#(so he is truly and surely alone)

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[turtleblogatlast]

The fact that Leo can go literally anywhere on earth to be alone with his thoughts at a single moment’s notice is something that shakes around in my head all the time. Like, portals and teleportation are amazing and convenient abilities both in and out of battle, but they could also so easily be used to run away as well.

I don’t think Leo ever would, at least not most of the time. He loves his family too much, and is too dependent on their love and attention to cut himself off so suddenly like that, but it’s a very real possibility nonetheless.

It’s a good thing Leo’s overall temper is more on the mild side and he prefers going to his room or something to complete solitude, because it really is dangerous for a kid to have the ability to isolate themselves like that at their fingertips.

[twentyfivemiceinatrenchcoat]

sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream

[sarasade]

Part of me almost hopes that Viren's story arc will end in a disproportionately cruel way, you know.

I'm just so tired of seeing a character doing one good thing before they die or trying to change before they die and instead of the audience taking that as purposeful ambiguity the discussion will center around if the character was "Redeemed".

But imagine if he was punished so harshly that even the Viren haters would feel bad for him. Now that would be interesting! I've seen some dark speculation around season 5 so I'm looking forward to seeing how the show will contextualise his arc.

I don't understand why "Redemption" is such a popular talking point when centering villains (ok I actually do. I'm looking at you, Zuko).

"Sin and Atonement" and "Redemption" are deeply Christian themes. I don't think those should be a universal frame of reference to all stories.

Yes, yes, this is more of a fandom problem, not a show problem. But if people want to see a bad character harshly punished for their crimes maybe they should get that for once. I don't really mind because I think Viren, while unlikeable, is a sympathetic character already. Of course I feel for a character even if they are "irredeemable". That's what stories are for.

I don't mean it's a completely useless way to look at art but it's just- I don't know- I'm bored? Especially YouTube commentators talk about redemption constantly instead of engaging with the themes that actually are there.

Sometimes villains can't even really make up for everything they have done, just like some people in real life. Viren has committed so many crimes- like how do you even fix that? However it'd still be interesting if he tried to change. That's what I'm here for. Like Viren and Claudia are not just an antagonistic counterforce to our heros but they have a lot of going on as unique characters.

Viren has his saviour complex and values domination over cooperation. Claudia is interesting because she's both the victim and the perpetrator. It's interesting how self-sufficient she is while being deeply emotionally codependent on Viren. She has a ton of agency as a physically (magically?) strong person but not a ton of agency as an independent, emotionally strong individual. Viren and Claudia love each other but it's isolating kind of love where they don't really have anyone else but each other (Terry is really trying to get in there. Like sorry Terry you don't know how fucked up these two are lmao).

No wonder it was so easy to Aaravos take Viren's place as an authority figure in Claudia's life after Viren died. Or at least that's what I took away from Lost Child short and TDP season 4 in general.

I still think about the first information we got outside Viren and Claudia's POV about Aaravos's mirror: Runaan's warning about "A Fate Worse Than Death".

This framing device sounds really important. I've been wondering how it'll play out eventually. Is it something about Viren losing his old life he worked so hard to build, or will he lose Claudia in some metaphorical or literal way? Is it something even more personal?

Personally, I'd love to see Viren live and change as a person. There are plenty of high-fantasy male characters like him who go through that kind of transformation: Guts from Berserk, Geralt of Rivia, Jaime from GoT, Ged the Wizard... You know, characters who realise that the things they value are unsustainable or even harmful to themselves and to people around them and even to the world as a whole. Or they realise that superficial things like status and power are unfulfilling and only serve status quo. There are some parallels to toxic masculinity/ hegemonic masculinity, too.

However, I think it'd be interesting if Viren's story will be a deeply tragic one. Anyway I'm here for this.

[gayvecchio]

Ray Vecchio in due South: The Pilot ->"I'm looking for a Detective Armani"

[pwurrz]

yakumo/quincy + edmond aka “i don’t really trust the knights but i definitely trust you.”

[thefandomcassandra]

a zero escape ficlet

Your name is Aoi Kurashiki. Ten years ago, your sister died. You tried to fix that one year ago but something went wrong. You lost and she's still dead. On a whim—a snail stops in your path—you visit this science symposium in America—you never went back to Japan because it hurt too much to go home without her—and see this brick shithouse man—or he would be if he didn't look like he hadn't been eating or sleeping, his face drawn and scarecrow thin, his clothes hanging off of him, his eyes as dead as yours—standing next to your sister.

He calls them GAULEMS. He says he based her—not your sister, Echo, model GTF-AM-E-305—off of someone he knew. You ask him how, when, at what point. He looks like you struck him. He says "She and I cohabited together" which is a lie. He says "I didn't know she was dead until I woke up here" which makes no sense. He says "Forty-five years from now, in a timeline that will not happen, she and I will have hosted a game on the moon" which hurts to hear. He says "Do you know who Zero is?" and you do.

Its not fair. "No," he says, "it's not". She was supposed to live. "And the world was supposed to end. or," he adds, "I was supposed to help stop it from ending." Why are you alive when she isn't? "I don't know," and something in his voice makes you believe he's just like you. "Her name is Phi," he says, "and she didn't make the jump with me. or maybe I made the wrong jump." Wrong turn at Albuquerque. "That would be my luck." His laugh feels empty.

Echo hurts to be around and he knows this so she isn't nearby when you talk with him (you talk a lot). You tell him about the Nonary Game and Hongou and Light and Clover. You tell him about Junpei ("Tenmyouji?" and you're more sad than surprised he's been—will be?—in more than one. Nobody deserves that, not even you) and Hazuki and Seven and losing. You tell him about fire and nine years of your life. He tells you about forty-five and the moon and a pandemic.

You grieve together for other timelines.

[shadystranger]

coming out to say I think the ending was evil as balls and horrible to sam why'd you force him to live intrinsically broken inside and hollow living for the longest soul-decaying while without the person he loves most waking up every day and going goddammit not again while becoming a shell of a human it's almost sadistic why'd you do this to him

[twpsyn-who]

Today on "Another JeanMarco Soulmate AU absolutely no one asked for" I present to you -

Soulmate AU in which you stop seeing colors when your soulmate dies, the only exception being your soulmate. Now cue to Jean who just found Marco's, his best friend's, body. And you know, there's the shock of finding out Marco's dead. The pain and confusion and guilt. But there's also the revelation, because despite everything he can still see Marco like nothing took place at all- yes, half of his face is missing and his body is straight up lifeless, but Jean can still make out the color of his eye ; see that light shade of brown perfectly, remember all the times he has found himself looking at them while listening to Marco talk. He can still make out the colors of his uniform, see the same shade of black his hair has always had, practically see. Despite being dead, Marco was the only piece of color left in his life.

And there's denial for a moment because there's no way Marco was his soulmate. But that goes away fast, getting replaced by guilt. By the fact that he hasn't been there to save him, that Marco has to die all alone without anyone being there for him.

And that was worse than the simple fact that he could no longer see colors ; because Marco was there when Jean needed him, but he failed to do the same. And not only he lost his best friend that day, but his other half too.

[la-galaxie-langblr]

what is going on w my brain

[lavelans]

yes i’m a solavellan through and through but i’m also absolutely obsessed with the solas/rook dynamic in a worst ending/everyone dies scenario actually.

interesting that his best case scenario (in the case of a romanced inquisitor) involves walking off into the fade prison with lavellan, and the worst case scenario involves both him and rook being violently pulled into the fade prison together. idk what it means but it’s soo interesting. to me

[todayisafridaynight]

aren’t we getting kiwami 3 eventually? why are some people so upset? /gen

TECHNICALLY rgg just said they'd LIKE to make a YK3, they never said it's a definite plan or it'd happen anytime soon: it depends on if mine's voice actor can come back to reprise his role

as for why some people are upset ermmmmm good question!

[alexturner2005]

just worked my last shift 🥳 it’s very weird to be closing a six year chapter of my life

[franeridan]

i love the way luffy is so consistent and insistent in making fun of zoro for having no sense of direction that it slowly brainwashed everyone into forgetting he's just as bad himself

[cheswirls]

magi rambling

idk it jus hit me out of nowhere how much i love magi fic and how sinja is portrayed in such. imo THEEEE best magi fic of all time is works cowritten by galiko and daphnerunning, those two were genuinely on galaxy brain mega dimension level thinking full time, but like less abt magi meta as a whole and more on how the characters are so true to themselves and their flaws

it's been so long that in not gonna be able to remember who all did it but i def remember all of galiko's sinja fic that also portrayed sinbad/judal to some extent, that it was made very clear in the text how differently and on different footing both relationships stood. judal especially in their hands was written so well in a way that changed how i viewed the character in canon to some extent and in every other piece of fictional media. like how can you write someone so pathetic and deceptive and a bastard and it's all perfectly in character

I've never been into sin/ju and i don't think i ever read anything w them in fic seriously or w/o skimming but i did sit thru enough to know how the galiko/daphne pair brought them forth and made it very wanton-ly obvious that sin is always just manipulating judal and leading him on to get what he wants at the end of it all, but in contrast, it's clear that he so deeply loves ja'far in ways mere words cannot express

to see the relationship dynamics compared and contrasted in fic was always such a treat because sin treats almost everyone like they're a stepping stone used to further his own objectives, but then he treats his advisor like a genuine person. shows real care and concern, becomes inconsolable when ja'far is hurt, refuses to quell his rage for any reason when someone has wronged ja'far. his advisor truly is his precious person that he can strip down out of his title as king and just be sinbad around.

and this is even further glorified when ja'f knows but insists he doesn't!!! playa it off bc sin is king and this is uncouth!!! only to have such moments of weakness when anything goes terribly wrong and he's suddenly on the brink of death, terrified of leaving sin behind all alone, letting himself have just as long as it takes to recover the bare minimum amount to bask in sin's unending devotion. they truly do treat each other differently in canon and otherwise and it's so gratifying to see and realize each time as someone who loves sinja so dearly

[rearranging-deck-chairs]

once again thinking about a version of the story where 13 lands in sheffield three years earlier when ryan and yaz are still sixteen and a whole lot angrier

13 turning out a bit more immature bc she spends her first twenty-four hours after regenerating with these reactive and kinda fucked up kids. ryan dealing with grace and graham recently getting married or getting ready to get married. probably feeling abandoned by his grandmother after his mother and father. feeling alone with his grief. maybe kinda just has tibo to confide in. yaz meanwhile is in hell getting bullied and either recently got driven home from a running away attempt and is now dealing with the familial aftermath of that, or is planning the running away. maybe kiiiiiiinda just has sonya to confide in but probably not really. probably doesnt confide in anyone

13, still malleable and fluid, running into these messed up teenagers who reflect all her own lonely angry betrayed abandoned feelings back to her, shaping herself in response to them. they dont trust her at all to start with, but i think she'd win yaz over in a similar way she does in canon, presenting herself as an authority who listens and understands. perhaps slightly more the understanding than authority part at this point in yaz's life. maybe she lands in front of yaz actually in the hills before anita can get there. yaz is like "where the fuck did you come from" and shes like "um the troposphere i think" and yaz is like "how are you not dead" and shes like "oh i was! but then i decided maybe i shouldnt be. so. now im here :) with you!" and that kinda strikes a chord with yaz. and then the doctor's like "do you happen to have a sandwich in that backpack im starving"

then aliens happen and once they run into ryan, yaz is already won over and she and ryan recognise each other and she convinces him that, like, no shes not nuts, theres definitely aliens shes seen them

11x1 would go entirely differently obviously. maybe grace wouldnt die and graham wouldnt travel. ryan maybe decides to travel a little bit out of spite and home doesnt really feel like home, and yaz isnt having fun at home or at school either and she was running away anyway so this is not a hard decision

the emotional instability and bad decision counter of a team tardis thats just 16-year-old yaz and ryan and 13 is kind of amazing to imagine. it'd be so volatile but they'd love each other so much i think they'd be the best friends bc instead of starting off closing herself off from grief, 13 would start off having her justified and irrational anger sort of validated and coaxed out i think by yaz's and ryan's. in the tardis between the three of them there would be a place to express "nobody cares about me" whether thats true isnt the point, i think theyre all feeling it a little bit. "everyone just moved on like mum didnt matter/'tell an adult' like what are they gonna do?/okay it wasnt all their faults but all my friends are dead" you know? i think they'd be heard with each other and i think there'd be space for the injustice of it all and especially as the doctor is like a children's advocate most of all, she would take ryan and yaz seriously in a way i think they wouldnt have been by any other adult in their lives at that point. and in return they, just by being there as they are, would make room for the hurt child that 13 is and will turn out to be

and i dont have details for this but i think it would be really nice if the way 13 listens and takes seriously yaz and ryan in the first season (not like consciously or deliberately or anything, shes not trying to Do anything, this is just who the doctor is) would be mirrored in the second and/or the third when they have calmed down a bit, dealt with some of their issues at home, talked to some family members, become a little less depressed and angry etc, and they return the way she treated them when she finds out abt the timeless child and tecteun. she took their anger seriously and she took them seriously when they said "this isnt fair" and in return they can take her anger seriously, probably are angry on her behalf, and they can stop her from overcorrecting from like being 10 by pointing out to her that this isnt fair and shes allowed to be angry abt it

and when yaz inevitably gets a crush i think it shows up as a kind of out of character/seemingly regressive prickliness and snappiness toward the doctor getting more intense over the course of s12 that ryan and the doctor first are puzzled by bc like sure in the first half of s11 maybe they were all a bit snappish with each other but theyve been friends for like a year now whats this about all of a sudden? and yaz is like Nothing!!!! it's nothing!!! piss of!!! bc shes having feelings she doesnt know what to do with or how to interpret so theyre just manifesting as Angery. that same need to prove herself + probably worry abt the doctor as in canon except a lot more combative and a lot less inhibited. shes probably picking fights abt everything the doctor tells her to do. trying to provoke the doctor into actually getting mad and yelling at her or, god forbid, grabbing her, shoving her, using her hands bc yaz wont listen to words. sometimes youre 17 and horny and you dont understand you want one of your two friends in the world to kiss you bc it hasnt occurred to you that girls kissing girls is a thing that can happen. ryan figures it out first

in this version ryan probably stays until the end too - or the same as in revolution happens and yaz feels betrayed that he'd give up on the doctor so easily and feels alone in the entire world again - graham and dan wouldnt come into the picture. ryan's and yaz's family would come into the picture a little more actively. theres a lot of plot to figure out that i cant and it would be a very different era in many ways but i think it would be nice