#09/1947

[carbone14]

Thelonious Monk, Howard McGhee, Roy Eldridge et Teddy Hill à la sortie du club Minton's Playhouse - New York - Septembre 1947

Photo de William P. Gottlieb

[qureshimushranabdulrauf]

May be Yes

Is your life today what you pictured a year ago? To Answer this one would say Maybe Yes. But it could have been better if I had planned it better and executed it in the proper way . Thank You! Take Care! Smile Always! Stay Happy and Healthy! Pray!

[moon1ight-me1odies]

"what about october 7th"

"what about hamas"

what about:

1937 Jerusalem Massacre

1937 Haifa Massacre

1938 Haifa Massacre

1939 Haifa Massacre

1939 Balad Al Sheikh Massacre

1947 Al-Khisas Massacre

1947 Al-Abbasiya Massacre

1947 Balad Al Sheikh massacre

1947 Al-Sheikh Break Massacre

1947 Bab Al-Amud Massacre

1948 Al-Saraya Massacre

1948 Yazur Massacre

1948 Haifa Massacre

1948 Tabra Tulkarem Massacre

1948 Sa'sa' Massacre

1948 Jerusalem Massacre

1948 Al Hussayniyya Safad Massacre

1948 Abu Kabir Massacre

1948 Saliha Massacre

1948 Ramla Massacre

1948 Deir Yassin Massacre

1948 Qalunya Massacre

1948 Nasir Al-Din Massacre

1948 Tiberias Massacre

1948 Haifa Massacre (Hadar Alkarmel and Marina)

1948 Ein El Zaitun Massacre

1948 Safed Massacre

1948 Abu Shusha Massacre

1948 Beit Daras Massacre

1948 Lydda Massacre

1948 Tantura Massacre

1948 Al Dawayima Massacre

1948 Safsaf Massacre

1948 Saliha Massacre

1948 Eilabun Massacre

1948 Hula Massacre

1948 Arab Al-Mawasi Massacre

1953 Qibya Massacre

1956 Kafr Qasim Massacre

1956 Khan Yunis Massacre

1982 Sabra and Shatilla

Massacre (Lebanon)

1990 Al Aqsa Massacre

1994 Ibrahimi Mosque Massacre

2002 Jenin Refugee Camp Massacre

2008-09 Gaza Massacre

2009 Ibrahim Al Maqadma

mosque Massacre

2012 Gaza Massacre

2014 Gaza Massacre

2018-19 Gaza Massacre

2021 Gaza Massacre

2023-now Gaza Genocide

2024-Flour Massacre

FREE PALESTINE 🇵🇸

[333mp444thy]

1.) Haifa Massacre 1937

2.) Jerusalem Massacre 1937

3.) Haifa Massacre 1938

4.) Balad al-Sheikh Massacre 1939

5.) Haifa Massacre 1939

6.) Haifa Massacre 1947

7.) Abbasiya Massacre 1947

8.) Al-Khisas Massacre 1947

9.) Bab al-Amud Massacre 1947

10.) Jerusalem Massacre 1947

11.) Sheikh Bureik Massacre 1947

12.) Jaffa Massacre 1948

13.) Khan Yunis Massacre 1956

14.) Jerusalem Massacre 1967

15.) Sabra and Shatila Massacre 1982

16.) Al-Aqsa Massacre 1990

17.) Ibrahimi Mosque Massacre 1994

18.) Jenin Refugee Camp April 2002

19.) Gaza Massacre 2008-09

20.) Gaza Massacre 2012

21.) Gaza Massacre 2014

22.) Gaza Massacre 2018-19

23.) Gaza Massacre 2021

24.) Current Gaza Genocide 2023-2024

Still believe it started on October 7th, 2023?

[linesandmarksonpaper]

Roy Crane - Buz Sawyer Sunday 03/09/1947

[innervoiceart]

"Nature Boy" was Nat King Cole's first big hit, since then it has been covered over 1223 times! The story behind the song is even more sensational

Joe Moondad has the strange story of eden ahbez:

"In the late 40s, there was a rumor that there was a "hermit," disenchanted and disillusioned with the world, supposedly "out-of-sync" with society, living in California in a cave under one of the L’s in the Hollywood sign.

No one really cared about this strange man, until one night in 1947, when someone tried to enter backstage at the Lincoln Theater in Los Angeles. Nat King Cole was playing there, and the man said he had something for Cole. Of course, the employees didn't let the strange man see Cole, so he gave whatever he had with Cole's manager.

What he had was a song sheet, which Cole would later take a look at. Cole liked the song and wanted to record it, but he had to find the strange man. When asked, the people who saw the man said he was strange, indeed, with shoulder-length hair and beard, wearing sandals and a white robe.

Cole finally tracked him down in New York City. When Cole asked him where he was staying, the strange man declared he was staying at the best hotel in New York - outside, literally, in Central Park. He said his name was eden ahbez (spelled all in lower-case letters). The song he gave Cole was titled, "Nature Boy." It became Cole's first big hit, and was soon covered by other artists through the years, from Frank Sinatra and Sarah Vaughan to Tony Bennett and Lady Gaga, most recently.

Of course, the media went crazy about the strange, mysterious man who handed Nat King Cole, one of the biggest hits during that time. Everyone went out to try to find out more about him.

What little they found was that he was once an orphan, who never stayed at one place very long, living in various foster homes. He explained he just never fit in and was always searching, for something.

["They say he wandered very far...

Very far, over land and sea..."

They found out he would hop freight trains and walked across country several times, subsisting solely on raw fruits and vegetables, then one day he completely vanished.

["A little shy and sad of eye...

But very wise was he..."]

He finally showed up again in the Hollywood hills. When a policeman stopped the strange, long-haired man with beard, sandals, and robe, ahbez simply replied, "I look crazy but I'm not. And the funny thing is that other people don't look crazy but they are."

["And then one day...

One magic day he passed my way..."]

He then showed up backstage at Nat King Cole's concert in Los Angeles, to present him with the song, "Nature Boy." No one seems to really know why he selected Cole, there were some rumors that he came out of hiding when he began to hear about the racism going on and trouble throughout the world, and he thought "King" was the best person at that time to pass his message along.

["While we spoke of many things...

Fools and Kings..."]

When he was asked about racism, he replied, "Some white people hate black people, and some white people love black people, some black people hate white people, and some black people love white people. So you see it's not an issue of black and white, it's an issue of Lovers and Haters."

It was that theme of love that he continued to talk about, what was missing in the world, and what would be needed in the future if we are to survive.

ahbez would eventually get his message out, especially after the counter-culture finally caught up with him and the hippie movement began, when other artists such as Donovan, Grace Slick, and the Beach Boys' Brian Wilson sought him out. He also wrote songs for Eartha Kitt and had another song recorded by Sam Cooke.

In 2009, Congressman Bill Aswad recited the last lyrics of the song before the Vermont House of Representatives at the passing of his state's same-sex marriage bill in '09.

Author Raymond Knapp described the track as a "mystically charged vagabond song" whose lyrics evoked an intense sense of loss and haplessness, with the final line delivering a universal truth, described by Knapp as "indestructible" and "salvaged somehow from the perilous journey of life."

["This he said to me...

The greatest thing you'll ever learn...

Is just to love and be loved in return."]

"George Alexander Aberle (April 15, 1908 – March 4, 1995), known as eden ahbez, was an American songwriter and recording artist of the 1940s to 1960s, whose lifestyle in California was influential in the hippie movement.

He was known to friends simply as ahbe.

Ahbez composed the song "Nature Boy", which became a No. 1 hit for eight weeks in 1948 for Nat "King" Cole.

Living a bucolic life from at least the 1940s, he traveled in sandals and wore shoulder-length hair and beard, and white robes. He camped out below the first L in the Hollywood Sign above Los Angeles and studied Oriental mysticism. He slept outdoors with his family and ate vegetables, fruits, and nuts. He claimed to live on three dollars per week.

In the mid-1950s, he wrote songs for Eartha Kitt, Frankie Laine, and others, as well as writing some rock-and-roll novelty songs. In 1957, his song "Lonely Island" was recorded by Sam Cooke, becoming the second and final Ahbez composition to hit the Top 40.

In 1959, he began recording instrumental music, which combined his signature somber tones with exotic arrangements and (according to the record sleeve) "primitive rhythms". He often performed bongo, flute, and poetry gigs at beat coffeehouses in the Los Angeles area. In 1960, he recorded his only solo LP, Eden's Island, for Del-Fi Records.

This mixed beatnik poetry with exotica arrangements. Ahbez promoted the album through a coast-to-coast walking tour making personal appearances, but it sold poorly.

During the 1960s, ahbez released five singles. Grace Slick's band, the Great Society, recorded a version of "Nature Boy" in 1966 and ahbez was photographed in the studio with Brian Wilson during a session for the Smile album in early 1967. Later that year, British singer Donovan sought out ahbez in Palm Springs, and the two wanderers shared a reportedly "near-telepathic" conversation. In the 1970s, Big Star's Alex Chilton recorded a version of "Nature Boy" with the photographer William Eggleston on piano. The song was finally released as a bonus track on the 1992 Rykodisc re-release of the album Third/Sister Lovers.

In 1974, ahbez was reported to be living in the Los Angeles suburb of Sunland, and he owned a record label named Sunland Records, for which he was recording under the name "Eden Abba." From the late 1980s until his death, ahbez worked closely with Joe Romersa, an engineer/drummer in Los Angeles. The master tapes, photos, and final works of eden ahbez are in Romersa's possession.

Ahbez died on March 4, 1995, of injuries sustained in a car accident, at the age of 86. Another album, Echoes from Nature Boy, was released posthumously."

[margotfonteyns]

Bewitched: Ladies Sing Rodgers & Hart

01 - Ruth Etting - Ten Cents A Dance (1930) 02 - Helen Ward - Blue Moon (1935) 03 - Maxine Sullivan - Spring Is Here (1938) 04 - Helen Humes - Sing For Your Supper (1939) 05 - Bea Wain - I Didn't Know What Time It Was (1939) 06 - Adelaide Hall - The Lady Is A Tramp (1940) 07 - Helen Forrest - Bewitched (1941) 08 - Lena Horne - Where Or When (1941) 09 - Hazel Scott - Dancing On The Ceiling (1947) 10 - Lee Wiley - Manhattan (1950) 11 - Betty Carter - I Could Write A Book (1955) 12 - Helen Merrill - Wait Till You See Him (1955) 13 - June Christy - You Took Advantage Of Me (1956) 14 - Peggy Lee - It Never Entered My Mind (1956) 15 - Jeri Southern - He Was Too Good To Me (1956) 16 - Ella Fitzgerald - A Ship Without A Sail (1956) 17 - Sarah Vaughan - A Tree In The Park (1956) 18 - Abbey Lincoln - This Can't Be Love (1956) 19 - Carmen McRae - Isn't It Romantic? (1958) 20 - Billie Holiday - Glad To Be Unhappy (1958) 21 - Blossom Dearie - To Keep My Love Alive (1960) 22 - Anita O'Day - Johnny One Note (1960) 23 - Nancy Wilson - Little Girl Blue (1962)

Bonus Tracks:

24 - Mary Lou Williams (piano) - Lover (1954) 25 - Dorothy Ashby (harp) - Thou Swell (1956)

Download: flac / mp3

[ltwilliammowett]

HMS Implacable in her final days von umbry101 Über Flickr: A striking example of the lack of respect this country has for its naval history and heritage. HMS Implacable was built in France between 1794-1800 and began life as the French 86-gun ship of the line Duguay-Trouin. She fought in the French fleet at Trafalgar, and was one of only 4 French ships to avoid capture during the battle, withdrawing from the action when her captain realised the battle was lost. She did however, have the honour of firing several broadsides at HMS Victory, Nelson's flagship during the battle.

She was eventually captured several weeks later in a fierce fight in which her captain was killed and her masts shot away. She was brought back to England, repaired and refitted as a 3rd-rate 74-gun ship and renamed HMS Implacable on being commissioned into the Royal Navy. during 1808-09 she fought against her former masters, and in 1839-40 took part in actions against the Egyptians. She was moored in Portsmouth during the second world war, and, like her former adversary HMS Victory , survived that conflict unscathed. But in 1947, she was sunk with full honours by the French and Royal Navy after no one was able to keep her.

[cutie-patoo-t]

For those that think this started October 7th

1. Haifa Massacre 1937

2. Jerusalem Massacre 1937

3. Haifa Massacre 1938

4. Balad al-Sheikh Massacre 1939

5. Haifa Massacre 1939

6. Haifa Massacre 1947

7. Abbasiya Massacre 1947

8. Al-Khisas Massacre 1947

9. Bab al-Amud Massacre 1947

10. Jerusalem Massacre 1947

11. Sheikh Bureik Massacre 1947

12. Jaffa Massacre 1948

13. Khan Yunis Massacre 1956

14. Jerusalem Massacre 1967

15. Sabra and Shatila Massacre 1982

16. Al-Aqsa Massacre 1990

17. Ibrahimi Mosque Massacre 1994

18. Jenin Refugee Camp April 2002

19. Gaza Massacre 2008-09

20. Gaza Massacre 2012

21. Gaza Massacre 2014

22. Gaza Massacre 2018-19

23. Gaza Massacre 2021

24. Gaza Genocide 2023– ongoing

Tell me again, who is the one perpetuating violence, and who is simply fighting back?

[tarottchotchkes]

NUMEROLOGY, TAROT, AND THE 2024 ELECTION

According to what I calculate:

Trump is a 4 (Emperor - typical) - 06/14/1946

Hillary is a 3 (Empress) - 10/26/1947

Kamala is a 5 (Hierophant) - 10/20/1964

Based on previous calculations, in 2016 election Trump was Justice or Strength (11), and Hillary was the Hermit (09) - and we all know how that turned out.

Based on my knowledge of Numerology and the 2024 election:

Trump is a 10 - Wheel of Fortune 

Kamala is a 13 - Death Card

Because I am pro-Blue - I would see Trump as spinning around aimlessly as the Wheel and see Kamala as a permanent and lasting change (Death). In this matter I see (and hope) for a Kamala victory. Hillary may have had the 2016 expectation but look who Trump was in cahoots with.

Strictly speaking, Your Birth Number can only be one digit, but your Year Number should be two digits without reducing them farther. However, if you reduce the numbers as far as they will go, Trump becomes #1 - the Magician, and Kamala becomes #4 - the Emperor. The Magician can spin things to his advantage (or presumed advantage) but can also keep spinning aimlessly, but the Emperor is for solidarity, safety, and preservation.

I pray to The Goddess that I am right.

[carbone14]

Ella Fitzgerald, Dizzy Gillespie, Ray Brown, Milt Milton Jackson et Timme Rosenkrantz au Downbeat Jazz Club - New York City - Septembre 1947

Photo de William P. Gottlieb

©Library of Congress - LC-GLB23- 0284

[qureshimushranabdulrauf]

It's Home...

What is your favorite place to go in your city? It’s Home.. but technically I am not good to answer this one as I am not very outgoing so I don’t know many many places here in Navi Mumbai. Thank You! Take Care! Smile Always! Stay Happy and Healthy! Pray!

[posttexasstressdisorder]

Monday, 12-09-24, 7pm Pacific

'Evenin', everyone...Mr. Baggins back with you, with a set to soothe your achin' nerves and help ease us all into a good night. Your fearless DJ had a dental appointment today, and yes, nerves need a-soothin'. And yes, I've played this before, and I will play it again...many times! But one of the absolute best albums at soothin' achin' nerves, hands down, is the 1980 masterpiece by Neville and The Gang of Dvorak's two serenades: The Serenade for Strings, Op. 22, and the Serenade for Winds, Op. 44. Nothin' better...grab your favorite evening beverage or herbal remedy and settle in for two gorgeous pieces of music.

I really enjoyed the Haydn Quartet by the Amadeus Quartet that we heard this morning, so here is another of the many string quartets that Haydn composed, his String Quartet Op. 54, No. 2, in one of the Amadeus Quartet's stellar interpretations from 1954.

Now let's hear something that will be completely new to my ear, and maybe yours, as well, and that is The Oboe Concerto of Richard Strauss, written in 1945. We hear the legendary Leon Goosens with the Philharmonia Orchestra conducted by Alceo Galliera from a recording made in September of 1947.

We follow that with the Cello Concerto No. 1 in A minor, Op. 33, of Camille Saint-Saens. Leonard Rose is our cellist, and Eugene Ormandy leads the Philadelphia, in their 1967 recording.

Now let's have our next installment in our Beethoven Symphony survey, we hear Lenny and The Vienna do the mighty Symphony No. 7 in A Major, Op. 92, in a live recording made in November of 1978.

I thought we might listen to Beethoven's Fourth Piano Concerto, in a Pathé recording from 1956, with Otto Klemperer and the Philharmonia, and our Brazilian Pianista, Guiomar Novaes is the soloist.

And as an Encore, here is her recording of Beethoven's mighty Op. 111 Sonata in C minor, "The Hammerklavier"... the pinnacle of Beethoven's piano sonatas!

Next let's hear the Cello Sonata No. 1 in D minor by Gabriel Fauré. Our cellist is the legendary Paul Tortelier, with pianist Jean Hubeau, from a recording made in 1962.

As an encore, here is Vladimir Horowitz with Fauré's "Nocturne No. 13, Op. 119", from a live recording made in 1977.

And that wraps up our program for this evening. I do hope you've enjoyed the selections and might have heard something new to your ear, as I did. Mr. Baggins signing off for now, I'll return at 8am Pacific with our Morning Coffee Music.

Until then, dream sweet dreams, babies, dream sweet dreams.

Baggins out.

[letsgethaunted]

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Episode 192: Did the CIA invent Modern Art?*IS LIVE*!

Image 01: Jackson Pollock’s ‘Mural, 1943’ was appraised at $140,000,000.00 in 2016. Image 02: Modern Art on display clockwise from top left. Willem de Kooning, Woman I, 1952. Jackson Pollock’s black period paintings, 1951. Mark Rothko paintings- Untitled (1956), Untitled (1955), ??. Image 03: Jackson’s Pollock’s famed artistic process involved dripping paint on canvas from various heights at various levels of intensity and speed. Image 04: The New York School featured several artists who rose to fame. Jackson Pollock, Vostanik Sabatino, Willem de Kooning, Clyfford Still. Many of these artists were immigrants who rose to fame post WW2. Image 05: The New York School artists were heavily influenced by psychologist Carl Jung and his teachings. These artists claimed their paintings held secret universal truths about humanity. Image 06: Carl Jung’s 4 main archetypes. Image 07: The New York School was considered “American” art, and stood in sharp contrast to socialist realism art. Image 08: In 1947 the US State Department spent $49,000.00 to buy 79 paintings from American artists for a traveling exhibition called “Advancing American Art.” Look Magazine brought attention to the state funding art that was often painted by artists engaging in “un-American activities” and caused public outrage. The exhibition was defunded. Image 09: In 1950 the CIA created the “Congress For Cultural Freedom” which was literally just a CIA funded propaganda machine. The CCF operated for 17 years and ran magazines like “Encounter” which featured The New York School Artists and other uniquely “American Art.” The CCF also employed several key members of The Museum of Modern Art (MOMA). Image 10: The CIA also secretly funded one of the most popular pieces of anti- communist artworks, the animated version of George Orwell’s “Animal Farm” novel. What do you guys think? Is Modern Art just a CIA psyop or is paint thrown at a canvas just too deep for the American public to understand?

[noctomania]

“National Archives - Palestine - National Security Council. Central Intelligence Agency. (09/18/1947 - 12/04/1981). - This film is a Columbia Broadcasting Service (CBS) documentary with Mike Wallace on the Palestinian leadership and their use of paramilitary organizations, such as Black September and the Palestine Liberation Organization, to promote terrorism in Israel. - DVD Copied by IASL Scanner Thomas Gideon. - ARC 643907 / LI 263.346 “ 

Publication date: 1976

watch time: 20min

[superherobriefings]

Genius Jones

dc.fandom.com/wiki/John_Jones_(New_Earth)

Creator(s): Al Bester, Star Kaye

Alias(es): John Jones

1st Issue w/Uniform: More Fun Comics #126

Year/Month of Publication: 1947/09