#(me every new post)
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stemmmm · 1 month ago
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more people gotta try this shit where bill has not improved and will not change but he's just chilling so its fine probably. its great
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ionomycin · 2 months ago
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your last light
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shepscapades · 2 months ago
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Creaking Bigb!! I did these a couple of nights ago after watching bigb’s first wildlife ep >:]
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drawerbread · 25 days ago
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truly my comfort ship
no skull paint ver:
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risingsunresistance · 7 months ago
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pigy,,,
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separatist-apologist · 4 months ago
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Genuinely, and I mean this kindly, but learning to recognize bait and not engaging with it will change your fandom experience.
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poorly-drawn-mdzs · 4 months ago
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Actually, the bars aren't so bad anymore.
Think you can fix him? Read about his care instructions over at Tiger Tiger)
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joethesparkle · 1 year ago
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Reigen genuinely had no idea
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bacchuschucklefuck · 5 months ago
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class swap design masterpost for convenience (from top to bottom: bard!riz, cleric!gorgug, sorcerer!kristen, barbarian!fig, artificer!adaine, and rogue!fabian)
#dimension 20#fantasy high#fhfy#fhsy#fhjy#riz gukgak#gorgug thistlespring#kristen applebees#figueroth faeth#adaine abernant#fabian seacaster#my class swap stuff! oh yeah I think I got a tag for that I'll call that#fh class quangle#gna slowly go back and get that tag on relevant posts too. for organization's sake#even tho I didnt really intend this blog to be that kinda blog lmao. we were all just gonna be out here dealin with that at our own pace#anyways uh! they! u know all the lore for the designs already I put em in tags. but otherwise this also collects like the#color keys kind of for these. mostly the things that change between designs#doing this did make me realise half of these are a Lot more consistent in color keys than the other half lol#like kristen's palette stays pretty much the same. and fabian's. the hit's mostly in the construction#a lot of this is overall like an exercise in remembering what high schoolers would actually wear and how to work in Costume pieces#on this point at least I straight up have No relevant recollection lmao all the basic education establishments I went to have uniforms#and outside of school I was. well kind of a shorts and tee guy. so#on that topic I feel like fabian's is the furthest stretch lmao. like if a guy in high school wears the same bright yellow raincoat#to school every day that's like. people would Not like that guy. fabian really is saved by being cute and a rogue#he will still have stans when he's deep in his fishing arc in junior year he's the manic pixie dream bf#anyways uh. things to do! stuff to get done. sleep first tho. have a good night lads#I have not caught new nsbu yet! seems I mostly catch them like two to three days late nowadays.#so please uhh. don't reply on my posts with nsbu spoilers? we are all excited and having fun but that's rude#ok thank u. signing off for the day have a good night#!!
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bibxrbie · 9 months ago
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"Luke Skywalker isn’t like the old Jedi. He saves Vader with his attachments!”
Wrong!
Luke Skywalker, at the end of Return of the Jedi, after his confrontation with the Emperor drags Darth Vader through the destructing Death Star. He’s desperate, knuckles white under the heavy weight of his father’s body, a little boy dragging his dad to safety. He sets Vader down for a moment, to catch his breath or maybe to get a better grip. He goes to grab Vader again, but Vader, uncomfortable and in pain, asks Luke to take off the mask. He wants to see Luke through his eyes instead of the eyes Palpatine built for him. Luke refuses, says that removing the mask is a sure way for Vader to die. Luke doesn’t want Vader dead, he wants Vader alive. Not to hold him accountable for his many evil acts, but for the same reason why Luke Skywalker can’t kill Darth Vader; Vader is his father and Luke loves him.
And yet, after a moment, Luke removes Vader’s mask. He doesn’t want to, he hesitates, but he removes the mask with enough slowness to allow Vader to take it back. In that moment, Luke sets aside his desire for Vader in his life, sets aside his desire to see him live, and sets aside his entire mission, the reason he was even on the Death Star in the place. In his compassion for his father, Luke stays with Vader until he dies. It is this moment where we see him be the best damn Jedi he can be. I’d even argue that this moment is the greatest example of non-attached love we see. Because Luke lets Vader go! He lets his father die, and in some ways, by removing the mask, he too kills Vader, he stays with him until his last moment, gives him the kindness of granting his last wish and finally chooses Vader.
And Luke doesn’t have to do this. If Luke Skywalker’s love for his father was an attachment, he would ignore Vader and continue dragging him to the escape pod, put his desire for a father as his central focus and ignore Vader’s wants and discomfort. Maybe he would even save him. But he doesn’t. Instead, he watches as Vader dies.
He builds a Jedi burial for his father and watches it burn the remnants of Vader and Anakin Skywalker away. He mourns Vader, he mourns what they could’ve had as father and son, considers what ifs and maybe-if-I-did-this. Vader/ Anakin is released from his mortal body, from his ‘crude matter’ and Luke lets him go. He says one final goodbye to Anakin. Then, he joins Leia, Han, Chewie, Lando, and the rest of the Rebels and celebrates their victory. He lives in the present and celebrates what he has instead of what he lost.
Luke Skywalker is THE Jedi. Everything about Luke Skywalker serves as the foundational cornerstone of the Jedi, everything about the Jedi as a culture and philosophy is reflected in his character. Luke’s desire for the New Jedi Order isn’t to throw away the values of the old Order, but to vitalise them, breathe life back into dying lungs, and rebuild a path that people set out on their way to destroy. (Yes, his Order is different from the Old, but that’s because it has to be. He doesn’t have the resources or the safety of the Old Order.) The philosophies of the Jedi are difficult and they aren’t for everyone, and like the perfect Jedi that Luke is, he struggles and stumbles and sometimes he even rejects it. But, no matter how far he falls, it is a way of life he chooses again and again and again. It is a way of life that welcomes him back each time
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merlions · 6 months ago
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I hope all new fiber artists know that the "slightly misshapen" object they made that they're stressed about not looking good:
1. Happens to every fiber artist always, you're too zoomed in to its every detail because you're the one who made it and most people would think it looks normal, or at least much less misshapen than you do, stand 20ft away from it and look at it and then see how you feel (true about all art tbh)
2. Gets better and more uniform each time you do anything
and the *very most important*:
3. Can be made Significantly Less Misshapen by just grabbing the fabric and stretching it in a few directions
I keep helping new fiber artists who are like "but my thing looks so bad :(((" by like, taking their object and stretching it sideways and horizontal, and handing it back, and they're like "????? Magic?????" bc it looks perfect.
Trust the process. Trust the stretchy process
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yasminhananis · 8 months ago
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Zendaya for ‘Challengers’ press — Spring 2024
“She has the ability to engage with people in a way that is very strange compared to other celebrities. She becomes part of something larger—it’s not just fashion, it’s popular culture. She uses clothing as a kind of instrument.” — Jonathan Anderson, creative director of Loewe and ‘Challengers’ costume designer
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slfcare · 2 months ago
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the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.
#and that goes for every type of growth#backstory of this post:#after I came back after a few months of doing my international internship I felt so much more confident#it was easier making friends and walking up to people#i took more chances#and generally just heard it a lot from those around me who kept telling me how much i’d changed#this was further supported by my first office job that went pretty well#but then came my grad internship. and while i love the work and have met some great people I noticed it was difficult again#there was one office lunch where no one spoke to me at all! it was my first week and I didn’t know what to say#if i should even say anything#we were all sitting at the same table#not one person even glanced my way#it made me doubt myself; i was doing so well before#was that even real? why can’t I just speak up? this is not the way to connect with people#especially in my first week!#but you know what#i was still doing well. i just had to factor in the fact that these were all middle aged people talking about reality shows i didn’t watch#and bikes i knew nothing about#as well as people who knew i was the new intern yet didn’t speak to me at all even though I’d introduced myself to them all individually#and even so#people I couldn’t really talk to about MY interests outside of work either#my point being:#it’s okay to not feel a connection with everyone you meet#it’s okay to fall back into old habits even though you’ve developed new ones#it will never unravel the process you’ve made and the connections you’ve built#you’re doing fine#after this internship I will surround myself with people who reaffirm that belief#growth in the self#self love#positivity
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sforzesco · 1 year ago
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
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Perseus, Daniel Ogden
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Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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hazbinshusk · 23 days ago
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new reaction image just dropped, fellas
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egophiliac · 1 year ago
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lostinthebookwithstitch.jpg
this is all I can muster right now, too busy having my brain absolutely melted by the September schedule, what is happening
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