#.this blog has just been a slog to get through so

[sansloii]

Hello hello! It's been a hot minute ( mainly because I'm kicking around on my new blog ) but I've finally decided how I'm going to handle what i owe here

I will be dropping anything i can't formulate a near immediate response to. That includes drafts and asks. Part of my reluctance to be on here is due to what I owe and the lack of inspiration for these replies. If i can't think of any way to outline them or full out write them over the weekend, it's getting booted.

Additionally, I will be going through my followers and sb'ing people i either haven't interacted with at this point ( and they arent new mutuals ) and/or they've been inactive for... however long. I don't usually announce things like this and just use my own discretion but I don't want there to be any question about whether or not I've sb'ed someone ( though anyone is welcome to ask why if they feel the need to ). If you want to use this opportunity to break mutuals, feel free to. I'm not gonna stop you. Doesn't mean I hate you or anything, as stated in my rules, so I ask that no one takes it that way.

I'm also going to be removing 2 muses from the available roster. They'll be available as npcs and only upon request if we already have something going with them or pertaining to them

I'll also be assigning a limited status to 2 others, as I feel like while I have muse for them, I will no longer be offering them out for interactions unless--again--we already have something going already. These muses can be requested but I reserve the right to say no.

One muse will removed entirely and will likely be available for discord interactions only.

Please see the list below the cut. I'll be changing it on the blog later on and adding it to my rules as well.

If anyone wants or needs my discord,it is princemorsh. If you see the display name fat yoshi, that is me. You can also find me @ @frznwarmth or @parabelllvm. Have a wonderful weekend everyone.

Mikah (Unchanged)

Penelope (Npc)

Evan (Unchanged)

Wynn (Limited -Request only)

Dakota (Unchanged)

Joseph (Npc)

Andris (Limited - Request only)

Roderick (Unchanged - Request only )

Lawali (Unchanged - Request only)

Vega (Removed - Discord only )

[astragatwo]

BTW, if you've ever said anything nice to me or left a comment on my art in any manner — whether in tags or in an ask — that I remember, and it's one of few things keeping me somewhat sane and not a dumpster fire of emotions right now. Genuinely, thank you — I don't know how to express how much it means to me.

[mblematic]

@residentrookie activated my unskippable dialogue unfortunately lmao

dorothy dunnett ... dorothy dunnett is like if you took the best, your favoritest tumblrina - who if god were good SHOULD have been blogging about her dumb lil guys in 2025 and instead you stuck her in the 1950s - so instead of writing earth shattering porn on ao3 about castiel or whatever she instead sat down and made up her OWN lil guys and wrote masterful yearnful books about them in the midst of a political thriller circa 1500s... dorothy dunnett said I want to make a guy who hates himself soooooo much and sleeps his way around the world and rambles over rooftops and has the most beYOOOtiful singing voice and hates himself and is DEFINITELY bisexual and can sword fight not like,, super well but well enough that he beats everyone important and also he hates himself!! and did I mention he's bisexual?? ...and THEN i want to make a guy who's SUUUUPER straight (wink wink) but keeps getting thrown into situations where it looks like he might need to sleep with a guy (oh noo) to keep them happy or whatever ...Dorothy Dunnett said I'll write the most perfect series to ever exist but! 😡 it has to start with a book so hard to read you can't recommend it to any of your friends.... and then I'll write a series that's even HARDER TO READ but by then you're locked in.. possibly for life..

I cannot recommend the lymond chronicles enough, however the first book is just to be GOT THRU ... some point in the middle you'll realize how good it is but it's a slog until then, hopefully falling in love with Lymond carries you through!! I can't remember who said it sorry but somebody on here said lymond is enemies to lovers but the enemies are lymond and The Reader ... and they were RIGHT. anyway tell me if you start them. please.

[meadowlarkx]

I was tagged by @i-am-a-lonely-visitor - thank you so much!

As we're finishing out 2024, what is one thing from your writing this year that you're particularly proud of? And what is one fic you wrote that you would recommend for others to read?

I love this kind of ask as a way of revisiting stuff from throughout the year--thank you!! 💐

One thing I'm particularly proud of: Finishing my Finrod/Sauron One Thousand and One Nights-esque AU series this summer! (That's a mouthful... I know).

Stars winked into being in the darkening sky beyond the chamber’s window: distant, gleaming chinks of light. Beyond their celestial circles dwelt only the void, the endless night, and the song that pulsed on.

I started writing this before I was even done reading Silm and before watching the (formative and awesome) two Leithian-related rock operas. A lot of stuff in my life has happened in the nearly 3 years this was in progress, too! We have been on a journey together. Getting back into writing this story after a break from it was honestly intimidating and I am proud of myself for doing it anyway. At 41k total this is far and away my longest fic so I'm proud of that as well--I usually tell myself I won't bother trying to slog through writing longfic since it's not my usual style and I have abandoned WIPs in the past. That's actually one reason why this one is arranged as a series instead of by chapters. I coaxed myself into starting by telling myself it was low pressure, that I would just see how far I got while inspiration lasted and how much of their arc I wanted to fill in with scenes. But the muse was strong and I have been certain all this time that I wanted and needed to get them to the ending I had in my mind. I can now rest knowing it's done!

I'm also just generally really happy and proud of some of the feedback I've gotten on this story. It is so moving to know something that means a whole lot to you also resonates with other people. And on a sillier note, I want to organize and post a few playlists excavated from the jumbled 13+ hours writing playlist for this series, mostly just for me to have them on my blog somewhere. So stay tuned for that if you want...

One fic I wrote that I would recommend: join my barren soil (Maedhros/Maglor, Bad Guys Made Them Do It, 11k, E) written in a month of complete fic writing possession for Innumerable Stars this fall in response to @jouissants' excellent prompt!

I really love how indulgent this story is with its angst and resolution. I wanted it to feel satisfying and lived-in (this is my longest single Silm fic!). Also grim, resigned Maedhros who sees Maglor as the one good thing left in his world is like a warm bath to me. So if it is to you (general Tumblr users) you might enjoy this one!

I tag @imakemywings @swanmaids @queerofthedagger @polutrope and anyone else who wants to do this!

[quirkwizard]

Keystone-Ranking My Hero's Academia's Arcs

To All my Friends and Followers, I am proud again to announce another double milestone. Not only have I reached over 10,000 total posts on this blog, but I have reach over 3,000 followers. Who would have guessed this little blog I made for fun would have made it this far? Because I am frankly flabbergasted that this blog has made it this point. I thank all of you for your support and truly wish that I can make this blog something worthy of your dedication. For this momentous milestone, I once again decided to do a massive project. This time, it will be ranking all the arcs of My Hero Academia.

So before I begin, let's cover some ground rules:

-What I will be considering an arc, as well as where it starts and ends, will be defined by the Wikia, making for a total of twenty one arcs.

-This will mainly be focusing on the manga. While I will mention the anime here and there, it will not play any major role in how I rank these arcs.

-This ranking will be relative to the rest of the series. So if I put an arc lower on the list, I'm not saying it's the worst manga as a medium has to offer, just not up to the standards of the series.

-This will be a series of pros and cons covering each of the series with some notes. This will involve a lot of generalizations and summarizations of points, as well as maybe skipping out on what I don't have much to say, but is the easiest way to get my thoughts across.

-This will be looking at the arcs without the context of later ones. I will review the arcs on their own and will only consider what has happened before in the story when that arc came out. That means that certain events will not "ruin" arcs retroactively, but can be held against the arc they happen in.

-The Final War Arc will not be covered here. Not only because that arc is not completed at the time or writing, but is far longer then any other arc in the story and has so much to cover with it, feeling like there are several arcs going on all at once. Even if it was done, I would still cover it on it's own.

Without further ado: the ranking of My Hero Academia's Arcs.

Stars and Stripes Arc: (0/10)

-This entire arc is built around Cathleen, a one note character that doesn't have any interesting traits or arc. She was never established before, even when she should matter to characters like All For One and is suddenly the most important hero currently active.

-My worst fears are confirmed that Tomura is nothing more than a meat puppet for All For One. All his unique traits and character is under lock and key for this entire arc, leaving us with a very bland villain that I have no interest in reading.

-The whole fight is a forgone conclusion. Tomura can't lose because he's the main antagonist who is next to unkillable and he can't get "New Order" because then he would be way too powerful to beat, robbing the arc of any tension it tries to have.

-The fight itself is not interesting, which is a problem when most of this is a fight. It's Tomura getting ragdolled over and over again while Stars and Stripes keeps using her Quirk in a lot of empty spectacle. No real cleaver plans, just slapping each other back and forth.

-All these factors together rob any emotional investment a reader may have had in the story. So in spite of it only being seven chapters long, it feels like a total slog to get through, simply waiting for canonical filler arc to be done with so we can move on.

-"New Order" is a slap in the face to the entire power system. It's such a vaguely defined ability with what it can actually apply with its rules. It felt more like Tomura was fighting a wizard from a whole other series, adding on to the various frustrations in this fight.

-The main consequences could have been replaced with a single chapter. Just have Tomura writhing in a cave over his body rejecting "All For One" and have Nezu analyze and pick up information on him from the footage of the PLF War. It would have been so simple.

-The actual consequences of this arc are minimal at best. You could honestly skip this arc and not really miss much in the grand story of the series. Again, making it feel like a filler arc. It makes this whole outing seem wholly pointless in the broader narrative.

=I've said my peace on this arc many times over. I struggle to think of anything good about it. It was a chore to read the first time and it took so much willpower to not turn this into another giant rant. I honestly hope I never have to go through or think about this arc again.

Tartarus Escapees Arc: (1/10)

+I like the idea of this arc. Having Izuku regress into his self-destructive tendencies and isolating himself is a really good way to go with his low point. And this is well conveyed in the art, both in and out of costume, which I just want to is really solid this arc.

+Uraraka's speech was certainly a highlight. It's a great moment in her own arc about understanding and wanting to truly save people and gives her the relevance she has so desperately needed. Ending it with the narration of everyone being a hero was a good bit.

+I liked a lot of the bits with Stain, especially his talk with Toshinori. Having Stain, the man who misunderstands All Might the most, gives him the peep talk he needs to get out of his funk.

-The reaval of "Fa Jin" was such a massive miss for me. Not only does it not add anything to Izuku's arsenal outside of hitting even harder, it undermines one of the most interesting fights the series has had thus far by overpowering his enemy rather than outthinking them.

-There is little lasting consequences for some of the characters. Endeavor is an abuser that made a serial killer and Hawks killed a villain in front of everyone. They both say they're getting work done and everyone kind of moves on from it without issue.

-The concept of Izuku cutting off everyone around him, while interesting, wasn't anywhere near fleshed out enough. It's only a single chapter of him on his own before he's saved by the rest of Class 1-A. Kind of makes the arc's name feel like a misnomer.

-Bakugou's apology feels rather hollow given the actual phrasing and the lack of any kind of real response for Izuku. This extends to All Might, but to a lesser degree. These two are the most responsible for Izuku self-destructive mentality and it is quickly brushed to the side.

=Another arc that I've talked about before, but none of the good parts of. I think it's well above something like the Stars and Stripes up, but it's lack of real payoff for so much that was set up really shoots this all the way to the bottom of the list.

Quirk Apprehension Test Arc: (1/10)

+Aizawa has a solid character introduction and effectively sets him up. What seems to be a lazy bum actually hides one of the most strict and dedicated heroes in the entire series. A seemingly rough, pragmatic disciplinarian with a secretly good heart underneath.

+Having Izuku need to work under Aizawa was such a good move for his first day. He really learns just how much of a problem his power is going to be and how much personal responsibility a hero has. It's a good splash of cold water to Izuku's relentless optimism.

+This is the arc where we get Izuku taking on the name Deku. Not only is the moment around it cute and gives us his official nickname, but I like how it starts the trend of Izuku redefining his life, taking the mocking nickname, and making it the name of a real hero.

-The arc is strictly business, for lack of a better phrase. We don't get much expansion on the characters we know about or understanding of the other characters or their powers in spite of the fact that this test would have been the perfect place to introduce them to us.

-All it really has going for it is the one moment of Izuku throwing the softball with his finger. The ultimate, emotional climax is a character flinging a ball really far. I know that sounds like I'm being facetious, but there isn't a lot else happening in the arc worth talking about.

-We do get the early main trio of Izuku, Iida, and Uraraka interacting, but there isn't enough to go off of to get a real sense of their dynamic and characters outside of the basic traits we already established. Maybe how they view each other as people, but that’s about it.

-While the threat of expulsions is threatening for the characters, it's pretty empty from a meta perspective. We know that if Izuku was expelled, the series would be over. The reveal of the test being a ploy does give Aizawa some character, but makes it feel a little pointless.

-In the end, I'm not entirely sure what the point of the arc was. At least, enough to make it its own standalone story. Sure, Izuku develops the finger flicks, but that could have been shuffled to one of the other two arcs after this one and it would be fine.

=An arc that's ultimately a victim of its length. If it was tied into the arc proceed or succeeding it, it would have been fine. On its own, it doesn't really offer much value. I still think it has its points, but not enough to reach past this lull in the series.

Remedial Course Arc: (2/10)

+The interaction between All Might and Endeavor was great. Yeah, a lot of people forget that happened this arc. Endeavor is uncertainty of what to do and turning to his rival is good in it's own right and works as a good springboard for Enji's arc going forward.

+The other character work was fine as well. Bakugou learning to be less of jerk to people as he learns to deal with a younger version of himself is nice. The Shoto, and to a lesser extent Inasa, stuff wasn't as prevalent, but I think it's a good steppingstone in his character.

+I like the one-off chapter with Aoyama and how he connects himself to Izuku and how much their Quirks can cause issues. Giving a minor character like this a one-off chapter like this is a good way to flesh out these characters without taking up too much time.

-Speaking of important stuff, this arc introduces the Quirk Singularity. For what turns out to be such an important idea, I don't think it does the best job building the groundwork. Like there wasn't enough set up to it before or in this arc for it to make sense.

-This arc is very much removed from the rest of the story. I wouldn't mind that but doesn't really give us much in its place. Outside of the few bits I mentioned before with Bakugou and Endeavor, it doesn't feel like it adds much else to the world or story.

-A lot of this arc is more comedic. If the comedy doesn't work with you, it's going to wear down on you fast. Outside of one or two bits, I found myself stone faced at a lot of the gags. Which is really odd because I do think Hori can do comedy, but it's not done well here.

-These two issues create this odd back and forth with the arc. The interesting moments are either small or side pieces while the actual meat of the story feels superfluous. So it can be frustrating to read through this when all the good feels so buried under everything.

-Which I think leads to the biggest sin of the arc: it's so forgettable. Out of all the arcs I went over, it's the least I remember about, not even long after rereading it. Despite having some pretty important moments, I just mentally gloss over it.

=This arc gets a lot of hate, and I get it. It does feel like a pretty low stakes arc where a lot of aspects can grate on people. I can't muster much bile for it, and I still think that there are some redeemable moments here, but certainly earning a spot this low on the list.

Joint Training Arc: (2/10)

+I really liked a lot of the new Quirks on display. I think a lot were pretty neat, or at least unique enough to be intriguing. Plus seeing some of the Quirks interact across both classes makes for some fun moments and dynamics between the various characters in play.

+I do like some of the minor pieces of character we do get. Tokoyami's flashback about controlling Dark shadow, Shoto using both halves of his power, a beat in Momo gaining confidence again, and Monoma's backstory reveal are all solid parts of this arc.

+Round 3 is a major highlight of this arc. A tense battle where it feels like each character is giving it their all with sheer power or clever planning. It feels like such a big battle that is constantly changing, ultimately ending in a surprising, but satisfying payoff of a draw.

-This arc is too long for its own good. Over twenty-four chapters of characters engaging in a consequence free training exercise where the plot isn't really developing outside of a handful of moments. It really wears down on you fast, especially week to week.

-As for these fights, I think a lot of them are pretty mediocre. Whether it be because of the low stakes, the lack of real emotional moments, or simply how the Quirks are used, I found it difficult to really invest in the fights. That is a big issue when most of the arc is fighting.

-Outside of Monoma and Juzo, there is very little in the way of meaningful development for Class 1-B in this arc. And if there was any point in developing these characters, this would be the time. It feels wasted, making the characters feel more like vessels for the powers.

-I really don't like the Round 4 fight. What comes across as Bakugou's big development rights hollow. Not only is the other side kneecapped to make Bakugou look better, but it doesn't really feel like Bakugou learned how to actually work with other people on this.

-To this day, I still have mixed feelings on the "Black Whip" reveal. I don't mind the concept of Izuku with multiple Quirks, but it wasn't built up enough to make this a worthwhile pay off. It seems more like Hori did this in because he ran out of ideas for what to do with Izuku.

=While I certainly don't think this is the worst arc, I can wholly understand why people are so frustrated with this arc as it was happening. There's very little in the way of plot or characters, so it ends up feeling like it drags out too long for its own good.

Provisional License Exam: (3/10)

+I like a lot of the world building in this arc. This whole rescue operation part of the test really shows just how important the non-fighting parts of hero work are, like how you act around civilians, which helpfully sets up how things are headed post All-Might.

+I liked Inasa. His design is great, his power is cool, and he has such a fun personality that you can't help but want to see him. His role is interesting as well, having Shoto's worry about being like his father externalized in someone who sees him only as Endeavor's son.

+I enjoy a lot of the development with the class. Things like the Super Moves, the dorms, and the bits spread throughout the arc does a lot to flesh them out. Obviously, the biggest bit is with Izuku and Bakugo, their battle showing how much them and their dynamic changed.

-The arc is not paced that well. This section is twenty-three chapters long, but it feels so much longer with how everything drags on and not a lot of interesting stuff is happening in them until the very end of the story, whether that be with the fights or the characters.

-The fights aren’t that amazing. It’s not that interesting to see 1-A fight a bunch of jobbers. And when they do fight more prevalent characters, I don’t feel engaged with it. A lot of the action are resolutions to the fights aren’t clever or have a lot the emotional impact they usually do.

-The new characters aren't that well developed, even as far as one-off characters go. Aside from Inasa, there's barely anything to go off of for them. It feels less like an expanded cast from all these schools and more like bloat that Hori didn't know what to do with.

-As much as I like Inasa, I think his whole thing with Shoto is kind of dumb. Like Inasa somehow carries this undying grudge against Shoto and his father because both of them look angry at him. And the resolution ends up being rushed in spite of the focus it gets.

-While I do praise Izuku vs Bakugou, I recognize that it's focused way too much on Bakugou. This feels like it should be doing something for both of them, but a lot of the attention in and out of story is on Bakugou, making it feel incomplete and diminishing Izuku's role.

=For all the buildup of these characters becoming heroes, them pulling it off seems… underwhelming. Which honestly feels like a good way to describe a lot of this arc. A lot of potential for something big and impactful that just didn't stick the landing.

UA Traitor Arc: (3/10)

+The traitor reveal was handled so well. The reveal and backstory were great and I think adds a lot to Aoyama's character. He wasn't an evil pawn, but a terrified kid who was forced into a deal outside his control, now horrified over the safety of himself and his family.

+The villains had some good moments. A lot of it is set up for next arc, but Toga and Spinner especially had the most interesting bits here, with Toga expressing her complicated past and feelings while Spinner is pushed into a role he never wanted for his friend.

+I enjoy the bit with Izuku and Urakara near the end of the arc. It honestly refreshing see these two connecting with each other again and what they talk about is solid stuff, trying to come to terms with their own conflicts feelings about wanting to save the villains.

-In spite of my liking of the reveal, it's far too late. Aoyama's actions as the traitor haven't been a factor pretty much since Kamino onward. So when this reveal comes, it doesn't have the emotional weight it feels like it needs, especially for such a minor character.

-There's very little fall out for Aoyama being the traitor. Besides how it's entirely beneficial for the heroes, no one else really reacts to it and there isn't any fallout. Not even Bakugou, the students most affected by it. It makes 1-A feel like a hive mind rather than their own people.

-In fact, a lot of this arc relies on the reader still being invested in the arc, Aoyama as a character, and there being this powerful bond between whole of the class. There's a lot riding on the emotional core which hasn't been set up as well throughout the rest of the story.

-There are some residual frustrations from the Dark Hero Arc. In spite of all the major moves the last arc did, there is barely any follow up on most or anything with the characters taking a break. We're skipping all that for more training and getting right to the next plot point.

-The villain stuff was good but did suffer from some clunkiness. I didn't really feel like it told us anything new and what it did add felt confusing at points. Did you know that Tomura and Spinner were best friends? I didn't know Tomura liked the guy.

=So I feel like I'm one of the few people that actually like how Aoyama was handed, which elevates the arc above a lot of the later parts, but I still think it's mire by the same issues of this part of the story. It had its moments, but that's all it really had to offer.

Final Exam Arc: (4/10)

+I think the idea of the arc is pretty strong. Not only do we get to see more of the teachers in action, but it’s a cool watching the students go up against the worst opponents possible, with each one needing to overcome some kind of weakness in order to nab the win.

+The fight with Deku, Bakugou and All Might was good. It's their low point, with the two literally and metaphorically trying to overcome All Might, and only able to do so by learning from each other, effectively pushing the both of them forward in their own development together.

+The Momo, Shoto, and Aizawa fight was pretty good. While not as well established in the manga, I do like the confidence issues between the two and how it ties into their leadership abilities. Again, it's a good example of the two learning and growing from each other.

+The ending scene at the mall was well handled. It's such a great one eighty from the tone and really raises the tension. Then there's the set up with Izuku and Tomura's clashing ideals, ending with Tomura truly realizing his goal. All around good stuff.

-The structure of this arc is a mess. All the fights are happening simultaneously and there is constant cutting back and forth between them. This means that all the fights struggle to build up any momentum before quickly cutting away at the most jarring of times.

-On that note, the fights aren't that impressive barring the two I mentioned before. They don't really have anything to offer in either story or spectacle. It's a bunch of pretty basic fights where we are given focus to some of the blandest characters in the series. -While this arc is built around the students going against their worst opponents, there isn't a lot of interesting growth or dynamics. Of all the side characters, we got Mineta and Koda, who aren't that engaging to read about, nor are they developed in engaging ways.

-In spite of the greater focus on character and having tangible threat of loss, this still suffers from a lot of school arcs suffer from. An educational setting like this doesn't have much tension to it. All we really have are the fights, which aren't that good.

=Yeah, this is quite the rough patch between a lot of stellar arcs. I hoped that it was merely a victim of placement, and it had its good points, but that arc is such a mess that it's hard to get much out of it. Not the worst, but not one that I am eager to revisit.

MLA Arc: (4/10)

+The MLA is an interesting concept. A political cult wanting to give power back by letting people use their Quirks without oversight. There's a lot of interesting perspectives for that topic, both in and out of the MLA, for why people may or may not want this to happen.

+Tomura is easily the MVP of the arc. His speech to Garaki was good, but his backstory with the highlight. Seeing the sheer lengths that the world, his family, and All For One poisoned Tenko into this being of pure hatred was equal parts engaging and tragic.

+Toga's backstory was good as well. While I have my issues with how nebulous Quirk Therapy is, that ultimately doesn't detract from it. It sets up the ideas of love and it's the expression and repression that prevail in her character and their importance going forward.

+I like Re-Destro in this arc. He parallels Tomura as a rage-fueled heir to a criminal legend, but contrasts it by being someone who is totally in control of his feelings and power, as well as being successful as running the empire that was left behind by Destro.

-This arc introduces Awakenings. I have never liked this concept, even when it is first revealed. It felt more like a lazy way to give characters power ups when it was convenient. This was especially the case with Toga, even if it fits with her whole love theme.

-The MLA Executives aren't interesting villains. They're one note obstacles to the LOV. I get not every character will get focus, but you think the heads of this massive group of would be given some depth, especially with a basis of the MLA has so many angles to cover.

-The barely functional LOV somehow beating and taking over the biggest group of villains in the country is such a massive leap in threat and scale. For them to survive the fight, let alone totally dominate, feels like Hori needed to hand them the win for the story.

-Following that, this is where a lot of the rushed pacing. It seems as though that the story and characters are trying to rush the story as fast as possible to get it to the point where it needs to be rather than taking its time to make sure all of the steps are set up beforehand.

=I know this arc is a fandom darling, but I really don't care for a majority of it. For me, it's few strong moments to hold up this ultimately weak arc. Especially since it's where a lot of the flaws of the later half of My Hero Academia came to the forefront for me.

Battle Trial Arc: (5/10)

+The arc does a good job of establishing the weight of heroics in the world. While Aizawa laid the foundation, showing how the students failed in the trial in their own ways shows just how much pressure that goes into hero work. The recap of all the flaws and mishandling of the training exercise is really neat.

+This does a great job of showing off Izuku's value as a fighter and as a character. In spite of having the strongest Quirk around, his brain is his most valuable weapon, able to plan around somehow who vastly outclasses him. His vocal declaration of Deku being the name of the hero is such a simple yet powerful moment for him.

+In fact, that fight itself is super neat. Izuku has a limited ace in the hole, but Bakugou has a massive advantage in skill and a psychological edge. Meanwhile Uraraka has to deal with the villainous Iida. It makes for a fun dynamic in the fight on how everyone plays off each other in personality and powers.

+All the character establishment is well handled, something hard for any series. We get a solid mix up of the dynamic between Izuku and Bakugou, good understanding of Iida and Uraraka while having foundational moments for Shoto and Momo. Plus, Ojiro and Hagakure had a cute little moment in there as well.

-None of that is extended to any of the other characters. Again, with all of these characters together, it would have been a really good chance to establish more about them as an ensemble cast. Even if it was only in minor ways like the previous examples it would have helped a lot going forward and made them feel less like cut outs.

-By extension, we only got the one fight out of the arc. Look, I'm not asking Hori to make five extra chapters here. All I'm saying is that I think that it would have been a good chance to get a better showing of the characters’ abilities and personalities by having them fight and bounce off each other before moving forward.

-Look, I know I keep harping on the art, but its flaws become a lot more apparent when trying to do action scenes. It can make certain motions seem a lot more awkward than cool. Again, this may just be hindsight, but it was pretty distracting coming back to read this seeing how much the art hindered the experience.

-The structure of this arc is so bizarre in how it's laid out. The actual order of the panels seems like things are happening oddly or even out of order. Seriously, go back and read the lead up to Izuku confronting Bakugou at the end. It's janky as all get out. This is not helped by the pretty sloppy artwork with the characters.

=The first real fight of the series and it goes off with a bang. I do think this fight is a highlight of the early series, delivering powerful emotional moments and unique dynamic, both in combat and character. Though the series is still green and the early flaws of the series being the most prevalent here really holds it back.

PLF War Arc: (5/10)

+Izuku has some of his strongest character work here. Push to the brink, he regresses back to that totally destructive mindset and constant doubt of his early series version. And having the arc resolve with him having empathy for Tomura after everything he did is just great. No issue with how he was handled this time around.

In fact, I think a lot of the character stuff is pretty strong. Bakugou gets a nice moment by saving Izuku, Enji has to go through some of the harshest development when faced with Tomura and Dabi, and Uraraka is confronted with the most moral complexities of villains. And hey, the arc actually got me to like Miruko.

+The rest of the villains were solid as well. I really like the stuff with Hawks and Double. It works as a nice microcosm of a lot of the conflicts about heroes and the world's inability to understand villains and their issues. Toga's growth and confrontation Uraraka over understanding hero’s savings villains is all around good.

+The Dabi reveal was amazing. What was such a predictable plot point was turned into this amazing reveal, doing a total one eighty and Dabi's character for me. You take this melancholy loser and make it so he dances and reveals in all the suffering he is causing Endeavor. It's great to see it pay off in such a bombastic and impactful way.

-This arc continues the unfortunate trend of Tomura's power creep. His already insane level of power has skyrocketed without any sort of in between. And Tomura getting possesed is one of the dumbest things to happen in the story, robbing Tomura of all his character and agency in favor of someone else stealing his spotlight.

-Not everything is great on the heroes' side. Midnight's death is one a terribly handled aspect of the story, made even worse by Gran Torino somehow surviving and is the only notably causality on the hero's side. And while I get it's supposed to be Kirishima's moment, having Mina set up and undermine like that feels mean spirited.

-Some of the villains in this were let down. All of the relevant MLA members get off screened. I get they aren't the most important, but you think there could be someone more. Then there are the High Ends. You introduce a squad as dangerous as Hood, have them be an issue with one hero, and then kill them all. What was even the point?

-Aside from the Dabi reveal, all the other ones fall flat. Mr. Compress' backstory is here and gone. Oboro is a literal who that requires supplementary material to know who he even is. Mirio comes back with little fanfare and contributes next to nothing in his fight. And Best Jeanist's return raises so many questions, and not in a good way.

=I get this arc is super popular, but for me, it's one of extreme highs and extreme lows. When it's good, it's really good, but when it's bad, it's pretty awful. It's like for every positive, there's an equal negative in the same field. I ultimately believe that the good outweighs the bad, but not enough to make me rank it any higher.

USJ Arc (6/10)

+This arc goes zero to one hundred real quick and it's great. We go from low stakes practice to everything going wrong. The villains are attacking, the adults are out of commission, and All Might is nowhere around. It does a really good job of making this tension situation with real danger, making the pays off that more powerful.

+This is where we get more from the UA characters, doing a surprisingly good job of characterizing a lot of them in spite of having such a short time span, giving a lot of their characters their own moment to show off. Same with the teachers, with us getting more layers to the teachers, like Aizawa genuine care of the students.

+This is where a lot of Izuku's major character traits come about, really show off how much of natural leader he is and just he proficient he is in planning. What's more is the self-image and self-destructive issues come to light, such as giving up the president spot and when he tries to save All Might, adding a lot more to his own character.

+All Might is handled really well in this arc. Not only does it give us a deeper glimpse into his character, but just how he's handled thematically. It goes a good job of showing All Might's power with how he and how hopeless things are without him yet gives us a reminder that power is fading and is one a time limit.

+This may just be hindsight, but I like Tomura for this arc. He's the big bad but is almost constantly undermined and humiliated at every other turn, both physically and ideologically. It's a subversion that's hilarious in the moment but does set him up well for further development and helps parallel him with Izuku's own growth.

-Again, a lot of the early series flaws are present here. It legitimately feels like there are panels missing from the pages or that the panels are really awkwardly structured, such as a having a big moment in a tiny panel or panels not flowing well from one to another. It can make it a very jarring read and takes a lot from the experience.

-Man, for being the climatic fight of the arc, the actual battle with the Nomu and All Might feels super underwhelming. It may just be that the anime spoiled me, but it lacks a lot of impact a fight like this needs, the art doesn't convey the action, and is over pretty quickly. It makes the ending feel pretty flaccid, especially for the first big arc.

-While the main players of the villains’ side are cool, it does feel like a lot of minions leave some to be desired. Seriously, outside of Izuku's group, it doesn't feel like any of the students are under real threat from the horde of minions. It can make it seem like a lot of initial villains were pretty empty outside of the three heavy hitters.

=A big arc that finally expands the world and threats outside the school. Which it does a pretty fine job of. It's not exactly the same high of the anime, but it isn't too bad either. I think it works best when you see it as the punctuation to set up for the greater story. Now that it's done, we can start moving on to the real meat.

Endeavor Agency Arc: (6/10)

+I like the opening chapter about interviews. Besides the fact that most of the gags land and how I've really wanted to see the kids learn stuff like this, I really like the world building behind Super Moves. That they aren't just aces in the hole for a hero, they are a means of brand recognition that help solidify a hero's image.

+The Christmas part was just plain cute. I'm all for the characters doing non-plot stuff like this and I like a lot of the gags with it. All the different gifts people get, the background gag of Mina trying to dress Bakugou, and Eri getting all the holidays mixed up. It's a fun little break that doesn't mess up the plot or pacing too much.

+The family drama was well handled. I think it's interesting how Hori handled the family dynamics of the Todorokis. He gave each of the members their own perspective on a complicated situation, but doesn't invalidate any of them, nor does he try to quickly redeem Enji or say that any one of the family members needs to accept him.

+In fact, Enji is great this arc. Besides the small ways he is humanized on a more personal level and the natural dynamics he has with the characters, it does a great job by trying to separate the ideas of atonement and forgiveness in the arc and what the two really mean, something I believe is key to understanding Endeavor's story.

+The pacing of the arc is near perfect. Everything gets the attention it needs in the time it needs and nothing feels like wasted time or out of place. It goes a great job of setting up the next arc with Hawks' spying and Tomura's growth without detracting from the current plot.

-For an arc called the Endeavor Agency, there isn't a lot of time spent at the agency. The trio isn't learning about being heroes or having their characters really bounce off each other, whether it with their Quirks or overall personalities, skipping right to the end of it. It feels like a lot more could have been done with these three together.

-There are some worrying trends that come with this arc. Like how instead of getting anything with the agency, everything was frustratingly skipped over in a time jump. Then Izuku learns how to use "Black Whip" way too fast, mastering this wild power in a week. It contributes a lot to the rushed feelings of the later arcs.

-Ending is super lame. His design is middling, his power isn't that great, and his whole motivation is just worse Stain. I wouldn't harp on him as much if he were a bit villain, but Hori could have done more with him considering his importance to this arc. Heck, Starchild was more interesting and he's barely in this story.

=An arc that is often lost and forgotten by being sandwiched between two larger, series defining arcs. Which is a real shame because I think it offers quite a bit with all the drama doing on with the Todorokis and the levity of the early chapters. All around a pretty solid arc and does a lot to set up the next big arc well.

Entrance Exam Arc: (7/10)

+If I was rating solely on chapters, Chapter 1 would get a perfect ten. It does such a good job of setting up the world, the characters, the themes, the tone, and the conflicts in the amount of time it has. It's such an amazing foundation for everything going forward. It's honestly impressive all the leg work it does this early on.

+The exam is set up really well. Having there be Hero Points and the Level Zero robots was a smart way for Izuku to have his cake and eat it. He still gets to have his moment of heroic sacrifice, but it was that noble spirit was what got him that spot in the first place. Him finally getting in is such as powerful emotional moment as well.

+The whole reveal of "One For All" is such a good endpoint and hook for the series going forward. Izuku may have been gifted the greatest power in the world, but now has to deal with some of the most dangerous drawbacks in the whole series to limit it, still keeping the stakes giving him plenty of room to develop his power.

+The arc does emotional moments really well. All Might telling Izuku he can be a hero, Izuku triumphantly standing on top of the trash pile, to him rushing to the forefront to save Uraraka. Again, in spite such a limited amount of panel time, it makes each moment feel so much bigger and more impactful then it has any right to be.

+On that note, it does a great job of endearing and connecting you to characters. Izuku's position as an underdog is immediately sympathetic, as is All Might's unenviable role as the top hero. Which I think is a real achievement given how early we're into the manga and how hard it can be to establish characters in the beginning.

-As for the rest of it, most of it's just Izuku training and doing the exam. That's it. It's not terrible and it really goes to show Izuku's dedication to being a hero, but it's not something to really write home about. This could simply be that the first chapter was that good, but it's not as exciting going forward.

-Some of the early art is kind of rough. This could just be because I'm more used to the cleaner style of the later chapters, but it comes across as rather jagged for a lot of the characters. This doesn't feel like a intentional style choice, more of a series finding its footing and with the art style and designs needing refinement.

-This extends to the major players of this arc. Again, benefit of hindsight, but it they seem more like exaggerated versions of themselves. All Might comes across as a lot more callous, and even with the worst version of himself, Bakugou telling Izuku to jump off a roof seems really out of character for him.

=Ah, back in the days that My Hero Academia was the little manga that could. First impressions are equal parts important and difficult, so it really is an accomplishment that the arc is as well put together as it is. It all works as a great foundation for the story. With such a strong start, it's no surprise that it got pick up for more chapters.

Pro Hero Arc: (7/10)

+While the last few arcs did some leg work, the Pro Hero Arc did a lot of the heavy lifting when it comes to Enji's character. It takes this one note antagonist and actually makes him the underdog hero while still acknowledging all the bad stuff he did. It's honestly impressive how well this was pulled off given its starting point.

+The fight of Hood was great. Not only does it involve two of the most visually interesting and versatile fighters we've had thus far, giving a lot of ways to mix up the fight, but it manages to pull out some really strong emotional moments. This mixed with the pitch perfect pacing, and stellar art makes for an enjoyable experience.

+Hawks is such an enjoyable addition to the cast. Not only does he have an amazing design and power, but he’s also such a fun personality to hang around with. What seems like a total slacker, goofball is one of the most perceptive and skill heroes around. You're just interested in seeing what he does and how he bounces off Enji.

+And then it all gets flipped upside down by the end of the arc. Hawks was a kid raised to be a hero and is now going to infiltrate the League. Not only does this raise a lot of intrigue for the upcoming story, but it feels like such a massive upset from what we've seen of Hawks and the hero world as whole to have this happen.

+The out of battle stuff was nice as well. Besides Izuku getting his first fan in Kota, the fall out of the Todoroki's was well handled. In spite of his attempts at redemption, Enji's still hurt people and they aren't going to forgive him. It would have been so easy for quick forgiveness, but this makes Enji and Shoto's story all the stronger.

+The flash backs we got at the end with Izuku were pretty cool. It's interesting to see All For One in his younger years and how his empire camp to be. In the frightening world of Quirks with desperate people, his power to give and take power made him a king. It's a unique way to put him in power while still fitting within the world building.

-The other pro heroes have… neat designs. Look, for an arc that's supposed to be about the top heroes of Japan, there is shockingly little shown outside of Hawks and Endeavor. While they are the main characters, you couldn't have thrown a bone to the other characters? Maybe even revealed their Quirks or show off their personalities?

-Hood isn't that amazing of a villain. He's certainly a physical threat, but the fact that he's an intelligent Nomu doesn't really factor much into his character. He wants to fight, but that doesn't really give us much to work from. It feels like Enji is fighting some reflection or contrast and just something he needs to set on fire.

=Yeah, this was surprisingly good. The fact that Hori was able to turn around Enji’s to this degree is really impressive, but I do think that there is a lot more going on with the arc. It’s a good break from the main cast to flesh out the world and develops a lot of interesting ideas and plot points with the introduction of Hawks.

Culture Festival Arc: (8/10)

+Gentle and La Brava are great. They're so wonderful and different from everyone else. Their status as total jokes, both in and out of the series, betrays the fact that both are competent in their own ways and have a lot of care for one another. They're good set up for the later humanization of the villains of the series.

+I like the fight between Gentle and Izuku. Gentle's power is so cool to see in action and leads to an interesting fight dynamic. He isn't stronger than Izuku, but he's so tricky to deal with that it gives him an edge. It feels less like a brawl and more of the two trying to outfox each other, making it more distinct from other fights.

+This works as a good breather and much needed break from the more dower tone for the last few arcs, making for a comforting read. On that note, this is hands down the funniest arc in the whole series. Gentle and La Brava alone would qualify this arc for it, but a lot of the students have some good gags sprinkled throughout.

+I like a lot of the character bits we get. Not only does this arc actually develop Jiro and Eri, but it ties well into some of the general themes of the series. With how everyone is battered after the raid. It shows the kind of pressure that heroes go through and the importance of other kinds of heroics like Jiro's music.

+Not only does the arc establish the point of heroes saving people without fighting in Eri and Jiro's storyline, but the humanization of villains I mentioned before. La Brava and Gentle are both sad victims of circumstance who found strength outside the system in each other. It's affectively a microcosm of the major villains of the story.

-As much as I like this arc, I can admit it goes through kind of a whiplash plot and tone wise. Going from the Shie Hassaikai Arc to this is still pretty jarring to have everything stop and be light on both. I still like it, but I sometimes get the feeling of looking at my watch and wondering when things will be moving forward.

-There really should have been more exploration of the students. If you're going to do a plot light arc based around the school, it would have been a great time to see more of the students. If not from Class 1-B, who are major focuses of the next arc, then at least some of the lesser seen students could have had something going on.

=Probably one of my more controversial picks. I know this arc gets dogged on a lot by the fans, but I think that is wholly underserved. I thought it had a lot of value, even beyond its lighthearted story. And hey, I'm fine with taking breaks from the plot if I believe what's happening is worthwhile, and I certainly think it's worthwhile.

Sports Festival Arc: (8/10)

+In spite the low stakes of sport events, the arc manages to keep the tension up and mix things up with all the strategy and powers at play. Sure, running an obstacle course or doing a cavalry race isn't that cool on paper, but actively fighting against a horde of another students all with their own powers keeps it interesting.

+This arc really shows off some of Izuku's finest qualities. It was interesting seeing Izuku try and plan his way around the events given his huge disadvantages and amazingly shows off his character. Everything from his planning abilities, his skill in leading other people, and his genuine desire to save other people.

+Shoto was certainly the dark horse of the arc. While set up to be important early on, I don't think anyone could have predicted just how well his character and back story was done. That backstory really starts to delve into the darker themes of the story with his father, one of the top heroes, being an abuser that used his kids as tools.

+Of course, the Shoto vs Izuku fight is amazing. There is no contesting this. This is one of Izuku's most defining moments, effectively throwing away at chance at winning just to save Shoto. It ends in an emotional climax of Shoto regaining his power and Izuku losing, making for an subversion that makes sense and is satisfying. +The other side character work is done well, giving us more layers to them. Like hints of Iida's more vengeful side, Uraraka having this frightening amount of drive, and Bakugou showing some real respect to other people. It helps to subvert and expand on the characters, all while delving into more of their motivations and goals.

+This character work extends into more world building, especially with the new side characters. Shinso do a lot to build up the unfair the world can be in regard to Quirks while Mei introduces other aspects of the school and heroism as a whole. And this is all while they're both still fun characters to read about in their own ways.

-As for what happens in the rest of arc… it's pretty good. If you remove the highlight moments, most of the arc doesn't stand out as much in terms of what actually happens in it. I don't think it's bad by any means, but it's not something as amazing or exciting as the few highs of this arc and tends to skew a lot of people's perspectives.

-This extends to the other fights as well. Outside of the one standout I mentioned before, there isn't anything that spectacular to me brings up some frustrations like how Izuku was saved from Shinso by a Deus Ex Machina. Heck, the impetus of Momo's whole character arc is relegated to a single cartoonish panel summarizing the fight.

=I know this is a fandom darling and I feel a lot of that comes from the anime adaptation. To me, when looking at the manga, it's an arc of some extreme highs, but was above average to good with the rest of it. Certainly not my favorite but still a good arc.

Forest Training Camp Arc: (9/10)

+As someone who really likes to explore the mechanics of Quirks and hero work, I enjoy the various ways these Quirks can be trained and evolved and what kind of roles and pressures they would have to handle. Sure, cooking isn't something we really think about with heroes, but it makes sense to know that for disaster work.

+It's really satisfying to see Tomura use all the lessons he's used thus far, putting aside his short-sighted schemes in favor of a more thought out goal with a plan to turn the narrative against the heroes and capturing Bakugou. That mix with the inherent threats of the villains makes the League seem like a serious contender.

+A lot of the villains are pretty good. They don't have a lot of depth right now, but they don't really need to for the purposes they serve. They are all established enough in their own ways that they are interesting to see and makes you want to know more about them, leaving things open for use to learn more about them later.

+I like a lot of the minor stuff we got with the students. A lot of the pre battle antics are good at fleshing them out, but they really start to shine in the second half of the arc. Whether it be as active players in the arc, like Tokoyami and Shoji, or setting up for their own stories, like with Uraraka and Aoyama, it's all good stuff to read.

+Izuku vs Muscular fight is great. There's some real tension with Kota being threatened, we see Izuku being more emotionally and physically broken than any other point in the series. Only for him to overcome it with one of the most emotional panels in the series. The Million Percent Smash being such a perfect punctuation with the whole battle.

+I appreciate the arc ending on such a dower note. In spite everyone's efforts, the villains won. They kidnaped Bakugou, a huge portion of the students are in critical condition, and there is a potential mole within the walls of UA. It works as an affective low point for the next arc to build off of for the story.

+And in spite of the dark tone, the arc still manages to be really funny, like all the small interactions between characters, like Shoto subtlety throwing shade at Bakugou. And I standby that Izuku suddenly getting punched in the nuts is still one of the funniest moments in the entire series. I will die on this hill.

+This arc hits a perfect balance of pacing. The first half of the story is full of fun antics and lighter moments between the characters while the latter half is full of highly emotional action with a new gallery of rogues. And when it hits the ground, it hits hard and fast, never letting up on the fights and intrigue with the characters.

=While not as groundbreaking as some of the higher ups, I still hold this arc in a special place. Everything from the characters, to the fights, to the emotional beats are all handled so well that I often consider it the best of arc of the series. Even if you twist my arm, the only fault it has is that I simply like the other arcs more than it.

Stain Arc: (9/10)

+The art style drastically improves this arc. While I certainly saw a leap in quality once we got to the Sports Festival, the manga really starts to hit its stride once we reach Stain. The characters have more detail to them, the backgrounds pop a lot more, and the paneling is handled a lot better, making for a stronger experience.

+I like a lot of stuff with hero names and internships. Agian, it's a quick and easy way to help us understand and endear ourselves to the character while still developing the bigger ones, such as Iida's uncertainty as a hero after his brother’s injury or Bakugou trying to learn more about the social nuances of being a hero.

+The Full Cowl was such a good idea. The bone breaking was a neat gimmick to start with, but ultimately unsustainable concept. This offers a good side grade that still fits within the power. It gives Izuku far less power but grants him more control and a way to measure his progress throughout the series.

+Tomura and Izuku get some much-needed development. This arc sees them both growing beyond their world view when faced with an outside force, with Stain acting as their reality check. It sets up how the two will grow opposites throughout the series and further reinforcing the two parallels of our two main leads.

+Shoto and Iida get some time to break out of their original shells. While it's nice to see Shoto being far less cold to people, Iida going on a revenge quest is such a drastic yet believable turn for him. Having his righteous vengeance turn on its head and how such a thing would only sully the family name is all great stuff to read.

+Stain is such a great villain. He commands every single scene he's in and always remains a real threat in spite of his lackluster ability. Though the real meat is how much he's able to challenge the world and characters we see. The man has an iron clad code, one that makes he ready to lift up or deconstruct anyone he comes across.

+The fight with Stain is great. Stain is outgunned and outnumbered, but never outmatched, having much greater skill and what amounts to a one hit KO. That mixed with the closed off arena gives him a massive advantage. It's such a uniquely balanced fight and leads to a lot of interesting back and forth, yet still makes Stain a real threat.

+It feels like there were some real consequences to this arc. Stain wasn't some one-off villain, he changed everything, inspiring more villains and building up for the next big arc. Then there are hints to All For One, the who harmed All Might, being behind everything. It builds up a lot of intrigue for the rest of the story.

=Yeah, there is a good reason everyone talks about this arc. While Stain is the standout figure of this part, I do think it does a disservice to the rest of the arc to only bring up him. It's able to balance so much so well with how each of the characters grow and all meet up in fight. So yeah, it's well worth all the hype it gets.

Hideout Raid Arc: (10/10)

+This handles a lot of the aftermath of Forest Camp Arc well. All the students emotionally handling things and the teachers dealing with the fallout being well done. Giving Izuku a very real threat of damage to his body if he keeps pushing himself too far, set up some real stakes for his training and any future battles he has.

+I like a lot of minor moments between the students. Things like the debate at the beginning of whether or not to save Bakugou helps flesh out the class a lot. Then the bit of Momo and Iida keeping their friends from rushing in are good moments for them while still establishing just how big of a threat All For One is.

+And this is the arc where I think Bakugou clicked for me. We got hints of his depth before, but this is where it comes together. It gives us such an interesting peek into his headspace, like the view we got of his home life and getting his perspective on the concept of heroism and how it ties into winning for him.

+All For One's reveal was handled so well. The shadowy man we've heard so much about comes out with a devastating attack, destroying any opposition and horrifying the nearby students. It's nothing truly groundbreaking, but It's all presented so well that it elevates so much in the eyes of the reader as an impossible threat.

+The All For One vs All Might fight is one of the highest, if not the highest peaks in the series. What else could I possibly say? The beats are simple, but the execution is nigh perfect. The back and forth of the two, the reveal of Small Might, the second wind of power, All Might learning from Izuku, and the United States of Smash. All amazing.

+And while many people remember the main fight, I think the aftermath is just as good. The conflict between Izuku, Inko, and Toshinori is so natural and gripping, with Inko wanting to protect Izuku in spite of his dreams and this in turn hardening's Toshinori to the resolve of his new mission of training Izuku.

+Said aftermath sets up some many interesting and exciting plot points. The fall out of All For One's capture, All Might needing to deal with his life after being a hero, Izuku having to bear the weight of "One For All", Bakugou feeling guilt over All Might losing his spot, and the still immature Tomura now being out on his own.

+The tone is really well handled here. It gets pretty grim, but it doesn't get so dark that it takes you out of the experience and hits all the hopeful moments just right. And again, the comedy is oddly strong here. All Might opening his big entrance with a pizza delivery line and the rescue gang trying clothes on in a thrift store.

=Now, I don't need to tell you why this is good. What you may be asking is why it's not at the top. While I do think that All Might vs All For One is amazing and a good chunk of the arc, but there's still the rest of it. Again, it's some good stuff that gets overshadow a lot, but it's another case of something so amazing elevating the rest of the arc.

Shie Hassaikai Arc: (10/10)

+Not only is this arc unique from all the other arcs thus far, giving us our first real look at the hero world, the arc is great technically as well. It's always keeping up my interest and doesn't drag on at any point. The art is really good, especially with the character designs. Everything is as long as it needs to be, and nothing feels awkward.

+I really like how Izuku is handled here. He has been defined by his self-image issues but tackling that as All Might's successor is interesting. It does everything in its power to make you question if he was worthy, yet is always showing you his merits, namely his relentless will to help people no matter the threat may be.

+Sir Nighteye and Mirio are both good characters as well. They do work to contrast's Izuku own feelings and his role but are still enjoyable characters in their own right. Mirio as a hard-working hero with a good heart and Sir Nighteye as a fatalistic naysayer are both great in their own ways.

+In fact, a lot of the side characters are good in it. Kirishima gets a lot of good development, Tamaki is fun to read as the shy dork he is, Rock Lock presents a unique perspective on hero students, and Fat Gum is Fat Gum. Even with the more minor characters, they stand out enough to be interesting in spite of their lack of panel time.

+To me, this is the arc where Tomura really hits his stride as a villain. Without any proper support, he grows into the leader needs to be the League. Not only does this lead to some of his best moments and sets up his story but adds some much needed layers to the burgeoning villain, showing some real care for his teammates.

+Overhaul is such a great villain. Not only is he a massive threat in power, resources, and overall abilities, he acts as a good foil not only to Izuku, but to Tomura as well while still being his own character. His plan and goal are so unique for the setting, yet offer a frightening endgame, effectively controlling the supply and demand of Quirks.

+By extension, I think this does a lot to characterize the rest of the villains. Obviously, Twice and Toga get the bulk of it, building them up as people beyond their gimmicks, but the rest of the League gets their own moments to shine. This extends to the yakuza minions, who I think are my favorite ensemble of villains in the series.

+This arc ends on such a great note. Sir Nighteye's death crushes the heroes' side in spite the reconciliation. Meanwhile, Tomura gets out like champ, getting revenge on Overhaul and leaving with a dangerous weapon in his hands. It's a good way to start the slow shift of the dynamic between heroes and villains going forward.

=So while this doesn't think this hits the same highs as the Hideout Raid, I think it does accomplish more with its scope. It has a lot more to juggle in comparison to the Hideout Raid and pulls it off with flying colors. It obviously doesn't hit the same peaks, but holds as consistently level of quality, making me prefer it.

[cornertheculprit]

how about 14, 15, 34 & 36 if you're still accepting ask game asks? feel free to skip some if they seem too annoying to answer publicly lol

14. Least favourite prosecutor?

hmmmm. honestly. it'd have to be edgeworth BUT SPECIFICALLY IN AA5. i loved edgeworth as a prosecutor in the trilogy but there was just...no fucking reason to bring him back in that capacity in dual destinies to me when the point was supposed to be focusing on all the new characters that were introduced....like. idk. they could've made APOLLO the damn prosecutor somehow (if edgeworth can play defense attorney then y'know.....) and i think it would've fit better than jamming edgeworth in there and being like "look!!! look!!! phoenix and edgeworth going up against each other again!!!! doesn't that make you want to buy our game!!!!!! buy our game!!!!!!!" if you're going to introduce new characters and new storylines then COMMIT TO IT!!!!!!!!!

15. Least favourite ship?

i suppose i don't really have one but that's just because i don't think about shipping in ace attorney at all anymore? not in romantic contexts at least (except to make jokes. i love jokes). i lose my mind over feenris art whenever i see it but it's more of an "AUGHHHH THE FUCKING IMPACT THEY HAD ON EACH OTHER'S LIVES" than an "AUGHHHH I NEED THEM TO KISS" sort of thing (very few people talk about iris. i have to take what i can get). i have wrightworth filtered out but it's not that i have an issue with it at all (you can find it on my blog even), it's just So Prevalent Everywhere that it eventually became such a chore to slog through wrightworth posts when looking through tags unrelated to wrightworth that i was like Fuck It and blocked it HAHA. i simply do not have a least favorite ship i'm afraid. shipping is just totally uninteresting to me in this particular fandom which i think makes sense because ace attorney is not a series that has ever heavily focused on romance.

34. Do you think Miles Edgeworth should get another Investigation-game or do you think another character deserves a spin-off?

give another character a spin-off 100%. give ema skye her own game where she's running around khura'in doing forensic science things. give kay faraday a game where she's acting as an actual vigilante. hell man i'd even take a game where trucy goes off on her own to do an international tour and gets wrapped up in the most wild cross-national investigation you've ever seen in your life. edgeworth has already been inserted way too many times into games that had nothing to do with him (like phoenix) as well as having TWO investigations games. give him a break.

36. Do you like where the franchise is heading or did you prefer the atmosphere in the original trilogy?

i do not like where the franchise is heading but that's just because it really and truly seems like the franchise itself has no fucking idea where it's heading. if they never released another ace attorney game i would be perfectly fine because the thought of an aa7 makes me cringe. i don't think it's going to fix anything i think it's going to make even more of a mess. if phoenix and edgeworth get shoehorned into one more case that doesn't concern them at all when they have so many new characters they're struggling to do anything with i'm going to secondhand embarrass myself out of my skin. Somehow. so yeah i prefer the atmosphere in the original trilogy but it's only because the original trilogy Somewhat Had Its Shit Together.

[baejax-the-great]

ao3 exists, plus it doesnt even matter what terms i search for on tumblr 100% of the time theres fanfiction. literally you can search any words on this website and some kpop guy/ reader fanfics flood the results every single fucking time. plus some of us are not here for fandoms??? your circus/clown analogy is stupid

So I'm incredibly allergic to shrimp-- to the point where if I ate a single shrimp I would die, to the point where I don't really consider shrimp food anymore--and it's the weirdest thing, yesterday i went to Target to buy hair conditioner, and they were selling shrimp. Don't they know it wasn't what I was looking for and I can't eat it anyway? Why would they do this? Totally fucked up of those shrimp catchers to try to poison me like that.

But analogies clearly aren't your thing, so let me break this down for you.

AO3 does indeed exist, but your suggestion that fanfic live there and ONLY there is akin to saying that imgur exists, so nobody should be posting images, whether they be photos or art, on any other website. Twitter exists (sort of), so really nobody should be posting shit posts or hot takes that are fewer than 140 characters or whatever.

Not everyone uses AO3. There is no law saying that if you write fanfic, you must post it on AO3 and nowhere else. There will never be a law that says that, because that's not how the internet works. Tumblr, one of the few social media sites that allows longform blogging, is in fact a great alternative to AO3 for one-shots. It's a little trickier for multi-chapter posts, but I've seen people make it work.

AO3 is not social media. People can't DM there, send asks, make friends, bump their post to the top of the feed (unless they are an asshole who is about to get blocked by half of fandom for pulling that move). Do you like social media? I mean you're here, on tumblr, bothering a total stranger, so you must see some value to it. Guess what--fanfic authors also enjoy being on social media and sharing what they've been up to, including their WIPs.

Things you aren't looking for being part of your searches is literally just life on the internet at all times forever. Earlier this month I was looking for a reference of draped fabric for drawing purposes. I googled 'chiton drawing' (chitons like the ancient Greeks used to wear), and all I got were drawings of molluscs of the genus 'chiton.' Alright, I did a google search for "toga drawing" and learned that there is an anime girl named Toga and people very much enjoy drawing her. Were the artists of the molluscs or the anime girl to blame for me having to slog through a bunch of irrelevant pictures to find one that could help me with my drawing? No. They correctly labeled what they were doing. That's just life.

Seeing fanfic in the tag doesn't harm you. At all. It doesn't matter if you find it cringe, or it's a ship you don't like, or it's xReader. For like ten seconds you looked at words you didn't particularly like, and then you moved on. How is that different from literally any other post on tumblr? I see bad takes and essays I don't care about on this site all the time. It's called scrolling. Again, this will be the case for every website on the internet forever. Are you telling me you read every tweet in your feed? Every reddit post? Sometimes you see irrelevant stuff. I guarantee some of my mutuals have already deemed this long ass post irrelevant and are scrolling on by. What makes fiction that much more abhorrent to you than the rest of the nonsense?

If you really hate seeing fanfic, tumblr has content blocking and tag blocking. You can block the phrase "x Reader." You can block the tag "fanfic." You can block all sorts of things, and if that doesn't work, you can just block the writers whose existence annoys you.

Sorry man, you personally not liking fandom and not using tumblr for it has really no bearing on what everyone else is doing. Like it or not, tumblr is a hub of fandom, and fanfic authors are going to be a part of every fandom on this green earth. Just because you came to the circus in order to admire the pretty fabric used on the tents doesn't mean the performers are in the wrong for doing their thing.

[feedthefandomfest]

Hiya!

I love this blog and just wanted to ask- do you know any advice on formatting and tagging for AO3?

Or just general etiquette!!

I'm not new to AO3 (reading or writing) but I haven't interacted with the actual community much and would love to know more :)

oof, I still feel like a newbie posting stuff on ao3, and tagging is something i've always struggled with. and actually formatting is also on ongoing issue 😅 so with that in mind, here's what i try to consider:

TAGGING

relationships -> tagging the main is obvious, but i'm sometimes torn about tagging side relationships that feature in the fic, especially since it's annoying to be searching for that pairing and get a bunch of results where they're not the main focus; unless the other pairing is a prominent feature, i leave it out of the relationship tags and at most add it to the additional tags

characters -> i remember updating the character tags on my early fics every time another character popped up in the story, but now i'm of the same mind as the side pairing issue; unless the character is prominently featured, i leave them out of the tags

content warning/advertising -> if i know the fic features an element that some people might wish to avoid, i always tag it and also always fret that i've forgotten to tag something in that regard. when it's more about advertising what's in the fic, especially sexual content, i sometimes feel silly listing every flavor of physical encounter unless the fic is pwp/smut (in which case i gleefully list all the depravity); i sometimes worry that over-emphasizing the sexual content in the tags is misleading? like of this 100k fic, if 15k is spent fucking, how do i get the tags to reflect that while also tag cw appropriately? is there an established tag for that?

sometimes i see fics with TONS of tags, like an exhausting amount, and sometimes i see fics with very minimal tags... sometimes frustratingly few. i also know some writers add chapter-specific warnings in the author's notes. in the end, so long as you're making it possible for people to find or avoid your fic as needed, then you're good. Here are some good posts that dive into it more!

(i remember when people on tumblr would scold writers for monologuing in the tags on ao3 like we do on here, claiming it was a strain on the system, but i believe that's been debunked?)

FORMATTING

i've noticed some MEGA annoying quirks with copy & pasting over from Google Docs and Word, and I know there are some tricks to get around them, but i tend to just slog through the Rich Text window fixing everything manually 🙃 OKAY I FOUND SOLUTIONS LINKED BELOW.

spacing problem #1 -> pet peeve of mine, but i dislike it when the paragraphs have massive spaces between them (ditto for indented paragraphs). idk why, but it's tiring for my eyes to constantly leap the chasm between paragraphs. so whenever i copy and paste from Word, which for some reason ALWAYS appears with double spacing between line breaks, i go in and manually fix it. SOLUTION

spacing problem #2 -> when copying over from Google Doc, whenever there's a punctuation mark following an italicized word, a random space appears between them. and yep, i have to go in and fix every one because typos make me twitch. (this might not be an issue for everyone; i overuse italics and dashes like it's my job) SOLUTION

spacing problem #3 -> again probably a me issue, but i tend to include song lyrics a lot, and it's always a headache to format because when pasting from the doc, ao3 embeds these spaces between the lines that i can't remove by backspacing. only fix i've found is to copy and paste lyrics directly from a website, and then it formats fine. random and annoying and weird. (no solution 😔)

since this section has just been me whining about finding SOLUTIONS for formatting issues, i'll offer one tip that's more about general editing: i try to proofread best i can in Word/GDocs, but it's always easier to spot errors when i'm reading the draft on my phone. the typos always jump out at me from a phone screen. it's now my favorite way to edit!

every writer has their own preferences on formatting, and every reader has their own level of tolerance for formatting quirks. in the end, so long as the formatting doesn't interfere with the reading experience, you're all good.

[lil-tachyon]

For the last couple years I've been keeping a handwritten list of good horror stories I've read. I guess the most recommendable ones are The Music of Erich Zann by Lovecraft, The Stolen Body by Wells, Mimic by Wollheim, The Thing in the Weeds by Hodgson, Cyclops by Leiber, The Screaming Man by Beaumont, and The Open Window by Saki. I might type up and post the whole list on my blog after I've done some more reading (my list of things I still need to read grows much faster than the other list).

Including your other suggestions so I can tackle them all in one post.

I wasn't sure I was going to get to all these but I ended up being kinda knocked out by a nasty cold this week and had time to lay up in bed reading through all of them. Which was an absolute pleasure! Thank you for putting this list together. For fun I thought I'd do a mini-review of each story.

For context, I'm the kind of guy that's read probably every H. P. Lovecraft or Clark Ashton Smith story ever published. I had devoured most of Jules Verne and H. G. Wells by the time I was 14. What I'm trying to say is that I'm already a nerd pre-disposed to loving any Weird Fiction or early sci-fi/horror. If that kind of stuff isn't your speed, then adjust your expectations accordingly.

Also SPOILERS AHEAD for 50-100+ year old short stories.

"The Music of Erich Zann" - H. P. Lovecraft - 1921: This was always going to get a recommendation from me, I just enjoy Lovecraft too much. I'm glad I re-read it though, it had been a while and I think this might be one of my favorite of his stories now. The thing that stood out to me this time around was the exploration of the relationship between Zann and the anonymous protagonist. Feels uncharacteristic of a Lovecraft story to focus so much on the interactions between two human characters and it's done with a fair bit of depth. Bonus: no Lovecraftian racism in this story! Also check out this thrash/prog banger from the Mekong Delta album named after this story.

"The Stolen Body" - H. G. Wells - 1898: So when I opened up my copy of A Dream of Armageddon: The Complete Supernatural Tales (a misnomer it turns out, because it didn't contain the other Wells story on this list) I was surprised to find a bookmark exactly halfway through "The Stolen Body" from where I must've stopped the last time I tried reading this anthology over a decade ago. And I can understand why I would've stopped there because this story is kind of a slog. The premise is fine- a man severs his consciousness from his physical body in the course of an experiment in astral projection and is alarmed to find that when he attempts to return to corporeality another spirit has already taken possession of his frame. The problem is that this story is recounted twice- first from the perspective of a friend where, in spite of their incomplete information, it's pretty obvious what has transpired, and then a second time from the astral-projecting protagonist himself. In the protagonist's telling there's an interesting account of his journey through a kind of vapid hell where body-less spirits wander through eternity suffering of boredom and only able to interact with the physical world via mediums but the concept isn't explored in any depth and is recounted in a painfully "tell, don't show" manner. Can't say I recommend, but it's an interesting artifact of a time when late 19th century occultic beliefs showed up in sci-fi. Kind of like how a lot of 50s-70s sci-fi features psychics.

"Mimic" - Donald A Wollheim - 1942: My favorite story from the list. It's weird, compelling, and extremely brief. I won't summarize it because I think you should just read it. Surprised I hadn't heard of it before, especially since there's apparently a Guillermo Del Toro film adaptation of it? Also surprisingly difficult to track down the text. There are a few incomplete versions of it floating around but if you want the full story, I found it as part of this anthology on archive.org.

"The Thing in the Weeds" - William Hope Hodgson - 1913: - Before this, my only exposure to Hodgson had been "The House on the Borderland" (great story by the way), and reading the "The Thing in the Weeds" has me thinking I should dig a bit deeper into his bibliography. Conveys a sense of claustrophobia and anxiety that feels like classic "Weird Tales" fare while dealing with much lower stakes than unnameable cosmic beings. Maybe more horror stories should be set on the open sea...

"Cyclops" - Fritz Leiber - 1965: This is not a story, this is Leiber's idea for a cool vacuum-dwelling space creature dressed up as a story. Dialogue feels totally unnatural, characters are blank slates, tension is set at zero. But the creature is pretty darn cool and the story is very short. So if you want to just read about a neat alien, go ahead!

"The Howling Man" - Charles Beaumont - 1959: I had already seen the Twilight Zone adaptation of this story a while back so I knew the outline of the plot already, but that in no way diminished my joy in reading this. Beaumont's prose is highly engaging and contains a surprising amount of humor that I don't remember being present in the television version. The only real weak point is the ending. I think a bit more ambiguity over whether and to what the extent the Howling Man and the Abbott were lying to the protagonist would've demanded more introspection from the reader. The idea that releasing the Howling Man / Satan is the direct cause of WWII feels a little too simplistic and also depends on this weird assertion that the early Weimar Republic was experiencing an unprecedented era of peace and prosperity that I'm pretty sure doesn't hold up to historical scrutiny. Still highly recommend, a very fun read!

"The Open Window" - Saki / H. H. Munro - 1914: Less a horror story and more a... silly story? I don't know how to describe it other than it feels like the kind of thing you would have to read and analyze for a single high-school English period. Didn't really do anything for me but it's like a 5-minute read so check it out if you want. Does make me wish I could go on one of those "retreats to the countryside for my nerves" that turn-of-the-century English gentleman and ladies are always going on.

"In the Abyss" - H.G. Wells - 1896: A much better Wells story! And I was lucky enough to find this in the other print Wells anthology I own. (I have an addiction to bringing home old paperbacks I don't need but it's a cheap addiction and I don't have the heart to break it. Plus they're all on shelves and alphabetized so my wife can't get mad at me. Anyway, it's the shelves and shelf space that gets expensive...) It can be a little bit "gadget fiction-y" in its description of the submersible but overall it's well-paced with some good tension and a truly weird exploration of an underwater world. Recommend if you're looking for something outright odd or you like specifically underwater sci-fi. Don't recommend if you don't like thinking about the ways you might die in a submersible.

"The Stone Ship" - William Hope Hodgson - 1914: An interesting and definitely weird story, again about strange happenings on the open sea. Stretches the premise a bit too much, both in the actual length of the story and in my willingness to suspend my disbelief of the "scientific" explanation given at the end. I enjoyed it, but for a spookier and shorter take on a similar premise I'd recommend Lovecraft's "Dagon."

Anyway, thank you again @siryl for your recommendations, I had a blast reading through them!

[nyaagolor]

How would you rank all the Ace Attorney games you’ve played from favorite to least favorite? You seemed to enjoy all of them, to varying degrees.

So this is actually kind of hard for me to answer depending on whether you base your metric on “how much fun were they to play” “how much do I think to explore the themes / writing / think about the game in general” or “how well written do you think they are”. I’m gonna do all of them and prolly talk a lot so yeehaw. Under the cut bc. surprise surprise! I got long winded

Quick disclaimer: Not including DLC cases or spin off games because if I did we’d be here all day

“How much fun did I have playing through the actual game”

Phoenix Wright Ace Attorney

Trials and Tribulations

Apollo Justice Ace Attorney

Justice for All

Dual Destinies

Spirit of Justice

This might be kinda surprising to some people considering what I talk about on this blog, but honestly my opinions on these games changed drastically after I had time to ruminate on them. Here’s some explanations if you’re curious!

AA1 very well could be at the top because it was the first game in the series and I was going in fresh— while Turnabout Samurai was a bit of a slog, I managed to get through all of these cases in a day each and just could not put down Turnabout Goodbyes. I don’t think about it as much anymore because it was so foundational and all the things it introduced have been explored by other games, but this game really is the reason I fell into this series with such ferocity.

AA3 was much of the same, and I don’t think I had as much fun with a tutorial case as I did with Turnabout Beginnings. The characterization present in this games and the nonlinearity of the narrative is genuinely fantastic, and my opinion of it has only increased over time.

AA4 is ranked a little lower because I actually wasn’t vibing with the game when I first played it— it was only after Turnabout Succession that everything fell into place and the game skyrocketed up my favorites list. Once I’m finished with all the spinoffs and have some time to chill I actually plan on revisiting it with fresh eyes because I think a second playthrough has the potential to be soooo much better than the first. Also APOLLOOOOOOO he’s my little guy :)

I thought justice for all was fine, but boring. Big Top made me feel some emotions that were less than positive, but generally speaking all the cases were fine but didn’t leave a big impression on me. Also I don’t like Farewell My Turnabout nearly as much as other people— I still like it but it didn’t totally blow me away or anything. Game is still like an 8/10, but it didn’t leave a huge impression on me.

Dual Destinies was confusing as hell timeline wise and it made it kinda difficult to figure out what was even happening, and for that same reason I struggled to attach myself to the plot. The game had some moments that really were stellar but the sheer length and layout of the cases kinda made me wanna cry

I literally only finished this game so I could get to Investigations. Characters were great but it was so. Damn. long.

“How much do I like thinking about the games, its writing, and its themes”

Dual Destinies

Apollo Justice Ace Attorney

Trials and Tribulations

Phoenix Wright Ace Attorney

Spirit of Justice

Justice for All

This part of the list actually has very little to do with how good I think the games are or how much I like them, but sometimes a game’s themes just Captivate you.

If you’re reading this you’ve probably seen this blog, and you know how I feel about Dual Destinies. I am OBSESSED with this game. I love the characters, I love the themes, and I am fascinated by every part of the writing process and how the game ended up the way it did. I think about this game an unhealthy amount actually. Don’t let my complaining make you think I don’t love this game to pieces. Bc I do. So much.

I love expanding on things. The media I blog about? KIrby and Pokemon, stories that practically beg for you to fill in the gaps and work with their vagueness. So when Takumi handed me a game with half a dozen hanging plot threads and massive time gaps just begging to be filled? You can bet I would never shut the fuck up about it. AJAA my absolute beloved

I could probably talk about Miego for hours. This game is incredible I think about it on the regular. Ough.

This game slams but all the ideas introduced by it have been expanded on and talked about and worked with in a hundred different ways so it’s hard to me to really go back other than to say “wow Turnabout Goodbyes was so fucking good”

Literally the only context in which I think about this game is “this should have been a spinoff” but honestly it barely crosses my mind except when I purposefully try to ignore it

JFA is good and makes me feel absolutely nothing

“How well-written do I think the games are”

Phoenix Wright Ace Attorney

Trials and Tribulations

Apollo Justice Ace Attorney

Justice for All

Spirit of Justice

Dual Destinies

These are suuuuuper close so this list is a lil shakier than the others but explanations are below as usual!

Ok this is really REALLY tough because I think AA1 and AA3 are tied. They both have their moments and I think the themes are incredible, but for the purposes of this list I’m putting AA1 above AA3 because BttT is a little bit absolutely batshit insane? Turnabout Goodbyes is TIGHT. Sorry Godot you’re still my favorite prosecutor ily kitten

See above

I’ve never seen an AA game whose final cases elevates the entire game quite like AA4. I thought the game was good, but the Turnabout Succession hit and oh my GOD. I think about this game constantly it’s so, SO good. Also helps that Apollo really shakes up the series, he’s my favorite species of insect

These cases were fine, Franziska is a solid prosecutor, the whole “chooses death” thing was fresh, and Farewell was some of the best character writing this series has seen. I don’t honestly have much to even say about it bc it’s super solid

The difference between DD and SOJ is that I think DD had a really good story that it failed to tell effectively while SOJ succeeded in telling its story but that story fucking sucks. Jokes aside I don’t like SOJ but the story is cohesive at least. It had a plot. It was Fine. DD failed miserably but oh my god what you could have been. Ily. Mwah.

See above

Sorry this wasn’t a clear ranking / favorites list, hope you enjoyed regardless!!

[mahou-furbies]

Closing thoughts on Samurai Flamenco

(spoilers)

(like big ones, this is the kind of show that throws one big revelation after another at you)

Okay this was a ride. The story is about cinnamon roll dumbass Hazama, who dresses up in a superhero jumpsuit to fight for justice as Samurai Flamenco and faces enemies like littering and random thugs, and the policeman Gotou who somewhat reluctantly befriends him and helps him. Before long Samurai Flamenco attracts the attention of tabloids, and his fame increases. Then we have the reason why this anime is on this blog in the first place, that is the leader of an idol trio, Mari, who wants in on the fighting action and starts moonlighting as a magical girl themed "hero", though she doesn't care about justice and is in it only for the attention and getting to blow off steam by using excessive violence on her targets.

We spend quite a while on issues like stolen umbrellas and running away from overly curious press before we get the big twist, that actual superpowered monster of the week type enemies start showing up. Samurai Flamenco eventually manages to beat their group, but then we learn that there is actually an even bigger and eviler bad guy organisation behind them, and also on the human side there is a secret super sentai organisation, and Hazama is recruited to be the leader of the sentai team Flamengers.

Once the Flamengers beat the new bad guy group, it is revealed that everything was orchestrated by the prime minister, who frames the Flamengers for the monster attacks for his own political gain. Once he has been dealt with, Samurai Flamenco has to go to space, because there was even bigger hyperintelligent alien bad guy organisation behind the previous one. When that too is defeated, Hazama meets the universe's will, who explains that due to his love of superheroes Hazama is actually creating the bad guys through some cosmic nonsense, and that new enemies can be created to oppose him if he so chooses. Instead he opts for a world where he doesn't need to be a hero and is sent back to the earth, and all is well. Wait, why are there still four episodes left? Where can we go from here?

If nothing else this show definitely committed to its twists. The pacing for the early season was pretty slow, but once it got the ball rolling there was something new and wacky in every episode and things just kept escalating. But I gotta say getting through everything was quite a slog for me, and especially the fact that I'm really not a tokusatsu/super sentai fan I just couldn't get into it. And it's not even that different from stuff like Precure, but the aesthetic is just all wrong, I want hearts and cute frills! But if you're a toku fan then this is definitely worth checking out because it leans heavily on the "what if this was real?" aspect and analysing the meaning of heroism and such.

However even putting the toku stuff aside I had trouble finding the right angle to approach the show, like at first it seems like it wants to have a more grounded setting, but also expects the audience to take in some major logical leaps that are more acceptable in more "tropey" stories. Like for example the most egregious example of this I can remember is when in one episode Mari got seriously beat up both physically and mentally in a really dramatic scene, and at the same time the boys are dealing with a mass destruction weapon whose countdown timer is about to end. So we get a scene where a broken and tattered Mari has made it to her concert and does her best to sing a sad song through her crying, which was played over the bomb disposal operation. And through the whole thing I was all like, a) she should not have had the time to physically move from the villain base to the concert, we even have a actual countdown telling that not much time passed, and b) how the hell did literally nobody prevent her from going onstage, like not a single adult said "this 18-year-old is clearly injured and having a breakdown, maybe we should stop her"?

Then there were the numerous twists and bad guys behind bad guys, which I assume was done in a self aware way as a parody of the super sentai genre because their pacing was so fast. But I dunno, to me a lot of it felt just bad writing even if you're doing it ironically. The other four Flamengers also felt underdeveloped, especially for a show that has as many as 22 episodes. Not that I particularly cared for any of the characters though, like I guess Hazama was likable enough for his role but these kind of cute-and-innocent anime boys generally don't belong among my favourites.

As for Mari, even though I'm always inclined to be favourable towards anything resembling magical girls, she was quite difficult to deal with. In general I like it when characters have negative qualities, but with her we went way too far because she is just so selfish and aggressive for most of her screen time. And even though she does get her comeuppance it wasn't enough to redeem her in my eyes. Also her "mahou" outfit is extremely meh.

Then about the final four episodes, they introduce an edgelord teenager who starts tormenting Hazama and the people around him in order to force Samurai Flamenco to return, and the stuff with him didn't work for me either but for a different reason. That is, going from the silly and over the top toku antics to Hazama having to deal with his friends being poisoned or isekai'd by truck-kun by an anonymous stalker moved towards the type of thriller genre that I can't handle very well. Also Gotou was revealed to have some serious mental issues, not sure how to feel about that. But I got to say that in the last episode the show manages to throw in something that topped even the stuff with the universe's will as far as I'm concerned, but I shan't spoil that, you'll have to look it up somewhere yourself (or watch the show I guess).

Ultimately while getting through this was pretty arduous for me, I still have to have some appreciation of how dedicated the show was for its vision and I'm glad works like it can exists. And the creators clearly have a lot of love to the Toku shows, which is also endearing to me. Still Tiger & Bunny will remain my early 2010s buddy cop superhero anime of choice.

[zot3-flopped]

https://x.com/Brogo_Bree/status/1806354956368109961

there are always discussions by ot5‘s saying how the others deserve h‘s hype and streams etc. meanwhile i joined the 1d hype around the time of the „hiatus“ i first watched carpool with all of them in it and liked harry. From then on i watched videos of the different tours usually titled: harry and niall moments, harry and liam moments, harry and whoever. Then i mostly just watched harry moments. By that time the others dropped their singles and albums. Listened to all of the singles from them. Didn‘t care for any if i am being honest, can‘t even sing a single lyric line with confidence. Harry has dropped his and i immediately loved it and followed harry update accounts so i can watch solo tour videos. So it is fully fair to say that yess i was waiting for harry to be solo. I didn‘t think that was a possibility when i first started getting into them. Now i still am not updated on the others unless it is through this blog. I however know every lyric of harry and every tour moment and interaction. Sorry for the long rambling but i just think these discussions ot5‘s have on twt are boring by now cause i know several people that are like me. Meanwhile the few fans of the others that i know still wish for a 1d reunion and funny how those are the same ones to put down harry any possible way.

I was definitely waiting for Harry to go solo too. OTRA must have been a nightmare for him, with Louis and Liam drunk on stage every night and having water fights whilst Harry was trying to give the fans an energetic show and really perform the songs rather than just slog through them.

This Rolling Stone review of 1d's MetLife show proved that the music industry had noticed Harry particularly:

[doberbutts]

I get that hatewatching and hatereading and hateplaying is a thing and all but I just don't really get like. Why. If you don't like it that much no one's twisting your arm to make you engage with that piece of media. You could just as easily not engage and actually you'd probably be happier not experiencing something that makes you that angry all the time.

Like it's already annoying as someone who is a Media Liker to go into fandom tags and see wildly hot takes made in bad faith but then I scroll through the poster's blog and it just full of posts of wildly bad takes and "should have known since I hate this series" and "not surprised since this has always been kinda bad" and I'm just like. Okay but if you don't like it why are you continuing to engage with it?

I once read a book that I hated. You know what I did? I stopped reading it. It crossed too many lines for me and thus I ultimately put it down and returned it to the library and won't read anything else within that series or even by that author. It was a boring slog and the only parts that weren't boring were deeply upsetting and triggering to read with really no end in sight so I just. Stopped. And I'm just kind of wondering like, if something bothers you that much that you can't get *any* enjoyment out of it... why not do the same? You can just stop if you don't like it.

[tiredassmage]

more bg blorbo posting!

longer time blog friends may recall something of rhyst as my jedi knight from swtor, but he also has an older sister, rhiannon! and true to form, trying to get their looks right in bg3 was a hell i spent like three hours slogging through for each of them because despite how long i've had them as ocs, they're probably one of the bigger mysteries to me as far as appearance. [which i think, case in point, rhyst has gone ginger since the last time i've posted about him. dyed ginger at least as far as swtor edition is concerned, but ginger nonetheless!]

i've been back and forth on the details of these siblings... pretty much since i decided that they were siblings. and rhyst always gives me interesting conundrums because he's technically cut out of the same cloth as tyr is and a lot of that, thematically, still likes to show up and leave me feeling like a wet dog in flooding road pothole during a storm. that also meant for a while that him and tyr shared some similarities in appearance, too, and while i've decided my brain might explode if i tried to address that in the galaxy far, far away, i thought i could have a bit more fun with complicating everything in their fantasy land adventures, lol!

so! rhyst i have made as an oath of ancients paladin, and in my heart a paladin of tyr [i'll address that in two seconds, i promise, lol]. i've been lazy on downloading the deities mod i'm pretty sure exists for paladins bc i'm not ready to get into his playthrough for real yet [or rather, the latest one. considering he has seen. a few attempts already in bg. i swear, this man and not knowing what he really looks like driving me absolutely batty], but i might yet. anyway, that's not particularly important. he's the younger of the siblings by a year or two and is generally like a really, really happy to see you labrador. rhyst is kind of a burning idealist and kind-hearted. he's ready to look for the best in just about anyone, or at least acknowledge that, if circumstances had been different, people he winds up crossing blades with may have seen differently. he's fond of stories of heroes and i'd say he's... the kind of still young enough where he hasn't had his ideals and drives of "why can't we all just get along" thoroughly tested yet; the world hasn't had a chance to jade him.

rhiannon is a light domain cleric of kelemvor and sometimes the one that's a little bit more ready to start swingin' of the siblings. [though if you put them both in the same room, they can mutually come to a conclusion that bashing things is the correct way to resolve a problem, and will do so with gusto.] while both of them can hold fairly rigid to their sense of right and wrong, i think rhiannon has had a teensy bit more practical world experience and was the bolder traveler of the two of them.

and with harper heritage, both of them firmly stand by doing what needs to be done.

both are born and raised in baldur's gate, primarily by their mother, a city druid. what they know of their father is mostly stories, but rhiannon might've met him once or twice.

so, the reason i mentioned tyr [the oc] in all of this, lol, is bc i keep making bg-edition of his family group bigger, lol.

the man, the myth, the legend, etc etc. tyr who i've realized i should probably start calling oliver in baldur's gate to steal a leaf out of one of his covers bc for all the 'finding new paths in life' after spending his first couple of decades working as an assassin, going by the name of the in-universe god of justice is maybe a bit more sacrilegious than i'd diagnose him with. not that the man is particularly faithful to authority and the divine, exactly, but he's also not looking to pick a fight with the god of justice. a few others, maybe more so, but that's getting ahead of ourselves.

so before oliver sort of settled down for good and moved out of the city, he did spend a little time with the harpers, and that kids, is how i met your mother. [badumtsh!] (whom i still have to name. rip)

it's a relatively short relationship i imagine, compared to the fact that oliver's now married with two other daughters (one biological and one adopted), but also pretty amicably ended. i think rhyst and rhiannon's mother wasn't quite interested in keeping up with the likes of the harpers anymore and was a bit more ready to settle in, where oliver still saw work to do [and involvements to atone for, which is perhaps deserving of a post of it's own because gods know him and alucren have. (gestures) Things going on between them].

so, ~unfortunately for dear mum, rhiannon and rhyst sort of inherited the harper's bug, and a nose that wouldn't leave a layman's "well enough" alone. rhiannon seeks to lay to rest the undead i think partly inspired by dear old dad's previous connections as an assassin, and rhyst pursued the path of a paladin inspired by heroic tales and talk of honor and following codes and oaths taken.

undecided just how involved in the plot i'll get them, but i do think it'd be a lil fun to at least have one version of events where there's a kinda silly family reunion to the tune the likes of "of course you'd be in the middle of all of this. how can we help?" [oliver and jaheira shaking hands and sighing over wrangling strong-willed kids]

[two-reflections]

[Stuck this in my queue a few months ago, shortly after I made this blog. I keep putting off posting this because it's just a bunch of random enthusiastic screaming, but whatever, if I haven't stuck it in drafts, it might as well live on my blog instead.]

Rebirth lives rent-free in my head. I just need. Like. ONE friend who has read it who I can enthuse with about it IRL. The Tome of Fire was a bit of a slog at first, but I swear that the series which Rebirth was meant to start had legs. LEGS!!

Tried to keep these notes spoiler-medium in case anyone wants to read the book, but be warned. There are spoilers below.

Black Legion VS Salamanders and Sisters of Battle, except that both sides also have their fair share of drama and betrayal? Also, there's a manhunt through a decrepid underhive for a fugitive? Come on, that's some good shit.

Tsu'gan's presence in the plot is at a distance and Da'kir's seems to be over. Zartath and Agatone are the characters who benefit the most from context from previous books, but I think most of their backstory is made pretty clear.

I liked how Val'in built respect with Sister Seraphina without any romantic tension. The Sisters somehow manage to come off as even more nonsexual yet homoromantic than Astartes, and I am here for that.

I also appreciate how the Sisters' extreme zealotry makes them come off as more inhuman than the Salamanders, even as they condemn the Salamanders for being... Uh, bad at seeming like good Imperial zealots. Are some of the Sisters written as too unreasonable? No, I think how unreasonable they seem is a reflection of Canonness Angerer's issues rather than the Sisters as a whole. Plus, Seraphina is not like that! I wish she had been more present in the finale, but oh well.

There are some great human characters in this book. Makato and Issak are so cool. They are excellent examples of how versatile standard humans are and how they can stand out in a story that focuses on Astartes.

Chaplain Elysius is always great, but I really love him in this one. He probably has the best lines in the book. I appreciate his sense of duty, his pragmatism and the fortitude his faith gives him. I also found it interesting how he seems to respect Drakgaard more the more he sees his flaws.

Comparing Elysius and Drakgaard, and Agatone and Drakgaard is interesting. Drakgaard tends to comes off worse in both cases, but his massive flaws make him interesting to me. The parallels between Drakgaard and Angerer are interesting too. I enjoy the idea of these two old warriors being so blinded by their desire to make up for the failings of their pasts that they completely and unequivocally fuck up.

Continuing on Drakgaard, I love how he's described by many as being stubborn, unfeeling and uncultured, but then he's constantly swayed by emotion and makes it very clear that he's not actually averse to artistic pursuits, he just doesn't prioritise them. Part of why those around him see him in such a harsh light is that he can't move his face much and doesn't move with elegance. (For example, his sword is described as a beautiful piece of artistry... Which he swings around like a goddamn cricket bat.) Idk, he seems like a guy with secret depths.

Agatone really grew on me in this one. He's so good to his guys. I think that he gets to shine because the focus of his sections is on a very small group? Anyway, if anyone questions why this guy has a dedicated mini, they should read Rebirth.

I love that guy Agatone picks up. Issak is a 10/10 bro, top tier little guy, and I'm sad we may never get to know the rest of his story.

I don't usually care for techmarines, but Exor is a poor little meow meow whom I want good things for. HE'S JUST DOING HIS BEST, HE'S BRAND NEW, PLEASE BE NICE TO EXOR PLEASE -

He's a mess, but I can't fault Zartath for struggling. Dude needs a therapist, and he tries so hard to make up for his fuckups. Because he started as a Black Dragon, he's stuck between a rock and a hard place - expected to both conform to the new Chapter whom he looks nothing like and to lean into his beastly nature to perform the way his Chapter requires him to. It's a hard line to walk, and I like how that went for him in the end. Also, despite his massive PTSD and mutations, he has genuine respect for Agatone and the Salamanders, and it's great to see that respect rewarded.

I liked his relationship with Exor. Two semi-outsiders in a hard but privileged position alongside their Captain, so different yet so similar... I enjoyed how their respect for each other fluctuated from grudging, to complete distrust, to something two steps from friendship. And it all felt deserved.

I do have some issues with the book, of course.

Some say it feels a bit unfocused. I think that might be because some of the different threads tie up very quickly, to the point where a reader could actually miss how a particular story line tied in with the others. I wish it was about 30 pages longer so the endings could have had a little more space to breathe.

My main issue is that it doesn't seem like this book will ever get a sequel, so we'll never know what happened to some of the characters. This particularly bothers me with Exor, Zartath, Issak and Drakgaard. I have so many questions about them.

For example, Drakgaard is not Captain of the 6th in the current era... What happened? Did he die? Did he take the Burning Walk after losing his men's respect at Heletine? Was he so hurt that he was interred into a Dreadnought, perhaps to replace one lost on Heletine? (That would be so tragic... The other Salamanders would assume being interred would suit him, but it might turn out to be his worst nightmare.) I may never know, and it breaks my heart because I think it would have been interesting.

Will Exor and Zartath actually become friends? Probably not, but my god, I want that for them. I have this picture in my mind where Zartath ends up leaving to refound the Black Dragons and Exor goes too, becoming the one Salamander in the Black Dragons like how Zartath was the one Black Dragon in the Salamanders... Kinda falls down as I think he's not a Magos Biologis, but shhh.

Agatone took Issak back with him. What's going to happen to Issak now he's with the Salamanders? It seemed like he was set up to be present in subsequent books... And he was so likeable.

The weird, not specifically related to Rebirth:

What went down with the real Pyriel and Argos who inspired the characters? Seems there was some major beef between them. It all went down on various forums, possibly had something to do with Pyriel having a 3d printing business? Idk, I did a bit of googling about it a while ago but I can't remember what I found right now. The actual drama isn't very important to me, I just find it interesting that those characters are based on real people who seriously did not get along.

[donnerpartyofone]

Due to my various disorders I often feel like I am living the same day over and over and over again. This effect is created by any combination of A) my inability to learn something, B) my inability to form new habits, C) my lack of awareness/memory of something I did, and D) my failure to execute on something I keep meaning to do--along with my basic inability to just fucking pick my battles and let some shit go--but lately the Groundhog Day experience has been dialed up to 11 and this exacerbation is definitely compounded by problems of enshitification.

Like a few times a week for the last several weeks, I remembered something--a fact, a piece of media, an excerpt from a book, something I personally wrote, etc--that I wanted to reference or revisit. In most instances Item X is something that I gave a lot of thought to, and perhaps something that I actively researched or workshopped; it's almost never just something that I passively absorbed then half-forgot. I may remember everything about it, and everything about the time when I was working on it, and I just need the citation...and now there is no evidence of it at all, anywhere. I look for traces of Item X everywhere I can think of: I'm sure I talked to Person Y about it, I'm sure I took a screencap and sent it to Person Z, I posted about it. My phone won't find it, it's not in my email; am I using the wrong search term? Or misspelling something? Or did I delete it by accident? Or is the actual search function I'm using just finicky? Or did I send the screencap without verbalizing what it was and just saying like "Dude check this out!"? Even though I know what's going to happen, I search for Item X on my Tumblr. What usually happens is that Tumblr gives me like 3-5 results it has deigned to index that are NOT the one I want; you'd think that this is a "numbers game" and that eventually the thing I want would be in the indexed set just by coincidence, but it NEVER IS. Like how am I so strangely lucky to have this perfect consistency? It seems impossible! Then I try using the syntax I learned to search my blog via Google, and this also never works. It doesn't work on Duck Duck Go either, although it's interesting to me that each search engines gives me different undesirable output. I search my computer and my external drives, but Windows 11 makes it very hard for my dumb ass to distinguish between searches of my local machinery and searches of OneDrive which is incomplete and which I prefer to never use because I hate the feeling that I'm renting my own files from somebody else and I just like to know where the fuck my shit is--I don't even like to use the coat rack in an office, I want all my shit where I can see it--so when my computer says "No Results" I have absolutely no confidence that I'm getting a full account of the facts.

........................................so now I'm back at square one, repeating the same agonizing detective work I slogged through the last time I referenced Item X, only now it's worse, because Tumblr is worse, and Google is worse, and possibly I have been subconsciously sabotaging myself between last time and this time to make all my own systems and tools worse. And I HATE that I'm wasting this amount of time and energy--two things I don't have a lot of!--but if I don't do it my broken mind is going to torture me more and more with each passing second of inaction, so I am FORCED to do this by reason of insanity.

The thing I'm trying to look up now, PLEASE TELL ME IF THIS SOUNDS FAMILIAR, is what I THINK is an excerpt from a piece by Rainer Maria Rilke in which he says SOMETHING LIKE:

"Jesus is pointing to God, but like dogs, we look only at the finger."

I remember what a hard time I had finding this before. After a long drawn-out process of testing different search terms, I found it in a Google Books preview of a page from I THOUGHT BUT APPARENTLY AM WRONG?! Letters to a Young Poet. Now I'm trying that again and finding No Results for "jesus" or "finger". So maybe like, Letters was the last thing I looked up before I found the correct volume OR the correct author, and that's the last thing my brain recorded on this topic. Or maybe I'm looking at the wrong edition with incomplete previews on Google Books. I don't fucking know. But the reason I want so badly to cite this now is that it has relevance to the Aaron Bushnell conversation.

I'm feeling really bad about the fact that Aaron Bushnell's desire to underline the Palestinian genocide has had the almost exclusive result of underlining the actions of Aaron Bushnell. And before you get excited to talk to me about that, I must be very clear that this is exactly what I don't want to talk about. I understand the discourse. I have my own strong opinions about his suicide and what it means, and what are the right and wrong ways to talk about it. Whatever aspect of this you are itching to bring up, including the buried reports of previous self-immolations, I promise I am aware of them. I'm not saying that these conversations don't matter. I am just deeply concerned that energy that was once fully devoted to protest is now being shoaled into this ideological cul-de-sac about Aaron Bushnell specifically. This happens on the left all the fucking time and it's exhausting and disheartening. The right seems to stay congealed in a big blob of generalized solidarity, furthering its broad-strokes agendas persistently, while the left gets mired in theory and semantics and purity testing and academics and all this stuff that, while it is very stimulating, has no measurable effect on our rights, our safety, or our efficacy. Or rather, if it does have an effect, it's to drain our resources and destroy our focus and, at worst, "help the enemy".

So while it may be easier and more immediately satisfying to bicker with each other about Aaron Bushnell than it is to wrap one's mind around the enormity of genocide and the incredible imbalance of power that perpetuates it, I really don't think this particular bit of discourse is actually helping anyone. If you're one of the people who is trying to think of this in terms of "what Aaron Bushnell would have wanted", I think it's a good bet that he didn't want people to stop talking about Palestine and start talking about him alone. Don't look at the finger, look where it's pointing.

And for God's sake if you recognize the approximate quote I'm struggling to fully recall PLEASE DM ME.