#(they're so weird about the characters i hate it)

[badgerbaggage]

Look, unfortunately, Santa is actually right.

And I think it's a means of our survival.

We need to entrench ourselves in our communities, fortify our bonds, recruit sympathizers. We start where it's safe, but we start exposing these people to the fact that we're not disposable, that we're not some scapegoat.

So let's reframe "disagreeing yet remaining friends."

You don't need to agree, nor "be friends" with bigoted ideologues to practice what the Santa account is saying.

Treating them as a friend is a performance (as many human social customs are). Be polite and be interested in their personal lives, what matters to them, what they're excited for, what they're afraid of. be known in your community, whether it's as a flashy character that's a staple of the local alternative bar, or as someone who walks their dog around the neighborhood. Find ways to display your artwork somewhere in town. Do favors for people.

You can refuse to engage with the horrible bigotry.

Rejection is a subtle means of advertising "this is intolerable and I will not engage with you if you continue." If somebody brings up something volatile, simply excuse yourself to get some water. You can leave outright, or you can return and try to shift the conversation. It is very difficult to do this when the current climate is about LIFE AND DEATH to us, but it is possible. This is a means of survival. Tread carefully and keep yourself safe. Let people understand you as a being before they know you as an extension of your identity.

On a wider scale, people NEED to be exposed to these larger topics other than through rightwing propaganda.

Experiencing queer people is far better if it's firsthand. "The supreme leader hath given us a new Scapegoat" works because they have completely MONOPOLIZED the narrative of who we are to our communities. They listen to the Heritage Foundation propaganda because that's the only depiction they've seen. Yes, some of this is out of their own ignorance and malice, but you DO have the power to change minds.

People also need to experience WEIRD SHIT that isn't hurting ANYONE.

There are unironically people who hate us just because their entire perception of us is manufactured by third parties. We all have the power to change perceptions in little ways. For example, I dress up like a punk werewolf and walk to a local alternative bar through a park and bustling downtown, even past an ice cream shop. It paints a massive target on me that says "IM WEIRD, LOOK AT ME." It is terrifying and I am incredibly uncomfortable the entire walk, but I'm exposing people to my gender queer ass in the periphery (I have the privilege to do this for many reasons; I'm not exactly living in my old, conservative, shitty hometown. Your mileage may vary). I am become Exposure Therapy.

You don't have to save the world, you just have to save yourself.

Again, we must ENTRENCH ourselves in our communities. We must forge bonds that our communities don't want to sever. Take root and prepare for the storm. Your efforts alone won't save the world, but if we can all just become a valued part of the life of 1 single detractor, that would have drastic effects on the national perspective of our movement.

Isolation is the end-bringer.

Just find one thing to agree with someone on. If they're deplorable, you can just agree that the weather is shitty, but through careful conversation and creative framing, you can easily get a hardcore MAGA fanatic to agree on culture and policy issues. We often want the same things, like freedom and prosperity. Find the NUGGET under the fascist shit and say, "we both want to be safe and with our families. We're not so different afterall."

LEGITIMIZE YOURSELF!!!

[hyenafu]

I know this might seem like a bit of a random question, but what are some criticisms of Slightly Damned you can't stand, and what are some you think are at least somewhat valid? I only ask because I do have a few problems with the comic (not really gonna go into here because I don't want to come off as too critical obviously) but I feel like some of the more noteworthy ones have been too long established to just change it altogether, and the best one can do is make something better from its foundation (which I must say, you've done a really good job at ^^)

The complaints that I think are the most unfair are by bigots who think my comic is only getting more inclusive because I'm pandering to wokeness or whatever. These people are also the most likely to misgender me and have no idea what they're talking about. They just can't stand the bare minimum of gay and are often hypocritical, using fallacies as the basis of their arguments. It's tempting to want to argue back, but when has that ever worked on the internet? I think the most valid complaint is that the pacing of the comic is too slow. Sure. Not much I can do about that one. My comic alone doesn't pay all my bills. If I focus exclusively on work, I get depressed, so I have to goof off sometimes. I'm just one person. I don't have a team. I'm doing the best I can already. Another valid complaint is that people don't like my blend of humor and drama. Sometimes readers find it inappropriate or jarring. It's valid because I recognize it as a difference of opinion and understand why they feel that way. But I don't care. I like my weird mix of goofy faces and drama. I sometimes make jokes during periods of great stress in real life. I love all the wacky faces and over-the-top cartoon action among dire circumstances in comics like One Piece and Usagi Yojimbo. Like, it's just my style, man I don't seek out unsolicited advice about my comic. Some people may think that's snobbish of me, but the truth is, very little of what you find that way is actually valuable.

"And as to those critics, she said that she’s managed to do something that might make us all better off- she doesn’t read the comment sections. In perhaps the most roundabout poignant part of the talk, she likened receiving feedback about her work as being like consuming food. She would take a pie from someone she knew and trusted but compared taking unsolicited barbs from strangers as “licking a handle on the subway.” She used to pay very close attention to that kind of critique because she felt that it somehow would make her a better creator but ultimately decided that it was only toxic." - I HAVE SEEN OLIVIA JAIMES, THE CARTOONIST BEHIND THE NEW NANCY, by Rocko Jerome (2018)

Besides the outright hateful sentiments, a lot of unsolicited criticism can be categorized as "I don't like this story because it didn't do what I wanted it to do." Which is fine. I do the same thing when I try to process stories and talk to my friends about them.

But I don't get in the author's face to tell them I think they did a bad job. At the end of the day, no matter how crap I think someone's story might be, I'm not psychic. I don't really know if they did exactly what they set out to do. For example, people have never stopped giving me crap about the death of certain characters. But their whining has only made my convictions stronger. I don't like when other stories don't take deaths seriously, with a real sense of permanence and grief that is not easily solved. To someone else, seeing that character be alive might have solved all sorts of problems they had-- but that's not my story. I've had someone tell me that the focus on Buwaro and Kieri's mushy romance is too distracting to the main story. I don't think that person knew that a large part of why I started making this comic in the first place was as a vehicle for my OTP. I also want to make said vehicle entertaining and worthwhile. If I didn't succeed for that person, that's fine. But don't tell me that half the reason I made the comic is distracting from it. What do they know about what I want? What do you really know about what the author wanted to achieve? That isn't to say that my comic is immune to scrutiny. Of course it has problems; every story has problems, depending on your perspective and the basis by which it's getting judged. I've solicited and received thoughtful criticism and helpful advice from teachers, my advisor, my friends, and from reading/watching tutorials. Some I agreed with, others I chose to ignore. Sometimes it just took a while for me to come around. I hope I never stop learning and improving. Like you said, I have to keep working with the foundation I already set. But I don't feel trapped by it; my creativity is being challenged in new ways. I have a lot of playing pieces and now I get to see what kinds of connections I can make between them with my older, more experienced (both good and bad) mind. Since Slightly Damned is a story serialized over a long period of time, a certain amount of it is made up as I go along. I do have plans and goals, of course, but I'm also discovering this world alongside my readers.

[lemotmo]

No clue if you've received this one yet but I like this one a lot.

Q. You can hate him but you really don't think that breakup came out of nowhere? It was insanely fast. And weird and just strange overall.

A. The pacing of the entire episode was fast. But that's because they tried to work in too many calls amongst the personal stories and they shouldn't have done that. The only reason they used the cut call from 7x4 was because without it Athena wouldn't' have been in the episode at all. There is no other explanation for why they had to use that call. There were too many calls. That was the problem. Sometimes a character driven episode is needed and good and that should have been a character driven episode only. But for whatever reason they're trying to work in all of these calls that call back to bigger Buck or Eddie calls. They're doing it again next week. With the lightning and rollercoaster callback. What we don't yet know is why. But you all are trying to find depth in a breakup for a relationship that had no depth. It was a relationship in name only. It existed only to get Buck out. The entire point of Tommy's character was his dialogue in the breakup scene. Everything else in that scene was irrelevant. But even Buck's part of the conversation made sense for Buck's character. He's not sure what he feels so he decided to overcommit and just jump instead of trying to figure out what it is he really feels. That's relationship Buck through and through. Nothing about him was weird in that scene. Most of us have said from the beginning that all Tommy is is Buck's male Abby. The show allowed Buck to confirm that. They literally had him say she was a transformative relationship for me and so are you. Abby was his introduction to adult relationships. Tommy was his introduction to male relationships. That's it. It's not deeper than that. So there's no need for their breakup to be deeper than that. Buck only sounded crazy because there are only two people in the world who speak Buckense and their names are Evan Buckley and Eddie Diaz. So even though what Buck was saying made perfect sense to him, and story wise, it sounded insane to Tommy and the audience.

It feels more like Tim extended the Tommy part longer than he should have or meant too and they reached a point where they ran out of later. I feel like they're headed towards a particular story point and for whatever reason they needed some time between Buck being single and whatever is coming in the mid season finale. But the breakup has been signposted since day one. So calling it rushed is incorrect. The anniversary date was a disaster. The writing was on the wall. There was no need to drag it out.

Thank you Nonny! 🤗

Yep, all of this makes perfect sense. Nothing to add here.

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If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[theriverbeyond]

#SPOILERS

ok so I watched arcane s2 act 1 and my immediate reaction is mostly mixed -- I think there was gorgeous art and strong individual emotional beats but I think it all got watered down by everything else -- I did LIKE it, I guess (?) and am reserving full judgement for the whole season until the next 2 acts release, but yeah.

warning for SPOILERS and also critiques below:

the deluge of new characters I have no reason to care about, and whom i am given no specific reason to care about (besides the itty bitty one, and that's just bc they are a child) does not hit. I dojt get it. why are these people special or chosen for the strike squad. they're just randos, and fangirls and one of them is a random dude you all seem to have grabbed off the street (?) also who tf is amara. was she even in season 1 at all?

the integrated music videos felt significantly LESS integrated this season than the last. last season it felt like the "music video" segments were just like.... really well done and stylized parts of the show, here they feel more like clipshows or standalone music videos during which the actual show takes a pause. some of them do advance the plot and all are gorgeously done but like, I dunno. feels a bit much, honestly, especially in a show that NEEDS to be incredibly economical with its time

relating to that, it feels as if nothing really happened at all besides setup, and I guess that was perhaps narratively necessary, but using THREE episodes of a 9 episode season to set up the plot feels..... REALLY wasteful, especially when i feel like those 3 episodes didnt have a tight plot OR tight character focus. everything feels very loose. the timeskip between s1 and s2 is like.... idk! why did we skip that. why didnt we just skip farther. how is Vi suddenly beloved by topside those bitches hate her!!! anyway. there is a lot happening and a lot being set up and, as i said before, a LOT of new characters being introduced and I'm not very emotionally invested in most of them. The differences between act 1 s1 and act 1 s2 are feeling incredibly stark right now.

To me, Arcane has always been a character driven work, so I can forgive it of plot issues if the emotional focus and character arcs are strong. I.... didn't feel that here! and even the big character moments didn't quite hit. for me. like ok CaitVi kissed. but like. they've known each other for a week? Why are they acting married? The most resonant and emotionally intense part of the CaitVi arc in act 1 was when Caitlyn HIT HER with HER GUN, in a way that felt deeply reminiscent of how encorcers probably hit Vi when she was in prison. And that was like at the very end. sorry but the kiss just did not hit for me. sorry. so sorry. you can kill me with Hammers if yuo want to

A lot of characters seem to be making plot centric decisions that simply do not feel within their character. Vi becoming an enforcer -- I literally do not care about the game, it is emotionally inconceivable for show!Vi to do be super down with gassing the undercity. Jinx and Sevika suddenly being buddy buddy is weird, even thought i LIKE it, it just feels.... fast. Jinx's arc, emotionally, feels the best and most consistant, and I feel like there's so much setup happening it isn't given the space it needs to breathe. Caitlyn becoming a facist is like.... fine, I guess. I really like the emotional conflict this inserts to the story but again it just feels inconsistant with her lifelong characterization as someone who is out of place on the force. also didn't she actually get fired lol. why is there a Kiramann supercomputer.

a lot of stuff just feels emotionally really off. Cait going wild with anger in her grief is fine, but then it feels.... bad that the redhead bitch who's CHILD Jace KILLED last season is a villian for wanting revenge also? maybe this is just an inherent weakness of the genre. or the source material. or whatever. i mean season 1 was pretty enforcer-critical at least in the first 2 acts. sorry for wanting a story made by people with money to be consistant in its negative framing of cops :/

l am deeply confused about the Noxian angle here -- I think it serves a meta narrative function of giving Topside and Bottom (aka, all the characters we care about, who hate each other rn) a common enemy to rally against, but there is just. a lot going on, honestly. too much? only time will tell. this all makes me deeply concerned/curious about the governmental system of Piltover though. why is Caitlyn like the town King now. why are they not electing new councilors.

don't even get me started on viktor being undercity jesus

Anyway. things I liked: the opening, especially its contrast to season 1. Jinx & Vi's fistfight was incredible I just wish Vi felt more emotionally consistant BEFORE it happened. I really LIKE jinx being given essentially a second chance in the form of saving and caring for a child in a situation that puts HER in a reversed position from her youth. like OK it definitely feels way out of left field but like, that's fine I guess. I like what they're doing with the kid. the art is gorgeous as always. I love how the enforcer squad is represented like hunting hounds, coming out of the gas. unfortunately i think their gas masks are wildly erotic. anyway. what was i saying?

that's my immediate thoughts. I'm definitely open for comments/explaining, but i really don't like the "it makes sense if you play the game/pay attention to LoL meta" kind of explanations I see thrown around -- it's a narrative weakness to be relying on viewers to know LoL lore, especially on the heels of season 1, which didn't need viewers to know anything.

[mixelation]

Literally all i know about wicked is the poster bc i think its nice. Can i ask you what its a fic of? Or just about?

uuuuh so wicked is actually weirdly complicated in terms of being a fic/adpatation/whatever. it's a fanfic of the wizard of oz but it gets weird:

the wonderful wizard of oz is a children's book published in 1900. it went on to have 13 sequels by the original author, and then literally tens more sequels by other authors. most of the books are about someone going on a journey and assembling a party of strange magical people and creatures and running into various strange places and occasionally dodging things trying to kill them. this means that there is a LOT of lore and zany characters to draw from.

the book is of course not nearly as famous as the 1939 movie, which is what most people think of when they think of the wizard of oz. the movie adaptation has the same basic plot outline as the first book, but streamlined and-- most importantly for understanding wicked-- it changed a lot of aesthetic details. the reason for this is that color movies were new, and they wanted to show off, so everything is ultra bright and colorful. in the book, the dorothy's magic shoes are silver. they changed them to ruby red because it pops more. also in the book, everything in the emerald city is white, but everyone entering the city must wear glasses to make everything appear green (for emeralds, you see). the movie producers were evidently like "what the fuck?" and instead made the emerald city extra color and bright and loud. oh, and the movie made the wicked witch green. in the book, she was not green and instead had one magic eye.

wicked is a 1995 novel which is of a specific genre which basically asks: what if the villain of the story secretly had a sympathetic backstory this whole time? what if the good guys weren't that good and the wicked witch was actually kind of the better person?! i did really like these as a kid, but they kind of appeal to me less now outside of nostalgia because as takes they're usually.... kind of immature? or else come off like they dislike the source material. anyway, wicked is about the origin story of the wicked witch of the west (now named elphaba), who is born green and discriminated against for it. i read the book back in high school and therefore don't remember a ton of details about the plot, but the world building involved feels like a bizarre fever dream and sort of lazy in its lack of canonical detail if you're an oz fan. i remember finding it especially bizarre because there's details drawn from the books, but the main premise is entirely in movie land, and a lot of major book details are basically just discarded/never acknowledged. this is what makes it, imho, a bad fanfic. i won't comment on the writing because it's been too long, but in terms of being a fanfic..... yeah, it's weird & kind of bad?

however, i don't think most wicked fans have read the book. most people talking about wicked mean the 2003 musical (which will have a movie adaptation this month and why i'm thinking about it). like the movie, the musical is more streamlined than the book it's based on, and fun songs are added!!! i've seen it twice and literally don't remember the plot. i do think the actually spectacle of it is cool, but i don't like most of the songs, and again, it feels like it hates the source material. some of the weirder things, off the top of my head:

i cannot begin to stress how being green is one of the more normal physical differences to have in oz. like i get that the "hated because she's GREEN" thing is just a vehicle for the metaphor, but what is the point of intentionally picking this setting if you're just going to discard it?

there's a subplot about the talking animals wanting rights. this could actually be super interesting to explore, because the status of animals in the land of Oz is never made super clear? it's stated that they can all talk, and yet we see farmers and people eat animal products. there are animal characters who are treated equal to humans, and animal characters that are very explicitly pets. yet wicked does not engage with this in any interesting way (at least in the musical -- in the book i just remember an animal sex club?!); it's just a very generic "we want rights!!!" thing happening without the actual method and system of discrimination being made clear

glinda's function in the books is to be a wise adult figure. she rides around in a flying chariot pulled by swans and hires only beautiful women to work for her and gives them swords. in wicked, she's a shallow prep character. i get it's supposed to be an ~origin story~ or whatever but my feeling was that there's no foundation for her future character being laid. unless you're only going with "pink, appears in a bubble" as your basis for character

the book and the musical are both set against highly political backdrops, but most of the politics are made up wholecloth because canonical oz is.... chaos. the land of oz is more like a bunch fo loosely tied city-states, many of which are so isolated they probably don't know they have a ruler. again, "the politics of oz" is something i think would be interesting to explore in a fanfic, but wicked seems to just want to have some politics around and slapped a vaguely oz aesthetic on it, making it feel shallow and preventing any sort of conversation with the source material

like i'm not saying that all fanfic NEEDS to be in conversation with the source material; i'm just saying, why write a fanfic if you literally only want the aesthetics of the movie? to help sell copies? sure. and i don't even think that automatically makes a piece of work bad (no hate, wicked fans), it's just makes it frustrating and unpleasant to consume if you're a fan of the source material

[dichotomy-of-your-girlfriend]

I can't tell what here is snarky/sarcastic and what is an actual point so sorry if I accidentally misinterpret.

1. The person I was taking shots at for kinning him was a whole ass 25 y/o. I think we should be able to understand why that's wrong and off putting. A kid might not understand the weight and importance of not separating rape from his character, and say it because he's grumpy, and deadpan, and struggles with responsibility, poor self esteem, tends to pedestal, feels like they have to do everything (crazy he did 5 things over several months tho hmm.)

2. Jimmy is not a reminder of my own capability for evil. He's a reminder of the time I got SAd awesome!! People aren't scared he's a reflection of themselves. Actually, people just tend to hate rapists. Just because there isn't nuance doesn't mean there's not depth to his character. I have picked him apart and listened to other people pick him apart and there are things I also relate too In there! He is amazingly written, and the gameplay makes you uncover all of this over time and you start to shift your opinion and idea of what's happening and it's great and super cool and really well done which is why I hate him. Bc he sucks. And the did an awesome job writing a guy who sucks.

Complexity ≠ redeemability

3. "And this fear gives birth to the vehement denial of anything human in jimmy. Because If you gave him some thought, you may discover something deeply unpleasant about yourself."

Whar that we're all secret rapists?? Or something?? People don't hate him bc they look at him in a 2 dimensional way. The point is you can look at him as deep as you fucking want and he's still awful. He is human and complex and also he sucks really bad and I hate him. Again I could give you the list of things I relate to, and honestly he might be the character that resonated most with me. But my bar for likability is rape but you do you. I am so past the point in my life where I'm anything other than angry and unmoving about this as a victim. You can pull the fictional character card which has weight for sure. I think it's the REASON we get to pick him apart and talk about him as an individual because there's no real Anya. She'd take priority in that case and we wouldn't do anythjng but try to send jimmy to prison. But we don't have too because real people aren't in danger of fictional grease man jimmy. but real people feel this story really close to their heart and it's dangerous to get comfortable In the rhetoric that it's simple minded and unfair to hate him without fully examining him. Especially in fandom spaces that could influence how young people form their perception of sexual assault and criminals and if they're victims that could really fuck em up honestly. And it's not fair to police victims out of the fandom either because thjs is ultimately a story that we resonate with. And it's comforting. And it's an outlet to use jimmy as a punching bag too it's nice to see unapologetic bullying of this not real guy as somebody who never got justice.

I unapologetically hate him. And I do am off put when people like him. But not ljme we should never talk abt him or male funny videos with him or fanart where hes in it hate him like. Im not that dumb.

But it's weird to me that you had to make this entire thing about how you don't hate jimmy because you can read into all the details and fully understand his character and we're all just too simple and dumb do have done that bc WE fEAr oUr HUmaNjTy and the morally grey nature of life blah blah.

Maybe the rest of us also enjoy character analysis and looking into every nook and cranny of his being... and maybe for the rest of us the bar is rape. You're not intrinsically evil for liking him no. But I will probably go ew what and feel really nasty about it.

Appreciating his character ≠ liking him. I was talking aboht people who made jimmy their little blorbo or whatever. If tbst wasn't clear sorry bc that was the intent so I just basically read your thing as in defense of jimmy simps. Pls don't blorbo the rapist lol.

I've seen some "I low key like Jimmy like I hate what he did but I like his character" posts already and.

If that's you, this game is a commentary on people like you, and you don't even realise it. It's about how he and his actions can't be separated. If you really think he's well written or whatever the hell, appreciate the amazing job the devs did by hating him.

[bonni]

at this point if you continue to deny that csm is about capitalism I think you might just be stupid

[lucradiss]

Existing in more than one fandom space is like having more than one group of friends but both of them being so wildly different that any overlap at all would be like getting shot in the head

[scoliosisgoblin]

Which version of Rick is your fav?

it's so hard for me to choose tbh. HOWEVER, I'd say Evil Rick

then I'd say it's C-137 and Memory Rick

I love how pathetic™ Evil Rick really is tbh. love that he's being controlled by his Morty. can you guess who my favorite Morty is?

[princsstwilightsparkl]

saying "if aroace people can date, then can lesbians date men?" is absolutely aphobic narrative btw!

[taichissu]

honestly cant understand people who see a/3 charas as their y1 ages

[godsfavoritescientist]

Biting the bars of my enclosure about autistic ford tonight. There's something about him using vocabulary and turns of phrase that seem "outdated" or "pretentious" that feels so painfully genuine to me. When people say he talks like that just to "try to sound smart" I wish I could explain what it's like to be so ostracized from your peers growing up that you spend all your time reading instead, to the point where you pick up your way of speaking from books instead of from people. And then what it's like for people to call you out for "talking weird" over and over again, not able to wrap their heads around why the fuck you would choose more archaic or technical or formal words than the simpler ones that surely come to everyone's minds first. What it's like to have to dedicate a sizable chunk of attention to filtering through every single word you say out loud in real time before you say it, to make absolutely sure that it isn't a word people will judge you for using or make fun of you for using, just so you'll have a chance of being taken seriously. Learning through trial and error how to filter out the words that other people don't think are normal or casual enough for the conversation, even though for you, the word choice that's "natural-sounding" enough for them is the third or fourth word you came up with when searching for the right way to phrase something in your head. I wish I could explain just how long it takes to say fucking anything after spending a lifetime doing that during every single conversation, and how repetitive and long-winded you end up being when you spend so long coming up with alternative ways of saying every little thing you ever think. And I wish people realized that, at the very least for autistic people and autistic-coded characters, speech that's seen as pretentious is really just the way they talk when they're not putting in the extra effort to filter through every word they say just so others will take the time to listen.

[lisatelramor]

(Not So) Temporary

“It’s funny,” Chikage said, “how people think you have class.” She ran her fingers through Toichi’s hair as she laid beside him.

Toichi laughed against her chest. “You did,” he said, looking at her through his eyelashes.

“For all of five minutes until we had an actual conversation,” Chikage said. She tugged his hair lightly. Toichi grinned at her, smug as ever. “Your class is as much an illusion as any of your tricks.”

“Harsh. How ever shall my heart recover from such a scathing review.” He pretended to swoon even though he was already lying down.

Sometimes Chikage wondered why she humored him. He was ridiculous. She tugged his hair again, a bit harsher, and he snuggled into it like a friendly dog.

“You like my classlessness.”

“Hm.” For a while there, she’d thought they hadn’t had anything in common, just a vapid surface attraction. A bit of whirlwind romance, a little unwise horizontal tangoing, and then she fully expected him to be out of her system. Unfortunately, he’d charmed her against her better judgment.

“If I asked you to marry me, milady?” Toichi asked, catching her hand just to kiss the back of it. Like he’d done the week before. And the week before that.

He was as persistent as he was dramatic. Chikage should tell him no. Instead, she tugged her hand free. “I’d tell you to ask again another time. Maybe then your luck would be better.”

“Ah, but I will have to charm Lady Luck herself at this rate,” Toichi teased. He gave a kiss to the closest bit of skin, which happened to be her breast.

Chikage unceremoniously shoved him off. Afterglow was over, back to business. “I wish you all the good fortune in trying,” she said as she looked for her underwear.

Toichi watched her shamelessly, a half-smile on his lips. “Shall we head to Prague next? There’s a nice theater there I can perform at.”

“And Prague has nothing to do with a recently bought moonstone pendant,” Chikage said.

“Well, I imagined it might catch your interest.”

“Our interest.” He seemed intent on becoming a thief as well. Sometimes she wondered if he was romancing her just to steal all her skills. Still, if that was the case, he didn’t need to ask for marriage every other week. Sometimes she truly didn’t understand him. “Prague sounds nice.”

Toichi grinned, open and joyful. It made him much more attractive than the suave mystery he kept going for. Honestly, if she were to ever say that, she bet he’d be too embarrassed to show his real emotions to her face again.

Chikage really should cut him off and go back to her life alone.

If only he wasn’t so good in bed.

A warm arm caught her round the middle as she tried to get her bra back on. “If we’re headed in the same direction, we could just share a room…”

“Not today, Romeo. Put your pants on.” His underwear were shoved into his face unrepentantly. Chikage enjoyed his sputtering.

She wasn’t going to say yes to his proposals. Not anytime soon anyway. He was persistent and annoying and flattering and terrible all at the same time. It would be stupid to go for him, especially when he didn’t have much to give in return. He was a magician, famous, yes, but not old money. Not something stable and safe and sane to choose if she ever gave up her life as a thief.

“One more kiss for the road?” Toichi asked, already taking a kiss at the knob of her spine between her shoulder blades.

Chikage elbowed him for the presumptuousness. “I have packing to do,” she said. “And so do you if you’re serious about Prague.” She turned around and flicked him between the eyebrows. He pouted like a child. He probably could have wrapped adults around his fingers as a child. Pick pockets while no one would even suspect the wide-eyed, beautiful child right in front of them. Chikage would know; she used that sort of thing to her advantage before. “Goodnight, Toichi.”

“Goodnight, My Lady,” he said, letting go.

At least he respected when she was serious. She’d have cut him out already by now if he didn’t, good in bed or not. If he was using her to learn her skills, she supposed she could use him right back. A magician’s skillset would go well with what she already had in her arsenal. Chikage knew better than to fall for someone who piled mask upon mask to make themselves bigger and brighter and nicer than they really were, just like she did. She’d just let this play a bit further. Until it stopped being fun. That was surely fine, right?

(She gets pregnant two months later. Chikage had a choice then. She made it. And Phantom Lady had a quiet retirement)

[electromains]

I simply think that white straight male incels shouldn't be playing genshin/hsr anymore and should just die afterwards

[my-past-disgusts-me]

Stayed up way too late drawing a followup comic for what I posted on my art account. I looove these fucking idiots

[inloveanddepth]

love these guys