#-before she can even show others what kind of person she is''

[twenty-qs]

You know, one of my favorite under-the-radar interactions in Arcane is actually between Jayce and Vi.

On paper they have…literally nothing in common. One’s the golden boy science nerd, plastered all over Piltover as the symbol of progress, who has actively made decisions on the Council that made life in Zaun worse. One’s a bruiser who cut her teeth on the streets of Zaun, and then prison, as Piltover did its very best to forget she ever existed. They’ve had maybe, like, one actual conversation, in which Vi called him ‘pretty boy’ and Jayce looked deeply uncomfortable. But against all odds—they get along like a house on fire. I think Jayce is the only one Vi would have accepted weapons made of Hextech from; and I think Vi (and Caitlyn, but Vi came first) was the only person other than himself that Jayce would have made Hextech weapons for. They’re so in sync that they literally coordinate battle moves on the fly without needing to exchange a word. It might strike you as weird, at first. It’s just so improbable.

But it makes sense. Because the way they make decisions is almost the same—emotion. Impulse. Punch first, think later. Do what you think is right, and don’t wait for the world to give you permission, because it never will. They trust their gut and make snap decisions. And because the world of Arcane is morally gray, they usually regret it.

Which makes me think that some of the strongest parallels in this new season might actually be between Vi and Jayce. Arcane is about change. The price of change; the promises and dangers of change; and how people change, too. Vi and Jayce have been relatively stable character-wise. They change their minds about things, circumstances around them change, but at least at the end of s2e3, they’re still very recognizably themselves. Still punch first, think later. But the people around them have been undergoing extreme transformations.

Powder is now Jinx. Vi spent the entire first season refusing to see this, then failing to understand this. At the start of season 2, she still can’t reconcile the two in her mind—she can only conceive of them as literally two different people. Powder is dead. (I killed her.) All that’s left is Jinx. (I created her.) But the truth is that Jinx is still her little sister, is still the girl who was once Powder. Powder didn’t die—she changed.

Meanwhile, Caitlyn in season 2 is having a cataclysmic change because of her trauma and grief. The Caitlyn Vi fell in love with was brave, precise, determined—and fundamentally kind. She traded her gun away for medicine to save Vi’s life. She didn’t even hesitate. But now, all of that laser focus is being bent on revenge. Caitlyn has become increasingly single-minded, narrow-viewed, her world reduced to the target in her sniper’s scope. If you’re an obstacle, she’ll simply shoot right through you. She promised Vi she wouldn’t change, and then she hit Vi and abandoned her the moment Vi got in the way. Season 1 Caitlyn would never do that.

Vi struggles with change. She never seems to quite—grasp it. Doesn’t understand how the Undercity has changed while she was locked up, stagnant, an insect trapped in amber. She loves people with a sort of nostalgic glow. What the show forces Vi to reckon with is how far she’s willing to love someone before they’ve changed too much. She thinks it’s over with Jinx. She says she doesn’t consider Jinx as her sister anymore. But they are, they’re still sisters, of course they are. Jinx knows this. Jinx loves her sister, even now. Which means there might still be something in her for Vi to love too. But with Caitlyn, is there anything left of the kind girl who gave Vi her freedom and treated her with compassion? Can Vi still love the dictator literally waging war against her people? Should she? (Could she even stop loving Caitlyn if she wanted to?)

Jayce’s arc is just beginning in season 2, so I’m not sure which direction he’s heading in. But the parallels are already showing up. Is Viktor still in there, or is he dead? (Did I kill him?) Is it just the Hexcore using his body now, a monster that must be stopped? (Did I create him?) Jayce, too, might soon be forced to decide if he can still love someone who’s changed past the point of recognition. Or whether he should.

All this is to say that I hope we get more Vi and Jayce interactions this season. And that it’s definitely not a coincidence that we got two divorces back to back.

[nezuscribe]

an idea I have in mind because I think too much about arranged Gojo.

at some point, when they're already happy and in love, they meet her sisters again. Maybe they are hosting some party or his mother invited them to the seaside house like in the past. Reader is in much a better place now personally. What’s more, she’s in a better position in the hierarchy than she was before. She's a sweetheart and a kind person. So she doesn’t care about any of that, she just wants to live her quiet, happy life with Gojo. Gojo, however, is a different story... he's heard and saw enough of how her sisters treated her and he's a petty man. A very petty man. For the duration of the visit, Gojo makes it his sole mission to flaunt their happiness. He insists on buying her the finest dresses and jewelry, making sure she’s never seen wearing the same outfit twice. Every day, he presents her with another gift, just to remind everyone of how she's adorned now. He sticks to her side at all times, while the other women are left alone when their boring husbands goes hunting or something like that. And he doesn't stop to show, verbally and physically, how he loves and admires her. Maybe, just to make his point even clearer, he asks for their rooms to be on the same floor. So they'll get a 24/7 show of the great treatment she gets.

so when i was writting the arrangment i wanted to add some scenes with readers family but it didn't work out so i think this is a great opportunity to expand on that

and totally. the thing abt reader that i hope people take away is that she's had to be stronghearted to survive in the conditions she's been brought up in, but because of that she just wants to live peacefully and quietly. she's elated that she gets a caring husband on top of it, but she just goes to the beat of her own drum and if people can't then she doesn't really care

but when this little get-together is planned at the gojo summer home, something customary and necessary, both reader and gojo dread it. reader because she doesn't like her sisters and father's wife and gojo because he hates your sisters and your father's wife

so gojo shows you off whenever he can. the two of you haven't had sex yet and he's fine with that, he's trying to find the best moment anyway, but he's so touchy it's insane. his arm is either around your waist, in yours, or sometimes around your neck if he wants to show you something from where he's standing

you're wearing the highest fashion, the best jewelry, and expensive oils. your sisters gawk and groan, but what else can they do? their husbands are old and ugly and don't give a rats ass about them, and you couldn't be more content

and this one time when all the younger people are around the lake gojo brings you onto his lap to open up the seat for one of your other friends, letting you curl up into his strong chest as he wraps a blanket over you. and your sisters watch in pure jealousy as you giggle at some of the things he tells you, watch as he blushes unabashedly when you kiss his forehead

arranged!gojo just loves you too much and there's nothing wrong with that

[azaharinflames]

Well, hello my fellow and beloved BuckTommies. I come here with a new theory - not quite or what will happen, but on what did.

Let me put my tin hat firmly on my head for a second, alright? Because we have been talking about all kinds of possibilities, and have theorized about BTS, and even budget cuts, but.

We are all missing one thing.

What happened during the summer that has repercussions in the series right now? Or that will have in the immediate future, but we’re only seeing the start of...?

An ‘I Know What You Did Last Summer’ reboot was officially announced.

It is set to be filmed in Australia come the New Year. And JLH, famously having been in the first one, is going to Australia to film for this one as well. 

This means that, just like they did in Season 5, they will have to take JLH’s absence and other compromises into consideration. In Season 5 she was on maternity leave, this time around she has a movie to shoot. And it just hit me that it might be the reason why things got moved around, and why perhaps they did what they did with BuckTommy.

(Disclaimer: I am not putting this on JLH, and I don’t want anyone to do it either. If this is something that clashed with the initial plan, what the writers and Tim came up with it’s on them, never Jennifer)

We know Tim is not someone who writes his stuff in advance. He’s flying by the seat of his pants; he writes as he goes, and this is something he has said before. So now he has to write and plan in advance because Jennifer will be somewhat absent. The direct result of this is, in my opinion, Madney.

The storyline of them having a second child at home, having her go back to her family, having Jee notice her absence, and then starting to debate on whether to have a second kid… had the potential to be more than one episode. Or, at the very least, to end the episode with them deciding that, yeah, they want to try, they want to expand their family. Maddie’s mentality on PPD could’ve been an episode in itself (Lord knows we don’t get enough Maddie episodes, especially lately), instead of a throwaway line on how she doesn’t want PPD to define her. I do think it’s amazing she’s at that point in her life and on her journey, but I can’t help but think this could’ve also been a really nice episode arc to have. Chimney’s doubts were also gone pretty quickly, with not even needing to talk to anyone about it. All in all - the storyline felt rushed and a bit anticlimactic. And at this point, I can only imagine they will somehow try to create some drama surrounding the pregnancy in 808 (807 perhaps, but it feels like it’s busy enough) so that Jennifer’s absence is justified. We don’t know if, just like in Season 5, Kenny will also be absent (Chim going with Maddie wherever she goes, I don’t know). People weren’t happy with him having to be off the show in Season 5, so I hope he stays, but we don’t know just yet. 

A side result of this could’ve also been BuckTommy. If there is something I’ve gathered from Oliver and Lou’s interviews is that both were a bit surprised it happened this soon. Now, we don’t know if this means they were breaking up for good later on in the season, if this was supposed to be a longer arc, or if they knew there were talks of break-up-make-up, once they were more established. As it is, this happened now.

And in my mind there are two possible theories. Let me present first why I have them:

-They need some substantial drama to go on for 8b. Bathena went through it in S7 and now are rebuilding their life, so it would be a bit of an overkill to have them go through it in S8 as well. Eddie is going through his own stuff and is going on a journey of discovering and enjoying himself (that, personally, I hope deals with actually dealing with it and having deep conversations with Chris). Hen and Karen have just gone over the drama of the adoption and, to be honest, they need a breather. Give them SLs that don’t involve them somewhat losing their kids (be it adoption, or an accident). 

-So… that leaves Buck. Buck, whom we all joked was the only one doing fine in Season 7. Whom we all said was going to go through it in Season 8 to compensate for his happiness in 7. Well. The joke’s on us. He’s had such a drama-free period of his life (yes, affected by what was happening around him, but not directly involved in it) that I think we forgot they enjoy making him suffer. We barely saw a thing with Gerard, and nothing to last the whole season, so… now this. 

So. From this, I see two options:

-They always knew they wanted to have BT have issues, that they didn’t want them to be easy or smooth-sailing, because has a couple in this show been that? No, right? So why would they? So they wanted a break-up arc, potentially ending in making up. Perhaps things moved around a little bit, we don’t know. But maybe they want 8b to deal with Buck trying to see what Tommy meant, yet realizing he still wants Tommy, thus starting the make-up arc. Meaning, they decided to have BT bear the weight of the heavy drama of this second half. People are already invested, clearly, and with JLH gone for a bit, they need people interested in what will happen next.

-Sort of the same, but different results - they just want Buck dating around and having drama with that. Admittedly weaker than the other option, but it is one I don’t necessarily eliminate just yet. Mostly because I’ve learned to be skeptical of 911’s intentions. 

Previous to 806, I fully expected 8b to have more Buck/BT, Madney stories as A plot, as they haven’t had one in 8A. But now that I think about it all, I can’t help but wonder if those last minutes decisions were to accomodate what will happen, just like it happened in Season 5 (which, I will remind you, dealt with her absence by having a lot more of Taylor than we were expecting. Her appearances went down quite a bit once JLH and Kenny were back, and shortly after, she was gone).

Again, I am aware I might be delulu right now. But for the first time in days, something has fully made sense to me. In conclusion:

[worstdisastermaster]

The books and the shows aren't the same thing and?? That's okay?? It doesn't have to be??

Some of the artists haven't even seen the show yet, and maybe won't 🤷‍♀️ I know I've seen like. The 1st episode and that's it lol. And I really enjoyed it and I think it's really fun

But people tend to separate book fandoms from in screen fandoms, to an extent, at least, bc there ARE differences, and THATS OKAY

They are very connected but they are not the same and I don't understand why people find that so hard to accept?? Like. Genuinely I'm so confused lol

Like if someone was being disrespectful, or trying to whitewash Leah or something horrid then like. Defend her!!! (Do try to be polite tho bc people can and often do change, and they know what they have been taught until they learn more- like for example, a few years ago I had no idea ab anything lgtbq and I peob would have gotten myself canceled bc I had. No idea. Ab any of it. And despite having best intentions in heart i totally would have offended someone, and that would have crushed me, because *i didnt know*. I never would have hurt anyone on purpose, i just didnt realize what COULD hurt others on that specific topic, much less why. But now I identify with it and am learning new things ab jt every day and etc. And that's a super touchy topic for a lot of people and for good reason too! Just try to be kind first, then if they are jerks u can be a jerk back lol. Just give peopke a chnace to get better- and then PLEASE dont hold the past against them ubless they very clearly havent changed mk please please please let people grow and change and get better dont crush them before they can) anti Leah trash is. That. Trash

But why would you attack book Annabeth, just for existing? She was my childhood, and I identified a lot with her as I grew up. And guess what! I also identified with Hazel, and I do so even more now! No matter what race she will be casted as, I'm still going to imagine BOOK Hazel the way I always did. Doesn't mean I won't adore her actress, or appreciate art of the girl playing her role! But would you call me racist for drawing her as African American if her actress, was, say, Asian American? Or drawing Leo as Latino instead of Somoan? Because to me, u less I am being a jerk about it, all I'm doing is drawing the book instead of the show. Idk I'm too sleep deprived to put my thoughts into coherent words lol

I love the posts, where it's like, book Annabeth and show Annabeth holding hands. Those posts are my favorite, both because they are freaking adorable, but also. Because it's equal

They are different aspects of the same person

And

Thats

Okay

You know???

I quite literally grew up reading pjo. I read it at least once every year since I learned HOW to read, *partially on pjo*, until late middle school. I was raised on book Annabeth.

Show Annabeth is new and exciting and adorable and I'm so happy for it and I am very excited for all the people being introduced to it!!!!!!!! However, when I'm writing book pjo, I'm not swaping it out for show scenes, bc they are, in fact, different. Which, again, NOT A BAD THING. And you know what? When people from the show fandom write their scenes, they aren't going to be thinking ab the book scenes, and THATS OKAY TOO!!! And I could care less how my readers saw my characters when the read the story. I write them the way I imagine them, but it's their job as the reader to say 'no, actually :P' and swap out the appearance for one they liked better.

I did that plenty often as a kid, and i donf regeret it.

Which, ironically enough, was why my book Percy was blond until ab 6th grads XD I mixed up Luke and Percy's hair description ONCE and just. Never questioned it, though all the rereads, or looking at the covers of the books 💀 you can imagine my shock when I joined the fandom and found out Percy had black hair, instead of sandy hair like, you know, S A N D, like poseidon!!! And now show Percy is blond XD

That just proves people can imagine things how they want and jts okay- especially bc maybe, in an au, they're rifht!!! (Au being show Percy to me)

Anyways I lost my train of thought and it's almost 12 here lolll I hope I didn't say anything ill be embarrassed by come tomorrow~

Good night world :3

Hi guys, wanted to discuss something going on for a while now. What the hell is wrong with pjotwt? Like...whats wrong with this people? Do you see what they say? What they are even trying to do?

First of all, let me start by speaking about the cast. They are all wonderful children, Leah especially! She is doing an amazing job as Annabeth. But book Annabeth still exists yk? She is and she is literally white. It is not racist. But denying about a character being white in the books, even spreading hate like this...is racist. There are people out there related with Annabeth for years. People love her, every version, maybe book more maybe even the movie. How can you disrespect her like this? And most importantly, how can they attack an artist like this, with an art being so beautiful. What they are trying to do is not protecting Leah, it is spreading hate. It is awful. Making this fandom toxic, so so much.

Them trying to erase book Annabeth because she is white, trying to cover her by painting on her, shaming artists, calling people that loves her racist...What do we do about this in pjo fandom? This fandom used to be so beautiful, but now. This people are not part of the fandom in my eyes, because real fans, would respect every version of the characters, love them with their anything, even flaws. They would protect this characters because they love them, so much. And not to mention this characters are the ones Rick wrote 20 years ago, they were with us for so long.

What do tumblr think about this I wonder? Since pjo fandom is pretty active here :3

[maddy-k-reads-all-day]

Thinking about the "Do you Feel Safe Tape"

Honestly we should talk about the different reactions to 'who do you trust' a bit more.

Wooly - Wooly seems surprised that you trust him. I couldn't help but think it's partly because we like seem to like Amanda and Amanda hates him. Also considering Amanda doesn't trust him, he probably hasn't had anyone say they trusted him in a very long time and it was probably shocking. Then Amanda tells us she felt that way a long time ago and Wooly looks sad. I've noticed throughout the game that he seems to get sad whenever Amanda talks about not liking him anymore. He gets immediately sad when Amanda says that you have to think about who you can trust, before she even mentions. I think whatever he did to break her trust, he might actually feel really bad about it. (I can point out other moments he's done this too if you want). But what else is interesting is that Amanda trusted Wooly at some point. She didn't hate him from the start, something happened to change their relationship. I can't help but feel it was "recent" considering the events of the first game. Considering both Amanda and Wooly's reactions to Wooly coming back to life, I'd assume Amanda has never hated Wooly enough before to try killing him. When I say recent, I mean possibly during the years that Kate was watching the tapes and talking with Amanda.

Personally, I think both Amanda and Wooly unintentionally played a part in Kate's death and Hameln finding her. Considering Amanda's reactions to us saying "Hameln" I think they might still be monitoring Amanda and Wooly. I think that by interacting very directly with her (saying her name and stuff) could have helped them discover her identity and put her in danger. Which is not directly related to anything in this post (I mean it could be, but I'd need more evidence). That said, it's possible that him getting in the way of them remembering (once they started to gain back their memories) was exactly why she stopped trusting him. . But I think the important takeaway here is she did trust him at some point, and he feels bad that he broke that trust.

Kate: Amanda trusted Kate, and wishes she could still talk to her. Kate was one of the last people who knew Amanda when she was Rebecca. (well, positive relationships at least) Think about it. Sam is MIA. All the other librarians who knew her are DEAD. Any friends she had in school or whatever are definitely full grown adults if they didn't get trapped in the show (idk, like if they were watching it cuz it was their friends show or whatever). Every person we know who knew Amanda is probably dead now. Kate was the last one. Now that she remembers, she keeps saying she wishes she could still talk to Kate whenever we mention her, and Wooly looks like he feels bad. Now that she remembers who she was. Now that she remembers Rebecca, she wants to talk with Kate, maybe the way they used to. That could be why she's so angry with him. Why she tried to kill him AFTER they found Kate died (in the Wooly's birthday tape) but had only hurt him when they realized Riley was watching the tapes and not Kate (in the original in your neighborhood tape). Wooly might've caused her to miss her chance to talk to one of the few people who knew her as Rebecca. That was recent though, I think she lost trust in him over time as he kept blocking her attempts to reach out to Kate

Sam: She says Sam was trusting too, and that can be a mistake. She sounds so sad here, like she is going to cry. I think this confirms that Amanda doesn't hold any malice towards Sam about what happened. She understands that both of them were tricked. So idk, I guess any theories involving Amanda hating Sam for what happened are debunked now?

Hameln: Saying Hameln immediately makes Amanda stop trusting us. Wooly looks scared of Amanda yelling (as always) but I noticed he also looks kind of angry? Offended? Annoyed? I can't really tell cuz the tape gets really blurry. I've seen people say that Wooly doesn't react to the meatman or Hameln, but I think he does it's just more subtle. I don't know what else to say here, the clip goes by so fast.

Meatman: Again, both of them react to this. Amanda immediately gets pissed. And like, reasonably so. I've heard that the game won't let you progress past this point if you do this apparently, so like... the meatman is serious. Wooly looks shocked and then immediately motions at us not to say that. But like, it's a different surprise then when you answer "Wooly" he seems horrified. Like this is a pretty messed up thing to say. I'm not 100% sure what the meatman's deal is but like... both Amanda and Wooly seem to dislike him in the first and second game. Also is it just me or is it kind of odd that they only dislike the butcher? Like, there are variants of him in all the shops in the first game and Wooly and Amanda don't really seem to mind him, but they both don't like being in the butcher's. When only the meatman's buildings appear, Wooly looks pretty concerned, and then really scared when they enter, and asks her to take them someplace else. Amanda has a full-blown meltdown over not wanting to go in and when we enter she screams at us to let her out. I find this scene interesting because I don't think either of them are in control. Wooly is trying to distract her from Kate's death (or at least that's what I think the "something bad happened" means) by going a bit off-script and controlling the story a little. It doesn't seem like he was the one who messed with the stores. Amanda didn't either. What if this was the meatman? Like... punishing them for going off script by like reminding them of his looming presence or whatever? Idk. That whole scene was WEIRD in hindsight. Even though we never enter the butcher shop in the second game, his presence looms over us the entire time. Almost makes me think he's the real one put in their too keep the kids under control. They are both terrified of him after all and he seems to be connected with the surgeon who trapped them in there. Sorry this got a bit on topic but I think I might be getting somewhere.

But let's move on to the answers for the "what scares you" question.

"Amanda" or "you" - Question, has anyone tried Rebecca? I've only seen the answer compilations use "amanda" or "you". Amanda breaks our heart here by being hurt that after all this time we're still afraid of her. Ouch.

Hameln - Amanda gets terrified and says not to bring them up. I think Hameln is definitely watching these tapes.

Meatman - Wooly finally reacts to something, and bro is freaked out. Idk if it's by the mention of the meatman, Amanda's anger or both. Honestly, I have no idea why her anger spells still freak them out. I guess it is pretty scary, but I feel like he should be used to it at this point. Also she can't kill him, so what is he afraid of? He doesn't seem to be worried about being the one who makes her angry anymore, but he still gets freaked out when we do it? Weird. Anyway, I find it interesting that Amanda has spent the whole first game trying to tell us all about what happened, but she draws the line at the meatman and Hameln. Wooly wasn't there to stop her before, and she still didn't want to discuss it. Honestly, it doesn't feel like she's been as eager to tell us much in this game, despite trusting us. I mean she's told us plenty about Sam and Kate, so I don't think it's that she doesn't trust us. I think she doesn't want to remember things about Hameln or the meatman. She wanted to remember who she was, she wanted to remember Sam, she wanted to remember Kate and she wanted to know what happened to her... but somehow she draws the line here. Then we see the glitches of the surgery room and the mouth. I really do agree with the theories that the meatman is connected with the people who put her and Wooly into the show. That said... why is he there? That's what I don't get. I think I might be cooking with my earlier theory though no?

Wooly - Odd. He doesn't even look hurt, just confused. We can clearly see here that Amanda is not at all afraid of Wooly, so like I don't think he's like a Hameln worker. The meatman absolutely is though. We are not hating on the meatman enough guys. DOWN WITH THAT- Anyway.

Actually the whole point of this post was to talk about what Amanda says about how we were a stranger when we met her. I think this is really important to note. Because Amanda knew Kate long before she was Amanda. Possibly before "Amanda the Adventurer" even came to be. Of course Amanda trusted her. But she didn't know Riley. She tells us that she trusts us. This is HUGE. I mean, considering everything Amanda has been through. She barely knows us. She has EVERY DANG REASON not to trust us. Heck, I think that could be what Wooly means when he says she shouldn't talk to strangers. Because "not talking to strangers" doesn't make sense in this context. The viewer is a stranger, but if they didn't ever interact with the viewer they wouldn't have a show so Wooly's comment makes no sense. And yet, despite everything, she trusts us. Wooly looks kinda sad when she says she trusts us, probably because she trusted him once too, now she won't listen to a thing he says.

Then Joanne (I swear to god I got so mad at her in this scene) calls us and Amanda looks kind of sad when she hears that. Then looks really sad when Joanne says "that thing" I think Joanne was referring to the Wooly monster but Amanda doesn't know that. Then the possum appears and they both get really mad at it (and us for letting it mess with them). It's made very clear that both of them genuinely don't know who this guy is. It's funny because usually Amanda is the one asking us to get rid of him but this time it's Wooly.

And then let's talk about how COORDINATED THESE TWO WERE OMG. All it took was a look and a nod and they were already on the same page. If we don't help them, they manage to beat this guy up all on their own and mind you, not a single word is exchanged of a plan, they just work together. They just do it. And they do it so freaking well. Remember my Hameln theory? About how Hameln doesn't want these two on the same team because you know... two kids who can control demons who have every reason to hate Hameln and then there's THIS. When they get along they work so freaking well together. Could you imagine if they both decided to team up with their demons and beat the crap out of Hameln? Is there even a chance to be stood here? Honestly, I was also thinking, I think Hameln picked whoever Wooly is specifically for his avoidant personality, knowing that these two would clash. But clearly they don't have to.

Oh yeah, then they both get pissed AT US. I don't think we've actually seen Wooly get THIS mad at us. Like there was the time in the storybook tape but like he was not this mad. He's like... Amanda level mad here. Then they pick up the possum and throw him in the trash with still very minimal communication and ALL THE COORDINATION.

Then in the version where we do help, Amanda actually agrees with Wooly's sentiment that some strangers CAN be scary. Then without a word they both pick him up and throw him in the trash. BRO THE COORDINATION BETWEEN THESE TWO WHEN THEY WORK TOGETHER IS INSANE I NEED MORE OF IT ITS SO SMOOTH AND PLEASANT TO WATCH. Then Wooly asks if they can go home and Amanda playfully teases him "What are you scared?" Then he kinda makes this face like "yeah kinda" and she's like "c'mon let's go." she sounds a lot less annoyed with his presence then usual. Like still annoyed but also like she's kinda okay with it?

This deserves it's whole entire own post but like... I feel like gradually their relationship has improved over the course of this game. Like Amanda still doesn't trust him, there's still some rough stuff they need to work through, but she's starting to let him in again. Just a little. She's more okay with him being there. And I think people tend to overlook this when they say Wooly is evil. If Wooly was evil, why are they starting to get along again, (I mean they aren't besties again but like it's definitely a start and you can't ignore that.) Shouldn't Amanda continue to hate his guts? Instead she's actually agreed with him on some things, and they've helped each other out a bit. Like I said this is probably going to get it's own post at some point so I'll leave it here for now.

Holy crap did you actually read all this? OMG thanks. I did not realize I wrote so much WOW. BTW, I was watching those "all answers" videos along with a zero-commentary playthrough of the original so like, I'm not pulling this from memory at all.

[empty-vessel-of-a-person]

Banters and Domesticated

Note: This is Dedicated to the user (I forgot her/his name) who says that Zayne's Moonlit Dream and Heartstring Note is unsatisfactory.

My first question is, are we reading/watching the same memory? And 2nd, do you really know Zayne?

It's a bit unfortunate that indeed, Zayne's memory/cards have seriously less detailed kindle part. But if you go through the whole story, MC and Zayne have the most solid and steady relationship among all LaDS men.

This is not to compare MC's love for Xavier, Rafayel, and Sylus, but rather take this as how different LaDS men love and handle being in a relationship.

So Let's Go back to the "Moonlit Dream" card. You can go through the memory again if you want, but notice that when they get reunited, the background music is just so heartwarming. I know that it was not animated with MC and Zayne together, but their dialogue and action speaks louder than any outward love confession. They're familiar with being close to each other is not common with other LaDS men.

Another fact to consider is, Zayne and MC are the only pair that was on a date when Wander in Wonder Event Happens. They are always showing that whatever time they have left for themselves, they always spend it with each other. In line with this, Zayne confirms in Heartstring Note that he is not the only busy one, because when it comes to work, they are pretty much the same.

Kindly note as well that MC always willingly let Zayne hug, carry, cuddle, and be intimate with her. She even tests Zayne's resolve by sliding her hands inside Zayne's sleeves. And he cracks..

In Heartstring Note, they are being mistaken as parents and their love has been compared to how wife and husband love each other. This is seriously the most heart melting scene and yet they playfully banter with each other. Being able to laugh at each other's dry humor and still ending a day with a hug is just the perfect example of unconditional love.

I know I've been spouting random scenes but it will all make sense here.

Zayne is a very private and conservative person and this was shown on all of the Kindle part of his memories/cards. You have to understand that Zayne is not the type to go feral or dominating to show you that he loves you. He prefers to share his feelings and pure intentions through gentle touch and act of service.

Zayne is the type of guy you would want to be with when you are old and grey. Someone who is content just being with you.

Zayne is not like Xavier who can unknowingly and/or innocently express his love (its like rizzing you unknowingly). He shows his love in precise and calculated matter that you will not mistake his feelings for you.

Zayne is not like Rafayel who can easily make jokes and be light hearted about it. Instead his dry humor will make you laugh because he is kind of awkward sometimes.

Zayne is not like Sylus who monitors you 24/7 because you already and willingly communicates with him.

It's the quiet moments with him that stand out. And it may not be shown yet on any of his Kindles, but MC likes going to sleep/waking up in his arms (source: drunken intimacy, snowy serenity, hidden motive, mystic adventure event) They are practically sleeping in either on thier home.

Please don’t let your disappointment from the developers blinded your love for Zayne. Also note that this is how a real life love story works, you have to sometimes look beyond what eyes can see to know how different your man shows affection for you. Yes, sometimes Zayne’s Kindle Part is short and less eventful, but to say his memories are unsatisfactory, sorry but I have to oppose you in that.

Let’s be mindful of what we say and review facts before posting so no negativity will spread in our beloved game… PEACE OUT!!!

[gaywarcriminals]

On Mouthwashing, Qijiu, cruel characters, and the role of discomfort in blorbo analysis. 

I recently watched a playthrough and some video essays about the indie horror game Mouthwashing (spoilers ahead). For those not familiar, the game follows a man named Jimmy in a crashed spaceship where he reveals himself to be an unreliable narrator and fucked up in a variety of ways as the game progresses. 

Although I’m not immersed in the fandom and thus have a limited sample size, I noticed that people treat him as nearly inhuman. He’s the sole bad actor, a terrible monster destined to hurt everyone. I find this deeply ironic considering the game’s themes of responsibility and accountability: isn’t this kind of dehumanization absolving him of his responsibility to act decently?

It’s also strange to me, because the game goes at lengths to show Jimmy has an enabler. Captain Curly is Jimmy’s friend and boss who is made aware of Jimmy’s erratic and violent behavior multiple times, chooses to do nothing, and ultimately makes possible many deaths through his inaction. Aside from Jimmy’s public outbursts, there are even scenes with a specific member of their crew expressing how unsafe she feels around Jimmy. Despite this, a decent portion of the fandom sees Curly as nothing more than one of Jimmy’s victims, which is curious to me when placed in contrast with Yue Qingyuan and Shen Jiu.

Yeah yeah I’m blorbo-brained, but I think there’s a lot of points for comparison between Qijiu and Jimmy & Curly, at least in terms of their dynamic and social roles. Jimmy and Shen Jiu are both antisocial assholes with an unhealthy fixation on the generally well liked and affable guy just above them on the totem poll. They’re both convinced their superior is looking down on them, and resent the power he has (SJ less so, he has a lot of other reasons to resent YQY). They both use what power they do have to abuse those below them. Curly and YQY, for their parts, are shown to be explicitly aware of most if not all of their friend’s worrying/dangerous behavior, but do nothing meaningful to stop it. 

If they’re so similar, then why in the case of Mouthwashing is Curly often absolved of his complicity in the face of Jimmy’s overwhelmingly awful actions, whereas in the Scum Villain fandom, it’s just as common to see people pin all of SJ’s actions on YQY and vice versa?

Now, there’s a couple obvious reasons for this. For one, Mouthwashing is a horror game and Jimmy very effectively makes himself the antagonist, which lends itself to the interpretation of him as a the monster afflicting the other characters. For another, Jimmy sexually abused a shipmate, which is a particularly despicable crime (although so, I would argue, is child abuse). There’s also the fact that Curly is very physically robbed of agency for most of the game’s runtime, which might make it harder to see his power and agency before that point, but perhaps the most important difference is that to fans, Jimmy is deeply unlikable, and Shen Jiu is not. 

Personally, I think the reason a lot of people make Jimmy out to be a monster and Shen Jiu to be tragically misunderstood is simple: it can be uncomfortable to like a bad person. 

I don’t think there should be any shame in liking characters who are fucked up people that do horrible things, but I think it chafes at some sensibility within many of us, learned or innate, when we feel such deep emotional connection to a character who’s actions we would normally morally condemn. 

I’ve definitely observed that in some parts of the Shen Jiu fandom– it's the kind of sentiment that leads to discounting his canonical actions in favor of fanon. I’ve never found those fanons very compelling because I have never had any discomfort with Shen Jiu’s canonical actions— in fact, him being a despicable if pitiable mess is what drew me to him (I’m typically quite the fucked-up-evil-guy liker). For once, though, I find myself on the other side of this discomfort with Yue Qingyuan. 

I was thinking today about how one of the earliest things YQY says to SY!SQQ— his 9th line in the novel— was telling SQQ that LBH is strung up in the woodshed, where SQQ always leaves him after beating him. It implies not just that YQY knows about this singular punishment, but that this is an extended pattern of behavior. To me, YQY seems uncomfortable with the situation, but he does nothing to stop LBH from being abused aside from telling SQQ to “be less hard on him”, even though he’s the only person in the sect above SQQ, and potentially the only one with the authority to stop him. 

If Yue Qingyuan knew, did Luo Binghe know the sect leader had found out? Did Luo Binghe know he had been abandoned to his fate?

Like Curly, I think that Yue Qingyuan’s most unforgivable fault as a character was enabling Shen Jiu’s abuse of Luo Binghe and potentially other disciples. I think YQY’s motivations made sense, and I understand the choices he made, but when I think about it for too long I can feel a deep pit in my stomach grow. 

Why does YQY’s arguably lesser crime of enabling SJ bother me so much more than SJ’s own direct actions? Perhaps because I still want to see Yue Qingyuan as a good person, whereas Shen Jiu has already declared himself evil. Maybe I’ve been a little bit caught up in our unreliable narrator’s point of view. 

Fascinatingly, despite his adoration for Luo Binghe, Shen Yuan cum Shen Qingqiu never (to my recollection at least), blames Yue Qingyuan for SJ’s actions. Instead, he sees YQY as one of SJ’s victims— someone that SJ as good as killed, even if it was LBH’s orders that loosed the arrows. 

Shen Qingqiu has a tendency to, for lack of a better term, woobify his favs, and although LBH is by far the most frequent recipient of this treatment, I’d argue that YQY actually receives it more consistently. This is partially because he’s relegated to friendly NPC whereas poor Binghe is the Big Scary Protagonist, but the only time in the whole novel I can think of SQQ seeing YQY as a person capable of harm and fucking up is after YQY’s confession where SQQ puts it together with SJ’s flashbacks, but even then, SQQ sees him more as a cautionary tale for him and Binghe than someone who’s hurt others. Given this narrative bias, I’m honestly surprised* that more of the fandom isn’t simping for YQY too.

Ultimately, I think this discomfort is normal and worthwhile– something to lean into rather than away from. I’d even say it's necessary, should we ever hope to be more media literate than Peerless Cucumber.

*well, I’m not, but that’s a whole piece of fandom history better left untouched

[icrawledoutfromtheabyss]

My interpretation of Artificer

(Spoilers for Artificer endings- both ascension and the other. Also general Artificer spoilers.) My interpretation of Artificer- feel free to disagree, this is just my opinion, and I have no problem with opposing personality headcanons.

Artificer isn't a manipulator. Artificer isn't naturally bloodthirsty. Artificer isn't naturally a killer. And Artificer never forgot what she became a killer for. I have a little sister. When I was still in elementary/beginning middle school, I was extremely defensive of her as a baby. If someone insulted her in the slightest, even as a joke, I held a grudge for at least a month- and I am a very forgiving person. I got angry at them, turned a cold shoulder, etc. I've matured now and wouldn't react the same way now if someone poked a rude comment about her, but I would die for her and protect her as strongly if there was real danger. I believe Artificer feels the same about her pups. I think I understand her- only a thousandth of a fraction of understanding; I can't fully grasp a pain I've never felt before. But I can grasp a small portion of it. She would die for her pups. But she didn't die for them. She couldn't. She couldn't save them. And if she couldn't die for them, she would kill for them. She wasn't happy when she killed the scavengers. Satisfied? Maybe. But maybe not even that. Maybe she wasn't even thinking about how extreme her actions were, or, more likely, simply didn't care. All she could feel was rage. All that was in her mind was not even a single worded thought, perhaps not even the memory of her pups dying- only the echo of a memory that was blurred by the image of sheer rage. But regardless of if she was directly thinking of her pups or not, she certainly never forgot who she was killing for. Even if she didn't see their eyes every time she stabbed a scavenger, she could feel them in the tension of her muscles. Even if she didn't call "I'm doing this for my children" as she burned a toll down, her wordless scream cried it. Even if she didn't hear her children's laughter in the back of her ears, she could hear it deep in her heart. If she got them back, maybe she would continue her blood feud. But if she had to choose between her feud and her children, she would lay every pearl in the land at the claws of her enemies to get everything back.

Even if she got them back and they betrayed her somehow, or they sided with the scavengers, she would still love them. Her ascension ending doesn't show a pile of dead scavengers- it shows her pups. The former she only chose in canon because she couldn't obtain the latter. And once she sees them, she accepts her fate, even if it's a failed fate. Acceptance. The only way she could be redeemed- something so little, everything. I'm not positive about her before. Was she toughened by surviving in the acidic Garbage Wastes? Was she a strong, masculine, street smart protector? Was she a gentle, feminine mother? Was she kind? Was she stern? Was she a fighter? Was she skittish? Did her smiles always have a dry humor to them, or did they light like the sun? Was she introverted, or happily sociable? I don't know. All I know is what she is now. An irredeemable monster- but only because her pups' death, to her cycle, is irreversible. She would give up the world for them. She would- reluctantly, but she would- give up her revenge for them, if she had to. She would never willing hurt them, emotionally or physically. She only kills for them because she couldn't die for them. Perhaps I'm wrong. Perhaps Artificer was always somewhat evil. Perhaps she's a manipulator, a liar, a criminal. Perhaps she was just looking for an excuse to shed blood. Perhaps she forgot who she was fighting for long ago- perhaps she fights just to fight and kills just to kill. Perhaps she's lost herself so much, so deeply entrenched in war, that she would even hate the scavengers more than she would love her pups. But I don't think she would. Thank you for coming to my TED talk. (One final note: if you disagree with me, I'm totally chill with that! There's Rain World media where she is depicted as something of the last paragraph that I love. This is just my interpretation of her character. I'm also not defending her actions- I just think I understand how she felt while she committed them.)

[morganski-19]

The Buck and Tommy break up scene

I think this scene was telling in a lot of ways, specifically about Tommy's character. This is just one part of my thoughts, mainly analyzing what Tommy said in the conversation and how that hurt Buck. I'll be doing another post about what Buck said in the conversation, and what that means for him.

Tommy knew that this relationship with Buck had an end date. He knew that this relationship wasn't going to go anywhere other than heartbreak, so why go into it at all? In that speech he gave Buck, it sounded like he knew, no matter what, there was no way he was going to be what Buck wanted. What Buck was going to choose to be with forever. And I think in that moment, when Buck asked him to move in with him, he knew that he had to take the mask off.

I think this is really complicated, and shows that both Tommy and Buck were kind of deluding themselves that this could work. In that scene at the restaurant, we see how little they know each other. Tommy gets Buck Lakers tickets, a sport that Buck doesn't even like. And Buck doesn't get Tommy anything, because he wasn't expecting anything either. It just shows how they were on different pages, and highlights their incompatibility.

Then there was the Abby reveal, which brings back a lot of feeling for Buck, making him spiral. Making him do something big and impulsive. And making Tommy realize that he can't keep going in a relationship he knows is going to end.

He decides to hurt Buck before Buck could hurt him. But, in doing that, he never gave Buck the chance to prove him wrong.

It's also very telling in the way Tommy addresses Buck. He has exclusively used Evan in reference to Buck, even though the audience knows that Buck does not identify with that name. There are only select people that can use that name, and even they use it sparingly. So, in his final goodbye, Tommy addresses Buck as Buck. He finally recognizes who Buck is, and that he isn't this image he had in his mind.

However, it further shows just how much Tommy doesn't know Buck. He thinks that Buck is in this because it's new and exciting. And while that is true, it's not the whole of it. Buck has admitted to caring about Tommy, about being attracted to him, and about wanting to make this work. He's doing what he thinks he needs to in order to make it work, and instead of recognizing that and talking about it with Buck, Tommy leaves.

It mirrors how Abby left so much. Abby left Buck with the promise that she was coming back. Tommy stayed even knowing that it had an expiration date. They strung him along until they could make him the bad guy. Him the reason it didn't work out.

If Tommy had even a little faith that this relationship with Buck could work out, he would have went about it in a very different way. He would have still declined the invitation to move in, because it was way too soon, and have a mature conversation about his fears. About Buck's fears. They would talk about it, and move on together.

But instead, he got insecure and left without giving Buck the chance to explain himself. To defend himself.

It further shows just how incompatible this relationship was, and why it needed to end.

(Also, that comment he made at Abby was super misogynistic, and in turn further proves that he hasn't changed that much as a person. I think a lot of people are mad that Buck wasn't the one to break up with Tommy, especially after this comment, is justified. However, a point to consider, Buck is the living breathing walking definition of wearing rose-colored glasses. He's ignored many red flags in his dating history.)

[lostsyren]

The scene in season 3 episode 9 paralleling rafe and Sofia’s storyline in season 4??

~ Sofia looks out for herself by going to Hollis and agreeing to help her, after she realises Rafe doesn’t have her back. Her words here directly reflect her actions in season 4, Sofia only resorting to that deal when she felt threatened.

~ the roles are flipped from s3 and s4. Where rafe was the one debating what to do in s3, in s4 it was Sofia who was faced with a similar dilemma (of course not the exact same because rafe being rafe was debating on whether or not to kill his dad😭). But the principle was still the same– should they betray someone they love to make up for that person hurting them?

~ Sofia clearly doesn’t follow her own advice. Her guilt was instant, even when she did the act of “nudging him to accept the deal” you could she was regretful. Her whole arc in part 2 was trying to right her wrong, before Rafe said she didn’t need to worry when he got down on one knee. You could see the wash of relief in the proposal scene. And then the return of the regret, seen in her reaction to him telling her to “pack her shit away” …it was like she thought she deserved it, realising her actions had come back to bite her.

~ Sofia clearly has a strong sense of right and wrong, seen in her aversion to her dad’s request to help Hollis, her dismay in the turtle scene and her own regret at doing the “wrong” thing and “betraying” her boyfriend.

I think it’s sad that people write off her character as being boring or badly written. I do agree though her storyline was rushed, but her character is consistent and lucid (as much as a side character in outer banks can be). She’s sweet, kind and good, a direct opposition to Rafe’s persona. And those characteristics don’t mean she’s weak/badly written, it just means she’s different, and that’s not a bad thing.

And i like that she doesn’t mirror Rafe’s boldness and extroversion– it’s nice to see him interact with someone softer. Sometimes it makes him become softer, and other times it intensifies his harshness, both “humanising and villainising him” (as the creators put it).

I think if he was with someone like kiara, or someone who paralleled his intensity and fervour, it would give him less nuance. Sofia balanced him out, she shows him there’s another option. It provides a moral choice for him– to dwell on his anger and resentment, or become forgiving and hopeful.

And Rafe provides a dilemma for Sofia too– between her identity as a pogue and her love for Rafe seemingly contradicting that identity. (Very much John B and Sarah season 1 coded)

Final words: idk sorry for the ramble and over analysis!! @beautyinsteadofashes mentioned the comparison of this scene with season 4 and it got me thinking!!

Finished my assignment and got straight back to analysis and character study😭

[hoe4hotchner]

Bit of a fic idea (not necessarily a request). But what about a friends to lovers with Aaron Hotchner? Like they've been friends since childhood, she's a few years younger though. She was in the drama club with Hayley and is the reason the 2 met and she was the best woman at the wedding. But she's had a crush on Aaron for the longest time,t though always dismissed it as she valued the friendship more. She's Jack's godmother and is there for Aaron whenever he needs. She is a Sargent in the Marines, so gets the long hours Aaron does. She was deployed when she got the news about Hayley being killed by Foyet and rushed back as soon as possible. She didn't take another mission for a while after to be there for Aaron. Further down the line she considers maybe telling him her feelings but he starts dating Beth so she doesn't. Eventually she starts dating a guy in the army and Aaron is jealous though is in denial about why. It is only after Beth and him break up and he hears that readers bf might propose that he fully snaps out of his denial and confesses his feelings

That's such a good idea!!!! 💕 I don't know if I'll write the full thing one day but here's 1/2 and essay worth of thoughts I have about the concept!!

I imagine it would be even more heartbreaking and kind of a slow burn if you and Hotch knew each other before the drama club meeting with Haley. Like maybe you lived on the same street as kids and played together every day. And without realizing it back then, you were always meant to be together, because you just completed each other.

You would be a little jealous about Hotch starting to date Haley and eventually marrying her, as you had thought it would be the two of you one day. But since you value the friendship so much, you don’t mention it to him, just wanting him to be happy in the end.

The wedding especially hurt to be part of for you, but you pull through, keeping a smile on your lips as you attend, give your toast, and do everything you can to help. Hotch is so thankful for your support during the wedding.

You’re ecstatic when you learn about baby Hotchner, and when Jack comes into the world, you’re the first person he calls, seeing you as more like family than his blood relatives. And it might be the best day of your life (at the time) when Haley mentions they’ve been talking about godparents and then asks if you want to be Jack’s godmother.

When you start realizing that you’ll never be truly happy as long as you’re around Hotch almost every day, you decide to join the Marines, throwing yourself into the work and quickly moving up the ranks. And when Haley dies, you’re, of course, sad for Hotch, but somehow you feel kind of desensitized to death and don’t know what to say. Still, you drop everything and rush back to Quantico to be there for him—not so much emotionally, but at least to help him around the house and such.

Life eventually finds its rhythm again, and even though neither of you ever speaks about that time, you can feel something shift in him. But then Beth enters the picture. You see how his face softens when he talks about her, how he starts looking ahead instead of behind, and you can’t bring yourself to disturb that happiness. You tell yourself this is what you want—that his happiness matters more than yours.

You didn’t expect to meet someone else, but that’s how life works. You didn’t think much of it at first, but there’s a comfort in his company. Aaron notices. He doesn’t say anything, of course, but you feel the shift in the way his gaze lingers when you mention your boyfriend.

And when he hears rumors of an upcoming proposal, he can’t ignore it any longer. He shows up at your door one night. For a moment, you think he’s come with good news, but he only stands there, jaw clenched, his fists tight. “I don’t want you to marry him,” he says, and then, “I—God, I should have said this a long time ago. You’re more than just my friend. You’ve always been more,” he admits.

And then you kiss, and it’s really passionate.

[mariethesley2]

megumi x fem!reader

"Hi and welcome to the very first video tape of me trying to learn how to cook" .... She looks into the void in contemplation and feels the embarrassment crawl up to her face... "Well it's not like I'm showing this to anyone I'm just trying to document my life, so more precisely : hi to the future me! I hope that by then I would have learnt to cook more decent meals".

She always wanted to document her life with that one camera she has since apparently it's a great way to not go insane as a sorcerer ! but the girl never really knew how to start and learning how to cook was a good starter, from one side she gets to film a simple mundane chore done and on the other she gains a basic life skill, one stone two birds!

"anyways I got these groceries," she says that while showing the bag to the camera "going down the endless stairs AND going back up is such a drag, I really HOPEFULLY I won't have to do groceries that often"

That was her first day in the jujutsu high dormitories and wanted to try the tiny kitchen in her room and what better way than to cook pasta in it?

"so I only found this kind of pasta, " she says looking at the package, it's almost expired. The girl turns back to the camera smiling "looks good to me" "then I got this cheese, I'll grate it later, " she fetches something else form the grocery bag "I also have canned mushrooms, cherry tomatoes, a lil bag of flour I got from home, this tiny cute lil brick of milk I'll use it to make the sauce along with these tiny bits of salt and pepper" she said while presenting one by one to the camera.

"I'll try and cook enough for both me and megs "

She grabbed a pot, filled it with water put the pasta to boil with some oil and salt, despite her being alone, she never stopped talking to the camera, it seems like she has a lot to say...

"ok so I have a question, it's kinda personal but do you think megumi wishes he has friends other than me?? 'cuz at this point i' m starting to think that we're only friends because there was no options or am I imagining things?? " she paused to hear the answer and busied herself with the sauce.

It didn't take long for her to remember that she was, in fact, alone and that the answer she was waiting for was never coming

She let out a little laugh to mask the embarrassment "hah.. I'm barely one day in and I'm already losing it it seems... Yaay..." a small pause followed, "still I hope future me has the answer to this!!"

For the rest of the video she remained silent while preparing the sauce, straining the pasta, putting it in bowl for her to share with megumi, she really wanted for the "meal" to turn out just nice, no scratch that, she wanted it to be at least edible.

While arranging the bowl and spilling some sauce on herself and the camera, and with bits of grated cheese almost everywhere she was finally done "and here it is ladies and gentlemen!! This pasta dish made the one and only me!!" the self proclaimed chef looked at the camera with the biggest smile there is, clearly proud of herself.

The door knocked just when she was about to turn off the camera. She quickly hid it and went to get the door and there was her lifelong friend that she may have a tiny little, unnoticeable and insignifiant crush on, but that's a story for later.

"gojo is as-" before he could even start talking, she quickly cut him off out of excitement "I made pasta!! Come taste it!!" the girl took him by the arm and guided him to the tiny kitchen, she slid a fork towards him on the counter "here, have a taste and tell me what do you think".

"are you serious?? How am I supposed to trust you and your non-existent cooking skills?? You remember the sweet chicken or should I remind you if the time we almost die cremated?? " she shoved a fork-ful of pasta before he could cite anymore of her previous epic fails, "so??"...

clearly wrote this with childhood friends to lovers trope in mind...

Author's note ig: I have no idea what I just wrote honestly, if you read it I'm genuinely sorry for you cuz it's boring af and badly written ik. I just wanted to put it out of my drafts cuz it's been bugging me there. I'll prolly never finish it so if anyone wants to rewrite it well you're welcome to!! And maybe tag me so I could read my idea with a better writing style, thanks!! <3

[writerfae]

Maya can have a little piece about her drastic childhood experience too, as a treat

Maya had a nice childhood.

She was free. Free of expectations, of judgement and grief, of a life bond to the norm. She was loved and she was happy.

But Maya’s childhood was like a blooming flower, beautiful but all too short-lived.

With the sickness of her mother, with the very last breath she drew at the cusp of spring, Maya’s freedom, her carelessness had come to a violent end.

Maya still remembered that day.

She remembered her mother’s hand running through her hair, the kiss she had pressed to Maya’s brow before she fell asleep.

The sinking feeling when she didn’t wake up from said sleep.

She remembered her quick steps as she made her way to the village’s healer, the way she fell and scraped her knee in her haste.

How all the man could do as they arrived at her mother’s bed was cover her face with the white sheets and tell Maya how sorry he was.

She remembered running to the little hutch in the garden, holding on tightly to Willow, her favorite goat, face buried in her soft fur.

The tears that fell once she realized that she was all alone now.

The days after that however, were a blur.

Her mother’s burial, the villagers discussing what to do with Maya now, life slowly moving on again.

Even her own tearful plea to be able to stay at her mother’s house were nothing but vague memories.

They were bleary like one’s vision when you start to tear up. Tears blocking the view.

Maya’s anxieties started then.

She’d always been a child easily startled, yet easily calmed down as well. Her mother was very good at that.

But ever since she, that one person that was able to calm Maya like no one else, was gone, she couldn’t quite shake off the worries that clung to her anymore.

She still managed to live by herself for a whole year, somehow, with a little help of the villagers.

The pain about losing her mother was fading ever so slowly as spring became summer became fall became winter.

But her loneliness only grew. Maya feared that she’d never get to be loved in the way her mother loved her ever again.

She thought her childhood was over for good.

Until Martha showed up.

Martha was a friend of her mother. She was a kind woman, a wise one. She was the reason Maya ended up in the fae realm.

The place where she had never been before and that yet felt strangely like home the second she came there.

The place where she met Talon, who turned out to be the only other person beside Maya’s mother who was able to ease her anxiety.

As his mother took Maya in, a good lady taking a lost and anxious child under her wings, Maya got a second chance.

Something Maya didn’t think she get. Something she would forever be thankful for.

At the Willow court, she was granted a second childhood.

The flower bloomed again.

It wasn’t a life as carefree as the one she had before, but still a very nice one.

Talon, Sera and their parents may not have been related to her by blood, but for Maya they still were family.

And she came to love them just as much as she had loved her mother.

[lucyskywalker]

I’m actually very curious to know why you don’t like jonsa! my reasons for example are: their fandom is acting way too insane for a ship that never happened and won’t ever happen; kit harington is unfortunately ugly. what are yours?

There are so many reasons that I dont even know how to begin with.

Alright. Let's go.

1st reason: It is only solely based on the show, and I really mean that. When you get to read metas and posts surrounding the ship, u realize these people never opened the books, while traying to pretend they did. I'm not being entitled. It is just obvious with what they write. Everything is taken out of contest. Especially surrounding Jon's pov and his lack of relationship with Sansa.

+ I despise the show. The only good thing about D&D's creations were the Dragons CGI and the dothraki and valyrian language, and it ends there. Out of it, everything sucks. They have rewrote all the female character in such a sexist and ridiculous way that I can't even start explaining for you.

2nd. I ship jonrya. Ik it is not everyone's cup of tea, but I do. And no. Idc if they become canon or not. I like the concept. I love their relationship. And I love what they can become. Now why the fact I ship Jonrya actually matters? Well, specially after season 7, a lot of Jonsa fans started taking things from Jon PIV that were about his love for Arya, and make it be about Sansa, with ridiculous excuses for their takes. The most commun and easy example being "What do you know of my heart, priestess? What do you know of my sister?" When Jon asks Melissandre, he is referring to Arya. And no. It is not a different interpretation. It is about Arya he is talking about. Another one was "Would you bed your sister?" And Again Jon thinks about Arya, but when you read Jonsa's metas; they say he is thinking about Sansa. Another common Jonsa take is that Jon died for his men in the books, or for Sansa, when again, this is not the case. He died for Arya. And that is explicit on the text with no room for other interpretation. No wonder why the last thing he tought was about her.

Jonsas straigh up lie about what happens in the books to support their takes, or they just read metas here on tumblr and believe it. Idk and neither do I wish to know.

Not only that. They started behaving as they had a moral high ground over jonerys and jonryas... when they don't, it is still incestuos and still problematic to modern standards - not only that, they behave entitled to this day, and attack Jonrya shippers and Jonerys shippers in a real coward way.

Many, many times, I received anon hate telling me to *kms*, slit my wrists. Someone even wished for me to get raped over a fictional ship.

My disdain over the ship is not only with the ship itself, hence taking a lot of Jon's dynamic and bound with Arya to give it to Sansa, which is really important in both of their stories and arc, but mostly about the fandom, and how I was affected by it. If it was treated only like a crackship (what book wise, actually is), as my beloved hitsukarin from bleach, I would have no problem with it.

But the community is far one of the most toxic ones I have ever seen or been in contact with. Actually, dealing with them heavily impacted my mental health.

3rd. I really didnt like Sansa way before dealing with the fandom. Since my favorite is Arya, the way Sansa treated her never vibed with me. (And no. It isn't normal sibling behavior. I am an older sister. I would never do half of the things Sansa have done, not even on 11). After book 1, I felt pity for her, but she still was the last interesting character for me, even if her Vale story was.... I guess, more berable.

After getting into the fandom, tho, Jonsas and Stansas ruined Sansa for me in every possible way as well to the point I read her chapters and I won't feel any kind of enjoyment in her journey or her character. She is my least liked character, not because "she is the most horrible person in the books" (she is not. She is far from being that. ) but because her fans made me feel terribly bitter about her. It is not logical or fair, but again, I'm not trying to be.

[seyaryminamoto]

Any thought on Toph's writing and "arc" in ATLA? I personally think Toph was the most stunted and underdeveloped character. She never really develops at all and is mostly just a walking joke. It's clear that the writers loved her but also clear that they never did anything with her.

If you mean stunted and underdeveloped character in the main cast, definitely yes. A lot of minor characters were done a disservice by the show, given next to no complexity, so I wouldn't rank her as #1 altogether, but among the main cast, absolutely.

Now, I wouldn't say she had zero growth, it's just... not an arc. I also don't think she was only a joke, though they used her for comedy a lot. It's part of why it weirds me out when the fandom acts like Sokka, and only Sokka, was comic relief in ATLA. Toph, Aang, Iroh, even Zuko whenever the narrative wanted to poke fun at him, provided comic relief often, so it's kind of stupid to pretend it was only ever Sokka.

... But that ridiculous perception, then, caused the not-so-funny LOK phenomenon of "Bolin is the funny one", where basically all comedy was meant to be about/around this one character, which didn't work nearly as well as they expected it to, and did nothing for the team's synergy and bonding, but I digress...

What do I think about Toph's story and journey in ATLA?

Toph starts out as a girl who wants nothing more than to be independent and for people to stop underestimating her. When we consider that, in her final action scene in the show, she's clinging by her fingertips to someone else, and that her survival and life depend expressly on HIM, it suggests that she's learned that she doesn't have to go at everything alone, and also that she doesn't have all the answers to all situations. The first time we met her, it doesn't really feel like she wants to work alongside other people, as shown in her conflict with Katara in The Chase, where Toph felt absolutely no need to chip in and help out with anything but her personal needs.

I will say, in Toph's defense about that last thing, it's perfectly common for a child who has spent most her life being cared for, not having anyone expect a single thing out of her, to not understand why she needs to contribute ANYTHING to the team. It doesn't hurt that she's new, which implies that the others have been setting up camp, finding food, traveling across the world, without needing an earthbender's contributions. So it's fairly easy to see her side in this: why does she need to help at all? Why can't they handle things on their own when they always did?

But in her chance encounter with Iroh, Toph is given a chance to think on things and ponder that there's nothing wrong with relying on others. It's so effective that this scene concludes with Toph telling Iroh that maybe he should tell Zuko that he needs him too. This might even be one of Toph's strongest moments in the entire show, honestly. She has no idea who she's talking about, has never met Zuko or Iroh before, but what she tells Iroh doesn't sound like it comes only from having determined that IROH needs Zuko: it sounds like self-reflection, based on Toph realizing that maybe she can open up to needing her friends, too, and working alongside them isn't such a bad thing.

I think this is decent writing. Really!

The issue is... this is about as good as it gets with Toph.

I really like her character, she has a lot of good jokes, some interesting moments of vulnerability here and there, but this scene with Iroh is the only instance of the show I can think back on that actually features Toph questioning her strict ideas and reasoning with them, choosing a different path and abandoning something else she wasn't ready to forsake (complete and utter independence). What's more, this isn't even the kind of growth where Toph has COMPLETELY abandoned her individualistic mentality: she's adjusted it. She allows herself to consider she could be part of a team, to have friends, to work with others, but that doesn't mean she's tied down to them. It never stops feeling like Toph is more than ready to do things on her terms, in her own ways. No matter how much she bonds with the others, she will rely on them exclusively when she needs them (see how she clings to others when she has little to no visibility), or when they need her in combat and such, but outside of such spaces? It's unlikely that Toph will be the type of person who feels the need to be accompanied all the time, who feels better if someone is constantly watching over her. Her friends allow her to find some kind of balance between her need for independence and the comfort of having allies and friends to connect to... but that doesn't mean that she'll never break off on her own when the urge hits her, when the big battles are settled, when problems are resolved.

And I'm the last person to think Yang, of ALL PEOPLE, has any solid understanding of these characters, but whether it was his idea or Bryke's to feature Toph as a teacher, and to have the Gaang drop by to pick her up during The Promise? Ultimately, this just proves she doesn't feel the need to be with Aang, Sokka and Katara non-stop. If even someone like Yang thought she'd go do her own thing (... the quality of what he wrote is, of course, forever in question), down to even leaving her out of The Search entirely? It's clear that they're not trying to promote the idea that Toph is forever clinging to her friends now. She's still independent.

But like I said earlier... this balance Toph finds between her friends and her freedom isn't the product of multiple episodes and lots of hard work and bumping into obstacles to achieve. This... is literally just Toph's second episode. That's the last time the show actually challenged Toph on a PERSONAL level that doesn't involve "becoming a more powerful bender".

Take her relationship with her parents, for instance: the fandom is convinced they were abusive as fuck and that Toph would hate them forever. Ironically, the show DOESN'T promote this notion at all (which makes The Rift kind of insane when compared to the show's treatment of Toph's parents), for it features her parents as two idiots who underestimate Toph immensely and who simply want her to come home and stay out of danger. This could be deemed as abusive in some people's minds, as usual the word needs to be taken more seriously nowadays... they're not good parents, there's no denying that. They don't understand their daughter, outright. They allow their preconceptions of her disability to determine who they think their daughter is. There's nothing in the show that suggests otherwise.

So why, exactly, is it that every instance where Toph considers communicating with her parents or meeting them, she seems to be perfectly content with doing it?

Xin Fu's trap for Toph was completely cemented on the notion that Poppy Beifong had come to visit Ba Sing Se and that she finally accepted her daughter for who she was. Toph's reaction isn't some kind of jaded dismissal because there's noooo way her mom would ever accept her... she outright goes to see her. Which allows Xin Fu to trap her. Which then results in Toph discovering she can metalbend. But the thread that started this whole plotline? It... goes nowhere. Of course, Toph's parents AREN'T there, there's no real reason to assume they've changed, and this was just a trap... but we get no reaction from Toph when it comes to this. We see no conflict. She simply embraces her new abilities and runs back to Ba Sing Se. A quick glance through the transcript shows zero focus or interest in what she went through. Hell, there's not even any acknowledgement that she learned to metalbend. It's all about Aang's struggles with the Avatar State and Katara being in danger.

Next time? The Runaway. A very frustrating and annoying episode. What happens here? Katara decides to dig into Toph's old wounds regarding her parents, tries to psychoanalyze her and decides that all of Toph's rebelliousness against authority boil down to having a bad relationship with her parents. Which... maybe it's true? Doesn't really justify Katara trying to act like her mother anyway? And then the episode ends with Toph asking Katara to help her send a letter to her parents, which sounds like Toph has made her peace with them and like she's ready to accept that she would like them in her life too, and that she wants them to accept who she is. Yay.

... The issue here is there's no follow-up. This doesn't feel like development because nothing comes from it. Nothing really changed. It doesn't come from organic writing either: it comes from Katara's forced "mother friend" role that she didn't use to hold at all (as I said in the ask about why I think Katara loses her appeal as a character the deeper we go into ATLA), and it never actually confronts Toph with her parents again. It doesn't feature a deeper reflection from Toph regarding why she feels the way she does about her parents, nor does it feature Katara realizing that Toph's parents actually did fuck up a LOT with her and that she has every right to push back against them. It merely makes Katara calm down because she realizes the others care about her (while eavesdropping, ofc) and are ready to accept her for who she is... even though she, too, merits a LOT of reflection regarding this mom friend role and nobody else should be comfortable with that, let alone her :'D

Point being, the show really just holds this as the only thing about Toph that wasn't actually resolved, but it acts like it's fine because Toph sent a letter. What growth did we see in Toph that actually means this letter makes all the difference, though? We have no idea how it affected her parents -- as much as Yang acts like it didn't affect them at all, it could have made them rethink some things, or it could have made them mount an even more desperate search for their child, who knows? And it's a pretty solid thread to pull at, to tug loose, to TRULY challenge Toph's character... aaaaaaand they just don't do it at all.

The way I see it, that's really what it boils down to. The show doesn't challenge Toph in any significant way after her... second episode. This isn't the case for most main characters, and I'm not even asking for Toph's story to feature an intense, horrible, super harrowing and difficult plot...! Just, make some things complicated for her. Show her frustrations, show her difficulty to grasp things she hasn't experienced before. Confront her with realities that she, a sheltered girl from a pretty well-off city, has never really needed to face before. Her attitude towards Ba Sing Se is never questioned or challenged narratively: she's constantly proven right about the city being fucked up, and about her reads on all high society people. While all this makes Toph feel smart to a viewer, the issue really comes where this character basically only has her admittedly sizable charisma to win us over. She succeeds! But what does this show give her to work with besides a very quick "I don't wanna work in a team-I learned to work in a team" conflict that is resolved even faster than Sokka's sexism, which pretty much died out within 4 episodes?

There's definitely a component here were Toph is successful not only because of her personality, her abilities, her strength... but also because of the message she conveys regarding disabilities. A LOT of disabled people have clung to Toph as an example and inspiration to not allow whatever ails them to define them or hold them back. Whether the comparison between a blind girl with magical powers and a disabled person of our world without them is valid or not? The effect Toph has had on a lot of viewers who related to her struggles is undeniable. In a sense, it almost feels like the fandom's worship of Toph suggests that in not giving her further challenges on a personal level, they actually hit some kind of jackpot as far as social messages are concerned... but once you actually scope in and pay proper attention to her character, you might find she's got so much more potential that went ignored by this story in favor of presenting her as this unquestionably strong girl who relies on others when she really needs to but otherwise is independent and free from all of society's restraints on her.

Personally, I know this to be the case because of the pushback and reactions my version of Toph in Gladiator initially resulted in. She had no reason to think anything of Sokka and damn near killed him when they first clashed in the Gladiator League... and this horrified a LOT of people! They couldn't BELIEVE Toph could be like this! An older Toph, 7 years older to be precise, who broke free from her parents' hold, struck a bargain with her would-be-captor to get him MORE money than he'd find if he turned her in, and who wanted nothing but to measure her strength against other powerful fighters. If she doesn't have Aang's group's influence on her as early on as when she's 12-years-old, is it REALLY that crazy for Toph's problems with her parents and authority to fester, for her craving for independence to reach new heights, for her readiness to prove herself stronger than anyone to actually be a hazard for other people who stand in her way?

Thus... a lot of the work I've done with this character has been deconstructing these flaws, building her into someone who understands herself better. It's in learning from the examples Sokka and Azula set for her that she starts to realize what kind of person, what kind of LEADER she wants to be. One of my favorite scenes to write about Toph is when she's setting her city free from Fire Nation control, extending her earthbending reach all across Gaoling, putting a stop to the FN army while focusing on creation rather than destruction. On building up her people, on leading her forces with the power of her seismic sense, on capturing the enemy leader, all of it without razing her home city to the ground. Early Gladiator Toph? She wouldn't have cared one bit to join the war to begin with, and if someone had told her that her city, the place she associated with rules, limitations and restraints would be razed to the ground? She might have even encouraged it. Yes, a part of her would have felt guilt over her parents... but she would have been so emotionally stunted that she would have forced herself to ignore any part of her that still cared about them.

And worth noting? One of the biggest personal issues Toph faced was actually nearly killing Azula and Sokka because of her absolute determination to win against them during an event. They were already friends, but they were also each other's biggest rivals in the League... neither side holds back when it comes to this particular competition, and Azula and Sokka had actually beaten Toph and Iroh on their previous encounter! Which meant Toph's desperation for victory was driving her a bit crazy. But once Toph takes it too far at one point, she freaks out. It triggers guilt that actually jumpstarts a much deeper and more complicated arc than anything she'd been through before. Her determination to win at all costs, her pride over her lifelong winning streak within the League... she's suddenly facing the possibility that all this shit she used to cling to, so damn hard, means NOTHING when she could lose two of the people she cares most about if she continues to privilege all that stuff over their wellbeing and safety.

And this doesn't mean that she didn't like fighting as a Gladiator anymore... it means she really came to terms with the fact that other things mattered more. Later on? She realized there are BIGGER fights out there, too, than what's going on in the League: she was the last line of defense against a brutal attack by a rogue waterbender who killed a lot of people and could have killed many more... and after the fact, she spends quite some time worrying about what could have happened if she had failed to protect everyone, if her strength had faltered when she needed it most.

Yes, touting my own horn a lot... but everything I've typed about my own story is exactly why it can even piss me off, at times, to see Toph's potential as a character squandered to the extent it is in canon. I've done so much more with her than they ever did, and granted it's a huge story, but Toph ISN'T the main focus on it and I still managed to give her more to work with than canon ever did. It makes no sense, does it?

I don't think she was given the respect she deserved, and partly, I feel this happened with a lot of female characters who straight-up don't have arcs at all. There's this latent fear that in questioning a character, showing they're flawed, they could become unlikeable... ironic how this is seldom a concern over male characters, but it is with female ones. And mind you: it DOES happen to male characters, because Aang himself is the most egregious example of a male character showcasing flaws and people spiraling over them, turning them into something they never were, all be it to pretend SOMEONE ELSE (*cough* Zuko *cough*) is that much better than him. But they WEREN'T scared of writing Aang into complicated situations that showcased his flaws and resulted in his growth, though. They are with Katara, Toph, Suki, Mai, Ty Lee... :') wonder why, huh?

Ultimately, Toph is a much better character, boiled down to basics, than many characters I tend to talk about and criticize openly. The issue with Toph, for me, isn't really that she fails as a character, or conveys wrong messages, or that the narrative is biased in her favor (though sometimes it is...).

The problem with Toph is she has no chances to truly grow into her own. That her biggest growth comes from a singular conversation with Iroh in episode 2x08 is incredibly unfair to a character who can provide SO MUCH if you simply give her a chance and let her be... human. Flawed. Complex. There's so much more that can be done with her, and if given a chance? She really could have been the best character of the entire show. Too bad they didn't have the guts to let that happen.

[fiendishartist2]

height chart/character sheet for all of the main tma cast feat. my headcanons (and misconceptions about canon desc. O_O) of them

and an extra georgie <3