#... it is very late and i know i'm not making sense

[ultralightpoe]

JUNO - Bucky Barnes

Authors Note: Gah, here we go again with the bucky fics since he looked so damn good in that trailer! Enjoy!

Word Count: 4215

Warnings: SMUT SMUT SMUT.....and more smut.

Requests: OPEN

Main Masterlist ~ ~ Halloween 2024 Event

[Thank you for the gif @ayo-edebiri ]

Enjoy!

“Don't have to tell your hot ass a thing

Oh yeah, you just get it

Whole package, babe, I like the way you fit

God bless your dad's genetics, mm, uh”

-

You were a terrible terrible person, this was a fact. It would be put on whatever wikipedia page they made for villains as soon as people figured it out, which considering the rage building in your body would be any moment now. Why were you a terrible person? That’s easy to explain. 

There was a time where everyone avoided your boyfriend like the plague, when the Winter Soldier cliche had been stuck to his image like a nail in a tire and everyone treated him like crap. And who stayed by his side? You. Not that it was ever about keeping score because you just wanted what was best for him. But now that people are all about kissing his ass since he had some new found fame? You wished things would go back to the way they were. And that made you a terrible person. 

Who would want things to go back when your love was treated terribly?

But then you see girls like Montana clinging to his side and that little green monster in the pit of your stomach begins growing and growing until it leads to moments like now, with you standing at the bar clutching your glass like it was the only thing tethering you to this earth. 

Yet another gala was being thrown, this time it was ‘Rockstars for Schooling Funds’ and Bucky was required to attend for PR. And attend your man did. The jacket, the tie, the pushed back hair and the hot ass glare. 

From the second you saw him ready for tonight you were ready to pull him into the bedroom and never leave, your skin grew hot just remembering the feeling of his hands roaming your body as you tried to lead him into the bedroom. He obviously didn’t fall for it and now you were here watching Montana hold onto his arm as she laughed at something he said. 

As if sensing your glare he turns to catch your eye, and you know that he was surveying your safety by the sharp look in his eyes and all you can think was ‘God bless your dads genetics’.  But you refuse to break for him, so you shrug and turn back to the bar ready to order yourself another drink. 

Best thing about wearing a dress like the one you were wearing tonight? Attention.  Within seconds the men at the bar were clamoring to buy you a drink, crooked smiles and lame pick up lines. The prized contender? The southern man with kind eyes wearing his very own black cowboy hat. 

This could be fun. 

“What’ll it be?” He drawls and you have to fight off the blush filling your cheeks just at the sound of it. 

“Hmm, I haven't decided yet.” You flirt, batting your lashes for a second. “Think you can help a girl out?”

“There’s the ‘Save a Horse, Ride a Cowboy’.” He reads off the little menu, looking up to you from under his hat, giving a smooth wink and you huff out a small laugh. 

“Would it be worth my time?”

“It’s the best on the menu from what I can see.” As if on cue you both look out to the crowd around you at the gala, with loud music and cheesy rockstar costumes, and whilst he is trying to make a point your eyes roam for a familiar head of hair. But the group that Bucky had been sitting with for the past 30 minutes was now short a member, your man. “Who would want to waste time with any of these cruds when you could have a real drink sugar?”

But the words were lost on you as your eyes traced over the room in a hurried panic. Where did he go?

But then your nose fills with a familiar woodsy scent as a familiar arm wraps around your waist in a tight grip that has the cowboy standing straight up in his own panic. 

“Yeah Doll, how bout a real drink?”

-

“You make me wanna make you fall in love

Oh, late at night, I'm thinking 'bout you, ah-ah

Wanna try out my fuzzy pink handcuffs?

Oh, I hear you knockin', baby, come on up”

-

That little green monster building in your stomach? Now she had a fire pal burning straight through your skin at the image of the icy glare Bucky managed to send in the cowboys direction, the fingers on your waist tightening and digging into your skin. 

“I was just talking to my friend here about drinks.” You hum out, watching his jaw tighten as he continues to glare. “What do you know about drinks?”

The cowboy, who you now knew to be a foolish man since he still stood in that spot, lets out a smooth chuckle. “Considering he’s holding an old fashioned I would say not much, Sugar.”

“Really? I always thought that the old fashioned ways worked in seduction. At least they did for me.” Bucky all but growls out, pulling you closer to him. “Now how bout we ask the gal. Do my old fashioned ways work?” 

As if to prove his point he presses his thigh between your legs just a notch and squeezed at your waist, you were lost. 

“No words? Hmm? Interesting.” He smiles, “Think you need a break from the crowd?”

He doesn’t waste time waiting for an answer, rather he keeps his grip on your waist as he leads you through the large gala, keeping the glare on his features that has people backing away to avoid his anger. You however basked in it, and as he lead you into the bathroom with the slam of the door and an easy movement to lock the door. 

You got right to work, hopping onto the counter and wiggling a bit as he turns back to you. 

You look up at him through you lashes, kicking one foot out a bit to expose your leg to him. “I mean not that I don’t love this vibe, we didn’t pack the handcuffs baby.” 

“Oh so the pretty girl thinks she’s funny.” He chuckles, stepping forward and moving his hands to the top of your thighs to squeeze before pulling you forward harshly. “In case you haven’t realized it, this is the moment where you start giving me reasons to give you what you so badly want.” 

Words failed you as his palms roamed your skin, rubbing soft circles to begin pushing up your dress. 

“Oh, I’m the one in trouble here?” You huff, leaning back as he pushed his way in between your thighs. “Funny, here I was thinking of granting you mercy.”

“Oh that’s how we are playing it, huh?” And just like that he is pressing the pad of his flesh thumb right onto your core, pulling a sharp gasp from you as you tried to close your legs out of instinct only for him to press you down with his metal hand. “You were saying, sugar?”

“Oh…” You moan, back arching as he circles his thumb with a smug smile, leaning into you to pull your lips into a fervent kiss. It draws your breath until your gasping into him for air, your hands woven into his hair to keep him there and save you all in the same go while he teases at pulling your panties down only to pull back in a matter of seconds leaving you there to try and catch your breath. 

Seconds away from achieving your high only to be left stranded leaves you whining and leaning forward to get him back into your arms. 

He tsks at you, pushing you back gently as you continue whining. 

“What will you give me?”

“Anything.” You gasp out, kissing at the wrist of the hand holding you back, nipping at the flesh of it as you reach for him metal arm to pull you back in. He gives in a little, allowing you to press your hips into his so release some of the pressure. “Please baby.”

“Then how about you behave for the last hour, and we’ll go home and get you sorted. Yeah?”

“Fine,” You snip out, tracing your hand up his metal arm before making it to his collarbone and pressing your hips further into his. “I’ll be good. I promise.”

-

“I know you want my touch for life

If you love me right, then who knows?

I might let you make me Juno

You know I just might”

-

And you feel like a fool for making that promise as he leads you through the crowd once more, this time with a pressure begging to be released in your lower belly as he keeps his metal hand on your lower back. The chill of the metal while your body is ablaze has you reeling, reaching a hand back to keep a hold on him. 

You think of all the things he can do to you as he talks with the Galas president, digging your nails into the sleeve of his tux as you push your thighs together a bit, leaning your nose into him to inhale his scent as he talks with a bold presence. 

When that Montana girl comes back you learn that she is an assistant for the program and that little green monster leads you to nip at his ear in front of her before kissing at his neck to leave a lipstick mark. 

He looks at you for a moment, leaning in to give you a peck on the lips before turning to talk to her some more but it’s too late, you’re already in a haze. The green monster and the red flame have mixed to make their very own monster. 

So you pull him in by his tie, pressing your lips to his ear and whispering the words you knew would break him. “Gimme me a baby.”

-

“Let you lock me down tonight

One of me is cute, but two though?

Give it to me, baby

You make me wanna make you fall in love (Oh)”

-

It was the one secret weapon you’ve never used, but have always known about. 

Back in the beginning of the relationship while you were learning the ins and outs of eachother you noticed how much he loved the pill since it hadn’t been too popular back in his day. He loved the freedom it gave him to mark you as his, but you also noticed the lingering gaze on your stomach and or the intent look he gave when you took the pill. 

But you had never been ready for a kid, you wanted to save that for that someone special who you could raise them with. But you knew that Bucky was it, you knew that he was your touch for life. Why not give in?

And the thrill of giving in the second his eyes meet yours makes it worth it, seeing the heat as he pulls you in so tight you might as well be one person. 

“Come on baby, one of me is cute but two though?” You whisper, leaning up to bite at his lip before his hands come up to pull you into a feral kiss as he begins to lead you out the doors. 

-

“I showed my friends, then we high-fived (Ah-ah)

Sorry if you feel objеctified (Ah-ah)

Can't help myself, hormonеs are high

Give me more than just some butterflies”

-

“Easy there.” He grunts out the second you press him into the seats of the limo, straddling him with ease as your nails rake down his chest to begin tracing the buttons of his shirt. “I might feel objectified.”

“I don’t give a shit,” You gasp, ripping his shirt open before attacking his chest with kisses. You take to kissing his chest, dragging your lips from spot to spot in order to mark him as much as you can as he pulls you down to move his hips into your with a groan. 

Your eyes flutter closed at the heat that crosses through your body at the sound, whining out a bit as he begins to grind into you, pulling you up from his chest with a swift pull to lock your lips together as the limo makes a turn. 

The kiss was feral, teeth gnashing, thigh clenching kiss that has you gripping his shoulders and pushing your hips into his a little quicker. Biting down onto his lip when he stills your hips with his hands before pulling back. 

“You gonna let me lock you down?” He whispers, rubbing your hip as he moves you with ease until your legs are splayed over his lap and he can reach between them to pull more moans from you. “Gonna let me keep you forever?”

“Yes….” You whine out the second he begins rubbing at your core once more, this time with the metal hand. The chill of the metal over the fabric is driving you crazy and you press your hips up for more pressure and as a sign you want the panties off. 

He is quick to oblige, pulling his hand to the waistband of them and ripping them off in one easy movement before pushing his fingers back to ease one into your center. “I’ll give you anything you want. But you already knew that when you said I could give you a baby. Didn’t you?”

And just like that he pushes two more fingers in, curling them in a fluid motion as his lips press into the pressure point of your throat. He works his fingers in a fast paced motion as you close your eyes and give into the feeling, letting him suck and bite at your neck as much as he wanted to. 

And once you reach your high he merely speeds up his movements until your shaking in his lap. 

“Atta girl.” He grunts, pulling his fingers up to suck on while you blink at him, still shaking from that orgasm. 

“I love you.” You murmur to him, leaning on for a gentle kiss. He laughs into it, rubbing at the back of your neck in a sweet gesture before putting your torn panties in his pocket and looking to see how close you are to home. 

-

“You make me wanna make you fall in love

Oh, late at night, I'm thinking 'bout you, ah-ah

Wanna try out some freaky positions?

Have you ever tried this one?”

-

The calm ease he had built up for the rest of the limo ride was quick to vanish the second the limo pulled up to the curb, pushing the door open and pulling you out so quickly your legs swing until he pulls you up so you can wrap them around his waist. “You okay?”

“I’m fine.” You giggle, letting him carry you inside until the front door closes and he can set you down to lock it. Even in the mix of all this he can never slack on your safety, and you were sure that once he spent all your energy he would come down here for one last safety check. 

You let him do what he needed to do, walking to the kitchen with a fleeting look to him before grabbing a glass of water to sip on while you waited, legs still a little shaky. But you don’t have much time since he comes around the corner into the kitchen, leaning on the fridge with a small smile as he watches you every movement. 

“Everything locked up and safe?” You ask, moving one step closer to him.

“Yes.” He responds, the deep voice causing a shiver to move down your spine as he takes a step similar to yours without taking his eyes off you. 

“I think it’s so hot you know.” One of his eyebrows raise at your words, the small smile turning into a smirk. “I don’t think I’ve ever met anyone in this world as protective as you.”

He merely hums back, taking another step closer as his eyes roam over your body. “Yeah?”

“Mmhmm. And I was thinking that you deserved an award.” 

“I do?” You almost laugh at how innocent the question comes out, but you don’t have time since your already turning to press yourself into the counter, pushing your hips out and pulling your dress up to expose yourself to him as he audibly growls. “Have we every tried this before?”

-

“I know you want my touch for life

If you love me right, then who knows?

I might let you make me Juno

You know I just might”

-

His hands are upon you in an instant, rubbing at your hips as his body presses into yours to kiss at the back of your neck, and you realize that he is still wearing his undershirt and pants. The metal of the belt buckle digs into your back as you reach back to undo his belt. 

You hear him undo it and get ready, pressing your forehead into the tile of the counter as he grabs your hands and begins wrapping your hands together with the leather belt. And you should be embarrassed at the moan that fills the air once you realize what he is doing before he undoes his pants and you feel him press at your center. 

He’s quick to press in, and you both your moans fill the air as he presses his forehead into the exposed skin of your back before beginning to rut himself up into you. With every aggressive push of his hips into yours the doors of the cabinet on the counter shake, the cold tile of the counter hitting your hip over and over and over as he claims you for his own. 

With one hand holding the belt that is biting into the flesh of your wrists and the other holding the counter to keep you both stable he stands straight and lets free. Every harsh threat is followed by his grunts and your moans, the sound of skin slapping filling the room before the hand from the counter comes to hold your hair. 

It’s feral, and hot. And the feeling of his flesh hand pulling at your hair has you tightening around him enough that he can’t fight his own moan. 

And the second you hear it you are coming undone around him, shaking harshly as he keeps you held up before you collapse, continuing his thrusts until you reach the peak of the high once more and spasm around him. 

Once you come down, panting heavily and keeping your forehead pressed into the cold tile, he works on undoing his belt to release you as he pulls himself out of you and pulls his pants up. 

You are quick to turn on him, tears in your eyes partly due to the intense orgasm and the fact that you still haven’t gotten what you wanted. “Baby please….”

“Easy doll.” He whispers, pulling you into his arms to wrap himself around you, picking you up easily. “You’ll get it. Don’t you fret.”

-

“Let you lock me down tonight

One of me is cute, but two though?

Give it to me, baby

You make me wanna make you fall in love”

-

He carries you into the bedroom bridal style, setting you down at the foot of the bed before leaning down to grab the end of your dress and pull it over your head, kissing his way up your body so slowly you feel like you might just die. By the time the fabric is over your head he throws it to the side, his gaze meeting yours in a tense blaze. 

You knew within an instant that he had gotten serious, and as you kept your gaze on his he let your hands roam until you begin pulling his undershirt off before you reach to undo his waistband. “What’s that look for?”

“Did you know….” He keeps his voice to a whisper as he kicks off his shoes and shucks off his pants, pulling off his socks and throwing everything to the side before moving his hands to either side of your cheeks. “That it’s not actually proven that the amount of orgasms a women has is connected to their ability to conceive.”

“Yeah?” You smile, waiting for him to get to the point 

“I did a lot of research.” He says proudly, “So though the amount of orgasms I give you don’t end up mattering in the end…..they sure are fun.”

And you can’t fight the loud laugh that escapes when he gently tackles you onto the bed, making it bounce a bit as he pushes your thighs open with his hands and pressing them into you by the backs of them. 

“You ready doll?”

“Always for you sergeant.”

-

“Adore me

Hold me and explore me

Mark your territory (Ah-ah)

Tell me I'm the only, only, only, only one (Ah-ah)”

-

He keeps the eye contact, soft and open, as he slides himself between your folds to use your past orgasms as his lubricant before pressing into your center and moaning a bit as he pushes himself in. Whereas the romp downstairs had been feral and fast this one started slow, allowing him to kiss at your face as you adjusted to his size this time. 

His weight presses you into the bed, and your hands find purchase at his back so he can pull himself back before pushing his hips back into yours. Slow and precise, every pull he left a kiss and every push has just enough friction on your core that has you arching your back. 

It had been years of him learning your body and by this point he knew how to play it like the back of his hand. It was his and he liked keeping what's his cared for. When you arched a little more he knew he should speed up, and when you closed your eyes he reached a hand down to grip at the fat of your ass, fingers digging in as he readjusted you both for more pleasure. 

And once you came around him, spasming and moaning loudly, all bets were off. 

-

“Adore me

Hold me and explore me (Ah-ah)

I'm so fuckin' horny

Tell me I'm the only, only, only, only one”

-

His entire weight comes down, crushing you beneath him not that your complaining. Between the warmth of his skin and the mix of your sweat with his you both have traction to move as his thrusts turn wild. 

Over and over at a speed he hadn’t reached with you before, his eyes are clenched shut as he ruts into you, overstimulating you as you begin to sob from the pleasure. Your entire body shakes with every intense hump. 

Between his thrusts you meet your peak once more, screaming out as his own thrusts become erratic and harsher. 

By the time he finishes he leans down to your ear so you can hear the heavy moan that escapes him as he fills you to the brim, shaking and pinching you with his metal arm. And his release seems never ending as he continues to thrust, until you are both completely spent and collapse into the cool sheets. 

-

“(Oh, I) I know you want my touch for life

If you love me right, then who knows?

I might let you make me Juno

You know I just might (Might)”

-

You had managed to fall asleep and only woke up at the realization that he wasn’t near you, vision blurry as you looked around. He had cleaned you up and tucked you in with a glass of water on the nightstand, but his side of the bed was  empty. 

So you sit up, ready to go check on him, until you realize how sore you were and stay on the bed to listen for him. You hear the sound of him shuffling around downstairs to check all the locks before he begins climbing up the stairs. 

You know he makes the noise for you, otherwise he would be as stealthy as an assassin. 

By the time he enters the doorway there is a small smile playing at his lips while you open your arms and pull him in to lay with you. 

“Goodnight.” You whisper. 

“Goodnight, Doll.”

-

“Let you lock me down tonight

One of me is cute, but two though?

Give it to me, baby

You make me wanna make you fall in love”

-

The waiting was the most dreadful feeling. 

Sitting on the edge of the bathtub with the test sitting on the counter between where you sat and where your husband sat in the hallway with the back of his head laid against the door. 

It was silent but not in a malicious way, more of a calming way as his metal hand whirred before the alarm on your phone goes off and you both shoot up to look. 

“Is it…”

“I….”

And you both lean to look at the same time to see just how well those new positions took.

-

[unhelpfultarot]

Hi, hello. I’m a long-time follower, first-time asker. I remember you saying you don’t really believe that divination works? I don’t know if that is still the case but, anyway, I respect it and just want to say that you, your efforts and time dedicated to this page are all valued here. The fact is you reach and help lots of people, not even just in (I’m assuming) your country. And it’s absolutely understandable if you need to take a break. But it’s also ok to change the “vibe” of the posts for however long. Yes, it is a funny page, and everyone appreciates that — but we’re all grieving and you can grieve here too. I hope this makes sense, I just woke up. Take care <3

My thinking is that there's nothing magical or supernatural about Tarot cards; they're just pictures on little pieces of paper. What they are is strong archetypal symbols, universal enough to apply to everybody, broad and general enough to have many possible meanings. Putting them together in combinations can spark ideas about all sorts of familiar situations. And human beings are very good at pattern recognition and storytelling, so when you put all that together, you can make connections that you otherwise might not think of. Or maybe acknowledge something that's been on your mind but you've been trying not to think about.

Or you can write silly descriptions of the normal ups and down of life, and then lots of people say "Whoa, that happened to you? That happened to me, too!" And then we all feel a little less alone.

I'm sure I will be back to posting, probably fairly soon. I'm unusually busy with some offline stuff lately (mostly positive, but time-consuming) but I miss being able to sit down quietly and shuffle my cards every day. And I miss feeling like I'm connected to my vast and faceless crowd of readers. I'm very fond of all of you out there, and hope you're doing well.

❤️

[lazycats-stuff]

Hey cats, I was the one who sent you that anon that's alright with me, I don't mind but is an gen z reader yeeted to the dc verse be okay? I could picture Bruce almost growing white hair because of reader who is an epitome of ✨unhealthy coping mechanism✨

Oh yeah, a reader just yeeted in there... Some universe doing some shit and Bruce adopts him... While also losing his mind. I love it. Lets go. It's a bit short, but... I like it.

Summary: (Y/N) is Gen Z. Bruce is loosing his mind.

Warnings: unhealthy coping mechanisms, Gen Z ones at that.

Bruce knew that each generation is different. They have different opinions, don't like to be told what to do exactly, although that's more specific to the newer generations. That is something that Bruce knew all to well. Gen Z wanting to have a balance between work and personal business. Bruce could respect that. But one other thing that shocked Bruce about Gen Z is the fact they have so many unhealthy coping mechanisms.

How would Bruce know?

He has adopted a teen who simply got, according to Jason and other younger heroes, yeeted into their universe. Universe where Justice League and it's heroes are real. And where DC comic universe is real. (Y/N) was forced to explain to the entire Justice League what DC is, what does it contain. And that has only applied to comic books. Then he had to explain cartoons, movies, video games... Absolutely everything.

Bruce found it to be interesting, the entire multiverse essentially, all of them are carefully planned out... Bruce found them to also be a great source of information. What to avoid, what to do... It was an incredible well of information and has decided to investigate this even more.

And while doing so, keep (Y/N) close to make sure that he has the information he needs.

And while (Y/N) is a nice kid, he has some unhealthy... Coping mechanisms as he calls them.

First one being jokes. Humor is something that can help a person if they feel down. Or if they simply want to deflect. And (Y/N)'s sense of humor is rather... Dark, to say the very least. Bruce would more often than not get gray hairs if he heard (Y/N) joking about his will to live being gone. He knows that (Y/N) is not suicidal... Right?

Humor is simply used to deflect... Right?

Bruce didn't quite like how (Y/N) was chronically online. Sure, teens spend time on their phone, but this is borderline an addiction. Bruce has tried to solve the problem with putting restrictions, taking the phone away. Put settings that don't allow (Y/N) to be online from certain times. That was to try to make (Y/N) sleep better, since he's clearly online into the late hours of the night.

Bruce simply wants the only child in the house who is not on patrol to have a normal sleeping schedule. Is that a crazy thing to ask for? It should be a normal thing to ask for, right? Being chronically online is far from good. Far, far, from good.

Also, hyper fixation.

(Y/N) was more invested in fiction rather than reality. Which would be fine. If it didn't interfere with his life. In what way, I might hear you asking? He's been neglecting his hygiene, gets angsty and anxious if he is not near his hyper fixation. Bruce never knew that Gen Z is this... Bruce shouldn't say annoying, but this was getting out of hand. Rather fast.

Bruce had to take action.

Otherwise he would get a lot more grey hairs. Way more. Way more.

" (Y/N), go to sleep. " Bruce pleaded, suited up and ready to go on patrol, however, he can't go, knowing that (Y/N) won't go to sleep. And everyone needs their 7 to 9 hours of sleep. Besides Bruce and the boys that are... On their night job. To put it mildly.

" I'm not tired Bruce. "

A common response in the most recent days from (Y/N) to Bruce.

" I swear to God, I'll sedate you with ketamine if you don't go to sleep. I'll knock you out with it to the point you'll be sleeping for days. " Bruce threatened and then came the infamous two words.

Alright, bet.

Bruce was seeing red at the mere thought of those words. They were both taunting and dismissive. Not something to be saying to an already stressed father anyway. And while Bruce has grown to love (Y/N) as his son, he was going to lose his mind with him.

" Alright, here's a deal. You go to sleep and sleep through the night and I'll take you to see your favorite artist. "

(Y/N) tilted his head, frowning.

" Promise? "

" I promise you. I swear it to you. I'll get you VIP tickets. I'll make sure to take you myself and pull strings. But for the love of God and everything else, go to sleep! "

[oldsoul007]

taste

nicholas chavez x ex!reader

a/n: no disrespect to either of them or relationship all of this is just fiction!

Nicholas and y/n had a special connection when they dated. Their time together was filled with laughter, shared secrets, and memorable moments. However, as life moved on, they drifted apart, and Nicholas eventually found himself in a new relationship with a girl named Victoria.

Victoria is wonderful—kind, smart, and everything Nicholas could ask for in a girlfriend. Yet, despite his happiness with her, y/n is always in the back of his mind. He often finds himself reminiscing about the times he spent with y/n, the unique bond they shared, and the way she understood him like no one else.

Even though Nicholas tries to focus on his present with Victoria, there are moments when a song, a place, or a random memory brings y/n back to the forefront of his thoughts. He wonders how she's doing, if she thinks about him too, and whether their paths will cross again. This lingering presence of y/n in his mind makes him question if he ever truly moved on, or if a part of him will always belong to her.

Nicholas and Victoria were out for a casual stroll one Saturday afternoon when they unexpectedly ran into y/n. The encounter took Nicholas by surprise, and he felt his heart skip a beat. Y/n looked as beautiful and confident as ever, and seeing her brought a rush of memories flooding back.

"Hey, y/n. It's been a while. How have you been?" Nicholas asked, trying to keep his composure.

"I've been good. Just busy with work and everything. How about you?" Y/n replied with a warm smile.

"I've been alright. This is Victoria, by the way. Victoria, this is y/n," Nicholas introduced them, his voice slightly shaky.

"Nice to meet you, y/n!" Victoria said cheerfully.

"Nice to meet you too, Victoria. So, what have you been up to, Nicholas?" Y/n asked, her eyes lingering on him.

"Oh, you know, just the usual. Work's been keeping me busy. It's really good to see you, though," Nicholas responded, feeling a mix of emotions.

"Yeah, it's good to see you too. You look well," y/n said, her smile softening.

"Thanks. You too," Nicholas managed to say, his mind racing.

Victoria, sensing the tension, chimed in, "We should catch up sometime, all of us. It would be fun."

"Sure, that sounds nice," y/n agreed. "Well, I should get going. It was great running into you both."

"Yeah, take care, y/n," Nicholas said, watching her walk away.

As y/n disappeared into the crowd, Nicholas couldn't help but feel a pang of longing. He realized that his feelings for her were still very much alive, leaving him deep in thought about what to do next.

Victoria and Nicholas had been having a wonderful evening at home when the topic of y/n came up. It started innocently enough, with Nicholas mentioning their recent encounter.

"You know, it was really nice seeing y/n the other day," Nicholas said, trying to keep his tone casual.

Victoria's expression changed slightly. "Yeah, it was. But, Nicholas, I've noticed you talk about her a lot lately."

Nicholas looked puzzled. "What do you mean? She's just an old friend."

"Is she really just an old friend?" Victoria asked, her voice growing more tense. "Because it feels like there's more to it."

Nicholas sighed. "Victoria, you're overthinking this. Y/n and I have history, but that's all in the past. You're the one I'm with now."

Victoria shook her head. "I don't know, Nicholas. It just feels like there's something unresolved between you two. And it bothers me."

Nicholas's frustration began to show. "What do you want me to do, Victoria? I can't erase my past. Y/n is a part of it, but she doesn't have to be a threat to us."

"I just need to know that you're fully committed to us," Victoria said, her eyes pleading.

"I am committed to us," Nicholas said firmly. "But I can't change the fact that y/n was a big part of my life. You have to trust me."

Victoria looked away, tears welling up in her eyes. "It's hard to trust when I see how you look at her."

Nicholas softened, stepping closer to her. "Victoria, I love you. I'll do whatever it takes to make you feel secure. But you have to believe me when I say that Lauren is just a friend now."

Victoria nodded slowly, wiping her tears. "Okay, Nicholas. I believe you. But let's not talk about y/n anymore. Let's focus on us."

"Agreed," Nicholas said, pulling her into a hug. "Let's focus on us."

As they held each other, Nicholas hoped that this would be the end of the tension between them. He knew he had to prove his commitment to Victoria and make sure she felt secure in their relationship.

Nicholas and Victoria were at the local bar when they unexpectedly bumped into y/n again. It was a moment of surprise for all three, but Victoria's reaction was different. As she watched Nicholas and y/n exchange warm smiles and familiar glances, something clicked in her mind. She realized that the connection between Nicholas and y/n was deeper than she had ever imagined. It was in that instant that Victoria understood the true nature of their bond, and a mix of emotions washed over her, leaving her both intrigued and contemplative about what this meant for their future.

Nicholas and Victoria were sitting in their living room when the tension that had been building up finally reached a boiling point. The topic of y/n had come up once again, and it was clear that Victoria was not happy about it.

"Nicholas, I can't believe you're still hung up on her," Victoria said, frustration evident in her voice. "Every time we run into y/n, you act like she's the only person in the room."

Nicholas sighed, rubbing his temples. "Victoria, it's not like that. Y/n and I have a history, yes, but it doesn't mean I'm still in love with her. We're just friends now."

"Friends? Really?" Victoria shot back. "Because it sure doesn't seem that way. You get this look in your eyes whenever she's around, like you're remembering something more than just a friendship."

"That's not fair," Nicholas replied, his voice rising. "I can't control how I feel. But I'm with you now, and that's what matters."

"But is it really?" Victoria asked, her eyes filling with tears. "Because it feels like I'm always competing with her ghost. I need to know that you're fully here with me, not just physically but emotionally too."

Nicholas took a deep breath, trying to calm himself. "Victoria, I care about you a lot. I don't want you to feel like you're second to anyone. I'm sorry if I've made you feel that way."

Victoria looked at him, her expression softening slightly. "I just need to know that I can trust you, Nicholas. That you're not going to run back to her the moment things get tough between us."

"I promise you, Victoria," Nicholas said, taking her hand. "I'm committed to us. I'll do whatever it takes to prove that to you."

As they sat there, holding each other's hands, they both realized that this was a turning point in their relationship. They had to work through these issues if they wanted to move forward together.

Nicholas had been feeling increasingly guilty about his relationship with Victoria. He knew deep down that he couldn't continue pretending everything was fine. One evening, he finally mustered the courage to talk to her.

"Victoria, we need to talk," Nicholas began, his voice heavy with emotion. "I can't keep doing this. It's not fair to you or to me. I still have feelings for y/n, and it's not right to lead you on."

Victoria looked at him, her eyes filled with a mix of hurt and understanding. "I knew this was coming, Nicholas. I just hoped things would change."

"I'm so sorry," Nicholas said, his heart breaking at the sight of her tears. "You deserve someone who can give you their whole heart, and I can't do that right now."

After the difficult conversation, Nicholas felt a weight lift off his shoulders, but he was also filled with a sense of loss. He decided to reach out to y/n, needing someone to talk to.

"Y/n, I ended things with Victoria," he confessed over the phone. "I couldn't keep pretending. But now, I feel so lost."

Y/n’s voice was gentle but firm. "Nicholas, I still love you, but we can't be together. Not right now. You need to figure things out for yourself first."

Nicholas sighed, feeling the sting of her words. "I understand, y/n. I just needed to hear your voice."

They both knew that this was a time for healing and self-discovery. Even though they couldn't be together, their connection remained a source of comfort and strength for Nicholas.

[zepskies]

@lamentationsofalonelypotato Ooh yay!! I'm still loving this story, and after the last chapter, I've been very eager to see what happens next!

The aftermath of her trying to piece together her memories of her parents' death and her brother's betrayal is so heartbreaking. 😥 Like she's realizing that the narrative of her life was a lie, in a way. Hopefully she'll be able to reclaim the part of her past that was good and true with her parents, vs. the love and care she still has in her life through the people around her.

For some reason that particular image seemed to cling on to you and refused to fade. You'd never seen him look that way, almost… helpless and a little fearful. In all the time you'd known him, Ben had never looked at you that way. Sure you'd seen him proud, angry, cocky, lustful, mischievous, but never fearful. And you were sure that it wasn't an emotion that he was used to feeling, but that begged the question… why? Why was he looking at me like that? Why wouldn't he let me go? And what was he afraid of?

Lol GIRL. You KNOW WHY. You're just refusing to see it! But I could really see this moment in my head like a movie -- that look on Ben's face, watching her walk away. 💔

That little creature she created is interesting though. You really get a sense that she tapped into something in her powers that was before yet unexplored -- like she broke through a barrier without realizing and unlocked new depths within herself.

You wanted to feel his awkward shoulder pat and his awkward version of hand holding and you wanted to hear him try to tell you to "buck up" or whatever he thought that a comforting word should be. He's really not the best at that.

Loll he's really not. But the thing about Ben is, when he does make those gestures, you know it's coming from a place of sincerity because he doesn't soften himself easily.

"Shh. It's alright honey." She whispers, rubbing her hand over your back, her embrace steady and surprisingly strong. "Let's go home."

Aww I love her grandmother so much! At least someone in her family is in her corner. 😭

There was something or rather someone that should be here, but you didn't know what or who. And your mind supplied Annie, but you weren't sure that's who you meant.

I think we ALL know who you meant. 😂

I also love how you describe the "creative chaos" of her grandmother's house. The imagery in those paragraphs are so descriptive and lovely to imagine. I love especially: "boxes upon boxes of cookies in different stages of being packaged all over the counter." It's so grandmotherly and yet feels unique at the same time.

"Too late of course, but I'm a little rusty. I was able to warn Ben that Darren was coming back. That's how he got there so quickly or rather-" She shrugs sheepishly. "He got there in time to make sure that Darren didn't get you to forgive him. Which you shouldn't have at all, but I know he's always had a talent for manipulating you."

OOOOOH, MY GOD!! GRANDMA'S A SUPE TOO!! 😱😱 And it explains why Ben got there in the nick of time! And she already knew Darren was scum!!

Discovering more about her past as Soothsayer, as well as her friendship with Ben was so very interesting! I didn't see it coming and that's the best thing of all, but now it's a way her grandmother can relate to her even more -- as well as be in an even better position to give her advice when it comes to that man.

Tears crest and fall down your cheeks as you sit there, throat thickening. "I don't want to hurt Ben."

Heart...breaking... 😢 She's such a sweetheart. How can she not realize how much she cares about him (loves him)?

"He doesn't love me and Ben isn't afraid of anything." "He is. It might not look the same way on him as it does on everyone else, but if you pay close enough attention you can catch it." She hesitates. "And I think if you pay attention to you, you'll see what it is that you're afraid of too."

GRANDMA YESSSS, TELL HER!!! GET IT THROUGH HER HEAD! lolll

Ben isn't incapable of fear (or love), no matter how much he'd like to pretend. The way it comes out of him might "look different," through snappish anger and denial and rigidity, but it's still fear.

But the feet keep moving past the apartment and Ben sinks into the couch cushions. Even Bean seems to be disappointed. "It's alright buddy." Ben mutters. "She'll come back." But he wasn't sure.

Awww Benjamin, you're breaking my heart! 😭 But the fact that he went back to save Jake honestly speaks volumes! (Even if I did cackle my ass off at "What a fucking pussy.")

Ben didn't understand why he hated watching you cry.

Come on now, Ben. You're over 100 years old! Surely you get what's happening to you by now! 🤣🤣 You're simping for a girl you care about!

He wasn't sure if you'd noticed it yet, but you looked different too. There weren't as many lines on your face and your hair was more springy, the few silver hairs that Ben had noticed in passing were no longer there.

Oooh the plants are keeping her young, huh? 😏 Maybe enough to sync up her lifespan with Ben's???

"Di?" "Yes it's me. Who did you think it was? Santa Clause?" Your grandmother snarks. "Why are you calling me and why the fuck are you so mad? What did I do?" Ben answers slightly annoyed.

LMFAOO. Again, I love her. Kick his ass, Di! Get him in gear! "Try harder" -- INDEED.

"How is it that it's been forty fucking years and you're still able to dance on the grave of my last nerve?"

I'm deeeeeadd! I loved this line so much. 🤣🤣🤣 Benjamin is testing my patience too, good Lord. I can see why he's scared. He's on the verge of admitting he loves her -- and finally doing something about it. After his experience with Countess, that'll put anyone off of trying again to delve into a proper relationship (not to say their relationship was a proper example of a loving one, because it wasn't, obviously). Especially for someone like Ben, who struggles with real intimacy and dealing with his feelings, it makes sense that he'd digging his heels in now -- no matter how frustrating it is. 🙃🙃

But omg the cliffhanger though! Who just called him? My gut feeling is Stan Edgar, but I could be wrong lol. Can't wait to see how you close out this series! 💕

Chapter 14: Don't Be A Bundt Cake

Pairing: Soldier Boy x f!reader, Reader POV, Soldier Boy POV

Summary:  When you decided to work with Butcher and his merry band of supe hunters to take down Homelander, you never expected to be saddled with a sullen, grumpy, jerk like Soldier Boy when the job was done. The more you're around him the more you hate him, but you can't help but wonder, is he really as big a jerk as you think? Reader is a supe with plant powers. This takes place in an AU about a month after the end of The Boys Season 3, in which Butcher has let Soldier Boy continue to work with him on his team.  (I'm real bad at summaries, please forgive me!)

Tropes: Enemies to Lovers (Not in this chapter), Slow Burn, Age Difference (Reader is in her 20s), Soft Ben/ Soldier Boy, Protective Ben/Soldier Boy, Miscommunication Trope

Word Count: 13.1K

Warnings: I'm going to label this 18+ because Soldier Boy (he's a warning and everyone knows it), Swearing, Mentions of Sex, Sexual Innuendo, Talks of Death, DENIAL, Idiots in Love, Pining by the Reader (and SB, but he won't admit it) Depressing Thoughts, Mentions of sexual assault/rape (not detailed at all, really just in passing) Talks about weed, Sexist comments, Ben makes derogatory comments, Threatening Ben/Soldier Boy might be a little bit OOC.

Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite!

Internal monologue is in italics and is in first person.

Series Masterlist

Main Masterlist

A/N: I am so sorry this one took me a bit longer. The writers block was fighting me the whole way, but we are very closely nearing the end of this series and the moment the reader and Ben stop being so stinkin' stubborn.

Reader POV

You lean your forehead against the cool window, watching the world flash by in a flurry of color. The wooded forests had vanished hours ago and all that was left were the yellowed sprawling fields of corn and grain and family farms that were laid sporadically along the interstate. Each one a little world that caught the flecks of golden sunlight as the sun began to peak above the horizon.

The bus rolled smooth and steady over the weathered pavement towards it's destination and was filled with an odd assortment of people young and old. There was man with a brightly colored parrot that had been singing "It's A Small World After All" since you left NYC, a woman with a little boy playing with an iPad and who refused to turn down the volume no matter how many times his mother asked him to, a group of teenagers a few seats up that continued to pass around a flask, and due to how far back you were sitting on the bus an uncomfortable smell emanated from the bathroom each time the door was opened.

But you didn't notice any of it.

The only thing on your mind were the events that happened almost twenty hours ago. They continued to circle your mind, playing over and over again like a perverted cassette tape making you sink further into the worn cloth covered seat at the back of the bus. The images were haunting, some new and some old, but all the more still horrible to re-live.

The song "Nights In White Satin" floating into the backseat of your family's car, the flash of unnatural light you knew was never lightning, the caskets at your parent's funeral covered in flowers that were much to pretty to lay on something so morbid, Elijah's body succumbing to the poppies that ripped him apart, the proud sneer on your brother's face when he admitted to killing your parents, Darren's broken and bloodied body strewn in pieces over the street with the creature standing over him with a dripping red maw, the ruined building that housed "Please Don't Die" reduced to nothing more than rubble, and the look on Ben's face when you turned your back on him and fled the scene.

For some reason that particular image seemed to cling on to you and refused to fade. You'd never seen him look that way, almost… helpless and a little fearful. In all the time you'd known him, Ben had never looked at you that way. Sure you'd seen him proud, angry, cocky, lustful, mischievous, but never fearful. And you were sure that it wasn't an emotion that he was used to feeling, but that begged the question… why?

Why was he looking at me like that? Why wouldn't he let me go? And what was he afraid of?

The creature curled in your lap snorts something in it's sleep, turning it’s head further into the cradle of your elbow to shut out the brilliant early morning sunlight. It was now the size of a toaster and had warranted several odd looks whenever you got off to change buses, but you didn't care.

You weren't sure about anything anymore. Everything your brother confessed to you made you feel like you were living a lie and the revelation of exactly what your powers could do- take life from plants to heal yourself, create whatever the hell it was on your lap, and speak to plants… it scared you.

You thought for so long that you knew everything about your powers, that you were in control, but now you weren't sure.

You felt different, as if something had unlocked deep down that you couldn't shut up again.

You'd felt different after you killed Elijah, but this was more alive, weaving and twisting in the pit of your stomach. You felt more connected to the earth, to the world outside the bus even though you were divided by glass and metal. You could feel the energy that thrummed through the body of the creature on your lap, bending to your will, the life force of the plants it was formed from molding with you, becoming a part of you.

You felt so different than the person you had been before Darren entered the shop, so uncertain, and there was only one place you wanted to be when you felt like this… home. You couldn't wait to run up the worn front steps of your grandmother's house and into her arms. She always knew what to say in times like this.

And you desperately needed the comfort of her embrace.

The phone in your pocket buzzes again and you flip the screen to see the ridiculous selfie Annie and you had taken on Halloween last year. The one that you'd both spent dressed up as the two brothers from your favorite paranormal tv show. It wasn't the first time she'd called. Annie had called and texted you more times than you could count over the past twenty hours but you didn't answer her. You didn’t want to.

It was the first time that you didn't want to talk to her, but talking to her meant that you'd have to re-live all of it again and you were clawing at the last shred of sanity you had left to keep it together.

The overwhelming waves of emotion kept pummeling you, dragging you deeper beneath the white surf. Each one brought the memories of what happened surging over you and were followed by everything that Darren said to you. Years of taking care of Darren and doing whatever he wished were tearing at your soul, years of giving up little things in your life to make him happy, and years of taking care of a man who you thought cared about you, but hated you enough to kill your parents and try to kill you too.

It made your skin crawl. Each time your brother told you that he loved you was an even bigger lie and now that you knew the truth and saw him for what he was, it felt like you were drowning. The darkness that ebbed just on the edge was begging you to leap into the abyss, but you were resisting the best you could.

The tears had stopped falling miles ago, but you couldn't stop the memories or the emotion that formed a cold ball in the pit of your stomach.

A sigh works it's way up and you pull your legs on the seat underneath you, jostling the creature on your lap that raises it's head for a moment to blink it's black eyes at you sleepily.

It was surprisingly docile right now, especially considering that twenty hours ago it had ripped your brother to shreds. In fact it seemed to understand how upset you were and had spent the better part of the last twenty hours rubbing it's head against your arm as if trying to bring you some comfort. It was settled on your lap, the weight of it a comfort, almost like a weighted plushy that gave you something to focus on.

"It's alright buddy." You whisper, scratching him under his chin. "We're almost home."

The phone in your jacket pocket buzzes again, but when you pull it out to turn it off, you catch a glimpse of the screen, and you hesitate. Because this time it's not Annie who's calling, it’s Ben.

The picture that flashes on the screen under the contact name "Gramps" is the picture of Mr. Fredrickson from Up. It always made you smile whenever he called you and you saw the picture because Ben did often remind you of him. He was certainly just as grumpy as Mr. Fredrickson and just as out of touch, but you thought it was cute.

Your thumb hovers over the answer button and you think about talking to him.

But what would I say?

You weren't sure what to say to him, or why you wanted to speak to him so badly, why you wanted him to be sitting here on the bus with you as you went home, and why you wanted him to hold you against his chest while you allowed yourself to break, but you did. You wanted to feel his awkward shoulder pat and his awkward version of hand holding and you wanted to hear him try to tell you to "buck up" or whatever he thought that a comforting word should be.

He's really not the best at that.

You smile to yourself at the memory of how he tried to comfort you back at the hospital, but the longer you sit there and look down at the picture on the screen the worse you feel.

Maybe that scared you more than your newfound powers, how much you were realizing that you needed him, how much you depended on him when things got too much for you to bear. The memory of him appearing as soon as you needed him back at the shop, another of him grabbing Darren and throwing him into the street as soon as Darren insulted you comes in a flash, and finally followed by the memory of Ben carrying you out of Elijah's office while you curled into his chest. You couldn't remember too much from that moment, in fact you'd thought that Ben had kissed you on top of your head, but you ascribed that to the haze of pain you'd been in from your broken arm.

What you did remember was how wonderfully warm he was after you'd been trapped in that damn freezer and how nice it felt to be in his arms. Another memory of Ben sleeping on the couch at the hospital bubbles up and you feel something in your chest begin to crack open. And you try your best to tell yourself the same thing that you always do when you feel like Ben might care more about you that he was letting on.

Ben doesn't want that. He's made it perfectly clear. He doesn't want a relationship. He's only wants one night, that's why he goes out with all those women-

You hesitate, thumb still hovering over the answer button as you do, the memory of the week you'd spent at the apartment with him flickering in the back of your mind. The week where he refused to leave you alone in the apartment, where he refused to do any jobs for Butcher, where he took care of you the best way he could, when he sat with you on the couch and made you laugh with his ridiculous movies, and the week where he hadn't had one date.

Your finger itched to answer the phone, but you couldn't, because you didn't want to feel this way about Ben, not when he'd told you countless times that you kept romanticizing him, not when he told you that he didn't want a relationship, and not when you could feel yourself beginning to fall for someone you thought was the wrong man.

For just a moment you tried to pretend that it was different, that he was different, but you didn't want to. It only made it hurt more.

The phone stops ringing, but the pit in your stomach still gapes open at you and for the first time in twenty hours you feel tears begin to fall. You didn't know why you were crying about this, why the thought of not picking up Ben's phone call seemed to hurt more than everything that had happened, but something made it hurt.

The bus driver announces over the overhead that you're reaching your final destination as he takes the exit for your hometown. The familiar buildings that line the streets are sheathed in a honeyed glow from the sun, the long shadow of the bus darkening them momentarily as it rumbles down the small streets to the bus station.

When it rumbles to a stop at the bus station you wait for everyone else to get off, trying to summon the strength to stand, and swipe the back of your hand across your face to rid yourself of the remaining tears.

The bus station was about a thirty minute walk from your grandmother's house, and you still hadn't called her. You didn't know what to say, didn't know how to tell her that Darren was dead and that he was the reason why your parents were dead.

The creature crawls up your body to drape it's warm body over the back of your neck as you stand. It wasn't bothering to hide, besides the people in your hometown already thought that you were odd because you were a supe and you'd always welcomed it. You give him a scratch on top of his head and his warm tongue flicks on the bottom of your earlobe as if thanking you before it curls further into the side of your neck, seeking warmth.

The first few steps on solid ground are shaky, but you find the strength while taking in a deep cleansing breath of the outside world, letting the gentle warmth of the sun and the tickle of the autumn breeze pull at your coat. You hadn't stopped at your apartment before coming here, instead you had stumbled your way to the bus station covered in dust, flecked in blood, and demanded the first ticket back to Illinois. It was lucky that the next bus was leaving immediately, because you didn’t want to spend another second in NYC, not when all you wanted was to be home.

Plus you were worried that someone had recorded what exactly happened outside the plant shop and you didn't want to get arrested.

It was self defense anyway. Maybe Jake would represent me in court.

The thought of Jake makes you twinge. You hadn't checked to see if he was alright before you ran from the scene. Not to mention you'd destroyed the shop he'd put all his life savings into after he stopped being a lawyer.

Oh fuck, what if he sues me? He can't exactly sue Darren…

You hear someone call your name and you open your eyes.

Your grandmother is standing in front of the same baby blue pickup truck that she'd had longer than you've been alive, wearing a long multicolored skirt and a pressed white blouse tucked elegantly into it. Her silver hair is loose and long, curling over her shoulders in gentle waves. She looks the same way she looked one week ago when she left, and you've never seen anything so beautiful in your life.

You're running before you can stop yourself, crumbling into her warm embrace, with more tears streaking down your face, but she doesn't mind.

"Shh. It's alright honey." She whispers, rubbing her hand over your back, her embrace steady and surprisingly strong. "Let's go home."

Her home is the same as it's always been. A two story Victorian house painted in a happy yellow shade, with a white wrap around porch and two white rocking chairs sitting empty on the front porch. You'd spent more nights than you could count rocking silently beside her with a crochet project in your lap listening to the rain fall and soak the world outside, while the plants sang praises with every gentle bend beneath the heavy droplets.

You could barely remember the home you spent in your early years with your parents, not when you'd spent most of your childhood spending the night here and after your parents died living here permanently. There was still a large oak tree were a wooden swing swung in the slight breeze on the left side of the yard, a gardenia bush that stretched as high as the second story on the right side of the house and brushed it's soft leaves against the sunshine colored outer walls, a garden filled with both flowering plants and herbs that perked up on both sides of the front yard as you walked up the path, and a cobblestone path that Annie and you had spent hours of your shared childhood covering in chalk art.

Neither of you were good, but when the rain would fall and smudge the clean lines, you'd jump in the puddles that pooled along the walkway singing the lyrics to ABBA's "Cassandra" not quite understanding what it meant.

Standing here outside your house made you miss Annie and feel worse about not calling or texting her back, but you didn't feel like talking about what happened and you were sure that Butcher filled her in. The only thing that you wanted was to collapse in your bedroom upstairs and curl under the comforters.

Despite everything the house was a welcome sight, but at the same time it was different. You could feel the plants calling out to you, asking for you, bending towards you just to touch your shoes as you walked by. You'd never felt so connected with them before, not even when you were in your apartment or working at the shop.  It was overwhelming.

And although a part of you was frightened by it, another part of you rejoiced in it. You didn't feel alone, didn't feel weak, and you knew that you never would ever again.

The creature nuzzled into the side of your neck with a sigh, soaking up the sun's healing rays as you walked up the front steps with your grandmother following behind you silently. She hadn't spoken since she picked you up at the bus station and you hadn't supplied anything in the ten minute car ride back to her house.

You didn't know where to start and you were still trying to process everything yourself.

The inside of her house was just as cozy and warm as it was the day you moved out. There were photos of your parents and you covering the walls (Darren's had been placed in the closet long ago), half-finished knitting projects sorted in different baskets on both the dining room table and the living room coffee table, spools of yarn were strewn over the couch sorted by color, and the fresh smell of gardenia wafted through the open windows on the breeze.

It was home. This was what you'd been missing the moment everything began to crash over you, but as you stood there in the familiar living room it felt like something was missing. Something tugged at the back of your mind, but you couldn't put your finger on it.

There was something or rather someone that should be here, but you didn't know what or who. And your mind supplied Annie, but you weren't sure that's who you meant.

"Let's have some tea." Your grandmother says from behind you and you feel her soft hands come down on your shoulders to steer you through the familiar creative chaos and into the large kitchen at the back of the house.

The kitchen isn't spared from the madness, it rarely was. There are boxes upon boxes of cookies in different stages of being packaged all over the counter, dirty bowls and a measuring cup stacked in the sink, and a large opened bag of chocolate chips spilling over the flour covered kitchen island.

It wasn't unusual to find the kitchen or the house in a state of chaos, your grandmother always said that a house should look lived in and that the mess was part of the fun of any major project as long as you were responsible enough to clean it up.

"Bake sale?" You ask as you sit down in the breakfast nook, uttering the first words that you'd said to another human being in twenty hours.

The next breath that you inhale was supposed to be cleansing, but you can still feel a weight pressing down on your chest, the same one that settled in the moment everything happened with Darren.

You contemplate again how you're going to tell her that Darren is dead and was the reason why your parents died.

Damn it Darren.

"Mhmm." She hums, filling the well used red kettle. "Annie's mother practically cornered me in the supermarket yesterday and begged me to make cookies. I love Annie, but her mother needs someone to pull that stick out of her ass. It's been up there for so long that I'm sure it's rotten."

The creature crawls down from your shoulders and down your arm to sniff at one of the chocolate chip cookies nearest you. It hadn't eaten since…

Darren.

You wince slightly at the thought and hope that you hadn't created something that needed and craved human flesh. The last thing you wanted to unleash on the world was Audry two especially in the wake of Homelander.

Truthfully you were waiting for the guilt at killing your brother to come, but it never had and you wondered if it ever would.

Probably not. He deserved that, he killed our parents, he tried to kill me, he tried to kill Ben.

The thought of Ben again makes a lump form in the back of your throat. You didn't know what was happening to you only that you felt guilty for leaving him like that, for yelling at him to let you go, and just vanishing on him when he probably thought that you were going back to the apartment.

He doesn't know where I am. Maybe that's why he tried to call, because he got back to the apartment and couldn't find me there and he was worried. You press your lips together. Yeah. Worried. Right.

"Honey?" Your grandmother says in a soothing voice

You look up from the box of chocolate chip cookies that you didn't remember picking up. Even the creature is looking at you with an expression that you can only explain as worry.

"Yeah?" Your voice shakes slightly.

She's leaning back against the counter, arms crossed over her chest, head tilted slightly to the side, her beautiful grayed hair pulled up in an elegant bun, but in her eyes you can see genuine concern. "Fuck." She sighs after a minute.

You blink in surprise. It was the first time that you'd ever heard her say that word in your entire life.

"I shouldn't have left." She breathes. "I told Ben to look out for you. I told him, that little bastard was bound to show up again and what did he do? He left you at that plant shop alone with no protection!"

You'd only seen her really angry a handful of times in your lifetime. Like you, your grandmother often had a gentle disposition and didn't get angry unless the situation called for it.

I mean, Darren admitted to killing our parents and then got fucking ripped apart. But how does she know about any of that? I haven't told her…

"How did you know that he left me there? Did Ben call you?" You ask putting down the box of cookies.

An odd expression crosses her face, as if she's contemplating something. "No." She hesitates again. "I saw it."

"No." Your grandmother hesitates. "I saw it."

"You saw it?" You repeat, confused.

What's going on?

"Too late of course, but I'm a little rusty. I was able to warn Ben that Darren was coming back. That's how he got there so quickly or rather-" She shrugs sheepishly. "He got there in time to make sure that Darren didn't get you to forgive him. Which you shouldn't have at all, but I know he's always had a talent for manipulating you."

"What?"

Is she saying what I think she's saying?

Instead of explaining further your grandmother walks out of the kitchen, leaving the kettle behind on the stove and you in a state of utter confusion.

Is she saying that she can see the future? Because that would mean that she's a supe and there's only one supe in history that I know of that can do that. A supe that no one has seen in over forty years.

You can hear her open the door to the closet under the stairs and the sound of her sifting through all the junk that the two of you had shoved in there over the years instead of finding the right place to put it.

When she comes back into the kitchen, she's holding a giant cardboard file box that you'd never paid attention to each time you opened the closet to find something. Your eyes shift from the box to her still not comprehending exactly what she was saying.

"I probably should have told you this a while ago, but…" She trails off and nods her head at the box before turning back to the kettle on the stove that has begun to scream. "I kept putting it off."

The box is old, worn at the edges, and theres a musty black fabric beneath a collection of yellowed photographs. You pull out the one on top to examine it.

Ben is standing there in his full Soldier Boy regalia outside of Vought tower and the woman standing next to him is Soothsayer. The outfit she wore was familiar, a black-skin tight suit with a blind fold tied over her eyes.

Soothsayer was a supe who could see the future and who was apart of Payback, a supe that had vanished a year before the mission in Nicaragua and no one knew where she went. There were rumors that she'd died and that she'd been a Russian spy, but you'd never believed them. You'd heard Butcher talk about how he tried to find her when he was trying to figure out what happened to Soldier Boy, but he never had. Said that the trail went cold.

But now you knew where she went, because she was standing directly in front of you.

She's Soothsayer? Holy fuck that's why Ben kept accusing her of cheating in the poker game because he knew that she could see the future.

"You were Soothsayer?" You gasp. "But why didn't you say anything? Why didn't you tell me?"

She continues to measure the tea leaves. "I didn't tell anyone."

"Grandpa didn't know? But he was alive when you were a supe?"

Your grandfather had never spoken about a history with supes that you remember.

"No." She turns to look at you, a hurt expression crossing over her face for a minute. "Well, I know that I said I was going to have tea, but if we're going to talk about this I'm going to need something a little bit stronger."

Your grandmother opens a cabinet under the stove an pulls out an enormous bottle of scotch. Truth be told you'd never seen her drink more than just a glass of wine, to see her like this was about as shocking as seeing a polar bear sunning itself on a Florida beach.

"Do you still want the blueberry tea or do you need something a little stronger?" She looks back over her shoulder at you as she pulls down a glass for herself.

"I think I need something stronger." You answer honestly.

Learning about everything Darren had done was one thing, but finding out that your grandmother used to be a famous supe and that she never told you about it was another thing. It was like looking at another person. You'd always loved your grandmother's gentle way, her care for her community and her family soft, but now you weren't sure you really knew who she was.

She sits down across from you and hands you a glass of the amber colored liquid. There's a heavy silence that hangs between the two of you as she tries to find a way to start. The photo of her and Ben is laying on top of what you realize is her uniform inside the box and she smiles down at the photo, just a little twitch at the corner of her lips.

"I met Ben when I was twenty three years old." She begins taking a sip from the glass. "Legend 'discovered' me. I had the injection of Compound V maybe two years before that, not when I was born, but I hadn't gotten popular. Other powers were much more flashy and by then there were so many heroes coming out of the woodwork that someone with the ability to see the future didn't seem as marketable."

There's something reflected in her blue eyes, the same eyes your father had, that you can't place. "I had just moved to New York, I had no money, and the way I was getting it was by pretending to be a fortune teller and betting on some sports events on the side. It wasn't hard to prove that I could see the future, the past was more difficult, but Legend somehow stumbled into my shop and figured out that I was a supe. And he didn't think I was too bad looking so he helped me get big."

"You pretended to be a fortune teller?"

She snorts into her glass. "Mhmm. People really will believe anything if they're desperate enough and back then there was so much turmoil going on with Russia that people were scared and wanted to feel comforted. My job provided some of that."

"But why did you walk away from it if you were such a big hero." You ask. "Everyone knew your name, you were-"

Your grandmother raises an eyebrow at you and you fall silent so she can continue. "When I got onto Payback that's when everything exploded for me, the films, the commercials, the ridiculous ads." She sighs. "That's also when I met Ben."

You take a sip from the glass in front of you, sputtering slightly. It was stronger than you were expecting. "And you two were-"

Please don't say dating, please don't say dating, please don't say…

"Friends. Just friends." Diana sits back against the back of the breakfast nook, sinking into the navy blue pillows. "But he is almost as charming now as he was then."

You cringe at the thought of Ben coming on to a younger version of your grandmother.

She taps her glass with her index finger deep in thought. "But I think that I was the only person that Ben actually talked to, the only person that he was comfortable being around."

"What do you mean?" You ask confused. "Didn't he talk to Countess and to Legend?"

Her expression hardens at the mention of Countess's name. "He didn't talk to her the way he talked to me. Ben is difficult, he always has been and I think that most of the people he meet him write him off as this asshole with a chauvinistic look on the world, but he's not. At least, not all the time. There are so many people that he's met that are never willing to take a chance on him. To trust that there is really something beneath all of that bravado."

It was what you had been thinking for the past week, that there was more to Ben than he was willing to let people see, but you were slowly realizing that Ben was letting you see those parts. In the quiet moments at your shared apartment when he sat with you while you read or made you laugh or walked you to and from work you saw another side of Ben that you never saw when he was around anyone else. The guilt rises again when you think of how you ran from him, how you turned your back and left him standing there to clean up your mess.

I shouldn’t have done that, but it was all just so overwhelming and I didn't want to talk to anyone.

"I think that Ben is the most loyal friend I ever had. No one ever seems to believe me when I say that. That we were just friends, but nothing happened between us."

"You didn't date? Or sleep together?" You ask cautiously. It was difficult to imagine Ben being friends with a woman and not having a sexual relationship with her.

Well. We're friends, but that's different.

The last thing you wanted to think about was Ben and your grandmother having sex.

I would need so much therapy after that. You sigh. Yeah, because after all the shit I've been through and found out about my life in the last twenty hours, the knowledge that Ben fucked my grandmother is what's going to push me over the edge.

"No." She shakes her head with a small smile. "About a week after I met Ben, I was running late to a movie shoot and I stepped off the crosswalk without looking. There was a car coming and I didn't see it. Ironic isn't it?" She laughs at herself. "I can see the future and I didn't see a car coming, but your grandfather did and he grabbed the back of my jacket and yanked me onto the sidewalk, saved my life. And the second my eyes locked with his I saw our future. I saw our wedding, our first house, I saw our son take his first steps and I saw how much I would love him and how much he would love me." She clears her throat for a minute, her fingers tighten on the glass, and her gaze drops to the wedding ring on her left hand. “The future is never set in stone, it’s fluid. It morphs and shapes with your decisions, but in the future I saw, I was so happy. And I didn’t want to lose that.”

Your grandfather had passed a few years ago, but you knew it weighed on her everyday. She had spent the week after he died in her room not saying anything to anyone. And sometimes she'd look out the window into the backyard with an odd expression, but you knew that meant she was thinking of him.

Growing up you'd seen how in love the two of them were, more so than your parents. Seen the flowers your grandfather always brought home just because he was thinking of her, watched him do little things around the house without being asked, saw how they never walked away angry from one another, and seen the soppy expression he'd get when he watched your grandmother move around the kitchen baking with a grace that you'd never possessed.

You reach across the table to touch her hand and she takes it gratefully.

"I didn't want to tell him that I was a supe, and at the beginning I thought I could balance it all, but then Ben started dating Countess." She takes another sip from her glass. "She hated me."

"What? Why?" You ask. The creature crawls across the table to sniff at the glass in front of you, before it snorts and falls into your lap, curling into a ball.

"Countess was a bitch." Your grandmother says mirthlessly, her expression hardening. "She wanted to possess Ben completely. Only loved how famous he was, how popular it made her, and he threw himself at her feet, in his own way, not understanding that love didn’t look that way. He’s never had a good example of it in his life. And she never understood that Ben and I were just friends. By then I had been dating your grandfather for a few months and things were getting serious. It was about a year before everything that happened in Nicaragua."

She presses her lips together as if remembering what happened to Ben there. "She was jealous, possessive, and she came to me one night. Ben was out of town for a film so she knew we wouldn’t be interrupted. She threatened to tell your grandfather who I really was and threatened to kill him.” Her jaw sets. “My powers were never really as offensive as hers were. And she said that Ben wouldn’t ever protect me over her because he loved her and would do anything to make her happy. So I left and I never looked back.”

And here I thought I couldn't hate Countess any more than I did for what she did to Ben.

“You didn’t talk to him ever again?” You wonder out loud.

She left without telling him goodbye?

“There was the occasional phone call. Sometimes Ben would ask me to see who was going to win a ball game or something so he could make a few bucks. He stopped by to say hi a few times because he was in the neighborhood. One time he brought your father a baseball glove that was way too big for a one year old.” She snorts, the memory flashing in her eyes. “I always thought Ben would be a good dad some day. But I think seeing your father was when Ben realized how much he wanted to have kids. And I think seeing the way your grandfather treated me made him start to feel conflicted about Countess. But he respected that I walked away, he saw that I was happy.”

“But what about Nicaragua?"

A dark look crosses her face followed by something that looks suspiciously like guilt. “I saw what they were going to do to him.”

“What? But why didn't you tell him what they were planning? Why didn't you-"

"I tried." She snaps, shoulders tense, but then they drop. "I called Ben, but Stan answered. By then your father was turning two, your grandfather had opened up his practice, and Stan threatened me, he knew where we were and knew everything about us. So I kept my mouth shut and I’ll regret it for the rest of my life.”

You could feel your heart breaking for her.

Ben was her best friend and she had to sit by and watch them do that to him. She saw what they were going to do and they were going to kill her for it, kill my family for it.

The anger that surges in your chest makes the creature in your lap stir and grow a few inches, but you tamp it down before it gets bigger than a small dog.

“Does Ben know?” You ask her to distract yourself.

You didn't want Ben to hate your grandmother for this, didn't want him to hate her for something that wasn't her fault.

She nods. “Yes. I told him everything.”

“When?”

“The moment I saw him in your hospital room. I couldn’t keep it in any longer. I wasn't expecting him to be there, but it all poured out of me. I was so surprised to see him there. I hadn't seen a future where he came back."

“Was he mad?”

I mean… he didn't seem mad when I woke up, not to mention he was upset when she left to come back to Illinois.

“Not at me.” She shakes her head. “He knew how much I wanted a normal life and how much I loved your grandfather. He doesn’t blame me for any of it.”

“Good. I can’t believe you didn’t tell me.”

The glass in front of you is still more than half-full but you don't want to risk another sip of what you're sure is gasoline packaged to look like Scotch. Your grandmother reaches to pour herself another glass.

“I didn’t want to until you were ready.”

“And when would that be?”

Your grandmother shrugs. “Maybe on my deathbed.”

You weren't angry for her not telling you, more surprised, but now that you knew everything about her it was hard to see her the same way you had.

 You snort. “And no one knew?”

“Your dad figured it out.”

“How? When?”

“The moment you made that strawberry plant grow from your high chair.” She shakes her head with a smile. “It skipped a generation. Don’t know why, but you got it all somehow.”

“I was never injected?”

“No. That was a lie your father created. He knew that your grandfather didn't know and he knew that I didn't want your grandfather to know."

“Darren thought I was.”

“I know.”

At the mention of your brother's name, you watch her expression harden and she takes another swig from the glass in front of her, not flinching as the liquid goes down her throat.

“Did you see everything that happened?” You ask in a small voice.

You still weren't 100% sure how it was her powers worked, but you figured that she was able to see some of what Darren did and what he said.

“Yes.”

“You heard everything Darren said?"

“Yes.”

You chew the inside of your cheek for a minute hoping that she didn't take it as hard as you did. “Did you know that he killed them?”

“No.” She breathes, rolling the glass between her hands for a moment. “The night they died, I got a vision a few minutes before the car ran off the road. I was the one who called the police and who told them where to look, but I never saw that it was Darren or that it was anyone causing the accident. All I saw was the three of you in the car. I should have known.” Her voice breaks.

“It’s not your fault.” You squeeze her hand.

“And it’s not yours either.” She squeezes your hand back.

The memories are beginning to float up from the recesses of your mind and your teeth clench together as you try to keep them at bay.

“I know.” You breathe. The memory of the ruined shop flashes through your head. “I didn’t know that I could do something like that.” You gently touch your healed right arm and glance at the creature that is nibbling on the edge of the cardboard box with its sharp splinter-like teeth. “I feel so different and I don’t know how to go back to the way I was.”

“I don’t think you ever will.”

"Really?"

The thought was unwelcome. You were hoping that all of this was going to blow over, but you knew it wouldn't. Your powers had changed. There was an energy that thrummed in your veins now, stretching out of the house to the plants that grew in the garden. You could feel them all if you concentrated.

She frowns. “When you told me that you were working for Butcher I was worried about you getting involved in the supe world. I didn’t want that life for you, didn’t want you to suffer the way I did-“

“Was it really that bad?"

“Not all the time, just at the end. But I think that’s why I loved your grandfather so much. Because he was different than all the supes. He was down to earth, not just normal but-“ She shrugs. “I think Compound V does something to our minds, makes them more susceptible and when you’re surrounded by people using their powers and thinking that they’re gods it’s easy to lose who you are. I was glad I left when I did."

“Great." You huff, thinking about how your powers had grown exponentially since you killed your brother. It was scaring you to think that you would reach a point where you acted like Homelander, where you saw yourself as a god and killed anyone who stood in your way.

As tired as the stereotype of you only being able to make the flowers grow, you liked doing that. You liked healing plants, tending to them, and helping them grow. For you it had never been about using your powers the way that you had to kill Elijah and your brother and had always been about spreading a little more joy and love like your grandmother did with her kindness in her community.

Your mind flashes back to the first night that Ben stayed with you in your apartment and he'd asked you why you worked for Butcher and told you that he thought you "didn't fit."

Before you hadn't. You knew that. You weren't intimidating to look at or fueled by revenge or had a bone to pick with supes. You'd joined because you thought it was the right thing to do and because you wanted to be closer with Annie. She had been so involved in the supe world and you'd felt like you were losing your best friend. When in reality being at "Please Don't Die" was the only thing that felt natural for you.

You could feel yourself changing and you weren't sure that you wanted to and you weren't sure if you were changing for the better. Deep down you still felt like you, despite everything Darren had revealed, but your powers were greater than you'd thought they could be.

“No.” She squeezes your hand pulling you out of your head. “I don’t see you losing yourself in this.”

“You’ve seen-“ Your eyes widen.

“The future yeah.” Her lips twitch up at the ends in a smile. “It is what I do.”

“That’s so weird.”

You hadn't meant to say it, but you really didn't want to know too much about your future.

Well, not all that much. Maybe just a little.

“You of all people have no right to judge what’s weird. Not with Godzilla sitting in your lap.”

"Godzilla" yawns, flashing a mouthful of his pointy teeth, before settling back down on your thighs.

You smile for the first time in twenty hours, but then it drops. “I don’t like losing control. I thought I knew who I was but now I don’t-“ The emotions were bubbling up again, chest tightening, and lungs beginning to gasp for air. “I don’t know who I am anymore or what I am or what I can do and-“

“There’s nothing wrong with not being in control.”

“But what if I hurt someone? What if I kill-“ You body shakes as you think about all the important people in your life, Annie, Hughie, Butcher, Kimiko, MM, Frenchie- and then your mind stutters on Ben.

“Your powers are growing and there’s nothing to be afraid of or ashamed of. If you’re afraid of them it won’t get easier for you. You have to embrace the fear to see the lights that line the path through it.”

"I killed Darren, I killed Elijah-"

"Not because you lost control. You did it because you were protecting yourself and protecting your friends."

"But-"

"Who is it that you're scared of hurting? Annie?" Her expression turns sympathetic. "Annie is a supe and understands what it's like to lose control. None of us are in control all the time and it's ridiculous to believe that you won't lose control at least once."

Your throat clenches tightly, because when she asked the question you didn't see Annie's face, you saw Ben's. You knew that it was probably ridiculous to worry about hurting a guy with a nuclear reactor stuffed in his chest or a guy who'd been through every torture known to man, but you were. And you weren't entirely sure if you meant hurting him with just your powers.

Tears crest and fall down your cheeks as you sit there, throat thickening. "I don't want to hurt Ben."

"He's a little more indestructible than us sweetie." She cracks a smile, but you can't smile back and you don't answer because you're unsure how to.

She sits back against the breakfast nook and sighs, examining your face and slowly realizes what you mean. "Ben is complicated. He always has been. I like to think that most of it, is his father's fault. Has he told you anything about him?"

You shake your head.

"He was a dick. Made Ben think that he was a disappointment his whole life. I don't think that Ben has had someone love him unconditionally since his mother died. And loving Countess only made it worse for him. Her love was jealous, possessive, and I don't think that he's really come to terms with what real love should look like." She lets out a breath, tapping her index finger against the glass. "I never saw him as more than a friend, but I do love him. It's not a crime to love him."

"I don't love him." You say it immediately.

"Why not?"

"What?" You sputter. "I don't know what you're-"

"Tell me why you don't love him." Your grandma says methodically, as if she's trying to talk you through it.

"Because I-" The pressure was back in the back of your throat and you couldn't quite meet her eye. "Because-" You scramble for the answer, trying your darndest to keep your heart from clenching in your chest. "I want what you and grandpa had, what Annie and Hughie have, and what my parents had. A strong relationship with someone who sees all my flaws, the little parts, and the darkness and still choses to fall in love with me anyway. I don't want just one night I want every night. I want something real and Ben has said countless times that he-"

"So you've talked about it with Ben?" She raises an eyebrow.

"Only because he kept trying to sleep with me and I told him that I didn't want to have sex with him." You reply exasperated.

"You don't?"

"Gran!"

"What? He's attractive."

"It doesn't matter. None of it does. Because Ben has said that he doesn't have relationships, that he doesn't care about feelings, or emotions." Saying the words that Ben had told you countless times made something inside begin to shrivel up and die. "And I do. And I don't want to manipulate him into being something he's not or force him into a relationship that's doomed from the beginning. Ben is Ben. He's not changing or-"

"He has." She interrupts.

"What?"

"The Ben I saw in your hospital room is not the one I knew." She says it so matter of fact that makes it hard to breathe. "And neither was the one that I saw in your apartment when I stayed with you. I mean he is in essence Ben, but-"

"What does that have to do with anything?"

"He is changing. Not completely, but he's acting differently than when he was with Countess. I mean, I saw all the things he did for her. The way he was around her."

"Why does that matter?"

"Because he loved her."

The words make your heart seize in your chest. "Ben doesn't love me. He's my roommate and my friend-" It was the same thing that you kept telling yourself on repeat to beat back the other feelings that you hadn't quite identified yet. "And he's told me that he doesn't want a relationship and that I should try to meet other people."

That last part was a lie, but you honestly didn't know where she was going with this conversation or why it was getting so hard to breathe.

"Have you thought that maybe Ben doesn't want to love you because he's scared?"

"He doesn't love me and Ben isn't afraid of anything."

"He is. It might not look the same way on him as it does on everyone else, but if you pay close enough attention you can catch it." She hesitates. "And I think if you pay attention to you, you'll see what it is that you're afraid of too."

What does she mean? What the hell am I afraid of? Ben isn't afraid of anything, he's practically shouted that from the mountaintops like Julie Andrews.

"I already told you what I'm afraid of."

"I'm not talking about you hurting someone honey. There's something else that you refuse to admit to yourself because you're scared." She smiles sadly at you. "You should though, because when you embrace it, what comes after is really beautiful." There's a far off look in her eyes and you realize that she'd seen something further ahead that she wasn't letting on.

"And it's all I want for you. To be happy." Your grandmother stands from the other side of the booth "I think you need some rest. You drove all night long and I doubt you got any sleep. And I have to package all of these before Annie's mother calls down the four horsemen of the Apocalypse on me."

"Wait-"

"Please sweetie." She lays her hand down on your arm. "I think you'll feel a little better about all of this when you've had some rest." Her fingers raise to push back some of the hair that's fallen forward into your eyes. "Hmm?"

You didn't want to rest, you wanted to talk about this, but you knew better than to argue with her. Not to mention she was right, you hadn't slept.

"And when you wake up I'll make your favorite for dinner, alright?" She smiles, but there's something behind it that you can't place.

"Okay."

And this time you don't argue with her. You go up the worn staircase that you have your entire life and collapse onto your bed, wondering exactly what it was she saw your future hold, and what it is that you won't admit to yourself.

Soldier Boy POV

There was no light in the apartment save from the burning red tip of Ben's blunt and the bluish glow emanating from the tv that caught the dips and sharp edges of his face. But it was nothing more than background noise.

His hand absentmindedly stroked along Bean's back, his eyes focused on the ceiling above the couch. He hadn't moved in hours. It had been over twenty four hours since everything that happened at the plant shop, since you'd summoned a creature from the depths of the store, since Darren had thrown Ben through the plate glass windows of the bakery, and since Ben had last seen you.

He didn't understand why you hadn't let him take you back to the apartment and why it was that you had to leave. Ben hadn't liked the feeling that stabbed him in the chest when you turned your back on him and ran away. He'd felt the urge to comfort you the way he'd watched Hughie do for Annie in the car a week ago, but you hadn't let him.

Instead all he'd done is stood there and watched you run, still covered in dust, rubble, and blood. Worse was you hadn't let him check you for injuries and Ben hated the thought that you were hurt somewhere and he didn't know where you were.

You were so much more fragile than he was. He was realizing that more every day, was acutely aware of it after everything that happened with Elijah. Honestly, sitting there in the hospital with you laying there asleep with nothing that he could do, but wait for you to wake up had been agony. Not to mention that looking at the bruises around your throat, over your eye, and the bright green cast only made him feel worse. He'd never felt so helpless in his entire life and he hated it. Because Ben wasn't some helpless damsel in distress, he was a man and a man shouldn't wait on anyone or feel out of control, or at least, that's what he told himself.

Ben hears someone walk down the hallway outside the apartment and he perks up to listen, hoping that it's you finally coming home. Ben's mind stutters on the word "home." He'd lived many places in his life, apartments that felt more like way-stations, and the drafty cold mansion back in Philadelphia where he grew up, but neither felt like home. And although he hated how small your apartment was, it was the first place that Ben liked living in. He was starting to understand the word home.

But the feet keep moving past the apartment and Ben sinks into the couch cushions. Even Bean seems to be disappointed. "It's alright buddy." Ben mutters. "She'll come back."

But he wasn't sure.

Ben also wasn't used to feeling this way. It was close to the way that he felt when he went to Boston and was sitting in that damn hotel room waiting for something to happen and he still didn't understand what it meant. He didn't understand why he couldn't stand it that you weren't back yet. It made him feel like a woman waiting for her husband to get home from work when he told her that he was "running late." He'd tried to distract himself by looking at some possible prospects on Tinder, but just like the week after you'd come home from the hospital and just like the date he had in Boston, no one held any appeal.

His mind was awake and roaming around, pacing back and forth. The blunt was supposed to help, but it hadn't.

His phone chirps and Ben picks it up to look at the screen, but it's not you, it's Jake.

Jake: I know that I'm not your favorite person, but thank you for what you did.

Ben huffs and turns his phone face down on the couch once more. "What a fucking pussy."

When you left Ben had realized that Jake was still inside the building and as much as he wanted race after you, he understood that you'd be even more upset if you'd killed Jake. So Ben had tromped back through the building and found him trapped beneath some rubble. Jake was okay, just unconscious, but Ben had carried him out and put him on the sidewalk before he high tailed it out of there. The last thing that he wanted was to be caught with a shredded body outside a ruined building.

I didn't do it for him. I did it for her. Ben thinks to himself, looking down at the text message.

As much as he hated the thought of saving your future boyfriend, he didn't want to see what it did to you if you found out that you killed Jake, so he'd done it to avoid watching you cry again.

Ben didn't understand why he hated watching you cry.

Women cry. They're damn emotional all the time. He tries to reason with himself taking a puff from the blunt pinched between his thumb and forefinger. And she fucking cries way too much.

The image of you crying outside of the shop in the wake of everything that happened pricks something under his ribcage. Fuck.

Ben didn't feel remorse for what happened, well, the only thing he regretted was not getting there sooner and getting to fuck Darren up himself. When Diana had called him to tell him that Darren was coming, Ben had practically ripped the apartment door off in his haste to get back to you. He hadn’t wanted to leave you at the plant shop, but Butcher had told Ben, that he had a possible location for Darren, but it came up empty and Ben had been at Butcher's apartment chewing him out for sending him on a fucking wild goose chase.

It only made Ben more angry to allow Darren to speak to you, but he was trying to let you handle it even though he wanted to handle him. But it had brought him an unholy amount of joy to throw Darren in front of that minivan and to watch that creature tear him apart while the final whitish blue pulses of electricity jumped and crackled down the street making the streetlights shower sparks everywhere.

But Ben was more upset that Darren had been able to land a few hits on you before you killed him.

Ben remembered the giant lizard that crawled out of what was left of "Please Don't Die" and felt his lips quirk up into a smile. As much as he hated the entire situation, Ben couldn't help but feel a little surge of pride at what you'd done to your brother. He'd never seen you look so powerful standing there in the street, your eyes glowing a brilliant green, arms outstretched, and the ground trembling around you as the world begged to be unleashed.

Of course he'd been just as surprised as you were at the fact that you'd healed your broken arm. He wasn't sure if you'd noticed it yet, but you looked different too. There weren't as many lines on your face and your hair was more springy, the few silver hairs that Ben had noticed in passing were no longer there.

He wasn't sure what that meant, but there was something that felt suspiciously like hope tingling in his stomach, hope that you weren't as fragile anymore and hope that it meant you wouldn't die.

When Diana had told Ben that her husband had died, he saw the pain in her eyes when she said it, saw her relieving the memory, and for some reason as soon as she said that he was dead, the first thing Ben thought about was you. Ben hadn't considered his inability to age as much in the past, hadn't cared about outliving anyone before. Seeing Countess as an older woman had made him more aware of it. Looking at the woman who he once thought he loved, had showed him what that was like. Not that he had a problem with daring older women, Ben always thought that women really did get better with age, but it was what came next that Ben wasn't fond of.

And for some reason thinking that one day he'd wake up and see the marks of age on your face or one day he'd wake up and he wouldn't be able to annoy you or hear you yell at him made his chest tight.

Ben takes another hit of his blunt. The longer he sat there the more then unnatural feeling stirred in the pit of his stomach, thrumming through his veins, the feeling that he was trying to avoid. He thought that the joint would calm him down, but he found himself jumping at every creak and footstep in the apartment building, perking up each time and hoping that it was you coming home.

He didn't know where you were. You hadn't answered any of his texts or calls and Ben was ashamed at how many times that he had tried to call you.

Get a fucking grip. He'd thought to himself when he typed out another text message to send you, stopping himself from sending it.

But he'd been so desperate to hear from you that he'd actually gone to talk to Annie who seemed upset that she couldn't get ahold of you either. When Hughie and Annie had seen how upset Ben had been, Hughie had laid his hand on Ben's arm and told him not to worry. Ben had yelled at him that he "wasn't fucking worried and to mind his own business" and had shaken off Hughie's comforting hand before stomping out of the shared apartment.

No one else seemed to be as concerned about finding you. Butcher, MM, and Frenchie were all deeply involved in trying to figure out the cover-up for what happened outside the plant shop. By some miracle no one had caught a picture of your face, but there was little they could do about Darren's body that had been strewn across the street. Annie was having to deal with the repercussions at work, trying to handle what the news was calling a "super villain threat."

Personally, Ben thought that since they froze Homelander, the Seven looked weak and Ben believed that the superhero team that represented America shouldn't look weak. Of course before Ben had also thought that they looked like a bunch of pussies and again felt himself sink deeper into the couch when he thought about what his supposed son had become.

He shakes off the feelings he has about it and his thoughts turn back inevitably to you.

Ben wasn't used to thinking about someone as much as he thought of you, but each time he settled back into the apartment and you weren't there he was hyperaware of how quiet it was.

Maybe I should call Diana. She might know where she is.

As soon as Ben thinks that, his phone begins to ring, but Ben doesn't bother to look at who it is before he answers it. 

"Hello?" Ben huffs out a breath of smoke that hangs in the air in front of his face, catching in the bluish light coming from the television.

"What the hell do you think you're doing?" The voice on the other side of the line yells at him.

"Di?"

"Yes it's me. Who did you think it was? Santa Clause?" Your grandmother snarks.

"Why are you calling me and why the fuck are you so mad? What did I do?" Ben answers slightly annoyed.

As much as you got under his skin, your grandmother had been the same way. He actually thought that it was amusing that even before he figured out that she was your grandmother that he had often compared you to her in his mind. You had the same mannerisms, the same defiant and stubborn attitude that drove Ben up the wall, and you were just as beautiful as she was.

Ben was okay with admitting that he was attracted to you. To him that felt normal, it was the other feelings that he was conflicted about, the ones that he'd never felt before stirring in his chest that made him feel "too emotional" and "woman-like."

Truthfully, Ben was sure that if your grandmother had given him a shot that maybe he would have felt that way about her too. She was the only person that Ben actually trusted in the 80's, the only person that was brave enough to call him out on all his shit. You did that now. But he liked her husband also, so Ben was content with letting her go. He liked how happy that Henry, your grandfather, had made her. He knew that she wasn't happy as a supe and seeing her so happy and in love made Ben feel something that was close to happiness.

And it was seeing the way the two of them were together made Ben wonder if what he had with Countess was the same thing. Because he did have feelings about her that were different, but each time he went to visit Diana and saw your father playing on her lap he felt that there was something missing in his life.

It was the same way that he thought something was missing when you weren't in the apartment, but Ben hadn't realized that yet.

"Because I don't understand what the hell you're doing!" Diana replies and Ben honestly doesn't know why she's angry with him.

"About what?"

"My granddaughter."

Ben sits up the blunt in his fingertips forgotten. "Is she there with you?"

"Yes." Her voice softens for a moment.

Ben relaxes and leans back onto the couch, sighing in relief. "Good.  That's good." Relief swelled in his chest when he thought about you staying with her, safe.

That's what she meant when she said that she wanted to go home. Home is with her grandmother. Ben stopped the next thought before he could go there.

The thought that home wasn't with him.

Ben was trying not to think about that or think about you hating him. He didn't think you did, well, didn't think you did anymore. At first it really was touch and go, but now he was almost eighty percent sure after you'd told him more than once that you weren't afraid of him and didn’t hate him that you sometimes wanted him around.

"No, not good."

"What do you mean? Is she okay?" Ben's grip on the phone tightens so hard that he's sure that he hears the screen cracking.

"No."

"What happened?" Ben's voice is a growl, the feelings of relief evaporating as soon as they had begun to bloom in his chest. He mentally calculated how long it would take him to get to you.

"Her entire life fucking fell apart and where are you? Not here!"

Oh. Ben relaxed a little bit.

"I don't need to be there." He says on an exhale of smoke.

"Yes you do!" Diana presses.

"No, I don't. She a big girl she doesn't need me there, she's-" Ben takes a puff from the joint.

“If you were any denser you’d be a Bundt cake Benjamin!” She says exasperated.

"What the fuck are you talking about doll? I am not-"

“Let me guess." She interrupts and Ben can imagine her tapping her foot. He hated when she did that. "You’re moping around smoking a blunt on the couch probably with a glass of something that you're hoping to numb whatever the hell it is you're feeling."

Ben's eyes shift to the bottle of whiskey on the coffee table that he hadn't touched in a few minutes.

“I’m not fucking moping and stop spying on me!” He snaps back at Diana.

He hated how well she knew him. She was his best friend in the 80's through all the shit, she had seen him at his worst and at his best too many times to count.

“I don’t have to use my powers to know what you’re doing. I know you Ben.”

"Sorry to disappoint you sweetheart.” Ben grits his teeth, temper flaring hot. “But if you know me as well as you fucking say you do then you then you know that this is-“

“You avoiding your feelings by acting aloof and brooding like a fucked up version of Mr. Darcy.” She interrupts.

She certainly hasn't changed.

“I am not avoiding-“

“She needs you here Ben.” Diana stamps her foot, the same way you do when Ben pisses you off, and Ben can hear it.

“She doesn’t need me! She said that she wanted to go home, that she didn’t want to be here with me! I tried to-“ Ben shouts back standing up. It was the exact thing that he'd been thinking for the past twenty four hours, that you didn’t need him and that you didn't want to be any where near him.

That last thought made an uncomfortable sensation prickle in his gut when he thought it, because all it did was remind him of how you acted when the two of you first met, when you didn't want him to live with you and tried your darndest to make him go away.

He didn’t want to and he wasn't sure why that was.

“Try harder.” Diana interrupts him again and frankly it was pissing him off.

Ben clenches his jaw. “I think that you’ve confused me with someone else baby.”

“Don’t you 'baby' me Benjamin! We both know that you’re doing what you always do when things get hard for you.”

“And what’s that?”

“You pretend not to care and shut out everyone who tries to care for you. Not to mention you drown yourself in drugs, booze, and women.”

“She doesn’t care about me!” He spits.

“She does!” Diana snaps back. “And believe it or not she needs you here and she wants you here.”

"But-"

"Ben please." It was the first time that he'd heard Diana sound softer and almost pleading since the conversation started. "Don't do this to her. She's worth more than Countess and all those other women you've fallen into bed with."

"Do you really think I don't know that?" He roars. The answer surprises himself. "Do you think I don't know that she's different?"

Wait what?

"If you know that, then why aren't you here?"

He hesitates.

Everything you said to him the night of the party comes roaring back. You looking beautiful in a dress that made his throat tight, and you telling him that you just wanted to be friends and that you understood that he wasn't the type of guy to have relationships. He didn't understand why it stung a bit when you said that, but it had.

Ben thinks about the week that the two of you spent together after Diana went home, when he tried his best to take care of you, distract you from everything that happened with his movies, and would sit with you and try to make you laugh. He'd never wanted to take care of someone before.

Not to mention he kind of liked the way you laughed. He wouldn’t admit that to anyone, but each time you did, it made him want to laugh too. That had never happened to him before. But he wanted to make you laugh to forget everything that happened with Elijah. His fist clenches when he thinks of exactly what Elijah tried to do to you and it makes him feel so mad that he feels close to spontaneously combusting. Ben might not be the best role model when it came to women, but he couldn’t imagine the type of man who would force himself on someone else.

It had made him angry when he thought that you were suggesting that he would try something when he first moved in, because he wasn't that type of man.

Ben was trying to be better for you. He wasn't admitting that, but he really was trying to be better. He didn't understand why. You'd told him countless times that you didn’t want to be with him, that you wanted to be with someone else like Jake.

Ben frowns when he thinks about the man he'd pulled from the rubble of the shop. And again thinks to himself that you should be with someone different, someone who was a supe and could understand you. Ben had seen how difficult it was for Diana when she was keeping her supe life a secret from your grandfather and he didn't want you to have to do that with someone.

"Because I'm not-" Ben begins to say, but he holds his tongue. It was too honest, too raw, too unlike him to admit this to anyone.

Because I'm not this guy. Because I'm not the one she wants. Because I'm not some knight on a white horse. Because she's everything right with the world and I'm just a fucking asshole who sleeps on her couch.

"Ben." Diana breathes and he can practically hear her pinching the bridge of her nose. "In all the years I've known you, you've never done what you did for her with anyone else. You carried her out of that warehouse, you stayed with her in the hospital even after she woke up, you took care of her when she came home, you protected her from Darren. You can't ignore all those things."

"I'm not ignoring them. She's my friend." The word sours in his mouth as he says it. "And she would have done the same thing for me." He knew it was true.

She's a good person and she wouldn't let me chase her away if any of that shit happened to me and I told her to leave me alone.

"Yes she would. Because she cares about you." Diana sighs.

"She doesn't."

"Why don't you believe me?"

"Because she's told me what she wants!" Ben shouts so loudly he can feel the room shaking. "She wants to be friends-“

"Because she doesn't think that you want a relationship you nitwit!"

"I don't." Ben spits the words before he can stop them, but as he does something tightens at the base of his throat.

"How is it that it's been forty fucking years and you're still able to dance on the grave of my last nerve?"

Ben chuckles. "I missed you too sweetheart."

She sighs into the phone again making it crackle in Ben's ear. "She needs you.” Diana repeats. “And I think you need her too.”

His temper was flaring again, the thoughts that his father pressed into him surging up before he can stop the words. “I don’t need anyone. I’m Sol-“

“If you say that you’re Soldier Boy, I’m going to reach through this phone and slap you silly.” She snaps. “And you do need her, but you’re still just too stubborn to admit it.”

“I-“

“Ben I know that everything that happened with Countess was fucked up, but my granddaughter she-“ Diana pauses before she changes the thought.  “You say that you know she’s different, but right now you’re treating her the same way you treat all those other women.”

“I’m not-“

“My granddaughter has decided you’re important to her and once that’s happened it’s hard to make her let go. You saw the way she was with Darren and that guy was a manipulative asshole. Imagine what she thinks of you.”

“I-“

“Stop making excuses!”

“You didn’t even hear what I was going to say!” Ben shouts.

“And I don’t need to! Think what you want Ben but if you’d stop acting so stubborn and so ridiculously blind to what’s right in front of you. I promise that what comes next is worth the risk.”

“Don’t go all fucking mystical on me doll.”

“And don’t go all macho- no feelings asshole on me! So stop being so damn stubborn, get on a plane and get your ass here.” She retorts. “Don’t fuck this up Benjamin because if you do I’ll fuck you up.”

The line goes dead.

Ben sat there for a minute in the silence still holding the phone up to his ear, listening to what your grandmother said to him ring around in his head for a second.

No one ever spoke to him that way. In fact, Ben had never allowed anyone to speak to him the way that she did, well, not until you came along. You reminded him so much of her that it was astounding and he wasn't going to admit that maybe it's why he liked being around you so much.

Ben frowns at what Diana said, thinking about the unusual feelings that were swirling in the pit of his stomach. He felt wrong and the feelings were odd for him. He hadn't felt anything remotely like this ever in his life, not even for Countess.

And although Ben refused to be afraid of anything, the feelings he was having scared him. He didn’t understand and he wasn't sure that he wanted to. He wasn't sure that he wanted to see where this ended up. He felt like he was in too deep.

As much as he wanted to go to you like Diana ordered him to, he wasn't sure that he should. Something was holding him back, digging it's heels in and refusing to budge.

But why do I feel like-

His phone rings and he doesn't look at the caller ID when he picks up, expecting it to be Diana again, yelling at him.

"Di I-"

But it's not Diana.

"Hello Ben. It's nice to hear your voice again." The familiar voice says, sounding calm and collected.

"What the fuck do you want?" Ben snarls.

 "I thought it was time the two of us had a chat.”

A/N: At this point Diana is really just trying to give both Ben and the reader the kick in the pants they need. And yes I know another cliffhanger, but you know you love it. 🤭😉 We are quickly reaching the end of this series, but that means the confession scene is coming and I am so excited about it!!

As always thank you so much for reading! Reblogs, likes, and comments are not required, but are always appreciated. I love hearing what y'all think! If you'd like to be added to the taglist for this series let me know. 😊

Taglist:

@roseblue373 @mrsjenniferwinchester @corruptedcruiser @winchesterwild78 @the-super-who-locked-wizard

@criminalyetminimal @52ndstreeet @bitchykittenconnoisseur @anna6307

@faephoria @possiblyafangirl @jqtaro @quietlybitchy @tinydancer40

@roger-that-cap @megara0224 @miskwaadesiwag @rainyeggvoidpurse

@soldiergrimes @tiffsbagels @podiumackles

@ifyouwerethemoon @ririshkin @peachhiz @fitxgrld @sukunassfinger

@xx-spooky-little-vampire-xx @ej13928 @deans-spinster-witch @kr804573 @modiddys-blog

@acciosherlockholmes @minas-fantasies @fireskyy

@n-o-p-e-never @nesnejwritings @am0rem @tpwkcalli @momggn

@fitxgrld @whimsicalcherry @ladysparkles78

@spxideyver @zepskies @impala67stellawinchester

@reidtomewinchester @samanthadegaro @glossy01 @nikimisery

@tunnelvisionlove @incandxscents @winchester-stark @samahanta

@melonmochi

@kamisobsessed @whichwitchwanda @karolina-12110905 @jcollins03-blog

@pixviee @filmologetica @yvonneeeee @c1nnamong1rl29 @kmc1989

@livya99 @cherrygirl444

[lucrezianoin]

All Bellara and Davrin Dalish banter transcribed

I wrote a summary of all of Davrin's Dalish info from banter that is hard to get in game, hopefully I did not miss any. The video of Bellara and Davrin banters is here.

This is the transcription:

Bellara: Do you ever go back and see your clan, Davrin? Davrin: Not since I left the forest. Bellara: So you don't see family or friends? Davrin: No. Been a long time. Bellara: Does that bother you? Davrin: I'm the one who left. That's on me. Bellara: You must miss them. Davrin: It comes and goes. Different part of my life.

Bellara: So you're a Warden now. But you're also Dalish, right? Or at least, you were? Davrin: I'll always be Dalish. That'll never change. The sight of an aravel still brings back memories. Bellara: Good ones? Davrin: Some. Racing them through the forest as fast as the wind would take us. Bellara: I loved doing that. Davrin: And breaking my arm when our aravel sailed off a ridge. Bellara: I loved that too. Good times.

Bellara: Do you ever regret leaving your clan, Davrin? Davrin: I don't regret the life I've lived, joining the Wardens. The things I've seen and done. Bellara: There's a "but" in there. Davrin: But… sometimes I wish I could've done both. Bellara: Not much room for that. Davrin: No, you're part of the clan, giving yourself over to it, or you're not. I made my choice.

Davrin: The thing about being Dalish - I needed to see the rest of the world to understand why the Dalish part of it was special. Bellara: In what way? Davrin: I didn't appreciate my life at the time. How could I? A clan sticks to itself and you stick to the clan. Davrin: Not much room for seeing what's outside it. Bellara: Right. I get that.

Bellara: When I was little. Very little, I mean. We'd pass through towns and villages. I always wondered: What's that like? To settle down. To stop moving all the time. Davrin: Right? Have a house to call your own. Shop at the market instead of foraging for food. Davrin: Make friends with outsiders. Bellara: But you got that chance. You did it. How was it? Davrin: It was… different.

Bellara: So how different was life outside your clan? Davrin: I started to see what I took for granted. I missed the food. Bellara: They didn't have any where you went? Davrin: Dalish food. You don't appreciate halla milk 'til you don't have any. Butter too. Nothing like it in Thedas. Bellara: What about the people? Davrin: I missed the sense of a common purpose. A clan acting as one. Everywhere else, people were in it for themselves. Davrin: It's a reason I joined the Grey Wardens. Guess I needed that purpose again. The shared fight.

Bellara: I can't even read some of these books. I wonder what they say? Davrin: Do we really want to know? Bellara: Sure, the world can always use more knowledge about - Davrin: No, I mean you and I. Do the Dalish need any more rocks in our history being turned over? Bellara: Feels like we're a little late on that one.

[narfin-frood]

Silly question but how do you art?

Or more like, how is your process to draw? Your lines and posing are so loose and show the feeling of a character so well, like, how do you make your art so real with only a few lines is what most amaze me. Anyway I hope I'm not bothering you and that makes sense, thanks for reading!<3

you're not a bother, don't worry! i'm not sure if there's an appropriately concise answer to a question like this, but i'll try to explain my process for poses a bit, and if there's anything else specific you'd like to know about my process, feel free to ask, and i'll try to answer!

for posing, i find it's very helpful to start by thinking about what situation the character is in. you don't need a location or a background or anything (unless you're being #serious about it). for this, i chose "picking up something way too heavy" (cont. under cut, wall of text ahead)

keeping it very simple is key!!! do not worry about details!!! i am very bad at this. i love to add a little detail or two, like his eyes or his little expression, but i have to catch myself before i get too into it, otherwise i'll forget the point of what i was doing and/or get bored. use just enough strokes to get the point across, and stop there (for now).

i draw fast and loose, with long strokes, which also happens to help with the problem that happens if you start with any specific part of the body. it's important to start with... everything at once, or else you won't be able to see what needs to be changed or fixed until it's too late and you've already decided on where you want the head and the left arm to be!

to display effort & strain without just contorting the character's face, you gotta think about just how heavy the object is, how one would go about grabbing it comfortably, and whether your character is smart enough to lift with their legs.

wander is great (read: BEST CHARACTER DESIGN EVAR. i love him kisskisskiss) because he's not grounded in any sort of reality until necessary, and his limbs have no bones, but he still has specific proportions and volumes to refer back to if you get carried away with the wackiness. posing a character made up of several noodles of varying widths is very simple, because you can do basically whatever you want to push and pull and make it as clear (and/or as funny) as possible.

start with your line of action, in this case the long line connecting his neck and his left foot. think about where the floor is, so you can make the feet of your character and whatever else is touching it coexist in the same reality. think about clarity: big, simple shapes are your friends, and if you're not getting the gist of the pose through the silhouette alone, try again! there's NO shame in hiding the first layer and doing a couple more sketches until you land on something you really like. Don't polish a turd, especially if you yourself think it's a turd. it'll make you feel like you're wasting time, and drawing is about having fun and experimenting, so if it's getting boring or frustrating, it's time to try something else.

wander and other characters with no bones and no rules are great for posing because you can do things like make their arms bend the wrong way just to play with the clarity of the pose. this:

un-breaks the arms and makes a little more sense for somebody with elbows, but some clarity in the action is lost when the arms don't curve upward and away from the very heavy object he's straining to pick up.

grounding your characters is both more complex and easier than it sounds, and it unfortunately requires you to think about perspective (i know. i know. i know it sucks and it's confusing. i hated it for a very long time but once it clicks, you'll have it in your brain forever)

fudging a perspective grid is fairly easy, just draw several parallel lines and have them get closer to each other as they recede into the distance, and then do it again in the opposite direction. you can use the transform tool in whatever program you use most to fudge this for even less effort, by just getting a png of a grid and fucking with it

now that you've got your floor, think about those feet. the grid makes it fairly easy to envision how a shoe would look sitting on that floor:

this is also where having an understanding of volumes comes in handy, because things farther in the distance will in fact look smaller, but it's up to you to figure out just how much smaller it would be in comparison to the other identical thing with the same volume that's closer to the camera. usually it's almost negligible, but it becomes easy to spot if it's a little off.

and here's the pose i settled on! i made his noodle arms more extreme for extra XD factor and i put him on his tippy toes for that extra bit of height!

a lot of the principles i'm talking about in this post i mainly pick up from consciously watching my favorite cartoons (and live action shows) and if i really, really like the way something is done, or if i see something that i've never really registered before, i'll screencap it or i'll pause or i'll just keep thinking about it until i draw again.

this is called "building a visual library" and it's the #1 easiest and most important way to practice. it requires no drawing, unless you want it to. look at lots of art by artists you love, and if you see something and you think to yourself, hey, this looks really good, by all means, absorb it.

art is great and it's really fun and there's literally nothing wrong with taking inspiration where you can find it!! seriously!!! absorb your favorite parts of every art style you find cool and fun and put it into your own! you're the only person who can draw the way you draw, and while replicating an art style is fairly easy (or it can be, depending), matching it perfectly is Literally impossible, so don't worry about being derivative. Nobody will notice, and if they do, it's okay to say you're inspired by them! encouraged, even!

my own art style, like everybody else's, is a frankenstein's monster containing all of the things i've loved before!!! and i think thats beautiful and if anybody tries to tell you you've gotta be 100% original and have "your very own style", they're a filthy liar and they're definitely (consciously or not) already taking inspiration and reference from the things they themselves find cool and awesome.

ANYWAY. wall of text over.

TLDR: draw quickly, use long strokes (try not to pet your lines), have a specific situation to put your character in, get familiar with volumes and proportions, and have fun!!!

[callistocalavarni]

shifting to the 60s

hii I havent posted in a while, I've been trying re group from multiple shifts while getting my life back in order but I think I'm back.. Anyway I have a bunch of stories from so many places I'd like to share and im currently working on how I want to post them. But I don't see a lot of storytimes so I think it would be fun to share some. So i'm gonna rant about some shorter ones here.

shifting with sleep paralysis

I wanted to talk about this shift because it stuck out to me and I can't stop thinking about it.. I had shifted about 2 times in the span of 30 seconds. For a whole week back in October I was waking up at 3-5 am in the morning without being able to go back to sleep. So as you can guess I woke up at around 4 am and was restless. At around 6 am I got tired again so I started my method and I know people say that symptoms don't exist but in the time that I have shifted all I can say is that I disagree.. Anyway, one moment I was saying affimations and then the next I woke up all tingly and in a weird sleep state I've never been in before. I didn't even say to myself I wanted to shift I just did. It was like my mind was on autopilot. Didn't say affimations, didn't go through my script in my head, didn't even try to use the 5 senses. I just started seeing myself in 1st person and what I would be doing in my dr without any forethought and shifted. The first shift, I was on a track running with a couple of men and we all were wearing 60s running wear. I had an orange and red tank top with matching orange shorts. It had felt like there was an orange filter in this reality.. if that makes sense. I was on the track about to run and I just recall looking around laughing.

When I shifted to this moment its like I felt my consciousness leave my body; Which is the weird part because I've never really experinced this before. It felt like I was being pulled up by something and all I could hear was constant noise. I don't even know what noise I was hearing it was like someone was screaming right in my ear or veryyy loud ringing/static. The noise was SO loud. I was in the middle of sprinting when I shifted back because I thought I was the one making the noise, I thought I was screaming..Thankfully it was not me. But When I came back I was still In that state and I could look around me but my eyes were still closed. It's like I was seeing everything from a different perspective. There was a spider crawling on my wall right next to me when I shifted back so I freaked out and the noise got even louder ! The spider was leaving black spots all over my wall,, I could not figure out what was going on in the moment ( when I was writing this in my journal I figured out it was sleep paralysis ) It felt like I was tripping on a bunch of pain killers when I shifted back. I still couldn't move so I shifted again to the same reality but this time I was in the shower... the noise got even louder. The noise made it feel like a bad trip and I ended up shifting back here to try and stop it. It took my like an hour to get out of sleep paralysis. Unlike the method, this reality was very enyjoyable. It felt like a Nina Brodskyaya song, I lived alone and I was successful. I think I worked at a cigarette company, which is ironic because I hate smoking. But I don't know for sure as I didn't stay long enough to find out.

Lumari is a country I scripted, Forlina being one of its nations.

This reality was late 70's early 80's and one of my favorite drs. I stayed here for about a year. I was in Forlina living in an all girls home. Forlina gives free housing to students so I moved out of my parents house to start collage. About six girls are given a room to share together, don't worry they are pretty big. I loved our room. It had big sliding windows that gave a view of the tropical forest. We each had sunken in beds, some girls who were home sick shared beds for a couple of weeks. It took me a while to get use to the amount of noise in the morning. There was this one girl who would blast music on the radio while getting ready. I only had to worry about this sometimes because I woke up pretty early. Art was one of my classes and the professer would make the class times either 7 am or 9 pm which also took me some time to get use to. idk the guy was kind of weird. I rode my bike everywhere here. I miss being able to ride down a bike trail and see the ocean. I've been thinking about shifting back here for some time. I might post more about this reality in more detail later.

<3

[tozettastone]

"That other unnamed Grimmjow/Ichigo (Bleach) fic," is actually a fic in which I skimmed so many of the omegaverse fics (which, can confirm, I still don't enjoy) and a bunch of the mating cycles/in heat fics and decided I too could write about the hollow urge to bone.

It's a fic about how Ichigo experiences a fairly minor change in his libido relating to the awakening of his inner hollow and, because he is a teenager, responds like the world is ending.

My draft is a draft and subject to change, but this is the vibe:

"Like a cow?" is the first thing Ichigo thinks to say, puffed up in indignation. It's not Ichigo's fault, really. He remembers, very vaguely, a life sciences class from when he was fifteen. Everyone picked an animal about which to research the life cycle. Ichigo, naturally, had been late — important shinigami business, naturally — and the only approved animal left had been domestic cattle. That was the last time he heard the word "oestrus." It has been living on the back shelf of his brain ever since. It's definitely not a term he expects to hear used about himself! Urahara blinks at him from over his fan. He opens his mouth. Closes it. Opens it again. "Not... exactly," he says. Ichigo gets the sense that he has, for once, surprised him. "Many mammals experience oestrus cycles, Kurosaki-kun. Humans are actually in the minori—" "Urahara-san... Is this some kind of bad joke?" Ichigo can't imagine otherwise, but he also can't figure out why this is the joke Urahara is telling. His sense of humour usually runs high to pervy shit, but it's usually aimed at pretty young girls, not... "You're telling me everyone with an inner hollow is going around in — in season?" Like a farm animal? "Ah. No." Urahara tilts his head so that the shine of one eye peeks out from under the shadow of his hat. "This kind of thing... it's hollow biology. It's not something that affects vizards. I've never seen it on paper before and I've never studied its effects." "If it doesn't happen to vizards, why would it happen to me?" Ichigo demands. Urahara tucks one hand behind his head and titters an obnoxious little laugh, because he's clearly not taking this anywhere near as seriously as Ichigo wishes he would. "You're unique! It's hard to predict these things with your hybrid biology, you know. But as far as I know, there's no reason to suspect it will make you do anything you don't already want to. You'll probably find yourself shorter tempered and more restless, and what you want in a partner may change for the duration." His smile gets a smidge wider. "This is a confusing time of any young man's life, Kurosaki-kun, but you shouldn't worry if you have any... new urges." New urges. New urges. Like he's twelve and just discovering his dick can get hard at inopportune times? He surfaces from his mortification for long enough to scrunch up his face. "That doesn't make any sense," Ichigo protests. "I can't be... doing that. For one, I'm a man." Urahara snaps his fan open just to use it to gesture dramatically, like if he pulls off a flashy enough act Ichigo will somehow resist the temptation to smack him in the face with it. Ichigo will not resist that temptation. "Ah, but these measurements suggest otherwise, Kurosaki-kun. It's not really dependent on sex for hollows, either... they don't reproduce sexually. Besides! Who knows, perhaps there's a lonely hollow love out there just waiting for you to imprint on he — Oof! Ouch!" Ichigo tosses the lightly bloodied fan onto the desk, turns on his heel and stalks towards the shop's entrance. Chad blinks up from his intense staring competition with Jinta, but whatever he sees in Ichigo's face is enough to prevent him from following him. "Aya... my own fan," sighs Urahara behind him. Then he raises his voice, so that what follows Ichigo out into the rainy Kurakara afternoon is: "It's important to keep an open mind, Kurosaki!" "Pass!" Ichigo bellows back.

Anyway I'm going to ruin his life. For fun! :)

Okay, here's what's going on right now:

I was going to name the Ishida/Szayel (Bleach) fic "The Way To The Top" but despite the subject matter it has turned out way less comedic than I thought it would be, so I may have to rename it. Regardless, it's currently 18,000 words long and still somehow going.

The latest Maddieverse fic (Naruto) is "Where The Heart Is" and it's currently 22,000 words long. I am more or less still following the outline and have not run into any sudden debilitating snags. It continues.

That other unnamed Grimmjow/Ichigo (Bleach) fic is 3,000 words long so far. It's intended to be a one shot, but it feels like it's only about 30% done. I don't think I signed up for a 10k word fic but what the hell do I know.

I've also written 2,500 words of a prompt fic in which Maddie meets Sakura but I haven't ended it properly yet. But that also exists, I guess?

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[thepatronsaintoffilth]

I can't believe what I'm about to say, but ...

... The resistance to Hameln would have stood a better chance if they had mobilized fundamentalist christians against the show.

Think about it! They're finding legit sigils and hidden messages and dangerous corrupting influences embedded in a kid's show? Actual factual harm being perpetuated against children with some combination of demonic worship, shady business practices and unethical surgery?

Isn't that the kind of shit the supposedly righteous would go to war for?

As much as I love a ragtag group of librarians going against the forces of evil, you really need to fight fire with brimstone. Whip the PTA of the local Catholic school into a frenzy, maybe get a few rightwing politicians in your pocket, get a few true crime content creators to bring in the younger TT crowd and Hameln won't stand a chance.

[angeart]

elf scar for the assassin au~

alt under cut

[sciderman]

I swear I have read your big post regarding Peter Parker's neurodivergence and why it is best to avoid labelling him, but he definitely has a weird brain

Can't find it and feel kinda sad about it cuz I deeply related to it

i know exactly which post you're talking about and i can't find it either! i've raked through my archive, and it's just - nowhere to be seen. i think tumblr eated it (it happens.)

really, tumblr's search functionality is so so useless, i don't know what to tell you. there are plenty of keywords i can search to find it that post, but the search functionality actually just does not work!

undiagnosed audhd-addled peter parker, my darling, my light, my life, my everything.

i think peter parker's such an interesting creature to write, because a lot of people will point to a certain behaviour about him and say "this is an autistic thing, right?" but a lot of those behaviours are actually, in my head, tied to certain traumas in peter's life too.

people say "oh, the food thing, peter's a picky eater because he's autistic" and yes, absolutely. but also it's tied to his trauma with his parents.

peter gets overstimulated, and yes, it's an autism thing, but also he was bitten by a radioactive spider and his senses are dialled to 11.

it's a similar case i've found for myself, too – where a lot of friends i have kind of diagnose me because i have autistic traits, but actually - i'm hesitant to claim the label or pursue diagnosis because, actually, i know where these certain behaviours come from, and they come from certain traumas. there are events i can pinpoint in my life and say "yep. that's where this behaviour comes from."

so - i think there's a lot of overlap between trauma and autistic traits. the brain is very complex! i think the reason for that overlap is maybe as simple as the fact that people with autism and people with trauma are both doing the same thing - developing behaviours to protect themselves or soothe themselves. so - i think it's nice to be able to see a character like peter parker, who may or may not be autistic, but recognise behaviours in him and see yourself in him.

people who go undiagnosed for whatever reason - people who are really good at masking - so good, in fact, that they have no idea they might be on the spectrum - everyone and anyone at all can look at peter parker and recognise themselves. because i think we discredit the thought that every single brain does the same thing! develops certain behaviours in order to survive. every brain has that same software - we've just all been faced with different hardships that we need to overcome, and that's were all the differences come in.

autism is a spectrum, i guess - everyone falls into it to some degree. and i think events in your life probably push you along on it. but i don't know, i didn't study brain science. probably what i'm saying is very stupid and uninformed. of course there's brain chemistry involved. but i know people in my life living with autism and certain events in their life have exacerbated certain behaviours or made coping with it a lot more difficult. so maybe trauma is a catalyst.

[brothersonahotelbed]

one of these days i'll remaster this but for now its crudeness will be part of its charm. nico music be upon ye

[the-red-thread-that-strangles]

Alright. Let's talk about Akai's and Furuya's fighting styles, control, and the ferris wheel fight, featuring some tangents on professionalism.

The second reason is the implied: Akai is (in general, probably not in this situation, because he is going along with the fight Rei wants) a professional, and professionals do not fight. A professional will either ambush or assassinate (you know, like the sniping Akai is so well-known for), and generally do everything in his power to avoid a fight. It's about gaining the advantage, pressing and keeping it, to maintain control over the situation. For comparison, fights are between people of roughly equal footing, and fighting follows rules. As a person who lives in the world of actual violence, Akai does not need the fancy dances of a fighting sport, he needs his rifles, guns, and a self-defense technique for when things go really bad and personal. (Incidentally, a professional will also plan, won't let his emotions get in the way, stay calm, and keep working in bad conditions - we also see these traits in Akai.) I can remember two instances of Akai fighting (there might be more)- the ferris wheel fight, and the one time he knocked out the people after Yumi (and arguably, they didn't really have a chance and it wasn't really a fight). Other than that, he's just coordinating and providing tactical support.

Akai using Jeet Kune Do for fighting is an interesting choice. It's not as well-known as many other fighting styles (hell, it's not even a fighting style, it's a self defense technique and really more of a philosophy or a principle), but it has a couple of key values that characterize him well. First off, it's hugely individualistic. Practitioner's are encouraged to find their own way, to find what works for them, which really is Akai in a nutshell, doing what he wants. Secondly, it is described as a highly efficient way to fight. There are few, if any, rules to Jeet Kune Do, you're expected to use whatever technique will help you the most in the moment. For this reason, it is also highly adaptable, and requires an appropriate mindset to use. This latter point, I think, really mirrors the approach the FBI has in the series - do what you need to in order to get the results we want, at whatever the cost.

The fact that it's a self defense technique is important for two reasons: one is the immediate one for our context - Akai's defending himself from an angry Rei on the ferris wheel.

With all that out of the way, let's get into the ferris wheel fight, and what we learn about them there.

For contrast, let's look at Rei. It's almost funny how little professionalism Rei has compared to Akai, when it comes to the world they're living in. Rei's choice of fighting style is boxing, and he's practicing a rather straightforward, aggresive version, with barely any defense, at great personal risk. That point about professionals not letting their emotions get in their way? Well, either Rei has never heard it, or he's deliberately ignoring it. Either way, it really holds him back from gaining and maintaing control.

(I would be remiss not to point out that boxing is also done for show, fitting for this show-off.)

Boxing might honestly be good for Rei in order get out his anger and to up his pain tolerance, but for the purpose of keeping him alive, it sucks. It's up close, it's personal, and it's dirty (that tagline might as well describe Furuya himself). A threat who's gotten into that range is already a problem. Sure, usually - though not in this instance - he's also got his handgun, with its limited reach, limited firepower. For his purposes, it might suffice - he's not supposed to be a fighter, and the advantage of his gun is in its concealability. I suppose he gets a couple points in professionalism for that choice, and for often bringing back-up, whether he's working for the PSB or the BO. For what it's worth, he's also likely trained in Kendo or something similar, as we see in Wild Police Story, but he doesn't really use it. We see Rei fighting rarely, but it happens; with Matsuda at the beginning of WPS, casually inflicting violence on a kidnapper, and now here on the ferris wheel.

It's so interesting to me how they interact here.

Despite both of them bleeding, it starts to feel like Akai is in control, or at least not dated by the fighting - he gets Rei good with Jeet Kune Do's signature One Inch Punch, but has enough presence of mind to casually grabs him so he doesn't fall to his death (which gets him shoved off with a foot. Give Furuya an inch, and he'll try to take your head). Furuya's meanwhile clearly enjoying himself, might have even entered the zone, a sort of battlejoy/trance, asking for a second round (here we go again, this is a fight, with certain rules, like rounds), and Akai, well, he's beaten up, but it doesn't look like he'd surrender to get Furuya off his back - despite it being an option that would end the fight early. We see both of them smiling at points in this exchange, and I think it speaks to both of them, inherently, being thrillseekers. Putting all they are into the outcome of this fight against a dangerous enemy is a thrilling brush with mortality.

Them fighting at all, on top of the ferris wheel, is stupid, plain and simple. They expect the BO to show up any minute, and they'd better be in peak condition - instead they indulge in this fight. Really, it's Rei launching himself at Akai, who's mostly dodging and defending where necessary (I say indulge, because he is armed, and could probably escalate/end the fight early). Fights happen for a variety of reasons, usually social (because otherwise we'd be talking about violence, not a fight), and this implies Rei sees Akai as roughly equal/wants him to have a fair fighting chance, following the social contract of announcing his presence. He launches the attack, takes the initiative but the distance is so large, and he telegraphs his intentions clearly enough that his advantage is minimal.

Akai has the distinct disadvantage of carrying his rifle case, protecting its contents, because he'll need them later. He is, as the series lets us know, a capable fighter (described stronger as Masumi, who can deal with Ran, an established capable martial artist), and we can see it in this fight. He's reading Rei's movements and blocking most of the hits - for what it's worth, Rei's style seems more focused on quantity of attacks over quality. He does get Akai with some unconventional angles of attack (like swinging up into a kick from falling), and mostly this initial struggle is about them fighting for control.

When we cut back to the fight, they're still at it. I find it interesting that Akai tries to talk Rei down throughout the fight. Because the presence of mind necessary to form coherent sentences in a fight is not nothing, and the fact that he at least tries to go for a different solution is noteworthy, even if it is ultimately useless.

Then Conan calls Akai. This is in a small pause to the fight, because, surprise surprise, fighting takes effort (another reason professionals avoid it). It is really funny to me how Rei respects the rules of a fight, but he also sees an opportunity in his opponent's distraction, and seizes it (at the cost of also throwing himself down into a chasm, the self-sacrificial bastard).

Only at this point does it feel like Akai is taking the fight more seriously. I'd wager this is a) because Rei has displayed the willingness to destroy himself to take Akai with him, b) due to the enclosed space - less space to dodge and c) because at least he is aware time is ticking. They're both injured, and the enemy is coming soon. This fight better be over quick.

They only don't fight each other to the death because of Conan's timely intervention. He calls to Akai for help, and just like that, the conflict is resolved, for now. Akai wordlessly rejects Rei's request for a second round, which Rei just...accepts. Allows Akai that level of control, and the control of the flow of information (namely, they don't tell Conan they've been at it). It baffles me, but then again, I suppose it is a fight, the fight has rules, and, clearly, something more important takes precedence. Then again, this whole damn exchange makes no logical sense. Rei has sworn bloody revenge on Akai, who just saved his life today, and instead of doing something about the BO they're fighting a little. Logic is nowhere to be seen, all of this is emotional. On both sides.

I guess bonus points in professionalism for working together for the rest of the rest of the movie, even if they're sharing intel with/depending on a literal child for the solutions to their problem. It's a very unusual set of circumstances indubitably not covered by their training, granted, so what can you do (I'd still love for the adults in this universe to do their job, sue me).

Last point of note for the movie, in my opinion, is Akai waiting after all the chaos is over for Rei to spot him. Is this a case of checking in and simultaneously showing that he, too, made it out alive? He is clearly noticed by Rei, and only then walks away. And Rei just lets him. Akai is in control, in the end.

[hecatesbroom]

did I finally manage to write a brand new fic? I sure did!! with many, many thanks to the lovely @eeblouissant for inspiring me with these beautiful drawings of Blanche dipping Dorothy (and the incredibly sweet follow-up with Rose playing the piano, after our chat about this scene!!) I hope I managed to do it justice ;)

Summary

When Dorothy mentions she’s never been dipped before, Blanche and Rose decide to take matters in their own hands.