deep as I would have liked, where Blue’s tragic backstory was Not the “I watched someone I care about commit suicide” that I thought it was gonna be, but I guess that was semi traumatizing for a kid. I can’t say the characters are necessarily deep, as Kanade’s reason for dropping soccer kind of pisses me off, and we could have gotten a little more something from Keigo before he left for the 20:32 train. (Why was this the make or break role? Was there an on going rivalry between Keigo and Shin before?) 
The pacing of the series is too fast but at the same time doesn’t really give information. I feel like it really is targeted towards 5-8 year olds with the way the story is written. (Why the characters kept dredging up 2032’s lyrics and talking about it like that. It just felt like it was written sooo simple-y.) Also the semi-repetitive lines/gags from ep 1 and 2, mostly episode 1? Felt like they were dragging for time at some point (a minute too much of Kanade handing out balloons, a minute too much of Kanade and Yellow competing)
Also, I love transformation sequences IF THEYRE NICE TO LOOK AT. The boy’s Dorika henshins are way too samey, so yeah I’m gonna be bored at them. I get it's so they have a generic enough pose so they can CG slap the DoriKa outfits on. The landing pose, dorika catch animations are nice and fun, but iunno, I guess I like my smooth 2D henshins where they are fun to look at.
I complained about IChu’s performances but I see that DF is going to try to cram a performance into each episode. I get it I get it. I think it works for DF though, even if I think the performances themselves are kinda goofy. I like the face model for the guys, but the rest of the body feels a little wonky. (Their hands look under rendered and blobby sometimes I don’t know.) Hold the Phone, this was from 2016, which was also around the time I7 came out. And these guys look leagues better than the first MonGen MV, sooooo I think I know who is winning in this category. 
I guess I can get to talking about the characters now? …I uh, I think Kanade is cute ngl. I like the ponytail and even though his seiyuu sounds unrefined in terms of vocal range/acting, I like the boyish tone. Everyone is generic as hell though, but I was semi pleasantly surprised that Kanade (Red) was butting heads with Yellow (Junya, if I feel like remembering it) instead of the usual Red vs Blue. 
Speaking of Blue, I can’t really say that Kanade’s reason for wanting Shin to stay was super developed but ngl man that chase scene and “I dont want to not see you” etc etc, that shit got to me. See, the tone could have been more serious, if Shin’s tragic backstory was about suicide, so Kanade chasing him thinking that Shin would have followed the same path because of the scandal, etc etc etc. Anyway I’m already writing fic about them in my head while watching the episode skldjflkslfk
Also ngl, Mikami grabbing Kanade and throwing him into the car saying he wanted him Sure Was A Way to Sell to Fujoshis. It’s me, I’m the Bitches. Mikami is supposed to be the fun old star, I guess, I like him, he’s fun. The DF president is also cute! Anyway, I’m looking forward to meeting the other veterans of Sankishi.
Uh oh, I accidentally looked at the seiyuu casting and I guess there actually Are notable seiyuu in here. That’s fine though, I like when they give newbies a chance, but it’s too detached when I know Nobody. (Futsal Boys.) 
Anyway, I guess I’m looking forward to Purple Sweets Shota and his maybe not so tragic backstory with the Black other Shota that might be his Twin, because we love twins. (Not me.) Also, I couldn’t tell if Keigo was also an idol in the opening or if it was someone else? Will also look forward to finding out. 
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kopykunoichi · 2 years ago
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I have no problem with people shipping straight characters as gay. The characters are there for our enjoyment, and if in your little Star Wars world Din and Boba are gay - that’s great. It doesn’t matter what’s in canon or the EU. It’s strongly suggested in season 1 that Din is attracted to women (ex: Omera, Xi’an). But, like I said, it’s a fandom and we like what we like. I still ship Korra and Mako, so whatever. I have never felt the need to go on someone else’s BobaDin or DinLuke post and say that it’s invalid. If it’s your ship, sail away on it kids.
What I do have a problem with is when someone just so much as points out chemistry or the potential for a good ship between Din and a female character (like Cara in the first two seasons, or Bo-Katan now), everyone just goes feral and starts posting all this anti-ship commentary about it. Suddenly, the relationship is “forced”, gay fans say “hands off, they belong to us” (even if the characters aren’t gay or it’s unclear if they are), there are nasty comments about the writers, people threaten to quit watching, and the fans who do ship it or see the potential for it are immediately jumped all over and told to get out of the tags when they point out the double standard between how the gay ships are received and how the straight ships are received and question why that is.
This works both ways, people. I can’t speak for the rest of fandom, but I’m not going to trash your ship. All I ask is the same courtesy. If you want to have a conversation about why I like a ship better than another one, I’ll be happy to do so. I’ve been dragged into these things in the past, and I’ve seem how fast it can escalate. So, I’m here now trying to be a voice of reason. It’s not that hard to be kind.
For my part - I’m a romantic, I like a decent romance in a show (especially if it’s not the main focus, but just something that happens along the way), and unfortunately, Star Wars is usually the place where good relationships go to die. I don’t necessarily ship Din and Bo yet, but I definitely see the potential in it. It could be very well written and be a source of growth for both of them over the course of the series. A “will they, won’t they?” slow burn with a generous sprinkling of annoyed banter wouldn’t go amiss (like the iconic Han/Leia moments). I really want them to become each other’s ride-or-die best friend, then it could naturally grow into that later. But above all the others, I still ship him with Cara because I’ve written a lengthy fanfiction with them, so I’m invested.
Ppl being like "I don't want Din and Bo to be a couple because then a woman's story arch is literally only feeding into the man's." Ok, but like Din is the MAIN character, whether he wants to be or not, so literally every other character is going to be moving along Din's character arc, man or woman. And their character arcs will be feeding into each other, as it often goes in shows and movies with platonic or romantic relationships. It won't be just Bo's character advancing Din's, it will also be Din's character advancing Bo's. It's just that there will be more focus on Din's character arc, because it HIS SHOW.
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duckprintspress · 3 years ago
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Advice for Writing Trans Male Characters
Hi everyone, and welcome to our second guest post! We approached a trans man, and fellow writer, to put together a list of suggestions for cis people who want to write trans male characters! He has chosen to remain anonymous. Always remember, there is no one trans experience, and no one trans person’s knowledge will reflect the range of ways that trans people live. Our post author writes from his perspective, based on his knowledge and research, and much of this is relatively specific to the modern United States. Always use multiple sources when writing a character with an identity or identities that you don’t share!
*
So, you want to write a trans male character but you're not a trans man yourself. Good! We need more trans male characters out there in the world. There are a few things to consider, however. This is not a perfect list (I would never claim to be perfect), but here are some thoughts from a trans man about writing people like me.
Trans men are men. They talk like men, think like men, and walk like men, except where socialization as women has forced otherwise. By this I mean that descriptions should not include things like “he walked delicately, like a woman”. However he walks, it's like a man, because he’s a man. Other characters should not note that he “thinks like a woman” or that he “acts like a woman.” If you talk about a trans man transitioning and you mention that he is working on ways to masculinize his speech patterns or walking, that's fine, but make sure it's done from his perspective, e.g. “Michael tried to lower his voice, attempting to sound more like his father.” Do not use “Michael tried to lower his voice, not wanting to sound like a woman.” It's his voice and he sounds like a man. Also, many woman have deeper registers and many men have higher registers, and there's honestly not that much difference between a woman who speaks in a low alto and a man who speaks in a high tenor. Avoid gendering voices, mannerisms, and other things. A good rule of thumb is that if it's a concept, idea, or an inanimate or non-sentient thing, it is physically and/or emotionally incapable of having a gender and you should not assign one to it.
1. A trans man who has decided that all he needs to do is come out to be a man is still a man, with a man's body and male genitals, because he says he's a man. Even if he is not out, he is a man. He can be uncomfortable with his body, or with how others perceive his body, but it should not be described in terms of “womanly” aspects.
EX: David's breasts made him uncomfortable, reminding him that others looked at him differently than how he would have liked.
2. 72% of trans men do not ever want full gender reassignment surgery, and this doesn’t make them “less of a man.” The surgeries are expensive, invasive, and don’t always result in a fully functional genital apparatus. Also, there are a lot of them. A trans man, to have a full semi-working penis (one that will not be useful for sex but will at least be useful for urination), is looking at at least three surgeries: to remove the labia, to 'bulk up' the clitoris, and to move the urethra. There are also surgeries to remove the cervix and/or the uterus, to create a scrotum, and to add a pump inside the scrotum attached to a surgical implant in the penis to assist with arousal. Even if a man has all these surgeries, the penis he gets loses most of its sensitivity and won’t become physically aroused (as in, achieve erection) without medical intervention. He may also need electrolysis to remove pubic hair. Ultimately, many trans men opt not to deal with it. Many still want top surgery, or a hysterectomy, or both, and often testosterone is used to help deepen their voice and change their body shape (but, again, gendering a trans man's voice by suggesting it's “feminine” because he's not on testosterone or because his voice hasn't dropped yet is not a great idea). It depends on the type and amount of dysphoria a person experiences, versus their financial and mental ability to deal with the different choices. Some trans men are happy with no hormones and only top surgery. Others want or need everything. There is no “correct” way to be trans.
3. Unless your story revolves around their transition (which, as a cis person, maybe it's best you don't do, honestly), there’s no reason to go into detail about your trans male character's surgeries. If it’s not plot relevant, it's probably not necessary.
4. If you’re writing porn, make sure to always use male pronouns for him, even if he has chosen not to go through surgery. If he has gone through surgery, what he has will be indistinguishable from a cis male penis except that he may need viagra or a surgical pump.
5. Reactions to testosterone are different for every trans man. Some men never have their voices drop, never grow a beard, and/or never bulk up and get all muscle-y. Some men are on testosterone for two weeks and have a Gandalf beard with a voice low enough to sing bass. It just depends, mostly on genetics. If your character's father is a super hairy mountain man who sings bass in his lumberjack quartet, then your character is more likely to end up similar. If your character's father is basically an elf, then he's likely to be similar to that. Also, for a number of reasons, a trans man may choose not to or may be incapable of taking testosterone. Most doctors won’t prescribe it if the man wants to carry his own children in the future, for example.
6. Keep in mind that the order in which testosterone produces effects on a man’s body isn’t predictable, so don't worry too hard about 'getting it right.' Even trans men can't predict what they'll look like after being on testosterone for a while.
7. Also, a note: If your character is transmasculine and nonbinary, and taking testosterone, it's likely they will be on a lower dose than a trans man. That's not always true, but testosterone can be given at a few different doses, depending on how drastic a change a person wants and how quickly they want that change to occur. There’s still no guarantee: a trans man may never be able to grow a beard on a full dose, while a transmasculine nonbinary person might be on a very low dose and have a beard within the first month. But, generally, lower doses are meant to bring out smaller changes over a longer period of time, while higher doses are meant to bring out larger changes over a shorter period of time.
8. A non-fluid trans man is going to consider himself a man at all times, and always use he/him pronouns for himself, whether or not everyone else does. If you're writing a trans man point-of-view piece where he's not out or where he's not fully accepted, make sure he or the narrator always uses the right pronouns when others don't. That helps remind your audience that he's not the person other people think he is.
EX: Daniel was frustrated. His grandmother insisted on calling him “Sarah” no matter how many times he corrected her.
9. Menstruation is a difficult topic for a lot of trans men. Some men lose their ability to menstruate when they take testosterone, while others continue to menstruate. If they retain their uterus, however, the possibility of a menstrual cycle is always there. If/when menstruation happens for a trans man, it's often a time of major dysphoria. A trans man may have a lot of issues surrounding menstruation. Having a cervix also means yearly Pap smears, which can also be uncomfortable or dysphoria-inducing. Dysphoria can also happen during ovulation, when a person is most fertile. The body during this time is “getting ready for a baby” and the changes can be very triggering.
10. Testosterone may stop menstruation, but it doesn't necessarily stop pregnancy. Also, some trans men will go off their testosterone in order to carry their own child. During their pregnancy, it is important that they are still referred to as men. A trans man will generally prefer to be called “father” even if he carried the child, but some may prefer the term “mother.” If a cis person wishes to write a pregnant trans character, it would be better to err on the side of caution and use “father.” A trans man who has gone through top surgery will not likely be able to nurse his own children, but a man who has chosen to use a binder instead will be able to (probably - some people don’t/can’t lactate for other reasons). Whether or not he chooses to will be up to him.
11. Gender Dysphoria is the medical diagnosis given to trans people who want to do any form of medical transitioning. Being transgender is not in and of itself a diagnosis. A person can be transgender and choose never to transition medically. Dysphoria is generally most clearly understood as a form of discomfort in the body you possess. Sometimes a person experiencing dysphoria is uncomfortable with their body no matter what. He doesn't like his breasts, for example, unless they are bound, no matter what his setting is, who is looking at him, etc. His dysphoria takes the form of nausea at the mere sight of them. Alternatively, some people only experience dysphoria relating to how others see them. For example, a man may not mind his breasts when he's alone, and he doesn't usually bind, but on a specific day while he wasn't binding someone glance at his breasts before calling him 'ma'am' and now he can't uncross his arms in case someone else looks his way. For some people dysphoria comes and goes, and they have good days and bad days. Also, images can be dysphoria-inducing. For example, seeing a pregnant person might remind a man that he has a uterus, and make him extremely uncomfortable all day. Other people may go several days, or weeks or months, without experiencing dysphoria, but when it hits it affects them for a long time or very severely. Or a person might experience dysphoria every day, as kind of a low-level mental fog they can't shake.
12. Gender Euphoria is as valid as Gender Dysphoria. Gender Euphoria is the idea that a person might be content in the body given to them, but will never be truly happy unless they make a change. These people can live their whole lives as the gender assigned to them at birth without severe mental issues or physical problems, but it's like living a life without color. They can do it, but if there's a way to get color back, why wouldn't they?
13. Changing names is complicated and takes time. It also differs in every state/country, and may need to be re-done when a trans man moves. In some states, all they need to change their name legally is a court order. In other areas, a trans man needs to have lived using their new name for a period of time, or have doctor’s notes and authorizations. Once the character has changed their name legally through the courts, they need to change their driver's license, banking information, insurance, work papers, social security information, passport, birth certificate, and any other documentation bearing their name. It can take anywhere from a month to a year or more, and is expensive, sometimes prohibitively so. It's okay to have a trans male character who goes by “Mark” but whose parents or grandparents refer to as “Melissa.” The important thing is to make sure narratively you are confirming that those people are wrong.
EX: “Melissa! It's nice to see you come to visit!” Mark's mom said. Mark cringed, hating the sound of his deadname, but he hadn't yet been able to convince his mother to use the right one.
14. Do not portray a character binding for more than eight hours or with unsafe binders in a positive light. Just don’t. Binding, even with professional/high-end binders, is not safe. It's a stopgap - safer than not binding at all for some people whose dysphoria is really bad. It constricts the lungs and can break ribs if not done properly. It can permanently alter a person's chest cage if done for an extensive period of time. It's a necessary evil for people who are waiting to get their surgery done, in order to keep them alive to have that surgery. It's not a permanent cure-all. Binding also can cause dysphoria. A person who doesn't have dysphoria surrounding his chest can develop it after wearing a binder. So, have your character bind safely, or discuss the issues surrounding unsafe binding. (And yes, this applies even in a fantasy setting or world where the technology may be different. A story is a story, but the impact it could have on a real trans man is potentially dangerous, so write with consideration, and if you do introduce a magical or technological solution to this, maintain awareness of the reality.)
15. Transitioning without an in-person support group is one of the most common factors in transitioning regret. Give your character someone to go to the doctor with them, someone to hold their hand when they get scared, someone to talk them through moments when they're unsure. No one who goes under the knife is always completely 100% sure all the time. They need a community. Surgery and hormones are scary, even if a trans man knows he wants them, and trying to go it alone can spell disaster.
16. Given that a trans man will consider himself a man, it can be challenging to make it clear to a reader that he’s trans. If he's the main/POV character, you can write him dealing with some dysphoria. For example, if you decide your character binds, mention that his breasts are bothering him particularly badly one day. Have him adjust his binder. Describe putting a binder on. That kind of thing. If he's a minor character, it can be more challenging, but you can still have him do things like adjust a binder. You could also mention surgical scars, if a character takes off their shirt. Another thing you can do is just have the main character remember a time “before Mark went by Mark” (for example). Another way is to have the character mention some way in which they are fighting for trans rights, and acknowledge that the issue is personal to them. Try not to use the deadname unless he’s facing an actual microaggression by another character. The narrative or narrator character should never deadname the character.
17. FTM is not an accepted term anymore, as it implies that a person was one thing and changed. Generally speaking, if a trans man is not genderfluid, then he was never female or a woman. Likewise, the phrase “born in the wrong body” is not acceptable for use by cis people. The only real use it has is to explain dysphoria by transgender characters to cisgender characters who aren't inclined to listen or try to understand. The accepted term is AFAB, or Assigned Female At Birth. Keep in mind that terms and labels change with time, so do your research. For example, if you’re writing a historical piece, different terms may be more appropriate, and if you’re writing a modern current-day piece, understand that in ten or twenty years the terminology you use will likely have grown outdated.
18. The proper way to write the term is always “trans man” and never “transman”. Trans is an adjective describing a type of man, just like you might say an Asian man or a muscled man or a gay man. This comes back to the idea that a trans man is always a man, first and foremost.
19. An easy pitfall to avoid if your trans male character's setting is modern or modernesque is: Don't make the story all about their oppression. We are aware of the many ways in which the modern world is trying to oppress and harm the trans community, but trans men can still be happy and interesting people. They can have dysphoria without being depressed. They aren’t necessarily the “down in the dumps” character. Also, trans men have a long history of being activists, and are often erased in history, so don't be afraid to make your trans men an out-and-loud activist. Yes, terrible things have happened and continue to happen to trans men, and any trans man who has done any research into trans history will know about individuals like Brandon Teena. Trans men know the dangers they face. Knowing that bad things can and are happening doesn't mean a trans man can't find his own joy in life, despite things not being perfect.
20. Keep in mind when writing in historical settings that trans men have existed for as long as people have existed. Many trans men were able to go through life completely “undetected” until they died and those around them conducted culturally-common burial practices. It’s not unreasonable to have a trans man in Regency England, Yuan China, or Roman times. If you're writing about non-European-centric history, many cultures acknowledged those who didn’t present the way their AGAB (assigned gender at birth) would suggest, and do your research. Also, keep intersectionality in mind, and tread especially carefully when writing a trans man from a culture and period other than your own. This post is mostly applicable to trans men in the modern era, and especially in the United States. The trans male experience will be different in other places in the world, for people of different ages and of different religions and ethnicities and races, so the more traits your trans man has that are outside your own experience as a cis writer, the more you should consider if it’s wise for you write the story you have in mind, or if it might not be better to allow in-group members to tell those stories. And never forget - trans men can and are all things - all races, all religions, abled and disabled, etc. People have nuanced identities and multiple identifiers and trans is always only one of many.
21. In fantastical or science fiction settings, please always ask yourself if oppression of trans people or bigotry against them is even needed. Maybe a society doesn't assign gender at birth, but waits until a child is old enough to tell the society where they belong. Maybe a society reveres those who are under the transgender umbrella. Maybe children are considered genderless until they reach puberty. You have a million and one options; why limit yourself to what modern predominantly Western white Christian society says? If you do make a society that doesn't look anything like the modern world, for example they assign gender at age five, think about how that would affect society as a whole. What kind of pronouns would be used for children under five? Are young children genderless, or are they seen as genderfluid? What about people who age past five and are still genderless or genderfluid? What are the naming conventions for children?
22. There are mixed feelings regarding how a science fiction or fantasy setting should treat transitioning. Should it be an easy fix, with magic or advance science doing it instantly or nearly so? Or should it be difficult, reflecting the modern situation where the process often years before a person can feel “finished?” That's up to you. Trans people themselves are split on this, so there’s no pleasing everyone. Do your best, and whichever way you choose, make sure to tag it accurately or, for original fiction, be clear up front what approaches you’ve chosen, so people can choose not to read something that may make them uncomfortable at best or trigger them and profoundly harm them at worst.
Ultimately, your trans man is your character and you can do with him as you wish. Write responsibly, and do your research, and if you can, get a sensitivity reader or a beta who is a trans man.
So, go, diversify those stories, write the things, and present good representation! Happy writing!
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meowzfordayz · 3 years ago
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hey hey could i request zenitsu with a g/n shy and insecure reader? hurt/comfort with fluff !! ty
Hii. Ty for your request! 💝 I def leaned more into the comfort/fluff than the hurt, but I'm overall content w/ how I wrote this. 😁
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Author’s Note: my DMs are always open to anyone and everyone feeling lowkey/highkey shitty.
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shy/insecure
Agatsuma Zenitsu x Reader
Word Count: ~1,200
CW: explicit language, traumatic references
~faqs~
Shy
Zenitsu isn’t really canonically shy
#will you marry me ?? after what, 5 seconds ?? #darling desperate boi lmao
But he’s certainly cowardly (don’t come at me — Ik he’s working on it! 🥺)
So having a shy partner wouldn’t feel entirely foreign to him
(the first time you ever properly smiled at him, he basically evaporated)
*poof* 🤗
You never explicitly tell him, “Oh btw I’m shy.”
It’s just something he naturally adjusts to (similar to how he gradually adjusts somewhat to Inosuke’s lack of shyness 😂)
First and foremost, he always goes out of his way to introduce you as his 🥰partner🥰 to literally everyone
—Stopping by a ramen stall for a quick lunch?
“Hello! My wonderful partner and I would like to order blah blah blah.”
Only slightly embarrassing 🥲
Also encourages you to order for yourself, but happily takes charge if you’re feeling overwhelmed
—Run into someone from either of your pasts?
“Did you know [y/n] and I are partners now? Aren’t I lucky?”
If he wasn’t so 🤩, then you’d smack him endearingly, ofc
He can’t help it !! He’s your hype man !! 24/7 !!
And super proud of himself for getting to be your partner
—Even on missions ffs this man’ll still mention you
If you’re together? “Demon! 😡 Before I decapitate you! Isn’t [y/n] incredible? 😃 *gestures to you* They’re my partner. Aren’t they so cuuute? 😃 If you say they’re cute, then I’ll make this painless maybe. 😃”
If he’s solo? “Can we get this over with? 😒 I miss my partner. 😞” Thunder Breathing, first form…
Second, he’s attentive of your cues (nonverbal and verbal), and is mindful about both letting you take the reins and stepping in
—Hanging out in a group setting?
He’s your, “What was that, [y/n]?” person
Chuckles-at-your-witty-jokes/remarks person
Your, “Ooh tell us more?!” person
Patiently supports you throughout the entirety of group activities/conversations, and gives zero fucks if anyone snickers at his doting behavior
Recognizes when you begin fidgeting, glancing at possible escape routes
And is an expert at polite, “Oops, we’ve gotta go!” goodbyes
Overall, he approaches your shyness intimately and thoughtfully
—Doesn’t want or need, let alone expect, you to change for anybody; but is 1,000% your #1 fan if you decide to change anything for yourself
“Can I order for us next time?” “Absolutely!” and then he’ll listen to you, practice w/ you, hold your hand — whatever nurtures your security
—Checks in w/ you constantly: “How are you feeling?” and “Is this okay?” and “I’m here for you.”
“I’m here for you,” is one of his favorites bc it conveys that you’re in control as well as subtly reminding you that he’s got your back ~just in case
—This is cliche af and kinda related to an aforementioned point, but he just… accepts and loves you as you are
Speaks a plethora of “languages” to reassure you that he’s as enamored w/ your shyness as he is w/ the rest of you
Poking your nervously flushed cheeks
Pecking your forehead when you anxiously lower your chin
Complimenting you when you ramble about your new outfit, “Does it fit alright?” Perfect “How does it look?” Stunning
Content in times of silence, trusting you aren’t necessarily mad or sad — just feeling quieter, and he respects that
He respects you 💗
Insecure
Ooh ooh ooh
What happens when an insecure person falls in love w/ an insecure person?
In the real world, it can backfire horribly 💀
But this is the lovely, idealistic world of #author makes the rules !! 😇
So you and Zenitsu inspire, motivate, and build each other up
Feeling disappointed in yourself?
He catches on immediately: can tell w/ the most fleeting of glances when something’s off
—Sometimes you’re open, self deprecation flowing desperately, despairingly, from your quivering mouth: “I’m so weak, so useless, so hopeless.”
He doesn’t interrupt bc he cherishes your vulnerability (even as it saddens, confuses him)
“How can you be weak when you’re here? Breathing, persisting, hurting? Hurting isn’t weak — it’s living, and living isn’t easy. You’re strong, [y/n].”
“I know it’s hard waking up to the faces you’ve lost, the memories you’ve let down. But [y/n], you’re also waking up to the faces you’ve saved, and I swear, I promise. Your memories are proud of you.”
“I’m sorry you feel hopeless, [y/n]. Is there anything I could do? Anything I could say? I understand if it isn’t enough right now, but I want you to know that you’ve got me. My hope is yours. I am yours.”
—Sometimes you’re closed, the almost indiscernible, involuntary curving of your body into itself the only hint of your distress
He doesn’t press, question, or hover
He simply reaches for your hand, your shoulder, your cheek; gripping, squeezing, caressing softly; murmuring, “Tomorrow will come, and you will be as magnificent as you are today.”
Feeling uncertain about your appearance?
—When you’re explicit about your intrusive thoughts, he counters logically, reasonably, firmly
Never invalidates your feelings; never confirms your intrusions
Doesn’t slather on shallow remarks like, “But you’re so pretty!” or, “Shut up, how could you think that?”, bc he knows your thoughts are far from shallow: they’re genuine, soul deep, with no quick fixes
Doesn’t agree w/ you either tho, bc—not that he would ever communicate it like this, but—you’re just so wrong: your body is his favorite temple, your smile his favorite prayer, the sound of your voice his favorite pastime, how you move, how you glow, how you express and dress yourself
In his opinion, you have a singular appearance — beautiful
—When you’re silent, erratically checking and picking, “Nobody’ll notice.” He does
But he doesn’t pounce, berate, or assume
He’ll try increasing physical touch, quality time, words of affirmation
He’ll go through all five love languages, carefully, slowly, figuring out which one you need most
“Thank you,” you whisper, without elaboration
“I love you,” he whispers, knowing exactly why
Overall, he approaches your insecurities appropriately and consistently
—Doesn’t love bomb (definition from Cosmopolitan: excessive attention, admiration, and affection with the goal to make the recipient feel dependent and obligated to that person) you when you’re down
—Doesn’t ignore you when you’re up
—Makes ample time to just talk: to ask you, “How are you physically?” and, “How are you mentally?” and, “How are you emotionally?”
Perhaps this degree of maturity seems ooc for Zenitsu, but I wholeheartedly believe in his desire to be a loving, reliable partner, and maturity is vital for that
There’s def a time and a place for “childish” play!
Like surprise piggy back rides, racing to the market, and blowing bubbles
Youthfulness is scintillating, enthralling, important
And guess what? 😉
Maturity and youthfulness can coexist ☺️
P.S. Those last two sentences were not intended to be condescending or sarcastic !! 😅 I just wanted to emphasize that Zenitsu can totally still be his whining, sniffling, absolute baby 😌 self and be a healthy, communicative partner
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makeste · 3 years ago
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BnHA Chapter 324: Is There a Force Field Around Him??
Previously on BnHA: Flashback!Rat Principal was all “please tell Midoriya that I spent a concerningly small amount of money upgrading U.A. into a wacky physics-defying funtime grid so as to make the final battle much more confusing for everyone.” Present Day!Mic (or Present!Mic, if you will) and Jeanist were all “if only somebody could deescalate this dangerously unhinged mob, we’ve tried nothing and we’re all out of ideas.” Ochako was all “LISTEN UP PEOPLE.” The mob was all, “god??” Ochako was all, “NO, IT’S ME, OCHAKO. I’M REALLY HIGH UP ON THIS BUILDING AND THE VISIBILITY IS LOW DUE TO THE RAIN, SO I CAN SEE HOW YOU MIGHT MAKE THAT MISTAKE. ANYWAYS, DEKU WAS OUT THERE RISKING HIS LIFE FOR YOU CLOWNS EVEN THOUGH HE’S JUST A KID, SO I WOULD REALLY APPRECIATE IF YOU COULD ALL REMEMBER HOW TO BE DECENT HUMAN BEINGS, THANKS.” Let’s see if her Big Scolding Energy has any impact.
Today on BnHA: Horikoshi is all “so I have this speech planned out, and it’s really good, but it also only really needs about 6 to 8 pages, but I’m gonna see if I can stretch it out to 17 pages so I can kill time before we get to the next volume cliffhanger two weeks from now.” Anyway but it really is a good speech though. There are feels, and tears, and more talk about how Deku is so in need of a shower that just looking at him requires a tetanus booster, and more feels, and more tears, and bonus ship drama, and an iconic callback to the very first chapter which reframes the entire series in a new context in a totally epic and moving way, and it’s all very good. Except that Horikoshi is determined to never let anyone actually give this kid a hug. Who hurt you, dude.
omg we are opening on a callback to chapter 212, a.k.a. the chapter with by far the cutest flashback that doesn’t involve any baby Todorokis
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baby Ochako is lethally cute. she could literally murder someone with her cuteness. I just want to scoop her up and play airplane with her until she accidentally activates her quirk while we’re spinning around and we both helicopter up into the air never to be seen again
“a child’s insistence” huh well that’s all well and good, but I sure hope this doesn’t mean we’re going to drag out the whole “sternly lecture the obnoxious citizens” plot for another whole chapter. no offense but I think we’re good
so page 2 is just continuing the whole happy/worried faces monologue, which of course is very important to Ochako’s character as it provides the context for why “who protects the heroes” ended up becoming her thing. and this is making me think we actually are in for a whole second chapter of this sob. when will my boy finally get to rest
OH MY GOD SUDDENLY THESE PEOPLE HAVE EYES IMAGINE THAT
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HORIKOSHI: [reaches for a box of tissues while tearfully penning an homage to his beloved Spider-Man 2, specifically the train scene where the crowd sees Peter without his mask and they suddenly realize just how young he is]
HORIKOSHI’S HOMAGE SCENE: “COME TO THINK OF IT, I GUESS IT WAS KIND OF MEAN FOR US TO PICK ON THIS TEN YEAR OLD KID WHO WEIGHS 75 POUNDS AND LOOKS LIKE HE LOST A FIGHT WITH SATAN’S MOLDY OLD BASEMENT”
lol at this one guy who can feel the mood of the crowd shifting and is all “WAIT, NO, I WANTED TO KEEP BEING AN ASSHOLE DAMMIT”
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as many pointed out last week, this man is wearing an All Might shirt. that’s some fantastic irony there
-- SDKFJWIGKS
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“LITTLE GIRL, I HOPE YOU’RE NOT SUGGESTING THAT WE SHOULD ALL��BE WALKING AROUND DRESSED LIKE A SOVIET-ERA BUS STOP.” heh. last week I said I was ashamed of BnHA being my favorite manga. that was a lie, actually
(ETA: in the original Japanese Ochako’s next two lines are basically “the only ones covered in mud will be us heroes!” followed by “please give us some time to get rid of the mud”, with that second line basically being the single funniest thing I’ve ever read rdslkjl. Ochako thank you so much for supporting my running gags. “YEAH WE KNOW HE’S DIRTY. WE ARE GONNA TRY AND CLEAN HIM UP, BUT IT MAY TAKE A WHILE, I’M JUST SAYING. I MEAN LOOK AT HIM. HE LOOKS LIKE AN ASBESTOS COSPLAY.”)
doesn’t the megaphone kind of look ever so slightly like an axe that she’s wielding maniacally here
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easy there Lizzie Borden
also that’s a really bold claim to make there. and not one she necessarily should have to make, either. but as we all know, there’s nothing that shounen manga likes more than having its heroes bravely hoist heavy burdens of responsibility like good self-sacrificing citizens
p.s. lowkey loving how Kacchan is positioned here standing slightly behind Deku. not presuming to stand in front of him all overprotectively (because he would hate if anyone ever did that to him), and kind of being unobtrusive and letting others take center stage -- but still being close enough to Deku that he can catch him if he stumbles or passes out again
(ETA: or maybe not lmao.
DEKU: [falls to his knees]
KACCHAN: [glancing up from his phone a few minutes later] “someone just sent me the stupidest meme about milk crates -- oh. uh. you good...?”
really, son. “the burdens you can’t carry, we’ll carry them for you. ...later, I mean. right now it’s late, and we’re all cold and wet.”)
also lowkey loving this OchaTsu moment here
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I was going back and binging Ochako chapters this past week for reasons, and I gotta say it really stuck out to me just how often these two are paired with each other. they do everything together. it’s a really sweet friendship that often goes unappreciated but it’s very cute
meanwhile, not to be outdone by the OchaTsu, Iida is staring at Ochako with open admiration talking about how she’s fighting too. it’s been so long since we’ve had any IidaRaka you guys. I was starving and I didn’t even know it
oh my lord IT’S FINALLY HAPPENING
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THE LIGHT IS BACK. he finally looks like him again. what a cathartic fucking moment omg
ffklkdw
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“I KNOW YOU ARE ALL SCARED, BUT THE GOOD NEWS IS, WE DEFINITELY CANNOT GUARANTEE YOUR SAFETY AND WE ARE ALL SCARED TOO!” good pep talk there kiddo
BUT, jokes aside, truth be told this is the exact right approach to take imo, and something that’s long overdue. I’ve said this before, but this new generation of heroes is shaping up to be much more transparent than the All Might generation. they’re basically abandoning the almighty, untouchable Superman “heroes as gods” concept in favor of the more nuanced “heroes as people” concept instead. and that’s a good thing. seeing their heroes as humans, with human limitations and weaknesses and flaws, will hopefully not only lead to more scrutiny and accountability, but also more awareness of how hard some of them are working and how much they’re sacrificing. that’s something All Might never quite grasped back at the start of the series -- that the weak, vulnerable, injured him could be just as inspiring as the mighty, invincible him -- perhaps even more so. there’s a power in seeing otherwise ordinary people show extraordinary bravery and compassion. it inspires others to try and do the same
SSDLHK AIZAWA SIGHTING AAHHHHHH
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so he was still back at the hospital this whole time?? smdh at this disrespect. that feeling when your sexy self-insert character’s powers of rationality are too strong, and so you have to nerf him so that he doesn’t ruin your Deku Angst arc twice over by (1) immediately talking some sense into Deku and making him come home Right This Instant Young Man, and (2) not allowing him to leave U.A. in the first fucking place. excuse me, you want to do WHAT now, Midoriya?? that’s it, go to your room
also living for Katsuki and Hawks’s soft expressions. Shouto’s too, although his is tinier and harder to see. and Jeanist’s 12-foot-long neck. imagine Jeanist’s head with Mic’s hair. maybe Jeanist had a mohawk back in the day and that’s why U.A.’s doors are so big now
speaking of soft faces, Enji’s is also excellent
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what could this random close-up possibly imply?? hell if I know. but Horikoshi truly fears no discourse and that’s what I love about him
OMGGGG
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“smh my child is so dumb.” poor Ochadad. your child is cute af count your blessings
SDOFFHSMH
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I’m telling you guys. lethally, catastrophically cute
this speech is still ongoing lol. Horikoshi you’re doing so good but I think we get the point now my dude. you gotta learn how to transition out of these things
UNEXPECTED TOGA WHAT
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“there we go” Horikoshi says, crossing off the last line on his list of Ochako ships. “that’s all of ‘em”
poor Ochako is just repeating the same “LET HIM REST, PLEASE, WITH EVERYONE’S COOPERATION, IF YOU DON’T MIND, WE APPRECIATE IT” talking points over and over again hoping someone will throw her a bone and acknowledge her already. SOMEONE PLEASE HELP HER
literally they’re all just staring up at her silently omg. work with me people!!
now she’s saying it for the 56th time but more dramatically all of a sudden
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they got so dramatic that for a minute I thought she had suddenly leaped off the building or something
look, not to rush you or anything Horikoshi, but I’m starting to get the feeling that this is yet another one of those “the volume is ending soon so I need to either hurry things up or slow things down in order to make sure we end it on my perfect cliffhanger ending” chapters where you go to ridiculous lengths to drag things out much to the exasperation of your week-to-week readers
(ETA: ftr, volume 31 ended on chapter 306, and I’m predicting that vol. 32 will end with chapter 316 (a.k.a. “you’re next!” [explodes]). I’m guessing vol. 33 will follow suit and likely end on chapter 326, so keep your eyes peeled for a big cliffhanger in two weeks’ time. Deku’s dad?? All Might in peril?? U.A. traitor at long fucking last?? we shall see.)
is Deku straight up falling in love with Ochako right on the spot lol what is happening
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I know I just said that I enjoy when Horikoshi gives zero fucks about discourse, but shipping discourse is a whole different beast lol. I hope he’s prepared
(ETA: and for the record, I have no interest in shipping discourse either, as always. and I think this scene can be interpreted as platonic, tbh, with the context being that Ochako was literally introduced as someone who was willing to help him so casually without a second thought, and now here she is saving him again.
I don’t think it really fully hit Deku until this moment how much he needed saving. like I said in another meta somewhere, selflessness is basically just selfishness on behalf of others. and Deku is selfless to a fault, but that’s okay, and it doesn’t mean he needs to change -- he just needs friends who are willing to be be selfish on his behalf in turn. and I think the full emotion of what it means to have friends like that just hit him at last. everything his friends have done for him, how much he needed it and didn’t even realize, and how grateful he is. anyways what a terrible day for rain.)
-- son of a --
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is he apologizing?? or pleading?? please tell me that’s not the case, because what the actual fuck. Deku you beautiful precious radiant selfless child, this is the exact opposite of how this should be. all these motherfuckers should be on their knees apologizing to you
DEKU WHY
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I DIDN’T ASK FOR THIS FREAKING BOMBARDMENT OF EMOTIONS GODDAMIT. OUT HERE ARMED WITH YOUR FREAKING TREBUCHET OF FEELS TO LAUNCH AT ME UNPROVOKED. WHAT’S WITH THAT
FREAKING CHRIST. THIS BOY IS CRYING HIS EYES OUT AND HORIKOSHI IS JUST ZOOMING IN WITH THE CAMERA, LIKE CAN WE JUST CUT HIM A BREAK ALREADY. ENOUGH OF THIS. HE’S SO YOUNG AND HE TRIES SO HARD AND I JUST NEED HIM TO FEEL SAFE, HORIKOSHI PLEASE CAN YOU JUST GIVE ME THAT ALREADY WHAT IS THE FREAKING HOLD UP!!
GIGANTIC FOX LADY!!!
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GIGANTIC FOX LADY PLEASE BE MY HUGGER BY PROXY!! SERIOUSLY GIRL IF YOU JUST HOLD YOUR UMBRELLA OVER HIM OR SOMETHING AND DON’T GO THE EXTRA MILE I’M ABOUT TO LODGE AN OFFICIAL COMPLAINT. THIS IS GETTING RIDICULOUS NOW
!!!!
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A KOUTA IS GOOD TOO!!! oh my god if Kouta hugs him I will seriously 100% straight up cry. go on and test me
FOR THE LOVE OF --
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is this man expressly forbidden from drawing hugs in his contract or something. DO YOU DO IT JUST TO SPITE ME?? this is tyranny, sir
AND I KNOW, THIS PAGE ACTUALLY CHALLENGED THE VERY PREMISE OF THE SERIES ITSELF, AND HERE I AM COMPLAINING ABOUT HUGS, OR THE LACK THEREOF. “this is the story of how we all became the greatest heroes.” and just like that, he waves a polite middle finger at all of the Strongest Greatest Chosen One shounen protags of old, in favor of something much less conventional, much more interesting, and much more suited to Deku’s character. because if that one sentence doesn’t just sum up Deku to a T. he gladly relinquishes his Greatest Hero status in favor of acknowledging the hero in everyone. what a class act. that’s my protagonist
I love this kid so fucking much I swear. only just PLEASE. FOR THE LOVE OF GOD. GIVE HIM HIS HUG
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its-your-mind · 2 years ago
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(this reblog got Away From Me, so I’m coming back to the top to add a few things: 1. content warning for broad discussion of European colonization practices, and slight reference to police brutality. 2. disclaimer: I am myself white and from the US, so I’m speaking about those things from the perspective of someone who has learned and studied and listened, not the perspective of someone who is personally affected by it.)
yeah yeah YES and the thing that drives it home in this episode is Cecil excitedly asking Carlos to explain the magic tricks - he knows they’re tricks, and he knows Carlos ABSOLUTELY has a guess on how they work, and would absolutely LOVE to share it, but now Carlos just says “it’s magic.” because he’s afraid to explain anything for fear of breaking this place he loves.
and then, when the scientists from the University of What It Is do explain the tricks, unprompted, to Cecil, they say “Don’t you know it’s all fake? Here, I’ll explain it to you so that you can stop being uneducated and dumb.”
because like!! Carlos sees a phenomenon and wants to poke it to see how it works! He wants to explore and explain because knowing more about something should make you even more impressed with it! And Cecil knows that - he’s not asking Carlos how the tricks work because he wants him to spoil the show, he wants to know the inner workings so that he can be even more impressed by the complexity, because that’s how Carlos sees the world and Cecil loves him for that, and Carlos has taught Cecil to love science with him.
and the University of What It Is is just coming in and looking at Night Vale and saying “That’s not possible. You foolish, backwards, uneducated people - don’t worry, we’ll come in and show you how stupid you’re being.” It’s honestly pretty reminiscent of European colonization practices - “Your culture is backwards and wrong. Don’t worry, we’ll come in and fix that for you, since you clearly can’t be trusted to educate yourselves.”
And! And and!! (not to derail this post too too much, sorry op) Carlos used to be a professor at the University of What It Is! He came to Night Vale with the same intention - to explain how it worked! But instead of coming in and immediately assuming and asserting his own superior knowledge, he came with an open mind! He investigated! He asked questions! He observed and listened and let his fascination guide him, and he slowly learned the strange new rules of this strange new world. He became more a citizen of Night Vale than a professor from the University of What It Is.
Which is!! Also reminiscent of the history of colonization! The practice itself is awful and destructive and condescending and disgusting, and there isn’t any justification for the act of colonialism. Period, end of story. That doesn’t necessarily mean that every individual person who was ever part of that system is themselves a horrible awful piece of shit. There’s examples throughout history of individual members of colonizing cultures approaching new cultural understandings and practices with an open mind, bringing the good and leaving behind the bad ideas of their former culture, and becoming themselves a part of those communities.
And that doesn’t fix anything! It doesn’t mean that all of a sudden, the evils are Suddenly Less because one person on the inside noticed the evil and left (think ACAB - we keep seeing how Good Cops™️ don’t seem to last too long. It doesn’t mean everyone who has ever been a cop is the devil incarnate - it means that the system itself is inherently broken. (fuck now I’m in a tangent from my tangent.) ANYWAY). One Good Person can’t do anything to stop or undo the damage that is caused by the act of colonization.
Carlos is a scientist, and he is good at it, and he is a good person who studies the world with a mind open to mystery and wonder. But The Glow Cloud and Sarah Sultan are still dead, and scientists are still the ones who used science to kill them.
okok so i think the whole thing with Dr Lubelle's science vs Carlos' science feels like a metaphor for people using science as a means to deny people's cultures and beliefs. 9Like, Carlos likes science because he likes to understand things and wants to help people; Janet likes science because she wants to prove that she's right and Night Vale is wrong
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overthinkingfandom · 3 years ago
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Cards on the Table - Breaking down the tactics in L'manburg Independence
/rp /dsmp
Much has been said in the fandom about L'manburg's independence. It is, after all, arguably the most important moment in DSMP's history, as the rest of the story wouldn't have existed without it. 
In light of the recent anniversary of it, yes I know I’m late, I wanted to throw my hat in the ring and add something to the discussion surrounding it. However, as the morality of the situation has been discussed to death I'll be taking a slightly different approach to it. 
Due to the nature of the DSMP's medium, the story has many unique quirks. One of those quirks is how realistic the tactics used in the story's portrayal of politics are. The independence conflict is a great example of it. While on the surface things seem to be rather simplistic in nature, there's a lot more going on that’s less obvious.
Both Wilbur and Dream are brilliant politicians who get to show both their strengths and weaknesses in dealing with an equally skilled opponent in this encounter. There’s actually quite a bit to go into, despite their interactions being so short.
When most people think about the L'manburg's independence, they think about the moment the declaration has been written up and the subsequent declaration of war. While this moment is certainly iconic, it's not really all that impactful in the grand scheme of things. Both declarations are the culmination of decisions that have been made beforehand. It's the moment when those decisions were made that really influenced things.
Conveniently, Wilbur and Dream only hold a single conversation about L'manburg before the declarations are drawn up, so we don’t need to look far in order to figure out where those decisions were formed. 
Wilbur has been working on L’manburg, collecting materials and building the wall surrounding it, for almost an hour when he spots Dream lurking. “Get [Dream] into the VC, I need to talk with him. He’s the leader of the other nation, I think we need to have a congress.” (52:44)
Dream: “Hello?”
Wilbur: “Hello Dream. Welcome to our great nation of L’manburg.”
Dream: “L’manburg?”
Wilbur: “Yes. We are seceding from Dream SMP. This is our own server now. This area, just this part [between the walls of L’manburg], is our server.”
Wilbur doesn’t waste any time before getting right down to business and talking about the matter at hand. However, the way he speaks about it here and in the rest of the conversation is fairly interesting. Wilbur is talking about L’manburg as if it’s something which already exists. They are seceding. This is their land. This conversation is merely a courtesy to give Dream a formal notice of their separation.
Yet, a bit later Wilbur shows he knows they need Dream’s acknowledgement in order for L’manburg to be its own entity. Independence is not a concrete thing that can just be taken or created on one person’s whim, after all. It only exists when the people with power agree it exists. 
Wilbur: “Dream, basically all we want from you is just acknowledgement that we are an independent nation now. That’s all we need.” (56:20)
So if Wilbur knows they aren’t independent yet, why is he talking like that? 
It’s because he’s using a salesman technique called an Assumptive Close. Instead of posing it as a question and putting the choice of agreeing or disagreeing in Dream’s hands, Wilbur acts as if it’s already true and leaves the burden of challenging his claims on Dream’s shoulders. He even moves on to ask secondary questions on how Dream feels about having embassies in his land (and notably he frames it as a question, unlike how he frames the topic of L’manburg’s independence) as if L’manburg is already a political entity. 
Wilbur: “Dream, I’ve got a proposition for you. How do you feel about having Tommy’s land being an embassy? Like it’s an enclave in your own land.” (59:01)
Wilbur’s use of this technique has an interesting side effect in that it signals to Dream Wilbur is taking a non-compromising position in this negotiation. In essence saying “L’manburg is independent, take it or leave it.” 
A non-compromising position is the game theory term for when someone goes, "I'm going to do that, this is going to happen and nothing can dissuade me from this course of action." It's a strong tactic which forces everyone to react to that person's position, reducing the others' options into a binary of either accepting that position or rejecting it. 
This is a very common tactic and various manifestations of it can be seen all over history and media. From Martin Luther who refused to recant or compromise with his famous words of “Here I stand, I cannot do otherwise” to groups who cultivate a "with us or against us" mentality to heroic characters who say they would die before giving in to whatever Evil the story focuses on.
This is the situation Dream is facing here. He can either accept Wilbur's assertion that L'manburg is an independent entity by either encouraging them or even doing nothing, or he can reject Wilbur's assertion by acting against it.
As we all know, he ended up choosing the second option but what were his considerations for doing so?
For that we would need to know what his goal was here, something we don't really get a sense of from his conversation with Wilbur. However, he ends up stating what it was in a later conversation with Skeppy. 
(Emphasis added by me and wasn’t part of the original dialogue.)
“Everyone can build wherever they want. [L’manburg] just decided to say that they get to determine where they can build and we can’t and we said well no, you can’t do that. And that’s what the whole war was over.” (31:44)
“[L’manburg] can’t tell us that we can’t go in their land. That’s all we wanted to say. That they’re not independent, they are a part of the Dream Team SMP. They’re just a delusional, small part." (34:26)
Dream lies a lot, so just because he says something doesn't mean it's necessarily true. However, this seems to be genuine. Dream has no problem telling Skeppy “we burned down their houses and blew up the whole land.” (32:36) later on in the conversation, so we can rule out that he's trying to paint himself in a better light, and there aren't really any other reasons for him to lie to Skeppy here about this. 
When looking at Dream's options with his goal we can see the choice is pretty much a no-brainer. 
Accepting is a total lose scenario for him. Not only will it fail to fulfill his goals, it would actively encourage the sort of behavior he doesn't want to happen, as Wilbur would set a precedent that so long as someone insisted hard enough and implied Dream is a bad person he would fold in negotiations and give them what they want.
Rejecting gets him far closer to his goal of railing against L’manburg’s exclusion. Going to war means he has to invest much more effort and resources into his reaction than if he just accepted as well as deal with the risks any war has, however the sheer difference in ability between Dream's side and Wilbur's side make the risk minimal. 
Going to a war he’s pretty sure he can win VS encouraging the sort of thing he disapproves of, isn’t really a hard choice.
This is actually the result of a mistake on Wilbur's part. CC!Wilbur called his character naive (37:49) and he's not wrong. Wilbur has a tendency to act as he wishes and not take into account that people might disagree or retaliate. We see it with him saying they could just ignore the Americans (1:51:17) or during the elections when he told Quackity his scheme and got blindsided by Quackity deciding to run against him. 
Historically, non-compromising positions worked best when the person who used it made sure rejection would be more costly than acceptance in one way or the other. In essence, narrowing down the options for others even more and leaving them only with acceptance. 
Wilbur may have managed to wipe off the table all other options and put pressure on Dream to accept with his use of Assumptive Close, but he didn't do anything to prevent Dream from rejecting. In fact, it seems like Wilbur didn't even consider it as a valid possibility as he outright dismissed it when Dream brought it up as an option.
Dream: “What happens if the rest of the server decides to take over your land?”
Wilbur: “They can’t. It’s literally not how servers- Dream you’re supposed to be smart man, that’s not how servers work. You can’t just take over another person’s server.” (54:33)
But, you may be asking, if it was better for Dream to go to war against L'manburg rather than grant them independence, why did he end up giving into their desire for independence in the war? Wouldn't it have been better if he just saved everyone the trouble and gave it to them when they asked for it the first time? Or maybe Dream’s obsession with Tommy and his discs is just that strong?
We can find the answer to all those questions at Punz’ video where he shows the behind the scenes of the independence war, including some of the planning which went into it from the Dream Team’s side of the war. Specifically, this quote:
Dream: “[The L’manburgians] are never gonna give up. So then in the end the resolution will probably just be, we won but they can think whatever they want, we’re just going to ignore them because they’re essentially like- You want to think you’re independent? You’re not, you’re still part of the SMP, but if you want to think you’re independent, you can.” (9:04)
“They’re never gonna give up.”
Whether it’s true or not doesn’t matter, as this is what Dream thinks and so this is what dictates his actions. Perhaps he’s overestimating his opponents here, or maybe he’s talking about how even if L’manburg is defeated this time they would try again for independence in the future. In either case, it’s clear Dream thinks the best case scenario for him - completely preventing people from fighting for L'manburg's independence - is impossible. 
So, he tries for the second best case. If he can’t prevent L’manburg, he’s going to allow it but only under Dream’s terms. That’s what his “they can think whatever they want” line is all about. He intends on giving them token independence here, something which would satisfy them but wouldn't pose a real threat. Which is exactly what he ends up offering them during the bow duel.
Dream: “Let me just clarify: if you win, we grant L’Manburg independence.”
Tommy: “Alright.”
Dream: “But we recognize it still as a part of the Dream Team SMP.”
Wilbur: “That’s fine, that’s a fine condition.” (40:54)
The token independence thing didn’t work out so well for him. L'manburg quickly grew to be seen as an entity separate from Greater Dream SMP by everyone, and so Dream was forced to concede and treat it as one as well. 
However, despite this part of his plan failing, overall the independence war was a glowing success for Dream. 
By giving L'manburg independence after winning the war, Dream sent a very clear message. L'manburg only gets to be independent so long as they stay on Dream's good side. If they don't adhere to the terms Dream sets out for them? He can and will kick their asses, as the war so aptly demonstrated.
This message is received loud and clear. During his entire presidency Wilbur went out of his way to treat Dream with respect and try not to piss him off. Something he clearly demonstrates a number of times, like when he asked if he should call Dream “king Dream” (59:08) or during the railway skirmish (24:16).
In fact, it can be argued that this message lasted all the way up to Tubbo's presidency. Unlike Quackity, who was perfectly fine with starting a fight with Dream, Tubbo knew first hand what a war against Dream looks like. He knew that they could not win a war against him, especially in their weakened state at the time, and that influenced his decision. 
As Dream once said: "L'manburg can be independent but it can't be free."
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eponymous-rose · 4 years ago
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Talks Machina Highlights - Critical Role C2E129 (March 16, 2021)
Tonight’s guests are Matt Mercer and Taliesin Jaffe!
Matt, on DMing Luc’s Revivify: “That was weird. It’s one thing when it happens because of player action and circumstances and the choices they make. When it’s entirely on me, unintentional, and just realizing different chess pieces you’ve set up, that’s rough.” It was especially rough since this was a child NPC related to a PC. “I was hoping somebody had a spell slot left.” He kept in mind that there are two clerics in the room and that they could resurrect the next day even if the Revivify went poorly. “A good chance, since it’s his first time. Okay, okay, okay, okay, I think we’ll be okay, we’ll see how this goes. It was really stressful in the moment! I did not set out to have that happen, but when I realized what was going to happen, I tried to see it through.” He wouldn’t have prevented a chance to bring him back. “There may have been an offshoot short-run series of games to find a way to bring him back. I would have found some way to correct the circumstance so the players could feel good about moving forward with the story and there was no undue punishment beyond their control.”
Taliesin on Cad’s response: “This is a big thing if you’re a cleric. It was very much coming in like an EMT. Everything should be fine... hopefully. Just focused in and got it done. The minute things started to go south it was like, okay, that’s the next problem.”
On Yeza’s feelings: “It is a very complicated situation. I think he, much like how Veth is trying to figure out what it is that she wants, I think he’s trying to help her find that while also figuring it out for himself. I think Yeza’s also noticing that because Veth’s the more active of the two of them she also takes the weight of the responsibility and the blame for things when they go wrong, unnecessarily. Especially when he himself acknowledges that he’s partially at fault for even dragging everyone in with the Conclave. As much as he’s appreciative for them coming back for him, there’s a lot of back and forth. He’s filled with a lot of regret, too, but he’s very much trying to convince Veth that it’s a burden that she doesn’t have to keep to herself, that they can share it and work through it together.” Matt mentions that, as an actor, he really loves exploring interactions between characters first and foremost. “Especially when you don’t know where it’s going to go.” He also praises Sam as a scene partner - “I really cherish that.”
How does Caduceus feel about Revivify and Speak with Dead? “Speak with Dead is an interesting middle ground, because he knows that it’s not actually speaking with the dead. It’s really just-- it’s almost medical, really. This is just reactivating a brain at a certain point. It’s practically just a muscle twitch at this point. That doesn’t really prod him in that direction. Revivify is interesting, because it had never really come up. At first I thought of it as bending the rules, but it’s not bending the rules. You knock over a plant, you replant it, you don’t stare at it and go ‘Well, that’s over.’ This is just doing the work. No, we can bring this thing back to health. This is all part of the circle of life, that sometimes we can save something. Especially given the stress that he’s put himself through over the past year of being with these people. He’s started to think of himself a bit as a battlefield medic, and triage is just part of the deal, and it’s completely acceptable.”
Did Trent really just want to talk? “Yeah, that circumstance, as it came together, Trent would never have arrived if there wasn’t an indication that there was some kind of infiltration or attack. Even beyond that, it was Jester breaking the concentration on her charm on that one guard when she created her duplicate.” The guards’ job is to inform a member of the Cerberus Assembly, and Trent lived the closest. “He didn’t know who it was, didn’t have any expectation necessarily. The minute he saw the illusion, he knew a powerful magic user was involved.” Seeing Caleb was an unexpected surprise. “I don’t think he wanted to throw down necessarily. He was more interested in figuring out exactly what the nature of this was.” Matt had multiple battlemaps that didn’t get used. “They managed to cleverly out-maneuver him in his surprise of seeing them.” The Nein rocketed up his priority list after that very quickly. Taliesin: “We’re so fucked.”
On Cad being “Uncle Caduceus” to Luc: “It’s the thing he misses most about home, is being a juvenile shit. It’s nice to be able to express that part of him again, as opposed to the serious, life-threatening, constant intensity. I’m very at home just being a little difficult.”
Cosplay of the Week: an amazing Beau! (_rumor_king, photography by kourtyardproductions on Instagram)
On Marion: “Like a lot of people in this whole narrative from the beginning, getting swept up in things larger than her and trying to adapt. This is a circumstance she’s avoided for a long time. She’s having a rough time in some ways, but simultaneously, she’s enduring. Like a mother would. She’s adapting, she’s making it work. Without much of a choice, you just kind of do the best you can and lean on the people around you to help you where they can. Luckily she has a daughter there. She’s probably surprising herself at how well she’s doing given the circumstances.” Matt talks about how weird it is to feel proud of character he’s created. “Of the many things Marion is incredible at, she’s a studier of the human condition. She’s seen and heard the stories of so many. That gives her a very special perspective. She can see elements of that fractured individual within Caleb, and knowing the good that he’s brought to his friends, and knowing he’s possibly saved her life from bad circumstances, she couldn’t not speak up. She very easily falls into that role of maternal comforter, because it’s one of the many things she’s really good at, she enjoys it, and she can see well when people need it.” He’s been enjoying having Marion along for this (despite the difficult circumstances) because he was always a little sad that they only got to see her for short periods of time.
On the Blooming Grove’s safety: “He’s afraid that it’s a premonition. He’s not pinned it down, but he’s happy to let his imagination wander. He at the very least feels like there’s a reason he’s having these thoughts, and that there’s a reason to go there. He’s a big believer that these things don’t just happen. He’s more likely to think that there’s a good reason to go versus a danger to go. He’s had a couple of ominous warnings lately, and he’s not used to them and not a fan. He’s more likely to read something like that as, there is something there waiting for you that you have to discover. There is something that is going to be helpful to you, even if it hurts.”
On Astrid: “While maybe not as readable in overall personality as Trent is, I still want to be careful to not discuss things that are still being discussed within the game and tossed around as possibilities. Astrid is another complicated character, as anyone would be who’s been through the life she has. I can’t say too much. I can say she’s definitely legitimately happy to see Bren/Caleb after all this time.” His reemergence definitely caught her off guard. “We’ll have to see where it goes from there.”
On Cad’s successful Divine Intervention: “He’s definitely hit the ‘on a mission from god’ stage. He’s been that way for the entire campaign of, this, this is what I’ve been waiting for. Even when it sucks a lot, it’s been nice that those things have popped up to remind him, no, no, you’re doing it right, everything’s good. Probably not going to survive the next week, but you’re doing good! Not quite 1 in a 100 chance, but I forget so often to make that roll, and it’s such a great roleplaying roll. I don’t know how at level 20 you could deal with the fact that you can do that every day.” 
On Zeenoth getting his comeuppance: the kidnapping was a concept Marisha brought up for Beau’s backstory, and Matt went with it even though it was opposed to the Cobalt Soul’s philosophy because he knew rooting it out would make for an interesting story. “I felt it was an important beat to bring to her, because it was something that she was wronged by. And to show that there are still some good people out there who are trying to make things right.” After the tentative peace, dealing with this became Dairon’s next focus. “I was glad we finally got to it. So many people don’t have the opportunity in their lives to get that sort of justice and vindication, so if I can bring elements of that justice into our world, even for our own hope, I’m going to do that. Especially for my wife’s character, especially for a character that deserves that.” Taliesin points out that if it had come too early, Beau wouldn’t have believed it.
Cad’s thoughts on the Tomb Taker betrayal? “He knew it was gonna come at some point. There was no way that was gonna last. He was hoping it was gonna last a little longer. He was really hoping they had a vested interest in getting them all the way to the end. Nope, this is apparently as far as we go, and he was not prepared for that.” He was expecting the potential for de-escalation. “Caduceus is the only character in there that doesn’t have a history with Lucien. I think he sees him a little more clearly than everybody else does. They’re all looking for this person that Clay, at least, is of the opinion that he’s just not there. This is a very manipulative, very dangerous infernal human. Just smarter than all of them. Really aware that there is no calculating what the hell is going to happen. Conversation is the only way you can deal with someone like that.”
Fan Art of the Week: An amazing Caleb closeup! (rynn_birb on Twitter)
Taliesin on Lucien: “I’m excited he’s the one that’s going to kill us all. Poetic that this is how the game ends.” Matt was delighted when Taliesin handed him carte blanche to do what he wanted with Molly’s past. “I was like ‘shit... oh, wait!’ The character of Lucien was always intended to be an antagonist so that it would have been Molly being chased by the person who wanted their body back. But then it happened that he got his body back.” Taliesin: “He’s so much worse than I ever hoped.”
Matt, on the Holy Avenger: “I hadn’t thought to initially even give that sword.” The good roll was the only reason Kima handed that over. “Well, sure, you get the sword. It was very reactionary, it wasn’t my intent originally. I was like, well, I mean, there’s two avenues she can take with this.” Multiclass into Paladin, or lean into the fact that her subclass is essentially a barbarian paladin. “This really works out in a uniquely beautiful way. Let me see if I can lay out a path for her to earn it.”
On Cad’s attempt at lying blowing up in his face: “He was like that kid that had a really bad day in high school and was like, you know what? I’m going to let loose. This is it. I’m gonna dye a streak in my hair. And then tries to give himself a haircut and ends up with half bangs. Well, okay, obviously I’m not that person. I was feeling a little distraught and I didn’t handle it well. Maybe I’m going dark... no, I’m not going dark. Nope.” Matt mentions how much he relates to Caduceus.
Matt, on the Eyes: “What can I tell you? I’m enjoying the hell out of it. The moment they began to really push to read that book, I was like, okay, this is on you. I’m excited for the point in the narrative where the march continues back to Eiselcross. I am almost impatient - not really - because we’re on the cusp of getting to more of the meat. There’s so much to learn, so much to see, so much to explore. I love instilling my players with absolute terror.”
Thoughts on Jester’s Tarot reading? Taliesin cackles. “Molly made the cards, so. Did it to himself, he did, he did.” Matt: “Once again, another example of things working out unexpectedly and too perfectly for an improvised moment. Fuck.” Taliesin: “Bless the wisdom of chaos.” Matt: “I love that even at this point in the campaign, Molly continues to fuck with people. I’m just so proud. That deeply shook Lucien, for reasons.” Taliesin: “It’s the everlasting gobstopper smoke bomb.”
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bulletnotestudies · 4 years ago
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✨ how to deal with failure: a brief guide for the completely done and utterly fed up student ✨
first of all, recognise - and i don’t mean just read, internalise it - that failing is okay. you’re not dumb, you’re not unworthy of taking the class, you might’ve not even necessarily had the wrong approach; you did, however, in any case, have bad luck. and that can be changed. it absolutely can be changed and you do have the time to adjust your studying so you can make up for the misstep. it’s gon be okay buttercup <3
1. vent to a friend/sb you’re close with
i personally attacked my bestie, talked to a few other ppl, and it helped get some of the frustration out. it’s also important you learn to speak to yourself how you would to a friend - you certainly wouldn’t tell them they’re a failure and won’t come back from this, would you? what you actively tell yourself shapes your subconscious thoughts.
2. catch up on the self care you’ve neglected when studying
get a long shower to wash the exam off, eat your meals slowly, get enough sleep (!), clean your room (unburden The Chair™ - srsly, do your laundry - and vacuum, change your bedsheets perhaps?)
3. make a study plan for the retake
be sure to make it realistic and flexible so you don’t end up inducing more stress (helpful posts: 1 2 3 4 (not mine)), try to finish all the topics at least 3 days before the exam so you can spend the last days refreshing your knowledge and preparing mentally instead of cramming.
4. reflect (critically) on your studying so far
is there anything you can do to get more out of your time? quality over quantity is super important when it comes to revision; try implementing more active recall into your study sessions (some posts you can consult on this topic: 1 2 3 (not mine), what is active recall?) and spacing them out more; try to avoid cramming as it increases your stress levels and isn’t as affective with committing information to memory. also, if you asses you could use some help, reach out! ask a friend, get in touch with your professor, seek advice online… getting help = showing readiness for improvement = mature and very welcome!
5. schedule self-care time
when you’re making your study plan, remember to also think of your mental and physical health ● you can space out little acts of self care throughout the week (i.e. take a bubble bath every sunday, schedule a weekly video call with your best friend, allot time to spend with your s/o, do a quick workout every day,…) ● or have a ‘mental health day’ for a whole day each week (i.e. on saturdays, only do things you enjoy - spend the day reading/drawing/binging netflix/baking/…); i personally like to space my self care throughout the week and go for a walk with my best friend every two weeks or so. i’m not kidding, schedule your ‘me’ time into your planner. write. it. down.
6. sleep
i’ve mentioned it already but it’s so important it deserves it’s own bullet point - remember to also take good care of your brain. it is, after all, the organ working the hardest here. a whole day of studying, doing chores, talking to people, etc. has your synapses firing away like crazy, so sleeping is vital for them to recover and come back stronger the next day. give them time to cool down, process the information you’ve gathered throughout the day and store it somewhere you can access it later. seriously. an important note here: there isn’t a single amount of sleep that is optimal for everyone - some people work best on 6 hours of sleep, some can’t go on less than 9. dedicate yourself to figuring out what works best for you and learn to plan your wake up time. ● option no. 1: get into the habit of going to sleep and waking up every. day. at. the. same. time. - a good routine is even more vital in these times when time doesn’t even matter bc we literally don’t go anywhere ever. ● option no. 2: if your uni/work schedule doesn’t allow you to establish a daily routine, try using sleepyti.me to calculate when you should wake up to feel most refreshed :)
hopefully these points can serve as a base/reference for your academic rebound <3 i wrote them up after straight up skipping the grieving-this-is-unfair phase of failure and just being left with a slightly-pissed-but-definitely-fed-up-with-this-class feeling. it dawned on me that i surely can’t be the only one facing this, so i decided to share this and hopefully help you guys out as well:) keep in mind: your worth has zero correlation with your grades, you’re a bad bitch and will not stop bc life tried to knock u down - here’s a quote i like: when life knocks you down, calmly get back up and very politely say, “you hit like a bitch”. after that, u can follow these steps and flourish x
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littlemisslipbalm · 4 years ago
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“harry’s stylist, right?” part II
Harry and his stylist go from colleagues to friends to lovers because they’ve been in love with each other from the jump
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this gif bc i couldn’t fine the fit i wanted to showcase, but that night him and y/n get closer than they had gotten before :))
and we’re back :) - this is the last part of this i may do some little blurbs and stuff about these two if people want it (maybe) i hope you all enjoy this part, it’s not proofread so sorry about that lol. Feedback and reblogs are so very very appreciated, also feel free to message me about you’re feelings about this
Word Count: just over 10k | Warnings: swearing, alcohol consumption, implication of smut, i think that’s it
part 1
-
After the call with Jeff, which wasn’t really a conversation at all, moreso a berating from him, she was in the worst mood. She shrugged off the Bode jacket and hung it up in her entryway closet. She wasn’t planning on wearing it ever again. Without the jacket on, her shirt that seemed to be exactly on the nose with it’s “we’re in the shit” graphic was clear and she untucked it from her light mint pants. She was exhausted, both physically and mentally. Instead of picking her phone up again, she decided she could do without communication for a while. Her feet padded to her bedroom, after removing her nikes and socks. In her bedroom she opened up her record player, wanting music, but not wanting to be bothered with her laptop since it had a connection to the internet. 
She grabbed her Electric Warrior by T. Rex and slipped out the first record from its sheath. As she set up the music, she couldn’t remember where she’d even gotten the record but for some reason it had called to. She skipped over Mambo Sun, the first track, though, and had it play Cosmic Dancer first. It was calming to her, she swayed a bit to the soothing beat and then climbed into her bed. Staring at the ceiling, she wondered about when her life had gotten so complicated. The rhythm in the music and the exhausting thought material lulled her to sleep as the afternoon sun washed her room a perfect golden from behind her shade.
When she woke up again, it was midnight and she was starving. The record had stopped spinning hours ago, she hadn’t even gotten through side A. It was forgotten as she made her way to her kitchen, groggily.
After settling on cereal and an alcoholic seltzer for dinner, she was really in the mood to treat herself, she made her way back to her living space. On the couch, she tucked her legs beneath herself and spooned the sugary food into her mouth. She had only soy milk in the place because she didn’t like cow’s milk and it didn’t keep when she was gone for extended periods of time. Then as she sipped from the black cherry White Claw, she dug her hand into the cushion next to her. Her hand reemerged with her discarded phone from earlier. She decided it was reasonable to go on it now.
More messages from various people in her life and hundreds of social media notifications. She was going to ignore social media for as long as she possibly could. Four missed calls. 2 voicemails. Styles Harry. Why she kept contacts backwards in her phone was unimportant, it’s just what she did.  
She sighed and took a bigger sip of the barely alcoholic drink. Then clicked the voicemail notifications and pressed the first one on speaker as she began to read his texts as well. Then the next voicemail. She checked the time in California, it was still a reasonable part of the day there so instead of texting back she rang him.
“Hello?”
“Har- H. Hi.”
“Y/N! Are you alright?” The concern apparent in his tone. She was taken aback. He hadn’t necessarily sounded angry in his texts or voicemails, but she just assumed he was being courteous since it was a live conversation.
“You’re not mad at me?”
“No! Why would I be?”
“Because I just had my ass handed to me by Jeff earlier.” She slightly mumbled and shrugged, still upset with how she had been spoken to by Jeff.
“Oh gosh, I told him not to be harsh. It’s honestly not a big deal. I thought it was fine, you texted me too!”
“Yeah, well apparently wearing your clothes means we’re dating and that’s not cool in the world’s eyes,” you scoff.
“I know how much you like that coat...I thought you looked great in it, too.” He finishes in a slight whisper, not wanting to be overheard.
“Harry…” you can’t keep the smile off your face. It was a cute compliment even if the situation wasn’t ideal. “Why do your fans have to be so smart and know there’s only two of those coats in the world and I don’t own the other one.”
He laughs, blushing at how you said his name. This time not using his nickname didn’t bother him, it felt even more intimate somehow.
He rubs a hand through his hair, “I know, pesky little devils, gotta love’em, though”
She hums, not sure if she can agree about loving them right now since they’re probably eating her alive all over social media.
“So you’re alright, darling?” He asks again.
“Mhmm,” she pauses at the pet name, it was soothing right now. All she wanted was to curl into his chest, but he was half a world away, quite literally. His words would have to do in his absence. “I’m really glad you’re not mad at me, H. That would’ve made this a hundred times worse.”
He huffs, wishing he could be with her to comfort her. He hated this part of his life. A friend couldn’t borrow a piece of his clothing without everyone assuming that they were seeing each other. It was disgusting and it made him dislike tabloids and social media even more than he already did.
“Trust me. I’d never be mad at you, pet. And I’d definitely never be mad at you for looking good as fuck in my clothes.”
“Shut up!” She squeals, his tone turning from earnest to teasing in one breath. He cackles on the other end of the line because despite her mean words, he could hear the smile on her lips.
“When are you flying back to London?” Her voice grows quiet again after she takes another sip of her drink.
“Thursday,” he almost whispers back, having contained his mirth again.
“We have some work to do on your Graham Norton and Jingle Bell Ball outfits. The listening party ones are all picked up -”
“Y/N,” Harry cuts her off, “It’s late for you, go to bed. Try not to stress out too much, we’ll talk when I’m back about work. For now, take a few days off to not think about my clothes.”
She sighs, “Thanks, H. You’re right. Have a good rest of your day.”
“Goodnight, m’love.”
She ends the phone call and chalks the almost ‘my’ sounding syllable that she heard before love was just her tired mind and Harry’s mumbling voice. It most certainly wasn’t.
-
After a restful few days of doing absolutely nothing, something rare for Y/N, she was extremely well rested. So much so that she was peacefully asleep when Harry let himself into her flat since they had agreed to meet at her place when he got back to London. As much as he wanted her to take time off and not over work herself, his schedule was a busy one and now that he was back, they had work to do.
Inside her flat, he was greeted with silence. He made his way to her bedroom at the back of the flat. He’d been here a handful of times. She always told him she preferred to spread out when she worked and Harry’s was the place for that. The door to the bedroom was slightly ajar and he pushed it open slowly with his ring clad hand. His black nails are freshly painted and shiny, no chips. Still in her bed, Y/N shifted around softly. He smiled to himself, taking in how the room smelled over lavender and how she had pink floral sheets. He walked to the window and raised the shade, hoping to have her wake up without and coaxing from him.
“H,” her voice mumbles into her pillow and he thinks she’s woken up. His face turns to look at her, but her eyes are still closed and she looks completely asleep. He wonders if she’s trying to trick him, but then she mumbles again.
“Mhhh, tha’ tickles,” and she giggles. He kind of grimaces, feeling like he shouldn’t be hearing this. He hadn’t known she spoke in her sleep, it was sweet, but with the context right now, he thought him having this knowledge might not sit well with her.
“Y/N,” he says loudly, before clearing his throat. Her eyes shoot wide and she sits up, dropping the sheet she had been snuggling.
“Harry! Oh my god!”
“Meeting, remember?”
“Oh my god,” she glances around her surroundings, Harry still standing at her window. “What time is it?”
“1 pm. We said 1 right?”
“We did, I just...I don’t know what happened. Sorry, give me a second. I’m out of it.”
When she emerged from her room, dressed and ready for the day, Harry had brewed a pot of coffee with her machine that she really only had for guests.
“Sorry again,” she sits at her countertop, searching for her notebook in her bag.
“No worries,” then he leans across the countertop, “Seemed like you were in the middle of a nice dream.”
His brows are raised as she avoids his gaze. She flushes easily, “I- it was...just one of those usual dreams.”
“You have dreams about me often?”
“I didn’t say that!” Her eyes shoot up to meet his and he grins. He takes a sip of his coffee before speaking again.
“I heard you say ‘H’.”
She rolls her eyes, “That proves nothing.”
They both stare at each other for a minute, not talking or moving. Harry is simply grinning at her as she twitches her hand with her pen in it now. Her eyes are trying to figure out what Harry’s getting at, searching his expression for how he feels about knowing she dreams of him. She certainly wasn’t going to get into it with him, even if he did continue prodding.
“Alright,” she begins when he doesn’t seem to want to press it further. “Oh!” She jumps up, dropping her pen and forgetting about whatever else she was going to say. “Your jacket! And shirt! I cleaned the shirt and the jacket…” She runs out of the room to go to her front closet where she had hung up both the jacket and the shirt.
Returning, she holds them out to Harry and he rounds the countertop to look at them.
“Perfect shape,” he admires the spotless shirt and his beloved jacket. He puts them on the back of the chair that was next to them. “Won’t forget my jacket again.”
She smiles sheepishly, thinking back to Jeff’s conversation with her. Harry notices her change in demeanor and takes one of her hands. Her eyes flash up to his face and her body tenses, he feels it even in her hand.
“Have you gone on any social media since you’ve been home?” His eyes are wide as he runs his thumb over the back of her hand.
She softens slightly, “Oh yeah, after the first day I decided to check. Most were funny and sweet, their nasty comments didn't get to me.”
Her eyes are big on her face and Harry watches as her worries and concerns all wash through the swirling colors in them. He wants to take all of that pain away and just stare into her abyss forever.
“What did Jeff say exactly?” He knows that’s what she’s alluding to. Harry loved his manager, but when he had called him about the jacket incident he had been pretty short with Harry and hadn’t given much information on his chat with Y/N. The way she looked right now bothered him because ultimately Harry was in charge of Y/N in his employment of her and if Jeff had acted like her superior in a way that was harmful he’d be downright upset.
Her eyes grow glassy immediately and Harry’s anger begins to bubble in the pit of his stomach. She tries to blink anything away, but fails.
“I don’t know why I’m crying, it wasn’t terrible. It’s just, all my life, I’ve had to work to be taken seriously because of who I am and I hate when I get talked down to by a man. Especially over a stupid fucking publicity thing for you. Like I’m sorry, but I don’t see you as a public figure where I have to worry about every goddamn thing I do messing up your image.” She pauses, taking a deep breath, realizing she’d gotten really worked up as she spoke. The tears running down her face more in anger than sadness. Harry watches on, letting her work through her thought process. “He was just so mean… for what?” She whispers finally.
“Oh god…darling,” Harry grips her hand more firmly. He wants to take her in his arms, but he’s not sure if that’s what’s best for her right now, so he just keeps holding her hand. She stares up at him, blowing a piece of hair out of her face. Her eyes now tinted a light red.
“I’m sorry he spoke to you in that way. That isn’t his job at all, I’ll definitely talk to him since I didn’t have the full story before. He gets very worried about the media perception thing, especially right now with the album.”  
She bites the inside of her cheek, blinking up at Harry. “I know your image is important, too, otherwise why the fuck would I be here? Right? I just don’t think it’s that big of a deal I borrowed the jacket.”
“In a perfect world my image wouldn’t matter at all,” Harry sighed, “Fame is a stupid, fickle thing musicians like me get stuck with.”
“Please, you love the attention,” she teases, poking at his chest. The sweatshirt he wore wrinkling under her touch.
“‘M serious,” he insists, “I’m saying it shouldn’t matter that you borrowed my jacket, but sadly it comes across to the rest of the world like I’m dating you.” He pokes her sternum in return.
“And that would be the end of the world?” she smiles, her tone still teasing, but that worry is back and swimming in her eyes again.
This time, though, Harry must not see it because he laughs and lets go of her hand. “For a lot of people, I think it might be.”
She bites at her lip and tries to contain the laugh that bubbles in her. He was right and as he wandered back into the kitchen for more coffee, she shook her head trying to rid herself of those pesky feelings that had been hoping for a different answer.
-
The next few weeks go off without a hitch. Harry’s outfits look incredible for the listening parties. Then for the Graham Norton Show, the Jingle Bell Ball, and the One Night Only at the Forum. Every single outfit is received with praise and everything seems to be coming up Harry Styles. Y/N has been traveling to most of his appearances, making sure everything is in order before he goes out. She’s always by his side before he walks out into the public eye. Taking his picture and saving it in the lookbook that keeps growing, smoothing over his lapels, either unbuttoning or buttoning a middle button when she thought he had too many or not enough undone for the look. Whatever it was, she was there for him.
Then, after his appearances, they would debrief. Debriefs really were just time that Harry carved out in his schedule to just be alone with Y/N. Sure, they talked about clothes, that’s how they had first connected, but it always turned to other ideas. They’d talk about his songs and she’d ask about the meanings that he wouldn’t share with the rest of the world. He’d happily tell her about it and they enjoyed that time together. There were stolen glances and lingering touches, but at the end of the day they were professionals who were friends. It wasn’t maybe what either of them wanted, but they weren’t unhappy.
Harry just got back from Los Angeles after filming for his Ellen show appearance and he was set to play the Bowery Ballroom tomorrow in London. After this there was going to be a lot of downtime on Harry’s schedule because of the holidays. He had marked out almost a whole month of time off, at least from appearances. They still had to start planning tour outfits and finalize the outfits for the events after the break. Right now, all she was focused on was getting Harry into the beautiful yellow Gucci suit that was a twin of the Watermelon Sugar suit he had worn on Saturday Night Live. Harry said he wanted to check the suit before tomorrow for some reason, so Y/N had made her way over.
She finished buttoning the sleeves of the jacket and stepped back to admire Harry once again. No matter what he wore he always looked marvelous in her eyes. She’d argue anyone could say that about Harry though. He could pull anything off and make it his own with barely any effort.
Today, his hair was disheveled and mused from his plane ride back into London. The flight from California to England was a rough one, even when you traveled in the type of luxury Harry did. Despite his tired body and eyes, the suit looked stunning on him. He wore it without shoes and she giggled when she saw his feet. His feet tattoos never failed to make her laugh and she had no explanation for why.
While Harry looked good in everything, there actually was something a little off with the suit right now. Normally, it hugged him just right to make him look perfectly muscled and defined, but it seemed to be hanging a little looser in some areas.
She tapped a finger to her lip, looking him over, unsure of what was off.
“Did you lose weight, H?”
“Huh?” He looks down at himself and somewhat notices the looser fit, but wasn’t quite sure if he had lost weight. “Don’t think so.”
She hums and steps closer to him, dropping her hands to tug at various parts of the suit, trying to figure out whether she should take anything in or leave it be.
“It’s probably all the travel I’ve been doin’. Can be draining me more than I realize.” He ponders as she continues to work silently over the suit.
Her hands travel beneath the suit and encircle his waist, almost as if she’s hugging him, but not really. His stomach flexes at the contact, her chest pressed softly against his. She grips a bit of the shirt from the back and then unfolds herself from him to look at the mirror. The shirt is now taut against his sternum and pectorals under the coat. She tilts her head, silently asking him his opinion.
“I think it’s fine the way it is, honestly.”
“Okay,” she nods and releases her hold on the shirt, hand slithering out from beneath his coat. He exhales deeply through his nose. “Make sure you eat properly tonight.” She says before beginning to pack up her things, done for the day. Harry begins to undress himself.
She turns back to face him as he hands her the jacket and shirt, her eyes run over the length of his torso, both for the sake of checking on his health and for other purely selfish reasons. All the tattoos still remained where they always were when she saw him like this. It never got old, his beautiful body. He didn’t even need clothes to look good. She blinks back to reality when the fabric comes in contact with her hand.
“Make sure you treat yourself this holiday season, you deserve it, H. And it seems like any weight you ever gain is muscle anyways, so you don’t exactly have to worry around the sweets table.”
Harry laughs heartily as he slips on his long sleeve shirt he was wearing. Then he starts on the pants as she turns away again to hang up the top parts of the suit.
Finally, she adds when he hands her the suit pants, “Just don’t want you overworking yourself, seriously, H.”
He looks at her as he buttons up his baggy blue jeans. The outfit he wore was just the first clean things he had grabbed when he had gotten home. His green eyes turn serious after the mirthfilled last few moments.
He crosses to her side as she puts away the clothes in the garment bag. His hand lands softly on her shoulder and she turns to him at his touch. “I know. You’re so good to me, darling. Always making sure I’m taking care of myself…”
It’s quiet. The soft breeze in the London air outside barely whispers around the house. Harry’s voice was laced with love, even if it wasn’t his intention. His ‘thank you’ was piercing into her heart and his touch wasn’t helping her stay focused. Her breath caught in her throat when she felt Harry take a step closer to her, his head ducking slightly down to her level. Then, right on the edge of her left temple and her hairline, his soft lips pressed against her skin. They brushed against her for just a moment, lingering for the respectful amount of time. But all she wanted was anything but respectful. She wanted his lips pressed against hers, she wanted his hands in her hair, yanking her deeply into him. She wanted to scream when he pulled away, but she didn’t. She smiled warmly up at Harry and her eyelashes fluttered on their own accord like a schoolgirl with a crush.
“Thank you,” he whispers again.
“What would you do without me?” She pushes at him playfully, shaking off her giddiness. Then she turns back to her work, scooping up all the items of hers on the table.
“Probably have to walk around naked, huh?”
“Oh my god!” She laughs and starts for the door, Harry follows behind to walk to her out to her car. “Maybe I should quit! People would love it.” She continues laughing as she hangs the garment in the passenger's seat side.
“No thank you, please,” Harry hurriedly says.
She turns to him as she closes the door and leans against the car. This was their routine right before she left, a final chat against the car before she drove off for the night.
“Tomorrow’s going to be amazing, H. It’s gonna be electric!” She scrunches her nose slightly at the pun about the venue as she smiles up at him.
He sticks his tongue into the side of his cheek, holding back a laugh. His eyes narrow at her, slyly. “Very funny.”
She only winks at him before pushing herself off of her car and walks to the driver’s side of the car.
He waves as she begins to pull out of the driveway and she flashes him a peace sign and a mouthed ‘Bye’ when she turns onto the street.
-
After the Bowery Ballroom show, Y/N barely sees Harry at the after party. She doesn’t worry about it too much. His management was going to have a holiday party next week before the little break began for the team. So, she knew she’d see him before she flew back to see her family for the holidays. She was going home for two weeks and then would be back for New Year’s and then would get back to work after that.
She saw Harry exactly twice after the show. First, she saw Harry right after the show and he was all sweaty and exhilarated. He tackled her in a bear hug with such strength she would have fallen back if he hadn’t been holding her so tightly. When he pulled away, he placed two extremely slobbery kisses on her cheeks and she laughed, tipping her head back in pure bliss. Then he was pulled away by Jeff to change and get ready for the after party.
Jeff had apologized over text about the tone he had taken over the whole jacket thing, but only Harry had told him to. It was fine with Y/N, she told him that too, but she just never felt like being around him for very long if she could help it after that. That’s why she liked that most of her job entailed dealing with Harry directly. If she had to go through Jeff for everything she’d likely pull her hair out. He was still short with her at whole team meetings and not necessarily courteous when they were around each other casually. Like she said, it was fine, she just didn’t make it her business to be around Jeff.
The second time she saw Harry was around half past one am. She was pretty sure it was time for her to uber home and she wanted to say goodbye to Harry. Her well-liquored body stumbled around the big room. Deciding to take shots with the band had gotten her to where she was now and she wasn’t complaining she was happy. She was in a celebratory mood and wanted to see Harry right now. Tell him how much fun she had and how proud she was of him. How much she loved him… Hopefully she kept that part to herself.
“Harry!” She finally exclaims, coming upon a group of people surrounding the star himself. She ignored the rest of the people, likely stars too, but she really couldn’t care less. One of them tried to straighten up as if he was going to block her from Harry, feeling like she maybe wasn’t someone Harry wanted to see since they didn’t know her. No one seemed to ever recognize Y/N as Harry’s stylist when it mattered. Harry waved them off, a little drunk as well, but obviously recognizing Y/N.
“Darling!” He exclaims and raises his arms out to her. She grips onto him quickly and snuggles into him happily. With her still in his arms, he turns them from the prying eyes of the group he had been with.
She raises her head from his warm chest so that her lips are near his ear, “Congratulations, Mr. Styles.”
“Thanks, baby,” he purrs into her ear, his voice coarse and low, carrying over the music. She giggles at the nickname, her entire plan going out the metaphorical window.
Her fingers smooth up over the fabric on his chest, a nice short sleeve silk button down that was tucked into dark high waisted trousers - they’d picked it out last week. One of her fingers begins to trace around his collarbone after she reaches the opening of the shirt. His eyes flutter shut at the contact. They were so needy for each other. Each touch would coarse heat through them every time.
“I’m going…” She says after a moment of silence between them. The party was raging around them, most not paying any mind to the two of them off in their own world.
“Don’t go,” Harry practically begs. A hand flies up to pet over the top of her hair and she smiles even wider.
“It’s late and I’m tired,” she makes a face in response to Harry’s pout, “You have lots of people to entertain, Mr. Styles.” Her teeth capture her bottom lip as she stares at him intently.
He groans and pulls her closer. This time his lips brush right against her ear and she wants to shiver, but he keeps her in place. “If you keep calling me that, you’re gonna drive me insane.”
Her eyes widen but her hazy mind isn’t processing all of what is going on. She barely takes inventory of ‘baby’, for him to say she’s turning him on without actually saying it. Tomorrow Y/N would have to deal with that one.
She pulls back from him, creating space between their chests, but he still holds her waist close to him. She leans up and places a kiss on the corner of his lips. It’s technically supposed to be a kiss on the cheek but if she had moved her lips a millimeter to the right they would have been on Harry’s. This gesture has his grip tightening on her, but she pulls away.
“Goodnight!” She sings as she bounces out of sight, wiggling her fingers in a wave before completely being gone.
Harry sighs and runs a hand over his face, kind of in shock of the last five minutes. He had liked it. He just hadn’t expected it. When he turns his attention back to the group that was behind him, it’s not the same as it was before. Jeff looks at him with narrowed eyes and Harry’s eyes go wide and his grin widens as well.
-
Tonight is the management holiday party for Harry’s team. Y/N and Harry had seen each other two days after the Electric Ballroom to debrief, but mostly to get brunch. They didn’t talk about the little teases they shared at the after party. Both of them just assumed that the other probably didn’t remember and didn’t want to go through the trouble and embarrassment of recounting it. Alcohol has that effect of making you a little bolder than you actually are.
Brunch with Harry solidified Y/N’s thoughts on fame. Celebrity could be so strange, because there was the one day when she got photographed with just Harry’s jacket on and there was speculation of dating, but then she could go out to brunch with him and not be bothered at all. It made absolutely no sense.
Anyway, tonight there were no gifts, but Y/N had gotten Harry something even though he said he never needs anything. She hoped she’d be able to give it to him after they were walking back to their transportation since she wanted it to be a surprise and not have everyone know she gave him a gift. It wasn’t a big deal - or maybe it was - it was just an item she knew Harry had been fawning over. It was so him and she knew he’d probably end up buying it for himself eventually, but it felt nice to be able to give him something for once. Price didn’t matter. Still, she was a little nervous and tucked and re-tucked it several times in the back seat of her car before heading inside.
It was a restaurant his management had rented out for their party. She gave her name and headed inside. The lighting was overly dimmed and it smelled like expensive alcohol and delicious food. It was everything an A-list singer deserved as a celebration. She never could fully grasp that the Harry she had gotten to know as her friend was also the same Harry that the entire world was infatuated with, for good reason. He was charming in the best way, terribly sincere, insanely talented, and all around a good human being. She knew that, it just surprised her that everyone else knew it too. There was just that disconnect for her that she shared him with the rest of the world.
Her high heeled heels brought her to the backroom of the restaurant. They managed to shimmer even in the dim light. She had gone for winter chic with a sequin and mesh white dress, that looked like fresh snow with a cream and blue swirling design on the under layer so that her undergarments weren’t showing through. It was like a modern ice princess look that was finished with her heels that had sparkles on the entire back of them. Her hair was down and her makeup a little more done up than usual. She used a light blue eyeshadow to imitate ice and added some rhinestones on the inner parts of her eyes. She may have watched a Euphoria-inspired makeup look tutorial on youtube and she wasn’t afraid to admit that.
The scene she came upon was what she expected. Lots of men in suits and a good amount of women in power suits too. The people in any interesting clothes were Harry and his band. Some of the business people’s partners were dressed up more but it all wasn’t too exciting. Plus, Harry’s famous friends group hadn’t shown up yet. Y/N hid her disappointment easily, not surprised about the lack of flavor she saw in the style. She just repeated the mantra her mother had always told her: “You can never be overdressed, only underdressed.” It stuck with her always and made her go for those bolder styles when she needed to.
Harry was there, sipping on a glass of water. She figured he might not want to get started on drinking so early in the evening. Tonight didn’t feel like a drinking night for her either. After the last big party, she had woken up with a massive hangover and a few memories that she wished she hadn’t made. She wasn’t planning on repeating that series of events.
As she goes to grab a glass of water on the large table, she gets a tap on her shoulder. She spins.
“Happy Holidays, darling!”
Her eyes widen and her smile immediately grows. Harry grins back at her, his mouth open in the perfect winning smile of his and his eyes twinkling with happiness.
“Happy Holidays to you too, Mr.-” She stops herself, remembering back to the last party, “H.” She finishes firmly after clearing her throat. Harry’s grin turns to a wicked knowing smirk.
“I’m happy you came! I know you’re not super connected to all of the groups here, Harry Lambert is around somewhere though and I know he’s been wanting to talk with you about clothes.”
Harry watches as her eyes shine even brighter when he mentions the other stylist. It was true, Y/N didn’t really mesh with any of the groups that worked around Harry. The stylist kind of stood alone in regards to where she fit into his life, not the business part, not the band part, not the crew, and not the other celebrities. Harry Lambert and other fashion people didn’t always come to these events so it was seldom that Y/N had her own people to talk to. Not that mingling was hard for her, he just knew she didn’t like to do that as much so whenever another stylist or designer was there he always made sure to introduce them - if they weren’t already acquainted.
“That’s amazing! I haven’t seen him in ages… I’ll have to get his opinion on how I’ve been doing.”
Harry licks his lips as he laughs a little at her comment. She looked beautiful tonight and he wanted to tell her.
“Harry. What the hell are you wearing?” Her eyes flash as she takes in his appearance.
He looks down at himself and then back at her confused. They hadn’t picked the outfit out, but he thought it looked nice.
“Obviously not the suit! On your head?”
“Oh. It’s a gift from Mitch and Sarah.” He pauses to reach up to play with the headband sat on top of his curls. “It’s mistletoe and it seems like you’re standing beneath it. You know what that means,” he toys with it as he wiggles his eyebrows.
She scoffs sarcastically, looking to the side for a means of escape, “No way.”
“C’mon! It’s tradition!” He steps forward playfully and she places a hand on his chest.
“You can kiss my cheek.” She says finally and Harry looks at her disapprovingly.
He wags a finger at her with his free hand, “You’re the one under the mistletoe, you have to kiss me.”
“Okay that’s definitely not how this works! Now you don’t get any kiss at all, you cheeky bastard.”
“Fine. But don’t come crying to me when you’re the one with coal in your stocking.”
“Haha.” Her eyes once again roll to the side as she pushes him back and he steps back like she actually had a strong push. Then they both actually laugh and she gives him a quick side hug with a whispered, “there”. Harry smiles down at her, but it falters slightly when she’s already pulling away. He wanted her at his side the entire night, but sadly that wasn’t reality.
She drags him around the restaurant in search of Harry Lambert since the party had started to grow and she needed his height to get her where she wanted to go. Maybe. Or maybe she just liked the way he held her hand to lead her through the crowd that was most definitely not dense enough for her to have to hold on to him to stay with him at all.
She sees more of Harry at this party. They have some good conversations about plans for the holidays and snickering about who was already too drunk even though it wasn’t even midnight. She can’t believe he keeps on the stupid headband all night, giving and receiving various types of kisses from every person he talks to. Some are kisses on the cheek, others are friendly smooches on the mouth. Thankfully all of them are those cute little pecks that friends always tend to share, otherwise Y/N might have had to excuse herself and leave early. Jealous little thing.
As the night dragged on, she began to question herself on that front. Why was she growing jealous when friends would kiss Harry. She could've kissed Harry. She practically did the other week. But now, after refusing him a mistletoe kiss and seeing everyone else do what she didn’t have the courage to do, she felt childish. Well, childish or not, she knew why she couldn’t kiss him. Kissing Harry wouldn’t be just a friend thing for her. It would mean a lot more and if it was just a friend thing for him she wouldn’t be sure if she could handle going on with their working relationship after. Her job was the most important thing in her life. Being a stylist, loving clothes, and working on personal designs for the future was her life. Giving up this prestigious of a job was out of the question. Maybe the idea of being with Harry had crossed her mind, but she didn’t know how it could ever be realistic. If they got together could she keep her job? Would she have to quit? And find a new one? There were too many unknowns for her to ever actually entertain it. That’s why they went to the edge so often, she always would back away and she was sure that if she didn’t, Harry would for her.
He knew her. He knew her passion, he watches it firsthand everyday they work together. Even when they’re not working he can see her mind forming different ideas just based off of the things she sees people wear on the streets. He watches her fingers fiddle over her phone, typing out notes for design ideas and screenshotting inspiration. So every time they went to the edge of changing their relationship, he knew he couldn’t push it because he never wanted to hurt her or her dreams in some way. She was too important to him to simply mess that up.  Even if it hurt him.
So when Harry slides in the back of her car that night at 2 am because Y/N says she has something important to show him, he’s fully ready to stop their flirting from going any further. And when she tells him she needs to show him something, she has the most pure intentions when she pulls out the nicely wrapped box, its wrapping paper a swirling lavender pattern that’s really not festive at all, but she prefers it.
He looks between her and the box that she’s now placed in his lap. His green eyes flickering even in the darkness of the car, the city lights illuminating the backseat enough for them.
“You know I don’t need anything…” He fiddles with the skinny mesh ribbon neatly tied around the box.
She makes a little gesture, pushing him to open the present, “I know, but I also know you’ve been wanting this and you deserve it.”
He unwraps the paper to reveal a Gucci box and he rolls his eyes at her, but smiles genuinely as he lifts the top of the box off. It reveals a 1955 Horsebit Shoulder Bag in beautiful shiny black leather. It’s gorgeous.
“I can’t...I don’t know what to say,” Harry’s eyes are huge as his delicate hands ghost over the bag's details. He had been wanting it and he hadn’t gotten the courage to buy it yet. He liked purses, but sometimes he even had his doubts about what he could pull off.
His eyes go back to her and she smiles widely at him, all her teeth on display because she’s just that happy. “This is a really expensive bag, Y/N.”
“If it makes you feel better I can charge it as a wardrobe expense, but then it’s not really a gift from me,” She sighs at his unrelenting gaze.
“Thank you.” He touches at the bag again and then does a dance in his spot. “And don’t worry, I will always remember this as a gift from you. I love it.”
She smiles and leans over the box to look at the bag, admiring the beauty of it as well. “It’s pretty great.”
“Mhmm,” Harry hums and she raises her eyes, seeing his trained on her face. “You’re under the mistletoe again, darling,” he smirks.
Her breath stops once again, how could he do that to her so easily? Their eyes stay locked under the city lights. The fake mistletoe bobs above them still connected to the silly headband. It’s colorful leaves and fun stripes mock her when she flicks her gaze up to it for a moment. Then back to Harry. Harry who’s holding the gift she just gave him. Harry who looks beautiful tonight. Harry who is her favorite person in the world to spend time with.
Now. Now is when she pulls back from the ledge. This is when she takes a step back and stops herself. When Harry laughs it off. When she pushes him away. When they go about the rest of their day like that electricity hadn’t gone up either of their spines.
But that’s not what happens. Instead, she nods in agreement and then crashes her lips against Harry’s. It’s not like those friend kisses that had happened with him all night under that same mistletoe. It’s hard and hot and fast. Her lips are pressed to his for one searing moment and then she’s biting his lip, desperate to taste more of him. She had been longing for this for so long and now that she had it, she couldn’t let it go.
Harry’s hands fly to her cheeks as he pulls her closer, more into his lap. He pushes the box into the front area of the car blindly. The gift was completely forgotten. This was a far more important matter. Her lips were wet and plush and they tasted like the single Manhattan she had halfway through the night and vanilla lip gloss. When she bites his lip, he can’t hold back the moan inside his throat and she presses her tongue into his mouth quickly. He was her oasis and she had been traveling for months. He responds with similar vigor, enjoying the way her body presses to his in the backseat of this little car.
They kiss for as long as they can. Licking, sucking, and biting each other’s lips to taste as much as they can. But it’s just kissing. Neither of them work to travel anywhere else. Their lips are seemingly enough. Each press of their lips communicates what they had been longing for. It’s euphoric.
When the windows start to fog and her eyes open for a random moment, she realizes they need to cool whatever this is.
“H-Harry,”  She gulps for a breath of air and she tries to get his attention. “I gotta get home.”
“Come back to my place,” he mumbles into her collarbone, happily licking over his love bite.
She laughs and swallows slowly, “That is definitely out of the question, I have a flight tomorrow.”
He removes his mouth from her and straightens up. His lips are even brighter pink than usual and perfectly puffy. His hair disheveled from her hands. She blushes at the thought.
“Right, forgot about that,” he opens the car door and they both slide out. They stand at her car, just like they usually did outside his house. However this time is quite different from most.
They sigh heavily, in unison. The winter air is cold in London. She shivers slightly and knows she can’t stay in his presence much longer.
“Merry Christmas, H.”
He leans down and places one last sweet kiss to her lips. She wrinkles her nose and smiles  unabashedly.
“Merry Christmas, Darling.”
-
Harry and her don’t talk as much while she’s back home for the holidays. There’s no work to be discussed and while they parted on not necessarily bad terms, there was definitely a conversation that needed to be had between the two. Neither seemed to want to have that conversation over the phone, or worse, text. So for the next week and a half, Harry and Y/N exchanged texts of funny memes that reminded them of each other and odd anecdotes from family members that had made them laugh. Nothing really substantial, just small, I was thinking of you messages.
When she walked out of the luggage carousel at London Heathrow Airport, she expected to be getting in the queue for an uber. Instead, before she could cross the street to get to the queue even, a tall man stopped her. A tall, scruffy, extremely buff, extremely handsome, and extremely kissable man. Harry. It would be terribly strange if it was anyone else.
“Excuse me, ma’am, do you need a lift back to your flat?” His dark sunglasses cover his face and a big coat, scarf, and hat make him hardly recognizable. The curls sticking out from beneath the cute knit scarf are thankfully a dead give away for her. As well as his perfect drawling voice.
She shivered in the cold, her matching grey sweatpants and Treat People With Kindness sweatshirt had been warm enough on the flight, but proved inadequate for almost January in London. Yet, Harry’s presence brings a smile to her face.
“It’s good to see you, H.”
He laughs, his cover obviously blown. His arms encircle her body and she instantly melts into his embrace. His large coat easily fell around her and warmed her. His own natural body heat adds to her new found warmth as well.
“You too,” he murmured. His head buries into the crook of her neck, warming her cold skin.
He pulls back after a rather long embrace, realizing they’re still out on the sidewalk. He takes one step back and she visibly deflates at his absence, the cold once again surrounding her.
“Let’s get you home,” he grabs at the handle of her suitcase in one hand and her hand in the other. The warmth returns and she grins, placated by his touch.
“So are you coming to my party tonight?” He inquires once he settles into the driver’s seat after putting her suitcase in the back.
She shifts in her seat, arms wrapped tightly around herself, still cold without any warmth from Harry or the car. “Don’t you suppose there was a reason why I chose to come home today?”
Harry’s ears perk at the use of home, never assuming Y/N viewed London as her home, still it made him smile.
As the car purrs to life, heat immediately seeping out of the seats and vents, Harry’s phone connects as well. NFWMB by Hozier begins to play softly and she glances at Harry again. The song was so sultry and soft, like expensive dark chocolate melting on your tongue. The mood in the car seemed to shift. Their eyes met, Harry’s green ones narrowing at her, trying to decipher the look she was giving to him.
Then he drove off, softly singing along to the words through the sleepy streets. It was surprisingly quiet out for the holidays, people choosing to lay low during the day so they could celebrate the changing of decades in full force tonight.
After the song ends, his eyes travel over to her again and she’s already looking at him. She had missed his face. Sure, he’d sent some silly selfies while she was gone. Mostly on Christmas Eve with his family when he had gotten drunk on mulled wine and eggnog and brandy. Still, in person, he was even more beautiful. The high cheek bones that glistened with a shine most makeup could only hope to produce. Full raspberry lips with stubble growing to frame above and below. The crinkles growing on his forehead and by his eyes that showed him aging with grace. The precious few moles that had gotten lucky enough to live on his face forever. His big green eyes that were consistently bright with interest and intellect, but deep and knowing despite his loving demeanor. She loved those big green eyes, they were just so big and she didn’t understand how no one took the same interest in them as her. All of it, just sitting there beside her. Don’t even get her started on the soul that inhabited the beautiful man beside her. She never would stop spiraling then.
“What?” He asks softly, the sounds of Paul McCartney during some era fading in.
She blinks, hazily in admirance, “Nothing,” she replies.
“What?” He insists, laughing slightly, the lips she loves so much widening in excitement.
“Just missed you.”
Her voice is quiet but strong, serious. A blush creeps up his neck, taking hold of his features.
“Missed you too,” his left hand reaches across the console to take hold of her hand that resided on her thigh. He squeezes her hand softly and they both smile at each other again.
“Don’t worry, I can get my stuff upstairs. I don’t want you being out in the cold any longer than you have to. I’ll see you tonight, H!” She pushes her body across the console and places a kiss on his cheek before jumping out of the car. Harry makes a half smile, knowing he can’t change her mind. He waves to her behind the window as she travels into her building.
“See you.” He says to himself before driving back to his home to finish up preparing for tonight’s festivities. The party was going to be more intimate than the Christmas party at the restaurant. Tonight was just Harry’s family and closest friend - the band, Jeff and his family, Y/N, and a few others.
-
The whole night Harry and Y/N are within a foot of each other, if not on top of each other. He never leaves her side nor does she his. They are tethered to one another. The longest they’re apart is when Harry gets them refills of Champagne and Y/N journeys to the restroom. They laugh and catch up.
As the night goes on, Harry begins to whisper sweet nothings in her ear and she giggles and places her hand on his chest flirtily. Their interaction is a dance, bedroom eyes and low voices, lingering touches and suggestive lip bites.
When the countdown begins to grow closer, everyone refills their drinks and gathers in the center of Harry’s living room. They cheer and countdown to 2020. And of course, Y/N’s by Harry’s side as he begins the count. And when they get to ‘one’ and everyone’s saying “Happy New Year”, Harry and her are sharing a chaste peck to the lips that electrifies everything they had been saying to each other all night. She sighs into his mouth, but pulls away quickly, aware of their surroundings. No one particularly questions the kiss, either not paying attention or caring. Harry beams down at her and they enjoy the rest of the evening.
At around 1 am, the last of the guests stumble out of Harry’s homes and into waiting ubers and safe rides. Y/N lingers back, beginning to clean the discarded glassware and paper plates. Her and Harry are definitely tipsy, but they enjoy the cleaning work, making terrible jokes about New Year’s and commenting on what people wore tonight. When it’s relatively cleaned in the kitchen, Y/N wanders out to the living room and finds Harry reclined back on the couch.
“H,” She sticks out her foot and nudges him with her boot.
“C’mere,” he reaches out his hand to her, his coat discarded, leaving his arms bare with only a white tank top on.
She takes his hand hesitantly and is yanked on top of Harry in an instant. With a loud huff, she settles above him. “That wasn’t nice.”
“Shush,” his pointer finger goes over her lips, her eyes narrow at him, “Can you believe we’re seeing 2020?”
“Oh my god! I hate you!” She rolls her eyes at his pun and shakes herself from his hand around her waist. She stands up to walk away but he easily grasps her wrist and stops her, easily sitting himself up on the couch.
He looks at her and her annoyance, that wasn’t all too strong in the first place, dissipates. She sighs, “I should probably be heading home.”
“You should stay, it’s so late,” his hand rubbing over the skin on her wrist.
She bites her lip, contemplating the offer, he was right. “I’m really tired and we haven’t really talked, H.”
“But we-”
“Not about us. We’ve been skirting around it, flirting with each other all night, but we haven’t talked about what’s going on. I can’t stay if you expect something from me.”
“I don’t expect anything from you, Y/N. That’s not why I want you to say,” Harry says earnestly, realizing quickly  what she’s saying. “I’ve never expected anything from you. An offer to stay is just an offer to stay.”
“Okay,” she finally smiles and sits down beside Harry.
“You can sleep in the guest bedroom, too. If that makes you more comfortable?”
“Oh...I don’t know if we have to take it that far. Plus, you’re like a personal heater and I get cold at night.”
Harry perks up, he had been feeling resigned that maybe she wasn't on the same page as him. He wanted to be with her all the time but also didn’t want to put any pressure on her. She just made him so happy.
“Great! Let’s get to bed then.” He pops up from the couch and brings her into his arms, “You know where all my clothes are, so you can just borrow whatever you want, and then I’m sure I have extra toothbrushes…”
She giggles into his side as she watches him ramble animatedly. Sometimes he was oh so bright, so joyful and carefree. A stark contrast from the quiet confidence he often exhibited for the public.
-
She woke up in the warm embrace of Harry. His whole bed smelled like him, vanilla mixed with spices of tobacco and sandalwood. It was delicious and she snuggled in deeper to the soft chest she laid against, breathing in his scent deeply.
They rested there for a long time. Harry makes his awakening known with a lingering kiss to her forehead. They both sigh in contentment, radiant in each other’s arms.
“What’s the plan today?” She ponders as Harry’s fingers trace patterns over her skin. He hums in thought.
“Wanna be with you…”
She laughs and looks up at him, “Me too, but we can’t lay around all day.”
“Well, we could.” Harry insists.
She laughs again and twists in his arms, settling so she’s facing him. She bites her lip as she thinks about something, scanning his face over and over.
“I’m gonna go home and get ready for the day. Let’s just explore the city and do some 2020 shopping. Who knows, maybe fashion’s changed since the last decade,” she grins.
Harry chuckles a little and pets at her hair, “I like the sound of that. And we can talk - about us.”
“Mmhmm.”
He tilts his head forward and meets her lips once again, savoring her taste. Each kiss makes him want more. She was good.
-
Harry lugs in the four heavy shopping bags into her flat, as she carries the single small bag from the chocolatier he had dragged them into. He presses her to the counter when he sets down the bags and begins to kiss her face all over. She giggles and places her hands on his shoulders, giving him a kiss to the lips before pulling away.
They had talked about what they wanted, what they saw in each other and how that fit into their work relationship and the rest of their lives. Harry would have to talk to Jeff, but more so as a by the way this is what I’m doing with my life, not an ask for permission. Y/N would continue as his stylist until the end of the tour cycle, but afterwards she’d go back to freelancing. They wanted to try to date and be as normal as possible. She told him how she didn’t love the fame or the celebrities. Sure she dealt with those things for work, but when they were off duty, she wanted to be regular. She wanted to go out on dates and make dinner on weekend nights. Harry had agreed, he wanted those things too and he understood her wish to keep work and their relationship separate. However, he’d made her concede to allowing kisses during work hours. She had laughed and said it was an easy term to agree to.
It was going to be a good thing. They were both giddy with excitement, the new year, and all the new things they had bought on their relationship high.
“Oh!” She pushed Harry further away from her and hurried into her room. He laughed and looked confusedly after her. “Wait there!” She called. Harry leaned against the back of her upholstered chair.
“Close your eyes!” She says before coming back into the room. Harry’s hands go over his eyes easily as he grins blindly in her direction.
“‘M waiting…”
“Open.”
Harry’s hands slip away and his green eyes blink open. In front of him stands Y/N holding up a hand knit brown sweater vest with horizontal red, cream and blue thin stripes along with the thicker brown stripes. Harry beams, reaching his hands out to take hold of it.
“It was supposed to be a surprise for later, but I found it at this vintage place while I was home and I couldn’t wait any longer to show it to you.”
“Darling, this is gorgeous. I love it! But you shouldn’t have...”
“I thought you could wear it for Lizzo’s concert. I know you said you liked the other sweater vest, but this one is so-”
“You spoil me, seriously.” He cuts her off and laughs before pulling her back into him. Their lips collide in a searing kiss, Harry’s excitement over the new garment making him eager to show her how much he really loved it.
A small sigh escapes her lips as Harry presses into her. His tongue pushing into her mouth in a way that turns the sigh into a moan.
“Let me show you just how much I love it,” He murmurs against her lips, casting the garment onto the back of the chair he had previously been leaning on.
She smiles, eyes fluttering open and meeting his with adoration swelling in their depths. Then she allows him to back their intertwined bodies into her room.
-
Some apartment in New York a few months later:
“I knew it!” 
“Huh?” Aidy lifts her head from the skit she was working on to look at her friend and coworker. 
“That stylist...for Harry Styles,” Heidi shifts, sitting up and turning her phone to face Aidy, “She was seen out with him, getting lunch in London and then making out on a street corner. I bet they were dating back in November when he was on the show!” 
Aidy laughs, thinking back to her conversation with the stylist that night of Harry’s show. The girl had been so in love that night and Harry had been smitten all week, describing her in the best way, praising her every decision, yearning for her even. And now they were actually together...she was happy for them. 
“I don’t know about that...but they were head over Gucci heels for each other that’s for sure.” 
Heidi and her scroll through the pictures on social media of the singer and his girlfriend. 
“They probably are the best dressed couple I have ever seen,” Heidi grumbles. 
“Now that is definitely accurate.”
--
taglist: @meredithhuntt​ @sovereigndeadlyperfect @marauderswhisperer​ @toribentleyva​ @girlboss99​ @harryssunflxwer​ @loverofaccents​ @stephaniemalvie​ @mk15x @beanholland​ @stfxlou​ @loliismutt​ @pinkisawesome101​ @stilljosiegrossie​ @kikisparadise18​ @clementimee​
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alwaysxlarrie · 2 years ago
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with the faith in the future vinyl ✨potentially✨ being available on amazon for preorder/presale right now, i’ve seen a few posts about it & wanted to take a quick second to make my own post to talk about some things to maybe keep in mind. i have a friend who works in pr in the music industry, so i’m considering asking her what she thinks it could be, but either way: i definitely don’t know anything that’s going on (especially behind the scenes lol) by any means. here are just some things that i think it might be good to consider, generally speaking:
1) i wouldn’t trust anything amazon says, personally speaking, especially without proof. i’d only trust statements directly coming from louis or his team. amazon is an incredibly unethical company and i feel bad for any potential backlash the customer service employees will receive for just doing what they’re told to do, if it ends up being not an approved leak.
2) just because louis has has leaked his own music before / is okay with leaking his own music, doesn’t mean he’s okay with other people leaking it. he could have absolutely no problem with it being leaked! but he also might. and i don’t think we should completely dismiss the idea that he wouldn’t necessarily care, just because he’s leaked his own music before.
3) this is a bit besides the point, but: if it’s an actual leak of the album tracks, there’s a track called chicago. as a chicagoan, i can’t wait to blast that shit.
& 4) i’ve seen posts saying that leaked albums can be good for promo and help give an indicator of how many people will actually order a presale / the album. i completely agree with both things! i don’t think either of those things should be used to justify an unapproved leak, but i do think that if there are any benefits to one, those would definitely be it.
ok that’s it. this wasn’t meant to be a malicious or “call out” post at all, so i hope no one takes it that way. everyone is entitled to their opinions and how they feel about leaks and whether or not they think it’s legit and all that. anyway, happy thursday! i hope everyone has or is having a wonderful day ☺️
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the-insomniac-emporium · 3 years ago
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Bound Blood (Cassandra Dimitrescu/Reader, Soulmate AU) Pt. 4
Fandom: Resident Evil: Village Rating: T+ for language, nudity (but, like, for art), and violence Warnings: Unhealthy dynamics, including violence between the shipped pair, leaning heavily into the "enemies" part of "enemies to friends to lovers" Summary: Local vampire discusses art, depictions of certain anatomy, and enjoys the company of her feral soulmate for 4.5 minutes. Then it goes to shit (as things tend to do). 0-60 Real goddamn quick. Previous Chapters: 1: Sharing Is (Not) Caring; 2: Bloodbath, Baby!, 3: Haunt Me Dearly
4: Portraits For Ghosts
“Am I really supposed to just… stay here? Did she honestly think that I, of all people, would behave? The universe gave me two good hands, and by God, I intend to make that someone else’s problem,” you mutter to yourself as you get dressed. It’s not that you necessarily had anything in mind, rather that you hated the idea of waiting around for who knows how long for Cassandra to return. Especially considering what she had done prior to leaving. Sure, you had laughed, but that hadn’t meant much in the end. At this point, you hadn’t even been out of the dungeon for a full day yet, and the memories of what happened there were fresh in your mind. Nightmares, too, even if you had pushed them aside to deal with Cassandra’s. Why did I bother? You wonder, frowning. There was hardly any point to comforting a monster, no matter the way they trembled.
Or at least that’s the lie you sold yourself.
Soon enough, a knock at the door brings you out of your head. Daphne, maybe, you think, remembering the maiden from yesterday. When you open the door, however, you’re met with an unfamiliar woman. She’s a few years your senior, at the very least, and appears surprised to see you. In her hands is a very enticing tray of food.
“Lady Cassandra wanted me to bring this to you. I am… I am glad to see you are feeling better already,” she says, voice shaking. What was with these maidens and assuming you were anything like your soulmate? Though that last part did catch your interest. Something told you that she wasn’t at all referring to your time in the dungeon. If you had learned anything from Daphne, it was that the best way to get information was to be indirect. So you graciously accepted the food, before speaking, dodging your way around your ignorance.
“Yes, it’s amazing what a bit of meditating can do for the soul- and body, that is,” you start, watching closely for any veiled reactions. Even within the first few words you can tell that this stranger wasn’t expecting you to be pleasant. “Out of curiosity, what did my Lady say about my condition? There are, uh, a few details that I hope she did not share. I’m sure you understand.” As soon as the words leave your mouth, the maiden is nodding, appearing eager to satisfy you. Maybe a hint of fear can be useful, after all.
“No worries, Lady Cassandra did well to respect your privacy, and we would not dare question her further. She simply explained, to her family, that you were dealing with a migraine. I only heard this because I was helping serve breakfast,” she explained, smiling softly. You’re quick to nod, mimicking her expression for maximum empathy. “Do you require anything else? I am here to serve, you must only ask.” Ah, perfect. Would she have offered this even if you hadn’t attempted to be charming? Probably, but your politeness certainly didn't hurt.
“Well, there is one thing… as long as it’s no trouble.”
---------------------------
It had been a risk, asking the servant to take you to a room you weren’t sure existed, but one that had paid off brilliantly. Even if said room was nothing like you had anticipated. Who would have thought that Cassandra, you think, would be an artist? What’s far less surprising is the fact that the studio (or ‘study’, as you had called it) is a disorganized disaster. Discarded papers lie scattered around an overflowing trash can, a cabinet with an attached tool rack is missing pieces, and in one corner there are literally random shards of broken glass lying about. What is this, performance art? Part of you feels tempted to clean up the mess, if only to occupy your time. Instead, you decide to examine some of the pieces within the room. Maybe somehow they’d tell you something noteworthy about your soulmate.
First, you move to your left, where a workbench houses strange sculptures. For the most part they’re abstract, jagged edges contrasting with gentle curves, but there is one you think you understand. It’s very clearly a bust… of someone’s ‘bust’. Guess that solves the age old question of ‘boobs or ass’, you think, stifling a giggle. Moving on, you shift your attention to the exposed section of the cabinet. One row is dedicated to small vials, each labeled with a concerning ‘blood’, despite the fact that it’s clearly not refrigerated. Still, you have heard of artists painting with blood before, but you seem to recall them mixing it with something else. Perhaps Cassandra had done the same? Though you did wonder if she had any difficulty resisting the urge to drink the blood, at least prior to mixing it.
Shrugging, you continue to the other side of the studio, squatting to get a closer look at the broken glass. As expected, there’s no discernable pattern or purpose. Huh, you think, wonder why she doesn’t clean up. Maybe she’s waiting for a servant to do it? Guessing her reasoning was rather difficult, especially considering your lack of context, such as how long the mess had been here. Deciding that this was a pointless distraction, you move on to the only other thing of note in the room: An easel, in the center, with a canvas nearly as tall as yourself. So far, there’s little on it other than pencil lines, a sketch marking where to paint certain details. Only the (start of) the background has been colored. Understandably, it’s hard to make out what exactly the finished project would end up representing. Based on what you know of Cassandra and her family, however, you infer that this- with four figures, one larger than the others, protective- is a painting of the castle residents.
“Family means something to you, hmm?... I hope that mine does not miss me much, for I will never see them again,” you say to yourself, instinctively reaching out towards the art. Before you can touch it, or think better of it, the door to the studio is flying open. In storms Cassandra, fists clenched at her sides. As soon as she sees you, she’s rushing forward, pulling you away from the easel. “Hello, darling. Glad to see me feeling better, yes?” You teased, smiling wide at her. Feeling a bit emboldened by your earlier success, you go a step further, leaning in to give her a quick kiss on the cheek.
“I swear to fuck, if you touched any of my stuff-” Cassandra starts to say, intentionally ignoring the kiss, even though her cheeks get flush at the contact.
“Nope, not a single thing. Not even the broken glass. Nice touch, by the way, makes the whole space feel a helluva lot cozier,” you interject. For a few moments she holds you by your shirt collar, staring you in the eyes as if determining whether or not to believe you. Somehow, some way, she declares you innocent, releasing you with an irritated sigh. After pretending to dust yourself off, you return your attention to the central canvas. “Do you do a lot of art of your family? I passed by several pieces on my way here, though they were certainly in a different style.” Another pause, with Cassandra waiting for you to spring a verbal trap.
“Some of those are mother’s work,” she answers, tentatively, eying you closely. When you merely nod in reply, expecting her to elaborate, she starts to relax, little by little. “I doubt you passed any of mine. Mother tends to keep those closer to her quarters, or near the main entrance.” Interesting, you think, why hasn’t she addressed my original question?
“It sounds like she’s very proud of you,” you muse, still facing away from your soulmate. There’s a slight shakiness to your voice, as your mind starts to dwell on memories of your own family. Perhaps noticing this, Cassandra takes a few steps closer, one hand hovering over your shoulder, not quite sure if you needed (or perhaps deserved) any comfort. In this moment, you feel far more vulnerable than you had the day before. Taking a deep breath, you try to center yourself, before perfectly ruining whatever trust you had just established with Cassandra. “Something tells me she doesn’t know about the titty sculpture though, right? Can’t quite imagine that one being displayed where everyone can see it.”
To your immense surprise, Cassandra gives you a blank stare.
“You… you really don’t know anything about my mother, do you?” She says, after several awkward seconds. It feels strange to think that she had been furious, merely a handful of minutes ago. “If you actually behave for a while, I can show you some of her favorite pieces around the castle. Then maybe you’ll understand.” Intrigued, you debate how exactly to respond. On one hand, you did want to see the art, but on the other hand… misbehaving was your goal of the day.
“Sounds like a nice date to me. Why not start the tour right now?” You suggest, hoping to meet your ‘politeness quota’ earlier rather than later. Still, it is in your very nature to be chaotic, and you find yourself giving Cassandra an affectionate shoulder touch. It’s not at all genuine, but the two of you blush nonetheless. How could you not, when your blood was bound together, hearts made to race in sync?
“Don’t get friendly with me,” Cassandra stammers, unadjusted to the way her pulse pounded. “This isn’t a date. We’re just- it doesn’t matter, actually. As long as it means getting you out of my studio, I don’t care.” With that said, she takes your hand in her own, pulling you towards the exit. If she has any feelings about the soft touch, she hides them well… unlike yourself. Cheeks flushed, you’re half tempted to yank yourself out of her grip, hating the way your heart skips a few beats. Would I still feel this way if I didn’t know we were soulmates? You wonder, biting your lower lip to prevent any unwanted comments from slipping out. Soon enough you’d have art aplenty to distract yourself with. Hopefully.
---------------------------
“My God, you were not kidding. I don’t- I can’t even think of anything clever to say,” you chime, staring dumbfounded at the several statuettes of naked women. They seemed to fulfill some other purpose, one you couldn’t parse at the moment, but you could hardly think about the details right now. “I mean, good for your mother, for sticking to a theme, I suppose,” you continue, tripping over your own tongue, uncharacteristically quiet. Clearly amused by your flustered display, Cassandra lets out a hearty laugh.
“Good to know some things can shut you up. I’ll have to keep this in mind for next time you bother me,” she teases, light-heartedly. Her words only fluster you more, though they quickly give you room to counter, much to your joy.
“Is that so? Planning on carrying around a busty bust for the rest of your life, or thinking of going the more au naturel route?” You asked, briefly sticking your tongue out at Cassandra. It takes her a moment to understand what you’re getting at, but as soon as she does she’s smacking your arm with an offended huff. Despite her irritation, the blow is relatively soft, and you swear you can see her fighting to hide a smile. “Starting to go soft on me, are you? I hardly even felt that one.”
“So you’d prefer I hit you harder? And to think you called me kinky,” Cassandra fires back, without a hint of hesitation. Now both of you are laughing, softly, like old friends sharing fond memories. It’s… weirdly nice. A warmth fills your chest, even as you try to remind yourself that you shouldn’t be happy right now. Damn it, you think, suddenly frowning, hands clenching. We shouldn’t be having fun banter, back and forth like a real couple. Not when I’ve still got wounds from her hands on my skin. Instinctively you reach up to your face, thumb running over the marks Cassandra’s nails had left behind. The touch stings, bad, no matter how gentle you try to be. Noticing your shift in expression, your soulmate inches closer. “If your wounds are bothering you, I can have one of the servants get more ointment or whatever it is we have around. I don’t want you to-... There’s no reason for you to suffer more than you need to, besides, I don’t want you complaining all day.” Of course she couldn’t bring herself to imply that she cared. Of course. It wasn’t like the two of you were actually capable of being soft for each other, obviously. All of your confusion melts down, boiled by the warmth in your chest, turning to a familiar, albeit painful, rage.
“Right, right! Because you care so fucking much, yeah? What the fuck am I doing? Why am I-” you jab a finger towards her chest, accusatory- “talking to you? Why am I pretending you're not the one who did this to me? You’re the fucking reason my face hurts, my shoulder hurts, my brain-... I can’t stop thinking about everything that happened down there. I can’t get those goddamn images out of my head, every time I close my eyes, every time I look at you. I…” You trail off, chest heaving a little, tears pricking the corners of your eyes. Cassandra’s standing tall, unflinching, but there’s a noticeable regret in her expression.
“What. Are. You… going to do about it?” She asks, through clenched teeth, fighting back the full force of her emotions. You can’t tell what exactly she’s feeling, but you know that you want her to show you. Every part of you is itching for a fist fight, regardless of how stupid you know the idea is.
“Depends, dickwad, on whether or not these statuettes are properly secured,” you snap, already moving, fully abandoning all impulse control. By the time your hand grips the first sculpture, Cassandra has put you in a headlock, forcefully tugging you backwards. Panic sets in, making you try to jam your elbows into her stomach. Before long both of you are tumbling to the floor, bodies already aching, limbs flailing wildly in an attempt to hit a target, any target. In the end the air is knocked from your lungs as your head smacks against the ground. “Shit, shit, shit,” you grumble, coughing, finally processing just how much of a dumbass you were. It’s clear that at least one of the previous day’s wounds has reopened, and you feel something wet and sticky on your shirt.
“Finished, asshole?” Cassandra wheezes, sounding dazed, roughly pulling you up by your shirt collar. You nod, refusing to meet her gaze. Then she’s sighing in relief, letting you lean on her for support, holding you surprisingly close, considering the circumstances. “Let’s get you cleaned up. Again…”
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