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adharastarlight · 1 year ago
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The marauders as things my best friend has had to put up with me saying
remus: okay I'll add it to my notes on you "if we discover vampires, would throw himself at them"
regulus: with my legs spread
remus: i hate you so much
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meteortrails · 8 months ago
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I think one of my favorite parts of nami’s character is like. she may not be as much of a powerhouse fighter as her crewmates, but she has a kind of fierce protective streak that rivals even luffy’s. there’s something to be said for the way she sees herself as specifically luffy’s protector, too. she looks at luffy and understands that he is trusting her to help him navigate which social rules he can keep ignoring and which ones he needs to obey and when; to know which way they need to go and what they need to do to keep the ship and crew safe. I’ve called her his replacement for pragmatism before, but it’s more than that! nami gets upset with him after Jaya and when she realizes he’s gonna make them wait 2 years bc in those moments he has made it impossible for her to protect him and she HATES that. I think it’s why she and zoro understand each other so well sometimes, especially when it comes to luffy; they’ve both built their sense of self and purpose on protection and a refusal to ever just accept a loss as inevitable, as differently as it presents in each of them.
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unfinishedslurs · 4 months ago
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The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?
“That’s nice,” she says, and shoots him anyway.
He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.
She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.
Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.
She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”
“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”
“Then what is it?”
“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”
Leia had quieted at that, contemplative.
The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”
Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.
He looks, Leia thinks with a small twinge of regret, very lonely.
“Leia,” he greets. “It’s been a long time.”
Out of the corner of her eye, Leia sees a glint of white.
Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.
Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.
In an instant, Leia understands everything.
Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.
Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.
Luke. She hates him more than she hates herself.
“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”
“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”
“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”
“How do I know I can trust you? I don’t even know who you are.”
He pauses. “Call me Skywalker.”
“That’s not an answer, Skywalker.”
“Yes it is.”
She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.
“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”
“But—“
It’s too late. The comm has disconnected.
She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?
Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.
It’s probably a trap. Almost definitely a trap.
Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“
She makes a decision then and there.
“We’re leaving.”
“What?”
“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.
“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”
“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”
He salutes and scurries off.
“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”
“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”
“And you trust this person because…”
“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”
It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.
He squints at her. “That’s not it.”
“What?”
“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.
“I don’t know what you’re talking about.”
“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”
“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.
“Well?”
Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.
“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”
He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.
“Yeah, all right,” Han finally says.
“Really?”
“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”
What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.
“So there’s good news and bad news.”
“Bad news first,” she demands.
“They know there’s a mole.”
“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”
“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”
Leia can’t quite stop the snort she lets out. “Seriously?”
“Yep. You’re speaking to a professional mole-hunter, here.”
“Well congratulations on the promotion, Skywalker.”
“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”
“I know. Just hang in there, it will be over soon.”
“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.
Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.
Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.
Unless he didn’t.
It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.
But it makes sense. By the Maker, it makes sense.
The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.
Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.
Powerful enough to hide the fact that he’s a spy.
Leia sinks into her chair, covering her face as she laughs.
Maybe Luke isn’t so bad after all.
“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”
“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.
“No, he’s not dead. He’s not. Luke!”
A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”
“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”
More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”
“I figured it out.”
“Smart.” This time, the coughing is so bad Leia and Han both wince.
“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”
“Stand back,” Luke chokes out.
“What?”
“Stand back. Please.”
Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.
“Clear,” she calls, hoping Luke can hear her.
The TIE explodes.
“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.
And curled up in the middle is a man dressed all in white.
“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.
As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.
Han is still looking at the TIE. “Can you do that?” He asks quietly.
Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”
“Excuse me for asking, Princess!”
“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”
“Should I be offended?”
He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”
“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”
He snorts. “Yeah, right.”
#star wars#star wars fanfiction#luke skywalker#han solo#leia organa#imperial luke skywalker#exactly when luke was taken by the empire is totally up to speculation it could honestly be anywhere from newborn to 5#as for why luke has his dad’s blue lightsaber here instead of like a red one or smth- well you see your honor I thought it would be a slay#but also when you think about it for more than 5 seconds you’re like actually yeah that’s sick and twisted of palpatine and vader actually#you’re carrying your fathers most treasured weapon#you don’t know your father once fought the rise of the very empire you stand to inherit with that blade. you don’t know who he defended#you don’t know your father brought about the end of the republic with that same weapon#he killed the younglings with it. he fought his closest companion with it#you’re carrying what was once your fathers most treasured weapon. you are your fathers most treasured weapon#just as your father is a weapon now#also I didn’t make it clear but obi-wan has his ‘strike me down and I become stronger’ moment like he still dies on purpose to cause proble#but when he saw luke he couldn’t look away. he had to see him with living eyes one last time#can u tell I had So Many Thoughts on everyone else’s perspective in this fic too#han is having a constant crisis in the background because 1) force is real 2) princess is annoying AND pretty which sucks for him#in particular and 3) pretty princess is learning to use the force and is hot while doing it. Chewie is laughing at him. life is hell#good lord did not mean to put an entire essay in the tags. i love their super special twin powers (cosmic entity that binds their souls)#edit: GUYS I FORGOT TO NAME THE FUCKING AU#AND WHEN I TRY AND FIX IT IT GLITCHES OUT ON MEEE 😭😭😭
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lunarharp · 8 months ago
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What led to this (orufrey comic, cw an uncomfortable/creepy scene)
#witch hat tag#orufrey#er.... i'm too tired to have anything to say..i worked several days on this.#wait.. didn't i say just recently here that i probably wouldn't ever depict 'what if alaira is qifrey's sort-of ex'. What's going on#i don't even remember deciding to draw this..it's all a blur..i'm not sure why i WOULD decide to draw delicate scenes in my head#that i wouldn't really want to share with anyone/discuss so why did i draw it...#some part of me really really wants to draw things that are more and more true to myself...#maybe because of my alienation with most romance/shipping/dynamics the rest of the world depicts.#orufrey really is perfectly suited to me - what i read in the text and what is in my head. well anyway#i am TIRED of drawing poses and angles and..maybe now i will actually take a break from drawing bc of the tediousness of Angles#btw it really is a 'stretch of time' . . . assuming witches graduate age 18-20#well orufrey are canonically 30-ish. they've only had agott around for presumably about TWO years (?) bc she took the test age 10#and it feels like oru moving in/unknown atelier acquisition/building (?) .. i guess that could be a year or so before agott at most#(she was the first disciple) so... ????????? What about the other 7 or so years ?!?!?!!?!?! Unemployed Brimhat Hatred era#that time is very nebulous. after qifrey went to the tower i feel like it's been implied he and oru drifted apart a little.#certainly they didn't live together at first... no way. that doesn't feel like how it is based on things oru has said about becoming Eye#idk. I'm tired now. i don't usually think of alaira as necessarily qifrey's ex and this being how things went in that 'sliver of time'.#i usually prefer the idea that they have their first kiss with each other in their 30s cause That's Just The Orufrey Lifestyle#just felt like making a more relatable alternative view of my own Cai Orufrey Canon one time. btw im a big monoshipper and it hurt a bit#let's leave it there. this is surely the most i've worked on a 'single' art - though now i realise just how much longer the fic took :')
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moeblob · 8 months ago
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What if I straight up didn't explain myself? What if I just said trust me on this? Would you?
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luck-of-the-drawings · 2 months ago
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OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.
#jrwi fanart#jrwi show#cw blood#cw gore#jrwi suckening#jrwi suckening spoilers#vex waylin#viv waylin#MY FAVORIT EP!! HAVNT SEEN IT IN FOREVER THO BC WELL. IM BUSY. SO BEAR W ME IM RUNNIN OFF ALOTTA MEMORY FUMES#ALSO EDIT BC FUUUCK I HADMORE TAGS BUT TUMBLR FUCKEN ATE EM. OH WELL. MY DMS R OPEN IF U WANNA UNLOCK RAMBLES.#I LOVE THE WAYLIN TWINS SSSOO FUCKING MUCH IM SO!!! CURIOUS ABOUT THEM!!! WHO WERE THEY WHEN THEY WERE HUMAN? HOW LONGVE THEY BEEN ARND?#I LOVE IT WHEN PPL SAY ITS LIKE THESE TWO WERE MADE FOR MMEE BC YES!! YES!! ITS EVERYTHING I COULD EVER WANT FROMA CHARACTER!!!#I LOVE THEIR RED WHITE N BLACK COLOR SCHEME. I LOVE HOW THEYRE BOTH SO INTELLIGENT AND GENIUS N YET THEYRE DUMB AS FUUUUCK#COOOMICAL SUPER VILLAINS. OOH ILL GET YOU NEXT TIME SHAMIA SHAMAI!!! HOW DARE YOU FOIL MY PLAN!! MY PLANS OF MUTILATING AWAKE N ALIVE PPL#COMICAL AND YET. GENUINELY HORRIFYING. VIV CAN MAKE UR BONES EXPLODE JUST BY THINKING ABOUT IT. VEX CAN BECOME SOUP#WHY DONT WE TALK ABOUT THAT MORE? THE TURNING INTO RED MEAT SLIME?? METAL AS FUUUCK. I ALSO LOVE HOW SCARED THEY GOT SO QUICKLY#THIS LIL FUCKEN RRRRRAT COMES IN. AND WELL. HES JUST LIKE ALL THE OTHERS. WE FUCK HIM UP N TOSS HIM INTO THE SUN N LET HIM BURN#SURE HE HAD ONE MORE TRICK OF REBELLION UP HIS SLEEVE BUT THE SUN HAS TAKEN HIM NOW. ITS FINE. WE'RE FINE. HEY IS THERE SMTH IN THE CEILING#OHHH WE KILLED HIM ONCE N HE CAME BACK. WE KILLED HIM AGAIN N TOOK HIM APART BUT THEN HES BACK?? HE GETS AWAY AND THEN. COMES BACK. AGAIN.#WE CANT GET RID OF HIM. THAT FOUL SHAMIA SHAMAI. A MOUSE IN OUR KITCHEN. FUUUUCK HES GONNA SPREAD DISEASE! KILL IT! KILL IT!! AAAUUGH FUCK!#I LOVE THAT THE WAYLIN TWINS AGREED TO HELP THE BLONDE TWINS MOSTLY ON THE BASIS OF 'IT WOULD BE FUNNY' BUT ALSO#OOHHH WE ARE SO CLOSE TO REACHING SOMETHING TO MAKE HIM NNEEVER FUCK WITH US AGAIN. HIS ILLUSIONS WILL HAUNT US NO LONGER#THEY WERE SSSOOO PARANOID W ALL THE CAMERAS AND BOMBING THEIR OWN LAB AND RUNNING AND RUNNING AND GETTING AWWAY FROM THIS FUCKEN! MOUSE!!!!#OHHHH I THINK IM RUNNIN OUTA ROOM so ill talk about da art real quick.BEEN WORKIN ON THIS FOR A WHIIILE.ALOTTA THESE were started when the#ep came out.so OLD!! BUT DONE!!and im very very happy w my colors n gore n EXPRESSIONS!! the top right corner comic keeps making me chuckle#I ALSO rly love the lil convo between arthur n viv.theyre SO CUTE TOGETHERR they should go ona museum date together or somethin#they need more time to just talk abt da World together.ALSO CAN I BE PETTY.I MADE ARTHUR UGLY CORRECT-STYLE#THESE BOYS KNOW NOTHING OF UGLY.I MADE THE VAMPIRIC FLESH EVOLVE N ROT N BLOSSOM AND THERE IS SQUIRMING WITHIN THE TENEBRAE#UHHH IEAH THIS GUY W A ROTTED N DISTORTED FACE WALKS INTO MY BIKE STORE IEAH IM SCREAAAMIN LIKE WADDA HELL!! MONSTOR!!!
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ghastlyaffairs · 6 months ago
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for something as trivial and simple those feelings sure are hard to get rid of
also made a gif a version for fun + alt version with no tears under the cut
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the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)
#hs#homestuck#dirk strider#eye strain#probably? if you think i should tag something else let me know!!#anyway hooray its time for rambling in the tags#so uhhh heres the teæ i've been sick for like a week and you know how it is when suddenly your throat becomes the main gunk warehouse#and you can't breathe lol. wish i could just pull it out. anywaaayy this is basically a vent piece for me being sick lol#also i could draw remotively the same thing with kris deltarune. oh how easy it is to project having a cold#though i have been also experiencing troubles with feelings recently as well....how fitting for dirk#speaking of the man himself (enough of me) his relationship with his own Heart...is peculiar to say the least#the thing i love about alphakids is that despite being so feral they were. so relatable. i cannot stress this enough how unwell they are an#and how they represented being a teen so well. yeah being 15 years old makes that to you#imagine being an emotional mess and trying to fit the 'norm' and act normal about your friends so youre not offputting#and then you fall in love with you friend and your ai clone falls in love with him too looool noone makes out of this one alive#uhh literally. godtiering stuff and dying remember#and speaking of it. tw for suicidal talk for the rest of tags#do you ever think dirk was suicidal. of course the part of when he teleports his head to jake was totally planned and he knew he would ->#wake up as dreamself but. don't you think the moment he cut his head off was sort of. cathartic. how much did he hate his own guts#beheading himself not only for the plan...but also because he thought he 'deserved' it#also wow he is a Prince and was literally beheaded don't you think its funny hahaa#sigh poor thing#this has ended on a not the very pleasant note hm#also fckkkkkk i didn't draw anything with rose/mary for the lesbian visabilty week#(putting the slash because tumblr search system has a dumb gag with showing you posts that contain the tag inside the other tag.#and i don't want this post to show up for the ros/mary fans because it's not!!!! its rose's father emotional crisis post!!!!)#update YOOOO WHAT THE HELL THE GIF HAS EVEN LESS PIXELS THEN I PLANNED fantastic#this your breakfast now tumblr. enjoy your crunchy flakes of dirks meltdown. mwah
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wickmitz · 2 months ago
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I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule
Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?
for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.
one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.
obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.
all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.
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source : q&a with tracy .
which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.
however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.
though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.
once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.
#my asks.#lackadaisy analysis.#lackadaisy#rocky rickaby#sedgewick sable#tracy j butler#i also think rocky’s sudden taste for marigold blood is him making marigold his other scapegoat#he isn’t dealing with anything in a healthy manner and is so traumatized it’s starting to spill out of him … which is. uh. not good!!#but it sure is what’s currently happening regardless#cannot stress enough that rock is a very ill and traumatized individual who hasn’t had a single break in his life#he is constantly in stressful situations that are dangerous … and like.#when you’re constantly put in those situations you become numb. and angry. and it becomes hard to heal#or to truly connect to others … etc#i could talk in depth about rocky’s traumas and why they’ve caused this anger issue and this inner disharmony inside#because frankly there’s a lot there! and i hate to say it but people who are hurt normally show their hurt in ugly ways#especially if mentally ill … which rocky is imo#it’s just the reality of things! this isn’t me demonizing mental illness or the effects of trauma. i’m just being realistic here#someone as deeply troubled as rocky ( someone with NO outlet and whom hides his feelings from others and himself )#is bound to be. well. troubled!! his smiling facade is merely another mask he wears to cope and to be good for the people he loves#it is not … really rocky rickaby … rocky rickaby is that and the wrath and the self destruction and more#AHEM but i digress. how rocky treats wick and all that has really done wonders for understanding his character#and i truly love the wick / rocky / mitzi trio so bad. their relationships with each other is what drew me into this world#like. i am shaking them so much. the overlap!! the complexities inherit in their bonds and what that says about the individual characters!#it’s amazing truly lol like … i have had such fun thinking about them twenty four seven for the past three-ish months#anyway. anyway! i love analyzing these bitches. they can fit so much into them#and i’m rooting for wickmitzi endgame and for wick to desperately try to bond with rocky … while his bloodshot eye is twitching as we speak#lots of fun!!! lots of pain and agony too … rocky is nothing but a painful character alas. that is his nature. but that is also his appeal#and ooops i’ll shut up in the tags now i just. have a lot to say. and a lotta love to give to these two!! but uh. yeah <3 loved writing thi
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i-dreamed-i-had-a-son · 2 months ago
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Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet
Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)
Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked
#these just sum up my personal takes at the years in question and also what i'm seeing on tumblr/other social media#bbc sherlock#sherlock holmes#and i actually have a lot more thoughts to share on this series#specifically relating to the cultural impact#there is SO much about the show that goes unappreciated in hindsight because of how public perception of it has soured#and i totally fell into this as well--i still regularly rewatch hbomberguy's video absolutely dismantling the series and he isn't wrong!!#but what i'm saying is that i think it's easy for us to look at a piece of media (especially one so massively popular) like sherlock...#with very black-and-white lenses. it wouldn't have become so popular if there wasn't something inherent in it that resonated with people#and that's being buried (and i totally forgot it) because 'sherlock is cringe and problematic. can't believe i liked that'#which again it IS full of issues and those are well-documented as they should be. future portrayals should not repeat those mistakes#BUT being able to impact so many people is a merit in itself. and that's only possible because of other genuinely good things about the show#yes the way they handled the relationship between john and sherlock was riddled with problems YES it was often queerbaiting#AND the way they portrayed that relationship had a deep effect on me. i saw a lot of myself in sherlock and the complex way he loved john#the nuanced feelings he had about john's marriage to mary. the part (in s4!) where john calls him inhuman for not feeling romantic love#there was genuine intention and care put into some parts of this show and it comes through in scenes like those. they impact people.#and because of this realization i'm going to (eventually) do a rewatch of the show. i'm much older and i want to see how i'll view it now#but i want to go into it--and i want everyone who engages with it still--to have an open mind and evaluate it for what it is#not what we expected it to be (secret episode anyone?) or what the cultural drift has turned it into (the tiktok of sherlock's mind palace)#but the messy problematic somewhat-heartfelt massively significant and ultimately meaningful piece of media it actually was#anyway that's my thoughts would love to hear y'all's perspectives#funny how after all this time making a sherlock post still feels like i'm poking a bees' nest lol please be kind!#kay can i just catch my breath for a second#kay has a party in the tags
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cuntyfieddemon · 1 month ago
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I wanna know so bad with who agatha crossed the road the first timeeee and whooo was the witch that survived at the end!!! was it rio??? im not ready to say it was her for sure bc she asked a few questions that made me think she never crossed it... and also i feel like they would have alluded to it while talking together... so who could it have been? i rly want it to be rio but i just dont know!!!
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greenerteacups · 2 months ago
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oooh please someday tell us what you think of GOT
oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.
SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)
so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!
so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.
the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!
now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.
here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.
but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.
so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.
anyway, that's what I think went wrong with game of thrones.
#using the tags as a footnote system here but in order:#1. quentin MAY not be dead according to some theories but in the text he is a charred corpse#2. arianne is great and i love her but to be honest. my girl is kinda dumb. just 2 b real.#3. faegon is totally a blackfyre i think it's so obvious it may well be text at this point#it's almost r+l = j level man like it's kind of just reading comprehension at this point#4. relatedly there are some characters i think GRRM has endings picked out for and some i think he specifically does NOT#i think stannis melisandre jon and daenerys all will end up the same. jon and dany war crimes => murder/banishment arc is just classic GRRM#but i think jon's reasoning will be different and it'll be better-written.#im sorry but babygirl shireen IS getting flambeed. in response stannis will commit epic battle suicide killing all boltons i hope#brienne will live but in some tragic 'stay awhile horatio' capacity. likely she will try to die defending her liege and fail#faegon will die there's zero chance blackfyres win ever#now jaime/cersei I do NOT think he knows. my brothers in christ i don't think this motherfucker knows who the valonqar is!!#same with tyrion i think that the author in GRRM wants to do a nasty corruption arc + kill him off but the person in him loves him too much#sansa i have no goddamn idea what's going to happen. we just don't know enough about the northern conspiracy to tell#w/ arya i think he has... ideas. i don't think she's going to sail off to Explore i am almost certain that the show doing that was a cover#because the actual idea he gave them was unsavory or nonviable for some reason. bc like.#why would arya leave bran and jon and sansa? the family she's just spent her whole life fighting to come back to and avenge?#this is suspicious this does not feel like arya this does not feel right#bran will not be king or if he is it'll be in a VERY different way not the dumbfuck 'let's vote' bullshit#i personally think bran is going to go full corruption arc and become possessed by the 3 eyed raven. but that could be a pipe dream#the thing is he's way too OP in the show so the books have to nerf him and i think GRRM is still trying to work out#a way to actually do that.#i don't think he told them what happened with littlefinger or sansa. i think sansa's story is vaguely similar#(stark restoration through the female line etc)#but the queen in the north shit is way too contrived frankly. and selfishly i hope she gets something different#being a monarch in ASOIAF is not a happy ending. we know this from the moment we meet robert baratheon in AGOT#and we learn exactly what GRRM thinks of the people who 'win' these endless wars of succession#and they are not heroes#they are not celebrated#and they are neither safe nor happy
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cryptocism · 1 month ago
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yoohoo, I just need you to know you've ruined my life✌️ /j but like. finished reading frequency, what three days ago now? and since the moment I put it down, I have been. directionless. listless. I am consumed by, not DESPAIR, because despair is too passionate a word but. dissatisfaction? I miss the life I lived while I was still reading it. which is honestly rather appropriate considering some of the themes in the fic. I miss the person I was when half of my mind existed in the realm of the au. I fear I may never get over it and I may never recover the life I once had before this fic ruined me for all others, but I also cannot bring myself to regret reading it even if I never feel satisfaction again. I have tasted ambrosia, and the bread and wine of men shall forever be ash upon my tongue. pay my therapy bill.
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i know these asks were sent in july but i love them and want to immortalize before they get buried in my inbox
first of all thank you so much!!! frequency has been one of my favourite projects to do over the past couple years i love that ppl are so into this absurdly niche fic. (i cannot pay ur therapy u simply must reread it forever rip (i mean writing it was like 50/50 self-indulgence and catharsis which means maybe reading it does the same thing lmaoo))
second yes! yeah it was Six who changed the timeline. a big old theme, possibly the main theme, of the whole fic is about change and who gets to create it. Six mirrors Thad in the ways that he believes himself unworthy of importance, and that the capacity to create change is inherently barred from him because of who and what he is.
so it was really important that Six was the one to make the choice to try change things - the guy whos entire powerset relies on being as inconsequential as possible. it shatters the original timeline, it results in his death, it causes a lot of very bad ripple effects, but he also saves Nathaniel. who saves Jude. who together both save Thad - who saves Bart and CRAYDL and defeats Three and discovers his own capacity for change in the process.
that was sort of the point of the whole "the spectrum of change is a horizon, not a tower" litany. there's no hierarchy. anybody can go towards it, they just gotta choose where they're going.
Six doesn't really save the day, but by wrenching the prewritten tragedy off its course, he creates the opportunity for Thad & co. to save it themselves.
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lunarharp · 11 months ago
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being attached to that moment qifrey held a baby one time and my ideas for the future :)
#witch hat tag#orufrey#brief small post before i return to Real and Emotional things again...but tbh...this makes me feel real emotions too#i think the manga will end up with a epilogue chapter showcasing little things in the girls' future and orufrey holding hands or kissing...#to like Indicate things. if it doesn't happen beforehand.#But. Who. Knows. also then i suddenly started thinking about them raising a baby for ages today because of how narratively poignant it'd be#for things to end that way after having raised almost-daughters all those years. and how healing it could be for qifrey and etc.#thing i said on twt: girls visit so often that the kid's first words are Professor Olly#“deja vu.. i'm not your professor kid - i'm your father!”#sorry but they are literally a gay couple where one truly is like The Mom and one truly is The Dad. to me#i think a housewifey homemaker type lifestyle would make qifrey happy. be harder now that he's disabled - well that's why he has his man.#i dont normally care about stuff like fankids or whatever..characters becoming parents for real..but like..Come on#This is the couple to think about this with.....they already ARE parents..i want them to be happy for eternity#once all the horrors are over we have to make it there.....children are so precious families are so precious....#i have bad relationship with parents personally and haven't interacted with children in years. And yet i still know that.#the fact that orufrey fight for children to be safe and educated and happy...qif wants to help coustas too..#aaaanyway today was a pretty weird and difficult day so i deserved to think about happy futures for a bit. i hear it's possible#btw i'm most sure about tetia becoming the princess of zozah. i think that will happen. and riche should have the ribbon tassel.
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remitro · 1 year ago
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still chugging along with young justice i like anita she’s fun :3
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flying-cat · 10 days ago
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I can't imagine being anywhere near as insane as Trump supporters because my dad told me that he, earlier, drove past a guy putting a "Harris Walz 2024" sign outside his house and decided to yell out at him "TRUMP 2024 YOU COCKSUCKER" and flip him off. And he laughed when he told me because he thinks that yelling at a man (emphasized man because he thinks men should be "better" than women, and "better" would be voting for Trump in this case) who is voting for a "whore who slept her way to the top" (his exact words) is funny. And expected me to laugh with him. And got angry when I didn't and just stared at him in disbelief. Even though he already knows that I don't like Donald Trump. These people fully expect others to find their weird ass derogatory words and behavior FUNNY. Donald Trump is leading a cult of old people who he brainwashed into being delusional with him.
#vote blue#harris walz 2024#kamala harris#tim walz#i know some fucker is gonna be here saying like “it's true i was the tree”#i didn't see this with my own two eyes but i've lived 21 years with my dad and i HAVE seen him do shit like this#but it was mostly just honking at random people on the sidewalk or yelling “WHERE Y'GOING” in their direction out the window#like it's still embarrassing and weird but not derogatory#and since being retired and having nothing to do all day except watch trump and more trump and more trump he has gotten worse#not a day has gone by in the last four months where he hasn't insulted joe biden or kamala harris#and every single time he has expected my brother and i to laugh at his insult even though he knows that we don't like trump#it's so depressing watching your own parent become a worse person#he was already one of the insufferable republicans before trump and now he's a trump republican which is even worse#and yk what's even worse it's that my mom has no spine against men so if her boyfriend asks for her to vote trump she'll be like “okay”#she's not a republican she just doesn't care because she thinks voting doesn't matter#my aunt who i have always loved so much now calls up my dad to talk about trump with him and i never heard her swear until this year#my other aunt makes talking about trump her entire personality when she has a gambling addiction she should be treating instead#my dad's side is a bunch of trump supporters and my mom's side just doesn't give a fuck#and i can't vote because i'll get kicked out of here faster than the speed of light the second my dad sees#the paper in the mail saying that my voter history has been updated#even if it's not public who i voted for because he knows that whoever i vote for will never be trump#sorry#tag vent#this sucks#please vote
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hercarisntyours · 2 months ago
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she's so done with this shit
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