s3 episode 4 thoughts
here we are!!! i actually turned off auto caps on my phone for this; that’s how serious this blog is getting. don't worry, i'll probably remember to turn it back on before i send an important email.
i haven’t seen an ep in a few days and i feel like it has been 80 years. the last episode wasn’t the greatest, so our time apart feels even longer.
this episode is about a guy named clyde. clyde bruckman is a hell of a name. i’m expecting a real cowboy. a guy who knows his way around a horse. he probably spits chew in a certain fashion. we shall see if i’m correct.
(editor's note: op found that clyde was not a cowboy, but something just as special... a friend <3)
we open with a man reading a magazine article on predictions, written by a celebrity psychic. we later learn that this fellow doing the reading is, in fact, clyde bruckman. and elvis being dead but buddy holly being alive has got to be one of the greatest theories i’ve ever heard. i WILL incorporate this into my belief system.
allegedly, buddy holly is going to open at a big music festival. and this is how i learn that lollapalooza was a thing even before chappell roan visited... but we all know that when she steps on that stage in a few short weeks it will blow anything secretly alive buddy holly could have cooked up in his wildest dreams. "the night the music died" <- crazy thing to say about a time before miss roan was even born. anyway...
bruckman ran into someone in the street. feels like a chekov’s gun moment but who knows.
hint: it was!
now the clumsy man is at the psychic. and he says he saw his own future and he seem himself doing things that are “out of character”. now that's suspicious~
OH??? clumsy man just killed the fortune teller and says she should have seen this coming. HUH???? clumsy murder man needs to be punished …our psychics deserve federal protection.
we are at the scene of a murder. a different murder, because this one did NOT take place in the psychic's room. “they say the eyes capture the last thing a murder victim sees” “so what do they say about the entrails?” “yuck” LMAO i giggled a little….
they’re talking about some guy in vague terms, that he’s “unorthodox” and “a kook”, and then mulder walks in and it looks like they’re talking about him but the investigator says “who the hell are you” HAHAHA that got me as well
so the murderer left behind the eyeballs and scully says that they made a profile for the killer and i’m thinking yaaaaay they worked together <3 i love that spooky mulder, the well-established profiling expert, is willing to collaborate. but with her only.
and also the house is filled with porcelain dolls
mulder knowing the professional name for the people who read tea leaves… unfortunately i love him so bad.
THEN the real star of the show rolls up. it’s the psychic from the cover of the magazine we saw clyde reading earlier. CROWDED w paparazzi. he's got a vague european accent going on here. hold up is that jon favreau in the background. i received no clarification on if that was him or not.
psychic is describing a guy who could be literally anyone “white man with facial hair… or not” “tattoo somewhere on his body” wow king of specifics. it's like he's in the room with us. /s
the agents are watching him do this and share a glance and i want it on a poster it’s sooo cute <3
celebrity psychic says he lost the vision from negative energy and then gets right up in the agent’s faces. they handle it pretty well, all things considered. because i would be telling him to back tf up.
he asks mulder to LEAVE!!!! he has been diagnosed with negative energy. she leans in and says “i can’t take you anywhere” LMAOOOO so he stands outside and then the psychic says that skeptics like mulder make him sick. yeah i laughed!!! so what!
description of our guy: “white male, 17-34, with or without a beard, maybe a tattoo, who is impotent” <- wow.
back to the clyde cam. he's selling insurance. telling some guy that he is going to die in a car crash. well this is an effective life insurance sales policy. or not, because he doesn’t close the deal!! sure would have worked on me.
back home, he takes out some moldy cabbage that looks like a guy’s head into the trash. takes out his neighbor’s trash as well, and sees a vision of the dog eating her remains. (sabrina brier voice) oh!!!
(wait i just realized i reference that video all the time and have never cited my sources. if you are unfamiliar with the legendary "oh!" moment please click here)
back to the plot at hand.
clyde asks if his neighbor has enough dog food. thoughtful man. BUT he sees a body in the trash!
this episode is making me giggle <- don't remember what prompted that note but it was true.
clyde, who reported the murder, says that he knew the eyes were cut out, but she was found face down... so. how do you know that. site your sources. “well it just figures”, he says, and it absolutely, and i cannot emphasize this enough, does not
they bring him to… a murder scene. dun dun dun!
he thinks they're pranking him and asks to see their identification again (sees mulder’s badge) “i’m supposed to believe that’s a real name?” yeah get him again for me.
he sees blood at the crime scene and throws up which... yeah. that’s pretty messed up. he emerges from throwing up and starts saying and doing the same things as the earlier psychic. but then he starts getting... a bit more specific. allegedly, the woman was having sex with the killer before she met her end.
“well then, what’s wrong?” “sometimes, it just seems that everyone’s having sex except for me” LMAOOOOOOOOO clyde you are too real
scully looks soooo confused and i love it
all of a sudden, he sees one of the many dolls as a bloated corpse head, and announces where they’ll find the body then… hands the doll to mulder. which is not the first time we have seen him holding a doll. it is an interesting visual. what are they trying to tell us??
scully isn’t buying it. why does clyde know all this stuff? “i don’t believe he’s the killer”, says mulder, and she responds with, “i don’t believe he’s psychic” yeah that’s the dynamic i love. and she is sooooo pretty.
mulder goes to the dude’s house and he knows exactly what is going on. but then clyde seems shocked it's him so we are getting mixed messages here.
he asks mulder if he wants to know how he’s going to die, and mulder says yes after stuttering a little and i’m like WOAH where is this going… but clyde responds with “no you don’t”, which, okay yeah, i don’t think i could handle that either
(he goes on to try and sell mulder insurance)
clyde says the future is inevitable. or if he does get involved… what if there is the whole butterfly effect thing? and then he immediately agrees to going along with the investigation. king of not having an answer. the indecisive representation we deserve.
mulder you’re so pretttttyy... look at him watching clyde touch some brass frogs and base conclusions off of them.
scully arrived at the door as mulder has his head FLAT ON THE TABLE lmaoooo
so, it appears that clyde can ONLY tell how people are going to die. nothing else. now is that useful to this investigation? it's arguable. maybe they can find an angle.
clyde says that the scrap of fabric he’s holding comes from mulder’s new york knick’s t shirt (which was a thing that happened in 1x13 when he was testing that other psychic!!!! ohhhh i remember! do not think i forgot!! and i was confused as to why he would have a knick’s shirt if he was from new england... perhaps he knows no loyalty to geography when it comes to sport)
but mulder denies that it is his shirt anyway, so.
they found keychains on the bodies, and clyde is going on about all the personal information of whoever owned said keychains. it turns out he just sold the guy an insurance policy a few months ago lmaooo... but he knows he was murdered! the death power strikes again.
scully is driving. clyde is in the passenger seat. mulder is sticking his head in between them, asking how he receives his psychic transmissions. it's funny. he wants to know how being a psychic works! so is it like, visions, or dreams or something?
he then implies that mulder will die by autoerotic asphyxiation <- HELLO????? he looks at scully after receiving this news. as if she can possibly defend him against such an accusation.
they’re in the forest looking for a body and clyde explains he knew “the big bopper” was going to die.
scully says she doesn’t believe in that stuff, and even if she did, she wouldn’t believe that story. damn, just really going for his throat, huh. he seems to believe her indignation is over the fact that he liked the big bopper better than buddy holly and he defends himself.
they try to get the car out and mulder’s suit gets all dirty (this is sad to me, a mulder suit enjoyer) but gasp!!! the car is RIGHT OVER THE BODY. that has to be bad for finding evidence. so he did know exactly where it was!!!!
they have a thread from the scene, and have presented it to clyde. “but don’t you have crime labs that analyze these things for you?” he asks scully “yes. yes we do” (pointed glare at mulder) LMAOOOO but he says it takes time!!! and they still haven't analyzed the other thread. so please please please just give your powers a go.
he doesn’t want to help out, but mulder says he wants some insurance. on the fiber, not actual life insurance :( clyde was so excited to tell him the benefits of general mutual!!!
clyde is describing mulder being stalked by the killer sometime in the future, and all of a sudden scully’s up and asking him for more details like she believes it. awww. it’s sweet in a way. does she believe in psychics? no. is she still gonna take detailed notes when one says mulder is in any slight danger? yeah. and don't worry about that seeming to contradict her belief system. she is complicated beyond simple characterizations of skeptic or believer.
he seems to think that the killer will slit mulder’s throat at the investigation, but he doesn’t want to tell him. he DOES tell him that he will step on a pie before whatever happens to him, happens to him.
thank you to the subtitles for clarifying that clyde was imitating johnny carson because they reference would have been lost on me. i know, i’m uncultured, i’m sorry. i’ll google it though. okay, as i thought, he was a late night host. see? we get an exchange of knowledge on this blog, i learn about johnny carson's way of pronouncing the word "killer" and you can use sabrina brier's "oh" in conversation now.
it seems the killer sent clyde a letter saying he’ll kill him. and he’ll be dead before they can get him help :( noooo i like mr bruckman!!! :(
back to the killer. he’s getting a tarot reading and says he’s looking for a guy he’s gonna kill. the man doing the tarot reading smiles nervously, because what do you say in such a situation.
they seem to have bought clyde a pie after his earlier ramblings on the subject, and he kindly asks scully if she wants some, but she denies because she must study background checks instead of relying upon visions. he asks if she is jealous. a good banter between them.
back at the tarot place, the reader mentions a woman. MAYBE A REDHEAD...? stay away from her…
clyde is going on about seeing himself in bed with scully. HELLO??? “it’s just a very special moment neither of us will ever forget” huh. laughs nervously. what the fuck. is she gonna find him dead or do we need to call HR.
(cries editing this, now that i know how the episode ends)
it seems the tarot card guy is about to get murdered. but back at the hotel room with clyde and scully, they’re playing cards and she’s talking about moby dick and macbeth misinterpreting prophecies...
but despite the denial, SHE ASKS HIM HOW SHE DIES??? he says “you don’t” and that is exactly what i like to hear <3
she seemed really serious about it too, like she didn’t want to admit that she was curious, initially deflecting. oh best believe i WILL psychoanalyze that.
LMAOOO okay so this is the episode where mulder says the “chantilly lace” line and she makes that face. he's referring to another thread found at a murder scene, but i saw it in a gif and i have been thinking about it since then.
she slaps his chest with the file and says good luck as he goes to babysit the old man psychic. it was very affectionate. do it again.
mulder is in bed. it’s sleepover time with the old man. “you’re not one of those people that turns everything into a sexual symbol, are you?”, clyde asks, seemingly self-conscious about revealing his recurring dream. mulder says no, but i’m unconvinced.
anyway, he talks about seeing himself dead, and how his body fades away. we see a cgi decomposing body and it’s quite gnarly. maybe it's clay? and all his skin faded away and he becomes bones. kinda gross tbh. but he says he feels at peace.
there’s been another murder, so another guy is gonna babysit our clyde, and i’m thinking noooo don’t trust this other guy!!
scully says she feels bad, that clyde has convinced himself he is a psychic and it’s taken all the joy out of his life :(
okay, the guy babysitting him seems to be telling him jokes. clyde says he won’t die of lung cancer so he lights up. and i'm thinking, buddy, he did not rule out emphysema.
hang on. that is a lighter we have seen before. in the hands of old lady who shall be eaten by dogs. now is this a mass produced object or are we about to witness the end of clyde!!!!
“don’t open that door for anybody”, says the babysitter, and clyde then immediately proceeds to do so. and who is it knocking but the psychic killer delivering their room service!!!
killer is asking clyde why he does these things and it’s “because you’re a homicidal maniac” well that would explain it! and then he stabs the babysitter. but clyde has delayed his fate by telling the murder he doesn’t kill him now. seems he believes him. clever thinking.
scully realizes that the killer is the bellhop at the hotel after seeing some more lace. which mulder describes as “woman’s intuition” yea <3
back at the hotel. mulder is in the kitchen. he sees the killer with the knife. it is all going down as clyde described it. now if there really is a pie do NOT BE DISTRACTED. OH there is a pie. and he knows he has to turn around, so he turns THE OTHER WAY. noooo!!!!!
they get in a struggle!!! mulder’s bleeding, and scully gets off the elevator just in time. she shoots the murderer. no hesitation on taking a life, she will kill a motherfucker for mulder. i love that about her.
and scully only got there because she took the wrong elevator!!! more pondering on the meaning of fate!!!!!
i love when one of these bitches is on the floor in pain and the other comes over and comforts them. i think i need that in my life just once. it would heal me.
but the question is: where is bruckman?
they go to find him and they only find a dog tied to the door?? and a letter to scully. it’s the dog from before, the neighbor's pet. the letter from clyde says to take care of his neighbor's remains. and he asks if she wants a dog, and that you can’t blame him for the dog’s actions. so they go into the room.
BUT IT IS BRUCKMAN THAT IS DEAD IN THERE. it looks he took pills and suffocated himself. scully looks so so so so so sad.
AND OMG!!! SHE IS HOLDING HIS HAND WHILE HE IS IN BED AND CRYING. JUST LIKE HE SAID WOULD HAPPEN. WAIT THIS IS SO SAD.
so that must be why he say a head in a bag at the start of the episode, it was his own death... and the killer was right, he did get to clyde before he was caught, he just didn't attack him. huh. funny how prophecies play out.
cutscene to her on the couch WITH THE DOG IN HER LAP. and an ad from the earlier eastern european psychic is on the tv. she throws the phone at him.
A DOG!!! a dog. okay, a lot to think about, but first and foremost we have scully with a dog <3 and it sits in her lap while she watches TV. and it MAY have tasted human flesh, which i feel is a hard thing to get past, but clearly she has done it. she has done the emotional labor of knowing that fuzzball knows what human meat feels like. and she has faith that this dog will not do the same to her. that is an awful lot of trust for a new dog. but we do know she loves animals. so perhaps she trusts the puppy.
i always pictured her with a big ol mutt from the pound. but a little dog can be just as good of a friend. and it WAS a rescue. that is important!
okay. back to the episode at hand, dog aside. even though it is a BIG deal to me and i'm honestly being so brave by not going on a monologue about what scully having a dog means to me. this episode was definitely comedic, and like the earlier comedic episode, i liked it a lot! but the ending made me so sad :( it was a pretty abrupt tone shift.
still. the episode was SO good. i kept pausing every few seconds to write things down because they made me laugh or otherwise intrigued me (thinking of scully playing cards and explaining macbeth. or chantilly lace line. or "i can't take you anywhere". i will try not to think of mulder's potential death by choking himself for my own sanity)
and i liked clyde a lot. we get a lot of one time characters who we will never see again and so it’s good when those characters make an impact in the short amount of time we share with them.
and i’m always gonna take a light-hearted episode, as light-hearted as a show where serial killing is a daily occurrence can be. it does go to show though that there wasn’t always a consistent tone throughout the story. and i do find that interesting. i am part of a generation where we typically get 6 hour long episodes of a tv show per season, and they’re so condensed there is very little time for exploration with genre or tone. in general, i have loathed this about modern television; the death of the filler episode has been lamented by people far more eloquent than myself.
the only thing i dislike about this format- doing a silly episode- is that if the next episode ends up being really dark it’s like, woah man, the whimsy, where did it go? last season we got humbug, which was SO fresh and funny, and then within the first 3 minutes of the next episode, a baby was killed by a train. so i lowkey got whiplash. but then again, i watched those episodes back to back, so maybe having a week between them seeing them air as they hit TV would have softened the blow. feel free to chime in with your theories on the nature of genre and how pacing of episode viewing effects that experience.
overall, a very good episode. i rank it up with humbug as one of my favorites, which is again funny, because i love the extreme angst and the silly. i paused to take so many notes because i liked so many things that i think i should someday rewatch it again and get a smoother experience haha
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i have been in community with profoundly developmentally disabled peers and peers with brain damage my whole life, bc i had a childhood diagnosis. i have also been leftist my whole life; my mother was a marxist and raised me that way, and while their politics were absolute dogshit, they were lefty dogshit.
my entire life, i have seen leftist educators throw mentally disabled people away as "lost causes" because they couldn't engage with the material the way it was being presented. leftist outreach and education does, genuinely, have a massive lack of accessible material. to be blunt, people are not interested in retrofitting their leftist outreach to be accessible to people who learn best through episodes of sesame street.
as in, i have repeatedly faced outright laughter and cruelty over the idea that this could be a priority. or even something that we consider doing at all.
"people who are that mentally disabled don't need to know about these things," the kindest interpretation goes. ("people who are that mentally disabled don't interact with the world, anyway, they're all in institutions or monitored 24/7 by their parents," the uncharitable underlying assumptions go. "they wouldn't be a worker who needs a union. or a library attendee. or a member of the community garden. or a volunteer at the food bank. or or or")
the people i have seen this hurt the worst, over and over again, are profoundly mentally disabled people of color whose lack of access to accessible antiracist education is causing real danger in their lives. institutionalized disabled people of color who have learned racist ideology and behaviors from white authority, whether they were adopted by white families or incarcerated in care institutions run by white staff. who are treated lower than garbage by leftist educators, who view them as "lost causes," as unworthy of time and effort and attention, as deserving of their abuses because they... what... internalized the abuses that make up every aspect of their lives since birth?
i see people saying things in this conversation like "disability isn't an excuse for racism or transphobia or whatever, people have the obligation to improve themselves." oh, believe me, i have seen again and again how many privileged disabled people utilize their disabilities to punch down on others, try to escape accountability for their punching down by citing disability. but individual weaponization of identity is just that: weaponization of identity.
the power structures at play are what they are. it is a noble and admirable goal to want leftist outreach and education to be more accessible to all. if that is truly your goal, you must eventually reckon with the existence of people who do, actually, really need it presented in a picture book. or an episode of bluey. or a conversation where you only use examples of people they know in real life, using things that happened to them personally. the existence of people who cannot grasp forms of abstract reasoning, who need information presented as rules, or as guidelines, or as categories. the idea that yes, fully grown adults who need daniel tiger to explain racism to them are human beings who not only deserve access to that very thing, but who also deserve to be a part of leftist spaces and benefit from leftist organizing. are people for whom it might be INTEGRAL they get to be a part of leftism. are victims of racism themselves and suffering without access to antiracist spaces and community and support.
and you will need to reckon with the abject cruelty of your peers who laugh and mock the very idea of this. you need to reckon with the fact that a lot of people you respect, a lot of leftists doing genuinely good work, will respond to this by making fun of the people you're serving, even outright telling you their violent fantasies about these people. that is the experience of organizing in leftist spaces for profoundly disabled people. that is why so many of us burn out so fast. there IS a structural problem with mentally disabled people being seen as disposable and not a part of community. and it is EXTREMELY present in leftist organizing and outreach efforts.
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Kendrick doesn't just hate Drake as a person. He hates the very idea of Drake.
Hip-Hop is rooted in revolution. In defiance. These are the songs of an oppressed group of people, and decades upon decades people have hated it. Accused of being meaningless and invalid. Media outlets took steps to belittle hip-hop and make sure it isn't recognized as an art form and as a means to fight back.
2Pac spoke of wealth disparity and inequality. Tupac was literally a member of a communist organization when he was younger and never stopped speaking against capitalism.
Lauryn Hill spoke of the struggles a woman faces. Not just women, but black women. Salt-N-Peppa. Queen Latifah. MISSY FUCKING ELLIOT.
N.W.A made sure people knew about police brutality and violence against the Black community.
And now, in this day and age, we're also experiencing an explosion of Queer Hip-Hop. Lil Nas X is at the forefront of this. Lil Uzi Vert came out as non-binary and uses they/them pronouns, even when they knew that a lot of their fans would never use it or even respect them for it. Auntie Diaries, a song about a young man who grew up in a transphobic environment and bought into those beliefs, but could never fully do it because his Uncle loved him so much and taught him a lot of life lessons, and that wisdom translated to him accepting his cousin as a woman as well.
Drake is none of that.
He's the perfect representation of what people think hip-hop is. Flexing. Posturing. Objectifying women. A fucker so insecure he bought 2Pac's ring just to feel like he's part of the black community. Rejected by Rihanna publicly. Tried to groom Millie Bobby Brown. Kissed and inappropriately touched an underage girl during his concert. His songs have inspired so many young boys to treat girls like shit. His belief that the amount of rings and chains and cars he has is the true meaning of success.
Additional Edit: This is my fault. If this post gains more views, then it would be remiss of me not to add to this. It was my fault to begin with, not stating this beforehand because while I did know, I got lost in celebrating Hip-Hop in a place that doesn't usually do so, and rightfully so.
2Pac did fight for wealth equality and better social living for the black community. He also has a long, long history of battery, domestic abuse, and sexual harassment against women. Specifically against women of color. He made a song to celebrate his own mother, but outright refused to give the same show of respect to other women in his life. His hypocritical nature was brushed off in later decades, just the way I did now.
N.W.A is the same. Sexual assault charges, violence—they spoke of Police reform, but refuses to give the same treatment back towards the women in their lives.
50 cent refuses to backtrack on any of his misogynistic lyrics.
Modern rappers of today, such as the dead XXXtentacion. 6ix9ine. Kodak Black.
I do love Hip-Hop. I love rap. And the music itself has always been anti-authoritarian at its core, because those are its roots. And I was happy that circles that did not normally know of it or enjoy it were getting into it, even for one thing like this rap feud.
Lil Nas X, Little Simz, Childish Gambino, Missy Elliot, Queen Latifah, Lauryn Hill—rappers who have at the very least consistently tried to put their money where their mouth is. Who have tried to act in accordance to what they rap and write and sing for.
@shehungthemoon @ohsugarsims finnthehumanmp3 were the ones who rightfully clarified in the comments. I know an apology won't correct my hypocrisy or my stupidity. I should have added all of this before making this post, but I wanted so badly to celebrate a genre of music but failed to do my due diligence in showing a better, holistic view of it. If anyone felt triggered, offended, troubled, frustrated or any other intense negative emotions surrounding this, please do block me. I'm sorry.
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