#...and kind of how i write endings if i'm honest because

[honeydewdonutgirl]

I don't think the Buck/Tommy break up was bad writing.

Finally got to the Buck/Tommy break up after hearing about it since it happened and without going into some of my major icks into some peoples reactions to it (I will never understand the Tommy haters), that was honestly really sad. But I don't think it was bad writing. I get it. That hurt like a sonofabitch, and I do think it sucks that Tommy is like gone gone now. Especially because I think in just about any other show this would usually be the time to actually explore Tommy's character even more, delve into his history, explore who he is outside of his relationship to Buck. But we're not getting that, which sucks. (Lou's going off to another show, which possibly played a hand in this decision to have Tommy exit.) But I also think that in shipping, we sometimes forget that characters exist as their own individuals outside of the ship dynamic. As Lou himself stated, Tommy breaking up with Buck was about Tommy, not Buck. It was about Tommy's fears. He essentially said "I already like you so much that when (not if, when) you break my heart, I will not be able to handle it."

As much as Buck believes Tommy to be this fully confident and unapologetic gay man... he is still a man with his own insecurities and his own fears and feelings.

I think finding out Buck also dated Abby scared Tommy. Not just because they both dated the same person but because dating Abby meant something to Buck. Buck is going on and on about how Abby was so important to him. How she changed his life and helped him grow as a person. But Buck's not with Abby anymore. And Tommy doesn't really know they're history, he just sees Buck comparing their relationship to the one he had with Abby. A relationship that did not last. And I think Tommy suddenly comes face to face with the possibility that him and Buck won't work, and he's thinking about how much he already likes Buck, maybe even loves Buck. And if... no "when", they don't work out..... that's going to destroy him.

So Tommy does the only thing that will keep him safe from that. He ends things with Buck now, before it REALLY has the ability to hurt him.

And as much as it sucks that... THAT is where it ends. Sometimes that happens. We as the audience knows that Buck would never do what Tommy is thinking, but Tommy doesn't. Tommy just knows that he could get really hurt if this doesn't work out. I kind of hope that perhaps Lou will come back for a small Cameo appearance to have one final conversation with Buck, to give Buck (and hopefully even Tommy) closure, similar to what we got with Abby. But also.... sometimes we don't get closure. And we just have to figure out how to move on from there. Either way, I don't think this is the end of Buck's queer journey, and I think it's worth it to stay tuned in to see where he goes from here. He still has a lot of self exploration left, and I'm excited to see it.

Also, big shout out to Lou Ferrigno Jr. for giving such a nuanced and honest portrayal to Tommy. I am sad we won't be getting more of him, he was absolutely amazing while he lasted.

[aparticularbandit]

Called the self-sacrifice. Feel proud of that.

Gonna sit on this ending for a bit longer because there was some very religious imagery in ep. 8 with Agatha that I caught.

....

Also don't mind me bring Nicky back for Finding Family stuff BECAUSE I CAN.

[amplexadversary]

More fanfiction I’m never going to get around to actually writing:

Someone comes to Pearl from Steven Universe for advice. They stumbled upon an unactivated pearl and in a brilliant moment of quick thinking asked her to call them “Mom/Dad.” This makes our Pearl incredibly uncomfortable for obvious reasons.

Mainly, I’m not sure how the protagonist would have enough background knowledge of gems to realize that that would probably be one of the least weird ways (for them) to deal with the whole gem programming dynamic thing until the nascent pearl could be brought up to speed with How to Deal With Being Around Humans.

Pearl is torn between the fact that the person clearly doesn’t want someone else taking advantage of the younger pearl (which she appreciates), the fact that they see her as an authority on how to handle the situation (which she likes), and the fact that she really, really Does Not Want to Make That Comparison (and probably resolves it, ultimately, by deciding that the fact that this person being human makes it different enough that she can just compartmentalize the issue away)

Maybe for bonus awkwardness have it be Mystery Girl who found the nascent pearl?

[wistfulenchantress]

completed.

EDIT: this has now, as of this edit, reached over 2,000 notes. And I have started doing the things. My life is still far from perfect, but I genuinely do scroll through all the replies and reblogs and watch people get other people to help and reassure me and check on me and it makes me feel so much more loved than i normally do. i'm even going to bed earlier because you said i should. i love all of you so much, and i owe you 2,053 times. all my love, witch.

ORIGINAL POST:

ok here goes. i haven't taken enough care of myself recently. so here we go

if this reaches 100 notes i will start doing yoga again, to help with my anxiety COMPLETE (how you guys are insane)

if this reaches 200 notes i'll start studying more and putting in more effort COMPLETE (o my gosh)

if it reaches 500 i will actually try my best to exercise for the right reasons, instead of random bursts of self-hatred/body hatred COMPLETE (i posted this yesterday evening)

if this reaches 700 notes i will try my absolute best to fix my sleep schedule COMPLETE (ok this is insane)

if this reaches 1000 notes i will be more honest with my therapist COMPLETE (dammit you guys ilysm but this is gonna be hard)

if this reaches 2300 notes i will be more honest with myself about why i am turning to tumblr for this kind of thing and write a poem about it. (this one is a joke since i think 5000 is impossible, and i will write a poem for you guys anyway. i love you) (i’ve now changed this to a more reasonable goal - one really close to what i have now - because honestly i want you guys to succeed because the fact that people are still on this post is insane and it makes me smile.) AND COMPLETE! (i love every person who interacted with this post so much it isn’t even funny. all my gratitude and adoration, witch)

this ends at the beginning of may. you can spam i guess i have 35 followers it prob wont even reach 100. but go ahead, tumblr, do your thing. lol

[inkskinned]

so while i was writing the book, i became violently suicidal.

this was mostly due to the fact that i had a very bad reaction to some meds and my brain stopped producing any serotonin. also i was in the last semester of grad school where it's actually illegal to feel anything but dread. so it wasn't going well.

somewhere in the fog of it i became aware i needed help. nobody was taking clients or my insurance. i didn't want to do inpatient care - it wasn't right for my needs. there's not really an "in between" stage between "inpatient" and "no care," but i was trying to do the right thing. i was trying to activate the chain of command that was my emergency plan. i knew i needed help now.

i used betterhelp.

i know, i know. i'm a straight-A student and so smart and so clever, how could i ever use something so blatantly bad. to be honest with you, i didn't feel particularly keen on it from the getgo - things that seem too good to be true usually are. also, if something online is free, the price is usually your privacy.

the thing is that there was kind of a global pandemic happening at the time and i worked 5 jobs alongside of being a fulltime student and also like writing a book on the side. it is a miracle that i even thought about getting help. i would love to tell you i had the mental wherewithal to like, process whether this was the right choice for me. mostly i was desperate. i was so suicidal that i was trying to find a reason to stay inside of fortune cookies. i was the kind of suicidal that looks like splatterpaint. i hadn't been that bad in an entire decade.

they took my data. i gave them it freely. somewhere out there, they have a dossier on me. on everything i survived. my story in little datapoints, scattergraphed beautifully.

the first woman told me that really i should be grateful, because (and this is a direct quote): "at least you're not anne frank." i said that i felt that statement was antisemitic, as anne frank's life and experience shouldn't be compared to like, a nonbinary lesbian in western massachusetts. the therapist said that i should try to use lucid dreaming to try to picture myself in an actually scary situation, like running from nazis.

i applied for another therapist. i was willing to accept the possibility that there was a bad apple in the bunch. the next therapist and i even laughed about how inappropriate that statement was. and then, in our next session: the new therapist said if i was struggling with body image issues, i should just work harder on my appearance. she spent 3 sessions in a row talking about how she was grieving, and made me memorize facts about her grandmother so "she can live on through my clients."

i am a three's-a-charm kind of person. okay, so what if the last person made me uncomfortable. i figured it was just a misunderstanding of priorities - she had felt she was sharing with me, i had felt like i had to take care of her. i applied for another therapist.

the last woman asked me to help her pray. she bowed her head. i stared at her, frozen, while she said: lord, i beg you: cure her. take the pain of being gay away from her.

i spent somewhere between 2.5 and 3 months on betterhelp. in that whole time, i was not getting the professional help i so desperately needed, even though i was fucking trying.

in the end, i survived this because i finally could get off the meds that were literally killing me. a request for a real therapist finally went through. i survived because my friends saved my life. because nick let me sob myself dry in his arms. because maddie took the razors out of my room when i asked them to. because grace slept over in my bed for like 3 weeks in a row since nobody trusted me not to hurt myself when i was alone. i survived because i got fucking lucky. because even when i was desperately suicidal, i was too old and too self-aware to take "you need to be prettier" as good advice.

the thing is that there's a 19 year old me who isn't like that. who would have heard "just think about how grateful you should be" and said - oh, i see. i would have assumed that is what it means to be in therapy: the same thing my abusers used to tell me. that i am just pretending and lazy. that i am ugly and unworthy.

betterhelp positioned itself to take advantage of an incredibly vulnerable community. it preys on desperation. it knows it is serving people who are not doing well mentally. it saw that there is a huge need for real, immediate, compassionate mental health care: and then it fucking takes your money and privacy.

i still get their ads on instagram. last night i watched as a woman in a pool pretends to talk to a different woman. they discuss her anxiety.

there's a 19 year old version of me, and she didn't survive this. she was too tired, and drowning. i almost fucking died. this thing almost fucking killed me.

in the ad, the woman playing the therapist takes a note on a clipboard and then nods once, sagely.

i have to admit it's a pretty scene. the steam and light coming off the pool water lands on the actresses. like this, it almost looks baptismal, holy.

[piratecaptainscaptainpirates]

Been thinking about why the argument that OFMD is inherently a bad show because it's based on historical slaveowners so often feels disingenuous to me as a person of color.

HUGE disclaimer up front: if you don't wanna fuck with the show because of that premise right out the gate, that's 100% valid and I completely get that. I'm not talking about that. What I'm specifically talking about is White fandom people in particular who argue that OFMD must be "problematic" because of this, especially when they say this as some kind of virtue-signalling trying to win points in fandom wars, stuff like that.

My big thing is that the resemblance the characters in OFMD have to their real-world namesakes begins and ends with having the same name. The show feels more to me like it's playing with the vague myths around these names, not the people themselves. Can you make an argument that they should have come up with original characters instead? Sure, but let's be honest, even people who study the irl counterparts have very little knowledge of their actual lives, and the average person has all but none. To add to that, this show has absolutely zero interest in historical accuracy; the moment they cast a Jewish-Polynesian man as Blackbeard that became obvious. No one is saying the real-life Blackbeard and Stede Bonnet were good people, least of all the show itself; the point is that OFMD's versions are basically original characters already.

It always feels like an incredibly disingenuous claim to parallel the show to Hamilton, because Hamilton both did care about historical accuracy and also brought up the slave trade. Hamilton is uncomfortable for so many poc because it writes poc into the story of otherwise very faithfully portrayed racists, colonizers, and slaveowners and just handwaves the racism. In OFMD, racism exists, but the stance is always explicitly anti-racist and anti-colonialist in a way that is just so fun to see (whom among us has not wished to skin a racist with a snail fork?).

The other thing that sticks for me is...there's an appropriate amount of slavery I want to see in my romcoms, and that amount is none. I am so sick of historical fiction where Black characters are only there for trauma porn about the horrors of the slave trade. You can make a legitimate argument that OFMD is handwavey about the slave trade, but I'd argue that including discussion of the slave trade is something that should be done with such incredible care that it would leave us with a show that can't really be a comedy at all anymore. OFMD's characters of color are allowed to be nuanced, complex characters with their own emotions, and it's incredibly refreshing to see, and I'd much rather have that than yet another historical fiction show where the only characters of color are only there to make White audiences feel virtuous about how sad they feel for them.

In conclusion, I guess: every yt person who makes this argument to win points in a fandom war owes me and every other fan of color a million dollars

[charliemwrites]

Nikto's Commandments part 8! (and the first half of the Jealousy Duet).

I'll be honest, I got stuck with this one! For some reason I just couldn't get a good flow going and had to try writing this a few different times. I think it shows in the beginning, but I get the rhythm back towards the end.

Also, apologies if there are more errors than usual. I kind of powered through it and am too afraid I'm going to hate it if I try to read it over.

Anyway, please enjoy as always <3

Content: Jealousy, Acts of Devotion, Declarations of Love, Kissing

It’s your first mission since Nikto failed you.

(You may have forgiven him. He’s even accepted that you have, merciful as you are. But that doesn’t change the truth of what happened – that he failed you. That he left your side, and then almost didn’t return. You’ve forbade him from hanging himself with “almost,” but that doesn’t mean he can’t feel the noose around his throat.)

You’re long since healed and recovered under Nikto’s devoted watch. Nurturing may not come naturally to him, but he’d bend himself into any shape for your use. So, he made himself into your caregiver. Weeks of helping you sit up, walk, bathe… until you were back in the gym, right by his side, gritting your teeth through physical therapy.

A scar is all that’s left now, silvery and tender. The only sign that Nikto’s world nearly bled away on dirty concrete. A reminder of his failure, his disgrace. How could he possibly deserve a place at your side, when he couldn’t even protect you? When he thought, for even a moment, that vengeance mattered more than your life?

Still, he returns to your side. Because you told him to, all that time ago. Because he has so much to make up for after everything. And because you haven’t given him leave to be anywhere else.

(He prays that you don’t the only way he knows how. Through meals from his own hand while you grin, nipping at his fingers. Through tea shared from one cup. With fragrant products in your wet hair while you sigh. You haven’t told him he could be anywhere else, beckoning him into a bed bigger than the one on base, still tucking in close like one of you might fall off the edge.)

It’s not that he thinks you incapable now. He would never blaspheme that you are anything other than utterly competent. It’s just that every blink superimposes pools of blood over his vision, a strobe of you near death.

In his most selfish, private thoughts, he imagines taking you away from it all for good. Tucking you away warm and safe in the cathedral of your off-base apartment, where a god belongs, in their own house. He soothes himself on visions of devoting himself to you fully and wishes he were a prophet. But for all you’ve given him, visions of the future are not one of them.

You were eager to return to duty, nearly cornered O’Conor once you got final clearance from the doctors. Nearly shook him down for a new assignment – for the both of you. Even if he had reservations about sending you to duty so soon, an opportunity to keep Nikto and his temper away a little longer was too tempting. (The bruises Nikto left on his throat were long gone, but the memory clearly was not.)

And so here you both are, in the gym of an SAS base, sparring with Task Force 141.

“Oi, lass! Care for a match?”

“Bring it, MacTavish!”

Nikto stands back to observe as you and the sergeant square off.

The 141 has been cooperative, despite previous tensions with KorTac. You, Nikto, and Konig have managed to build a decent working rapport – though most of that work has been yours. Their captain seems to like your friendly personality and straightforward professionalism; their lieutenant has been cordial. But the two sergeants (especially the Scottish one) have taken a liking to you.

“Fuck!”

Nikto jerks as you get taken down on your bad side – no, it’s not your bad side anymore. You’ve fully recovered; he must remember that. Interrupting a sparring match would be unwelcome and unnecessary. Not just overprotective on his part, but disrespectful to you as well, as if he doesn’t think you can hold your own. Still, he balls his hands into fists as you struggle against the sergeant.

At least you’re laughing, breathless and curse laden as it is.

“She is okay, ja?” Konig asks.

Nikto grunts the affirmative, eyes sharp as he watches you knee MacTavish’s side. Good, he thinks proudly as you twist to get on top. You’ve been working tirelessly to improve your groundwork techniques, learning all the different ways you can use your smaller stature against bigger and stronger opponents.

“He is… friendly,” Konig continues.

Another grunt of agreement. Most people are with you. It’s a natural reaction in the face of divinity; to reach out to a smiling god. It worked on Nikto, anyone else would be helpless. It’s just the natural order of things like green grass, blue skies, or gravity.

There’s a pause that starts to prickle the back of Nikto’s mind. Disinterested as he may be in socializing, he understands how it works. A program that runs in his mind – body language, tone, inflection, facial expression. A complex algorithm that computes to emotion, conversation, feeling. It’s just not an equation that applies to him, or that he can apply to himself anymore.

And right now, Konig is trying to imply something. Nikto cuts his eyes to the side, meets Konig’s.

“Too friendly, don’t you think?” he adds.

Nikto snorts and turns back to the match – where you are just tapping out. MacTavish is unwinding his arm from your windpipe. You’re sat between his legs, back to his chest. A tough position to get out from in a fight. As you’re scooting away, the sergeant pats your hip, leans to say, “good match” in your ear. You shoot him a grin over your shoulder and then push to your feet, sauntering back to your own team.

“Whose turn is it?” you ask, wiping sweat from your brow.

You don’t see MacTavish’s eyes darting up and down your body, zeroing in on the sliver of skin revealed by your lifted shirt. But Nikto does.

“Mine,” Konig answers, stepping forward.

You smile at him, bump fists with him. “Kick his ass for me, yeah?”

“Ja.”

He shoots Nikto one last, pointed look before stepping onto the mat. But Nikto has no interest in watching his match. Not when you’re right in front of him, a sheepish look on your face.

“I can’t believe I lost like that,” you groan. “Guess I need more practice.”

“We will practice,” he promises.

You beam and knock the back of your hand gently against his.

Like an insidious weed, Konig’s observation takes root and sprouts. Sergeant MacTavish’s friendliness.

It’s almost like Nikto is hallucinating again – or perhaps that he has just stopped. A veil pulled away from his eyes. A creature camouflaged in the brush, his eyes skipping over the landscape until an irregularity in the pattern was pointed out to him. And now he cannot stop seeing it.

MacTavish saying hello to you first every morning, asking how you slept with a twinkle in his eye. He offers to accompany you to training sessions, often chooses you first for cross-team drills. In downtime, he’ll invite you to socialize (with the rest of the 141, sure) and always save you a seat or a spot. Usually right next to him.

And it is not that he doesn’t acknowledge Nikto or Konig. He is amicable with both, works well with either of them when paired up. But there is always a tilt to his mouth when he speaks to you, a lilt to his voice. A subtle incline to his shoulders that makes every interaction seem just that slightest bit intimate.

A week into the assignment, and he is touching you freely. First a hand tapping elbow or shoulder. Then an arm around the back of your neck. Platonic, commiserating. Within a day, that arm drops to your shoulders and he’s leaning the side of his head against yours, something a bit warmer than a hug.

One morning, he scoops you up in a hug, your toes nearly off the ground. You seem surprised, reciprocate with a pat to the back before you’re set down and offered a chair.

And the sparring… the sparring gets worse. Not just an exchange of blows and a chance to improve skills with a new partner anymore. It’s become a game of teasing you, joking with you. Tagging you with hits to coax you into going after him. Wrestling with you on the ground and dragging it out while he grunts and huffs against you.

And Nikto… Nikto burns.

This is not hell, he knows; but maybe this is some form of purgatory.

He has no place, no right to suffer. Knows that trying to claim you as his own would be like trying to cage the sun. It wouldn’t just be selfish; it would be heresy. You’ve already given him a miracle; you told him you love him. That is far beyond anything he could deserve, anything he could hope or dream or long for. To take after all that, to demand more of the time, attention, energy you pour into him like holy water…

And yet.

And yet he wants to claw his skin off when MacTavish winks at you. Wants to set the world on fire when that accent purrs “bonnie” or “hen” at you. An awful, deafening static scream fills the fractures of his mind when you smile at the sergeant, when you wish him a good morning or evening.

“How are you with a sniper, hen?” MacTavish asks one day.

You hum, glance over at Nikto. He’s been training you with his own rifle for months now – though it’s obviously been on pause since your injury. “Well, I’ve been working on it, but I definitely need some improvement.”

MacTavish crosses his arms, biceps bulging against the sleeves of his t-shirt. “I wouldn’t mind giving you a few pointers, if you want to come down to the range with me some time. Promise I’m a good teacher.”

You blink, hesitate. Then lightly, “Yeah, maybe!”

Nikto can’t hang himself on an “almost,” but he’s gutted on a “maybe.”

That night you come out of the bathroom frowning. There’s a furrow between your brows that you only get when you’re both frustrated and worried; if it stays, you’ll have a headache within the hour.

“Nikto?”

He glances up from the knives he’s polishing. You stop, eyes darting all over him, towel frozen in your hand.

“Hm?” he prompts.

You don’t answer. Instead, drop the towel carelessly on the floor and stride across the room. Towards him. He only just manages to shove his equipment out of the way by the time you reach him. And you don’t stop, climbing onto the hard desk chair he’s in, straddling his lap. Your fingers curl so tight in his chest straps that he can hear them creak.

He’s trapped as much by your gaze as your weight. Something swimming in the pools of your irises that he hasn’t seen in them before. Doesn’t know how to name or how to tame.

“What’s going on?” you ask.

He jerks back in surprise, but you’ve got a solid grip and there’s nowhere to go.

“Did I… do something?” you ask. “Or… or not do something?”

He stares. “What?” he asks, mouth gone suddenly dry.

Your eyes are still darting between his, like you’ll find answers playing peekaboo between them.

“You haven’t been right the past few days. Maybe even a week,” you explain. “I’ve been giving you space to tell me, but you won’t. And I’m sorry, I’m not trying to pressure you, but please just talk to me.”

Now his brows furrow. “I haven’t been…?”

You sit back a bit, assured that you have his attention – as if that isn’t guaranteed.

“You’re not eating the same. Didn’t even take the green beans I put aside for you,” you say. “You’re not sharing my tea or letting me wrap your hands. You keep leaving for a smoke in the middle of the night. Hell, you’re wearing your mask in our room.”

It dawns on him like apocalypse. That he has been worrying you, affecting you.

“And you’re not… you’re not talking to me.” Your white-knuckled grip eases a bit as you run out of steam, sadness tinging your expression. “I know we don’t talk the normal way but… I haven’t been able to read you. You won’t look me in the eye or press our legs together. You’re even pulling away in your sleep.”

His heart is trying to claw out of his ribcage, wants to crawl into the palm you press to his chest.

“So… if I’m doing something or not doing something… you can tell me. I promise I won’t be upset. I just miss you.”

He crumbles.

Weeks under torture, but he breaks at four words.

You gasp as he rips the gear off his face. Try to help, but he just pushes your hands away. Knows he’s aggravated the old wounds, but a balm is at hand, pressing his face into the crook of your neck.

“моя любовь,” he whispers fervently. “моя надежда. моя богиня.”

You curl around him instantly, arms around his shoulders, fingers fluffing through the fuzz of hair at the back of his skull. Gentle and kind and everything that sinners and saints would fall on their swords for. And yet all you ask of him is to speak, to confess.

“I fear,” he rasps into your skin.

“Fear what?” you ask.

He is your protector, your disciple. Yours to command, to damn, to sacrifice if you so wished – and he would gladly spill his corroded innards at your feet, careful not to bloody your shoes. And he fears that you won’t ask him to.

“You are not mine, but I fear losing you,” he admits. You suck in a breath, arms tightening around him. “If not to MacTavish, then to the world. I will be left here without you again.”

He squeezes his eyes shut as the scars sear all over again, crushes his crooked nose against your collarbone.

“I am yours,” he whispers, lungs burning, “and I cannot be that if you are gone.”

You shift, pressing closer, tighter. Lay your cheek on his head and squeeze him so tightly he wonders if you’re not inviting him inside your ribcage.

“I thought you understood,” you whisper, and even that cracks with emotion. “I’m sorry, I thought I made it clear. I thought you knew…”

You urge him back. He wants to resist. Wants to stay right there in the hollow of your neck, breathing in the soap you two share, basking in your warmth. But you are bidding him to do something, and he is a weak man to your command.

Your eyes are shiny, but there’s a smile on your face when you look at him.

“You’re mine,” you assure him, “you will always be mine. I will never turn you away.”

His eyes flutter with relief. Always. He has no business questioning the truth of that. You’ve said it; it is so.

“I’m yours too, Nikto.”

His eyes snap open again, but you hold him still, hold him right there.

“Our love isn’t a cross for you to bear,” you murmur. “I belong to you the same way – the exact same way – that you are mine.”

“I don’t—”

“You remember what I told you in that car all those months ago?”

Don’t deserve it? That’s not your choice. Don’t understand? You don’t have to. I just do. It wasn’t a choice I made.

Your word is genesis. It is revelation. It is creed and commandment, redemption and atonement.

You’ve said it; it is so.

“Here.”

You snatch a pad of black ink from one of the desk drawers, grab at one of his useless, hovering hands.

“What are you—”

You smear his bare fingertips across the damp pad. Then press them to your forearm. He jerks his hand back, but it’s too late. His smudged fingerprints stain your skin in inky little pools. When he looks up at you, you’re grinning. Wide and beautiful and so damn proud of yourself.

“C’mon,” you coo. “Do it again.”

He hesitates. But his eyes are drawn back to his fingerprints on your skin. His mind echoes with your declaration.

You are his. You are his.

To deny you this, to deny your belonging, would be beyond blasphemy. Beyond sin.

You have said it; it is so. You. Are. His.

You beam as he takes the inkpad and gets his fingers wet again. Begins leaving marks all over you. Along your arms, over your collarbone. Lean back to get palm prints on your thighs. Sits you on the desk to smear lines up your calves. You even tug your shirt up, giggling all the while, so that he can mark up your stomach.

He pauses at the gunshot. Places his blackened thumb over the entry scar. Pulls it away to see the whorls of his fingerprint covering it.

You soften, kind hands cupping his jaw and guiding him up. Up and up… until your plush lips are slotted against his. His own stained hands land on your hips – likely ruining your little sleep shorts – and pull you as close as he can get you. Infusing himself with the taste of you, of your love, of your belonging.

“Yours,” you murmur against his mangled mouth.

“Yours,” he repeats.

The next day, you walk into the mess hall with Nikto’s fingers hooked into your belt loops. There’s a single black smudge on your jaw.

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Masterlist

[shellofhappiness]

The general dialogue between Eric and that AOL girl regarding his philosophy on love has always stood out to me. It's one of the very few moments of vulnerability we've been given / able to find on his character over the past twenty years.

Eric always had his guard up. We all mostly know this from his own writings, no one acts like how he portrayed himself naturally. But, also including the accounts given about him from other people in his life, important or not, before and after passing. Mostly commonly described as aggressive and irritable, yet closed-off and restrained.

Alongside that online exchange, the only other times I can think of were when he called out of work to be there for his sick dog, or the innocent adoration he held toward his older brother, alongside sincere respect for his mother, of course, Reb's "I wish I were a fucking sociopath" Tape, and (arguably) his undisclosed email to his childhood best friend.

He talked about love like he was an outsider. A still figure watching it & whatever shape it may take maneuver around him, but not having the ability to engage. Let alone even acknowledge the fact it could be something of his own as well if he reached his hand out to touch it, but that wasn't even a possibility for him at that moment. Feeling comfortable enough to bring it up, but never to address it directly. Mentioning what he believed, but never outright saying it, afraid to cross a boundary. Though, he was still very careful with his wording despite not feeling confident enough to state his opinion in full. Being just general enough so he didn't risk the girl disagreeing with his words because he didn't give her an opening to do so, but still baring just a bit of his self to her through his ego because it was just the two of them.

Everyone talks about the concept of "love" relating to the case in reference to DK, because it was something that openly consumed him in private, but in a way, I feel the same just might have applied to Eric as well. But, like many other things relating to him, he hid it all away inside of himself. To live is to be vulnerable, and the times Eric was, never ended in his favor. Hence why he conditioned himself to be so isolated from everyone else, emotionally independent.

When Eric did openly talk about his doctrine on love, it was that degenerate & exploitative journal passage in which he wrote in depth about the idea of forcing himself onto certain women in his life alongside gaudy band lyrics. Considering how hesitant he was to directly speak to another girl about love, even under the context they were both being open with each other, the passage was likely written out of some kind of complex frustration. To compensate for how he felt like such a stranger in the face of it, but remarkably knowledgeable when speaking objectively. He wasn't being honest with himself, but still desperately needed some kind of liberation as an attempt to stop whatever feeling of desire he harbored from further stirring inside him.

The passion that stems from hatred is something I'm sure we all know Eric was well acquainted with. I think the hate inside of him masked the love, being overshadowed and making it appear small. It was definitely there, but seldom did it get a voice to speak in comparison to the amount of steam he let out on a general basis.

Eric cared a lot. When you look past the ego he presented to the whole world, he wasn't an individual with ASPD by any stretch of the means. He wanted not to be independent, but his life made him feel that was the only option he could truly rely on with the social instability he faced growing up. He wanted to be seen. I'm sure many people have voiced this before, but it's truly heart-wrenching to think he was doing this big finale act with his best friend, maybe because he had his best friend there to do it with him, only to find out post-mortem that DK didn't hold him to the same high regard. Maybe close, but not at all on the exact same level.

Putting the fact aside both of them expressed fantasies of doing NBK with their own respective "dream girl," DK wanted other options for someone to go through with the date, other actual people in his life, but from Eric's point-of-view, it had to be Dylan. Dylan was one of the very few people in his life, the only one still present with him, that aided his desire not to be alone. To be seen as an individual. To be vulnerable. Under the impression Dylan felt the same way he did, or at least something similar ... and while I won't deny it was there, it just wasn't as significant to the other party.

"What one person calls true love (EH) can be just another cheap thrill to another (DK)."

I'd like to specify that my goal with this post isn't to send the message that they were "gay," nor point out any form of "romantic chemistry," but rather to emphasize how languished love was overall in Eric's life. Also, I think there's an absurdist humor that comes from the irony of him saying this with what we know would follow half at his hands (you know who the other half is).

They both loved each other as friends, without a doubt, but it's so tragic to think that Eric's closest bond, a connection of love so intimate yet unrelated to direct societal romance, which created a strength so abundant that it started a ripple effect worldwide that still persists to this very day, wasn't quite requited the way he thought it was. Just like every other published bond of his, in his sad little existence.

[kyouka-supremacy]

Just realized that since there was no WWII in bsd there was also no Nuremberg tribunal 1946 judgment

Okay so so terribly sorry for being an insufferable person but. if you comment one of my posts with “[Sigma is] innocent on the basis of the casino being exempt from international laws” I'm literally obliged to correct you, I'm sorry, I physically can't ignore it, it's literally the object of study of my life. Saying that no international laws apply here is just factually incorrect! Twice at that!

First: it's absurd to suppose the sky casino has its own state jurisdiction on the basis that in no word you can consider the sky casino a state. According to the Montevideo Convention of 1933, art. 1:

The state as a person of international law should possess the following qualifications: a) a permanent population; b) a defined territory; c) government; and d) capacity to enter into relations with the other states.

Sky casino fails to fulfill any of these criteria, and thus cannot be considered a state with its own jurisdiction. I don't think there's any need for me to elaborate on why the sky casino lacks a permanent population (its “population” consists of transitory customers), or a government (there's barely anything that can be considered legislature or executive and definitely no judiciary), or the capacity to enter into relations with the other states (we don't have any reason to assume it does). Finally, the sky casino platform cannot be considered a territory on the same basis that artificial islands aren't considered islands: for that we can refer to the United Nations Convention on the Law of the Sea, art. 60, par. 8:

Artificial islands, installations and structures do not possess the status of islands. They have no territorial sea of their own, and their presence does not affect the delimitation of the territorial sea, the exclusive economic zone or the continental shelf.

Please also refer to the case of Sovereign Recognition of the Principality of Sealand, where the Principality's characteristic of being a World War Two anti-aircraft platform located within Britain's territorial waters makes it the perfect analogous case to compare to the sky casino; the platform's sovereignty isn't formally recognized by any country.

Concerning which jurisdiction the sky casino actually falls under, first of all we can refer to the Convention on International Civil Aviation, art. 1:

The contracting States recognize that every State has complete and exclusive sovereignty over the airspace above its territory.

So the sky casino's jurisdiction is the one of the state underneath it (most likely Japan).

In case the sky casino lies above high seas (all the sea spaces out of any country's jurisdiction), by the shared analogy between legal regime of sea spaces and airspaces, we can again refer to the United Nations Convention on the Law of the Sea, art. 92, par. 1:

Ships shall sail under the flag of one State only and, [...] shall be subject to its exclusive jurisdiction on the high seas.

So it'd be the jurisdiction of the country the sky casino is associated to, for example the one it was built in.

Second: no person, no matter their country or lack or thereof, no matter the jurisdiction they were subject to at the moment of the crime, is extent from international laws. Individuals are considered by the international law doctrine having international legal personality (together with other personalities, such as nations and international organizations) on the exact basis that, besides benefiting from international rights, they also have obligations in front of the international law, and those duties are exactly the duty to not commit international crimes (International Military Tribunal of Nuremberg, 1946 Judgment: “International law imposes duties and liabilities upon individuals as well as upon States”; “Crimes against international law are committed by men, not by abstract entities, and only by punishing individuals who commit such crimes can the provision of international law be enforced”).

Everyone is subject to international laws no matter the jurisdiction; it's just that no one realizes it because to actually commit international crimes means you have to screw up real bad (i.e. : commit crimes of genocide, crimes against humanity, war crimes). Everyone being subject to international laws with no exceptions is. a huge thing. It means people will be held accountable even when their country decides not to process them. It permits‚ for example‚ the International Criminal Court to issue a warrant of arrest for the current president of Russia, despite we can take a guess that he'd never be processed by his country.

In conclusion: you can't say Sigma is extent from international laws, because no jurisdiction or person is extent from international laws. If anything, what you can do is argue he never committed any international crime, although that'd be hard on its own to sustain; the UN General Assembly condemned terrorism in its resolution 49/60, 1994:

Criminal acts intended or calculated to provoke a state of terror in the general public, a group of persons or particular persons for political purposes are in any circumstance unjustifiable, whatever the considerations of a political, philosophical, ideological, racial, ethnic, religious or any other nature that may be invoked to justify them

not to mention he likely would have to answer for counterfeit coin too.

[deerspherestudios]

Hi there! I just wanted to let you know that I love your games! Mushroom Oasis especially has an especially place in my heart. Mychael is such an interesting character and one of my favorite types of yanderes—not violent towards his object of affection but still manipulative and willing to cross lines even if he feels guilty about it. Thank you so much for the work you have done; it’s obvious this game is a labor of love and I am looking forward to see how the story progresses.

In the meantime, I have to ask, do you think there might be a future option where the player can cook for Mychael? Totally okay if that is a little too specific. Cooking is just a love of mine and I love to cook for people I love and I feel that is something that Mychael would appreciate.

Also—and forgive me if you have answered this already—but I was curious to see where Mychael’s affection lands on the scale you created by the end of day 3. Or would there be more than one answer since it seems actions taken on this day might start to split between the platonic and romantic routes.

Thank you again for your time and for creating this wonderful game. Your art is so lovely and you have a real knack for fun character design.

HELLO!! Thank you so much for the kind words!! For me personally I've never been a fan of "if I can't have you no one can <3" type yanderes so knowing that it's a shared sentiment means a lot!!

I actually have something of an idea where MC does something nice for Mychael for a change in Day 4!

It was closer to buying a gift and the players can choose what they'd get for him but adding a cooking/baking option (or a more diverse set of gifts rather than just shopping for it) seems like a good idea! As usual the script is still cooking so we'll see!

As for the charts, they're answered here and explained here!

Also,,, idk if you'll ever read the addition below but I'm holding back on gushing rn because uh, this is for you personally but it's basically an appreciation post for being one of my fave authors <3!!!:

AAAA A A 11 !! ??

I'm gonna try and articulate myself in the best way I can but I have been a FAN of your writing since??? Gosh, 2015??? I was following your blog back when the pfp was a torchic (and a treecko i think??) and the header was Swiggity swiff Gotta Yiff ?? Idk if you're comfortable with people knowing of your writing but let me know if I should edit anything here!!!

I LOVED your writing so much it was silly and witty but you can do drama and heart and spicy just as well it was a major inspiration!!! I genuinely though it was a little goof when I saw you were following my blog the other day and THEN YOU SEND ME AN ASK??? IM, , , THROUGH THE ROOF, I would mention my fav fics of yours by name but I'd be outing myself but the scope is huge <3

I've been thinking of how to respond to this all DAY and decided to just be honest but but just know I love what you do <3 Admittedly idk if you still write these days but either way I hope you're doing well!!!! <3

[literaryvein-reblogs]

Writing Notes: Character Development

Rick Riordan's Writing Tips

Rick Riordan:

Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:

RICK RIORDAN'S TOP 5 TIPS ON CHARACTER

Define a character first through action, second through dialog and description, never through explanation.

A character should be primarily defined by the choices he makes, and the actions he takes.

How does he respond to violence?

How does he respond to love?

Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.

Never stop to explain who a character is when we can watch him in action and decide for ourselves.

Be impressionist rather than realistic.

Describe characters as Dickens did – with a single deft stroke.

A laundry list of physical traits is realistic, but it is neither memorable nor compelling.

A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.

Example: She was a human tornado.

Do not be afraid to use real people as models, but do not be constricted by your models.

It is very natural to use parts of ourselves or the people we know when creating characters.

Do not be afraid to do this because someone might get mad at you.

At the same time, let your character develop.

Do not force them to do what the real-life model would do.

Characters seldom end up exactly like the real people they are based on.

The reader does not have to be told everything you know about the character.

It may be critically important to you that your character has blue eyes, or went to Texas A&M.

But if these details have no part in the story, the reader will not care.

Leave them in your subconscious.

If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.

Your character must act, not simply be acted upon.

We care about characters because we are interested in the choices they make.

We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.

A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.

Remember, plot is what the characters do next.

If the characters do not create the plot, the plot is hollow.

Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:

Character Profile

Name:

Height:

Age in story:

Birthplace:

Hair color, length, style:

Race/nationality:

Regional influences:

Accent: (include voice, style of speech, slang, signature phrases or words)

Religion:

Marital status:

Scars or other notable physical attributes:

Handicaps: (emotional, physical, mental)

Athletic? Inactive? Overall health?

Style of dress:

Favorite colors:

How does the character feel about his/her appearance?

Brothers/sisters:

Relationship with parents:

Memories about childhood:

Educational background: (street smart? Formal? Does he/she read?)

Work experience:

Occupation:

Where does the character live now? Describe home (emotional atmosphere as well as physical)

Neat or messy?

Sexual preferences/morals/activities:

Women friends/men friends:

Pets?

Enemies? Why?

Basic nature:

Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):

Strongest trait:

Weakest trait:

What does the character fear?

What is the character proud of?

What is the character ashamed of?

Outlook on life (optimistic, pessimistic, cynic, idealist)

Ambitions:

Politics:

How does the character see himself/herself?

How is the character seen by others?

Do you like this person? Why or why not?

Will readers like or dislike?

Most important thing to know about this character:

Present problem:

How it will get worse:

What is the character's goal in the story?

What traits will help/hurt the character in achieving this goal?

What makes the character different from similar characters?

Why will readers remember this character vividly?

Source ⚜ Writing Notes & References

[dunmeshistash]

G'day, I hope you are doing well.

Ever since I finished the story of Dungeon Meshi (all supplementary material included) I've been writing down bullet points on characters in addition to in-depth synopses as a way to tidy up my rather busy mind. To this end I've also greatly enjoyed reading other folks' interpretations of particular characters, as it gives me further insight into aspects of that character I may have glossed over.

However, there's one character I'm struggling to write a cohesive synopsis about, that being none other than 'miss enigma' herself, Falin Touden. I get that her whole shtick is that she's kind of a mystery, but I find myself drawing a lot of blanks when it comes to her as a character, and while I have nailed down some important bullet points, there are a lot of different interpretations on her, all of which starkly contrast one another. Though perhaps it's just the wording. Hard to say.

It could very well be that I'm being too dense i.e. perceiving "Falin is willing to risk killing others to save her friends." and "Falin, in the heat of the moment, when faced with certain death, was willing to face the prospect of harming potential passersby in a final Hail Mary to get her friends to safety." as entirely different observations. I have a hard time with those kinds of things.

With this being a hub for all sorts of observations, interpretations and cool trivia, I was wondering if you'd perhaps be willing to share how you yourself perceive Falin as a character, so I can compare notes and perhaps gain a more proper understanding of her as a character as a result. I know this question is very broad and kind of vague, but if you could spare the time I'd be most grateful.

Other than that, I wish you an excellent day.

Hello!!! I love Falin!!!!!

She *is* a mystery, we mostly know Falin through the perception other characters have of her instead of a direct deep look onto who she is, which I find very interesting. I think the best post I've seen about her (which as usual I can't remember where edit: someone linked it thank uu) I think called her perceived altruism/love "selfish" and I've been thinking about that ever since.

In that sense the way she cares so much about the comfort of people around her might be a way to keep *her own* comfort because she doesn't want to see other people suffer.

This girly died and came back to life from bones and the first thoughts she has is that she caused trouble for her loved ones

She probably has felt this way since she was a child, "because of her" that her family was torn apart "because of her" that Laios left, her mom was sick, her father had to send her away. (wasn't actually her fault but she might think it is)

I imagine ever since then Falin has done her best to not cause trouble and to make the people she loves happy, everything we know about her and the things she was doing was always for the people she loved, that's why I enjoy the post canon comic where Toshiro asks her hand in marriage again so much. The first time she considers accepting just because "might as well" while for the second time she finally wants to live for herself.

I think Falin herself has lost who she "really is" by trying to accommodate everyone around her and that's probably part of why we ourselves don't really know her, so much so that the most cynical character is uncomfortable around her (probably cause he notices Falin is "hiding" something)

I think Falin is quite the melancholic character to be honest, someone who has lost herself in self sacrifice and who is only now learning how to live for herself doing what she wants.

Both the teleportation scene and the bit about healing show "cracks" in the selfless front she puts out tbh. By context I don't think what she did was only due to "desperation of the moment" she says out loud "Even if I end up hurting others I want you and my brother to live on". She weighted out how much suffering she might cause and decided she wanted to save them anyway, and I'm sure in that calculation she knew that they would suffer because of her sacrifice too.

Falin is saving them for herself, I'm not great with words so this is all over the place and maybe sounds a little negative about Falin but the thing is, you cannot live your life for other people, you can't sacrifice yourself for other people's happiness, you shouldn't erase your own presence so others are happier and I think Falin is starting to learn that by the end.

I'd probably keep rambling without getting anywhere and missing a lot of more meaningful moments but I'll stop here, if anyone has recs for Falin analysis please share!

[another-random-paradise]

Hello Child of Man! I have a request if it interests you.

What would the TWST boys (Riddle, Leona, Lilia, and Jade or Azul) give to reader to show their affection is honest? Like, it's their prized possession.

You write so well! Please continue. ♡ Thank youuuuu.

A Gift can speak a thousand words

Heyy, Thank you so much for the request, and I'm so sorry it took so long to write,, school has been a pain :') Thank you so much for the kind words and i hope you enjoy!!

---------------------------------------------------------

What they would give reader to prove their affection is honest

Characters: Riddle, Leona, Lilia, Azul

Format: Headcanons

Warnings: None that i can think off

Riddle

Red roses from Heartslabyul's Rose Garden

-This might seem rather basic and almost thoughtless at first, but these roses truly hold his entire heart

-There is the factor that his mother most likely raised him very traditional and conservative, so he was taught to gift his lover flowers

-Also, this is probably his first relationship, and the people around him, as well as the internet, will have told him that red roses, the flowers of love, is a good gift.

-but there is so much more to it than just that

-Both heartslabyul and especially the red roses are very dear to him, after all, the red roses are a, if not the, symbol of the queen of hearts and her kingdom. He himself tries to be as similar to the queen of hearts as possible, heartslabyul practically his kingdom

-By gifting you these Hand picked roses, from the Heartslabyul garden, he, as the so-to-say queen of heartslabyul, is gifting you a part of the most important part of his kingdom, and by extension, a part of him

-the roses are, of course, hand picked with extreme care, it's to ensure that you will truly only get the best of the best, because in his eyes, you deserve even more than just perfection.

Leona

His dorm uniform jacket

-Another one that might seem basic and meaningless at first

-But once again, there's more to it!

-Kings are most easily recognised by their crowns. Since he isn't the firstborn, and therefor not king, he doesn't have a crown.. But at NRC, the Housewardens are recognized by their unique dorm uniform, it's his version of a crown, so to say. 

-Also, most beast men, including lions, mark their territory through scent, similar to their animal counter parts.

-And since he usually skips classes and spends a majority of his time in his dorm, he's usually wearing it!.. well, was, until he gave it to you. It's his way to mark you without outright admitting it 

-Being second in line, most of his kingdoms treasures and similar things, have always been given to his older brother, so with the few things that are his, that he considers precious, he's very territorial about. and that includes you, the love of his live.

-The beastmen will smell his scent, and almost all other students will most likely recognize the jacket, both resulting in them leaving you be. An absolute win in his book.

-Also, when a king marries his lover, he gifts them the crown of his kingdom, but he is no king and therefore has no crown, so instead he'll gift you his housewarden jacket as a sign that you rule alongside him

Lilia 

a precious fae gem

-No matter how young Lilia try's to act, in the end he's still an old man

-He'd give a thousand year old gem, that still somehow looks perfect. Maybe it's embedded into a necklace, maybe a ring. 

-If you can take it out of it's original casing, he'll definitely put it into your favorite type of jewelry! 

-chances are, it has been in his family for generation, or it was a gift from someone dear to him during the war, like Baul or Meleanor. Either way, this gem is very dear to him, although not nearly as dear as you!

-Him giving you this gem, is his way of telling you how serious your relationship is to him, that he definitely plans to marry you one day, and, most importantly, that in his eyes, you're already a part of the little family he has build himself

-In fact, chances are, that he gave you this gem after he saw you acting particularly like a parent caring towards silver, it just proofed how perfectly you fit in!

-He would have used it as part of your engagement ring, but he wants that to perfectly suit your taste. Also, that means it'll eventually be replaced by a marriage band, and he wants you to be able to wear the gem even after marriage, till the rest of your days.

Azul

Master key

-Azul values his privacy. A lot.

-As a child, he could seemingly never get away from his bullies, and even now, when he gets overwhelmed or reminded of his trauma, he sometimes feels helpless. So, chances are he secured a small room where he could get away, somewhere even the twins don't have access to.

-But you? you're the only exception. It seems that no matter what, you always manage to calm him down, he doesn't understand why or how, but you do. It almost scares him.

-For him to give you this, you'd also have to be in a relationship for quite a while, at least around a year. Bullying causes insecurities, and insecurities can cause quite the trust issues.

-He'd be so nervous about giving you it. What if it's a mistake? What if you think it's weird? But he loves you enough to pull through. He try's to play it cool. He Fails.

-Now you often surprise him at work, or specifically seek him out when you know he's upset. It flusters him every time, but he has yet to regret his decision :) He never will, he is heels over head in love with you

A piece of his moms jewlery

-This was more of a side thought, but i found it cute and wanted to expand a bit on it.

-Azul is an absolute mamas boy in my eyes, she made sure he grew up to be a gentleman once he grows up

-So, when he visits home, he most likely tells her about you!

-And she, in true motherly nature, is just like "How sweet, my baby is in love! Oh, how about you bring them back a gift! Do they like jewelry?" 

-And suddenly he comes back with a piece of her jewelry, soon to be yours. He's just happy she seems to approve of you :)

-A  blushing, nervous wreck, as he gives it to you and explains the reason for it

-Every time he sees you wearing it after that, he just starts stuttering while turning red. The other members of the board game club are very confused, they know you two are dating, but that doesn't explain why he turned into a tomato..oh hey, is that some new jewelry, prefect?

Fried my brain trying to find the perfect things haha, Lilia was definitely the hardest, but very fun to write nonetheless!

Feedback is welcomed, just be kind! Hope you all have an amazing day!

[the-modern-typewriter]

could you write us more vampires !!!

also u the baddestt ❤️❤️❤️

"Your kind don't look so perfect in the sun," the human said. "It feels like shining a light through a counterfeit. Seeing all the flaws. I love it. Hi~"

The vampire stared at them, eyes wide and viciously frightened and simultaneously filled with a sort of bewildered wonder at the gentle warmth washing over them. It would have been adorable if they weren't a complete and utter monster, devoid of whatever humanity they'd once had. Poor mite. They were so new, weren't they?

"Gosh, really, though." The human leaned down, pressing a kiss to the vampire's forehead. "Just look at you," they murmured. "I could just eat you up, pumpkin. Who were you when you still had a beating heart?"

The vampire's skin was so cold that it almost felt blistering. Sharp. When they were a kid, they'd once made the stupid mistake of licking a metal lamppost in winter, because they'd heard it was so cold that your tongue could get stuck. It had seemed absurd. Impossible. They'd been so sure it couldn't be true. It had taken hours for them to finally be able to move away again.

Kissing a vampire always reminded them of those hours. No matter how many times they did it, they still half expected to end up with a frozen lips, unable to pull away, except with the vampire the scant hours by a lamppost would tick over for forever until all that was left was the dark.

Infernal, gorgeous creatures. How could they not be obsessed? Of course, the other hunters didn't approve, but then. Their track record spoke for itself.

The vampire was still staring when the human moved back. Of course they were.

It was an old myth that vampires burned in the sun, but an even older misconception. Exposing a vampire to the sun only got closer to revealing the truth of them; a dead thing in a box, guttingly vulnerable. They could not move, could not speak, could use none of their devastating array of night-time gifts. In the dark, the vampire was nigh unstoppable, uncageable, unbeatable, certainly too beautiful to deny.

But oh, in the daylight...

It was why every hunter who had been there since the start knew to find the vampire's lair before the moon began to rise. To follow the butterflies to an undead grave, or to whatever more modern alternative the creatures found in the many centuries of increasing refinement that followed. Same thing, though. A vampire in a guarded mansion, hunkered down behind thick walls of sun-blocking glass, was still just a pretty dead thing in a much bigger box. The human had found them all. Seen them all. This one had curled up in the first place that felt instinctively safe like a stray cat, hadn't they? They hadn't even thought to lock themselves in from the inside.

"I know, I know." the human said ruefully. "You thought you were safe. They all do. You were oh so careful! You only ate one of the locals and it was an accident, honest, you just woke up so hungry. You couldn't help it."

They picked the knife up from where they'd set it down and traced the tip along the deceptively soft line of the vampire's mouth.

The vampire's pupils turned to pinpricks of terror.

"Still," the human said, "one local is enough for them to call me around these parts. Bad luck for you, my friend, isn't it? If you'd got turned in a city, you might have had a chance! Sorry."

The vampire, predictably, said nothing. It was the only thing the human found themselves wishing for. To be able to talk with a vampire, not just at them, because certainly it would be foolish of them to risk getting near one at any other time.

The human sighed. They trailed the knife down, dug it into the vampire's neck, where the two distinctive fang marks rested.

"The lucky thing for you, is that I need to find your maker," they said. "Can't just kill you. Or maybe that's unlucky? I suppose that depends on you. As said, most people wouldn't make something like you round these parts. They know better. So how did we get here? I'm rambling. Anyway." They watched, idly, as blood trickled down the vampire's throat. "I know you can't tell me anything, killer, but you're going to try. Flick those pretty eyes up for me twice for yes. Down for no. Okay?"

The vampire was unblinkingly still for a moment, still staring at them, face involuntarily smooth. Then their eyes flicked up twice.

The human beamed. "Good! What a good leech. Now. About the last things you remember when you were still alive...do you remember meeting a tall, dark haired man, by any chance? Voice to die for. Body to kill for. Soul made for sin, etc. etc."

The vampire's eyes flicked up twice.

"Mm, thought so, thought so. Did they give you a name?" They tried a few of the aliases the vampire had used the last few times. No dice. "Okay, moving on..."

By the time evening came dangerously close, they had everything they needed. They plunged the blade into the vampire, regretfully, and rose. They cast a glance up at the sky, calculating the minutes and the seconds, before heading home to do some research.

They were back. The bastard was back.

Less than two days later, they got a call about another fledgling vampire that needed hunting. Could they help? The curious thing was that this one had a note in its pocket when it died.

Honey, I'm home.

You coming out to play tonight?

[night-market-if]

Hey everyone,

Just giving an update. Still working through some personal stuff on my end. Hoping to be back to work by the end of next week.

If I am being honest however, I am not enjoying my work as much at the moment. There is a lot of complaints to how I am approaching the story and how people are feeling about characters. And I've given a lot of thought to this, and have considered changing things around to address those complaints, but every time I've tried to write it, it's falling flat. Maybe this is just the headspace I'm in personally. Maybe there's something more to it. I don't know. And I would like to stay true to what I want to write, because I feel like that makes a better story, but when I am getting constant complaints about what I'm writing, I'm kind of questioning if I should be writing at all really. I may need to take a hiatus from the Night Market due to this and put my attention elsewhere.

And that's not to say there are not people enjoying my story. I know there are. But I am really getting tired of reading reviews that claim things that aren't there. Getting asks in that wants to critique a situation but then gets mad when I don't take their advice. The name calling. The constant trolling. The constant lack of media literacy. It's taking a mental toll given the things that are happening in my family life. There is a part of me that feels like it may be time to admit defeat and either write an entire storyline that I don't want to about Milo (and apparently Gabriel now too?) or call it quits. I don't know yet. But I want to be transparent about it all.

[kinichval]

haiiii ;3 can i request kinich and a reader who’s like half siren? like in h20 where when they’re dry they have legs and mualani finds her injured and keeps her in the springs and one night when he goes to see her she’s singer and he like falls in love? i’m not the best with ideas but ignore if you don’t want to lol

hi !! ty for requesting :3 i love the idea so i gave it a shot. i'm not deep into the siren mythology so i switched the lore and tried my best writing this one < 3

"you can't just take in a random stranger in your house just because they're injured, mualani."

"but they were suffering and needed urgent help!"

"then, you should've taken them to the clinic. who knows how severe their injuries are or if they have good intentions."

the conversation of your savior and a stranger stirs you awake from your slumber, eyes fluttering open as your mind gradually processes that it is time to get up. well, maybe if your legs weren't a bit impaired then standing up would've been useful.

except you're not in the best shape as you found yourself tangled in washed-ashore seaweed causing you to trample over rocks and bruising your legs; this means that you can not transform back to your siren appearance (and vice versa if your tail was injured). thank archons, your ridiculous situation ended soon when a kindhearted mualani decided to tend your injuries.

you were honest with your true self with mualani, believing in your instincts that she is as kind as she shows herself to be. like you, she was one with the waters, a soul that's tied to the flow of the oceans and destined to live freely just as the waters liberty to just be.

in the silence of mualani's shelter where you rest and heal, there's the envy creeping up in your heart that you desperately want to repress. but no, it makes itself known for you are not like mualani.

mualani is a free-spirited surfer, an adventurer of the seas; while you were a siren shunned out by society, viewed as a menace and a threat to the land's safety. kill a siren on sight before they destroy your life is what the people would say.

but you do not have the heart to decline her kindness, rather you want to see her heart as a chance to be seen by humans in a different light. because if mualani can, then why can't they?

still, you uphold the value that your mother had instilled in you; there's no point in proving your kindness when they do not believe in your existence. so you remain hidden within the confines of mualani's home, waiting for your injury to subdue until you're able to become siren again.

"kinich, this is yn. yn, this is 'malipo' kinich." mualani introduced you to a trusted friend of hers with enthusiasm high enough to reach the heavens. simply, you give the dendro user a nod and a gentle smile, he returns the gesture with a civil nod of acknowledgement. kinich's reserved attitude is intimidating, given that mualani is the only human you had ever interacted with, you're confused how human relations work and whether the land culture is different from those who reside under the waters.

you trust that mualani hasn't let a word out about your identity, yet it doesn't assure you when you feel the man's skepticism clawing at your skin as if he's ready to capture you the moment he confirms your true nature.

or maybe you're just overthinking.

kinich never intended for his lingering stare to feel like a dagger pointed at your neck, on the contrary, he harbors the curiosity to learn about you. he often finds how his mind wanders off to mualani's newfound friend whenever the usually occupied space in his head is vacant. who is she? why is he so subconsciously adamant on knowing her? only he fails to grasp a clear picture of reason as to why the voices inside his head are telling him to seek at least a fragment of her soul.

"mualani, thank you for taking care of me."

as a parting token, you granted mualani to experience your siren form. the two of you are within the privacy of the springs that only a few ever come to visit under the moonlit night sky.

your heart sinks at the thought of returning back to the deep, uncertain if you shall ever come up to the surface once your clan learns about your predicament knowing that despite you were well taken care of, they will only emphasize the what-ifs and assert the dangers of a siren caught on land.

natlan's springs are peaceful. you requested to have time in the waters for yourself the next night; promising that when morning comes, you are off to return to the ocean where you belong. but right now, you are neither your ascribed identity or whom you want be, you are just part of the waters.

cold air hits your skin, you lightly splash the water with your luminescent tail and softly smile at the quietness. sometimes, the water doesn't have to be constantly flowing, staying still is alright.

in the midst of your solitude, you hum a tune that your mother used to lull you to sleep when you were a young siren. your voice mimics the gentleness of a mother's love, a cradling feeling of tenderness and comfort. slowly, it shifts to a song, your voice becoming louder and alluring.

and just like a serenade, your song had captivated a certain saurian hunter's attention, he stands on the opposite edge of the spring right across where you were situated in. your eyes still closed and immersed in your enchanting euphony.

"i believe i'm not under a spell, but allow me to compliment your melody. may i stay here and listen?"

kinich fixes his composure, hiding the nervousness inside his pocket. but oh, the moonlight acts like a spotlight on your figure, your true nature completely open for him to realize that you are not human at all.

but kinich isn't fazed, neither does he yield the urge to capture you in exchange for the prestige that comes with catching a siren alive.

"are you not afraid?"

instead, you were the one afraid, wrapping your arms around your torso as if it's any help in shield your true form from his green and amber eyes.

"i'm fascinated. you are a beauty."

at this point, kinich does not intend to supress his longing need for you. he's conscious and sober, implying that a siren's song is not all about luring prey into the waters.

sometimes, just like yn, a siren's song is an open book to her innermost thoughts and heartbeat's poems. it doesn't need to hold words for kinich to depict the sentiments carried into the wind as she sings; to be known, to be understood.

"may i stay with you for tonight?"

this time, you wish for the moon to stay in its place, for time to pause, and for kinich to stay in the springs with you.