#(to be fair so does everyone i've listed so far

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[vaticinatrix]

i am going to start making shitposts about characters in my wip and that is a threat

[butchhamlet]

do you have any good shakespeare retelling book recs?

what a beautiful time to ask this, says guy who has left this ask collecting cobwebs in his inbox for months! because guess who has two thumbs and just finished queen goneril by erin shields! WHAT a fucking play, holy SHIT, this is some of the best characterization of the lear sisters that i've ever read and the exploration of womanhood as filtered through class + race + shitty families + political maneuvering is so so so good. also the things shields does with the og playtext... chef's fucking KISS

anyway, recency bias aside, i've been meaning to make a post about my favorite shakespeare retellings for a while, and i think i never actually did it because i wanted to make a lear retelling ranking list and then i never read some of the ones on my TBR. so whatever. the learlist will happen someday. here are my favorites in general. (here is my goodreads shelf for the retellings i've read, good and bad, and here is the shelf for the ones i have yet to read.)

in no particular order:

a thousand acres by jane smiley: outsold. epitome of what makes an effective retelling--a book that clearly has something to say about and to the original text, but that also isn't afraid to diverge, to exclude here and zoom in there. ungraciously, this is "lear on a farm" and it starts a little slow, but holy fucking shit, i can't do justice in a paragraph to the way this book unraveled me. one of the best books of all time mayhaps. also, introduced the edmund character by describing his ass. 10/10

the last true poets of the sea by julia drake: i don't read that much YA anymore but jesus fucking christ. books tailored for me specifically. twelfth night retelling about siblings + mental illness + being bisexual + love triangles that actually make sense (emotions are confusing!) instead of being contrived + beautiful description + excellent dialogue + THE MENTAL ILLNESS. books that made me start crying in zoom class in 2020

rosencrantz and guildenstern are dead by tom stoppard: kind of a cop-out answer because we all know this one. but that does not detract from how good it is. this is one of those plays, at least for me, that makes me think, "ohhhhhh, THIS is what theater can do. this is using its medium to the absolute utmost." it is so clever and it makes me want to cry. i think about "i don't know. it's the same sky" more often than i can say

american moor by keith hamilton cobb: not exactly a retelling, but a one-man play about a Black man auditioning for the lead role in Othello, tangling as he does with his relationship with shakespeare's work and cultural dominance. suuuuuch a good fucking play even beyond the analysis of othello (which is excellent); the language is so fucking incredible. everyone who likes shakespeare should read this.

teenage dick by mike lew: modern teenage richard iii; this one's more reimagining than retelling, because it diverges pretty sharply from the plot of richard iii, but god, it's so fucking fun. and upsetting! really upsetting also.

foul is fair by hannah capin: i will be so real. i read this in high school and some of the YA books i've revisited since did not hold up for me. so idk if i can tell you this is "good" with my full chest. but the pitch is "lady macbeth gets sexually assaulted at a party and decides to fucking kill the boys who did it" and i stayed up until like 1am to finish it because it was such a vicious gleaming wild ride

the stars undying by emery robin: does this count? hard to say, because it's just as much a retelling of roman history than shakespeare's antony and cleopatra (honestly, more, since it focuses on the era where caesar and cleopatra were lovers, which is before shakespeare's play). but i'm counting it anyway because it's bisexual space opera cleopatra and it's the best book i've read so far in 2024 and it's making me crazy and i'm writing a thesis on it < genuinely

peerless by jihae park: macbeth, but college applications, featuring asian macbeths (they're twin sisters >:3) who think their classmate has taken their place in their dream school because of affirmative action/DEI. this play is absolutely VICIOUS. it's macbeth x heathers. think it mirrors macbeth in faltering a little in its final stretch, but it still fucks hard

the wednesday wars by gary d. schmidt: okay, not a retelling; this is about a preteen boy in the 60s. but it's one of the best most genuine and heartwarming books i've ever read and it manages to be hilarious while also foregoing cheap slapstick punching-low humor for a hell of a lot of warmth and passion. and the main character interacts with shakespeare a lot as a running theme so i can justify putting it on this list. #evangelizing

of course, i would be remiss not to mention that @suits-of-woe / @mjulianwrites has written the best take on Two Gentlemen of Verona to ever exist, and i mean that quite seriously. unfortunately it hasn't been published yet so we'll all just have to prayer-circle about it. i would also be remiss not to take the opportunity to. uh. coughs. do a bit of casual self-promo. if you 1. have ocd 2. have gender or 3. think about malvolio a lot. boy do i have the novella for you

will definitely add to this when i read more retellings; feel free to drop recs in the tags/replies/reblogs/my askbox!

[uriekukistan]

alright i've been seeing so much megumi hate recently, and especially after the new chapter (not on here, mostly twitter youtube and tiktok), so as president of the megumi defense squad, here is my dissertation defending him against the bum allegations.

i've seen a lot of people comparing megumi's situation to yuuji in shibuya, and saying that megumi should be able to "just get up and keep fighting," so i'm going to tell you why this is not a fair comparison, and give some context on yuuji's "recovery" from shibuya that i feel people are missing when they say this. this is quite lengthy, sorry in advance

i. fundamental differences in the ways in which yuuji & megumi view saving people

yuuji wants to save everyone. he wants to save as many people as he can because of what his grandfather said to him on his deathbed. this is what kickstarted the events of jjk. if yuuji hadn't felt this way, he never would have eaten that finger to say some guy he met an hour ago, which is another point. yuuji cares for people easily. he threw his life on the line to save megumi immediately after meeting him. he mourned junpei, who he spent all of a few hours with in total like he had known him for years.

this is very different from megumi, who both does not get attached to people easily, and does not care to save everyone. he only cares to save people he deems worthy, and as far as we know, this list consists of only tsumiki and yuuji. its even unclear if he feels this way about nobara or gojo, despite them also being relatively important in his life. as you can see, when he thinks about saving people by his conscience, the only two characters shown are tsumiki and yuuji.

this is why he sometimes gets some criticism for not doing a half-assed job as a sorcerer, but i think its important to remember that he does not actually want to be a sorcerer, only doing it out of necessity to keep tsumiki from the zen'in clan. the times where we do see him taking things seriously are when yuuji and/or tsumiki's lives are what's at stake.

so in shibuya, after watching his own hands slaughter innocent people, and watching nanami and nobara die, yuuji is able to keep going because there are still more people who need to be saved, and he wants to save everyone. in contrast, megumi has watched his own hands kill one of the two people that he cares about saving, and severely maim the other one, so what is there to keep fighting for, given the way he views the world?

and i think it's also important to note that megumi has not been aware of his surroundings since sukuna v yorozu, so saying that he should get up now to save yuuji is not reasonable because he doesn't even know yuuji is there.

ii. the environment yuuji was in in shibuya vs the environment megumi is in right now

now none of that is to say that yuuji did not also break down and want to give up in shibuya, because he absolutely did (actually, im not sure if this is canon or just my theory, but the reason he did not switch back with sukuna at the detention center was because he wanted to give up), but the circumstances were way different

within minutes of watching nanami and nobara die, todo & nitta were there to encourage him and get him back on his feet (most of that was due to todo, but nitta was also telling yuuji not to lose hope).

meanwhile, megumi has been alone for over a month now, save the few seconds in 251 where i'm pretty sure he didn't even know yuuji was there, with nothing but his own misery to keep him company. sukuna took over his body and killed tsumiki with megumi's technique on november 16th. the shinjuku showdown takes place on december 24th. that's over a month stewing in guilt and mourning with no one to support him at all. that makes it a lot more difficult to bounce back quickly like that.

iii. more context on yuuji

even after todo's little pep talk that gave him the strength to get up and finish mahito off, yuuji didn't just "bounce back" and stand up to keep fighting in the way people think he did. in the days following the shibuya incident, he was really directionless, probably a bit reckless, because he genuinely didn't know what to do with himself, and didn't know if he even deserved to be alive. in my personal interpretation of yuuji immediately post-shibuya, if it weren't for choso, he would have likely lost his life, as he just showed a lack of self-regard in those days following. just one example:

it's not until megumi shows up again that yuuji finds a direction to go, and even then, he's operating with the mindset that once everything is over, megumi and tsumiki are safe, and gojo is unsealed, he will die and stop causing trouble for everyone.

so again, i think the megumi/yuuji comparison as a way to hate on megumi is not fair, both because there are important differences in the way they think and their situations, and because yuuji's reaction post shibuya isn't quite as resolved and strong as people make it out to be. this is not to say that yuuji is not strong! he absolutely is, just to point out that he, like megumi, was/is also lacking the will to live, and there's nothing wrong with that! wanting to give up is a completely reasonable reaction to being in this situation as an ADULT, let alone at 15 years old.

if you've made it this far, thank you for listening to me ramble 🙏 pls let me know any of your thoughts as well, i'd love to chat about this!

[elementalwriter67]

Bat Family Olympics

I came up with this based off of all the stuff I've been seeing about the Olympics and a few posts about the bat-family participating in the Olympics. And I couldn't help myself because I'm slowly being pulled back into this fandom (not that I ever really left, I basically just went on holiday.) So here is a very quickly put together list of the bat-family, and friends, and the Olympic sport I think they would participate in.

Bruce- I think Bruce would be really good at Sport Climbing because of all the grappling and parkouring he does around Gotham. I just don't think that he would come in gold though, maybe bronze, and it's a hundred percent because he's trying not to give the citizens of Gotham any more reasons to suspect that he's Batman.

Alfred- He's one of the older competitors at the Olympics and everyone expects him to be competing in a sport that would more suited for his age. So they're all incredibly surprised when he walks out to compete in Boxing. Even better is he wins Gold and the entire crowd goes nuts because it was the absolutely most nail-biting fight they've ever witnessed because it's Alfred against this young guy who looks like he could run circles around Alfred any day of the week. Little do they know Alfred has more than enough experience from having lived in Gotham and having experienced his fair share of break-ins at the manor. Side note: While everyone else is cheering the rest of the bat-family (while thrilled for Alfred) are busy remembering why it is they fear Alfred more than Bruce.

Selena- I went back and forth on a couple of different sports for Selena before I ultimately decided that she would kick ass at Surfing and absolutely take Gold in it. I have no other reasons for it other than I just think she would be good at it, that she would look good in a bathing suit (obviously,) and that she probably had opportunities to learn when she was taking her eccentric vacations outside of Gotham.

Dick- This one is going to be obvious but honestly it's his fault and that is Gymnastics. I believe the reasons behind this are self explanatory honestly. He does take gold though as to be expected.

Jason- Again another self explanatory one because hello he uses guns and he gets the gold. He is the only one however that has to participate under a different name because while Gotham may have accepted the fact that Jason just miraculously came back from the dead and that the rest of the Wayne family are just pretending that nothing every happened. The rest of the world and the legal system have not so as far as the rest of the world is concerned Jason Todd is still dead. He does however have a twin brother named Peter Todd who is an Olympic champion in shooting.

Tim- I didn't really know what to give Tim because there's no Olympic sport for hacking yet so I decided to give him Cycling Mountain Bike. In part because I thought it would be funny, and also in part because I think he needs the adrenaline rush of hurling himself down a mountain with very little protection to feel alive. He places Silver and oddly enough still doesn't feel anymore alive.

Steph- Does weightlifting. She doesn't look like she does so everyone just assumes it's kind of a joke when she steps up for the weightlifting portion of the Olympics. But little do they know that she weight training with the fridge of man we call Jason Todd, she's just all lean muscle. So when she lifts this weight that is easily three times her own body weight the crowd looses it much like with Alfred, and Steph goes home with the Gold. And Jason is standing off to the side beaming with pride.

Damian- Again self explanatory because he does fencing. He does it mainly because it's a good, approved, way of hitting people with a sword. It may not be his katana but it'll do. He also thinks it's one of the more dignified and better sports of the Olympics. And yes he does take the gold. An Al Ghul and a Wayne would settle for nothing less.

Babs- I think she would do Equestrian and I think it would be a hundred percent because she had a horse girl phase growing up and she always wanted a horse of her own but was never able to get one growing up in the city and on a cop's salary. She doesn't get the gold, doesn't even really place if she's being honest, but boy howdy is she happy she got to participate in it to begin with.

Cassandra- She went back to her roots (I think they're her roots, I'm a little rusty on my knowledge outside of like the core five) and decided she was going to do Taekwondo. And she absolutely kicks ass at it and easily walks away with Gold.

Duke- I didn't know what to do for Duke, and I didn't want to do something stereotypical like basketball so I went to the left field and decided that Duke would play Handball. He stumbled across the sport on total accident through tik tok but now that he's started playing it he absolutely loves it. It's also a good way for him to get better at throwing things (i.e. batarangs) with more precision and accuracy. His team actually manages to take the Gold at the Olympics too.

Kate- I admittedly don't know much about Kate outside of one batman animated movie that I vaguely remember and what I vaguely remember is that she was angry and grumpy. So I feel like Hockey would be a good sport for her to work out some of those emotions. I also understand that this is a Winter Olympic sport (pretty sure anyways) so she spends the Summer Olympics cheering on the rest of her family. However when the Winter Olympics come along she absolutely dominates on that ice and for sure wins Gold or Silver.

I did these next ones for funsies.

Harley- I think she would do wrestling and she would be a little terrifying at it too honestly. She gets silver but it's only because of a technicality .

Ivy- She does volleyball if only because it's the most environmentally friendly one and doesn't involve riding over/trampling plants like Tim's sport does. Plus she enjoys being in the sun after being stuck in the smog and fog filled city that is Gotham. She gets bronze but only because she kept getting distracted by the sun and would just randomly stand there soaking up rays.

Roy- He does Archery. Side note: Oliver also does archery and him and Roy have mad beef and are constantly trying to one up each other when they compete against one another. So far their amount of Gold medals are tied but Roy maintains that he's still the only one who hasn't ever gotten a bronze medal unlike Oliver which is a whole other story in of itself.

[froggieco]

Some controversial thoughts about the Peachyville Horror

I've been seeing how everyone is reacting to Francis's moment in the bathroom in this latest episode (episode 7) and I thought I might as well add one more.

Francis is someone who is mentally unstable, yes. I think this is something we can all agree with. He's surrounded by people who seem to either enable his actions in one way or another or they're on a list of people he keeps which we can only assume is something like a hit list. He's been looked down on by his parents, bullied by his peers, and generally just beat down by everyone around him including himself at this point. Then he won that trophy. That's where everything shifts. He's the one to take it home and it's obvious that by how Will was describing that trophy, something about it had negative energy.

⚠️Now I get into some gory details in this next part so fair warning ⚠️

Now, Francis had his dream and suddenly became violent to an extent that he would joke about it and people would feel threatened. Relistening to episode 5, he threatened a man after scooping his eyes out with an ice cream scoop by kicking him in the balls and then grabbing his eyeballs and threatening to squeeze them. Now, I get it this is a horror comedy podcast but if we are gonna analyze a character I'm taking everything into account and really this is the first and really an extremely violent thing for a person to do, especially when this is the first actions he's been known to take.

Getting the gun and instantly he seemed to know exactly what he "needed" to do. On a dime, the Francis we knew just a few episodes ago was already so different.

Now that brings us to the bathroom scene. People have been saying it was a mental "snap" or "break" which doesn't line up, like how most others have pointed out that this was something that was premeditated. He planned out this whole thing and followed through with it. And to those who think he did this so Shane wouldn't bother him anymore, he didn't see Francis at all through the whole attack, which yes, Francis could go back and claim he did it but I still this it's important to note we don't know if Shane will believe him.

That being said, with every increasingly violent act that Francis had done up to that point it made sense within the confines of his world. It was in his character that things have played out this way so far. And really I think it's going to make for a really interesting character arc. He isn't going to to be a character that we have seen before, which when we just had a season of teens that were just coming into themselves Anthony is getting his chance to get his character in, and it is a horror series. This doesn't make any of the actions acceptable by any means and this should not encourage people to romanticize any of the actions he does. There is a way to like a character and not romanticize their actions, some of these posts remind me of posts of people romanticizing real murderers and shooters, which is rather disturbing.

TLDR

Francis suddenly got violent after bringing the trophy home, having a dream after being under his teacher's bed for 4 hours, and now he's suddenly he's on a bloody rampage and those around him are either enablers or in his line of fire and that's an interesting new character to think about. But don't romanticize that shit.

Extra

• Another idea I saw floating around was that Francis got switched with his reflection in the trophy, which I love the idea of this one. It can keep the idea of mental health slightly but it brings the story back into it. But, I understand that even without evil trophies, people like Francis exist in our world.

• Also having him practice with his bully's face as the target was really the warning. I personally didn't know the scene was going to be that graphic but now looking back I get the horror side of the podcast now. As someone who lives in America it was something that shocked me the first time listening to it, knowing that the usual stuff that the guys bring up I can laugh off. This scene most definitely felt different and I'm sure that it's going to be a huge turning point for a lot of things.

[perotovar]

hey sweeties!! kel and i put a list together of all the submissions we got for our event and split them into two masterlists of fics for you all to read and enjoy! this is my part of the list, so if you don't see yours give @beskarandblasters 's list >here< a look and see if that's where your fic/submission ended up!

we can't thank you enough for submitting and helping us give a voice to the smaller writers of the fandom ♥ oh, and for any multi chapter fics/series, we only read the first chapters to make it fair!

please make sure to read each fic's warnings carefully and happy reading! ♥

@iamskyereads - Compulsion (Ezra x ofc!Beatrice)

i can't even begin to describe how much i love this fic already. it's so smart and the worldbuilding?? incredible!! it feels like a sequel to the film, or like it could easily take place in the same universe. just brilliant. and ezra's voice is so clear here, i could hear him saying every word. and the oc, beatrice, is fascinating already, i can't wait to see where it goes!

@all-the-way-down-here - This Is Why We Fight (Dieter x nb!oc!Bell)

i love the start of this. both dieter and bell have excellent characterization and the conversations being had by every character feel so real and are so important. bell's group of friends all sound like friends i would have, and i would love to hang out with them. i love the direction this is going!

@linzels-blog - Delta Palms Tropical Resort (Frankie x f!reader)

ahh what a delightful little fic! it feels very much like an early 2000s rom com and i mean that in the best way! very cute and i love the vibes. everyone's characterization is great and i can't wait to sink my teeth into the rest of it!

@elvenmother - Context and Perspective (Marcus M x f!reader)

completely obsessed with this concept. i love a good enemies to lovers and this is such an awesome way to do it! i always see marcus m fics featuring someone without superpowers, but to have a character that's just as powerful as him? sign me up!

@kedsandtubesocks - In the Dead of the Night (Din x f!reader)

one of my absolute favorite din fics. the worldbuilding and din's creature form is incredible. i love a horror au that's flipped on its head. i also love the "creature is also the hunter" trope and this does that incredibly well. the atmosphere is off the charts.

@ghostofaboy - Rock Bottom (Frankie x original male characters)

god, i don't even know where to begin with this story. it's so raw and visceral and i can't say enough how much i enjoy it. i love reading something new and especially if it's coming from a male perspective. this is, unfortunately, something i could see frankie getting up to. frankie is such a deeply tragic character and this fic does that justice in a dark, but really intriguing way.

@ishabull - The Way We Were Drawn (Marcus P x f!reader)

ohh this is such a sweet fic. i love the imagery painted and the dynamic between marcus and reader is so sweet!

@secretelephanttattoo - Headshots (Marcus P x f!reader)

this fic is beyond sweet and so dreamy. the ideal scenario for anyone, in my humble opinion. who wouldn't want to take pictures of handsome fbi agents and then fall in love with said agent?

@lesbianhotch - you walk by and i fall to pieces (Frankie x f!reader)

THIS WAS THE CUTEST DAMN THING. i love me a nervous frankie (hello, have you read my fic lmao) and this was by far one of the cutest. i'm obsessed with reader's confidence and i just know those two are gonna be menaces once they're together. throw in some patsy cline and i am a goner. this is going on the reread list for sure.

@insomniamamma - Remain Nameless (Ezra & Cee w/ gn!reader)

ok, this one actually made me cry. i'm not sure if it's my own sleep-deprived ass that caused it but this is probably one of the most beautiful but sad fics i've read in a long time. i mean all of this in the best way because i don't normally get emotional from fics. prospect as a movie makes me emotional, though, so it doesn't surprise me that this did as well. it's such an incredible missing scene that i can, unfortunately, see absolutely happening. have some tissues nearby.

@sweetercalypso - Unlikely Friends (Joel x gn!reader)

this fic is one of my absolute favorite fics for joel. a big reason for that is i have a cat named tilly. and imagining joel reluctantly and grumpily cuddling with my tilly makes me emotional, ok??

@softstarlite - The Casualty of Love (Javi P x f!reader)

very cute! i love the awkward tension around not seeing someone for so long and there being a huge glow up maturity-wise from one of them! seeing someone in a new light is always a strange thing and i love the start to these two and their journey!

@julesonrecord - Shots (Jack x f!reader/oc)

probably one of the best post-movie fics i've ever read for jack. the way jack's trauma and therapy is handled is so fucking brilliant and tonic is one of the best fucking characters, god. eva is written so well and i just. i can't recommend this fic enough. if you like jack, hell even if you don't, give this fic a shot. i promise you'll come out of it liking it.

@coulsons-fullmetal-cellist - The Audition (Dieter x f!reader)

goddd this was so cute! dieter's insecurities don't come up very often and i absolutely love what a match he and reader make. she's so sweet with him and takes such good care of him. and he loves her so much and i love them ok

@max--phillips - A Little Lipstick Never Hurts (Max P x f!reader)

this is one of the best explorations into kink that i've ever read. it's so respectful and hot as fuck. completely obsessed with this take on max as a character and i can't get enough of the dynamic between him, reader, (and eventually dieter). it may not be everyone's cup of tea, but i highly encourage you to give it a try. max gets some well deserved lessons taught, and who doesn't love that?

@coastielaceispunk - The Gift of Lingerie (Max L x f!reader)

god, this was so fucking hot. i'm so here for a mentally healed maxwell in a healthy marriage with a fulfilling sex life lol the little bit of teasing on both their parts was beyond sexy and i loved how equal everything felt. ugh, will be rereading this one for sure.

@lotrefcp - Hidden Away (Javi P x f!reader)

i'm obsessed with a no nonsense reader with just as much attitude/sass as javi does lol i just kept reading going GET HIS ASS. an excellent start to a universe i'm excited to sink my teeth into!

@beefrobeefcal - On the Waterfront (Frankie x f!reader)

oh, this is dark. i love the vibes immediately. i've had a weird fascination with the mafia for most of my life and this has that air about it. a dark, chubby mob boss!frankie is right up my alley for sure. i love that he's still frankie tho. sensible, practical, but with an edge. mind the warnings.

@flightlessangelwings - La Estrella de Mi Vida (Javi G x f!reader)

ahhh so romantic and so tragic!! i swear, it's impossible to make javi unappealing but this fic is just so sweet and manages to make me love him even more (somehow). but i love the added drama and tension from outside forces!! i need to read the rest of it asap!

@littlemisspascal - Rockford & Roan (Tim x f!reader)

my god, i love this?? i'm not usually one for superpowers/soulmate au's but i'm in love with the practicality of this? it feels otherworldly without being too much and it's very grounded. i love the reader and the way tim is written is so believable. i love that we as a fandom have created such a visceral image of this character from only a minute's worth of footage!

@something-tofightfor & @the-blind-assassin-12 - Aphelion (Oberyn x Ellaria & f!reader)

goddd the imagery painted in this one. so heartbreaking. absolutely breathtaking. i'm a slut for vampires and i'm a slut for oberyn/ellaria. this is absolutely something i will be reading the rest of lol

@bluestar22x - The Rockford Files (Tim x f!reader)

ok this is insanely good. one of my favorite books of all time is "red dragon" by thomas harris and i felt like i was reading that again while i read this. the details of the case and the cadence of everything was top notch. obsessed with the psychic element thrown in there and i'm beyond excited to see where tim and psy end up next!

bonus:

@sweetenerobert - Fiction vs Reality (Tommy Miller x m!reader)

ohhhh my god. you give me a bisexual tattoo artist tommy miller with stretched ears and i'm supposed to be normal about it??? UNLIKELY. i am extremely tempted to edit this into reality ngl but my god. this was so fucking hot lmao

[javis-burner-phone]

To Writers in the Pedro Pascal Fandom:

This fandom went full Chernobyl this summer. I need a hazmat suit to get through these tags. I recently saw an anon reach out to a fic writer here.

The anon is right that there's a problem in the fandom space, but they're misplacing blame. I'm writing this post for the non-hateful writers that have tried to feel a part of the community, but ended up feeling left out. I'm posting this on a burner account for obvious reasons that you'll see below:

The hateful posts about "big writers" have absolutely disgusted me, but I can relate to the frustration that many fic writers are expressing. We see very fun and active areas of the fandom where writers are communal, hyping each other up, reblogging fics, but only within certain friend groups. Most of us writers don't have that. Instead this fandom sometimes feels like a desolate wasteland for many of us.

Here's where us writers need to place the blame:

Since the introduction of algorithms, there has been a cyclical effect: popular Tumblr posts are boosted due to everyone's default feed settings and posts from new, lesser known blogs are pushed down.

Over years, this has impacted fandom spaces in a sort of feedback loop. We're currently seeing the late stages of this. This effect pushes most fandom activity towards the already popular blogs by default. (Yes, Tumblr has always shown popular posts first, but algorithms, and the feedback loops they create, have made the effect stronger over the years.)

Is that the "big writers" faults? No. Are friend groups to blame? No. In fact, we should have more friend groups in this fandom. That's how fandoms used to be. There were dozens of overlapping friend groups that would have long reblog chains and mainly interact with each other. New people could find other new people pretty easily and make their own groups.

Now new people/smaller blogs are far less exposed to other new people/smaller blogs by default. *That* is the problem.

Eventually, I found my people. I feel a part of the community and you can too.

You just need to make 3 virgin sacrifices and find the lochness monster in order to do so. What I mean is, it takes a lot more effort than it used to. Be ready for that:

1. Sort by "Latest posts" when searching fandom hashtags. Imagine if Ao3 used an algorithm to show popular fics first instead of sorting by most recent fics. New writers would be screwed, right? That's what Tumblr does. Support posts that resonate with you, but have low engagement. Leave likes, comments, reblogs! Guess what happens when someone that feels isolated in this fandom gets a bunch of notes from you? They're gonna check out your blog. They may want to connect!

2. DM people. Is there a lesser known blogger whose posts you like? Ask to be mutuals! Start a conversation! If you can't be social it's gonna be near impossible to build community. Sorry if you have anxiety, but that's the truth. Warning: half the convos will fizzle out. Move on to the next person as soon as you sense this.

3. Don't try to connect with bigger blogs for friendship. I've tried and as long as you gush over them, they respond, but the interaction ends there. DMing them works, but the convos almost always feel one sided and fizzle out. I'm mutuals with some bigger bloggers, but I had to add their usernames to my filtered content list in account settings. This means they can see my stuff, but I can't see theirs. Seeing them have fun in their friend group just reminds me of my failed attempts to connect. Maybe filtering them isn't fair, but that's how I deal with my negative emotions. No, they are not rude for not befriending me. I don't feel entitled to friendship.

(edit: I got a weird anon about this part. It's more difficult to befriend people who already have close-knit connections here. It's not impossible, but I've had much better luck with fellow isolated fandom members. The secret ingredient is our shared desperation lol. Befriend whoever you want ❤️)

4. Join/start a small PPCU discord server. The big servers will just make you feel more isolated, but the intimate ones are way more communal and it's easier to make stronger connections there than on Tumblr. 

These tips are for people that actually want to find solutions instead of spreading hate and complaining.

I'm saying this as someone that averages 50 notes on most of my fics after a year in this fandom(edit: saw this poll and thought I'd clarify. I get 50 notes now, but for 8ish months I got 5 on a lucky day. This post is for people who still feel isolated because I know how it feels.) It takes way more effort than in the early 2010s to feel a part of a fandom, not because of cliques, but because of the feedback loops the algorithm creates. 

I understand the frustration, but I'm not going to spread vitriol just because the fandom ecosystem went to shit. 

[cdroloisms]

I find it strange that a lot of people are coming forward and saying that the staged finale was a bad play for one reason or another but it really isn’t and I don’t understand where the hate is coming from.

yeah i've seen some of this the last few days--staged finale has always been somewhat "controversial" in the lorehead scene, so a measure of disagreement/discourse about it makes sense. especially bc it was honestly a very big change to what people thought was the story and required people to go back and reevaluate a lot, which. people are naturally resistant at doing

but while obviously i think that some healthy discussion about these things is good, and i feel like i have seen a level of...misunderstanding? about it?? which has gone into the ways that people disagree

staged finale refers to the decision to stage the finale. that's it. staged finale just asserts that based on preexisting foreshadowing and based on the sheer level of suspension of disbelief in order for genuine finale to be real, it made more sense for the finale to be staged than for it to have been genuine. how the finale was planned, when the finale was planned, and to what ends it was planned are all things that you can disagree on w/ other staged finale believers/supporters while still being a staged finale believer/supporter, ykwim? if you believe that c!punz faked his betrayal to c!dream, then congrats! you believe in staged finale. oftentimes i see people say things like "i don't believe in staged finale, i think that c!dream faked the betrayal and all and always had c!punz on his side but i think that the reason behind why he did it is [X]" and it's like. staging the finale is one (1) event, not a comprehensive explanation for everything c!Dream does. that would be more in line with something like the "strategist dream interpretation," which in itself does have different readings as well.

people have listed all of the inconsistencies in the staged finale before, but just to summarize--the guy literally could've dipped when everyone came to "defeat" him, c!tommy leveraging his own life is basically no leverage at all when the mans has the revive book, skeppy cage is a joke, c!dream revealing all of his plans when they were maybe 10% carried out (the entire damn attachment vault was empty of items besides stuff that was literally faked, his own damn stuff, and stuff that he stole recently from c!tommy such as the Axe of Peace and the discs) is ridiculously stupid, why the hell does he have blackmail against c!punz included in a bunker that c!punz clearly had access to???? the list goes on.

(as someone who took awhile to be fully convinced in staged finale, what really tripped me up was the stream punz did the day before: here's a post breaking it down that definitely helped me to see it in a different light.)

as far as foreshadowing goes, just off the top of my head: the original prisoner is a constant question from the day of the prison's creation, being something that's even highlighted on the day of the staged finale itself. c!Dream saying he has "the biggest house on the server" and how it's full of redstone. the entire conversation he has with c!punz, obviously. his holding back on the favor with c!techno, the connection between the revive book and the prison that he establishes the day they begin prison construction.

from a logical perspective, the plan as c!Dream establishes it doesn't make any damn sense. c!dream had opportunities to escape that he didn't take for illogical reasons (if the only reason why he allowed himself to stay in a fucking possible kill chamber was to keep c!tommy from committing suicide, then? what about the revive book? what about the fact that he literally kills c!tommy just a few months later????) -- a level of plot contrivance is expected in the medium, but for a lot of people this was just. Going way too far. Unless he literally lost his whole mind (which, to be fair, was the persona being played) there's just. really no other way to make sense of what was going on there, if it was all genuine.

the other argument is a narrative one--people claim that the story established by a genuine finale is cleaner than the story of the staged one, and honestly. it's like. like that's...a feature, not a flaw? the reason why the genuine finale worked isn't because it was logically believable. dream is Dream Manhunt. he's famously hard to nail down, famously good at escaping sticky situations, famously a man that can outsmart his way out of crazy disadvantageous situations--like. just in terms of minecraft skill, i'd wager that most people would think that dream would've technically been able to pull off an escape even when facing down the collection of enemies that were there. like he had 2 stacks of pearls.

narratively, though, the staged finale has a story that's quite appealing on the surface. the "story" of the events from the spirit speech onwards is one that revolved around the idea of "attachment." c!Dream rejects attachment in favor of control in the spirit speech when he says he refuses to let his love for his dead pet control him anymore, and he focuses on the ability to use the discs to control c!Tommy. the fact that c!Dream's relationships deteriorate at this time seems to support this point, and c!Tommy's strength in his relationships being what saves him and damns c!Dream ties everything off into a neat bow. c!Tommy wins because he has friends and c!Dream loses because he doesn't, moral of the story established, hip-hip-hooray. And so it goes.

but when we look at this more in specifics...? it does start falling apart a bit, doesn't it?

although c!Dream supposedly begins his rampage over his existing emotional connections with the spirit speech, his reputation had been in shambles long before that point. c!Dream-as-villain is first established as part of the greater story in the lmanburg revolution, and that's a title that he never really sheds (this point being emphasized in inconsolable differences and the book c!Wilbur has c!Dream write.) Dethronement happens within a day of Spirit Speech, iirc, and on that day c!Quackity specifically points out that c!Dream has no one on his side but c!Punz. the moments where he is more specifically isolated go back to events such as november 16th, where his alliance with c!Wilbur involved blowing up L'manburg, his deal for the revive book, which involved his publicly betraying Pogtopia, or his opposing Manberg to the literal Manberg cabinet. etc. all of these events in the Manberg/Pogtopia era had c!Dream's loyalties erode to end up as just c!Wilbur and later c!Schlatt for the book, two dead men. (and i say eroded loyalties as if pogtopia really believed dream was on their side, like, ever? like he was never trusted in their ranks, even by c!Tommy, who was definitely the person he worked the closest with outside of c!Wilbur.)

if we look at Dethronement itself, it doesn't actually fit the pattern of "c!Dream cuts off his attachment to people in order to make himself uncontrollable" -- in fact, what it does fit the pattern of is. Staged finale? Faking an end in a relationship with people that he does consider important to him, making a public appearance of betrayal + anger to mask an existing connection, drawing attention to their being enemies to hide the fact that they're actually friends--that's not c!Dream cutting anyone off. That's just the exact same ploy that he uses to make people think that c!Punz betrays him (only c!Sapnap and c!George ended up deciding that Nah We're Gonna Kill You Now. Fuck You It's Coup Time. so that's how that ended up.)

Otherwise there's...the Badlands, who were perfectly happy to agree to joining the coup on the day of dethronement if it got them more power and land. c!Techno, who c!Dream wasn't an ally of until later on with the favor established and then doomsday, and who was someone c!Dream was quite openly wary of + afraid of due to his combat skill. c!Dream was alone literally before exile even happened, his remaining "attachments" of c!George and c!Sapnap turning against him like the day he goes on a whole spiel about ohhoho from today onwards i DONT GIVE A SHIT ABOUT MY ATTACHMENTS !!! I ONLY CARE ABOUT THE DISCS !!! like congrats you don't even have a chance to cut off any attachment at all dingus they all hate you and want you dead already.

further, with c!punz, he literally says that they're more than just employer/employee in the infamous conversation they have about planning a betrayal. if the whole point of the story is "attachment good," then why is it that what takes down c!dream is...his one remaining attachment? if his fatal flaw is that he didn't trust people enough, why is it that he loses because he trusted someone too much? it's not like c!tommy had any attachment to c!punz--c!punz explicitly "has a reason" to betray c!dream because of money. he helps c!tommy because dream "should have paid [him] more." none of that reflects that spirit of "attachment" that people claim was c!dream's downfall.

(not to mention how the people present in the staged finale to take c!dream down included people who literally hated c!tommy's guts. like. what brought them together wasn't the power of friendship, it was the power of we hate this green bastard.)

this isn't to say that c!Dream didn't have some relationships that go up in flames because he starts acting particularly cackling evil villain (with the green festival being the specific moment where he really goes full in with that persona, going from someone that was framing himself as having a Reasonable Complaint to literally the joker as soon as he gets the disc from c!Tubbo. It's purposefully played as a "mask off" moment that is meant to make him look like a crazy fucking villain in front of a large audience--whether or not you think that was a choice that he made in character or not, the way his personality changes as soon as he receives the disc is jarring.) In particular, his relationships with c!Puffy and c!Sam come to mind--c!Puffy burns the house she made him when she decides that he's too evil (but, uh, c!dream really wasn't even there for that and didn't ever have a particularly close relationship with her) and c!Sam is among those whose opinions of c!Dream become drastically more negative around the period of time that spans green festival->doomsday->staged finale. but it's important to note that c!Dream's relationships on the server aren't...great, at the time of spirit speech. They're uh, really fucking bad, actually. dethronement only makes them even worse, and all of this happens pre-exile. c!Dream had significant reason to be paranoid and afraid for his life long before exile happens, which is Quite Significant, Actually, when you consider that that paranoia is literally what goes into his decisions to carry out the staged finale + put himself in the prison (which isn't the case for genuine finale, where he's more motivated by a desire to control the server without being controlled himself.) staged finale does solidify c!dream-as-villain for a lot of people, but it never would've worked if people didn't already see him as a villain in the first place. c!Dream doesn't make people hate him with the staged finale; he uses hatred that he already knows exists to put himself in what he sees as a safer position.

and look we could go into a whole discussion about manberg/pogtopia c!Dream (which i do think is way overdue to be fair considering that that's where the paranoia + isolation that motivates him post-november 16th comes from in the first place) but this post is long enough already and i still have to figure out a better way to articulate my thoughts on the matter. anyway. carrying on:

people still have different feelings on why he carries out staged finale in the first place, but what we do know for sure is that it was meant to protect punz and protect the revive book. by firmly establishing that c!punz and him were on opposite sides, he keeps the revive book safe and both of their lives safe by extension: as long as no one would kill both of them at the same time, they had a means of reviving the other if need be and obviously had the information on how to raise people from the dead secure. which was important to them. and otherwise...c!Dream is paranoid. c!Dream is very, very paranoid, and this paranoia goes back at the very least to when he learns about the revive book. the prison, for all the dependence that it required of him, was tailor made (and the construction process controlled by dream every damn step of the way) to make sure that whoever was in the main cell would be safe from external threats. the security of the prison and the prisoner was the POINT. i've seen some assertions that staged finale implies that he predicted everything that happened after he was put in prison and...no? i'd say that c!dream's behavior indicates him being thrown off by c!sam as early as bad's prison visit, c!sapnap's prison visit for sure. c!Ranboo being banned from visitation pretty damn obviously fucks him up, tbh. he has c!punz explicitly out there to keep an eye out on the server while he's in the prison, where he was meant to remain for a period of time that was supposed to be much shorter than how long he ends up being there. likely because, you know, he was supposed to have a consistent and reliable source of information with the outside world in the form of c!Ranboo, and c!sam wasn't supposed to fall off the fucking rails as soon as the prison started. people have also talked about how having the staged finale be true means that c!dream doesn't lose, which...i mean. gestures at the prison arc? that whole thing is a loss so catastrophic it literally destroys him. he's never the same after the prison happens. the false betrayal of c!punz is deliberately like ironically described to c!sam, who was the REAL betrayal that fucking. ruins him. he loses SO MUCH over the course of the prison, which was something he literally designed to keep himself safe from external threat. as far as losses go, i definitely find that a lot more compelling and a lot less contrived than watching c!dream go "whoop de doo guess i have to die now" when he's like 3 pearls away from making a clean escape in the disc vault, tbh.

at the end of the day, i think having some conversation about staged finale is fun! and it's always good to reexamine what you believe to make sure that it still holds water. but i've really not seen much staged finale crit that makes the genuine finale feel favorable as an explanation: logically, it makes a lot less sense. narratively, it relies on a story that the audience wants to be true and acts as a "clean" explanation for everything while not actually taking into account a lot of what was ACTUALLY going on for c!dream (cutting off attachments for the sake of control versus watching people turn against you and becoming increasingly paranoid, for example). and believe them or not, the content creators involved have always asserted that staged finale was the plan from the beginning, not any form of retcon. (and we do know that people have been dodgy about stuff like the "original prisoner" literally since the week that c!dream was imprisoned, so take that as you will.) (okay to be fair theyve been dodgy about the original prisoner since the day that the prison began to be constructed, but the QnA from that first week of imprisonment sticks out to me in particular because cc!Sam had the biggest fucking smile on his face and staged finale would've been planned out and then carried out in entirety by the ccs and the c!s by that point.)

this is a longass post but uh hopefully it makes sense, lmao. tried to touch on most of what i've seen recently 😅

[cakesandfail]

Do you have any headcanons about how Vetinari ended up taking power?

Actually yes I do!

I wrote a fic about his first day in power that vaguely referenced this and while I don't have like, a fully fleshed out story, there are a few bits and pieces that I sort of bodged together from things in the books and what I personally find entertaining about him as a character:

There's a bit in Soul Music which says that there was a rat plague in Ankh-Morpork shortly before Vetinari came to power, and that his solution was "tax the rat farms". It's unclear in context whether this means he suggested it at the end of Snapcase's time in power or if it was one of the first things he did after he became Patrician. I've just gone ahead and assumed that the rat plague was the last straw for Snapcase and that actually having a good suggestion was one of the reasons Vetinari was in people's minds as a replacement

That then leads us to ask, well, what on earth was he doing there? He's been in power a fair while even by Guards Guards but chronologically must still only be in his early 40s by then, to have been in his late teens in the 30-years-ago bits of Night Watch (and he can't be older than that, because it's made fairly clear that he's in the Guild equivalent of secondary school at that time, and Vimes knows that the two of them are approximately the same age). Given his canonically hilariously long list of postgrad qualifications, he probably went straight from Assassins Guild grad school to the Oblong Office, more or less. Conclusion: he was the fucking INTERN. (or possibly working as a clerk, but calling him the intern is at least 500% funnier)

Given the running joke about him being this weird posh dude who doesn't seem like a threat until you remember where he was educated, I would imagine that his whole "ah capital jolly good here I go getting slang wrong again" bullshit started here. We know that among the Ankh-Morpork elite, pretending to be stupider than you really are is something that can both keep you safe and help you get away with a lot, because we see Vetinari and Vimes and Sybil do it. So this is where he got his practice. Bertie Wooster the FUCK out of your working day, quietly get on with the things that need to be done while nobody's looking, and nobody will realise because they just think you're Madam's weird nephew with the shit beard and the puppy

So, bearing all that in mind, picture this:

Snapcase is dead. The important people (at least, the people who think themselves important) converge on the palace. In a small room off the Oblong Office is a young man steadily working through a large pile of paperwork. Oh, yes, that's Madam's nephew, you know... Havelock, isn't it? They ask if he knows what's happened, and he says no, he has no idea, he's just been working his way through all these regulations, and gosh, they really are very dull. And... well... nobody else is here. And nobody else seems to understand the filing system, or the rest of the staff, or anything really. But he does.

This guy's had a few good ideas when he's been doing the minutes at various meetings, that makes him a plausible candidate surely? And he's so young, so he's going to need a lot of guidance from helpful, experienced folks, right? How useful. He's just smart enough not to be an obvious puppet. Very handy indeed.

And the cream of Ankh-Morpork society being what they are (truly the cream- rich and thick) they don't realise until it's far too late that this lanky goth weirdo they'd thought would do their bidding knows everything about everyone and he's been quietly furious about the result of the Glorious 25th for over a decade. And, whoops, they'd somehow forgotten that he didn't spend all of that time on Guild postgraduate courses doing resits. Oh dear. And now he's their boss.

[ut-poppy-askblog]

Okay, what is Poppy?

Throughout the Omega Timeline: Poppy's Story AU, I've realized that, beyond Poppy's origin, and her acquiring her SOUL, I've never truly delved into what Poppy is exactly. Though her """species""" is generously described as a "Ostensibly, Paper Human", that's not really true. Paper Frisk is unquestionably a paper human, so really, Poppy's true nature hasn't really been explained up until now. Though 4 years late, I've written up an entire post going over some things I've jotted down over the years of how she works.

Any addendums I may make will be listed at the bottom of the page.

What species is she?

I don't know

What is she, then?

(as seen in the Poppy's Origin comic)

Poppy was originally a drawing by a Chara, brought to life by Ink Frisk- whose magic specializes in bringing things to life through art. Though useful in a pinch, they would have never expected something like Poppy to come out of it. In this form, Poppy was essentially moving through the motions, doing as told. Though having some semblance of understanding of what was told to her, she lacked any means of communicating it.

Of course, this wasn't going to last forever, even if Core fed her magic food, the spell would eventually run its course. Thus, they resorted to one of the recently-rescued scientists: (a) W.D. Gaster. But everyone calls him Fling Ding.

(as seen in The Quality of You)

Through Fling Ding's efforts, Poppy was given an artificial SOUL, and was thus born anew. The SOUL inherited all of the body's thoughts and loose memories, and has thus become what Poppy is. This generally implies that Poppy IS the soul, that pilots a paper body. ... But, of course, it's a bit more complicated like that.

How is she 3D, if she's made out of paper?

(Core doesn't naturally have magic, they have to pull it out of a jar every time..)

This is achieved through an obscure spell that Core's learned of through their eternal omnipresence. This spell provides Poppy with all the perks of 3D. Though, of course, it also takes magic to uphold.

When young, Poppy would often be tired from attempting to uphold this spell. When she fell asleep, she would do so as 2D, then core would have to cast the spell at her in the morning. As years went by and her SOUL grew stronger however, she's rarely ever seen in 2D, even when sleeping.

Not to say she doesn't have days where she simply... Can't turn 3D at all. But they're few and far between. As long as she eats healthily, and has a good sleep schedule, it usually doesn't happen.

What does she eat?

Her diet consists of magic food, mostly. Given she does not have any digestive system, any physical food she may try to eat, sort of... Lounges in her mouth until she spits it out. She can taste it, but no one likes to chew on food for longer than needed. She also drinks regular water and whatnot.

Wait, but is she waterproof? Is water going to kill her? How can she drink?

I've pondered myself this many times. But, ultimately, I feel like Core wouldn't just... make her live a life where she is constantly afraid of the weather, or even washing dishes. So I believe she has some waterproof magic going on.

As for how drinking water or any non-magic liquid works for her, I'm not sure. Maybe her body just, naturally fizzles out the water with the magic.

Okay, how does she grow up?

Very good question! Poppy's bodies are drawings on paper after all. You would think that maybe, the body magically ages up. But, at least for this Poppy, it doesn't work like that.

Poppy's bodies are custom-drawn by the Chara who drew her originally (who doesn't really ask why core would need a life-size drawing of their character, they pay very good money) at every stage of her life. And it's not just one body per stage, no. Poppy is a slightly reckless person, so she's had her fair share of accidentally hurting herself.

So now to the gut of the question, how does she go from body to body? It's a fairly simple task, actually!

Whenever she jumps on a similar looking body, the process is quite seamless, but when she jumps onto a taller body— or, really, a body that's drastically different than her current one, it takes some readjusting.

"So that's not my left arm..."

However, after some time adjusting, she's up and ready to go again.

As for what happens with the previous bodies, however...

Core keeps them safely stored somewhere unknown.

Wait, hold on, could she possess any drawing? Even something baseless and meaningless like a scribble?

She could. But it's not exactly pleasant for her. It's like trying to steer a car that's a block of wood. But yes, besides those types of drawings, she could feasibly look like anyone or anything given enough time. Her voice would be a dead giveaway however.

How can she change clothes? Or cut her hair without damaging the paper? How can she speak without vocal cords? How can her body know what's under the clothes when it's drawn with clothes?

Magic. ... Honestly, magic. I just don't have a better explanation. But I would imagine that if, for example, you tried to cut her hair in 2D, that would lead to less-than-desirable results.

How much does she feel? Does she see the world differently?

Another excellent question, hypothetical reader. As I had written it originally in the askblog, I sort of liked the idea that Poppy had a very limited perception of the world. She couldn't feel anything touching or burning her, she could barely taste, she could barely smell. And she can hardly be aware of anything outside of her view (she doesn't have the gut feeling of feeling she has intimidating people next to her, for instance).

But with Core teaching her that everyone's not always as bad as they seem (especially with her found family choices), it's not like this last aspect has changed much.

But, as years went by, I had a very different idea. What I've said would remain true... through more or less the first few months or so of Poppy being in a new body. As her SOUL attuned to the body, she would slowly build more human-esque senses. And perhaps even more human characteristics as well such as sweating. These being rooted in Poppy's understanding of humans... so, mostly Dusted, Core, and Mon for a good while.

As for eyesight, I've had the idea she does see things different than you and I, but I'm just not sure how to convey it through drawing or writing, so it's generally remained shelved for the time being.

... And that's all she wrote! If anything needs adding, it will be done under this. For now, consider yourself a Poppy-ologist.

[scoops-aboy86]

chubby Steve fic idea:

Eddie and Steve take the kids to a fair and Steve gets excited for all the treats.

Thank you thank you thank you for this, because I've been struggling to figure out what I wanted to do with the final installment of the love spell AU fic and this has finally kicked my ass into gear. I'm still working on it, but here's a teaser... Just shy of 1k words.

(If anyone wants to be added to the tag list for when I post the complete chapter, comment here to let me know. 😊)

~

The kids have been clamoring to go to the county fair, so when August rolls around they load everyone up in Eddie’s van and the Wheeler’s station wagon and head out of town to the Roane County Fairgrounds. 

Steve meets them there, because he’s picked up some work helping with the rides set-up and has been at the fairgrounds since ass o’clock in the morning. Which conveniently means they’ll also have the BMW there at the end of the day, and Robin—who Steve has made a point of helping get her license—can drive it back with the kids. 

It also means that Steve gets to see his boyfriend’s eyes go wide when Eddie sees him for the first time today, takes in the way his shirt clings to his broad chest, dark with sweat down the front from the exertion of lifting and carrying all morning and cut down into a muscle tee at the sides, scars be damned. And unlike Eddie, who looks like he’s starting to pink under the sun already, Steve has been building up a healthy tan all summer parked out by the pool whenever he has down time; plenty of skin and new freckles to show off. 

The kids are at the head of the pack, so they don’t notice Robin elbowing Eddie until his mouth snaps shut and he raises hand to rub faux casually at his mouth before shooting her a betrayed look—and Steve just knows that Robin told him to stop drooling in public. 

Then Dustin slams in for a hug, catching Steve in the doughy middle and just about winding him. He gives an over-exaggerated wheeze and pretends to stagger. The motion helps him get Dustin into noogie, and from there the rising sophomore doesn’t stand a chance against all the muscle he still has from his jock days, regardless of the extra padding over them now. 

“Yield, I yield!” Dustin yelps. 

(“Why are they doing that?” El whispers loudly down to Max in her wheelchair. 

“It’s a dumb brother bonding activity,” Max informs her with a roll of her eyes. “Just observe, like animals at the zoo.”

El continues watching them with a perplexed furrow between her brows. “Will and Jonathan don’t do this.”

“That’s because they were raised by Joyce Byers. They’re slightly more evolved than your average teenage boy.”)

“Butthead,” Steve chuckles as he lets Dustin go. “Okay, I’ve got ride tickets to hand out. Once you use these up, if you want more you have to buy your own. Got it?” 

There’s a chorus to the effect of yes Steve, with varying amounts of eye-roll. Robin and Eddie have caught up by now, the latter circling around closer to him while he dolls out strips of tickets. A lively debate springs up almost immediately between Dustin, Mike, and Lucas over how to best maximize their haul, with Will patiently moderating every three-way tie to more subtly inject his own opinions into the discussion. Max gleefully heckles them about every ride that she can’t go on, with her legs still in casts and arms in braces, digging in with pithy little guilt trips that, as far as Steve can tell, aren’t crossing the line into actual upset or self-pity territory. (Something to keep an eye on.)

He’s glad they’re excited about the rides, and even the games that will definitely end up cutting into their pocket money by the time the day is done. But Steve is excited for something else entirely, and is antsy to get the show on the road. 

“Alright, that’s everybody. Now why don’t you all go enjoy the fair I’ve been slaving over, you little assholes. The Gravatron in particular is sick.”

That does the trick of getting rid of most of the crowd, El and Max break off in a slightly different direction, probably towards the Ferris wheel that El’s been practically vibrating to ride ever since someone explained what one was, having already settled a time and place to meet up with the rest of the group later. 

Robin takes her tickets with a bright thank you thank you thank you because she’s meeting up with Vickie soon for their first official date. She’s about to run off when Eddie stops her and hands over all but four of the tickets Steve had just given him. “Go knock her socks off, Robbie,” he says, and then messes up her hair. 

She flips him off, and Steve too when he snickers a, “Be safe, don’t do anything I wouldn’t do,” before flitting off. Telling him with her expression and a dynamic eyebrow movement that she doesn’t think it would be a high bar to clear. Which… fair, honestly.

“And then there were two,” Eddie says, sidling up to Steve a grin and a raking glance that sends a trickle of anticipatory heat down his spine. “You ready, sweetheart?”

Before Steve can answer, his stomach does it for him with an audible grumble—not the first he’s experienced while working today, but definitely the loudest. He automatically rests a hand over it, kneading in a gentle massage to calm it down the way he’s been doing for a while, though it doesn’t seem to be helping now that he knows it’s time.

“Sounds like a yes to me,” Eddie murmurs, long lashes dipping as his eyes go subtly darker, then waves dramatically ahead. “Well, what are we waiting for, my liege? Let us partake of the festivities that await!”

He marches off, leaving Steve to follow with a laugh and shake of his head, utterly charmed by his total nerd of a boyfriend who is about to take very good care of him.

Tag list: @hotluncheddie @8em-em-em8 @anaibis @connected-dots @lawrencebshoggoth @zombiethingy

[keymintt]

Not sure if this has been asked before but, how did you start doing professional work for traffic cabinets? Was there some sort of job fair or exhibit that you advertised your art at and the city decides "this guy is really good, let's get his art in public"?

OKAY so the thing with public art is it's all local and every city kinda does it differently, but so far in my career all of the public art stuff i've done has been application-based

this got long so i'll go into details about what the searching/application process looks like under the cut but tldr: a big part of finding work like this is knowing where to look for local opportunities and submitting applications

generally the cities/towns/whatever will put out a call for artists (also sometimes called a request for qualifications or RFQ) that's basically like "hey we need some artists to do this, this is how much we'll pay you and the details for the project" and from there they'll link a form (or sometimes give you an email address) to apply to where you submit stuff like your contact info, resume/portfolio, sometimes references, and usually a letter of interest on the project

because i submit applications to things pretty regularly, i'm usually good about keeping track of what i use to apply to things—this includes what i've written for applications and stuff like image descriptions—so when I apply to new things it's a lot of copypasting and editing things to explain how i'm a fit for the specific project yadda yadda it's cover letters. it's basically cover letters. pain and agony

in terms of finding the applications, i'm signed up for several local newsletters and arts organizations, but i also check sites like the az commission of the arts (bc i'm az-based) for their updated list of opportunities pretty regularly, as well as searching for stuff like [city] arts and culture and poking around the .gov sites to see if they have an arts opportunities page. in all honesty a pretty big component of finding this work is knowing where to look, and unfortunately if you're doing public art a) it's not always listed on social media b) the best places to look/start are local, and that differs for everyone so i can't say like "oh look here and you'll find something"

once you apply it usually takes awhile to hear back (they usually give you a timeline on the initial application of how long it takes to review all the applications), but i've found people in these fields are good about letting you know when you didn't get something so you can move on with your life lol. atm i'm waiting to hear back from....over five things so i'm kind of always doing this "applying to projects while i'm working on other projects" song and dance which is honestly just...kind of the freelance artist experience?

i feel the need to mention that public art stuff like this consists of about...2/5 of my yearly income...? i'm not solely making a living off of doing these things bc i also usually have teaching and ttrpg illustration stuff in the mix BUT there are artists who can and do make a living off public art and murals and whatnot. i simply cannot resist the urge to stick my finger into any pie i'm even remotely qualified for

working with public art stuff is also that same thing with a lot of fields where once you get some sort of experience, it's easier to get more jobs, BUT as an artist your portfolio can do a lot of speaking for you, even if you don't have experience with public art specifically. take my traffic boxes for example: i've done three of them now and have a fourth lined up, i know that if there's an application for one i have the exact experience they're looking for and will in all likelihood be one of the selected artists at this point. however with my very first one, i obviously didn't have a traffic box in my portfolio so i included a digitally illustrated city banner i designed, several other digital illustrations of mine (bc they wanted a digital artist), and a mural i had painted on a 3d object (to demonstrate i could design with 3d forms in mind), and together these things all helped my credibility as someone who could do this project. as much as i loathe writing letters of interest these are also good places to elaborate on how your portfolio can connect to the project

also with public art starting local is also your best bet at first (not to say you can't land other opportunities right off the bat though), bc people like their artists to know the local scene. i have the experience to back me up more nowadays, but when i was first applying to things you bet your ass i was all like 'i love it here and want to give art back to my local community bc i'm an artist and i'm fresh out of college yaaaaayyyy' you don't have to mean this when you say it, but they don't have to know

thank you for the ask !! and best of luck with any of your potential artistic endeavors (to anyone reading this)!! feel free to ask any more questions, i'm happy to elaborate on anythin btw for anyone :>

[torveiglyart]

The more I think about my hobbies and achievements (or lack thereof), the weirder I realize my life is. I had never really thought about some of these things until as of recent, specifically when someone introduced to another as "cool". Like what.

First things first that I've talked about on here is I'm an oboe player. Which is already a kind of "different" instrument to play. And, actually, I've been third chair in the All-District wind ensemble for grades 11-12. So there's that.

Another thing I tend to tell people /if prompted/ is I'm a nationally recognized Scottish Highland dancer. I placed third in the southeast regionals and qualified to perform in Las Vegas along with everyone else who qualified across the country. This one is kinda like my "fun fact" during ice breakers 'cause it's something I know won't be repeated.

I'm a digital artist, as you all know, but I also do traditional art often. A few of my paintings in my portfolio helped me score a spot in NCSU's ID program. Maybe one day I'll scan them and post here.

I'm a singer. This one goes multiple ways as in: HS choir, church choir, musical theatre, and bands. I just like singing and got blessed with a nice voice... I think.

I can bake and decorate very well. As in won a cookie decorating contest at the NC State Fair well. That was a good year for me :). But it's also the perfect ganache every time kind of good. I guess the same can be said about cooking given no meal I've made has gone wrong or tasted bad. I seriously hope it stays that way.

This next one only partially counts because while I'm not /fluent/ by any means, I can somewhat comfortably hold a conversation in a few languages. French, Spanish, Japanese, and, strangely enough, Swahili, are languages I've worked on since uhhhh... I don't know at this point. And I've since added Scottish Gaelic to that list to work on. Languages just fascinate me and I plan to travel A LOT when I get the money to do so.

I do archery in my free time. Often enough I have my own bow and arrows. It’s fun. And last time I went to an actual range I never missed a target which I’m totally bragging here but it’s also just a fun activity to get anger out, you know?

Back to the musical theatre thing, I actually was called back for an audition to enroll at UNCSA, but did not make it. And back in freshman year, I did this whole Society Performers multi-class thing, but cut it short to work on my studies. So while I probably could have gone into theatrics, I don't think that would have been the best choice for me.

An going further back to the instruments, I can also play piano, ukulele, and clarinet, but lessons are those were far fewer than oboe.

Time for the weirder stuff.

I definitely have ADHD, and so does my dad, but we're both undiagnosed so let's just not go there.

I can't whistle or roll my tongue. People always seem really surprised by this one but it's not like I'm in a tiny percentage with that one.

I'm nearsighted in one eye and far sighted in the other, and I also only require one contact lense/prescription. Actually let's call this the whacky section.

I'm allergic to celery. Yes, celery. And only that. Not pollen, not pets, not dust, not even ragweed, but celery. And only when it's raw. Cooked in a dish? Fine. Raw in a salad? Cotton-mouthed and itchy. Not terribly sad about it though.

I can't ride a bike. Like, I know how to in theory, but I just never had a bike growing up. My older sister's always had a flat tire, and by the time my younger brother got one, I was too big to ride it. So I scooter instead :).

I have perfect pitch, as in I hear a pitch, and can tell you the note it is, and can tell you what key a song is originally in and sing it. I would get in trouble a lot as a kid for "picking a fight" with my siblings by telling them, "it actually goes like this," and then changing the key they were singing in. While many find this cool or helpful, unless you're a music student or something, it's actually annoying. The car radio is always a few microtones sharp and there's nothing I can do to make it in tune. My choir teacher would also have me sing the starting pitch for songs, no tuner, which was nerve-wracking.

WOW this was just me ranting (bragging) lol, sorry about that, but hey! Now you know more about me!

If you have any questions or comments, don't be afraid to ask! Or, y'know, do the whole asks thing. I think I changed the icon for that but I'm not sure.

[x-birdsong-x]

overly specific house dog au headcanons? spill some?

I can try and fit in one post everyone I've settled completely on so far, and also be obnoxious about dog breeds. fun

I've also bothered @greghatecrimes with a lot of these so very big thanks to them for helping me settle on breeds for everyone <3

It's when I've settled on a "base breed" with dogs that sometimes things just go crazy and go from there

Start with the most overly unnecessarily detailed one here you go:

Adams is the oddest most fantasy mixed breed of ALL fucking time her parents are one Belgian Tervuren and one Borzoi x Ibizan Hound and she appeared so much Tervuren that it’s just possible to miss that she’s got any sighthound(s) in her.

Editing to go even more in-detail with this one because my girl deserves it: She ends up looking somewhere between these two:

She’s very pointy and very leggy but she is very long-furred and that's where the mistakes come from. She moves mostly with the gaits of her sighthound sides which the others find is an easy way to make her bristle. She’s prancing across the room and Chase says you move like a sighthound and she says no I don’t (yes she does)

Park is a Silken Windsprite:

Probably struggles in snow and sometimes has to jump and jump to get through it when it's really deep but Adams mumbles that it’s cute and that's Fight invitation. Park brings up that Adams gets snowballs stuck on her and that it takes hours to melt out of her fur. ("Fuck you!" - "Do it yourself!") It's probably fair to say she has some little dog syndrome.

Chase is an Australian Shepherd. House probably used to make comments about he and Cameron both being Merle:

Cameron is this specific Border Collie (but with blue eyes, ofc):

Probably does the Collie Crouch sometimes. Absolutely does the Collie Stare, and that would come into House's "you can't actually pierce me with your eyes" moments.

Foreman is a Central Asian Shepherd:

For a slight visual similarity to how I imagine post-Lockdown Angst Cameron might feel meeting Masters, Masters is a Nova Scotia Duck Tolling Retriever:

Probably has what I call in the groomers "Smart Breed Anxiety" along with her autism swag. Dogs who listen to and seem to understand every word you say and if you're telling someone or another pet off for anything, they assume they're the one you're talking to and give all their guilty looks. Also using my Bluebear as reference with that visual.

Thirteen is this Utonagan!!! No other visual!!! Have such a canine visual of The Dig it's insane.

Wilson of course took Golden Retriever. Definitely one of the larger/silkier ones. Show-type. He'd definitely be a dark gold but this is the best pic I have for how I picture him -color:

House is a Scottish Deerhound, mixed with what? He doesn't know. Wants to know. Very easy to miss that he's a cross:

(Little Rachel rode on his back for a bit once.)

Speaking of, Rachel is a little pupper Sheltie (Natalie) x English Shepherd (Simon) but she barely shows any Shep traits when it comes to looks:

Rachel's a mini-me of her mama, Cuddy took Rough Collie:

Kutner is a Springer Spaniel x Large Münsterländer, leaning more looks-wise toward the latter and leaning energy-level toward the former:

Taub is a Beagle, Chihuahuas are just too small for one of the main characters in my little visual I'm afraid (and I forgot Smooth Fox Terriers existed):

Rachel is a long-haired Dachshund, and Ruby is a show-type English Cocker Spaniel, so Sophie and Sophia are those crosses respectively. Click on the Spaniel to see the full pic.

Amber takes (Red) Siberian Husky:

She's quite thick-coated but she doesn't fall under "Woolly Husky" coat type.

Red (Irish) Setter Stacy:

Plott Hound Mark:

Dominika... So This dog is obviously a Belgian Malinois maybe crossed with something fluffier (unless the listing change from Mali to Terv is accurate, then she's just Small) but she looks exactly like this:

Saluki Lydia:

Belgian Malinois Alvie:

Lucas is just straight-up a Coyote. It just fits him too well. He gets a Coyote-themed name in the WC AU, and gets to be a Coyote when I think about canines:

Beauceron Nolan. Can't see him as something as round and soft as Newfies but also can't see him as a bully-type: