#1 - p. 364

[maeve-is-annoying-about-books]

House of Leaves, Chapter 15

Wow there are a lot of interviews this chapter. Well if Karen is going to give others the room to speak then I will as well. Without further ado, my own interview.

~~~

@vallenari, House of Leaves Enthusiast, Dear Friend to Maeve

I do feel we need a full disclaimer before I begin. I haven't properly sat down and read this work since I was in college, about mid-way through college so we are talking around 10 years ago and I'm approaching it once more with having only read this liveread type thing along with the singular chapter in which I was asked.

I have a deep love for this novel. It came to me by way of the kind of temporary friend that you make because you see them for so many hours a day in the same limited space; the kind where you learn just enough snippets about each others lives to feel some faint thread of loneliness when you think on them again years later.

Hello my once upon a time friend. I hope you're doing well. I hope life has been kind. Thank you for this gift you gave.

I remember once being annoyed with Karen.

It felt like she whined in some areas that she was more prominent in, that she was so overly cautious or not cautious enough, that she was a bit of an ill match for Navidson. This was college age me who did roll their eyes in an exaggerated fashion at classmates who swooned over the secondary roles of females in novels. How delicate they were. How sensible. How so very misunderstood.

You do a lot more growing up after college than during it.

Karen now?

I understand the delaying in giving into her mother's wishes, of selling the house, of moving on, of finishing this film. The house and the whole experience changed not only Navidson, but her as well, and if this is the way she can hold onto him just for that much longer than it's her choice to do just that. Sending out the seconds of film that were made, gathering responses, doing anything to make the whole event feel real. Trauma has this way over clouding over every second of your life and making you want to desperately show someone the murkier details of it and hoping they can see it too. You don't want to be left alone with whatever is lurking at the bottom.

Karen doesn't want to be left alone with what still resides in the house.

Hofstadter's explanation of Zeno's arrow feels the most apt at times, but also the most feeling of someone patting themselves on the back for having such a clever answer to the phenomenon of the halls that continued on and on then having the gall to call it simple. He's the kind of person I'd want to punch.

Baleworth that follows the infuriating clever answer is something I'm more readily able to accept. The house, and to some extent, Navidson's existence/nonexistence, Zampano's novel, and Johnny's overarching story do a spectacular job of resisting interpretation. It demands to be seen just as it is, the walls always moving just out of reach when a conclusion is so very close to being drawn upon it. Then we come around to Paglia who makes me want to roll my eyes again regarding this nonsense about women being content in leaving something at being unknowable, about not being afraid of the dark because they are darkness or whatever she ends on going with. I would have been just as keen as Navidson on trying to figure out what the hell is up with the house, fear of the dark or not, it's the kind of mystery that you couldn't very well leave alone.

The interviews start to interact with one another as I presume Karen plays back or paraphrases some of what prior interviewees have said to the current person she's speaking with. I think it a brilliant way to slowly bridge them all together even if they all start to spiral together and come to say the same thing or they go at each other's throats than really giving Karen a solid answer about what she's shown them.

Then the therapist speaks again and it's like coming up for a breath among all the jumbled words. Or that could very well be my chronic exhaustion speaking. A question rather than an tumbling answer is bound to catch the attention.

Of all the supposed footage of the house, of everything Navidson had compiled and sent to his wife.

Why just those certain shots, why only thirteen (eight) minutes?

The emptiness, the darkness, the distance.

Karen didn't fear the house and its unknown. She worried for its occupants, of what personal demons they each would find in the labyrinth, what Minotaur they would face.

~~~

As I've said, Karen allows the interviewers to speak, and so I will leave this interview as-is, offering no further content.

...Okay except it was really fucking funny when David Copperfield showed up and casually made the Statue of Liberty disappear.¹ I was actually factually rolling on the floor.

Aside from what I found to be the incredible humor from certain interviews, the remainder of this chapter concerns itself directly with Karen's short film.

If anything summarizes this chapter to me it's the feeling of viewpoints. How others see, how we see, how Karen sees. An infinity of viewpoints for an infinite house, held within an infinite world of possibility. I feel like I detect a little bit of anxiety over the process of creation itself, as well. There's a kind of quiet trepidation to Karen's work. I imagine she interviewed so many to make sure she had the "right take". The correct point of view with which to portray Navidson.

Part of that reading might be my own struggles with writing. The fear of the infinite present in the book reflects my own anxieties. Not to stroke my own ego, but I feel like I face an unreal amount of possibilities every time I put key to word document. Every action I bring my characters through is plucked out of a sea of infinite possibilities. I could do anything on a sheet of paper, how am I meant to find the right way?

Ultimately I think it's personal, like Karen. Like with Vallenari's interview in this exact post. They both have reduced infinite possibility to their feelings. Something very personally one's own. Not the vast cosmos of what could be but instead on what you see, and thusly, are not lost.

That's also why we get the close-up of Delial.² Karen finally has her answer, it's a made-up name for Navy's winning photo.

Ultimately, his feelings are his own. He didn't allow anyone else to name them.

[ariesgamesandminis]

Restocks are up from Iron Wind Metals for BattleTech!

20-042 Tatsumaki Destroyer 20-166 Kirishima Cruiser 20-199 Baron Destroyer 20-230 White Flame WHF-3B 20-341 Brutus Assault Tank 20-372 Hornet HNT-151 20-373 Dasher "Fire Moth" Prime 20-396 Avatar AV1-O Prime 20-402 Uller "Kit Fox" Prime 20-418 Huron Warrior HUR-WO-R4L 20-424 Bombardier BMB-12D 20-425 Shiro SH-P 20-471 Pulverizer PUL-2V 20-480 Defiance DFN-3S 20-485 Balius Prime / B / C 20-498 Patriot PKM-2C 20-5001 Eagle Fighter EGL-R6 20-5013 Eisenfaust EFT-7X 20-5095 Hitotsune Kozo HKZ-1F 20-5165 Antlion LK-3D 20-5183 Locust LCT-1V 20-600RE Vulture "Mad Dog" Prime 20-673 Starslayer STY-2C 20-674 Falconer FLC-8R 20-694 Toyama TYM-1A 20-709 Lucifer Fighter LCF-R15 20-713 Slayer Fighter SL-15 20-741 J-27 Tow Vehicle 20-764 Spector SPR-5F 20-772 Caesar CES-3R 20-781 Kintaro KTO-20 20-800 Hex Bases (4) 20-876 Dervish DV-6M 20-888 Grasshopper GHR-5H 20-909 Dragon Fire DGR-3F 20-933 Viking VKG-2F 20-941 Men Shen MS1-O Prime 20-967 Hauptmann HA1-O Prime 20-970 Osiris OSR-3D 20-977 Cestus CTS-6Y 20-978 Chimera CMA-1S 99-201 Large Flat Top Hex Base #1 99-202 Large Flat Top Hex Base #2 99-207 Large Flat Top Hex Base #3 AC-010 Large Cast Stem BT-006 Phalanx Battle Armor BT-030 Sylph Battle Armor BT-110 Sholagar Micro Fighter BT-118 Shilone Micro Fighter BT-173 Sai Micro Fighter BT-180 Congress Frigate (2750) BT-206 Arondight Pocket Warship BT-272 Davion Destroyer BT-290 Revenant UBM-1A BT-352 Doloire DLR-OB B BT-357 Invader Jumpship BT-364 Gabriel Hovercraft BT-381 Basic Inner Sphere Battle Armor (3) BT-425 Uziel UZL-8S DL-684 Mad Cat "Timber Wolf" Prime Museum Scale FT-033 Eisensturm Mech Scale Fighter OP-097 Generic Missile Launcher (3) OP-099 Gauss Rifles OP-104 Extended Range Lasers and PPC 20-393F Gladiator "Executioner" Prime Small Jump Jet Sprue 20-407E Seraph Missile Pod 20-411E Deva Weapon Pod/Hatch Cover Sprue 20-453G Pariah Jump Jet Sprue 20-5160B Marauder MAD-7D / 9D Right Arm and Right Leg Sprue 20-5160C Marauder MAD-7D / 9D Left Arm and Left Leg Sprue 20-602C Thor "Summoner" D Missile Launcher Sprue 20-993E Thunderbolt Head BT-293C Hitotsume Kozo HKZ-1P Banner, Leg and Gun Sprue

[gallery-yaichi]

・ ・ 2023.3.18.sat.- 4.2.sun. 村上躍 陶展 Yaku Murakami Exhibition ・ ・ 長野県八ヶ岳にて清々とした空気の中で作陶する、村上躍さんの作品展となります。余白のある整った工房、周囲の木々や山々に動植物の音。そこは静かで凛とした空気感があります。力強さや温もりの中に静謐さを感じるのは、そんな環境で日々暮らし、自分と向き合いながら仕事をしている村上さんの空気感なのかもしれません。桜の季節、皆様のお運びをお待ちしております。 ・ close:月曜 | open:11-19:00(初日は18:00まで) | 17(金)は展示準備のため臨時休業 | 初日作家在廊予定 | 開店前にお並びの場合は整理券を配布いたします。| ・ ・ Profile | 1967年 東京生まれ | 武蔵野美術大学短期大学部専攻科工芸デザイン卒 | 98年より神奈川県にて手びねりにて作品の制作をはじめる。 | 2020年 長野県八ヶ岳に工房を移転 | 国内外で個展を中心に作品の発表を続ける | ・ ・ ・ 364-0031 埼玉県北本市中央2-64 048-593-8188 Open 11:00-19:00 close 毎週月曜・第一火曜日 JR湘南新宿ライン高崎線 北本駅西口徒歩1分 ・ ・ #yaichi #やいち #器 #うつわ #食器 #tableware #生活道具 #暮らし　 #cafe #カフェ #アンティーク #antique #antiques #古道具 #古家具　 #oldfurniture #brocante #古物 #埼玉 #埼玉県　 #北本 #北本市　 #村上躍 #YakuMurakami (Gallery&Cafe やいち) https://www.instagram.com/p/CpRuf5GvPl_/?igshid=NGJjMDIxMWI=

[hcolleen]

So, last night, as I was working on sleeping (it takes me over an hour to fall asleep at night most of the time, regardless of how tired I am when I lay down) and I was noticing how many 11s there are in Good Omens Season 1 (I listen to the 1st season as I drift off to sleep).

4004 is a multiple of 11 (11*364=4004)

The bell in St Jame's chimes 11am

There are 11 named human shaped beings of celestial origin (Aziraphale, Crowley, Gabriel, Michael, Uriel, Hastur, Ligur, Dagon, Beelzebub, Sandalphon, Adam [Antichrist]).

I'm fairly certain that Crowley gives Aziraphale 11 reasons to save the world.

They meet 11 times prior to the modern story line (in the garden, 3004 BC in Mesopotamia [before the flood], Golgatha 33 AD, Rome 41 AD, Wessex 537 AD, Globe Theatre 1601 AD, Paris 1793, St. James Park 1862 AD, London 1941 AD, Soho 1967 AD, 11 years ago).

There are 22 prophecies of Agnus Nutter (including the one of her own death) mentioned or show in the show.

There are 11 humans important to the show (Warlock, Pepper, Wenslydale, Brian, Newt, Anathema, Sgt Shadwell, Madame Tracy, Mr Young, Mary Loquacious, R P Tyler)...

Anyways, lots of 11s

[geeknik]

The birthday paradox, also referred to as the birthday problem, is a famous probability puzzle that seems counterintuitive at first glance. It deals with the probability that, in a group of randomly chosen people, some pair of them will have the same birthday. For the sake of this problem, we typically assume that there are 365 days in a year (ignoring leap years), and that each day is equally likely for a birthday, which means we do not account for variations in birth rates across different days or seasons.

The paradox is that this probability reaches 50% in a group of only 23 people, much smaller than what our intuition might suggest. Here is how this is resolved mathematically:

We calculate the probability of the complementary event — that is, the probability that no two people in the group have the same birthday. We then subtract this probability from 1 to get the probability of at least one shared birthday.

Assuming there are n people in the room, the probability that the first two people have different birthdays is 364/365, as the second person can have any birthday except the first person's birthday. For the third person not to share a birthday with the first two, their birthday must be different from the other two, which has a probability of 363/365, and so on.

Therefore, the probability that all n people have different birthdays is calculated by multiplying all these probabilities together:

P(different birthdays) = (365/365) * (364/365) * (363/365) * ... * (365-n+1)/365

To find the probability that at least two people share a birthday, we subtract this from 1:

P(at least one shared birthday) = 1 - P(different birthdays)

For n = 23, let's calculate P(different birthdays):

P(different birthdays) for 23 people =

(365/365) * (364/365) * (363/365) * ... * (343/365)

We can calculate this using a calculator or a computer, and we get something around 0.492703, which means that:

P(at least one shared birthday) for 23 people = 1 - 0.492703 ≈ 0.507297 or about 50.73%

Thus, there is just over a 50% chance that at least two people in a group of 23 will share a birthday. This is what is so surprising about the birthday paradox: it doesn't take a very large group for the probability of a shared birthday to become more likely than not.

The paradox arises from the difference between our intuitive understanding of probability and the actual mathematical results. Intuitively, we might think that because there are 365 days in a year, we would need many more people before we start seeing shared birthdays. However, the number of possible pairings between people in the group grows rapidly with each additional person, leading to a much higher chance of a match than our intuitions suggest.

[bablih]

I am someone who doesn't celebrate the new year (I don't follow the traditions passed down by the old generations), and I have nothing against people who do - to each their own. But no matter how much preparations or effort you did to welcome the new year with your traditions/superstitious beliefs, if you do no constant changes, or cultivate habits that leads to a better you, you will still be the same you at the end of this year. If only those traditions/beliefs really work, I will put all my effort in this 1 day event only, and leave the rest of the 364 days to fate and wait for the good things to come. 😂 Kidding aside, I still wish everyone the best this year~♥️ https://www.instagram.com/p/Cm22DfFSUys/?igshid=NGJjMDIxMWI=

[pmsticaret]

İŞ MAKİNALARI İÇİN HIZLI VE GÜVENİLİR YEDEK PARÇA ÇÖZÜMLERİ

Ankara Ostim’de bulunan şirketimiz, Carraro, ZF, DANA ve diğer iş makinaları yedek parçalarının satışında öncüdür. Türkiye ve dünyada birçok müşteri tarafından tercih edilen firmamız, orijinal ve OEM parçaları hızlı ve sorunsuz bir şekilde temin etmektedir. Carraro ve ZF OEM yedek parçaları konusunda uzman olan ekibimiz, diferansiyel ve şanzıman parçalarında geniş bilgi birikimine sahiptir. Carraro OEM parçalar, orijinal parçalarla aynı kalitede olup, %50 daha uygun fiyatlıdır. Yedek parça ihtiyaçlarınız için web sitemizden veya sosyal medya hesaplarımızdan bize ulaşabilirsiniz.

Carraro Tapa (7)

831231 , ER108551 , ER127147 , 46813 , 30756 , PMSC040-650 , LL-7160-333 , 374307 , VA030720 , 930120 , 47792 , 352-3998 , PMSC028-328 , PMSC041-833 , M30*1.5/TAPA , 172020157 , CA0119738 , PMSC058-500 , PMSC012-197 , 11316700 , Y00268 , 707.110.156 , 4812104346 , PMSC031-385 , PMSC051-323 , 17950481-0 , 873823 , R113773-DYMA851286 , 392207 , 7028444 , 395594 , 1966763C1 , 10/905429 , 33329 , A 048043 , 57560 , 11435710 , 120705-00002 , 067778 , 209-0327 , PMSC000-433 , PMSC016-179 , CAO030755 , ER201220 , 2074255 , PP9157002 , 5194249 , 022161 , RI-662328 , PMSC013-595 , 83976969 , 81874103 , RE49301 , RI-661091 , 30757 , 2087902 , 852041355 , VOE11709055 , 6000121567 , 46958 , PMSC001-329 , VA114973 , 141203 , 46948 , 721045 , PMSC016-172 , VA048591 , VA122187 , PMSC047-419 , 808620 , B0130532 , PMSC026-152 , CRR-021565 , PMSC049-038 , 44724 , 030058 , PMSC007-266 , PMSC000-458 , 321-7490 , PMSC037-000 , 372915 , 700578A1 , 4510552 , 30743 , PMSC026-041 , PMSC045-507 , 199-0664 , PMSC001-756 , PMSC054-364 , VA263630 , 46546 , 85805706 , PMSC046-145 , VA125280 , PMSC016-180 , 048335 , ER262953 , PMSC030-480 , VA021564 , PMSC000-425 , A 000 338 01 35 , PMSC017-503 , PMSC019-320 , 141202 , ER123661 , 130472 , NCTD142898 , RI-661086 , 30759 , CA0130078 , PMSC000-454 , 5194154 , 51335981 , 159512 , ER048392 , 1000098748 , 10/905697 , PMSC045-100 , 263445 , Z3037494 , 11709057 , 21566 , 153412 , 6000121559 , PMSC025-941 , 2295062 , 172020216 , 831664 , ER030741 , PMSC016-793 , ER046811 , 046902 , RICA092270 , PMSC013-767 , PMSC031-122 , VOE11709201 , PMSC000-162 , 327-4156/GEUG46301 , 6914420 , PMSC001-363 , 058583 , C77AJ47 , 528138 , 046948 , ER263314 , 2202318 , 201220 , PMSC002-441 , 1530434C1 , 87705714 , 030736 , 30802 , 090006929 , 64842.8 , 6000121566 , 212-5699 , VA046874 , 75839-1 , NCT181196A1 , PMSC029-910 , M20*1.5/TAPA , PMSC060-030 , PMSC028-421 , ER122187 , PMSC037-203 , PMSC045-122 , PMSC025-771 , VA047598 , PMSC031-163 , 198-7808 , 17225242 , 643665 , 22292 , PMSC028-523 , ABP3002651 , PMSC053-799 , D10085960 , PMSC013-696 , PMSC025-726 , 021561 , PMSC037-107 , ER198595 , VOE11709071 , VPR2025 , ABP3004443 , PMSC013-188 , 572269 , 30809 , 3523547M1 , 6005031352 , 23613 , 90008943 , Y00266 , 048331 , PMSC017-989 , 114973 , 593445 , PMSC055-638 , 198061 , 87089990 , 20837 , ER370487 , 6000106631 , 84352083 , PMSC031-174 , 402296 , 50179 , 263314 , 48392 , PMSC000-117 , 048436 , PMSC048-104 , 570696 , 1350997 , PMSC031-171 , PMSC000-134 , A.002.990.22.12 , 134215 , 260439 , PMSC001-366 , 049766 , ER372918 , 21554 , PMSC036-408 , PMSC046-199 , 33327 , PMSC028-005 , 6000104382 , 122015 , PMSC053-901 , 021583 , PMSC053-152 , VA191961 , VOE11712464 , PMSC001-981 , PMSC013-821 , 260746 , 633050 , ER105097 , A243333 , ER030743 , PMSC016-855 , 6000100639 , PMSC020-038 , 1589874 , 181272A1 , 21567 , 293-8736/GETG13255 , 6000130043 , 212-5713/GEUG46423 , 864019 , 047900 , 852041358 , 1613378 , 396871 , 9217088 , VA123661 , PMSC027-993 , 20E-22-K1210 , 00374-31B#100 , CA0030741 , 1966743C1 , M24/1.5/TAPA , 408242 , 21591 , Y00422 , N3337404 , 112588 , 852011270 , PMSC045-192 , 03218741 , 30793 , PMSC031-164 , 030752 , 58583 , 1990671 - p/o 20057 , VA049552 , ER0047772 , 593411 , 047214 , 549334 , 21000004AA , PMSC046-589 , PMSC021-242 , 49553 , 93-4834 , 475121 , 1966977C1 , 395249A1 , 88727 , A108541 , 3523546M1 , 593412 , 3260050 , 30794 , 11436950 , PMSC025-860 , 44728 , 79747773 , H2537413 , 199564 , PMSC016-860 , VA108541 , 109258 , M64842.8 , PMSC030-478 , 104915 , 6000148194 , 22161 , A 002 997 75 86 , VA046923 , 047598 , LL7160632 , 29030203 , 449380A1 , 6000101898 , 263073 , PMSC071-805 , 94003216547 , 536896 , 357261 , 1000085566 , 71024 , 045228 , 57413 , PMSC031-456 , 092269 , 100008 , ER047281 , PMSC043-660 , 020837 , A0009972201 , PMSC018-552 , 030763 , PMSC058-656 , PMSC001-640

[ao3feed-erasermic]

mha oneshots

Use the related link post to read mha oneshots 🗣 on AO3 at https://archiveofourown.org/works/60080437 by beluugah a bunch of rando oneshots I write when im boreedddd,,, multiple ships, fluff, angst, who knows! occasional small au's ;P Words: 364, Chapters: 1/1, Language: English Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Anime & Manga) Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings Categories: Multi Relationships: Bakugou Katsuki/Midoriya Izuku, Midoriya Izuku/Todoroki Shouto, Midoriya Izuku/Uraraka Ochako, Toga Himiko/Uraraka Ochako, Dabi | Todoroki Touya/Takami Keigo | Hawks, Dabi | Todoroki Touya/Shigaraki Tomura | Shimura Tenko, Bakugou Katsuki/Kirishima Eijirou, Bakugou Katsuki/Todoroki Shouto, Sero Hanta/Todoroki Shouto, Kaminari Denki/Shinsou Hitoshi, Jirou Kyouka/Kaminari Denki, Ashido Mina/Kirishima Eijirou, Aizawa Shouta | Eraserhead/Yamada Hizashi | Present Mic, Kaminari Denki/Midoriya Izuku, Bakugou Katsuki/Kaminari Denki Additional Tags: Multiple Relationships, No Smut, No Plot/Plotless Use the related link post to read it on AO3 at https://archiveofourown.org/works/60080437

[ao3feed-kiribaku]

mha oneshots

read it on AO3 at https://ift.tt/WDIia7e by beluugah a bunch of rando oneshots I write when im boreedddd,,, multiple ships, fluff, angst, who knows! occasional small au's ;P Words: 364, Chapters: 1/1, Language: English Fandoms: 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia (Anime & Manga) Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings Categories: Multi Relationships: Bakugou Katsuki/Midoriya Izuku, Midoriya Izuku/Todoroki Shouto, Midoriya Izuku/Uraraka Ochako, Toga Himiko/Uraraka Ochako, Dabi | Todoroki Touya/Takami Keigo | Hawks, Dabi | Todoroki Touya/Shigaraki Tomura | Shimura Tenko, Bakugou Katsuki/Kirishima Eijirou, Bakugou Katsuki/Todoroki Shouto, Sero Hanta/Todoroki Shouto, Kaminari Denki/Shinsou Hitoshi, Jirou Kyouka/Kaminari Denki, Ashido Mina/Kirishima Eijirou, Aizawa Shouta | Eraserhead/Yamada Hizashi | Present Mic, Kaminari Denki/Midoriya Izuku, Bakugou Katsuki/Kaminari Denki Additional Tags: Multiple Relationships, No Smut, No Plot/Plotless read it on AO3 at https://ift.tt/WDIia7e

[joseandrestabarnia]

El marqués Fadini salva al general De Sonnaz en Montebello. Escena de batalla. 

Pintado, 1859 - 1862 

Bechi Luigi (1830/ 1919)   

MATERIAL Y TÉCNICA: lienzo/pintura al óleo  ATRIBUCIONES: Bechi Luigi (1830/1919)  LUGAR DE EXPOSICIÓN: Galería de Arte Moderno 

UBICACIÓN: Palazzo Pitti 

NOTICIAS CRÍTICAS HISTÓRICAS: Bechi participó con este cuadro en el concurso de obras de arte convocado por el Gobierno Provisional de Toscana con decreto del 23 de septiembre de 1859 para el sector "Episodios militares de la última guerra", que implicó la ejecución de cuatro cuadros sin fijar las medidas (AG, 1859, f. 1, pág. Bechi, que había participado en el concurso presentando un boceto marcado con el lema "Es mejor morir", quedó elegido en segundo lugar (decreto del 25 de marzo de 1860) y el precio fijado para el cuadro terminado se fijó en 500 franciscanos. Habiendo firmado el contrato el 3 de julio de 1860 con el compromiso de terminar la pintura en un plazo de dieciocho meses, Bechi recibió el pago en cuatro cuotas de L. 700 cada una entre julio de 1860 y junio de 1862 (AG, cit., pos. 4,6,7). En esta fecha el cuadro debía exponerse en la Promotrice florentina, pero no aparece mencionado en el catálogo. La pintura procede de la Galería de la Academia donde está documentada desde 1867. Después de 1920 fue colocada en la Biblioteca del Risorgimento hasta 1976, cuando fue llevada a la Galería de Arte Moderno. No es segura la presencia del cuadro en la Exposición Italiana de Florencia de 1861, citado en aquella ocasión únicamente por Dandolo (1863, p. 160) mientras que no se hace mención de él ni en los catálogos ni en las guías de aquel evento. El jurado del concurso valoró positivamente el cuadro, aconsejando al pintor realizar algunos cambios en la parte luminosa (AG, cit., pos. 6). Sabemos también que Bechi solicitó material militar a la infantería y a la caballería en octubre de 1860 y que el general De Sonnaz posó personalmente para el cuadro (A. De Gubernatis, 1889, p. 44). Fuentes contemporáneas documentan el episodio descrito por Bechi. Durante la carga de la caballería piamontesa contra las tropas austríacas enviadas por el mariscal Gyulai en tareas de reconocimiento más allá del Po y que tuvo lugar cerca de Montebello el 20 de mayo de 1859, el marqués Fadini, de Cremona, voluntario de la caballería de Saboya, salvó la vida del coronel De Sonnaz, que tuvo funciones de general durante la batalla y ordenó la carga contra los austriacos. 

CONDICIÓN LEGAL: propiedad estatal  CÓDIGO DEL CATÁLOGO NACIONAL: 0900158814 

NÚMERO DE INVENTARIO: Acc. no. 364 

ORGANISMO COMPETENTE PARA LA PROTECCIÓN: Las Galerías de los Uffizi 

ORGANISMO DE PRESENTACIÓN: Superintendencia Especial del Patrimonio Histórico, Artístico y Etnoantropológico y del Centro de Museos de la ciudad de Florencia 

Información de la web de “catalogo general del Patrimonio Cultural” italiano, fotografía de mi autoría. 

[jacopocioni]

Mario Bellagambi l'aviatore fiorentino asso dei Diavoli rossi

Mario Bellagambi nacque a Firenze nel 1915. Nel 1935 ottenne il brevetto come pilota civile presso l’aeroporto di Firenze/Peretola. Nel 1937 arruolatosi nella Regia Aeronautica, ottenne anche il brevetto di pilota militare, pilotando il biplano da caccia Fiat CR 32 Freccia, venendo assegnato alla 362° Squadriglia del 24° Gruppo del 52° Stormo Caccia Terrestre. Militò poi nel XVI Gruppo Caccia “La Cucaracha” e nella Squadriglia autonoma mitragliamento “Ocio che te copo” (in veneto “Occhio che ti accoppo”).

Partì volontario per la Guerra di Spagna nel 1938 inquadrato nella Squadriglia Gamba di Ferro di Tito Falconi, così chiamata in onore dell’Asso Ernesto Botto, che poco tempo prima in Spagna, aveva perso una gamba in un combattimento aereo. Amputata la gamba destra, tornò comunque in servizio con un arto artificiale, meritando la Medaglia d’oro al valore, e l’onore di poter dare il nome alla 32° Squadriglia con una sua effige: una gamba di metallo come quella indossata in battaglia dai cavalieri medievali. Mario sostenne in Spagna undici combattimenti senza però abbattere nessuno nemico. Rientrato nel 1939 in Italia, tornò al suo vecchio reparto per seguire altri addestramenti.

CR 32 Con lo scoppio della Seconda Guerra Mondiale, volò su gran parte dei velivoli italiani da caccia come : Fiat G 50 Freccia II, Macchi 200 e 202, CR 32 e CR 42 Falco,  Fiat G 55 Centauro, ma anche C 202 Folgore Aermacchi e Reggiane Re 2000, sostenendo combattimenti contro velivoli solitamente di alto livello, come gli americani P 51 Mustang e P 47 Thunderbolt, ma anche contro aerei inglesi come Gloster Gladiator, Hurricane, Spitfire, o aerei russi come il Polikarpof I 15 e I 16, o, verso la fine del conflitto, contro i bombardieri Boeing B-17 Flying Fortress, North American B-25 Mitchell e Martin B-26 Marauder che imperversavano sui cieli d’Italia. Nel 1941 arriva in Africa Settentrionale Italiana posto al comando della 364° Squadriglia. Solo nel giugno del 1942 conseguì la sua prima vittoria aerea venendo promosso capitano. Rientrato in Italia dopo essere stato ferito in combattimento ad una gamba, prese l’abilitazione di volo sul famoso Messerschmitt Bf 109 (con l’insegna “1 Giallo”), si trattava di uno dei migliori e più diffusi aerei da caccia tedeschi (costruito in circa 33.000 esemplari in diverse versioni e varianti), venendo schierato  a Castelvetrano a Trapani, partecipando a vari scontri aerei.

Dopo l’armistizio decise di aderire alla Repubblica Sociale e dunque all’ Aeronautica Nazionale Repubblicana ottenendo il comando della 2° Squadriglia Diavoli Rossi. Questo grazie alle sue competenze acquisite sul velivolo tedesco e nelle tecniche di combattimento della Luftwaffe (l’Aeronautica militare tedesca).

Volò ancora sui Fiat G55 e sui Bf 109 versione G (le versioni di questi aereo partivano dalla A fino alla K seguendo l’ordine alfabetico). Prese così parte a quarantacinque combattimenti aerei rivendicando 10 abbattimenti, anche se secondo gli atti ne risultano quattordici.

Ottenne anche due Medaglie d’argento al valore militare, per il coraggio dimostrato attaccando bombardieri nemici e bersagliando truppe e posizioni e perché continuò a combattere anche quando ferito alla gola, o alla gamba, senza mai tirarsi indietro, nonostante si scontrasse sempre contro forze superiori. Ottenne onorificenze anche dagli alleati tedeschi, come la Croce di ferro di Prima Classe e quella di Seconda Classe, sempre grazie al valore dimostrato.

Nel 1949 rientrerà in servizio con il grado di capitano nell’Aeronautica Militare alla Scuola di Guerra Aerea di Firenze, dopo un periodo di epurazione avendo aderito alla Repubblica Sociale. Pilotò così i Fiat G 59, i P 51e i P 47, aerei che per ironia della sorte aveva combattuto e infine volando anche sui nuovi aerei a reazione come i Fiat G 91 e i Sabre F 86 K. Comandandò poi il 20° Gruppo e la Pattuglia acrobatica della 51°  Aerobrigata. Nel 1958 entrò a far parte della 56 a Tactical Air Force. Dal 1961 al 1963 fu comandante del 3° S.O.C. e poi nel 1964 ebbe la nomina di addetto militare italiano a Tokyo, dove rimase fino al 1967. Fu infine promosso generale di brigata aerea. Morirà a Firenze, la sua città natale, il 25 luglio del 2001.

Riccardo Massaro Read the full article

[gallery-yaichi]

・ ・ ・ 一部出品作品をonlineへ掲載致しました。 プロフィールのリンクよりアクセス可能です。 この機会にぜひご覧下さいませ。 ・ ・ 白灰化粧高台鉢 / 村上躍 size : φ314 h95mm ・ ・ 2023.3.18.sat.- 4.2.sun. 村上躍 陶展 Yaku Murakami Exhibition ・ close:月曜 | open:11-19:00 ・ 展示会特設ページ www.yabedesign.com/yaichi/gallery/2023/murakami/index.html ・ ・ 364-0031 埼玉県北本市中央2-64 048-593-8188 Open 11:00-19:00 close 毎週月曜・第一火曜日 JR湘南新宿ライン高崎線 北本駅西口徒歩1分 ・ ・ #yaichi #やいち #器 #うつわ #食器 #tableware #生活道具 #暮らし　 #cafe #カフェ #アンティーク #antique #antiques #古道具 #古家具　 #oldfurniture #brocante #古物 #埼玉 #埼玉県　 #北本 #北本市　 #村上躍 #YakuMurakami (Gallery&Cafe やいち) https://www.instagram.com/p/CqWgdYgPNns/?igshid=NGJjMDIxMWI=

[what-marsha-eats]

Chickens have grown 364% over the last 60 years.

In the 1940s, chicken was expensive. The average chicken was $3....that's $30 today when adjusted for inflation.

A&P, the country's largest supermarket at the time, wanted to turn this delicacy into a staple.

So, they devised specialized breeding and feeding to grow bigger chickens, faster.

It worked...

The average chicken now grows 2X as fast and weighs 3.5X more.

Chickens are meant to eat a wide range of foods such as grass and bugs, but now they are primarily fed corn and soy to fatten them up as fast as possible.

This not only fattens them, but changes their fat.

The omega-6 to omega-3 ratio of modern chickens can be as high as 20:1, 3X that of pasture-raised chicken.

And, just as A&P wanted, we are eating A LOT of it.

The average American eats 65 pounds of chicken per year.

[mfbessmertieru]

Статистическая заметка 58.

Статистическая заметка 58, распечатанная по следующим ежесекундным показаниям (выдаваемым на мой компьютер неизвестным науке независимым компьютерным вирусом, который собирает информацию от своих собратьев, располагающихся в компьютерах у 6 310 711 176 интернет пользователей): показатели по всему человечеству за сутки на 01.09.2024 08-00 и на 02.08.2024, и посчитанное увеличение (уменьшение) за 31 суток. Показатели годовые представлены с 01.01.2024 и до дня и времени снятия показаний с моего компьютера. Показатели по инфекциям и всего: Смерть всего за сутки 15 236 - 168 893 = -153 657 суточное уменьшение смертей в течении 31 суток. Всего смертей в 2024 году 41 715 951 - 35 786 146 = 5 929 805 человека умерли за 31 суток. Смерть от заражения не питьевой водой за год 562 991 - 495 924 = = 67 067 человек увеличилась смертность за 31 суток. Смерть от инфекционных заболеваний за год 8 678 939 - 7 645 048 = 1 033 891 человек умерли за 31 суток. Умерли от ВИЧ и СПИДа за год 1 123 876 – 989 993 = 133 883 человек умерли за 31 суток. Умерли от рака за год 5 490 757 - 4 836 663 = 654 094 человека умерли за 31 суток. Умерли от малярии за год 263 636 - 232 230 = 31 406 человека умерли за 31 суток. Материнская смертность после родов за год 206 641 - 155 719 = = 50 922 матерей умерло за 31 суток. Детская смертность до 5 лет за год 5 081692 - 4 476 328 = 605 364 детей умерло за 31 суток. Умерли, отравляющие себя курением за год 3 342 109 - 2 943 975 = 398 134 человек умерли за 31 суток. Умерли, отравляющие себя распитием алкогольных наркотических ядов за год 1 672 109 - 1 472 916 = 199 193 человек умерли за 31 суток. Совершили самоубийство за год 716 919 - 631 515 = 85 404 человек совершили самоубийство за 31 суток. В результате ДТП погибли за год 902 477 - 794 968 = 107 509 человек погибли за 31 суток. Текущее население мира увеличилось на 8 173 858 861 - 8 125 657 845 = 48 201 016 человек увеличилось за 31 суток. Родилось за сутки 32 333 - 373253 = -340 920 уменьшение рождаемости детей за сутки в течении 31 суток. Родилось в этом году 88 530 424 - 79 087 252 = 9 443 172 детей родилось за 31 суток. Рост населения в этом году 46 814 473 - 43 301 106 = 3 513 367 человек увеличился рост на Земле за 31 суток. Имеют избыточный вес 1 766 269 530 - 1 764 916 876 = 1 352 654 человек прибавилось за 31 суток. Недоедающие люди 881 499 749 - 880 771 154 = 728 595 человека увеличилось недоедающих за 31 суток. Умерли от голода сегодня 2 768 - 15 370 = -12 602 суточное уменьшение количества людей умерших от голода за 31 суток. Искусственные аборты (не родилось) за год 30 063 367 - 26 467 026 = 3 596 341 абортов (не смогут родится) за 31 суток. Заражённых ВИЧ и СПИДом за год 45 750 254 - 45 676 907 = 73 347 человек заразилось за 31 суток. Курили сегодня наркотические яды (все табачные изделия) 1 379 229 731 - 276 381 896 = 1 102 847 835 увеличение количества выкуриваний за день в течении 31 суток. Итого: всего умерло за 31 суток 5 929 805 человека и, в течение 31 суток, уменьшение смертности за сутки на -153 657 человек. Увеличилось население на планете Земля за 31 суток на 3 513 367 человека. Пока паразиты не успевают сокращать население планеты Земля, но на долго ли? Ну, а если хотите быть счастливыми и здоровыми (как это сделали уже миллионы, но я не лечу, а только объясняю, как вернуть счастье, молодость и бессмертие), то читайте как в моих статьях: На Гугл сайте: https://sites.google.com/s/1vxwBexh3kplTWGOloPQQ_meviNdxUIsn/p/15ennIClFW0ib_6jVXIleoNOktNJkyeut/edit Мои статьи в блоге: https://mfbessmertie.blogspot.com/ На фейсбуке: https://www.facebook.com/profile.php?id=100045355929916 В Яндекс дзен: https://dzen.ru/id/6403ec0feec1806a685e2241 Буду рад увидеть Ваши вопросы, отзывы, предложения и замечания. Желаю всем счастья, здоровья и бессмертия.

[pmsticaret]

İŞ MAKİNALARI İÇİN HIZLI VE GÜVENİLİR YEDEK PARÇA ÇÖZÜMLERİ

Ankara Ostim’de bulunan şirketimiz, Carraro, ZF, DANA ve diğer iş makinaları yedek parçalarının satışında öncüdür. Türkiye ve dünyada birçok müşteri tarafından tercih edilen firmamız, orijinal ve OEM parçaları hızlı ve sorunsuz bir şekilde temin etmektedir. Carraro ve ZF OEM yedek parçaları konusunda uzman olan ekibimiz, diferansiyel ve şanzıman parçalarında geniş bilgi birikimine sahiptir. Carraro OEM parçalar, orijinal parçalarla aynı kalitede olup, %50 daha uygun fiyatlıdır. Yedek parça ihtiyaçlarınız için web sitemizden veya sosyal medya hesaplarımızdan bize ulaşabilirsiniz.

Carraro Disk (4)

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