#(why do I look like if oscar and lily had a child that's older than them?😭) | Explore Tumblr posts and blogs

httpiastri · 11 months ago

Text

this christmas – op81

ski slopes, mistletoes, and the guy you've been crushing on for years – what could be better?

genre: fluff, mutual pining, friends to lovers!au, smut (just one scene in the end, you can skip it if you want)

pairing: female leclerc!reader x oscar piastri

other characters: lando norris, charles leclerc, george russell & mundt, alex albon & lily muni he, pierre gasly & kika cerqueira gomes

warnings: mentions of alcohol, smut, not much more i think

word count: 13.8k (LMAO)

requested?: yes!!

author’s note: hello hello!! a lot to say about this one. first of all, thank you to @be-your-coffee-pot for this request, and i apologize for not getting to it earlier than now. for everyone’s knowledge, the request was sent in to me in august, so… yeah. i know it’s not exactly what you asked for, but i hope you like it anyway <3

second of all, i feel pretty happy about some of these scenes, but some… not so much. some of the fillers have parts that i really despite, but i don’t really have time to rewrite since christmas is like 2 days away lol. also, my description of the reader’s relationship to charles is not my best work, idk why he barely even appears, and i’m also not sure why logan isn’t in this...

third of all, my red divider things make my posts disappear from the tags, so i didn’t put any in this time. it looks bad, i know, but idk how to fix it. if anyone does, please let me know. :)

and lastly: i only proofread this whole thing once yesterday, but tumblr was being a bitch and i got so frustrated that i do not have the energy to proofread it again. so please, if you happen to find any spelling or grammar mistakes, i would be very thankful if you let me know. <3

hope you all enjoy !!

december 12th, 2:11pm

oscar has always loved winter.

it started in his childhood; the holiday films he'd seen as a child, the way it always seemed to magically snow right on christmas eve really started something in him. it hadn't been common for him to get snow back home in australia when he was younger but once he moved to the england, he got to experience it quite a lot. playing, fighting and just existing in the snow was like an unfilled childhood need that stayed with him until his older years.

he loved spending christmas at home with his family, but ever since he got to experience real christmases with snow, trees and cozy darkness, he craved it more than he craved lying on the beach in his swimming trunks.

so when he was asked to come along to the swiss alps for a vacation during the winter break, he packed his bags right away. he and lando just happened to book the same flight, and they both arrived at the airport around noon, getting into a cab to take them to the accommodation together.

when they arrive outside the cottage, oscar is in shock; it is enormous. he had imagined just a tiny, cute little house – not that he was sure how seven drivers and a couple of girlfriends would fit in a "tiny" house – but he was far from right.

him and lando are the second pair to arrive, just about an hour after alex and lily, who are the self-proclaimed 'hosts' as they took care of all of the booking and planning.

"we thought that one would be lando's room," alex starts, pointing down the hallway. "since it's far away from everyone else, and i'm sure we all would prefer to actually get some sleep during the night time."

"oh, shut it..." lando mumbles, shoving his friend on his shoulder.

"this one can be yours, oscar," lily says, moving in the opposite direction and gesturing to another room. then, she points at the one right next to it. "and this one has two beds, so it's for charles and his sister."

oscar's ears perk up. "y/n is going to be here?" he speaks almost took quickly, making the other three turn to look at him.

"oh, i thought you knew..." lily has an apologetic look on her face.

"i must've forgotten," oscar answers, though he's completely sure no one told him about it. there's no way he would forget you. "don't worry, it's cool."

the hosts continue to move down the hallway, and the mclaren boys are just about to follow along when lando elbows oscar's side playfully. "it's cool?"

oscar raises an eyebrow, trying to keep calm. "what?"

"the youngest leclerc coming along?" a grin takes up lando's entire face. "it's just cool? is she cool, or-"

"goodbye, lando." oscar shakes his head, darting towards alex and lily again. he takes a few deep breaths, hoping the blush he can feel spreading across his cheeks isn't too obvious.

unfortunately, lando didn't need to see the blush to know. he has caught his teammate staring at you too many times over the season, and he is fully aware of the way oscar always is suddenly interested in the conversation whenever you're the topic of discussion.

lando knows everything. and this christmas, he's going to be the best wingman the world has ever seen.

‎‎ ‎‎

december 13th, 12:53am

it's past midnight when you and charles arrive. your flight had been delayed, and then the gps had stopped working all of a sudden. and then, charles just refused to drive any faster than 30 km/h, saying it was too dangerous. as if he didn't drive cars in ten times that speed without even flinching.

you assume the whole house is sleeping already, so you and charles both sneak in as quietly as you can. someone – lily, assumably – has left you a note on the front door, guiding you to your shared room. it all goes smoothly – until charles trips over the doorframe, dropping his bag onto the floor as he tries not to fall down. the sound rattles through the hallway and you flinch, stopping in your tracks as you hope no one's woken up. but just a second later, the door opposite yours opens and a head sticks out.

oscar.

your heart softens and your shoulders relax when your gaze meets his. your soft smile is mirrored on his face, the sleepiness evident in his droopy eyes and the way strands of his bedhead point in every direction.

he looks like he's just about to say something when charles speaks up. "sorry, man! were you asleep?"

he walks up to the australian, giving him a firm handshake and a pat on the back. oscar shakes his head. "i was up reading," his huskey accent is like music to your ears. "i thought i heard some rustling out here, and then..." he nods his head toward the suitcase on the floor.

your brother laughs as he steps back, walking into the room with the "leclerc" sign. "well, i'll let you get back to that then," he says, picking up the bag from the floor and looking back one last time. "good night."

and then, you were just two.

you and oscar stand still for a moment, just watching each other. then, he opens up his arms, welcoming you into his embrace. you step forward and drape your arms around his shoulders as his wrap around your waist, and you let out a content sigh. he's warm, comfortable, and the way he squeezes your body has your mind spinning.

"it's been a while," he says when you part from the hug, a soft grin playing on his lips.

"like a month," you chuckle, crossing your arms over your chest.

"a month has never felt this long before."

you're not sure when your crush on him started forming.

as someone who's always been interested in racing, even in the series your brother isn't in, you've kept up with most results and championships – including oscar's seasons in f2 and f3. after seeing oscar, the unstoppable rookie who completely crushed his season in f3, you made sure to keep an eye at him in f2 the following year. and it's easy to say that you liked what you saw. especially in jeddah.

you'd meet him occasionally around the paddock the following year, just giving him a sweet smile and a quick greeting as if it was no big deal. but you always found yourself squealing on the inside and taking deep breaths to stay calm whenever you made eye contact with him.

then came 2023 and his debut in f1. yet again, he exceeded everyone's expectations, performing better than most drivers who'd been on the grid for years. with his permanent role on the grid, he was around more – and so were you. it wasn't uncommon for the two of you to bump into each other, around the paddock or during media days or in afterparties, and now you tried not to shy away.

talking to oscar was always simple. he was easygoing, it all seemed effortless, and you felt more relaxed. before you knew it, you could chat about racing strategies and tyre management for twenty minutes before a member of the mclaren staff interrupted you, rushing oscar away somewhere. you got to know each other slowly throughout the season, though never really going further than some friendly conversations, but you felt happy knowing that you'd taken the first step towards getting closer to him.

"so..." he starts. "you've been good?"

you nod. "yeah, a lot of studying but it's been alright. you?"

"yeah."

and there it is again, that slightly awkward silence. it's natural, you haven't seen each other since that night in abu dhabi and you're both a little unsure of where you stand after it. the tension is so thick that you could cut through it with a knife, and you kind of want to escape the whole situation. but then he speaks up.

"hey, i just wanted to-"

he's interrupted by the call of your name, and when you turn around, charles is leaning against the doorframe, eyes hazy. "are you going to sleep tonight or what?" he asks, dragging a hand through his already messy hair.

you feel a weight lift off your shoulders – and at the same time, your stomach tightens in disappointment. you nod at your brother, looking back at oscar to give him a wave and a "sleep well", before joining charles in your shared room.

oscar stands still in the corridor for a moment, before sighing and slapping himself in his mind for being so awkward and messing up this opportunity. but on the other side of the door, you stand still too as you watch your brother jump onto his bed, taking a deep breath to clear your mind.

you're just thankful the room is so dark that he can't see your ever-reddening cheeks.

‎‎ ‎‎

december 13th, 10:24am

despite the never-ending pitter-patter of your heart as you went to bed last night, you could fall asleep quite quickly, seeing as you were utterly exhausted from traveling. breakfast this morning feels like you and charles have just been reunited with your childhood friends after being kidnapped for years; not like you had just gone a few weeks without seeing each other. everyone runs around hugging, chatting about how much they've missed each other and how great this trip will be.

"did you get new highlights?" kika asks you, sliding into the seat next to you by the long table as you stuff a piece of bread into your mouth. the room is a combination of a kitchen and a dining hall, with a big cooking area and a glass wall giving the dining area a beautiful view of the mountains outside. in the middle stands a long table with enough seats for all of you, filled with fresh pastries and other breakfast goods to celebrate the first day of the trip. "or is it just the light?"

"just the light," you answer, shooting her a smile as you pick up your cup of coffee.

"oh my god, i almost forgot to ask you," lily starts and places her elbows on the table, her face resting in her hands. "what happened to that guy from raya you were talking to? did you end up going out?"

oscar is sitting a few seats down the table, pretending to be immersed in a conversation with some of the other drivers about the last few races of the season, while actually just doing his best to listen in on the conversation you're having. when he hears alex's girlfriend mention raya, his ears perk up and his breath gets caught in his throat. a million thoughts instantly crash into his mind.

she's seeing someone? how could i not know this? she's on raya? is she actively looking for a partner? who is this guy they're talking about?

he coughs and tries to act normal, shaking off the uncomfortable feeling passing through his body. he soon hears the sweet sound of your wholehearted laughter, and he almost smiles instinctively at it, before he can remind himself that lando's story about las vegas isn't exactly a smiley matter. "you're not going to believe this, i have the best story," you say in-between fits of giggles. "i met up with him for some drinks, and guess what he said? that he has a foot fetish and has dreamed about me caressing his face with my feet." all of the girls squeal and explode with laughter, making some of the boys flinch and look over to see what all the commotion is about. "so, safe to say, we never met up again. and i haven't wanted to go out with anyone else from there, either. i have a feeling they're all just creeps."

"hey, don't lose hope!" kika says while elbowing your side, but her actions are too soft, forcing you to fold over as an uncomfortable feeling spreads through your body. however, a burst of laughter spills past your lips. kika immediately holds her arm back, laughing along. "crap, i'm sorry! i totally forgot how ticklish you are."

you shake your head, your hand landing on her shoulder. "no worries," you tell her. "but, i haven't lost hope. i just don't think my soulmate is lurking around on raya with the foot fetishists."

oscar feels his shoulders relax again, feeling alright with focusing back on the boys' conversation now that he knows you in fact aren't seeing anyone.

maybe he has a shot, after all. as long as he doesn't talk too much about your feet.

‎‎ ‎‎

december 14th, 3:09pm

lando thinks he's so smart.

when he tells oscar to go ask if you'd like to have some of the gingerbread cookies he's bought, it's the third time today he has forced some kind of interaction between the two of you. he is sure that the more time that the two of you spend with each other, the more likely you will be to stop pining and just confess already.

but this time, oscar glares at the brit. "why don't you ask her yourself?"

"because you know what room she's in," lando hums back, reaching into the cupboard with some groceries. "i keep getting lost, the house is too big. plus, i'm busy." he motions to the half-empty grocery bag on the counter.

oscar lets out a sigh, but nods. "how can you memorize all tracks on the calendar, but you get lost in a cabin?" he asks rhetorically, whilst turning around and making his way down the hallway towards your room.

it's not that oscar doesn't enjoy 'accidentally' being forced into talking to you; it's the extreme lack of discretion lando is showing that makes him annoyed. it makes oscar seem like he's the one coming up with silly excuses to talk to you, and he doesn't like how it makes him look. he'd rather be seen as chill, laidback, someone who doesn't force things. he doesn't want you to catch on too early and reject him.

your voice echoes a 'come in' when he knocks on the door to your bedroom, and he pushes the door open just a little to reveal you sitting on the bed, a thick blanket wrapped over your shoulders. a grin spreads across your lips when you make eye contact with him. "hi," you say, placing the book you were reading on the bedside table.

"hey," he answers, stepping inside the room. "i... lando bought some gingerbread cookies, and we were going to make some hot chocolate, and..." his voice trails off as his eyes wander down your body, taking in the christmas sweater you're wearing and the fuzzy socks covering your feet. he smiles absentmindedly at the sight, loving how cozy you seem, and wishing he was sitting right there with you, sharing the blanket.

you nod, understanding him despite his lack of words. "i'll be right there."

oscar gives you a thumbs up – one he then facepalms himself for when he's left your room – before moving towards the kitchen again. but when he walks into it, he sees something hanging from a lamp. he stops in his tracks. "no way..."

festive cookies aren't the only thing lando bought when he went to the local supermarket. he also got the ultimate tool for securing his master plan – a mistletoe.

he doesn't know how, but he's planning to make sure you and oscar meet underneath it at least once before the holidays are over. there's no way you'll both be able to avoid it all week.

of course, lando isn't the only one rooting for the two of you. most of the other drivers know too – how can they not notice the glances you share and the way you light up when someone mentions the other in a conversation? – and most of them are in on his plans. charles is probably the only one in the house who's still oblivious to your and oscar's pining, and lando thinks that he might interfere with the matchmaking if he figures something out, so the brit keeps quiet.

oscar wants to pull the mistletoe down, rip it apart and throw it in the trash, but he refrains. something inside him tells him this might actually work out in his favor – and he decides to trust his gut this time.

‎‎ ‎‎

december 15th, 2:01am

sleeping can be tricky, especially when your brother is snoring loudly in a bed just a few meters away from you.

who even decided to put him and you in the same room?

when you've been tossing and turning to no avail for about an hour, you decide it's time to do something, anything, to hopefully get a little tired again. a glass of warm milk never hurt anyone, did it?

you make your way to the kitchen, pour yourself a glass of milk and put it in the microwave, before turning to look through the windows.

the view of the mountains is breathtaking. there is an untouched, thick layer of snow covering the area, with new flakes still falling. the sun set long ago, but the snow makes it all seem light. the lake below you is just barely visible by now, almost completely coated in snow.

it's completely serene, and you find yourself getting lost in the scenery. however, you're shaken out of your trance when you hear steps behind you. when you turn around, your eyes find someone standing just a few meters away, barely visible in the dark.

you jump in your place and clutch your chest in shock, not expecting anyone else to be up at this hour. when the person steps into the light of the little kitchen lap you had turned on, you relax instantly. "holy shit, oscar," you breathe. "you nearly scared me to death."

"i'm sorry," the australian chuckles. "i didn't know how to approach you without scaring you..."

"what even are you doing up?" you question, crossing your arms over your chest as you lean back against the counter.

"i was just reading in my bed when i heard your door opening, and then footsteps, so..." he trails off when his eyes wander out towards the living room, seemingly just as taken by the sight as you were just moments ago. "i wanted to make sure everything was okay."

"well, everything is okay, so..."

there's some kind of awkwardness hanging in the air. it's not only because of the obvious uncertainty of what to say or do in this situation; it has more to do with the fact that this isn't the first time that the two of you have found yourselves this close with this much tension, all alone at night. sure, it's a lot like the night of your arrival here, but another memory springs to your mind, too.

just under a month ago, following the after-party in abu dhabi, oscar had accompanied you back to the hotel when you started getting too tipsy to keep yourself up on the dance floor. your brother had been nowhere in sight, so oscar took it upon himself to help you out, draping an arm across your waist before walking you all the way to your hotel room. and when you'd arrived in the dimly lit corridor, you'd turned up towards him to thank him, accidentally brushing your nose against his as you did. both of you had broken out in giggles, neither especially sober, but you stayed close – and when the laughter settled, you just watched each other. when his gaze had flickered between your eyes and lips, your breath hitched in your throat, the anticipation growing stronger. you had leaned in even closer, your eyes fluttering closed-

but just as your lips were about to brush his, you had been interrupted. a door a few meters away had opened and the two of you jumped apart, watching as your brother stepped out and exclaimed that he had been wondering where you ended up. oscar had wished you both a good night before hurrying off, the embarrassment of almost getting caught by his friend being too much for him to handle.

you just hoped oscar had been too drunk to remember it, because otherwise, things were bound to get quite awkward. you didn't want him to act differently around you just because you have feelings for him.

thankfully, he hasn't said or done anything to make you think he does remember it.

as you're thinking back to that night in abu dhabi, you nearly get your second heart attack when the microwave goes off with a loud beep. you scramble to turn it off and take out your milk, almost burning yourself on the hot glass in the meantime.

oscar watches you with an amused grin before he forces his gaze off you, eyes wandering over to the windows again. "quite the view, huh?"

you look over your shoulder at the blanketed mountains. "yeah, it's breathtaking," you reply, before growing quiet.

he pauses for a moment, too. "there's something magical about this place. makes everything seem simpler, quieter..."

you nod. "yeah, it does."

something about the moment makes you realize that maybe, just maybe, the awkwardness between you and oscar isn't as insurmountable as you once thought it would be. the shared quietude is comfortable, and you feel at ease. he hasn't brought up abu dhabi – he probably won't, you feel – and maybe you could both just put it behind you and focus on enjoying your trip.

when you eventually get back in your bed, it's with the same kind of pitter-patter of your heart as when you and charles arrived in the cabin a few days ago. needless to say, the glass of warm milk probably isn't going to help.

‎‎ ‎‎

december 16th, 9:02pm

the mistletoe has moved.

when you first noticed it the other day, it was hanging from a kitchen lamp. and now, it's in the doorframe leading into the living room.

you're planning on avoiding it at all costs, not wanting to slip up and accidentally get under it with the wrong person. or the right one, for that matter. the awkwardness of kissing your crush in front of friends and family would be too much to handle.

some others seem to have the exact opposite attitude towards the decoration, though. kika and pierre can be found by it about ten times per day, and alex and lily have no issues sharing a few kisses whenever they "accidentally" pass it.

no matter what, lando has a mischievous grin whenever anyone mentions it, or even walks near it.

his grin stays on when he decides to let himself be in charge of the outing you all have to the christmas tree farm nearby. the farm is too big and would take too long if everyone was going to look at every tree, so lando divides everyone into groups of two based on who they're standing next to as you walk past the gates.

what a coincidence that you're standing right next to oscar when he says this.

lando ushers the two of you off to the rows with quite tall, pre-decorated trees. "so," oscar starts as you both stop in front of a tree with white lights and ornaments hung all over it. "what do you think about this one?"

"well, it's lovely," you say, scanning it thoroughly. "but isn't the true test how well it fits into the living room?"

he nods, despite his confusion, and he shoots a curious glance your way. "and how do we determine that?"

with a playful grin, you hold up an imaginary measuring tape, pretending to size up the tree with a critical eye. "i'm trying to figure out if it fits this corner best, or..."

he follows your gaze, realizing the tease in your words. "i think maybe it's better in the other corner," he hums and points to the side as you turn a little.

"exactly."

lando never inserted himself into a group; he's too focused on watching the two of you share a lighthearted laugh at the situation. though his mistletoe back in the cabin might still have a trick or two up its metaphorical sleeve, he is already proud of his matchmaking antics.

and, he is sure you'll both crack. it is just a matter of time.

‎‎ ‎‎

december 17th, 1:43pm

"i never thought skiing would be this hard," you groan as you step into a cottage, the warmth enveloping you and beginning to defrost you instantly.

oscar laughs at the exasperated tone in your voice. "this was just the kids' slope, you do remember that, right?" you stick your tongue out at him, slumping down on a bench by a table. "you just wait before you do some real skiing..."

you had never skied before today. oscar had, but he said it was too long ago and that he needed an easy start. plus, he couldn't just leave you all alone in the children's slope without an instructor.

you'd fallen over at least five times, despite the fact that the slope was practically flat. thankfully, oscar promised to buy you some hot chocolate in a cottage café to cheer you up.

when he comes back from the cashier carrying two big, steaming cups of chocolate, you've regained most of the feeling in your fingers again. the hot piece of ceramic almost burns your skin, but you think it's worth it; you need the sugar and you need it now.

"you know what the worst thing is?" you ask, bringing the cup up to your face with both hands. you start sipping on the drink and oscar glances at you with a questioning look as he slips down next to you on the bench. "carrying those goddamn skis with me. not only does it suck to actually ski, but dragging them all the way from the rental shop…"

"if it's that much of a bother, i can carry them for you."

"and carry your own too?" you scoff, watching him flinch as he burns his tongue on the drink. "you're not that strong."

he lets out a groan. "you're not even strong enough to carry your own, so you shouldn't say anything."

"i can carry them!" you protest, shooting him a glare. "i just don't want to. two very different things."

you both go silent momentarily, too busy focusing on how good it feels to no longer be frozen to the marrow. the cabin is filled with people; kids running in circles around the tables, soon to be tired again after the initial sugar shock from their afternoon snack; a group of older ladies gossiping and enjoying getting some rest just like you; and some young adults in the far corner are already busy dancing on the tables with their after-ski drinks in their hands.

"you know what? i changed my mind," you tell him, scooting away from him a little and placing your skiing boot on the bench. "these things. they're the worst."

you start to unclasp the boot, sighing in relief as you finally tug the shoe off your foot, throwing it onto the floor. you've only worn it for about an hour, but you can already feel the bruises beginning to form. you're just about to reach down to undo the other boot, too, when oscar reaches towards your foot.

your eyebrows shoot up as he takes it in his hands, pulling the foot into his lap. and then, his fingers begin to wander up and down your foot and ankle, giving you soft squeezes and pressing down on the spaces where he thinks the boot has squeezed you the most. you hold back a pleasured sound, seeing as it would sound way too inappropriate right now, but oscar subconsciously takes note of how you're getting flushed because he soon looks up at your face.

"is this okay?"

you swallow down the lump in your throat, nodding quickly. "y-yeah… just don't tickle me..."

when did things get so intimate? mere minutes ago, you couldn't think about anything other than how you were so cold your nose was going to fall off. but now, you can't stop your eyes from following his long, sleek fingers, thinking about how good they feel and imagining how good they would feel somewhere else-

"give me your other foot."

you're thankful that he interrupts your train of thought before your mind wanders too far.

compose yourself, woman.

"don't tell me you have a foot fetish, too," you tease, turning around so that you can place your other foot on the bench too. he lets out a hearty laugh, swiftly undoing your other boot before letting it drop to the ground.

"oh, shut it. do you want a massage or not?"

you shoot him pout, giving his shoulder a thankful pat before taking your cup in your hands again. you focus on the drink, watching how the steam rises and the marshmallows melt. you can't look over at him anymore, scared of your cheeks growing too red and your face giving away your feelings.

the bell by the door rings behind you, and you look towards it out of habit. and in comes alex, george, lily and carmen, laughing and chatting loudly about the black slope they just went down. oscar doesn't seem to notice, but you hastily pull your feet from his lap, sitting down properly – unfortunately making eye contact with alex as you do. he leans forward to lily, whispering something in her ear, and you watch as her eyes dart to you and a smirk grows on her lips.

shit.

the clicking of her boots against the stone floor meets your ears and oscar turns his head at the sound, suddenly realizing why you withdrew from him. "hey there," lily cheers, each of her hands landing your and oscar's shoulders. "what have you been up to?"

your eyes meet his briefly, before looking back up at lily. "just... drinking some chocolate..."

"oh, no skiing?"

"she crashed too much, i couldn't keep her out there and let her continue to embarrass me all day," oscar tells her and you shove his shoulder.

"do you mind if we join you guys?" george asks, coming around the table and not even giving you a second to think about it before he sets two cups of chocolate down on the table. the grin he's wearing only tells you one thing: alex told him already. carmen's lips show off a matching set.

"not at all..."

‎‎ ‎‎

december 18th, 10:32am

you huff as you slump down on the living room couch, your mood not even getting brought up by watching the newly installed christmas tree in front of you. you hadn't even been out skiing that much yesterday, yet every single inch of your body aches. not only do you have big, blue bruises on both of your hips due to the many times you've fallen onto the hardly packed snow, but every muscle screams with pain as you drape a blanket over your body. needless to say, you decided to stay at home today instead of heading out with the others for another round.

"are you sure you don't wanna come along?" kika asks as she enters the room, her pretty pink sunglasses perched at the top of her nose. the pout on her lips almost makes you doubt staying in, but when you move to sit up more straight again, you know you've made the right decision.

you nod, giving her a weak smile. "yeah, sorry."

"but oscar promised to come along?"

you freeze, your cheeks growing red as you hear her words.

did she know? about your feelings for him? did the others already tell her about the incident in the cottage yesterday? did they really interpret the situation that way?

"w-what?"

"oh," she chuckles at your reaction. "i just meant that he was so bad yesterday, so i thought that seeing him fall over a couple of times would be worth the pain."

"we're gonna trick him into going down a black slope with us," says pierre who walks into the room, arms lacing around his girlfriend from behind. "we'll send some clips."

you let out a breath of relief as they leave the room. maybe they don't know. maybe your secret will stay secret for a little longer.

the group leaves in pairs or trios and you tell them all goodbye from your place underneath the many blankets. everyone has left by now except for oscar, which confounds you since the others seemed to have so many plans for him. your confusion only grows when he steps into the living room without any skiing gear on, just wearing an oversized, cozy hoodie and a pair of sweats.

"why aren't you out with the others?" you question, your eyebrows raised at him.

"well," he sighs, flopping down next to you on the couch. "i can't find my helmet." when you shoot him a doubting look, he raises his hands defensively. "what?"

"i don't believe it."

"you don't have to, but it's the truth."

"how do you even lose a helmet? it's so big?" you scoff, crossing your arms over your chest. "i assumed you were used to keeping track of where your helmet is since if you don't have your helmet with you for races, then you can't race."

"i swear i put it on the drawer by the front door like half an hour ago. i don't understand what could've happened."

you have to give it to him; he is really doing his best to cover this up. you find it pretty obvious that he just doesn't want to ski because of what the others were planning to do to him. but maybe if kika and pierre hadn't spilled their plans already, you would've believed him.

"but hey," he says, bringing you out of your thoughts. "don't feel obligated to include me in whatever you were going to do here now that you finally have the house to yourself." he pushes himself off the couch, standing up and shooting you one last smile before turning to walk away. "i'll let you have some peace."

he takes a couple of steps towards the bedrooms, but then you get the idea. "oscar." he stops in his tracks, throwing a glance back at you. "i was planning on doing some baking, and…" you shuffle slightly in your seat. "it wouldn't hurt to have an extra helping hand."

"i'm a horrible baker, though."

"and i'm the best baker ever, so i guess we cancel each other out." you stand up from your seat, keeping the blanket wrapped around your shoulders as you make your way toward the kitchen. "let's go make some mediocre cookies!"

oscar shakes his head, grinning to himself as he follows behind you. this was definitely not what he had planned, but he sure is liking the way it's going.

‎‎ ‎‎

december 18th, 8:14pm

oscar had not been kidding when he said he sucked at baking.

he put in twice the needed amount of flour, and only half of the sugar. and as if that wasn't enough, of course the mistletoe had moved to the kitchen, making the whole situation quite uncomfortable as you both had to take strange routes while navigating through the kitchen to avoid it. not even your baking skills could save the cookies.

as an apology, oscar promised to buy some fancy gingerbread cookies tonight at the christmas market you'd all planned to go to in a nearby city. he was strongly set on going through with his promise, despite how many times you told him that it was alright and that they wouldn't taste as good as homemade ones anyway.

you've all been at the market for almost two hours now, but it feels like you've only gone about ten meters. your friends, mainly lando, george and alex, are stopping at every single shop and stand, making sure to check out all products and buying at least one thing in every store, no matter how long the line to the cash register is.

"lando-" you groan at the sight of the brit running into yet another store; this time, a shop filled with christmassy outfits for dogs. "he doesn't even have a pet…"

kika is grinning next to you, shaking her head. "he told me earlier today that he wanted to buy a present for roscoe if he got the chance," she says as most of the group joins lando. "makes more sense than when he bought that screwdriver thirty minutes ago just because it was green."

"the power of 'christmas colors', apparently," you hear oscar's voice from behind you, and you turn back to meet his eyes.

"well, i'm not surprised. just disappointed. and cold, and tired of standing still."

oscar points his head to the side, up the street. "i think i saw a stand a little further up that sells cookies, maybe they have some gingerbread ones."

you nod, a small smile entering your lips. "let's go check it out, then. kika, do you wanna come-"

you're cut off by the sound of pierre calling for his girlfriend, holding up a reindeer costume and blabbering on about how it would be perfect for her cousin's dog. "sorry guys," kika says before strutting off to her boyfriend.

you both shrug before walking down the street towards the stand oscar had spotted. the sugary scent of cookies meets your nose from far away, and your mouth waters at the mere thought of the sweets. when you arrive, a sweet old lady sitting behind the stand greets you and tells you all about the different cookies she's baked. gingerbread, sugar cookies with little candy canes, snowball cookies, and various traditional swiss cookies.

"would you like to have a taste, dears?" the lady asks, pointing her hand to a plate with samples. you and oscar take a gingerbread cookie each, popping it into your mouths.

"oh yeah, this is lovely," he says, looking like he's savoring every crumb.

"much better than ours," you answer, nudging his shoulder with yours. he gasps and places a hand on his chest, feigning offense.

you turn your attention back to the lady and telling her you'd love to buy a little box of cookies from her. oscar pays for them and she wraps the box in some pretty gift paper, handing it to you before you continue making your way down the street. the house walls and all trees are wrapped in christmas lights, some blinking in random colors and some with a soft glow of an elegant white. the streets are filled with people wearing santa hats, ugly christmas sweaters, and scarves so big half of their faces are covered. there's not a single frown in sight, the happiness and love so obvious you can almost see little hearts flowing above everyone's heads.

you glance into a couple of different stores as you stroll, stopping occasionally to check something out. when you reach a stand with different kinds of jewelry, something catches your eye: a golden necklace with a heart-shaped charm hanging from it. you carefully pick it up, your heart fluttering in your chest as you inspect it.

and when you look up at oscar from the necklace in your hands, he feels like the air is stolen from his lungs. your eyes are twinkling with happiness, outshining all lights in the entire christmas market. the excited smile on your lips is contagious, and suddenly, it's like the world around you has stopped and everyone else has disappeared. you're both just grinning at each other like two lovestruck fools, nothing in either of your minds other than the person in front of you. the sight of your rosy cheeks from the cold makes the butterflies in his stomach multiply by the second.

wow, he really is totally and fully whipped.

"really pretty," he finally gets out, unsure if he's talking about the necklace or the woman standing before him.

"pretty? it's gorgeous," you answer, eyes flickering back to the jewelry in your hand. "i adore it. how much is it?"

just as the guy in the booth is about to answer, you feel someone grab your free hand. "come on guys, they're closing down soon and we still have a bunch of shops to visit!" kika is pulling you along so fast you barely have time to put the necklace down.

lily notices the disappointment on your face and pats your shoulder. "we'll come back here sometime before christmas, don't worry."

lando shows you the christmas tree costume he bought as you wander down the market again, but oscar suddenly stops. "guys, i forgot my phone back at the cookie stand. keep walking, i'll catch up with you," he says, pointing behind him with his thumb and disappearing before anyone can say anything.

it's a good excuse, but you clearly see the outline of his phone in his back pocket as he hurries down the street.

‎‎ ‎‎

december 19th, 9:22pm

the days roll on with a gentle rhythm of shared glances and fleeting touches between you and oscar. unbeknownst to both of you, lando, ever the persistent wingman, continues his behind-the-scenes matchmaking efforts.

in some magical way, lando manages to get you and oscar paired up for pretty much anything. board game night? you and oscar just happen to get the exact role cards that make you teammates. time for some ornament decorating? you and oscar are the only ones who don't get a seat on the couch, having to sit on the floor together and share all your materials.

funnily enough, it never gets awkward between the two of you. even when you are left all alone, there is always something to talk about, some dumb thing lando has done that you can tease him about behind his back, or something you are curious about when it comes to his racing career so far. somehow, being with oscar started feeling comfortable, natural, unforced.

one specific night, alex comes up with the idea of playing card games, to which only a few of you are actually interested. some plan on going to bed early so they can hit the slopes first thing in the morning, while others just aren't in the mood. oscar said he would just finish wrapping some christmas presents and join you all later, and you catch yourself feeling disappointed that he's not on the couch next to you, helping you win (or taunting you to make you lose). it surprises you how much you're drawn to him, how it feels like something is missing when he isn't around, when you didn't feel this way just a few days ago.

you try to shake the feeling off, but it's still lingering even as you start playing with your friends. eventually, you excuse yourself to get a glass of water from the kitchen to take your mind off things. but-

just as you round the corner going into the kitchen, your head crashes into something hard. you shriek as you stumble, hands coming up to grab the person in front of you as you lose your balance, but a pair of hands wrap around your back, holding you up. when you look up, you're met with oscar's big brown eyes blinking down at you. "you okay there?"

you let out a relieved breath, nodding at him. "yeah, thanks to you. what were you doing coming around the corner that fast, though?"

he chuckles. "what were you doing not looking where you're going?"

"touché."

your hands are still holding on to the front of his hoodie, and you're about to let go of him and walk away when you notice something in the upper periphery of your vision. something is hanging above you. but, it can't be-

of course it is.

the mistletoe.

oscar looks up just as you do, jaw dropping slightly. "oh..."

"indeed..."

you both keep your vision pointed up, as if the mistletoe would disappear if you just keep on staring at it. oscar's hands slowly begin to slide off your back, and he's hoping you'll both just pretend like none of this ever happened. it would be the least awkward thing to do.

"maybe-" his breath hitches in his throat when you speak up. his gaze is on you again, but you're still looking at the plant. "maybe we should do it. just... for the christmas spirit, you know. i love christmas."

you don't even know what you're blabbering on about. you're trying to improvise a reason to kiss your brother's colleague that makes at least a little sense, but you're completely lost. you realize how dumb you sound, and you expect to see him staring at you like you actually are insane when you look back at him.

but what you don't know is that he thinks it's the best idea ever. he is just as into it as you are, if not more. he doesn't look at you like you're crazy; he's just dumbfounded, blinking at you as he tries to understand what's happening. did the girl he likes really just say they should kiss? because she loves christmas?

oscar gulps, but something in him gives him the courage to nod. "i mean," he starts, voice weak. "what's the harm? it's just... tradition."

"right. yeah, that's exactly what i was thinking."

the tension is higher than ever as your faces are already just inches apart. you aren't sure who should take the initiative and lean in, but before you can overthink it, you're both doing it subconsciously. your noses brush against each other briefly and a little giggle escapes past your lips, and this whole situation feels very familiar. this time, oscar can't hold back anymore, so he closes the gap and presses his mouth to yours.

the kiss is quick, not much longer than a peck, but something changes inside you. when you didn't know what it felt like to kiss oscar, you didn't think too much about it. but now that you have felt his lips on yours, you crave it.

he seems to feel the same way, because when you kiss him again, he's pressing against you instantly. your hands move from his chest to his shoulders as your lips move in sync, tilting your head to get a better angle. oscar's touch travels up and down your sides, fingers grazing the bare skin of your stomach when your sweater lifts.

oscar takes your bottom lip in between his teeth and you let out a hum, making him grin into the kiss. his tongue swipes between your lips before slipping into your mouth, exploring it for the first, but hopefully not last, time. you wrap your arms around his neck to pull him closer, already growing hot as his hands move down to your butt.

kissing oscar is so easy, so comfortable. it's like you've done it so many times before, like it's what you were made to do.

you're so relaxed and so focused on the kiss that you don't even hear lando's footsteps right next to you, nor his snicker from a few meters away as he picks up his phone to snap a couple of pictures. you don't even hear him strutting away to the living room, nor his loud proclamation to the group: mission complete.

‎‎ ‎‎

december 23rd, 8:35am

the rest of the days leading up to christmas consist of a lot of sneaking around.

the days are filled with secretive kisses when you're sure no one is watching, fleeting pecks or longer liplocks, hurriedly parting and acting like nothing happened when you hear approaching footsteps. they're filled with soft brushes as you pass each other in hallways, little squeezes of your waist or his arm when someone is around, conveying more than anyone could guess. and they're filled with giant, knowing smiles matching on your lips, with longing gazes and sly winks across the dinner table.

now, his hand is warm in yours despite the freezing temperatures of the air. when you said you forgot your mittens in the cabin, oscar had just smiled, taking off one of his own to give it to you. and to heat your other hand, he intertwined his fingers with yours, his thumb stroking the back of your hand as you walked.

you'd slipped out of the house before anyone else had woken up, wishing for a peaceful moment for yourselves. the two of you haven't really had time to properly talk ever since your moment under the mistletoe, and even though it wasn't outspoken, you both knew there were things to be discussed.

you're halfway around the lake when he finally touches on the subject. "so..." he starts, nudging your shoulder with his. "you like me, huh?"

you snicker. "i have for quite some time now, actually."

his hand squeezes yours. "tell me about it."

and when he asks, you tell.

you tell him about seeing him all those years ago, thinking that he was just a pretty face, a good driver, and not much else. you tell him about getting to know him more and more in the last two years and realizing that shit, he's so much more than that. you tell him about the butterflies, about the sneaky glances, about falling for him.

and then, he tells you his side.

he tells you about knowing of you from your first appearances in the f1 paddock, the curiosity in him growing for every picture of you and charles he saw. he tells you about wanting to approach you but not knowing how, not wanting to come off too strong or clingy. he tells you about how nothing has ever been more disappointing to him than charles's timing back in abu dhabi. then, he tells you about how his fingers had secretly been crossed all trip, hoping that lando's attempts to pair the two of you up wouldn't fall through.

you share giggles and smiles as you tell your stories, and it all feels so natural even though it's so new. and you think to yourself that maybe, this won't be so hard to get used to.

‎‎ ‎‎

december 23rd, 5:46pm

"how are things going with oscar?"

lily's voice makes your heart skip a beat. you had just walked into the kitchen to grab a gingerbread cookie, not expecting her to be doing the dishes this late in the evening – and especially not expecting her to ask you something like that. "what do you mean?" you ask back, trying to stay composed as you strut over to the cupboard, reaching into it for the box of cookies.

"are you going to be like... boyfriend and girlfriend now?"

the box slips out of your hands and crashes to the floor before you can catch it again. did you hear her correctly? your eyebrows shoot up and your mouth hangs open as you look at her again. she scoffs.

"oh please, the two of you aren't exactly sneaky," she says, looking back into the sink. "you know, lando took pictures of you under the mistletoe. and we all saw you coming back from your little trip to the lake earlier today."

"oh my god." you cover your face with your hands, letting out a groan. "oh my god. no way."

lily laughs, washing the last few plates under the tap before placing them on the side to drain. "don't worry, we were all in on it."

"and what does that mean?!"

"lando had a plan." of course he did. "we all agreed to help him out. except charles, he's still oblivious."

"what kind of plan?"

"well, just small things here and there, really." she wipes her hands on a towel before turning around and leaning against the counter. "hiding oscar's helmet so he'd have to stay here with you instead of skiing with us. walking really slowly in the market so you'd both get so tired of us that you'd stroll off alone. and the mistletoe, but that's obvious..."

as lily spills the details of lando's plan, you feel a mix of embarrassment and surprise, along with a hint of amusement. you're suddenly very aware of the collaboration that has taken place behind the scenes, and you take a deep breath as you slowly lower your hands from your face.

"so... lando really orchestrated all of this?" you exclaim, still trying to process the fact that your friends have been actively working to bring you and oscar closer together.

lily chuckles, nodding. "yes, and he's been loving every moment of it. we all figured you two needed a little push."

you shake your head in disbelief, a smile playing on your lips despite the initial shock. "what's the endgame here? is lando secretly a matchmaker or something?"

"he wishes," she says with a smirk. "i think he just enjoys playing cupid when he can." she shrugs, crossing her arms over her chest. "but hey, it worked out well, didn't it? you and oscar seem pretty cozy."

"yeah, i guess..." the mention of oscar brings a blush to your cheeks. "i just didn't expect to have a whole team of co-conspirators."

lily laughs, stepping forward to pat your shoulder. "it's all in good fun. besides, it's about time something happened between you two." you nod in agreement, smiling at her. "now, spill. how are you feeling about all of this? is he boyfriend material?"

you hesitate for a moment, contemplating your newfound dynamic with oscar. a smile tugs at the corners of your lips. "yeah, maybe. we're figuring it out, i guess. it's all been... surprisingly nice."

she grins, satisfied with your response. "well, then, i'd say lando's plan was a success." she backs away, walking towards the kitchen exit. "just enjoy it, okay? and don't be too mad at us. we just wanted to see you both happy."

you nod and watch as she leaves, still processing the directed events that have led up to this moment. as you're left alone, you can't help but smile to yourself at the thought of everything that's happened – and everything that's yet to come.

suddenly, for the first time in your life, you feel thankful for something lando has done. you'll have to remember to thank him later.

‎‎ ‎‎

december 24th, 10:23pm

just a few hours ago, charles was challenged to a snowball fight with the rest of the twitch quartet. and how could he ever say no to them?

for you to fall asleep before he got back would just be stupid, because there's no way he will be able to keep quiet when he eventually he crashes into the room post-fight. so instead, you sit against the headboard of your bed, a thick blanket draped over your body and a good book in your hands as you enjoy the tranquility of the last few moments of christmas eve.

there's a soft knock on the door, one so low you could've just as well missed it. "come in," you call out, looking up from your book as the door creaks open. surprise paints your face as oscar enters the room, his eyes sparkling with the thrill of carrying out a secret mission.

in his hands, oscar holds a beautifully wrapped box, adorned with a crimson bow. "merry christmas."

"oscar, what are you up to?" you ask, laughter dancing in your eyes.

"giving you your present." he sits at your feet, holding out the present to you.

you place your book beside you on the bed, accepting the gift with a curious smile. you unwrap the present, and as you remove the lid of the box and your eyes are met with a necklace, your breath hitches in your throat.

the heart-shaped pendant is familiar – it's the exact necklace you'd eyed in the christmas market. you look up at oscar, a myriad of emotions playing on your face. "i didn't forget my phone," he admits, a hint of vulnerability in his gaze. "i just really wanted to get it for you."

speechless, you delicately trace the edges of the pendant with your fingers. "oscar, i..."

"it's a christmas gift, but you can wear it whenever you want."

you hold the necklace up to him. "like now?"

he nods and takes it from you as you turn around, brushing away your hair so that he can secure the chain around your neck. when you turn back, you catch the glint of admiration in his eyes. "you look beautiful."

you hold the pendant between your thumb and pointer finger, a silent acknowledgment of the connection formed by the gift. "it's perfect, oscar. thank you." you tilt your head, smiling at him. "you're not getting your gift until tomorrow, though."

"just seeing you with this necklace is enough of a present for me. i don't need anything else."

‎‎ ‎‎‎

december 25th, 6:04pm

christmas day morning is for gift exchanges. you all sit around the tree in the living room, giving out presents and sharing the background stories behind the silly little things you've bought each other. you receive a ton of random objects that people had bought that day in the christmas market; objects they bought just to irritate you and oscar. now that you know, you find it quite funny – and seeing charles's confused face as you unwrapped a green screwdriver from lando is definitely one of your highlights of the day.

your present to oscar is, obviously, better planned than most other gifts. beneath the wrapper is a box titled "skiing survival kit" written in big, red letters. in it lies a pair of thick socks (with a note reading "to protect your feet from those horrible boots"), a bag of hot chocolate mix ("for moments when skiing feels too challenging; a little warmth to make everything better"), a bottle of peppermint-scented massaging oil ("you never know when you find yourself in need of a massage..."), and a handwritten letter about how you enjoyed your stay in the cottage much more than the actual skiing and a promise to stay in and warm his chair for him next time he's out "skiing".

then, midday rolls around. the chefs of the group, also known as the few people who don't burn everything they attempt to cook, take their time to make a good dinner. in the meantime, the rest of you prepare some games and competitions, including a trivia, a snow fort building competition, and a gingerbread house-decorating contest that ended in lando letting his competitiveness get the best of him. safe to say that no other gingerbread houses were still standing, other than lando's, meaning the brit won by default. his price: getting thrown in the snow in just his pyjamas.

and the evening? it's dedicated to a movie marathon, as per russell family traditions.

it has all been planned into the finest detail; the couch in the living room is decorated with blankets and pillows, nearly every bowl in the house is filled to the brim with snacks, and mattresses and pillows on the floor for those who don't fit on the couch. everyone was included of the vote of what movie you were going to see, though you had a feeling george had cheated when you were told the 'home alone' series won. especially since it's the one series he hasn't been able to stop talking about wanting to watch all trip.

you're settled on the edge of the couch, a blanket wrapped over your shoulders and your knees pulled up to your chest. you're laughing along with something kika has said from right next to you when you hear a beep from the kitchen, indicating that the last bag of popcorn was ready. you assumed lando would be getting up to fetch it, seeing as he was the one who insisted you needed one more bag, but when your eyes find him, he sits very contently and comfortably a few seats away. he looks back at you, eyebrows rising as you make eye contact.

"hey, you're the closest to the kitchen," he says, nodding his head in your direction. "go get them."

he isn't wrong, but he still makes no sense. "no way, norris."

he pouts. "please, be quick so we can start the movie already."

"you suck."

he sticks out his tongue at you but you've already walked off. when you return, a new bowl filled with popcorn in your arms, you aren't exactly surprised to see lando in the seat that used to be yours. you shoot him a glare, to which he answers, "i could barely see the tv from where i was sitting!"

"oh, but you think i'll be able to?" you scoff at the way he shrugs his shoulders, seemingly to say that it's now none of his business. and when you look at his old seat, you are even less surprised to see who's sitting right next to it.

oscar is looking up at you, confusion mixing into his features. he's been scrolling on his phone for the last few minutes and didn't notice when his teammate left him alone.

neither of you complain when you slip into lando's old spot, though. oscar immediately grabs the blanket in his lap and drapes it over you too. you shuffle closer to him as the movie turns on, the soft fabric of his pyjama pants brushing against yours. the bowl of popcorn is propped up on your lap, and when you reach into it to grab a handful, it touches something warm. you rip your eyes from the tv to see your hand brushing against oscar's. of course.

considering the other touches and kisses you've shared these last few days, it's not even a very intimate action. and yet, something about it leaves both of you giggling.

"so many clichés this trip, huh?" he says, eyes flickering between your hands and your face.

instead of answering, you grab his hand in yours. your fingers slip in between his easily, as they've done so many times these last few days, but you pull your hands underneath the blanket to keep them out of sight from everyone else.

it's a good movie, but it's easy for you to zone out when you feel oscar's hand squeeze yours. neither of you can really stay away from the other, inching closer as the movie progresses and stealing little cheek kisses when everyone is focused on the most exciting scenes. and when you start to grow a little tired, your head instinctively lands on his shoulder as you let out a little yawn. oscar desperately has to hold himself back from cooing at you, feeling so soft and prideful that you're leaning on him, and he settles for leaning his own head on you.

you both think you're being subtle, but everyone in the room understands what's going on. even charles, who has now been let in on what's happened between you and oscar after he walked in on lando telling alex about how cute the new couple in the house looked walking around the lake, can't take his eyes off the two of you. as your older brother, he feels like he should be doing something or saying something to protect you. he wonders what his role should be here – aren't brothers supposed to scare their sisters' boyfriends away?

but charles realizes that oscar isn't an enemy. in this moment, you look so peaceful, so content; like you've found the the long-lost puzzle piece to make you complete. how could he possibly interrupt that?

‎‎ ‎‎

december 25th, 11:28pm

charles is still fast asleep on the couch when you slip into oscar's room after the movie has ended, fingers intertwined and your laughter mixing as he pulls you along to his bed. his hands find your hips as he sits down on the edge of the bed, urging you to lower yourself onto his lap, and you happily oblige.

"look up," he says, and when you do, you're not surprised by what's hanging in the roof.

the mistletoe.

"oh," you start, looking back at him. last time you found yourself underneath the mistletoe with oscar, you had been more nervous than ever before. but this time, it isn't as scary. this time, you're able to shrug, a teasing grin forming on your lips. "i guess we should kiss, then. just for the christmas spirit, you know."

his lips are curved into a big smile. "oh, i do know." one of his hands comes up to tuck some hair behind your ear, cupping your cheek in his palm. "it's because you love christmas."

you can't hold back from giggling, and neither can he, both of you leaning in to seal your lips. your first encounter underneath the mistletoe was hesitant, but it feels like that was ages ago, in another lifetime. now, with his lips pressing against yours, it feels like it's all you've known.

he's so gentle with it, his kisses delicate and tender, and your heart flutters at the feeling. his hands land on your waist as your arms wrap around his neck, scooting in even closer. when your crotch brushes against him, he involuntarily lets out a moan into your mouth, and you stop for a moment to pull away. both your eyes and his are wide as you look at each other, and oscar doesn't know what to say. his mind is racing, not sure if you thought that was awkward or too soon or-

"that's so fucking hot," you say, and he finally exhales. you kiss him again, speaking against his lips. "wanna hear more."

he has no problems letting out more sounds when you keep up your actions, your hips rolling down on him rhythmically. his hands find the hem of your sweater and slip inside, instantly roaming your sides. his cold touch tickles, and when his fingers move along your waist, you can't help but giggle against his lips. he laughs along with you, but he only does it to match you. he's dumbfounded when you part from him and you grab his wrists to make him halt.

"you're too cold," you start, a bit breathless already. "it's-"

"are you really that ticklish?" he chuckles, fingers running up and down your sides again to test you, and his heart melts when you throw your head back, laughing. "oh come on, how am i supposed to do this if i can't touch you?"

"warm your fingers next time and we should be fine."

"next time, huh?" a combination of a smirk and a grin plays on his lips. "planning ahead?"

"well, it depends on how well you perform tonight." he sticks out his tongue at your taunting tone. "just take it off already, will you?"

oscar happily obliges, pulling the material off you before reaching for his own sweater, throwing them both onto the floor. his eyes stick to your chest, to the soft, red bed bra holding up your breasts, and he feels himself growing harder instantly, because this is so much better than he'd imagined. you can't exactly complain about what your eyes are met with, either; oscar's toned chest and his broad shoulders are basically calling out for you to come and press your lips to them. or sink your teeth in them. probably both.

he gives you a few quick kisses before his hands land on your hips and he flips you both around, laying you onto the covers. his lips meet the skin below your ear, and then travel down the side of your neck. he hears your breath hitch in your throat when he finds a spot you enjoy particularly much, making sure to memorize it for the future. and when his kisses trail even further down, they meet something hard and metallic. when he leans back, he realizes that you're wearing the necklace.

he didn't notice it until now, since he was too busy being mesmerized by your breasts earlier; but now, he can't take his eyes off it. the little heart charm rests just above your actual heart, and something about seeing it makes his heart flutter. the necklace he bought for you, the one that makes you think of him and only him. it's like you're already tagged as his.

"cute," he whispers to himself, placing a long kiss right on top of the heart. he can feel your real heart beating underneath his lips, fast but not really enough, and he can't wait to make you feel like it's pounding out of your chest.

he starts placing open-mouthed kisses down your stomach, his hands finding the waistband of your sweatpants.

"you okay with me taking these off?" he asks, parting from your skin to watch you nod your head. he pulls the material down your body, smiling when your underwear comes into sight. they're not a pair of lacy lingerie or victoria's secret-lookalikes, but just a regular pair of panties in a deep green color with little candy canes. his eyes flicker between your bra and your panties. "green and red, huh?"

"well, what can i say?" you smile. "i love christmas." he giggles, and so do you, as he leaves your pants somewhere on the floor before moving further down your body. when his hands near the fuzzy socks with little cartoon santas dressing your feet, you're quick to speak. "those stay on, though."

"oh, is that so?"

"gotta make sure you're not just doing this for that foot fetish you might or might not have." a laughter erupts from his chest. "i've had too much of that recently."

"well, i don't have one, so i don't mind you keeping them on." he moves up on the bed again, fingers reaching the hem of your underwear. "but i can take these off, right?"

"things would get kinda tricky otherwise, i'd say,” you tease, but oscar merely blinks up at you with raised eyebrows.

"tricky, yes. but not impossible."

you shake your head, a grin making its way onto your lips. "next time, oscar."

and there it is again. next time. the way you say it so casually, like there's no doubt in your mind that there will be another time, that you'll do all of this again.

yet again, instant boner.

your panties are off in a second, and he doesn't waste any time before pressing his lips to the inside of your thigh. his hand takes care of your other thigh, thumb brushing up and down your skin, as your lips travel closer and closer to where you want him the most.

you suck in a breath when you feel his warm breath against your core. his tongue meets your clit and your eyes flutter closed, one of your hands reaching down to entangle in his hair. as his tongue draws circles around your bud, one of his hands leaves your thigh, a finger swiping along your wet folds before pushing slowly into you. you don't know which sensation to focus on, both growing stronger and pushing you closer to your limit every passing second. when he's pumped you a couple of times, he adds another finger and then another, pushing deep into you. his fingers curling inside of you makes you pull on his hair even harder, your mind growing hazy and your breaths shorter.

"o-oscar," you let out, subconsciously buckling your hips towards him in hopes of creating more friction. "i'm so clos-"

you're cut off by the combination of a moan and a whine that leaves your lips when his tongue flicking your clit speeds up. "come for me, sweetheart," he tells you, his voice sending vibrations against your core.

your legs shake around him as you completely let go, feeling the climax wash over you just moments after his order. your free arm drapes over your face, covering your eyes in your arm as you try to catch your breath. oscar continues lapping you up, helping you ride it out, also licking his fingers clean before letting his hands caress your sides soothingly. he's unsure whether his fingers are warm enough now to not tickle you, or if you're just too busy coming down from your high to even realize you should feel ticklish, but he smiles at the thought nonetheless.

"everything alright up here?" oscar asks as he moves up to your face again, one of his hands prying the arm off your face. you slowly open your eyes, your hazy gaze meeting his loving one and you can't help but to cup his face in your hands. you pull him down to your lips, lazily lacing them together. he pulls away just enough for his lips to still brush yours when he speaks. "i'll take that as a yes."

you're quick to nod, but even quicker to connect his lips with yours again, not wanting to be apart for even a second.

your hands slide down his neck and the front of his body, loving the feeling of his strong muscles under your touch. your fingers reach down to the edge of his pajama pants, and you let out a chuckle when you notice the ever-growing tent in them. "don't laugh at me," he starts, biting down on your bottom lip as a warning. "you're so hot, how could i not get this hard?"

"oh, shut it," you say, feeling a blush creep onto your cheeks. "just take them off, will you?"

"as you wish."

as he shuffles off the bed and pulls off his own pants, plus his boxers along with them, you take the time to reach behind you and unclasp your bra, letting it slide down your arms and off the bed. when he reaches into the bedside table and pulls out a condom, you raise your eyebrows. "oh, so you were planning this?"

he shakes his head as he climbs on top of you again. "i was hoping, not expecting. those are two very different things." he removes the wrapper and throws it onto the table, rolling the condom onto himself. "do you need anything? or-"

"just you."

oscar presses his smile to yours, kissing you like he has no rush in the world, like he just wants to savor this moment with you. "well then," he says against your lips, nudging his dick against your entrance. "i have to give the lady what she wants, don't i?"

you can't control the whine that slips into his mouth when he pushes into you. you thought you were ready for him, but he's so big and he stretches you out so perfectly. he pauses once he's slipped entirely into you, his lips finding a spot below your ear as he allows you to get used to him. your pussy is throbbing already, still sensitive from just minutes ago, and the little involuntary clenches around him make oscar grow more and more eager.

when he finally starts moving, you drape your arms around his shoulders for stability. his thrusts are slow but deep, and yet you desperately want more of him. you hook a leg over his hip, the other following soon after, and you gasp at the way he bottoms you out completely. one of his hands comes up to squeeze your breast, thumb flicking over the nipple as his pace speeds up. the sounds you make and the way your legs squeeze him close makes him feel like he could cum anytime, but he tries to hold back because he needs to see you fall apart beneath him for the second time tonight.

"oscar..." you cry out when his free hand slides down your body, a finger coming in contact with your clit again.

"just a little more, love." his thrusts have grown sloppy and his figures on your bud aren't exactly perfect, but it's good enough for your orgasm to hit.

your back arches off the bed, your chest pressing into his as you nuzzle your face into the side of his neck to hide your moans. when your walls tighten around him, he reaches his high too, his body shaking as he rides it out. your heart is about ready to jump out of your chest when he collapses onto you, both of you trying to catch your breaths. "holy fuck," oscar starts, his breath warm on your skin. "that was amazing. you feel amazing." you try to gather energy to speak, fingers getting lost in his curls. "you taste amazing, too. better than any christmas dinner."

you give him a weak slap to his shoulder. "shush."

"it's true!" he pushes himself back a bit, mouth hanging in mock offense. "this was the best present i could've ever wished for."

"the necklace is higher on my list, though."

oscar pauses for a moment. "i'm not sure if i should feel proud or offended."

you snicker. "i was hoping for the latter," you tease, but regret it the moment oscar's hands find your waist, fingers dancing along it and tickling you yet again. the squeal you let out does nothing to halt his actions, and he doesn't even budge when you try to push him away by his shoulders. "i was kidding!"

"apologize. now."

his fingers still working their way on your skin make it almost impossible for you to speak again, but you do your best to take a deep breath. "i'm- i'm sorry! oscar- stop it!"

he finally stops, and you finally get to breathe. "i'll go get a wet towel," oscar says, pulling away from you and giving you one last glance. he almost doesn't leave the bed when he looks at you, though – he finds the sight almost too good to be true. your rosy cheeks, the dreamy smile on your lips, your hair spread out on the pillows. he's scared that if he leaves you, maybe the spell will be broken and he'll realize all of this has just been a dream. because that's just how this all feels: surreal.

but it is real, and he can't wait to have you like this in his bed again.

‎‎ ‎‎

december 26th, 12:56pm

packing up after a good trip is always a bittersweet affair. realizing that you have the real world waiting for you, your actual lives with responsibilities and obligations, and that you can't just stay in this fairytale forever – this moment was definitely not something you looked forward to.

you and charles need to get back to monaco to celebrate christmas with your other brothers and your mother, before he needs to go away for pre-season work again. you're meticulously folding up your clothes, zipping up bags and exchanging smiles as you reminisce on memories of the week.

but, things are different this time. you know that the magic of this trip isn't going to stay here – in one way or another, you'll bring some of it with you back to your real life.

oscar.

you've already made plans to meet up after new years, and even when he's busy with work, you know that you'll at least see him during every race weekend. neither of you are ever more than a flight, or a call, away, and you just can't wait to see where this all takes you.

"so... oscar, huh?" charles's voice breaks the silence, his eyes glancing in the direction of your open door that lets in the sound of oscar's voice from the living room.

"hm? what about him?" you reply, trying to hold back the smile threatening to adorn your lips when you hear his name.

charles cocks an eyebrow at you. "you and him... kind of obvious." he gazes towards your bed. "besides, your bed is made. you didn't sleep here last night."

"well, i-" you start, but charles interrupts with a knowing chuckle.

"relax, i'm not going to be a police. just..." he shows off a sweet smile. "enjoy it."

with a nod and a shared understanding, you both continue packing, an unspoken acknowledgment hanging in the air. the group gathers to bid you farewell by the front door, and gratitude fills your heart as you exchange goodbyes with your friends. you grow especially soft when lando pulls you into a hug, a cheeky grin on his lips. "thank you," you whisper, giving his cheek a quick peck to really convey how much you appreciate everything he's done this holiday. he just squeezes you back, telling you not to worry about it.

finally, as you turn to say your farewell to oscar, the atmosphere shifts and the group watches with amused anticipation. "until next time," you say, your eyes holding a promise that transcends the physical distance.

"until next time," he repeats, smiling as you engulf him in a tight hug.

you pull away just enough for your ear to brush against his ear, your voice low. "charles knows, by the way."

"w-what?" his eyes widen for a moment, flickering between you and your brother – but then realization dawns. "well, in that case..."

before you can react, oscar pulls you closer again. he presses a goodbye-kiss on your lips, right there in front of everyone, and the group erupts into cheers.

and the loudest of them all? lando, of course. "if i'm not the best man at your wedding, i'll never forgive you guys."

1K notes · View notes

littlequeenies · 4 years ago

Text

BEBE BUELL: MUSING ON MUSES AND OTHER FANS

📷BEBE BUELLJUNE 17, 2020

Before embarking on a musical career of her own, Bebe Buell was a much in-demand model but was most often seen as the second fiddle to the famous rock musicians she was dating. She, however, saw herself as the Muse to these musicians, inspiring and sharing ideas with them. Inevitably, the term “groupie” would arise. As she says, “I’m not opposed to ‘groupies,’ per se. I just don’t like being called a name or being tagged like a sheep to slaughter’. Bebe elaborates on this idea for PKM.

I remember the first time I saw a photograph of Oscar Wilde. I was five and it was Easter. We were at the Virginia Beach home of my mother’s friends, Poppy and Tilly, who were hosting a Sunday get together. We were dressed in our pastels and frills and the candy and food was flowing. It was an adult affair and, being the only child there, I wandered off to explore while the grown-ups enjoyed their martinis and snacks. I found myself in a living room study area and on the table was a big book filled with photos of poets, painters, sculptors and scholars. I was immediately drawn to an image of Oscar draped on a chair like a velvet throw! It stuck with me and when I got older I looked him up in the school library. At the age of twelve I read The Picture Of Dorian Gray, but my main interest was in Oscar Wilde, the man and his story. I felt an instant connection, just as I have with all the great inspirations in my life. In 1978, when I was living between NYC, Maine and LA, before finishing the year in London, I never missed one episode of Masterpiece Theatre and their 13 episodes of Lillie about the life of Lillie Langtry, played brilliantly by Francesca Annis. To my delight, it explored in great depth the relationship/friendship between Oscar and Lillie, and I became obsessed with knowing everything and anything I could about their dynamic. I was intrigued, too, by the descriptions of Mrs. Langtry in the press at that time in England and the U.S. She was often called a “Professional Beauty” or “The Jersey Lily” because she was born on Jersey, the largest of the Channel Islands off the coast of Normandy. She was also one of the most featured women in advertising; her face was everywhere. She was the image for Pears Soap and the most respected painters of the day stood in line just to have a sitting with her. In 1877, she met Edward, Prince of Wales, later King Edward VII, and became his first publicly acknowledged mistress.

One of my favorite quotes was attributed to her from her conversations with Wilde: “They saw me, those reckless seekers of beauty, and in a night I was famous.” This reminded me of the back room at Max’s Kansas City, the temple of cool when I arrived in New York during the era of everything! It was this platonic duo that introduced me to the role of the “Muse”—that is the Artist and the Muse. Throughout history and especially in the arts, there seems to always be a driving force that brings the flora. In the series Lillie, they emphasized how Oscar would repeat Lillie’s quips and observations in his writing. Their banter with one another fascinated me and I often envisioned myself as a “Patron of The Arts”, in a sense, as I’ve always promoted and sang the praises of those whose work I liked. I felt an affinity with that spirit—the gift of inspiring and sharing special ideas with an artist I admired. It wasn’t just music. I adored musing with photographers, writers, film directors and designers, too. Creative energies have always fed my soul. The first time I referenced the term “muse” was in a 1981 interview I did with the Emmy-winning writer Stephen Demorest for the edgy publication Oui. Its sister magazine in France was called Lui. Playboy had taken over ownership of Oui so it was a glossy, classy, European-style men’s delight, targeting a younger demographic. When Stephen approached me about the piece, he showed me a couple other interviews with “It Girls” that had been published.

One was with Patti D’Arbanville, the inspiration for some of Cat Stevens’ biggest hits. He even used her last name in one of the songs, “Lady D’Arbanville”. I knew Patti from the early 70s and, in fact, it was she who introduced me to Jimmy Page in 1973 on a night out dancing with her in NYC. It was a quick meeting, as I was eager to get home to my boyfriend at the time, Todd Rundgren. A year later, I would run into Mr. Page again and the rest is the stuff of rock tales.

I adored Patti so knowing that both she and Jerry Hall had done this particular interview sealed the deal. Like Patti Boyd, Jane Asher, Linda Eastman, Maureen Van Zandt, Sara Dylan, to name a few, the musical muse is the most often of the muses referenced. I recall how so many people wanted to know my viewpoints and opinions about the word “muse” and why I preferred it to the term “groupie”.

Even in Cameron Crowe’s Almost Famous, his beloved character Penny Lane’s first words on screen are, “We are not groupies. We inspire the music- we are bandaids!”. The film was Cameron’s love letter to women and how even at that time a stigma was attached to calling a woman a groupie; it was not necessarily a compliment. It was almost like a dismissive jab, on par with “she’s such a slut” or “whore”. Another scene in Almost Famous has all of the members of the fictitious band Stillwater squeezed onto a small plane that, they thought, was about to crash. Secrets were spilled and fingers were pointed. In one of the most moving moments, the William character defends Penny when she is described as “that groupie” by one of the band members. William nails it when he points out who and “what” she really is- a bright light and cherished fan. Someone who loved them all and for all the right reasons.

I feel that women have been unfairly branded and labeled without cause. I’ve often said that I’m not opposed to “groupies,” per se. I just don’t like being called a name or being tagged like a sheep to slaughter. Summing me up for the life I’ve lived, seen through someone else’s eyes or, worse, exaggerating the truth. I didn’t want those I’ve truly loved or the relationships I’ve had to be considered less sincere because of the visibility of my partner.

Certainly loving music or dating musicians is not derogatory. Isn’t it logical, then, that birds of a feather flock together? Like-minded tribes mate or unite because of chemistry? Rock boys and models have been drawn to each other since forever! In the Netflix series Hollywood, you find that sex and sexual favors were the core of the industry. Several of the movie stars everyone loved on screen had started out as rent boys or nude models to make ends meet. Who decides why someone can give a blow job to the “right” person and get a starring role in a movie and another blow job by an aspiring talent gets tossed into the trash can of regret.

Why, after having four children with Mick Jagger, a successful modeling career and now being Mrs. Rupert Murdoch, would anyone refer to Jerry Hall as a groupie? Or gold digger, another favorite term used to describe women who marry well. Or Marianne Faithfull, Anita Pallenberg or Winona Ryder, for heaven’s sake? These are the questions I’ve always had and one of the main reason why I have rejected the term groupie in the press. It’s not a personal attack on those who identify with the moniker. It’s my own rebellion against being labeled and frowned on for the relationships I’ve had.

I’ve taken this stand for a long time, even though it’s also caused some judgement and negativity towards me from other women. It’s almost as if they think I see myself as better than them. Or that I’m not being honest when I don’t just call myself a full-on groupie, and own it. My closest friends tell me it’s just jealousy but that doesn’t make it any less hurtful to have tales and lies circulated about you by people you barely know or those who don’t know me at all. Or to have relationships that lasted for years being reduced to a laundry list of “conquests.”

This is nothing new, of course. Catherine The Great‘s enemies within the Emperor’s Court turned on her and started rumors that she was a sex fiend who had intercourse with horses. That stuck with her throughout her life and even in the museums of Russia, the tale has echoed although it’s completely untrue. Cleopatra and Anne Boleyn were also targeted. Ruining reputations was the way people got their revenge in days of yore. Or in some cases, the reason why some lost their heads to the guillotine. Why is it that women who have power or beauty have been subjected to crazy accusations of sexual voracity or deviance? Eve takes the blame for the banishment from Eden and although she was supposedly created from Adam’s rib, she is seen as a temptress and Adam as her victim.

I believe every woman should identify by how she feels comfortable and for the work she does. I personally prefer to be known for what I do, my accomplishments, my career. However, dating a rock star or an actor should not merit a nasty quip or name calling fest. It becomes unbalanced when just because someone gets famous as, say, a model or an actress and then dates a rock star, that she should get called anything other than what she does to earn a living. I’m not sure “groupie” falls under the umbrella of job occupation. I’d file it under pastime, hobby, passion, or fetish.

The origins of the groupie started with nothing more than a desire to be close to the band—the guys who made the music. Or in some cases, the women. The term came into use in the mid-1960s as slang for women who liked to hang out with musicians. It’s fair to say that not all “groupies” are the same. There are many tiers and pecking orders when narrowing it down. Certainly not every girl who dreams of being with a rock star will waltz backstage and demand sex or give oral gratification. That’s the image I despise and wish would not tarnish the entire viewpoint to the outside world. Some of the girls on the scene want to take the word “groupie” back, to personify what it meant in the ‘60s and early ‘70s. It became something entirely different when the ‘80s rolled around. Bands born out of the LA scene liked a different kind of arm candy than the Rolling Stones or the Beatles. They preferred exotic dancers and porn stars, the girls du jour of the time. Just as music changes with each era, so do the kinds of women who pursue the bands. But, more importantly, what kind of women the bands seek out. One man’s status is another man’s yen.

And then there are those who look at being a groupie as a form of prostitution. I’ve never understood that one because most girls who live that lifestyle don’t charge money to be with their favorite rock god or even their crew. It’s a thrill to be with the band, but it seems the glamor that was once attached to that goal has changed. For me, it was a thrill to fight to say “I’m IN the band”… or even “I AM the band!”

When I was living with Todd, he produced one of the first all-female bands, Fanny. They were so great! June Millington could shred! I felt bewildered when I would hear snide remarks wondering if Todd was sleeping with one of them. I thought to myself that would have never been said or thought if they weren’t women.

The bottom line is preference. We all have a choice. And we all can be whatever we want. We can wear many hats. I see myself as a mother, wife, musician, singer, songwriter, writer, mentor, animal lover… many different things. What I do in my spare time is how I make my soul happy. Who I date is based on connections, fate and karma. We end up with who we’re meant to be with and the experiences we have are all meant to be. I’ve been with my husband Jim for twenty years now. Our 18th wedding anniversary is coming in August 2020. So, I’m writing this piece from the perspective of a wife, mother, working musician, writer and mentor. Not just a girl who had lots of suitors in her youth. Every single little thing is part of the journey.

The first time I saw a photo in Rolling Stone of what they called a “groupie”, I was 15 years old and in the 10th grade. It was 1969, and neither the image nor the word was at all something ugly to me. It just seemed exciting and cool. The girls were so outrageously dressed, and it reflected an almost innocent charm. I didn’t aspire to be a groupie but they seemed like they were the ones who made the guys in the band cool. They helped dress them, created make-up looks and spread the word all over town about how good they were. It didn’t seem to be so much about sex and backstage antics. Maybe I was too young to fully understand everything, especially from the pages of a magazine.

On my first trip to LA with Todd in 1973, when I finally did meet some real girls who liked to be called groupies, it still didn’t seem derogatory. I started to see how it was all just tossed together in some people’s minds. It’s a complex dance between an artist and his muse. None of it is something so vulgar or tainted as being only about sexual conquest. Maybe to some, it’s about that. But for me it was a series of fated encounters that have lasted throughout my life.

Some people see a groupie as a girl who will do anything, including have sex with a roadie, to get to the band. There is that element to the rock n’ roll lifestyle. But it’s not the entire package. Others see groupies as a vibe, the girls who are there when the band makes it, the girls that helped them make it, the on-the-road bestie, or the girls who get the bands drugs and food. Or even give them the clothes off their backs if the band is short a cool stage look. I often joke that that’s how wearing your lingerie out became a signature rock girl look- the band had taken her clothes to wear onstage!

I recall reading where Pamela Des Barres said she was still a virgin when she first discovered her teenage heart being drawn to rock boys. It felt sexual to her and it was also just youthful and sweet. Not a salacious sexual quest. More a desire to be near the music and the men who made it. That’s perhaps what one would define as a “classic groupie”. Or, in some circles, “fan” is the preferred analogy. I can relate to that myself as I knew when I was ten years old, I would hang out with Mick Jagger one day. I knew those were my people… my kind.

Pamela has made a career out of her life as a proud groupie. But certainly she has a right to claim the term because she helped invent it! She now calls it her “groupie heart” and that is something anyone who’s ever had a crush on someone or loved someone’s music so much that it altered your DNA can relate to. Hasn’t everyone felt that way? Every guy or gal who picks up a guitar or slings a mic stand had to have been dazzled by their inspiration or felt a need to pursue that for their own futures. So, my point is this- none of it is negative nor should one word hold so much power that when it’s flung at a woman, she’ll feel shamed or scorned.

When I started to get a bit of fame, the media seemed to want to call me anything but “groupie”. It was “Friend Of The Stars”, “Queen Of The Rock Chicks”, “Leggy Model”, “The Mother Of All Rock Chicks”, “It Girl”… so when the internet entered our lives, I began to see just how judgmental and downright mean people were about the women who hung out with the bands. It started to become something so dirty and taboo that I wanted no part of that term. It’s a thin line, a hard one to walk. Personally, I feel loving music and being attracted to musicians is as natural as doctors and nurses getting along. Humans are drawn to their soul tribe. Music, musicians and all art forms attract me. I’m the moth to that flame.

As an entertainer myself, it always hurt me when what I actually do for my job was ignored or not taken seriously because of the famous names I’ve been attached to. It’s so one-sided to only put that burden on women. It has been the norm for men to be patted on the back and admired for their taste in women and especially if they were able to appeal to many and have tons of sexual experiences. Even in the animal kingdom, the male peacock has the massive plume bloom to attract as many lovers as he can. A male lion can rule the pride with his sexual domination. A male celebrity only becomes more famous if he’s got a beautiful model or actress on his arm. Whereas a woman who’s dance card is busy or even full is often ridiculed or bashed. Branded with the scarlet letter of infamy.

It started to get under my skin when I saw myself defined only by who I’d dated or had close friendships with. It’s the luck of the draw. Some women who are in the public eye can date and marry a celeb several times and be embraced for it. They use it to further their already visible life. They are proud and exploit all their lovers as the playthings that they’ve become. Some have become famous by leaking a porno or being on a reality show. What was once a limited field has become wide open with lots of branches of thought and assumption. I knew it wasn’t going to be easy for me to fight for my image… my persona… my legacy. But I did fight. I turned down almost every request I was presented to be interviewed for groupie documentaries or sensationalized TV shows. Sometimes turning down large sums of money. But I wanted to work hard and felt if I worked hard enough one day I’d be thought of for what I did on a stage, in front of the lens of a camera, as a mother and at times even a manager, more than who I shared my life with. Dare I use the “R” word? I wanted RESPECT.

There’s lots of contrast in the definition of groupie or muse but what about “partners”… the duos who took the world by storm. Sonny & Cher, Karen & Richard Carpenter, Debbie Harry & Chris Stein, Jack & Meg White, Jane Birkin & Serge Gainsbourg, Stevie Nicks & Lindsey Buckingham, Annie Lennox & Dave Stewart, Kim Gordon & Thurston Moore, etc… Or Chrissie Hynde and Courtney Love, who both married musicians. There’s a kaleidoscope of ways women are seen. It all depends on how you are first perceived. The general public seem to hold on to how they first heard of you even if you go on to do many different things in your life. Marianne Faithfull is a perfect example of someone who has been able to transcend her detractors and carry on like the warrior she is. But it baffles my mind how anyone could call her or Anita Pallenberg anything but tastemakers and trendsetters. They were the women I would stare at for hours as a young girl. They fascinated me almost more than the guys they hung out with. Yet I still hear them sometimes referred to as groupies.

Like any entertainer, I have an overwhelming need to be loved and to give love and positive energy to others. That’s why I crave being onstage. The connection with the audience is almost like having the best sex in the world. Or at minimum, a great, soulful hug that sends sparks through your body. I’ve been doing this since 1980, in public anyway. This is my life… not the talented, special men I dated in my youth. That’s part of my story and I will never regret a single heartbreak nor will I ever regret loving to the point of forgetting myself and my own pursuits. But I want to be remembered for more than my dates or suitors. I gave birth to a child who grew up to become a superstar so the role of nurturer has followed me throughout my life. I’ve accepted the fact that my fate is to be a vessel for talent and to enrich those who possess it. It’s become who I am- all the parts and pieces of my karma rolled into one big bang! My artistic side occupies just as much space as my musing side- equal parts love and creative energy.

Things come full circle especially when I get approached after one of my shows by young girls that call me “High Priestress” or tell me that they are my “groupies”. When I hear the words “Bebe, Im your biggest groupie!”, my heart swells but I also like to immediately remind them that I do what I do onstage because of them. Because of the exchange being a performer gives to my being. It’s like fuel… hors d’oeuvres for the soul.

One morning in 2009, I got a call from an old industry friend who had landed at Interscope Records. I was awoken with, “Bebe, you’ve been touted in a song produced by Pharrell Williams called ‘Bebe Buell’ by a young band from Boston called Chester French.” I remember thinking “wow, that’s a nice compliment” because the gist of the song was that someone like me or Pamela Anderson Lee were the creme de la creme of rock-boy desire. There’s a clothing line called ‘Muse & Lyrics‘ that has a blouse/top called “The Bebe” and the brand ‘I’m With The Band’ has named their leopard scarfs and headbands the “Bebe”. There’s even a cocktail called “The Bebe Buell”.

But I think one of the coolest things was having Cameron Crowe name the lead singer in Stillwater Jeff Bebe. He gave me the original T-shirt that was used in the movie, too, and boy do I treasure it! Cameron sprinkled all kinds of little clues and messages throughout Almost Famous. I was especially touched by the Jeff Bebe nod because he knew how much I wanted to be a singer in a band. I remember him once saying to me that I should just go for it. At that point, people only knew me as a model and Todd Rundgren’s girlfriend. I hadn’t even done Playboy yet, so I was still trying to figure out who I was and how to do it. I finally did but it took me six more years to get in the studio and front a band!

It’s moving to be honored and it’s also nice to be appreciated by the younger generation of pop culture lovers. The first time my name was in a song, I was excited by it. My old friend G.E. Smith had a line on his solo album that was about coming to visit “Bebe and Liz”… he came over to my best friend Liz Derringer’s house to play it for us. We were elated… it was cool. I would never be so bold as to sit here and make a list of my lovers or the songs they wrote for me because it seems so long ago. I’d rather leave that up to the fans of the music to decipher and besides not all songs written for others are acknowledged as such. I’ve had several songs given to me as gifts or written to me in letters.

Sometimes the authors don’t admit it because their feelings change and they don’t want to upset their new love interest. Didn’t Bob Dylan write “Leopard Skin Pill Box Hat”, “Just Like A Woman”, “Fourth Time Around” and “Like A Rolling Stone” about Edie Sedgwick, only to later deny it? I know the feeling because it’s happened to me. So, at this point in my life, I just cherish the letters (yes, I still have them so one day when we’re all gone they will maybe solve the puzzles) and I respect and allow artistic license to have its day. It’s an artist’s prerogative to change their minds so I hold no hurt feelings. Music buffs are pretty smart anyway and they usually know the truth, so it matters little unless it’s blatant. The one topic that irks me is that I claimed This Year’s Model was about me. Well, that’s impossible because I didn’t meet and start to date Elvis Costello until he was well into Armed Forces. I was living with him in London when he recorded it in the fall of 1978. He included a couple of lyrics from songs on Armed Forces in letters to me but I can say with certainty that “Party Girl” wasn’t one of them. I guess it was the timing of the release that made people speculate I was the subject, but I wasn’t and never claimed to be. He didn’t even know me when he wrote those records. Why this is disputed has always been a mystery to me. The songs Mr. Costello sent me in letters were from later albums, starting with Get Happy. I will always wonder too why he would say something so false and perpetuate a rumor twenty years later in the liner notes of a re-issue. Here’s to hoping it is finally put to rest. And even with the shame and pain I felt at the time, I feel no regret or ill will toward anyone. To me the truth is pretty obvious. Remember the story I told earlier about Catherine The Great? Revenge is often used when hearts are hurt, and it is very common in the entertainment industry.

In summing up my thoughts on the topic, I feel it’s time in our culture to appreciate the roles women have played in art since the beginning of time. Dali had his Gala, Picasso would hide the initials of his mistresses in his paintings and secretly tell them so they would know it was for them, Clapton immortalized his love and lust for Patti Boyd with the ultimate ode in “Layla” and John Lennon may have written the most beautiful love song of all for Yoko in “Woman”. Or was it Paul McCartney with “The Long And Winding Road” about Jane Asher or “Maybe I’m Amazed” about the spectacular Linda Eastman McCartney?

We can’t leave out the spirited and unique George Sand whose given name was Aurore Dupin. She was born in Paris on July 1, 1804 and adopted the name “George” because women couldn’t write professionally with the freedom of men in those days. She became one of the most popular writers in Europe during her lifetime- one of the most notable writers of the European Romantic era. She would wear male attire in public saying it was easier and more affordable than women’s garb. She was a confidant to Franz Liszt and lover and muse to Chopin. She would lie beneath the piano while Chopin composed, saying it sent the music through her entire body instead of just her ears.

Music is primal and it gets into our bloodstream. It’s easy to see why young girls get crushes on their idols and some even grow up to marry their dream man. But the days of defining women by their sexual desires or “conquests” should be on the wane. I never looked at the men I dated or loved as conquests. Humans aren’t territories to be battled over or ceded to. The human connection is divine. Each and every person we cross paths with is part of our magical life story. So, whatever you identify yourself as is fine. That is your privilege and judgement should not follow even if the choices aren’t the norm. As Oscar Wilde said, “Be yourself. Everyone else is taken.”

*Closing side note* As I was finishing this essay, I was doodling with a People magazine crossword puzzle and one of the clues was “GROUPIE”. Guess what the answer was… “FAN”. The timing was uncanny!

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angrylizardjacket · 5 years ago

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self-same mettle

Summary: "I love my sister more than anything in this life; I will choose her happiness over mine every time."

A/N: BIG WARNING; August Reid, who you may remember from the main story, child groom tw, though nothing comes of it he's still creepy and predatory. Okay so I just wanted to write a little something from Oscar's perspective in the High School AU. Let me know what you think!!

{AYDTD}

----

Oscar's always been a romantic at heart, always wanted to be the star of his own Mills and Boone novel ever since he was sixteen and found his mother's stash while hunting for Christmas presents. It had been painfully straight, right when he'd been discovering the delightful world of loving men, but he was invested enough in the romance that he didn't care.

In 2017, at the tender age of 19, he discovers the author Chuck Tingle, and despite the fact that he's technically now a literature student, this ridiculous, gay erotica makes his heart happy in ways he can't quite articulate.

The point is, he knows August Reid, because he's his dad's drinking buddy and fellow professor, but Oscar doesn't think of him much until he takes the man's class. Ash, who's fifteen and who spends weekends at the local art gallery down the road, has always been far more artistically minded, Oscar's always been more drawn to words, but he takes August's Art History class on a whim.

There's a certain draw to the whole teacher/student fantasy, and August looks kind of like an older Richard Madden, still angular and defined, but greying at the temples, the prelude to an extraordinary silver fox. So Oscar let's himself daydream, and take the follow up class, and look forward to the weekends where his dad's friends would come over to smoke cigars and play cards. August Reid was nothing if not polite, always smiling and kind and happy to see Oscar, answer his questions. Oscar knew he was married, thinks he probably has a kid, and so he was happy to keep his daydreams to himself. He thinks there's something romantic about quietly unrequited love.

However, it takes a year, once Ash has matured more, not a lot, but enough to catch August's interest, for the rose-coloured glasses to be ripped off. August takes an interest in her; when he and the rest of their father's colleagues came over, he would make a point to stop and check in with Ash, encourage her interest in Art, both physical and theoretical, and even suggest research for her, or upcoming exhibits he thought she might like. It's harmless, at first.

Talk of art turns to compliments, her taste in things, her outfits, how she wears her hair, the colour of her eyes. Ash seems to start looking forward to his visits, and something about it doesn't sit right with Oscar.

"He's just, Oz he's so cool," she was smiling, blushing a little; she had a crush, it was plain as the nose on her face, "and he said he could get us tickets to the Renaissance exhibit in Glasgow next month, how awesome is that?"

August starts calling her Miss Ashley, a joke that started since she still had a habit of calling him Mr Reid - because she's a fucking highschooler, it's how she's been taught to address teachers - Ash delights in it, straightens her posture a little when he says it. August makes a habit of petting her head fondly when she does. It makes Oscar's stomach turn just a little. August shouldn't be looking at his little sister like that, she's just a child.

Their father seems blind to it, tells Oscar 'don't be ridiculous, he's just being kind' and when he goes to mum, she just brushes him off, insisting that August is lovely, that he's so in love with his wife, and that Ash is just excited to have someone who understood her.

"A little schoolgirl crush is harmless, Oscar, dear; weren't you singing his praises not too long ago?" It's meant with a wink and a nudge, like perhaps Oscar's jealous, but his mother can be so dense; it's not the same at all. He's an adult, and Ash is a child, and yet he's not the one August is giving leering looks to when he thinks no-one's looking.

It's not that their parents don't love them, it's just that they don't particularly care. They're trapped in a loveless marriage, too self absorbed to care about those that can take care of themselves.

So Oscar takes it upon himself.

Oscar's never understood art like he's understood literature, never been able to make it make sense in the same way, but that doesn't matter. The point is, on Sundays, when his father's colleagues come over for tea and cigars and cards, Oscar's started taking Ash to art galleries across the country.

"But August is-"

"It's the impressionists, Ash," Oscar takes her hand with a grin, practically begging her, "come on they have the Water Lilies," he enthuses, and Ash's expression softens.

"I do love the Water Lilies."

Because he can't tell her what he's really doing, because she's sixteen and thinks she knows everything and the idea of telling her that August has any sort of feelings towards her, even if he explains why that's creepy and wrong, is probably the worst thing he can do to discourage her. So he distracts her, and is careful to never mention him if he can help it, or steer the conversation away if she brings him up.

She's his best friend. She's always been his best friend, but in an abstract, sibling sort of way, but it doesn't take long for the two of them to become legitimate best friends. He listens to all the drama of her highschool career, and her ideas for sculptures, and anything else she wants to talk about, and in turn he tells her about whatever he's reading that week, whatever poetry ideas he's been riffing with lately, and complains about pretty straight boys in his lectures.

Oscar may be a poet, but neither he nor Ash could hold a tune to save their lives, and so of course they sing along to Ash's Spotify playlists at the top of their lungs whenever they're driving. There's three weeks where she plays the Hamilton cast recording on repeat, and Oscar finds himself muttering it under his breath in class.

He works nights, and Saturdays, to afford all these day trips, and his family think he's so diligent, studying and working so hard, and on his day off he spends it with Ash. He keeps local for a few weeks, a few months actually, and surprises her with a trip to the West End for Christmas.

She talks about August less and less as time goes on. Though she does ask about it, in a roundabout way.

"Why're you spending so much time with me?"

They're having lunch in the park across from a gallery somewhere in Ireland. Oscar packed jam sandwiches.

"I don't understand this art shit like you do, but it's good to find inspiration from all mediums, you know?" Oscar smiles, takes a big bite of his sandwich, and watches Ash wrinkle her nose.

"You sound so pretentious," she snorted, shaking her head, "but whatever, I'm not gonna complain, you're the one paying."

"And I like spending time with you, biscuit." His voice turned overly sappy, as did his grin, "I love you." Oscar reached out and ruffled her hair, and Ash squawked, batting his hand away.

"I love you too, ya muppet, but if you wanna hang out we can just do something lowkey, or like, close to home."

She takes him at his word, which is good because he's being honest, but she seems content with their routine. Sometimes they go bowling, or to the library, sometimes they go op shopping, or to the movies, but they never miss a week.

She's his cheerleader at poetry readings, his tour guide at art galleries, and his favourite person at all times. His father's a literature professor who stopped truly engaging with her about her love of art once he stopped understanding her, and his mother was a Type A accountant who was just disappointed she wasn't interested in something employable. So Oscar was her cheerleader at art competitors, her enthusiastic student at art galleries, and ends up being her best friend and quietly, her favourite family member.

August asks about her, according to their father, but Ash's brief infatuation with him seems to have died down.

"Do you have a problem with me, Oscar?" August asks almost a month after Oscar's started spending Sundays with Ash, and maybe their father's told August what's happening, maybe he's noticed Oscar glaring at him whenever he saw the professor, but either way, he's so painfully kind when he asks that it's a dead giveaway; August knows something's wrong.

"Stay the fuck away from my sister," Oscar, kind-faced, bright eyed Oscar, snarls. He's 6'3" and never more thankful for his height as he towers over August.

"I'm simply showing an interest in her, she's an art enthusiast, I'm an art professor, don't worry-"

"I don't give a shit; look like the innocent flower but be the fucking serpent under it, right?"

"I don't understand what you mean? Does your father know you feel this way? Does Ash?" And it doesn't sound like a threat, it sounds like a very genuine question, but Oscar wants nothing more than to punch him in his stupid, angular nose.

"Does your wife know you spend weekends ogling underage girls?" Oscar fires back, and August's expression sours considerably, his mouth closed in a tight, humourless line. "Yeah, dad knows, not that he gives a shit," Oscar sneered, "but if you go near my sixteen year old sister again, you smarmy creepy -" his voice dropped very low, expression dark, his hands balling into fists by his side.

"If your father's not bothered by it I don't see why you should be, I haven't done anything wrong, but you're throwing around some serious implications here," August gives a blithe smile, "Ash is an incredible young woman I'm simply encouraging her passion."

"August Reid, I need you to know that I'm not threatening you," Oscar said calmly, "I'm promising you; I'll fucking kill you."

And maybe he doesn't believe Oscar would legitimately harm him, but he sees it's not a fight he's going to win. August leaves Ash well enough alone after that.

At the start of their Summer break, before Ash is due to start her second last year of high school, their father gets a job in England, their mother gets an excuse to leave her loveless marriage, and Ash and Oscar get a choice. Oscar knows without even having to ask that Ash will stick with him. He also knows that in two years, if she's still here, she'll end up studying under August and his father's other creepily complicit friends. Oscar's playing the long game to keep his sister safe when he announces he'll be going to England with their dad.

He lies, says he doesn't mind transferring courses and maybe retaking some classes at this new university, makes sure he's nothing but positive when he talks about the move, and Ash, add expected, joins him. It hurts to leave the life he's building himself, but he knows it's what's best for Ash.

Adjusting to a new life is difficult, and some weeks they don't end up spending Sunday together. Oscar let's himself relax, takes time for himself, and starts to build new relationships, new connections in this new situation he's found himself in.

Here, he didn't have to worry about Ash so much. She was still his best friend, but now she could just be a teenager without a creepy professor leering at her and grooming her. Though quietly, Oscar was just glad she still wanted to spend time with him; she still goes to his poetry readings, still wants to go on day trips with him, and she's starting to get to know his new friends little by little.

Meeting Freddie is like getting hit by a freight train; they're both taking a Creative Industries subject as an elective, and they get partnered together. Freddie is intense and warm in equal measure, a lover of cats judging by the pins on his bag, he's always drawing or doodling something on his notebook, and he writes songs. Oscar adores him from the moment he meets him. He's always busy, always on the move or at band practice, but he seems to like Oscar well enough, so the two of them start having lunch together a few times a week.

Freddie thinks Oscar's selfless when he learns about everything that had happened back in Scotland.

"Picking up and moving your whole life just to make sure she's safe," Freddie shakes his head, "you're a Saint, you know that?"

"She's my sister, I couldn't not do it," Oscar laughs a little self consciously, but Freddie just seemed endeared.

They're messaging almost every day. Freddie sends draft song lyrics and selfies with his cats and Oscar will send bits of poems and shitty angled selfies or photos taken by Ash. They both live busy lives, but they keep up with each other without even trying.

[I've got a cat named Oscar, you know?]

[I didn't actually. You really like me well enough to name a cat after me 😂😜]

[har har I've known the cat longer. sorry to disappoint. 😘]

He's so caught up in his new life and his new friends, and Ash seems so happy with her new school, especially their art program, that it takes Oscar a while to realise how painfully lonely Ash was. She's always been introverted, always focused more on her projects than on the people around her, but when Oscar realises that person she talks most about is her physics tutor, it hits him that she doesn't actually have any friends her own age here. She likes his friends well enough, one even got her a fake ID if she might ever need it, but she had none of her own.

"How was school?" They've been here for about three months, and finally things have maybe started to look up.

"Fine; we're starting sculpture making in art," Ash said offhandedly, rolling her eyes; she already spent time outside of school making sculptures, the idea of being graded on it now seemed trivial, "this one dumbass spent like twenty minutes negotiating with a teacher about whether he can also make a second sculpture for fun." Ash's voice was flat, unimpressed.

"Sounds like someone you'd get along with-"

"He wants to make a dick."

Dick Sculpture Guy turns to Fucking Roger, and Oscar starts to hear more about him, because Roger's always seemingly causing a scene and Ash is endlessly annoyed with him, though she once let it slip that she thinks he's rather hot, and Oscar, though he's never brought it up, will never forget it.

Until he gets a call on Friday afternoon, from Ash, in tears, asking him to come to the school.

She's surrounded by the pieces of her broken major work when he arrives, and there's a tall, dark haired guy checking up on her. This is Brian, the tutor he's heard so much about. He's thankful, but comforting Ash is his first priority.

Brian leaves, and together the siblings piece together her work. The school gets locked at five, and they're there until the very last minutes. Once the bust is sitting up on one of the desks at the edge of the room, Ash sniffles only a little bit.

"I'll paint the cracks gold."

"Kintsugi," Oscar adds, nodding sagely and Ash actually beams at him, "see, I listen to you, biscuit."

He suggests they go to Freddie's gig to take her mind off of it, though it's also because she's been asking to meet Freddie for a while now, but he's always been busy. However, things don't go as planned when not only is Ash's tutor part of the band, but Fucking Roger is too. Fucking Roger who's sculpture exploding made Ash cry.

Ash is adamant she's going to kill him. Oscar doesn't stop her. She disappears around the end of the bar after Roger, while the rest of the band - Freddie, Brian, and some kid called John - hang back.

Ash decidedly doesn't kill Roger, and actually ends up enjoying her night, which Oscar's glad for. That being said, he's a little bit distracted; he's quickly discovering that Brian might be the loveliest person he'd ever met. Brian's an astrophysics student, a guitarist, a tutor, and he took the time to check up on Ash; Oscar hasn't been seriously romantically interested in anyone since high school, and he's only met Brian today, but damn if there wasn't definitely a crush forming.

They play good music, and Ash seems to have a good time, and he tells himself that that's all that matters.

Days go by, weeks go by, the siblings keep going to Queen's gig's, and Fucking Roger turns to just Roger. Oscar messages Brian and Freddie that Ash might have a crush and Freddie sends back a wheezed voice message saying that Roger probably does too, but that he's stubborn as hell and would never be the first to admit it. Something warms in Oscar's heart at that. Slowly but surely, between Roger and John, Ash is finally making friends her own age.

Ash deserves a normal-ish crush on a normal-ish boy, and Oscar will do anything to encourage that crush. So they go to gigs, and Oscar wiggles his eyebrows at her when Roger's got an arm around her between sets, and Ash turns as red as her hair. But Brian's got a hand on his thigh where they're sitting near the door, and it feels weirdly normal, and kind of the best.

To see Ash smiling and happy, everything was worth it. It's all worked out, though he knows he'll never stop worrying about her, not that he'd want to.

#borhap #roger taylor #roger taylor x oc #brian may #brian may x oc #queen #aydtd #the angry lizard writes #child grooming tw

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autumndear · 6 years ago

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hello hello !! it’s lucky back at it again !! i j wanna preface this by saying my last intro was compared to drunk history and i was also asked if i was drunk when i wrote it ( but in the nicest way y’all ). i wasn’t that time. i’m still not that drunk, but ya girl a little tipsy. there’s the answer 2 future questions. ONTO THE SHIT THAT MATTERS:

disclaimer: honestly everyone involved in mommie dearest ( 1978 / 1981 ) cld totally sue me for this.

background.

triggers: child abuse, mention of illness and death, brief mention of infidelity

ya girl is too invested in classic era hollywood and she hates herself for it so that said autumn’s mother, not based off of joan crawford just set in a slightly different time period, was pretty much considered one of the last greats. as a part of the patty duke/sharon tate/etc. generation when paparazzi were just beginning to get involved in personal live ( we stan elizabeth taylor for this ), she was pretty much... as i said... one of the last classic actresses

and she KNEW IT!!

irene caeden was a hoe for publicity. although never confirmed nor denied, autumn has always highly suspected the only reason irene adopted her was to make her look good.

autumn was made to call irene “Momma Hen” what do u mean mommie dearest?

that said, irene wasn’t... a good mom... honestly at the beginning, her intentions were pure. however, as autumn began growing up and learning how to be more resistant, irene began worsening her punishments

“y’ain’t gonna keep racing me until u win?? ok ig i can lock u up if u want me too....”

“y’ain’t gonna keep playing this game of strategy against me until u win?? ok ig i can force u 2 stay up all night and day staring at that board not sleeping with a surveillance camera placed right by u.”

“y’ain’t gonna finish ur meal? fine. starve.”

irene could have the best night of her life. she could win an oscar for best lead/best supporting and just be in a total state of euphoria which would pass to autumn. then she would find one thing wrong in autumn’s room in an attempt to reminisce and all hell would break loose.

that’s when the abuse that one typically associates the word with begins – when all hell breaks loose after reminiscing.

then her mother would grow irrationally paranoid over something that didn’t exist – usually a stain because we’re not original – and would force autumn to work on it with her. she cleaned her rooms perfectly. there was no stain. but she helped her mother, now vulnerable for some reason, nonetheless.

their best moments of connection were when irene was putting autumn through hell, because she was going through her own.

that’s fucked!!

naturally, the older she got, the worse their battles became.

when she graduated high school, she was proposed to by a young man named charlie (i accidentally called him mark once in the biography oh my god i hate myself). she planned to move in with him and begin studying away from home.

irene didn’t like this plan. she made sure a tempting young woman introduced herself to charlie and and proceeded to seduce him.

charlie took the bait.

when autumn and charlie broke everything off, her mother reminded her that she always knew best!! (ok to be fair... he did cheat ok we’ll give her that even if she set it up he still cheated by his own volition)

still, autumn wanted to leave the horrible environment, the only good people in her life being the live-in maid and nanny. unfortunately, irene is a very good actress.

irene told autumn that she had been dropped by her studio and that her contract had been lifted – that she was back where she started and didn’t know where to go, financially or career-wise.

ultimately, she manipulated autumn into staying.

their battles continued to grow up until irene fell fatally ill. autumn took a sort of sadistic pleasure in watching her mom slowly deteriorate,,, and tbh she hated herself for it but,,,

their shared fear made them connect over it.

when she died, autumn was essentially the only person at the funeral who knew her for her. irene had always complained about people loving the idea of her, but not her – the only valid complaint she’d ever made. autumn wished she could’ve been that person, but she was essentially just like every other person there.

when she learned she’d literally inherited zero (0) in the will except for an acknowledgement of all the ‘lessons’ irene had taught her, she decided she would get the last word by writing a tell-all mommie dearest who.

following the book’s success, she decided she didn’t want to live a life of fame and harassment. she moved to boot hill and thought she could become a brand new person!!

-kathy bates vc- LIIIIEEES -end vc-

-marina and the diamonds vc- liiiEEEeesssss -end vc-

working at the funeral home (we stan) reminded her of her past, present, and future.

marrying the local pastor, a horrible match for her, echoed charlie.

having to be the stern parent of three children reminded her of her own mother.

AND BOY HOWDY THERE IS NOTHING SHE FEARS MORE THAN WINDING UP LIKE HER MOTHER!!

ofc she’s convinced if she ever even shows signs, the one good thing about her marriage to gabe is that he would intervene.

wow i should be ernest hemingway my intros are so much... less drunk sounding than they are when i’m 110% sober.

personality.

wine mom. lives for the gossip. basically helen lovejoy from the simpsons.

a lot more serious than ophelia (in part bc she’s never high lbr). she generally understands situations much better and actually... gauges them appropriately.

has a compassionate side. although she’s largely rational, she is quick to recognize emotion and act.

has to be the stern parent out of her and gabe. she doesn’t know why they continue having children. they have no passion and she’s afraid she’ll wind up being like her mother.

sad bitch bad bitch (tbh ophelia too but)

honestly the epitome of almost every single lily allen song.

we stan.

wanted connections.

considering i can only come up with unique connections when i have a theme going (like classic movie lines for ophelia’s), i can’t think of anything very unique, but:

someone she cheats on gabe with (gender doesn’t matter)

friends?

people she gossips with/wine buddies

???????

STAY TUNED!!

and then we also love brainstorming.

N E WAY. LIKE THIS OR HMU IF U WOULD LIKE 2 PLOT !!

#southbound.intro #why am i more coherent when im a lil tipsy should i start drinking all the time im-#(probs wont be tipsy by the time this is posted it's gonna sit in my drafts until enough ppl are following me 2 post it ja feel??)

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eddie-redmayne-italian-blog · 8 years ago

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EDDIE REDMAYNE, THE MOST GIFTED OF THE NERDS

“Being an artist is not about talent, but the striving for perfection in the knowledge that you will ever reach it “

Eddie Redmayne wearing a blue total look and has an extraordinary face eyes and smile when he talks comes almost completely squeeze, you understand that he loves to quote this sentence of Red theatrical work by John Logan, in which he played a Ken White lotus worker and artist, in turn, a role which earned him numerous awards.” Those who think that having a great talent does not involve effort they’re wrong. it’s impossible distinguish the great talents from hard work. For me they are inseparable.”

We are in London, near Borough Market, where Redmayne lives with his wife Hannah and Iris, their daughter 10 months old, and says that when he got the role of Stephen Hawking, then earned an Oscar for The Theory of Everything, there were other 5 actors to compete for that role. “ I never thought, ‘ I can do it’ but I am very interested to do” so with some modesty, when you consider the transformation in Lily for The Danish Girl has touched a second statuette, shifts the focus from himself and asks me If I followed the advice he gave me the last time we met, when he suggested to go to see a series of portraits in the National Portrait Gallery. Redmayne often finds inspiration for his characters remaining for hours observing painting’ details a legacy that carries the art studies at Trinity College, Cambridge, and after years of Eton college. I need to know everything about the physicality of a character as he walks as he eats even in bed wher he sleeps. In a TV miniseries Elizabeth I, 10 years ago was the Earl of Southampton. To the National Portrait Gallery has exhibited a painting commissioned by himself who explain more of thousend words, how much he loved wealth. He had very long hair, wore rings of various shapes and was surrounded by precious objects carpets. If I had not seen that picture my acting would be much poorer, in the true sense of the word.

Also for Fantastic Beasts he spent whole days to observe the rhinos” I did tell the animal trainer all their idiosyncrasies” says with a tone of amazement still in his voice, he needed to immerse themselves in the shoes of Newton scamander a magician totally dedicated to his Fantastic Beasts that studies and saves.

Eddie what comes from this extraordinary meticulousness preparation?

I have a bad imagination so I try to immerse myself in things in a more visual can. I watch different movies more than those of Charlie Chaplin and Buster Keaton on, I look at the paintings to try to pull out something interesting about how to dial a code of references that inspire me. The truth is that we specialize to compense in our defects a lot, and we are working on eventually they become our strengths.

In this way, however, you became the first paraplegic and then a man in search of his own female identity?

And seems that i choose these roles... they were the result of coincidences. When you play someone who lives or has lived, and then people know you have to work a lot on the effect of actually looking for details everywhere, I have followed the same method even when interpreted a fictitious character in Fantastic Beasts asking J.K. Rowling all references possible about the time, the period in which she set the story, how the people looked in the New York of the time. We are literally immersed in those imaginary thing.

What’s for you physical transformation, skill that was the main key to the success ?

The physicality is a massive part of than we are, but it’s just one of the aspects of my job. My work would be a very bad if one only looked viewer the appearance. Even if you stay in a character for 8 months, and I end up becoming a bit ’ also what I play, I like to lead a life a normal as possible.

Your last role, and maybe the most difficult, to be father you’re in is turning even there?

it’s too early to say that I am becoming a father, and I’m trying to keep my head above water this so. I do not sleep a lot and even my wife also in this, Also in this if I think how to act both I and Hannah trust instinct do not analyze things too much, and the way to do.

There are colleagues inspired you ?

For each role I find one other than. Maybe you don’t believe it to become Stephen Hawking had in mind James Dean who was a revelation watching almost all his films, I knew it about icon but not his work, and has a lot to me hit even when I play with famous actors are more intrigues.

First, you talk about Rothko assistant’s sentence that to be an artist and to aspire to perfection, knowing that you will ever rich out.

This’s a good answer for those who ask me “Why you recite a play for nine months, every night, doing the same thing?” If I think the movie, one of the most frustrating aspects of my work is that although the leap of spectators we have available hundreds of “action!” for one scene actually,not much better it happens that you have in brilliant idea when filming ended’ll see you in film 9 months later and maybe you will not like it.

After the Oscar, and the last nomination, it was thought that it would have made dozens of movies, instead not. Why ?

I was dreaming to become an actoor since I was a child, then someone, maybe to dissuade, told me that i it would be difficult to make it a true profession. Now I can say it’s true. Since I started doing auditions for many parts every time they called me I was going to try it. Despite having become my job, and I have had so many awards, fear of not working after never leaving me. For the last four years, while I was running The Danish girl I was going to promote The Theory of Everything and while on the set of Fantastic Beasts every Weekend I flew to Los Angeles to promote the Danish girl. In short, for four years I didn’t have a life here so well.When I’m done Fantastic Beasts I decided to take a little ‘time for the family and my friends.

In the Pop Culture you are considered “a kind of modern British Avatar Style ” what’ s for you style?

Instinct, more than an calculating.Someone’s associate personality style and elegance which for me is effortlessness

Your kindness and your courtesy are disarming. It seems that embodies, where does this attitude are from ?

In the profession there is a lot of competition, you through different emotions, constantly frustration and anger, jealousy, and I think I’ve made some important experiences regarding this. My older brother James,unlike mine, is a sports talented man from there we challenge often tennis but he did it without a real passionand and in summer we played a match after he had not touched a racket for months, leaves me coming the fifth set and just when I thought I would win it pulled out the best of himself and beat me. I remember that my anger was mounted to the point of becoming fierce.

And what got you inside?

I noticed that emotions like rage and competitiveness, were so unpleasant that it was best to remove it. In the world is full noise coming from all directions that you should still try to offer the best of yourselves.

Soon you’ll back on set for the sequel to Fantastic Beasts and Where to Find Them directed by David Yate. What fascinates you the world of JK Rowling?

Her imagination, her genius of creating worlds.

Newton Scamander’s suitcase, the magician expelled from Hogwarts that calls himself magizoologo, contains real worlds. Instead, what’s in your ?

Books, watercolors, to make the tremendous paintings,script, a camera, a very few blue clothes, usually. I’m color blind and that’s the only color that stands out well. Sometimes I dress colorfully and by reaction those who are close to me, I understand that are too showy.

#eddie redmayne #article #interview #GQ Italia #my translation #fantastic beasts and where to find them #red #the danish girl #best actor #oscar winner #Oscar Nominee #the theory of everything

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k-p-p-d · 8 years ago

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Young & Beautiful: The Artist

“I am jealous of everything whose beauty does not die…” -Oscar Wilde

Summary: Some wishes are better kept to oneself…

1 | 3

Sangbae glared at his reflection. He looked horrid. “This is the absolute last time I ever allow you to choose my clothing,” he growled angrily as he restlessly fidgeted with the stiff edge of his collar. The last thing he had wanted to do was to be stuffed into an obnoxiously bright hanbok and be forced to sit for hours while his portrait was made. He saw no point in having to waste time over something that would likely never see the light of day again.

Kyungtak snickered into his elongated sleeve as he amusedly watched his brother grouse about the traditional garment. Truth be told, he had originally opted for the pair to wear more Westernized clothing, but the temptation of watching his brother suffer this perceived indignity to his modernized palate was too much to bear. “You could thank me at the very least for letting you wear red,” Kyungtak playfully insisted, “instead of that hideous pink shade Mother adored.” He cut his eyes to the servants kneeling in the corners of the room, sharp gaze silently commanding not an utterance about his comment should be heard outside the room.

“And you could have at least not insisted upon wearing these things in the first place,” Sangbae snapped. A raspy chuckle floated from his brother, much to his chagrin. He huffed and spun on his heel. “But I suppose there’s no use in wishing for something that will never happen. Come on, let’s go. The sooner we get there, the sooner we’ll be finished–”

“And the sooner you can change into your beloved Western clothing.” Kyungtak supplied teasingly, his almond eyes scrunching into thin slants as a wide grin stretched across his face.

“Sometimes I wonder why I never smothered you as a child.”

“And sometimes I wonder how mother survived carrying such a bitter soul as you while carrying such a pleasant soul as myself.”

“She should have prayed harder for one son.”

“She wouldn’t have given birth to you then.” Kyungtak effortlessly dodged the flying slipper aimed at his head. “Come now, our heroic mother is undoubtedly waiting for us. She’ll blame you for making us late, you know.” The elder groaned lowly in his throat. Another raspy chuckle from the younger rang through the air as the brothers made their way to the gardens, an unusually warm spring breeze ruffling the ornate fabric.

As predicted, their mother was waiting for them with her lips pressed thinly into her signature scowl. “You’re late,” she curtly agreed.

“It was Sangbae’s fault, mother,” Kyungtak quickly answered as they bowed slightly.

“It always is.” She turned on her heel and sighed, “Sometimes I wish you had been born first.”

Conspiratorially, he whispered, “I do, too.” He slid his to glance at his twin, who in turn was glaring indignantly at him. A single cherry blossom petal floated along the air before roughly colliding with Sangbae’s furrowed brow. His brother’s disgruntled huff caused Kyungtak to snicker

He was quite an imp, he knew, but he couldn’t help himself when it came to finding humor in anything that remotely annoyed his sibling. “Dear brother, you’ve something on your face,” he teased as he flicked away the offensive petal.

“Stop laughing at me,” the slightly older snapped.

The younger merely shrugged, “Then stop being so easy to tease.”

“I am not,” the other protested.

“You are.”

“Am not!”

“You’re proving yourself otherwise.”

Sangbae opened his mouth to deny it, but their mother’s shrill voice sharply demanded, “Enough!” Both brothers lowered their heads in some semblance of shame and obedience. She bowed slightly toward the painter. “These are my sons, Sangbae and Kyungtak. Please capture them well.”

The man bowed low in return and responded, “I will do the very best I can.”

“We have the utmost faith in you, sir,” Sangbae stated calmly as he bowed.

“We know your skilled hands will make us into a timeless masterpiece for all to admire,” Kyungtak added as he too bowed.

“You flatter me too much, young masters. If you’d please,” the man said as he motioned for the brothers to sit on the bench before them. Once they were positioned in the way he liked, the artist gathered his supplies before him. “I know it’s a difficult thing, but I must ask you both not to move at all while I work.”

The first minutes slipped past slowly as they keenly watched the gentleman before them work. However, as time dragged, their interest in him faded and they silently retreated into their thoughts. After some time had passed, Kyungtak sighed deeply, causing Sangbae to slightly shift towards him. “What are you thinking?” he questioned softly.

Kyungtak closed his eyes and hummed, “It just occurred to me that our portrait will likely be destroyed as it’s too Korean for the distasteful palates of our Japanese overloads. It’s such a shame the world will never be able to appreciate our beauty for the rest of time.” The artist gently chided, “That’s too morose of a statement for a rose such as yourself to say.” The younger flashed a dazzling smile, his features arranged so perfectly as if they had not displayed his malcontent mere moments before, “Ah, such a charming man. Is that how you make all your subjects feel at ease, sir, despite the stiffness in their bones as they sit for you?” “It is indeed.” “Perhaps you could teach my brother to be of some charm; for, as you can see, he’s quite a morose rose himself.” Sangbae scoffed reproachfully.

“Nonsense, sir,” the artist defended as his brush never stopped moving. “His charm is his apathy. He’s unconcerned with the banalities of the world. He seeks something not had by any others.” A smug smirk drew at the corners of Sangbae’s lips as he preened at the man’s flattering words.

“Hmm, I suppose that’s something we both have in common then.”

“With all due respect, brother, there is nothing in this world that thrills you more than its banalities,” Sangbae commented offhandedly.

“Quite the contrary, dear brother,” Kyungtak began calmly though an icy glint of challenge sparked in his eye. “You see, I content myself with the banalities of the world not because I enjoy them, but because that’s all to be had. What I truly want is what everyone alive wants but can never have.”

The artist stilled his brush and stared evenly at the younger. “What would that be?”

“The ultimate banal thing in the world–”

“True love,” Sangbae interjected teasingly.

“Gods, no!” Kyungtak scoffed as he swatted Sangbae’s arm. “I’m appalled you think so little of me, brother.”

“Please forgive my offense,” Sangbae mockingly pleaded as he continued to snicker at his brother.

“I will not,” Kyungtak huffed, flicking his nose up for good measure.

After their laughter subsided, the older gentleman asked, “What is it that you most desire, young sir?”

Kyungtak looked directly into the artist’s eyes, his own blazing brightly with a burning fire behind them, and he boldly stated, “Life eternal.”

An eerie calm spread across the gardens, the subtle shift too small to be perceived by the brothers; yet they couldn’t quite understand why the hairs on the back of their necks were suddenly standing on end. The artist smiled slowly as he picked up his brushes once more.

“This portrait, then, shall be your granted wish, young master.”

–Admin Lily

Buy Us Coffee! | K.P.P.D Merch!

#madtown #madtown fic #madtown scenario #madtown moos #madtown lee geon #madtown moos fic #madtown lee geon fic #madtown moos scenario #madtown lee geon scenario #kim sangbae #lee kyungtak #moos #lee geon #admin lily

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weekendwarriorblog · 6 years ago

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WHAT TO WATCH THIS WEEKEND – Mamma Mia: Here We Go Again, The Equalizer 2, Unfriended: Dark Web and More

Last weekend didn’t prove as interesting as hoped as Hotel Transylvania 3 won the weekend easily and Skyscraper bombed badly, well below even the lowest expectations. That’s actually good news for this weekend where we see three new sequels, but bad news for a summer where we’re so full of sequels that only two of the three will likely stand out, at best.

MAMMA MIA: HERE WE GO AGAIN (Universal)

First up is one of the new sequels I haven’t seen, and if there’s anything good and right in the world, I will NEVER see it, because I saw the original Mamma Mia ten years ago, and my brain still hasn’t fully recovered.

The original movie opened pretty much on this same weekend in 2008, opening with $27.7 million but going on to make $144.1 million in North America and $465 million worldwide, and that was on a mere $52 million budget. Clearly, the success of the adaptation of the hit Broadway musical based on the tunes of ABBA warranted a sequel, and most of the original cast is back, including Meryl Streep, who received her 500thGolden Globe nomination in the convenient musical/comedy category for her performance, though not another Oscar nomination. (As if she needs another one.)

Although the original movie was written by Catherine Johnson, based on the stage musical, and directed by Phillida Lloyd (who went on to direct Streep to an Oscar win playing Margaret Thatcher in The Iron Lady), the sequel is written and directed by Ol Parker… a MAN!!!! (Cue incidental music.) Parker is best known for writing The Best Exotic Marigold Hotel, but he previously directed the lesbian rom-com Imagine Me and You, starring Lena Heady (from Game of Thrones) and Matthew Goode.

While ABBA’s music and Streep* might be the movie’s biggest draw, there are other elements to consider, such as the always wonderful Lily James (Baby Driver) playing the younger Streep as well as the inimitable Cher as Streep’s mother (despite being only three years older in real life… okay, then). There are a bunch of hunkie young actors playing the younger versions of Stellan Skarsgard, Pierce Brosnan and Colin Firth’s Streep suitors, plus Amanda Seyfried and Preacher star Dominic Cooper are back as the young lovers, now married and expecting a child. (*Is it just me or is Streep being played down in the movie’s marketing, as if maybe she has a much smaller role?)

Obviously, there’s a lot going on here in terms of appeasing fans of the first movie, and ABBA fans of all ages, but there is a question whether the 10-year gap between movies might make this a sequel that arrives too late for its own good. Certainly, the popularity of ABBA really hasn’t diminished much since the first movie, and there will be plenty of women and gay men rushing out to see this on Thursday and Friday nights.

There aren’t a ton of comparisons other than maybe the Pitch Perfect movies (also released by Universal), the first one opening moderately with $5 million before grossing $65 million total, though it had five years of people seeing it on cable and DVD that the sequel opened with $69 million, more than the previous movie’s total. It grossed $184 million, but then the recent third and final movie ended up with $80 million less domestically. Another comparison might be the sequel Sex and the City 2, which opened two years after the original with $31 million, considerably less than the original’s $57 million opening, and grossed over $50 million less domestically. 50 Shades of Grey had a significant drop from the first to second and second to third movies, although they all still grossed at least $100 million domestically. I feel that Mamma Mia: Her We Go Again will fall more into the Pitch Perfect model, first of all because it’s a musical but also because it’s getting decent reviews so far.

The Mamma Mia sequel should be good for an opening over the $30 million mark, probably closer to $35 million or even more, since there isn’t much in theaters targeted towards women of varying ages. This definitely feels like the type of movie that can bring them out in force, at least opening weekend.

THE EQUALIZER 2 (Sony)

Denzel Washington and director Antoine Fuqua reunite for their fourth outing together after 2001’s Training Day, for which Washington won his first Oscar in a leading role, and then 2014’s The Equalizer (for which this is a sequel… duh) and 2016’s The Magnificent Seven remake.

The Equalizerwas a welcome reunion of the actor and director after having that earlier hit, and despite being a reimagining of an old ‘70s show (which has been hit or miss over the past few years), it opened with $34.1 million and grossed $101.5 million domestically. At a quick glance, that would make it Denzel’s fourth highest grossing movie after Remember the Titans (’00, $115.6 mil.), American Gangster (’07, $130.1 mil.) andSafe House (’12, $126.3 mil.).

There’s no question that Washington is one of the most reliable box office stars making movies, although he’s only doing one movie a year at this point, similar to Will Smith and other big stars. His 2017 offering Roman J. Israel Esq., an odd “indie” (from Sony Pictures) that bombed, grossing $12 million, about half what Washington’s movies usually open with. That followed Fences, an adaptation of August Wilson’s play directed by Washington, which grossed $57.6 million and earned four Oscar nominations with Viola Davis winning her first well-deserved award.

I honestly haven’t seen as much marketing or commercials for the movie that one might expect, plus Sony are giving it a mid-to-late summer release rather than the prestigious Sept. release of Washington-Fuqua’s last few movies (which also debuted at the Toronto Film Festival). I’m not sure why this might be other than Sony thinking the movie will sell itself, although this is only Washington’s FOURTH movie in 20 years to get a wide summer release. There might be a good reason for that, such as not wanting to compete with bigger summer tentpole fare, but those other three summer releases ended up grossing between $65 and 75 million.

I was supposed to see this sequel earlier in the week but didn’t get the chance – I’ll be using Moviepass to see it sometime soon, I hope – and reviews were held under embargo until Wednesday, maybe for obvious reasons as the reviews aren’t as good as for the first movie.

Because of the above things, I’m thinking The Equalizer 2 might not match the $30 million plus opening of the original Equalizereven with Denzel’s noticeable absence from theaters since last year. If this ends up somewhere in the mid-$20 millions this weekend, it will probably end up grossing $70 to 75 million total, ‘cause it’s gonna get slaughtered by Tom Cruise and Mission: Impossible next week.

UNFRIENDED: DARK WEB (BH Tilt)

The third sequel of the weekend isn’t really a sequel as much as it’s another movie in a series? With everyone using the internet, it was only a matter of time before using the internet would become a regular subject of horror, and Jason Blum’s Blumhouse has capitalized on it greatly after messing around with various cameras in the Paranormal Activity movies.

Unfriended: Dark Web involves a guy who “finds” a laptop that turns out to be the property of a member of a bizarre hacker death cult that gets him and his friends into deep and deadly trouble. And it all takes place on a laptop screen...what innovation!

The original Unfriended opened in April 2014, directed by the unknown Levan Gabriadze with Timur Bekmambetov producing. After a solid $15.8 million opening, it pretty much tanked with consecutive 61% drops to the point where it only grossed $32.5 million domestically. It did about the same overseas, but that’s $64 million for a movie that cost a million dollars to make and so…. PROFIT! Which leads to a SEQUEL (of sorts)!

I say “of sorts” because none of the characters from the first movie are back, similar to the Ouija franchise, which replaced everyone for the prequel Ouija: Origin of Evil two years later. This one is the directorial debut by screenwriter Stephen Susco, who wrote The Grudge remake and its sequel. The most recognizable star in the cast is probably Betty Gabriel, who famously did the “No, no, no” bit in Jordan Peele’s Oscar-winning 2017 thriller Get Out. This movie isn’t nearly as good. The film’s main “star” is probably Colin Woodell, who had a small role in Steven Soderbergh’s Unsane and will be in BLumhouse’s upcoming The Purge television series.

While I don’t feel like writing a full review, the movie is just okay, and I much prefer the upcoming Searching, also produced by Bekmambetov, which also has all of its action taking place on a computer screen. By comparison, Unfriended: Dark Web is kinda of mean-spirited and gets a little too dark to be enjoyable for my tastes, and that’s coming from someone who is probably going to see Hereditary again this weekend.

Regardless, I think Unfriended: Dark Web should be able to make $7 to 8 million this weekend in a little over 1,500 theaters, roughly half the theaters in which Universal opened the original. Not having the Universal backing for this semi-sequel won’t help matters.

Last week’s movies should quickly drop away to give room for this week’s two bigger releases with a similar showing as last week’s Hotel Transylvania 3 vs. Skyscraper, but in this case Mamma Mia: Here We Go Again should do significantly better than The Equalizer 2 for reasons mentioned above. Hotel Transylvania 3 will probably be affected the least by the new offerings, since none of them are kid or family-friendly.

Here’s what the Top 10 should look like…

1. Mamma Mia: Here We Go Again (Universal) - $38.2 million* N/A

2. The Equalizer 2 (Sony) - $28.2 million* N/A

3. Hotel Transylvania 3: Summer Vacation (Sony Pictures Animation) - $24.2 million -45%

4. Ant-Man and the Wasp(Marvel/Disney) - $15 million -48%

5. Skyscraper (Legendary/Universal) - $11.3 million -55%

6.The Incredibles 2(Disney-Pixar) - $9.8 million -40%

7. Jurassic World: Fallen Kingdom (Universal) - $8.4 million -48%

8. Unfriended: Dark Web (BH Tilt) - $7.3 million N/A

9. The First Purge (Blumhouse/Universal) - $4.7 million -50%

10. Sorry to Bother You (Annapurna) - $4 million -6%

(*Surprise, surprise! The Equalizer 2 is opening in slightly more theaters than Mamma Mia, but it’s still likely to get slaughtered this weekend as the musical sequel has a lot more anticipating fans.)

If you’ve spent the last few weeks seeing movies at the New York Asian Film Festival then I envy you, since I haven’t gotten a chance to see anything, but Asian film enthusiasts can look forward to JAPAN CUTS, beginning July 19 at the Japan Society in New York City. The 12thannual film series will features some of the recent films from the land of the Rising Sun with lots of special guests. It opens Thursday with Ramen Shop, and you can check out the full line-up on the official site.

LIMITED RELEASES

Easily the most significant specialty releases this weekend is Blindspotting (Lionsgate), written and starring Hamilton star Daveed Diggs and co-written and staring Rafael Casal as best friends and co-workers at a moving company who are frustrated with the way their Oakland neighborhood is changing. When Daveed’s character Collin spots a white police officer shooting a black man, he’s conflicted about reporting it. Although there are serious and personal issues covered in Blindspotting, there’s also humor and a good deal of freestyle rap from the Hamilton star. I really liked the film when I saw it at Sundance back in January, and it’s a terrific feature directorial debut for Carlos López Estrada, although it’s really about Diggs and Casal. Blindspotting will open in 14 theaters in 5 cities – New York, L.A., Chicago, DC and San Francisco – and the movie will expand nationwide next weekend.

I also saw some great docs being released this weekend, and my favorite among them is Rachel Dretzin’s Far from the Tree (Sundance Selects) based on Andrew Solomon’s best-selling book of the same name. It’s a fascinating doc that looks at families where the parents are very different from their children for one reason or another. In Solomon’s case, it was that he was a flamboyantly gay child whose parents tried to “correct” him, but it deals with incredibly interesting looks at parents who have severely autistic children (such as Jason, pictured above, who is obsessed with Elsa from Frozen) and other things that make them unique. It’s a wonderful film that will open at the IFC Center with a special preview Thursday night, and both Dretzin and Solomon will be doing QnAs throughout the weekend. It’s also a great follow-up if you loved some of the recent docs like Won’t You Be My Neighbor.

Generation Wealth (Amazon Studios) is the new documentary from photographer Lauren Greenfield (The Queen of Versailles), this one examining the current generation’s proclivity for living beyond their means, something I can sadly relate to, although I didn’t think the doc worked as well as Greenfield’s other doc. It’s certainly a far more personal film, pulling together her photography and filmmaking work from the past 25 years, and there are some interesting subjects for sure, but it didn’t come together quite as easily as Queen of Versailles. Either way, Generation Wealth will open in select cities on Friday.

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I balked at my chance to see Ian Bonhôte and Peter Ettedgui’s doc McQueen (Bleecker Street), mostly because it wasn’t about Steve McQueen (either the late actor or the living filmmaker), but actually about fashion designer Alexander McQueen. Anyone who knows me will realize that I know absolutely nothing about fashion other than when someone is on a red carpet and says that Alexander McQueen designed their dress/suit (a good thing since actor Steve McQueen is dead). Apparently, McQueen has had a fairy tale like story of rags-to-riches that might interest some, but sadly, not me.

The last doc of the weekend is Lisa Immordino Vreeland’s Love, Cecil (Zeitgeist Films/Kino Lorber), which opens at the Landmark Nuart in L.A. on Friday after playing at Film Society back in June. (Sorry for that oversight, New York!) The Cecil of the title is Cecil Beaton, the costume designer, painter, photographer and writer who did the production design for Gigi andMy Fair Lady. Narrated by Rupert Everett, the latest film from the director of Diana Vreeland: The Eye Has to Travel and Peggy Guggenheim: Art Addict should be one fans of old movies won’t want to miss.

Japanese auteur Hirokazu Kore-eda, whose previous films Like Father, Like Sonand Our Little Sister were hot festival and awards hits, returns with his 2017 movie The Third Murder (Film Movement), which won 7 Japanese Academy Awards earlier this year including Best Film. In theory, that would make it Japan’s submission for next year’s Oscars? (Kore-eda’s next film Shopliftersjust won the Palm d’Or at Cannes in May.) This one is a crime procedural about a defense attorney that reluctantly takes on the case of a factory worker accused of his killing his employer. This opens at the Quad Cinema in New York City on Friday. (Oh, and the Quad is also continuing with the second part of its Hammer’s House of Horror series, covering the “decadent years.”)

As far as other retrospective stuff, my beloved Metrograph will be screening a restoration of Barbara Loden’s 1970 film Wanda (Janus Films), in which she plays a young mother from Pennsylvania coal country who shacks up with Michael Higgins’ bad-boy “Mr. Dennis.” I haven’t seen this yet, but it sounds like another movie perfectly suited for the times rediscovered by Metrograph and Janus for younger present-day audiences. I’ll be checking it out for sure.

Other releases include Deborah Haywood’s mother-daughter drama Pin Cushion (Cleopatra Entertainment), as well as Damascus Cover (Vertical Entertainment), Daniel Zelik Berk’s Pin Cushion (Cleopatra Entertainment), a spy action-thriller starring Jonathan Rhys Meyers, Olivia Thirlby and the late John Hurt.

As far as Netflix series, this Friday will see the release of Dark Tourist, a new 8-part series from New Zealand’s David Farrier, the director of 2016’s Tickled, which takes a look at the more offbeat side of “tourism.” Should be another fun work of non-fiction from the filmmaker.

#TheWeekendWarrior WhatToWatchThisWeekend MammaMiaHereWeGoAgain TheEqualizer2 Unfriended Movies Reviews BoxOffice ComingSoon

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