#(i just get *worried* okay??)

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[kimetsu-chan]

Doing this bc I’m scared to and won’t on my own

if this gets 5k notes by October 20th, I will tell my dad about my eating disorder and get help to recover + therapist

Rules:

No spamming

5 notes per person including likes

if either one of those is broken, I’m reducing the time limit, basically making it less likely to hit the goal on time

FOR CRYING OUT LOUD PLEASE STOP SPAMMING

tagging is okay

Might delete later(sorry!) because I’m scarrredddd, I don’t wanna tell my dad >:l

[hellafluff]

Garrus' interactions with Shepard post-Thessia are so fucking well written. Everyone else is telling Shepard they're sorry or doing a soft sad voice asking if she's okay but Garrus has this moving little speech about how losing a fight isn't the end of the war and I just. He's so fucking good. He knows what Shepard needs to hear and has the experience to back up the things he says. He's so good to her

[barawrah]

happy birthday my darling

[cosmicwhoreo]

.... Okay, so I might have made a ahit oc during my downtime. Based on the idea of "yeah the idea of hat kid being a little space orphan doing a job is sad.... But what if they were separated from their family and needed to get back home instead?"

And what if their worried mother came to the planet they were on, looking for them after they'd JUST LEFT like a month ago?

SOOOOOO HERE'S SUMMER!

I may have gotten carried away with myself on this idea-

[tzarrz]

to all people who said PART 1 made them laugh - i lov u 💗 this is for u

[formosusiniquis]

When Mike Wheeler, red faced and still faintly tear stained, asks him how he knew he liked both Steve doesn’t know how to tell him it was his sister.

Before Nancy Wheeler it had only been boys. Before Nancy Wheeler Steve had been sure he was gay and knew well enough to keep it to himself; dating around enough to earn himself a protective reputation. Before Nancy Wheeler there’d been Marcus Summers, from the baseball team, during freshman year. Steve had gone to every game, and had been forced to make up excuses about schoolwork and his other commitments when asked why he hadn’t tried out for himself. Before Nancy Wheeler there’d been Tommy Hagan. The summer between seventh and eighth grade had been very kind to Tommy, he was sunkissed and boy next door sweet, Steve had wanted to hold his hand and count the freckles across the bridge of his nose. 

Before Nancy Wheeler there’d been his first love, a boy who only visited one summer, the year Steve turned ten. His name had changed every time they hung out but he’d favored E’s. Eli, Emmett, Elliott, Eric, Excalibur, Excelsior, and once for about an hour Wayne. His hair brushed his chin in pretty brown curls and his big brown eyes were always bright with excitement. He always got storm off mad when any of the other boys they’d played with that summer said he was acting like a girl, E would run off to the woods and Steve would always follow. E always came up with the best games anyway, he didn’t like playing soccer or HORSE or anything else with rules that couldn’t be bent; he preferred imagination games where they were knights or wizards. He didn’t laugh when Steve said he always liked playing house, but never wanted to be the dad because why would he want to be someone who never wanted to spend any time with his kids. E who, while insisting on being called Samwise all day, was his first kiss.

Cause he knows what Mike wants to hear. He’s seen the way Mike and Will have danced around each other since the last portal closed. He’s heard the things Mike has said to and about Will. He’s heard all about the week that Will was in the Upside Down. He’s heard all about the summer of ‘85. He’s heard all about the final off again that seems to officially mark the end of Mike and El romantically. He knows that Mike wants him to say that he’d never even thought about boys before he met Eddie. That there’s just something special about Eddie that makes him want to give up his lady killing ways. That Eddie was different. That it was okay that he was having these scary new thoughts, maybe Will was just an exception.

And Steve doesn’t know how to have that conversation. When he realized he liked both it was a relief, that maybe he could have something normal and wouldn't have to spend his life lying or hiding. 

But Eddie was different. Eddie was special. Eddie was probably it for Steve which is scary in a different way that he’s not ready to touch yet -- not when it’s only been three months.

There’s never been another girl since Nancy Wheeler, not really

There will never be another boy after Eddie Munson.

So he tries to help, as best he can. It’s easier with Eddie there, not quite dozing against his shoulder -- the kid’s emergencies always seem to come so late at night these days. “When I was ten, there was a boy whose name kept changing who decided prince charming should get to kiss his faithful knight. And when I was sixteen, your sister-”

Mike’s goodwill diminishes quickly as his sister gets introduced to the conversation.

“Stevie,” Eddie says. It’s not an admonishment for bringing up Nancy. It’s awestruck and watery. “You remember that?”

“Of course I remember the first boy I ever loved," that word catches up with him a second later. Remember. 

Cause there's Eddie with his riot of brown curls and his Bambi eyes. Eddie, who has explained why soft feminine words chafe against his skin leaving him itchy and anxious. Eddie, who has an Uncle in Hawkins. Eddie who moved to town the summer before he entered high school with a buzzed head and his mother's last name. Eddie who finally settled into an E he liked best.

"Wheeler, here's a tip from me to you," Eddie says, his advice is always better received than Steve's anyway, "if you have to ask you probably already know."

"Straight people don't really spend much time wondering if they aren't really straight," Steve agrees.

They don't rush Mike out the door, a crisis is a crisis and even in the wake of new discoveries Mike deserves to be heard out. Deserves a chance to cry and rage and feel those emotions someplace safe from his Reaganite father -- just as much as Will deserves to have someone who knows what they want come to him, deserves better than experimentation.

They cross the bridge from late into early by the time Mike sets off. The sun is creeping up over the horizon and Mike looks solid, certain; the dawn hints at the man he is growing up to be. Though every instinct of Steve's begs him to drive the kid home, Eddie's soft hand lingering at his hip holds him fast. They wave instead, encouraging Mike to go home and to bed before he does anything; knowing his front bike tire is already pointed toward the Byers-Hopper place.

"The first boy you ever loved, huh, Stevie?" Eddie teases before the door has even managed to click shut.

"And the last, I'm hoping, if I play my cards right."

"You were always pretty good at that. You were the only person that summer who called me by my name, except Wayne."

"It was your name." He knows that's too simple. Knows how hard Eddie has had it, continues to have it. But that summer it had been that simple, Eddie trying on names like shirts each one fitting until they didn't. "For what it's worth, I like Eddie a lot more than Excalibur."

"Oh fuck off, I was going through a fantasy knight phase. Which I know you remember."

"Right a phase, and how much longer is this fantasy 'phase' going to last?"

They're the kind of tired that makes you feel drunk, when Eddie tackles Steve and sends them both to the floor and to giggles. Eddie might not have been his bi awakening, but Steve is pretty fine with him being his everything else.

[sketchy-tour]

ALRIGHTY! Time to formally reintroduce yall to my silly idiot OC Dandy!

and by that I mean, I redid their ref art, tweaked their bio, and finally made a ref for their stupid pajamas! Wanted to do other fits for them but aa another time. Brain is mashed potatoes.

Anyway, Dandy is my silly WH oc who's main theme is self care/self love messages shown through the imagery of gardening! Meant to be a sort of "garden of the self" sort of deal. They go by ANY PRONOUNS! She/her or He/Him, or They/Them are all correct and okay to use when talking about them! (I just tend to default to they/them) Putting their full bio under the break!!! So you can read it all there!

"Resident gardener of Welcome Home, Dandy Leon is a curious but careful presence among the others in the neighborhood. They enjoy the quiet and spending their time tending to their various flowers. While a little shy around their fellow neighbors, they open up quickly when asked about their garden. Despite their more introverted disposition, they're always determined to make every day just dandy!"

It’s presumed that Dandy makes appearances only in the later episodes of the show’s run. But in old scripts found with them, it's shown that they moved to Home specifically because they were interested in the local plant life there. The episode that featured their move in seemed to focus on them slowly warming up to the others in the neighborhood, as their shy nature made it difficult for them to properly meet everyone. When asked as to where they lived before moving to Home, Dandy mentions living in a farm town far away, simply deeming it "far more south from here!" A lot of their dialogue also mentions their father, though he's never named but instead mentioned passively as Dandy would often use phrases like "Well it's like my pop always said-" when speaking to the other puppets.

During their short time on the show, Dandy's segments seemed focused on care for their garden, the language hinting that the flowers were more a metaphor for taking care of oneself and well being. Other characters can be found pointing out how much better Dandy’s garden looks when they’re feeling happy, but also comment how wilted it becomes when they’re shown to be a bit more downtrodden. They feel strongly about how important it is to be kind to yourself, even if it’s a skill they’re shown to still be working on themselves. Their confidence is something they also struggle with, seemingly a character meant for shyer audience members to attach to and grow alongside with. Dandy is often depicted in illustrations with Frank, getting along quite well in the show, often joining him and Julie on small escapades. Before the show's end however, most of Dandy's screen time is with Wally as he tries to get Dandy out of their shell more to spend time around others.

Interestingly, what pronouns were used for them seemed to change between the show's episodes and illustrated materials. While neighbors would refer to them as 'he' during the show, most art pieces seemed to refer to Dandy as a 'she'. Whether this was simply a miscommunication between teams or a printing error is unknown.

[adhdandcomics]

perhaps the most important question i’ve ever asked:

does anyone have tips for people trying to stop being chronically late to everything in the world that aren’t weirdly judgmental and aggressive or flat out lies

[maliciousalice]

The Janeway Maneuver

[ghost-bxrd]

Love what they are doing now with Wayne Family Adventures.

Bruce is being a jerk, but unlike mainstream, the narrative is definitely not on his side.

He gets called out on it, and it's made clear he is overreacting due to his own messed up mindset.

Yup! And they’re making absolutely clear the readers know that Bruce’s actions (and assholery) are because he’s terrified for his kids. Not because he’s “got no time for teenage rebellion” or the I-dont-need-a-son-i-need-an-obedient-soldier shtick

Yes he’s being a jerk about it, but honestly I’m not sure I would handle the situation much better after trying to get the most important people in my life out of the line of fire only to have them show up at literally every location of interest 😭😂 like, that man is stressed 🤣

[jontaro-kun]

That one time a pose study (looking at art of pretty women and telling myself I was being productive) turned into Portia

[unknownarmageddon]

saint bernard, rottweiler

killer belongs to rahafwabas cross belongs to jael peñaloza

if anyone makes any brainrot or omegaverse jokes on this thing i’m blowing this whole place up this is about alpha dog by fall out boy and alpha dog by fall out boy only!!!!!!!!

[whollyjoly]

it's gon' be a long ride home tomorrow from tennessee to texas to la well if i could i'd never leave you i'd come home to stay another night from home away from you it ain't easy i know (baby, don't you want me)

the bucktommy cowboy au nobody asked for part three (parts one and two)

thinking about rancher!tommy who goes on long two-month cattle drives and dreams of the gorgeous cattle hand back home...

(song insp.)

[cashmoneyyysstuff]

cannot stand yn in fics that be doin alot..like yall get what i mean ?? like you just gotta sit there n think "ugh girl you doin tm.."

[arthursfuckinghat]

Javier jumpscare while I was hunting bison (he scared them all away)