#(however this is the MOST important. to me.)

[hwnglx]

pick a pile - what makes you beautiful? (detailed)

hello dear reader! let's take a look into what makes you so uniquely beautiful. breathe slowly, take your time and use your intuition to go with the pile that speaks to you the most. this is a very specific reading, so it's likely that not every message will speak to everyone. remember to take what resonates, and leave what doesn't. 𓆩♡𓆪

✰ pile 1 ✰

so, this pile definitely gave me the biggest boss vibes. you have very strong energy, with so much major arcana in my spread. i can tell you are not someone to be messed with. (also kinda feel like you might parent or coddle the other piles lmao)

your beauty lies not only within your immense strength, but also in your ability to stand over situations which can appear very dark and difficult on the outside. i do believe you come with your own struggles, insecurities, doubts and fears which don't seem to always find their way to the surface; but you deal with them in such a graceful and impressive way. i can feel some people being in genuine awe of how you handle trials and tribulations. i do think you've been through certain things which have given you thicker skin. now, you know what you want and need in life, you're aware of your potential and what you can do, so even if a situation presents itself in which you find yourself in self-doubt, you believe in the power of hard work and consistency.

you don't seem like the type to dwell on your problems for too long or allow yourself to drown in self-pity, but moreso like a person who feels this desire to work on whatever troubles you. let's say if a situation presents itself to you, in which circumstances seem unfavourable; rather than complaining or remaining stuck in this hopeless place, you'll likely be the type to think about how you can change and work on your own attitude and mindset instead, in order to come out the other side in a stronger manner. you put a lot of importance into remaining confident and keeping a grip on your self-belief. since you see that as the best version of yourself. you appear to be very mature; even if your age is still young, you seem to have a wise soul and an impressingly reliable, as well as responsible nature. maybe you had to grow up quickly, you just give off this energy of someone who had to learn how to be responsible in life very early on.

considering i got both, the emperor and the empress for you, i think a lot of your beauty also lies in your duality. you're likely to have this balance of both feminine and masculine qualities inside of you. you seem to be the type of person who can be assertive, more self-centered and individualistic in some ways, like you do think it's important to focus on yourself in order to find fulfilment in this world. however this doesn't distinguish the compassionate heart you carry for other people. you're someone with an empathetic and kind nature, someone who wants to take care of the people you love.

you could make a very good parent, actually. i think you balance this sense of responsibility, dependability and solidity, with a nurturing heart, a soft and gentle core. you might be the case of someone with a hard shell but soft interior. i feel like you're the type to root for the underdog. someone who takes people under their wing, protects them from external influences. like you'd take a bullet for the people you cherish. (i do think you might be more selective in that aspect though, like you do have your boundaries straight, and wouldn't just throw your hand in the fire for anyone)

this is a random message i got; some of you also might be on the curvier side when it comes to your bodily built, and it makes you very very beautiful. like i can tell that some of pile 1's bodies are bangin! like yes sir or ma'am, go rock that bod with confidence!

another very beautiful thing about you; you do not fear getting your hands dirty. meaning, you're willing to put in the necessary hard work in life. like “if i have to personally run up this hill for several hours straight, then so be it, as long as i finally get to the top!” you aren't someone who will shy away from bearing burdens and heavy weights on your back, you understand the need to hustle in order to succeed. you can feel this need to improve yourself, put in the required effort to keep getting better at everything you do in life. not just for yourself, but also the people around you. you want to be a comfortable and stable figure in your loved one's lives.

i keep feeling like you're just this person people can lean on with no second thought; someone who will have their back no matter what. very loyal, dedicated and passionate energy within you. i'd personally love to be your friend, like i'd feel pretty lucky! i feel like you're the friend who keeps their promises, who's okay with running errands for others. you'd get things done for someone if they're unable to do so; like e.g. picking your friends up and driving them random places. maybe you're the friend at the party who holds themselves back from drinking in order to be the responsible one making sure everyone gets back home safely. you just seem to have this devotion to the ones you love, and wanting to make them feel safe, as well as cared for. you might also be a huge hype man in their lives, always cheering them on and lighting up any dark place they find themselves in. you have such bright and inspirational energy!

you carry this beautiful balance of; focusing on your own interests, ambitions, desires and goals, but also remaining considerate and caring towards the special people in your life.

✰ pile 2 ✰

oh my gawd, this pile is super cute. so, you immediately strike me as someone very independent and freedom-loving. you love to have your own space, and being able to just do whatever you want, whenever you want. i feel like you just have this very contagious and bright energy, where people might trust you to make the best out of every situation you're in. you seem like a big risk-taker, someone who doesn't fear the concept of change, and isn't afraid of starting all over again if you feel like that's necessary. you're so beautiful, in the way of just being down and ready to do things others might shy away from. you might be the person who will drag your friend out the dark and quiet room and tell them to get out, enjoy the beautiful sun on your skin, connect with mother nature, appreciate the smaller things in life and find happiness in them, because that's where true fulfilment lies. there is this very philosophical and poetic side to you. i keep feeling like you might have significant neptune/jupiter/mercury aspects.. i can just see you running through the blooming fields in this almost movie-like way. (random but do you like ghibli movies? you just give me ghibli character vibes, especially kiki's delivery service 🥹 i love that movie, it's so comforting)

you're beautiful in the way where.. you easily see beauty in the world. you seem so easily excitable, and count all the blessings you have in life. i feel like you're the type to find something positive in everything and everyone. random, but you might love photography, and taking pictures of almost everything around you, just because you can see art in anything or any place. you love exploring new places, new cultures, understanding and learning about people or things completely different to what you're used to. you might like to travel, because you enjoy this thought of getting insight into entirely new lifestyles. you're very open-minded.

you aren't worried about leaving toxic people or situations behind if you feel like they just keep you in a negative place. it's kinda giving been there done that. i think you consciously reject negativity now because you're not at that same place anymore, and especially don't want to be anymore. you're so overly protective of your peace now, because you had to deal with so many tribulations, and took so much on the chin from life in order to get to this place of inner peace. you don't allow anyone to take it away from you anymore.

you also don't seem afraid to completely transform. maybe you even enjoy transforming yourself physically, like you love reinventing yourself and can find your identity in things like your fashion. you enjoy expressing your unique nature in that way. i also just feel like you're such a pleasure to be around, people likely just enjoy your presence because it makes them feel like everything will be okay. did anyone ever tell you about how your presence is therapeutic to them? if not, some people might think that without openly expressing it.

i do think you can be very emotional too, which is another beautiful trait of yours. you might be the type to tear up rather easily, i think your interior is very squishy and sweet. you wear your heart on your sleeve in this beautiful and special way. you not being afraid to express your emotions (although sometimes they can just take over you unintentionally lmao dw i relate..) makes you so extraordinary, it gives you this unique light and glow. don't ever lose grip on this wonderful side of you. don't ever feel ashamed of it, and don't allow anyone to make you think you're anything but beautiful for your passion! i feel like you genuinely care about the world, and everything that it involves. your energy is just so pure and innocent in a way, even if you yourself don't see yourself that way. your intentions and heart read as very sweet.

in addition, your beauty lies in your ability to see opportunity of growth in whatever life throws at you. like pile 1, i do believe you have had to deal with your fair share of challenges in life, but this lead to you being able to see how.. even situations that might look awful from an outsiders perspective, can serve you as a learning lesson. “what doesn't kill you, makes you stronger.”

again, you're just so philosophical! i feel like we could just sit down together and discuss life for hours, in such a deep and intriguing manner. you seem to have a lot of understanding of the different complexities of life, just because you've experienced a lot of situations in which you had to adapt or adjust. so there's this natural know-how here, it's almost like you're not scared of life's upheavals anymore. you didn't let it discourage you at the time, so best believe it will not bring you down at this point in time. you're so youthful and almost childlike in spirit, but carry a deep sense of knowledge about life. like some other people might turn all bitter if they went through what you have been through, but you remained soft and sweet in this harsh world, which is such a beautiful trait to have! i sincerely applaud you, and hope you can never lose this truly wonderful spark inside of you.

✰ pile 3 ✰

oh, this pile seems so genuinely nice, but i can sense some struggle here too.. first of all, you read as a very humble and down to earth person. like i truly can't sense a single ounce of arrogance inside of you. you feel like you're an eternal student of life, continuously learning with every experience, and growing endlessly. you give off this energy of someone who's always so eager to expand your skills and knowledge on things. especially if you get hooked on something like a fun hobby, you're just so ambitious and approach the learning process with this modest, but determined attitude. you seem quite capable of dealing with constructive criticism, and take it as a way to further better yourself. like yes tell me what i did wrong, so i can improve. definitely a very hard-working and earnest energy within you.

you're so beautiful, because you live and lead with this sense of compassion and acceptance inside of you. you seem to have high emotional intelligence; as well as a lot of empathy for others. you're the type of person to.. hold this cup filled with love, in a crowd full of people fighting each other. while other people are overly competitive and at each other's throats to win over the other, you seem like the one who prefers seeing everyone as equally worthy of praise, equally lovable, equally deserving of respect. i truly don't see you enjoying to put yourself above others, simply because you don't see why you would want to. like i don't think you fully understand this need to argue and cause problems with others, it irks you.

you even might put other people's needs above yours almost naturally, it seems to come very easy to you. (did some of you grow up with a lot of siblings? i feel like there's this natural tendency to supress not only your own desires, but also your own emotions a lot.. i feel like you might've found yourself in plenty of situations where you needed to swallow your pride, bite your tongue, ignore your own emotions or grant others chances you yourself might've wanted.) you might be the type to politely hold the door open for people even though your arm hurts, offer the seat to the elderly even though you yourself are exhausted, allow your friend to grab the opportunity although you might need it just as much.

i do feel like you're quite peace-loving, and don't enjoy arguments at all. you seem excellent at approaching conflicts and problems in, not only this calm and collected manner, but also with this diplomatic and tender sense of understanding towards all parties. do you have any major libra placements? i can sense this beautifully non-judgemental energy in you, where you always seek harmony, no matter what situation you find yourself in. you also just seem balanced in general, and like not much can tick you off. some people might even ask you “how are you always so calm?” although i feel like you can experience feelings quite intensely once they take over you (i feel like you might cry a lot when you're on your own..) you just don't enjoy openly displaying your emotions, and might have problems expressing them outwardly. again, i keep feeling like this likely stems from a deeply rooted place, maybe you've just naturally aquired this mechanism within you, where you shut off your emotions and internalize them a lot.

you might put a lot of thought into how others view you, might dislike the thought of anyone looking at you as overly dramatic. you also seem pretty perfectionistic, especially in closely managing the way you're perceived by people, or the way you treat people. you might often fear doing them wrong, or overstepping any boundaries. i can sense an avoidance of expressing or asserting yourself strongly again here, because you just don't want anyone to feel like you're doing too much. (i know this is a reading that focuses more on positives, but spirit is telling me this selflessness in you makes you immensely beautiful.. maybe you even have a lot of egocentric people around you, therefore your kindness just stands out even more. don't lose that sincere heart you have for others, however; you need to listen to what you yourself want more as well <3 learn to balance these two sides in you out, because if not, others might take advantage of you)

i do think though, that a lot of this calmness might be a result of your maturity. it's interesting because on the one hand you can feel like the young student who still believes they have so much to learn from life, but at the same time, you do have a lot of valuable advice to give to people, just because you might relate to a lot of the things others go through. you seem amazing at putting yourself in someone else's shoes, i can feel people thinking you're a great listener.

i just feel like your unique beauty lies in this gentle, pleasant and mild energy you bring to the table. you'd be the type of person i could tell my deepest darkest secrets to comfortably, and i feel like you wouldn't mutter a word to anybody. like your friends probably can tell you the wildest sht they've done, without any embarrassment. or call you at any given moment, and you'd be there to listen to their angry rants or rages, and just take it all in quietly.

[quantomeno]

I've been following this matter for a while now (a quick search of newspaper articles showed it's been floated since mid last year, and I remember having to use my passport to verify my age on my gmail (it's not the account I use for tumblr, the account has my name in the address, so it's already pretty clearly me, so I was begrudgingly okay with it but am still annoyed my other account now can't watch age restricted youtube videos unless I tie it to my identity)). It's a vexed issue.

The first thing I'd like to point out is that the person quoted in the above post ("I am 100 percent etc") is Keith Pitt, a member of the Nationals who was resources and water minister under Morrison. I feel this is important because while he'd definitely be someone who'd vote in support of the measure, he's not a member of the party in power, let alone a Cabinet minister. His opinion is not necessarily that of the Prime Minister ― Anthony Albanese ― and it makes it seem like what he's talking about is what the government is planning to do.

What is the PM actually saying they'll do?

To be honest, I don't think the government knows yet. From what I can gather, there has been no suggestion by the PM that they would force people's accounts to have their real names. The Age a few days ago reported this:

"Australia’s eSafety commissioner has instead recommended a “double-blind tokenised approach”, whereby information would be provided to a verifying third party that would certify the user’s age to social media platforms without revealing details about the child. The details of the plan are being worked through by a trial of age-verification technologies."

(the "instead" is in reference to the current practice of social media platforms asking people if they over 13, which I'm sure most people realise would stop pretty much no child)

In that same article though they also said "the government has not unveiled key details, including the technology that would be used to keep children out". So I think there is quite a bit of time before anything is going to be written into law.

While I don't think your name will be "slapped onto your tumblr account" (if that does end up being what they do I would actually delete my tumblr, I really do not want that), there is still the question of privacy being invaded in that the government would (I think? I'm not a tech expert in the slightest) be able to connect you to your account.

Keep in mind that we are close to an election (there's been whispers it could be May next year), and this is an issue that (as the Keith Pitt quote shows) both of the major parties seem to mostly agree on. A cynical view is that the PM is talking tough to neutralise the issue so it can't be attacked by the opposition for not protecting children. The fact that both are talking about it does however suggest it will eventually come to pass (unlike other complicated legislation that was touted as 'essential' but then got shelved after being too hard to get through (naming no names i.e. Scomo's religious discrimination bill).

The other point to discuss is that while I really do enjoy people not knowing who I am on tumblr (and people in my life not being able to know I'm on tumblr), I also don't really think kids should be on social media (or at least not in the way they currently are). I avoided social media (I only had a facebook account I barely touched) until I was an adult (and even then I waited a while) and I'm quite glad, mostly because I think I'm a lot more mature. On the other hand, while I didn't interact with people, I grew up in a time when you could browse most platforms without an account, so it's not like I wasn't exposed to things on the internet. And then there's a bit of a moral panic about the internet, which can be a bit overblown at times. But then I'll hear a 14 year old I know mentioning stuff that makes me think he's kind of obsessed with growing muscles and I wonder if he's seeing these sorts of things online. I mean, there's a lot of garbage on the internet. But there's a lot of really useful things too... it's complicated and I'm not settled on an opinion yet.

Kids really do need to learn better internet practices and behaviours, but there are also kids in primary school with social media accounts. I mean, what does a 12 year old do in their life that they need the world to see? (don't answer that it's rhetorical, I'm sure there are plenty of 12 year olds doing interesting things worth showing off, but I mean, beyond messaging friends, 12 year olds don't really need to be communicating with strangers on the internet). Note too it's specifically social media (the definition is given by OP but it's anything where the main purpose is share content or talk to a wide audience of people. Things like games with chat stuff are also being looked into.

I'm also a bit of a luddite and think kids should read more. I'm not actually trying to convince people the ban is good, I'm just thinking aloud here. The whole thing feels rather heavy-handed, brute-force, and there's every chance kids will still find ways around it. I don't think this is the ideal solution, but I do feel there is a problem to be addressed.

But yeah, do tell your local member that you are concerned and want to make sure your privacy is kept safe. Just be aware of who your member is and their/their party's stance (all Labor MPs vote with the party, Liberals and Nationals can vote against their own party, so they may not all be in agreement). The Greens are opposed to it. I am not sure what the teal independents think of it.

You may also want to contact some senators from your state, not just your MP.

As for the contents of the letter, maybe something like:

Dear Mr/Ms/Dr (whatever title they use) surname MP,

I am a resident of your electorate (electorate name). (Maybe say a little bit about yourself, just what you think is relevant to the letter or your arguments).

I am writing to you to discuss the proposed social media ban for children. I am concerned (explain what/why you are concerned).

(Try to keep it brief, but also try to be personal)

State what you want your MP to do. Ask them to reply to your letter.

Sincerely,

your name.

You may want to mail the letter rather than just emailing. This page from Oxfam I just looked up five minutes ago has some nice tips.

Hey Aussies, do you want your real name and ID slapped on your tumblr account? If the answer is fuck no, our gov’s got a upcoming legislation for banning 16 year olds and under from social media even WITH parental consent. And by “Social Media”…

The code defines social media as electronic services that meet the following conditions:

The sole or primary purpose of the service is to enable online social interaction between two or more end users

The service allows end users to link to, or interact with, some or all other end users

The service allows end users to post material on the service

Such other conditions (if any) as are set out in the legislative rules.

So. You know. Just the entire fucking internet. They even named youtube as banned, god forbid kids out in the bush get access to LGBTQ+ communities online when they could be watching adds for sportsbet.

I am 100 per cent supportive of eliminating bullying and fake information from online platforms. The easiest way to do that is to be able to utilise existing laws, and the easiest way to do that is to ensure there are no fake accounts. Your digital, online life is your real life. If you want to make comments, that's fine, but it should be as you, as a verified account. This means everyone knows who it is that makes those comments, that you can be found and prosecuted under existing laws, just as you would if you express those opinions in a newspaper, for example, or you went on to a television station and said something similar.

Contact an Aussie senator about this shit. They’re trying to slide it under all the USpol news.

[barcaatthemoon]

complicate me || leah williamson x reader ||

Coming back to Arsenal was a mistake, but you and Leah manage to make an even bigger one together.

18+

You had always known that you wouldn't be at Manchester forever. A three year loan was a pretty long time, and for a moment, you had hoped that it would become permanent. Arsenal had let you stay the couple years, but with Jonas out, management ended your loan early. They wanted you back in red, not that you could blame them. There were a lot of important games coming up, and even if you technically couldn't play in a couple of them, you were still an important piece for practices.

It felt weird for you to walk the training grounds at Arsenal by yourself. Jen was gone, and she had always been the person you could count on to still be your mate after everything. Leah had kept most of your friends after the breakup, and then you hadn't exactly helped your case when you just up and left after everything.

You could still remember the way that Caitlin had practically begged for you to stay with the team. If it wasn't for Jen, you probably would have been convinced to stay. A part of you regretted leaving, but you knew that you hadn't been in your right mind with Leah so close after everything. At the time, it all seemed like too much to be reconciled, but now you were hopeful that things could be fixed.

You'd never in a million years get back together with Leah, no matter how good she looked. It didn't matter how many drinks you had on a team night out. After the first couple to celebrate wins, however, you promptly decided that you'd be a loner at Arsenal. With Jen in California, you had lost your personal voice of reason, the only person who could truly keep you away from Leah for your own wellbeing.

"Come on, you have to come over. You never do anything with the team, everybody's gonna think that you hate them," Caitlin pleaded with you. The two of you had been going back and forth for the past week about you coming to the party she was throwing with Katie at their place. It was a bye week, so everybody was free to enjoy the weekend. You knew there would be a lot of drinking, and that was what scared you. You had always been able to hold your liquor pretty well physically, but you made absolutely terrible decisions sometimes.

"Cait, nobody wants me there. Let's face it, they barely even want me playing here again," you reasoned. Caitlin could see you start to move to get up and rushed to grab onto your wrist. "Caitlin, I don't want to argue about this."

"Then don't argue and just come over for a bit. You don't have to talk to anybody but me. Just please, I miss you. I've missed you since you moved and iced everybody out," Caitlin said. She gave you her best puppy dog eyes, and if it was anybody else, you probably would have just said no. But because it was Caitlin, you gave in despite your better judgement.

That afternoon when you got out of training, you went straight home and immediately called Jen. You had hoped that she would convince you not to go, but instead, she had fully agreed with Caitlin. You hated hearing how it was a good idea to bond with the women you'd be spending the next two seasons of your career with. Once your contract was over, you could go somewhere else, but for now, you were stuck at Arsenal.

A lot of things had changed since you left. The changes may not have seemed like much to people who had been around, but they had definitely taken you by surprise. The big one had been Caitlin and Lia. Caitlin had been clinging to Katie's side when you arrived, and Lia was stuck by Lia.

Years before, you had been close with Lia, even closer than Lia and Leah were. Now, you just had Caitlin, who you had only befriended because of Lia. It hurt for the Swiss woman not to even look your way, but you couldn't imagine how it looked to her. You were sure that everybody had gotten Leah's side of the story, which you weren't calling bullshit, but you knew had to be biased.

"You look good. Leah's staring," Caitlin said as she nudged you.

"Whatever." You brushed off Caitlin's comment, but only to force yourself not to glance over at the blonde. You couldn't let yourself get sucked over there, not when you knew where it would end up. Leah had an uncanny ability to complicate everything in your life, and she had been doing it for years now. Your relationship had been far from perfect, but you were happier then. Now, you were miserable while she was getting a chance to live her best life.

"(Y/n), I didn't think you'd come." Katie looked just as surprised as she sounded. Caitlin swatted at the Irish woman's chest, but Katie seemed unphased. "I'm glad you came. It's been boring without my favorite drinking buddy."

"Do you really want me to drink you under the table this early into the night?" you asked teasingly. Katie scoffed at that, but didn't deny that you usually did win the little competitions. You watched as Katie sent Caitlin a pleading look before Caitlin just nodded. Before you could react, Katie grabbed your hand and led you into the kitchen where the alcohol was.

You let Katie pick the alcohol, and thus, your competition began. You should have known better than to start drinking like this so early into the night, but you wanted to have fun. It had been so long that you believed that you deserved to have a good night out. Several shots later, and you found yourself having to help Katie stumble out of the kitchen.

"Katie, you promised you'd stop at 5," Caitlin huffed as she took her girlfriend from you.

"Hey, it's not my fault that she did doubles," Katie slurred. Caitlin glanced over at you, who just barely had a rosy tint to your cheeks. You didn't seem too out of it, so Caitlin left you there to make Katie sit down and eat something with the hope of sobering her up a bit. It couldn't have been more than maybe 30 seconds of you being alone for Leah to find her way over to you.

"I see that you're enjoying yourself," Leah teased. Your eyes narrowed at her, but your anger was fleeting. You couldn't hold onto any one emotion for too long before forgetting what exactly it was that you were feeling. "You're gonna be feeling that tomorrow."

"That's not your concern," you told her. Leah seemed a bit shocked by the snark in your tone. She shouldn't have been surprised by it, you had spoken to her in worse tones constantly by the end of your relationship. "Why are you over here? You told everybody that I ruined you. Nobody wants to talk to the woman who ruined them."

"(Y/n), I was hurt. You know that I lash out when I'm hurt, besides, I am much more mature than I was before," Leah said. She placed her hand on the small of your back, and it ignited something inside of you. Without an ounce of hesitation, you turned and tried to kiss Leah. "Hey, no, not like this. I want you, but I want you to want me back."

"Leah, it's complicated. I'm complicated now," you told her. Leah bit her lip and glanced at the bottle of alcohol just sitting on the table behind you. You followed her gaze and immediately knew what she was getting onto. "You want to be on my level?"

"I don't think I'd feel so bad if I was," Leah reasoned. You didn't like the thought of her needing to be drunk to want you, but the notion was gone as quickly as it popped into your head. Everything was fleeting, except for your desire to have Leah. You didn't necessarily want her sexually; you just wanted her close. If you had to crawl into bed and open your legs for that, then you were more than willing to do so.

The trip back to Leah's was a bit of a blur. Leah's place wasn't too far from Katie and Caitlin's, close enough for the two of you to walk there. The two of you had left fairly early into the night, but it was nearly 11:30 by the time that you had gotten inside. Neither of you seemed to care as you had both been guilty of stopping to kiss and feel the other up.

Your lipstick was smeared on Leah's mouth and neck by the time that you got back to her place. She paused as she caught a glimpse of herself, a little more disheleved than normal. Leah promptly turned her atttention over to you. You looked just as far gone as she did, pupils blown wide as you watched and waited for her to make another move on you.

"Come on," Leah said as she tugged you along with her. Leah tried to move quickly with you, not giving you a chance to take in the state of her home now that you were gone. She was scared that if the two of you stopped for too long, you would notice all of the little pieces of you that Leah had refused to give up.

The truth was that she had tried, and for a while, they had been gone. However, Leah had always kept the few boxes of trinkets and little things you left behind in her closet. Lia had begged Leah to throw it all away, but the blonde couldn't bring herself to do it. Eventually, she began hating the way that her house felt, so she slowly put all of your things back in their rightful places.

Leah kept the light in her room off, guiding you to the bed herself. She didn't think about you waking up in the morning and seeing anything, but Leah doubted that the two of you would be on speaking terms for a while after tonight. Any time that you let yourself get remotely close to Leah for a little, you always blanked everybody for about a week or two.

"Lee, it's dark," you said. Leah just hummed, neither of you stopping in your attempts to undress each other. You wanted to see Leah's body, but you weren't willing to pull yourself away from her to turn on the lights. You didn't need the lights on to know the look of concentration on Leah's face as the two of you ground against each other.

You could vividly imagine everything happening around you. This was far from the first time that you had closed your eyes and just tried to imagine all of the things you remembered about Leah. Now, it was much more real than before with Leah panting and moaning in your ear.

"I want to feel you. I want to be inside of you," Leah told you. You had never been glad to be laying down before in your life. There was no way that Leah wouldn't have known how her words would affect you. You were sure that Leah could feel the surge of arousal as it coursed through your body.

"Fuck me, Leah, please," you begged her. You pushed a needier tone than usual, letting Leah really hear every ounce of desperation inside of you. Leah groaned as she sat back on her knees. One of her hands slipped between your legs while the other went between her own.

Leah could just barely make out the twisting of your body in the moonlight. She was so much closer than you were, but Leah wanted to make you cum. She wanted to feel you clench around her fingers at least one more time. She didn't know whether or not she'd get another chance to touch you like this again, and so she tried her best to savor the moment.

…

The hangover from hell was the least of your problems whenever you had woken up the next morning. With Leah fast asleep next to you, you quickly snuck out of her home. It had once been your home too, but once again, you were running from it. A few quick phone calls to Arsenal's management staff about taking some time off for your mental health and a hasty plane ticket purchase later, and you were dead set on leaving the country.

Leah would be mad at you, as would Caitlin and everyone else, but you had to go. You watched as a text was sent out from management about you taking the next month off. Text after text began flooding in as you packed a bag. You didn't know how long you'd really be away for, but you just had to get the fuck away from London for a while.

"Jen? I know it's early for you, but I fucked up. I'm not over her, and I just need to clear my head for a couple of days. I swear that I won't be long, they're giving me the month, so I'll probably go back to Glasgow for a bit too. I just, I'll see you later." You had always hated leaving voicemails, but the words just poured from your mouth. You knew that your best friend was going to kill you when she saw you, but she'd also take care of you too.

[the-gay-prometheus]

Thank you Dean and Cas, you can go back to superhell now or whatever.

OK. Now that I have your full and undivided attention.

What the &#!* is happening in Pennsylvania?!?

Hi. You can call me Jay or Victor (I go by both interchangeably). Who the heck am I? I'm just a guy who happens to be privy to a few of the finer details about some of the things going on regarding the election here in Pennsylvania due to my proximity to someone who is involved in the electoral process.

Skip to the "keep reading" if you don't care about the how or why I'm making this post and just want the details about what's going on.

You may have recently seen a post going around talking about how somebody has paid for many many many mail-in ballots in Pennsylvania to be challenged and therefore slowing the ability for those ballots to be counted or putting them at risk of being discarded entirely.

Note - the version of the post linked there is the EDITED version that includes my initial responses (thank you to OP @/feralcringeman for editing my addition onto the post!!!! and also a massive thank you for making the post in the first place!!!!! I'm glad more word is getting out about this situation!!!!)

I am not trying to undermine this individual's post by any means. However, thanks to the way Tumblr works, I am concerned about the fact that most people are only seeing the initial unedited version of the post and are not looking into the reblogs to see my responses.

THESE RESPONSES ARE IMPORTANT.

I'm not just saying that to be self-important or whatever - I'm saying that because it is extremely important that people understand exactly what is going on so that, if and when they take action, they take the correct action and don't start throwing accusations that will ultimately end with them not being taken seriously.

To make sure this updated information gets out to a broader audience, I am making my own post with everything you need to know included. Find out everything you need to know that I am able to tell you under the cut.

Here are the key things you need to know:

The emails in the original post are legitimate. Mail-in ballots are in fact being challenged in Pennsylvania, and there will be court hearings regarding the legitimacy of these ballots

These challenges are not being made by Donald Trump himself - they are being made by avid supporters of his.

These challenges ARE LEGAL by Pennsylvania law, and the law does require a payment to be made per ballot being challenged by the challenger

There was recent news about fraudulent voter registrations being received in Lancaster County. These have absolutely no connection to the individuals responsible for challenging the mail-in ballots

In Pennsylvania, there is a law stating that any Pennsylvania citizen may come to their county's director of elections and claim that certain mail-in ballot applications may be fraudulent. When they do so, they must pay cash out of pocket per ballot application challenged. This money will go toward whatever the county needs to put it toward (usually paying off debt). The amount required to be paid per challenge is $10.

A group of avid Trump supporters worked together to make use of this law in 14 counties:

In my county specifically, I am aware of an individual who paid over $7,000 in cash to challenge ballots - that is between 700-800 challenges in my county alone.

Across these 14 counties, the number of ballots being challenged is over 4,300. That is over $43,000 paid in cash out of pocket by Trump supporters in Pennsylvania specifically with the intent of attempting to, at worst, nullify perfectly valid mail-in ballot applications and void valid votes, or at best, slow down the vote counting process by forcing the counties to conduct court hearings regarding the legitimacy of these ballots.

The good news is, many of these counties are not taking these challenges seriously whatsoever. In some cases, the judges are literally just throwing out the challenges. In other cases, the ones who made the challenges are withdrawing their challenges because it's clear that their challenges won't be taken seriously. That said, some counties may take them more seriously and hold more intense trials. In some cases, the challengers may appeal the more swiftly made court decisions and force yet another court case, slowing things down even more.

What does this all mean?

Trump didn't cheat (at least not in this specific case). Technically his supporters that made these challenges didn't either. These challenges are 100% legal under Pennsylvania law. They're ridiculous, but they are legal.

So does this mean you shouldn't raise your voices about it? That you shouldn't contact the White House and include this situation in your note about how there was foul play in this election? Absolutely not. You should include this situation, but do not frame it as cheating, because it isn't. Frame it as just another way that this election has not been run entirely fairly, because while it is legal, it means that there are perfectly valid votes that are still waiting to be counted while extremely tight races are already being called.

~~~

With all that out of the way, what was that thing I said about fraudulent voter registrations in Lancaster?

This is a completely separate issue, as I've mentioned, and it's already been discovered that the vast majority of registrations flagged as potentially fraudulent have been verified as legitimate. What is important to note is that these were voter registrations, NOT ballots.

News of this situation has gone national, so of course Trump picked up on it (and visited Lancaster not once but twice after the entire issue came to a head). But Trump is Trump, so what did he say? He said that these were fraudulent ballots, fraudulent votes. That is not true.

The issue was voter registrations, potentially being conducted by paid political canvassers that were being given quotas on how many registrations they needed to get in order to be paid. Whether that bit is true or not is still being investigated - if it is true, it's very much illegal.

As I said, the good news is that the vast majority of the over 2000 flagged registrations have been verified as legitimate, and the number that actually does seem to be fraudulent so far is hovering below 20% of the number of registrations initially flagged.

Again, this issue is completely separate. You may see it being lumped together with the current issue of ballots being challenged, but these fraudulent registrations are linked to an entirely different situation and have nothing to do with Trump or his supporters.

~~~

So! That's the tea on what's happening here in PA. It's not as bad as it initially might sound - not to say it isn't bad, it's just not as bad. Feel free to ask questions, I'll do my best to answer with the information I have/the information I'm allowed to give.

And also, on a slightly lighter note, I think we should all collectively laugh at the idiots who paid a grand total of $43,000+ in cash for literally no good reason considering most of these challenges are just being or going to be thrown out. Lmao. I hope our counties' treasuries are enjoying those donations.

[lu-is-not-ok]

two in one theory... i am listening very intently if you ever feel up to share it!!

Alright, so this is gonna be... as close to an Abridged explanation of the theory as I can make, because if I went off on everything about it I would end up writing a whole dissertation or five hour video essay script on this shit.

There are gonna be three main sections to this post - Hong Lu's Daiyuisms, Hong Lu's Themes of Identity and how that connects to the concept of Two in One, and the Daiyu-Baoyu theory itself.

Strap in folks.

Hong Lu's Daiyuisms

If you know anything about my theories in the earlier days of Limbus, you might know that I'm one of the very few people who was convinced Hong Lu is actually Daiyu, due to some evidence I found personally compelling. This has not changed, as we've only gotten just as much extra evidence to this as we have to him being Baoyu. So let me just speedrun through some of these points.

The Fucking Jade Eye

Ok hear me out. This is maybe the least important piece of evidence but I can never stop thinking about it. Hong Lu's jade eye? Not actually fully blue! If you look closely on most of his sprites, you can see that he actually has sectoral heterochromia, meaning his jade eye is both blue and black.

Daiyu's name, quite literally, translates to blue-black jade.

Now, you could claim that this is merely meant to be an easter egg reference to her, but... is that really Project Moon's style? After all, when people speculated on Don Quixote being Sancho or a Bloodfiend partially based on her appearance all the way back since near launch, they turned out to be right.

Hong Lu's Father

As of now, there is only one instance of Hong Lu referencing his Father in Limbus, and it's a voiceline from his Base Identity:

Now, if you know anything about DOTRC, this should already be raising some flags, because if Hong Lu was just Baoyu, he would not fucking talk like that about his Father.

In the book, Baoyu is consistently shown to be afraid of his Father, for a good reason mind you, as he's his main abuser. Baoyu would not be looking forward to introducing his friends to that man.

Even if Hong Lu was trying to downplay the abuse he's recieved, this would still not fit his pattern of behavior. When topics that genuinely bother Hong Lu come up, such as what could make him distort or how rich people would enjoy gifts made of humans, he immediately pivots and tries to avoid the topic at all cost. He would not bring up his main abuser in such a lighthearted manner, he would avoid bringing him up at all cost.

However, there is a character in DOTRC which does in fact have a more positive relationship to her Father, and would likely be the one with an opinion such as that - Daiyu. Daiyu loves her Father, and when he dies she completely disappears from the story for a bit to attend his funeral. If there was anyone who would be excited to introduce their friends to their Father, it'd be Daiyu.

Lasso Hong Lu's Corrosion

I made a whole seperate post about this, but I might as well mention it here as well for the sake of completion. The design choices made for Hong Lu which are missing for Faust are very, very Daiyu-coded.

For one, not only does Hong Lu completely turn into a flower, unlike Faust, his horse also gains a flower in its mouth. For those whose knowledge of DOTRC is zero to none, Daiyu is a reincarnation of a Flower given sentience due to being watered by the Jade. I don't think I have to be the one to connect the dots between those two pieces of info for you.

The second is how the halters become a noose for Hong Lu. This, too, is a very Daiyu thing - Rose Hunter as an Abnormality represents the inability to escape one's fate, and Daiyu's fate is to die - the Jia Family arranging a marriage between Baoyu and Baochai leads to Daiyu falling deathly ill, which in itself could be considered a part of her repaying her Debt of Tears - the debt she swore to repay to the Jade/Baoyu when she was still a Flower.

The hilarity of the fact that this E.G.O came out in the same update as Hong Lu being called Baoyu in-story is not lost on me.

Rose Sign Abnormality Log

The third Log for Rose Sign ends in a very peculiar way.

There's multiple ways one can tie Hong Lu's odd reluctance to talk about flowers and the petals. One is the obvious "he's being reminded of Daiyu because she was a Flower" connection, but there's another one.

One of the most commonly potrayed images of Daiyu relates to a scene in DOTRC where she buries fallen flower petals, weeping for and lamenting the mortality of the flowers and herself. Hong Lu's reaction here to his fellow Sinners being reduced to nothing but petals upon Rose Sign's death feels like a notable parallel to Daiyu's flower burial scene.

Like literally everything about Kurokumo Hong Lu

The title for this is a bit of an exaggeration, but at the same time. I'm serious. Kurokumo Hong Lu is perhaps the most Daiyu Identity out of all the Hong Lu Identities we have, and the way he is designed to stand out among them further makes me go insane.

Kurokumo Hong Lu's most defining trait is his attitude - he often complains about his position and how authority treats him, though he doesn't really act out against them in any major way outside of making snarky or sarcastic remarks.

This is, frankly, an extremely Daiyu thing to do. Daiyu is one of the few characters who audibly complains about her treatment in the household. For example she complains about not being given as many opportunities to show off her poetry skills as her male peers are, and she recognises how, when all the girls in the family are given flowers, she's the last one to recieve them and thus is stripped of the ability to pick, being only given the leftovers.

Then there's the whole. Everything about Kurokumo Hong Lu's visual design. Because once you realize just how Daiyu-like the Identity is, you realize just how weird he is compared to other Hong Lu Identities. I mean just look how he compares to his other Identities.

He's the only Hong Lu Identity with a blue tint to his hair in the combat sprite rather than the usual purple.

He's the only Hong Lu Identity whose hairtie is a ribbon rather than a jade ring (Liu Hong Lu technically has the ribbon in his post-uptie art, but he doesn't have it in his combat sprite so I'm not counting him).

He's the only Hong Lu Identity to not be smiling in his combat sprites.

And he's the only Hong Lu Identity (and one of only four Identities in the game) whose Idle sprite has its body facing away from the opponent rather than facing towards them.

All of those combine to make him stand out like a sore thumb in a Hong Lu Identity lineup in a way that makes it feel intentional, especially since he's also the only Hong Lu Identity with that kind of notable attitude towards authority. Other Hong Lu Identities are either obedient, don't express any opinion, or just straight up are the authority.

The Baoyu reveal is framed in a very weird way

This is, admittedly, less of a Daiyuism and more of a not-Baoyuism, but I thought it'd be important to mention nonetheless.

There are a lot of things about Canto 7's reveal of Hong Lu's name being Baoyu that are very strange, especially compared to how the Canto frames Don Quixote's own reveal of actually being Sancho.

For one, the timing itself - why is such an important piece of info being revealed so early? Again, compare to Donqui - she was revealed to be a Bloodfiend in the Intervallo right before Canto 7, and the Sancho reveal only came in the second half of the Canto.

For two, the framing - Donqui's reveals are treated as what they are, Major Reveals. The Baoyu reveal on the other hand happens in a single off-handed line, with nobody reacting to it in any way. Neither Hong Lu nor the other Sinners seem to hear it after all.

And mind you, it's not like Limbus is opposed to giving us important information in off-handed lines - far from it in fact. Project Moon loves shoving little bits of foreshadowing and reveals you don't realize are reveals until way later in these kinds of off-handed lines. But the way those lines are treated is still very different to how the Baoyu reveal is treated.

Usually, when there's foreshadowing in off-handed lines, it's usually either vague enough to be something a character could say regardless of context (see Yi Sang getting hung up on the Sedatives bit in Canto 2 or Ishmael's comment about Syndicates pretending to be Families foreshadowing her own history with the Middle via Queequeg) or something that is in the middle of a scene that distracts from what is actually being said (like Hong Lu's distortion foreshadowing being in the middle of an important infodump or most of everything in Canto 2 being surrounded by a comedic tone).

None of this is present for the Baoyu reveal. There's nothing to distract you from this information, as the scene is already focused on discussing Hong Lu, meaning you're already likely to be paying attention to what is being said about him. There's also no vagueness about it, there's no way you can brush it off since not only are Wei and Xichun newly introduced characters, but it's a whole ass clearcut namedrop.

The only way I can justify that reveal being there in the form it takes is that it in itself is the distraction. Think about it. Didn't I point it out earlier that this reveal came in the same update as the E.G.O with an extremely Daiyu-coded corrosion design? Wouldn't it make sense for that reveal to be there to lower your guard, make you think you resolved that mystery, only to later on reveal it wasn't the whole story after all?

Hong Lu's Themes of Identity

So this section is a bit more vague than the Daiyuism section, because Hong Lu is the type of guy to just Say Shit all the time. It's basically just. Anything that I find relevant to the idea of Hong Lu's Identity being more complex than him just being a random guy using a pseudonym, with some (but maybe not all) of them directly tying to the idea of Two in One.

"Which one is the real you?"

There are currently two seperate scenes where Hong Lu muses on the idea of someone's identity being in some way vague or obscured.

Is Dante the person or the clock? Is the dreamer the one in the dream or the one who wakes from it? Which you is the real you? Does it even matter if that you will flutter away in the end?

This idea of there being one true self. That even if there are two, there is only one of them that is actually you. Curious, right?

Face-changing dance

During the Canto 2 scene where everyone gives their reasons for whether or not they'd be a good pick for being the one to dance, Hong Lu says this.

Bian lian is a kind of dance literally translated as "face-changing". It involves rapid changes between various masks and make-up to represent different emotions or characters.

Now, it's no secret that Hong Lu is a great actor, as we see in Canto 4, and Canto 7 shows how the comparison to theatre and actors can be used to symbolize one's performance of identity, as it does for Sancho and her Don Quixote persona.

Mind you, this reveal comes in the same scene as Sinclair's dance invoking the image of a bonfire burning all through the night according to the Mariachis, a clear foreshadowing to Canto 3 and the Literal burning down of Sinclair's home.

Hong Lu knowing bian lian could be further foreshadowing to his own skills in deception, and how he too is a sort of actor, not unlike Don Quixote. On the other hand however, it could also be a more literal foreshadowing, that he (Baoyu) Quite Literally changed his face. We won't know until Canto 8, but it is an option you know.

The HamHamPangPang dish(es)

For those who don't know, here is a list of the Sinner-themed dishes that were available at HamHamPangPang.

Now, chances are, not all of them have deep meanings. I don't think there's much of a deep meaning to Heathcliff and Ishmael's dishes, I think PJM just legit don't know much about British/American cuisine so they just picked something recogniseable.

However, not all of them are meaningless picks either. Ryoshu, likely a mother, has a meal literally called "parent-and-child donburi". Don Quixote, a Bloodfiend, has a garlic-based dish. These were clearly done on purpose.

So, what does it say that Hong Lu's dish is actually two different dishes? That he's the only one whose dish is two different dishes? And it's not like the two are in some way inherently connected, since they're of completely different cuisines. Japchae is a Korean dish, not Chinese like the Mandarin rolls.

And just in case you weren't convinced that Hong Lu's choice of dishes is purposeful - another name for Mandarin rolls is flower buns, and one of the special occasions japchae is commonly served for is weddings. If you had read through the Daiyuisms section and somehow have no idea what the significance of that is, I don't know what to tell you.

The Daiyu-Baoyu Theory (finally)

So. I gave some evidence for why I think Hong Lu could still be Daiyu despite being revealed as Baoyu. I gave some evidence for why I think Hong Lu could be a Two in One deal, or that at the very least there's something more complex going on with his identity. But let's discuss the theory itself, how it would recontextualize certain things, and why I think it's an extremely fitting an thematically resonant direction for Hong Lu's Canto to go in.

The Theory

Here's what I speculate is going on.

Daiyu, just like in DOTRC, is someone who was taken in into the Jia Household rather than born in it, and who strongly connected with Baoyu upon meeting him. The two would end up forming a bond strong enough that they would be willing to die for one another (or, if they're in particularly argumentative moods, to kill themselves just to force the other to have to live a long life grieving over them - this is an actual argument they have in DOTRC and I pray to god this is adapted into Limbus because it's too fucking funny).

At some point, Baoyu either dies or is brought to near death, likely through the same circumstances as in DOTRC - being beaten by his Father. To save him, his memories and consciousness would be transferred to his eye, a process not dissimilar to the one Xichun brings up in Canto 7, and implanted into Daiyu's body, causing them to become a vessel for Baoyu. This would be how Hong Lu as he is now is created.

All of the above is the main basis for this theory. Everything else that I might speculate about, such as the exact nature of the two's relationship, Daiyu's more exact background and personality, how their pre-reincarnation lives could be adapted - all of those are things that are purely speculative and ones that I don't really expect to be actually fulfilled. The only bits that I am sure are likely to be true is what I laid out above.

So... what does it all mean for the future? I'm glad you asked!

The Recontextualization

Here's a collection of just a couple of things that Hong Lu has said or is depicted as that would be heavily recontextualized if this theory ends up being true.

Hong Lu surviving despite claiming he didn't fight back when his siblings first tried to kill him: With the context that he used to be two seperate people, the answer to how he survived is made very simple. Baoyu is the one who wasn't fighting back. Daiyu, however, could have still protected him in turn.

The red ribbon on Hong Lu's weapon: There is only one other Sinner who has a similar decoration on their weapon - Ryoshu, who also has a red ribbon on her sword, which could be easily connected to Yuzuki and her death. With the context of Hong Lu being Baoyu occupying Daiyu's body and thus effectively rendering their self non-existent, the red ribbon could be a parallel symbol - a symbol of Daiyu and their 'death'.

How Hong Lu treats his weapon in his base E.G.O: The way Hong Lu holds his weapon in the illustration is more like he's cradling another person. This could be a representation of how he feels about Daiyu's situation. Likewise, in the attack animation, he's not really attacking with the weapon itself, is he? He's simply using it to direct a ribbon (which in itself is missing in the illustration), the part that is actually the attack. If the weapon in the base E.G.O represents Daiyu, this could be a parallel to how Baoyu feels like he's merely directing Daiyu's body to attack, rather than being the one actually attacking.

The duality of Hong Lu IDs: There is a notable pattern among Hong Lu IDs, and that is the focus on his attitude to violence. When he's in a situation where he's obedient towards his Family, he's either uninterested in violence, bored of it, or otherwise given no other choice but to use it as a reprieve from boredom. However, when he's in a situation where he's disconnected from his Family or otherwise questioning the status quo, he's shown to not only be much more aggressive and violent, but to outright enjoy it. With the context of Hong Lu being composed of two people, this duality could represent each of his components - the obedient and violence-averse being more Baoyu-like, while the questioning and violence-favoring being more Daiyu-like.

So, there's a bunch of stuff that would be given new meaning under the premise of this theory being true. But now, what about the future? What would this theory mean for the themes and ending of Canto 8?

The Resolution

I believe this is how the Daiyu-Baoyu theory will affect Canto 8.

At some point, whether before or during the Canto, it will be revealed that Hong Lu is both Daiyu and Baoyu. There will be an attempt to seperate the two, perhaps to implant Baoyu into a more fitting, more Jia Family-approved Vessel. Perhaps because the 'arranged marriage' from DOTRC could be adapted into something more... let's say Fear and Hunger kind of marriage rather than traditional marriage.

This will leave Hong Lu to be returned to their state as Daiyu, who will be revealed to be a very different person to what the Sinners knew Hong Lu as. There is a non-zero chance that Daiyu will be unable to hear Dante or be revived by them due to the one who signed the contract being Baoyu, and so they could end up acting as an uncontrollable ally unit not unlike Xichun in Canto 7.

The climax would then be Daiyu and Baoyu reuniting and being unwilling to part with each other again, even for the sake of returning to being the fake persona that is Hong Lu, leading to a potential duo boss fight/distortion boss fight/duo distortion boss fight.

The ending would be the two of them deciding to embrace their new identity as Hong Lu and truly becoming one, discarding their pasts and the selves that had been forced on them by the Jia Family. This ending would have a twofold meaning regarding how it connects to the DOTRC adaptation.

One - it would be a direct parallel to the ending of DOTRC where Baoyu leaves to become a monk. By becoming Hong Lu and discaring his previous identities, he'd be leaving behind the earthly attachments inherent to being Baoyu and Daiyu and become spiritually whole.

Two - it would be a reflection of the major theme of DOTRC, that being "Truth becomes fiction when the fiction's true. Real becomes not-real when the unreal's real." Hong Lu, as a person, is a 'fake' persona used by the 'real' Baoyu and Daiyu. However, by discarding those two identities and deciding to just be Hong Lu, the fiction of his existence becomes the truth, while his former real selves become not real.

Conclusion?

I could honestly just keep going with this post, but I think I'm going to stop myself here before I'm forced to find out what tumblr's character limit on posts is. Believe me, I was trying to be brief, and still this post is. This fucking long.

I hope this explains why this theory has been the subject of my brainrot for the past however long, and why I feel like it's surprisingly plausible despite being as deranged as it is.

Godspeed and godbless, I have classes tomorrow and I'm spending my time on this.

[illiath-the-fae]

So... as a Psychologist, I'd like to weigh in on these...

"Love Languages".... hmm... yeah... I only ever hear this said in terms of pop psychology (which is like the difference between Astrology and Astronomy to me), so skipping. If you care about relationship advice, I recommend looking up work from The Gottman Institute, decades of research into relationships out of those people, and while the initially studies were focused on male-female married couples, more modern works from them have been more generalized. They provide "free" information about their research on their website and other places.

MBTI... ah yes... the "four letter words" of things... amusing, but otherwise pointless. My partner (non-psychologist) has taken enough of those over the years for employment he can get any result he wants from it.

BMI... This falls outside my area of expertise, but as someone whose fat, and having worked extensively with one of the founders of "Health At Every Size"... BMI is janky as all heck. It's coming close to being MBTI levels of scam at this point.

Brain development ends at 25... I agree, it doesn't. Your brain is constantly developing and changing. It's called "learning". However, there are certain core aspects of your brain that develop to a specific point and then stop. For instance, your occipital lobes basically "stops development" in early childhood (it's major structures stop changing, but linkages between neurons continue and shift throughout your life). That said, most of the major structures do "stop developing" around 25-30 years of age, but in sort of the same way your skeletal structure stops developing around then... in that you're a living creature so you are ALWAYS changing.

Okay... and now for the bit I really wanted to weigh in on... the IQ stuff. A few things of note. IQ was initially developed to determine what sort of educational class a child should be placed into, as the French public school system wanted to properly place young children in classes for their age. As it was French initially, this is why 100 is an important number, as 100 was to be considered "the correct amount of academic intelligence for someone of this case", and they didn't look "above" that, as it wasn't considered important, and so it was seen as "percentage of correct grade level". Fast forward through a rascist at Stanford (skipping as the previous poster actually explained the reasons for it being shit pretty well) and we move on to more modern IQ testing. Today's IQ testing is primarily used in two main places, education placement (wooo! Full circle!), and to assist with diagnosing some of the more difficult to diagnose conditions. I cannot discuss much of what is used to determine an IQ score (each of the five main tests I am trained in use different aspects and testing methodology so no two tests are equivalent) as knowledge of what is in the test and how they work affects the test results (I'm not allowed to be IQ tested anymore, for instance, as I know how they generate the outcomes... sort of like how my partner can get any MBTI, I can mess with IQ score results). However, I can tell you that the primary test I use, tests mathematical skills, memory, problem solving, and spatial awareness. There are ways to adjust the test if someone has physical disabilities that would impair their ability to do the tests as well. That said, I wouldn't even consider doing IQ testing on someone unless it was part of a more wide-spread diagnostic screening. I'd be using the test to determine things like potential learning disorders, ADHD, ASD, and more. However, for most I wouldn't even do IQ testing for those, it'd only if it was needed for some reason, or the results from other tests suggested I should see what the outcomes are for certain specific portions of the IQ testing methodology.

So... IQ testing... not useful for figuring out "how intelligent" someone is, but very useful for determining "this person's ability to do <x> combined with all these other things the person does shows they most likely have disorder <y>".

I can't keep having the same conversations about love languages, mbti, iq, bmi, "brain fully formed at 25" and shit over and over again...

[cevansbrat0007]

https://x.com/auxgod_/status/1854935706742706397?s=46

ari’s reaction if bird tried to walk out the house with this on 👀

Untitled Sweet Renegade Series Ask & Drabble

Please enjoy the Sweet Renegades Series Drabble found after the cut. Warnings include: Mature Themes, Implied Smut, Ari Being a Possessive Menace, Brat!Reader, Manhandling, Crude Language, and Cursing. Minors DNI.

Listen, Ari considers himself to be a rather progressive man. He has two sisters that he respects and adores. And a little niece that fills him with pride. He plans to teach his nephew about the importance of respecting women - of treating them with the utmost reverence and care.

However, the moment Ari laid eyes on his sweet, stubborn little Bird, it was if something in him snapped. It came from somewhere deep. Primal. And the beast in him demanded that he claim her. Before her, Ari had never really considered himself to be the possessive type. He just assumed that jealousy wasn't a part of his makeup.

But now? Her smile. Her laugh. Her light. Every delicate inch of her gorgeous curvy boy. All of it belongs to him.

She belongs to him - in the most primal, feral sense.

And so, while he wants to encourage Bird as she continues down the path of consistent, healthy body positivity, he's also man enough to admit that that there's no way in hell he'd let her fine ass out of the house wearing a dress like that. And here's why:

"Baby..." He rasps, caging you in as he backs you against the door. "You look fucking stunning." Two thick fingers trail their way down your body, only stopping when he reaches the valley between your breasts. "But I'm afraid I can't let you leave. Not while you're wearin' that."

"What's wrong with it?" Your words come out as a gasp when you feel a hand wind its way into your curls, holding you still as he continues his assault. The seconds drag on as his head dips, his mouth finding yours.

"Because, sweet Bird." Ari presses, forcing you to take his delicious weight. Making your pulse spike as he grinds his increasingly hard cock against your abdomen.

"B-because?"

"Because..." He draws out the word as he wrenches your head back so that he can whisper maddening little love bites along the curve of your jaw. "This is the kinda dress you wear when you're out with your man." You have a hard time breathing as his free hand skims lower before coming to rest on the swell of your bottom.

"Oh yeah?" You continue to goad - against your better judgement.

To be honest, you'd known what you were risking when you saw the dress hanging on the rack. You had no business playing with fire. But that's part of what made all of this so fun.

"Absolutely." Ari's normally bright blue eyes darken with arousal as he watches your chest heave. Almost as if he's imagining what it might be like to slowly peel the garment off you, piece by piece. "Because these hips and that ass - they're enough to give a man ideas."

His soft lips find their way to your ear, his warm breath making you shiver.

"And when they start wantin' to entertain those ideas," he muses, more to himself than you. "I need to be there as your man to shut 'em down."

"I see." A sharp nip of teeth has you clenching your thighs together.

"Because I am the only man who's allowed to know what it's like to bury myself between those luscious thighs." Using two fingers, he tips up your chin, wordlessly demanding that he look you in the eyes. "And only I get to know what you taste like when you cum on my tongue. Which therefore makes me the only man with exclusive rights to your tight, little pussy."

"Okay Beast." You can't help the giggle that bubbles its way out of your throat. "I think you've made your point."

"Have I, little Bird?" He growls, releasing his grip on your chin to capture your wrists, trapping them above your head. "Or do I need to remind you that I'm not the sharing type?"

The steady tick in his jaw lets you know that you and your dress has once again pushed this man to the edge. But the real question was...

Just what did you plan to do about it?

Batting your lashes up at him, you decide it's time to let the brat in you win out once and for all. Go big or go home, you know?

"Eh, it's been awhile, big guy." You purr, catching your bottom lip between your teeth. "I'm thinkin' you might need to refresh my memory."

END

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[ohno-the-sun]

Oh uh forgot to ask in the previous ask (the one with the digital piece of candy and scurrying and stuff)

How do you draw art so good

Like

Is there a method you use or is that just the style you've gotten over time?

you've activated my trap card

I'm just gonna preface that this tutorial is from someone who was not professionally trained and didn't have a lot of free time for art, so a lot of the tips I have is short cuts I use to get the best results quickly

If you genuinely want to get better at art then please look at references and practice that is always the best

However if you are like me and only really do art for fun but want to go faster then these are for you pfppt

Overall I'd say my style is influenced by speedpaints I would watch when I was younger, I like analyzing how people do things and what makes something look "good" to me

I always recommend watching them because they will often have techniques you've never seen before or do things a certain way that you can try out yourself

I consume good art, it feeds me

but seriously it can be super helpful when developing your own methodology, or just generally trying something new

Usually it starts with me pulling some references from artists I really admire and sort of sketching out how they do the things I like

For example 8um8le has like super good anatomy and poses so I focused on trying to replicate how they do that

venemous-qwille is super good at color and pulling focus so that's what I focused on in my study of them

In general I'd say my process is sketch -> silhouette -> color -> shading -> render

I really don't like doing lineart lol

I'd say for the sketch the most important part is using references and just kind of fudging it until it looks correct anatomically/physically

General rule of thumb is spend time on areas of interest, and keep non important areas light (like the stitching on his pants)

I don't do lineart because I think its unnecessary for most paintings I do

I naturally tend to put more time and focus on areas of interest (like hands and feet) and if you use a brush with opacity for the sketch, those areas are naturally going to be darker in the final sketch

Of course this is gonna be different for everyone but it's what works for me

Sometimes I do a really really sketchy layer underneath my sketch/lineart, just so I know where everything is going

Use thumbnails! They are great to help figure out the general layout of things and what pose I wanna do

Next is what I call the "silhouette" layer

This is super important for me cause it helps me refine the figure and make sure the pose/anatomy looks correct, also depending on what color I choose for the silhouette helps guide what colors I'm going to use on top

This piece is a good example of how it works. The silhouette shows me how the figure interacts with the background, how the pose looks and if its any good

The silhouette layer doesn't have to be super clean, as long as it follows the sketch decently well and shows where the figure is then its fine

I also sometimes make the silhouette layer multiple colors to help guide shading and vibe

Next is the coloring layer. I usually make this a clipping layer on top of the silhouette layer, or I change the silhouette layer to alpha lock, either way it saves me time on coloring everything in

Sometimes I am super rough with the coloring too, using like an airbrush or my fav watercolor brush just to generically block in color where I want it

Works out cause most objects have like a bounce light to them from surrounding objects, so this is sort of a cheat I use to get that effect without all the work lol

Also don't be afraid to have the lower silhouette layer shining through, having multiple colors sort of subtly shining through the piece helps lots

Next is the shading layer, this is usually another clipping layer, usually set to "multiply"

The colors I pick here is usually within this range, any color works, just depends on the piece and vibes.

Since this piece is set in a sunset forest I choose a more desaturated orange for the shading layer

I know there's a whole thing about multiply layer being a crutch (and it kind of it) but it is a useful tool when you just want some darker values across the piece but don't want to go through the process of color picking every single darker shade

Also in my opinion it looks better than picking a darker color and setting it to a lower opacity, idk I just think the color has more "depth"

Next is the hardest to explain, sort of the vibes layer

Usually its just a layer of more concentrated color on top of the normal color and I fudge with the settings and values until I get a result I like

Next is the longest step, is the "extra" or the render stage.

Usually I add a background before this step so that if I need to merge the figure better with the background I can

If I render with a white background but he's supposed to be in a dark forest, its going to mess with the lighting severely

Also this is when I add more "vibe" layers on top to get the figure to match the background better

Backgrounds in general I recommend checking out @/derekdomnicdsouza on instagram he's got lots of great tutorials for breaking down backgrounds simply

I'd say general rule for the rendering layer is to focus on the areas of interest and spend less time on areas you don't care about

I even blur stuff out on the edges I don't want people to see, partially to save time on fixing mistakes in areas I dont care about (oop), but mainly to help draw the eye to the areas I do want people to focus on

Theoretically parts of the background should like mesh with the characters, parrallel lines are a no no unless they are directing a viewer to look somewhere, things that are perpendicular help bring things together

tbh I'm still not the best at layout and probably need more practice, but overall this is what I like doing

Overall this is what my layer set up ends up being

Sort of a sandwich with the lineart/sketch as the "meat" lol

Color and basic shading below the sketch, clean-up and rendering on top

I like this method cause it's super flexible if I ever want to try something different or try to replicate someone's style

I can make each step less or more messy depending on the end result and can add a lineart layer if need be. Also if there's a part that is straight up not working or needs to be removed its super easy to do cause I can just paint over it on the "extras" layer, color picking from the surrounding area to get the same vibe

Generally rule of thumb for my style is: get the initial layout of colors, form and shading to look good, then the rendering should be smooth sailing

Really the best advice I can give to get better at art is to enjoy what you're doing and become very very obsessed with drawing a silly little guy

You'll eventually get very good at drawing them pfptpf

[saltineofswing]

I’ll also say — as a Californian who is, maybe not aghast or surprised but definitely angry and disappointed about how sideways the voting went in California re: progressive outcomes on the propositions at play this cycle — a big problem with this specific instance is that there is a massive propaganda effort in this state, specifically, to trick people into thinking one way or another about progressive causes. I feel that in my experience, the ‘powers that be’ know that if the language used to describe an issue is too empathetic (or, honestly, just straightforward), a measure will quickly get a lot of support. So, advertising for propositions is severely curtailed in spaces where they know younger and more motivated demographics will be watching, and counter-ads often use extremely oblique and sometimes outright misleading language to make the progressive goal of the proposition sound like a Bad Thing, Actually.

This is the Associated Press’s google tooltip that I got from googling California Prop 6:

I’ll get back to this in a second. For now, here is a link to the full text on Prop 6. It’s kind of a fucking slam dunk in my opinion! The section at the end is particularly interesting to me.

Nobody even bothered to submit an argument against. Why? Because nobody reads this stuff, and the people who didn’t want Prop 6 to pass knew that. I bet if you look into No On 6 campaigns, the rhetoric is probably highly divorced from the reality of what the proposition actually does, and is designed to trick people into thinking that it’s something completely different.

(It’s also very closely connected to the ‘return to tough-on-crime policy’ Prop 36, and they work nicely together to subjugate petty criminals.)

But I think that it’s important to remember that a lot of people just. Didn’t vote. California has something like 38 million citizens, and even if you take the above numbers as 55% of counted ballots — as per the implication in the screenshot of the AP’s tallies — that still accounts for less than half of CA’s population having voted in the first place. So, realistically… like, a quarter of the population voted No on this. Yes, that’s one in four people being OK with treating criminals however the fuck they want… but it’s a dramatic minority of the overall population.

All that said: I agree with OP, that most people don’t think twice about it and allow themselves to be carried by the cultural current. Before I really dug into it with my dad, he expressed the basic sentiment of ‘Well yeah indentured servitude is bad, but they did something wrong, so I don’t know that I mind’; but it took extremely minimal effort to point out how fucked up the situation really is (which is partially because my dad is a reasonable man, but I don’t think that most people would be that much harder to convince.) I think that cultivated apathy is easily cut through, as long as the individual in question already has a decent ethical base.

And I do believe that when it comes California’s denizens, at large, apathy really is their biggest problem. It sucks so, so bad that so few people bothered to vote down-ballot, if they voted at all, but I would rather work with the apathetic than with the outright malicious.

i've been seeing a lot of californians aghast at the proposition to abolish prisoners being used as slave labour getting voted down and i have no idea how to fix this on a societal scale but after having enough conversations with people you really do start to realise that a massive percentage of the population sees prisoners as subhuman and therefore believes that once someone is in prison for any reason then everything bad that's done to them is simply their just desserts

[ghsface]

I knew it, i know you... - Matt Sturniolo

Sumary: You return to a place in the past, where memories and guilt haunt you as you find your ex, facing what you could never let go of.

Warnings: angst, break up, insecurities (on the part of the protagonist) guilt, no happy ending, I think that's all.

A/n: This is my first time writing angst, I really enjoyed doing it so I'll probably start writing more angst, I hope you like it and tell me what you think, I was inspired by one of my favorite songs by Gracie I hope you like it. by the way I'm sorry if there's something wrong or that you don't understand, my first language is not English.

⛧°。 ⋆༺ ✮ ༻⋆。 °⛧

That night, the restaurant's atmosphere was familiar and welcoming, full of memories you'd rather leave buried. You were there, surrounded by your friends, laughing, talking, and trying to forget that this was the place you always came to with Matt. From the moment you walked through the door, you tried to focus on anything but the memories, knowing full well that something as simple as a glance at the corner where you used to sit could shatter you.

You laughed, enjoyed the dessert, and pretended that the empty chair in front of you didn't remind you of him, of Matt, the love of your life. The one you'd let go because you believed you didn't deserve the happiness he gave you. You'd been so trapped in your insecurities, in doubts you didn't even know how to express, that the only escape you found was to end the relationship. "It's better this way," you told yourself. "It's the best for both of us." You kept repeating to yourself

As your friends began to gather their things and pay their bills, you knew the night was coming to an end and you couldn't help but feel a certain anxiety. They apologized for having to leave, and you smiled at them in an attempt at reassurance. "I'm fine, girls. Enjoy your night." And as soon as they left, you were left alone, wondering if you should also pay your bill and leave to avoid any chance of running into him.

But that was when you saw him. Or rather, you saw them. First it was Nick, who recognized you instantly and gave you a look that you pretended not to notice. He looked away, but you knew he had seen you. However, the illusion of being invisible crumbled when you looked up again and your eyes met Chris, who was now also watching you. You tried to concentrate on your dessert, as if you were suddenly on a mission to finish it as quickly as possible, while feeling the weight of their gazes.

Finally, it was Matt who looked at you. You knew it without even looking up. His presence was unmistakable, the same effect he had on you before, only now it was accompanied by a pang of pain and shame. His eyes were on you, but there was no such sparkle as before, that spark that once made you feel like the most important person in his world...

You sighed, putting the spoon aside and taking a break. You needed air. You calmly stood up and headed to the bathroom, forcing yourself not to turn around or look at him. As you walked, memories began to come back, and it was as if the bathroom became a portal to all those things you thought you had overcome. You closed your eyes and suddenly you were there again, on that first day.

Flashbacks...

It was summer, just another day in the park where you spent hours talking. Matt seemed anxious, and you, without knowing why, felt that nervousness reflected in you.

“I’ve been thinking…” Matt paused, staring at your intertwined hands, then looked up to meet yours. “I don’t want to think anymore. Just… will you be my girlfriend?”

A blush had crept up your face, and you were surprised by the intensity with which you had responded.

“Yeah. Of course I will, Matt.” A nervous laugh escaped your lips, and he hugged you, so tightly that it made you feel like you would never need anything else.

The memory changed, and suddenly you were in his living room, fighting in an impromptu pillow fight, laughing like never before, while Chris and Nick complained about the noise from the kitchen.

“Come on, Matt!” you yelled, throwing a pillow at him. “Is that all you got?”

“You think so? Start running babe,” he replied, his mischievous smile lighting up his face as he dodged another blow and lunged at you, trapping you in his arms. The warmth of his hands on your shoulders and the laughter you shared filled the room with an energy that only existed between the two of you.

But then, the memory quickly changed. It was him, frowning, looking at you with concern. “What’s wrong? Why are you so distant?” he asked you sweetly and with a hint of desperation. And you, instead of opening up, lowered your head and muttered a “It’s nothing” that tasted like a lie.

He asked you the same thing over and over again. “It hurts me to see you like this, but… I don’t know how to help you if you don’t tell me.” He said with pain in his voice

You couldn't give him an answer, and the frustration in his eyes became unbearable. He had always tried to be there, but you were sinking into a confusion and despair that you didn't know how to explain.

"Matt..." you had murmured, looking at him without words, knowing that every second of silence hurt more than anything else you could say. He took your hands, trying to comfort you, but the weight of your own thoughts was like a barrier you couldn't cross.

Despite his attempts, his tenderness, his patience, you sank into your own insecurities, building a wall that he never managed to tear down.

The last day you saw him, the day everything broke, was engraved in your memory like an open wound. He was standing in front of you, his eyes full of pain, but you stood firm.

"I can't keep doing this to you," you had said, as if it were the easiest thing in the world. He stayed silent, as if those words were a blow to his stomach.

“Really? That easy for you?” he said, and his voice was a mix of disbelief and sadness.

You distanced yourself from him, unable to bear the pain you caused, but you knew you couldn’t keep dragging him down with you. You couldn’t keep making him suffer for something you didn’t even know how to explain.

“Yes, Matt. I’m sorry, but I have to,” you said, and as he remained silent, you let him go.

Then, the inevitable. You ignored his calls, his texts, and not just his, but also those from Chris and Nick, your best friends. You didn’t want to face them, what you had done, the guilt you felt. You chose silence as a refuge, despite knowing how much it hurt them.

End of flashbacks…

You took a deep breath, opening your eyes, trying to stifle the memories. You left the bathroom and, just as you tried to go back to your table, you heard Nick’s voice calling you.

“Hey! It’s you!”

You turned around, feigning forced surprise. “Oh, Nick! Hi!”

“I can’t believe you’re here,” Chris said, joining the conversation, as if it were the most normal thing in the world. But there was an intensity in his words that made you hesitate.

“Yeah, well… coincidence, I guess,” you replied, laughing nervously. You avoided looking at Matt, who was silent, staring at his glass as if it were the only thing in the world.

Nick smiled at you, approaching you with that warmth you had always appreciated in him. “How have you been?” Chris asked, trying to keep the conversation going.

“Fine, just… living life, I guess,” I replied, the words coming out almost without thinking.

Matt was still sitting in his chair, making no move to talk to you. You felt the weight of his indifference, and an unbearable guilt enveloped you. How could you do this to him? How could you leave without giving him a chance to understand?

You began to chat casually, as if it were a reunion between old friends and not a constant reminder of unhealed wounds. You felt the topic everyone wanted to avoid was obvious.

Matt, however, remained silent, barely looking at you. You knew he was aware of your presence, but he didn't say a word to you. Guilt weighed on your chest, every second intensifying the pain you had tried to bury.

After a while, the atmosphere began to become uncomfortable. You smiled at them and excused yourself, trying to escape from that place that seemed to collapse on you, knowing that it was time to leave. You walked to the cashier, paid your bill, and before leaving, you turned to look at them one last time.

There was Matt, with those eyes that always seemed capable of seeing beyond your words. In that look, full of sadness and nostalgia, you understood that the wound would never completely heal. Those eyes that loved you, that once were everything to you, were now filled with a sadness that you could never erase.

You knew that you would never forgive yourself for what you had done, you would never forgive yourself for what you did, but deep down, you knew that maybe you couldn't have done it any other way, you had done it for him, for yourself. Still, the pain was still there, like a constant echo. And when you left, a part of you was left behind, lost in the memory of what could have been.

You'll never be able to let Matt go. And maybe, he won't either.

You left the restaurant, taking with you the echo of their glances, the memories, and the weight of a story that, one way or another, would always remain unfinished.

⛧°。 ⋆༺ ✮ ༻⋆。 °⛧

your reblogs and replies are always appreciated dearly, and feel free to leave a request ✮

Tags... @matthewsroses @dominicfikeenthusiast @louipartridge @sophand4n4 @bsturnzmtt <3

[baphometsss]

I don't wanna sit here and act like I'm a professional or anything, because I'm not, but as someone who has had to do a lot of work to overcome trauma and reconfigure my brain more or less from the ground up, there's a lot I have to say about Solas's mental state

We know that Solas was essentially used and abused by Mythal for millennia. Even if he wasn't under a geas, he was twisted from his purpose by being made to fight, and then created the Wolf's Fang which was used to make the Titans tranquil and started the Blights. He made those choices himself, but it's important to understand that no choice is ever made in a vacuum. She took advantage of his vulnerability when he was given a body after however long as a spirit semi-existing peacefully in the Fade, and moulded him into a weapon.

He is broken, because Mythal broke him. I'm not incapable of seeing why she did what she did because like I said, no one makes choices in a vacuum and I could write about her for a long time too (in a similar way to how I have had to do myself in my own life in understanding why others abused me). He was so traumatised by everything that happened and he was trauma bonded to Mythal pretty much from the minute he gained a body. Trauma bonds are not about love. He definitely interpreted it that way, as most people do, but that's the weapon abusers use to keep the victim under their control. Abuse abuse abuse show a scrap of love and then abuse some more. If I just take it, I'll get the love/attention I need. I will earn it, because love is suffering, and I have to suffer to earn getting my basic needs met from my family/friends. Mythal, as his creator, was the one who he would've attached to in a similar way to spirit Cole/human Cole.

Trauma bonds are pathological. Mythal made him believe that if he did as she asked, and kept supporting her, then eventually he would gain her favour and they would be able to free all the elves, and he'd be able to live according to his true nature, which is one where he doesn't have to fight. (Remember his personal quest in DAI? He actually kills the rebel mages for corrupting his friend--another Wisdom spirit--into Pride.) In reality, she was just using him. She always kept the bone just out of reach for her lapdog. The line from Rook where they say (paraphrasing here) 'you know, I was actually excited about getting your approval... That's how you do it, isn't it? Keeping giving little scraps of approval to keep someone loyal, and then you turn around and betray them' is so telling too.

Where--or from whom--do you think he learned to do this?

It literally reeks of a pathological trauma bond and honestly, with how isolated, 'grim and fatalistic' Solas is, it is not a surprise that he's so broken.

Solas, essentially, is little more than a lap-dog to Mythal. He followed her like a lost puppy, because especially in his early days, that's kind of what he was. You have to remember that most of the insight we get about Mythal is from Solas's perspective, and he is not a reliable person when it comes to her after so long being repeatedly terrorised and twisted and manipulated. There are several instances where he describes being betrayed by her, and mentions some of the things she did, but he never quite holds her fully accountable and ends up directing his rage elsewhere. (The parallel between Mythal/Solas and the rebel mages/Wisdom is important here.)

This awesome post by @mythalism only reinforces this. He is so messed up in that scene, he is broken, he is holding the Wolf's Fang up, trying to give it to her because it symbolises the burden he has carried for thousands of years trying to avenge her death. He never wanted the Fang, like he never wanted a body. Mythal just stands over him, fully aware of what she did to him, and only getting him to stop because Rook petitioned her successfully, and the reunion with the more benevolent Mythal within Morrigan tempered her anger. She was a goddess, with the unequal power dynamic, right to the end.

As a side note, on the potential romance element between Mythal and Solas, I read an excellent breakdown of it on Reddit a while ago about how out of character it would've been for Solas to keep something like that from a romanced Lavellan, especially in Trespasser when he comes clean about his plan/past. I can't find it now because it was pre-Veilguard release, but it made a lot of sense to me. Solas and Lavellan never have a love scene in DAI because Solas didn't want to 'lay with them under false pretences'. Lying about who you are when sleeping with someone is nonconsensual. You can't consent to sleeping with someone if you don't know their true identity, and someone who knowingly lies about who they are to get into your pants is a sexual predator. For someone who led a slave rebellion (no doubt many of them being sex slaves), and a former spirit of Wisdom, Solas would've been well aware of this. In the unsent letter from Solas to Lavellan he says he came so close to breaking and desperately wanted to stay with them as Solas, with the implication being that that is where he planned to sleep with them once he'd come clean. But because he stops, because he's still unable to forgive himself or release himself from his trauma bond with Mythal, he breaks away, and they never have sex.

Bottom line: Solas would've been honest about it. Especially that. As the Inquisitor says, he can't lie about his heart.

And it's why the Solas/Lavellan romance is so powerful because quote, 'you change everything'. Solas thought he knew what love was, that love was loyalty, devotion, worship, etc. It's not just his plans or worldview that Lavellan changes. Lavellan sees him for who he is, without the mantle of Dread Wolf, and because of that he's able to express his true nature to her, even if he's not being totally honest in Inquisition. Lavellan got much closer to the real him than most, as he says, and changed his understanding of love completely. Unfortunately, he has unfinished business, an unresolved trauma bond, and his crushing sense of duty to the past is what keeps him from taking that final step towards letting go of it entirely. Trick also says Solas doesn't think he deserves love, which tbh is kind of a hallmark trait of people who have survived abuse.

And honestly? Call me a simp but I think he really was trying to get the Inquisitor to stop him. He saw himself being unable to let go because he was so broken and burdened by his guilt, and knew he couldn't save himself--was too proud to admit that he couldn't, because how pathetic does it make him look? And how could he stop now without rendering all the damage he'd wrought pointless? Yet here was someone who had changed him right down to his core, who understood him in a way few people ever had, whom he trusted, whom he loved in a way he hadn't loved anyone else before. It took him 'centuries' to build up rapport with the members of his rebellion. The man doesn't not know how to form attachments without trauma, and suddenly he forms a strong one with someone who loves him completely and without condition. It's a jarring change.

Lavellan says that maybe they're being prideful themselves, refusing to see their own folly. But I think in admitting that they might be wrong, that it might be wishful thinking borne from misguided love to a truly terrible person, they've rendered the point moot. It shows self-awareness, which isn't folly.

If anyone can make Solas understand true love, it's Lavellan. Lavellan loved him when he was being his true self. Lavellan loved him after his betrayal was revealed. Lavellan loved him when his guilty conscience and terrible actions almost destroyed the world. Lavellan loved him because they knew the real him, and knew that his heart and spirit were broken, and knew that their love would endure, that their love would heal him.

And that's exactly where they end up. Healing the past, soothing the Blight, and loving one another completely.

[calmlb]

what if i want to get you started on the symbolism of dazais coat

(the neurodivergency does not allow me to understand the symbolism of dazais coat.)

(from the 'chuuyas not in the dark era' post)

NEURODIVERGENTS UNITE 🤝🏻

well i was actually referring to Chuuya’s coat in that post, but it’s relevant to both to them!

i’ve noticed a trend with harukawa & coats… when someone is where they’re supposed to be, they usually wear their coat properly (arms in the sleeves instead of it resting on their shoulders)

Dazai never wore the oversized, black coat that Mori gave him properly… as if to symbolize that he’d never belonged in the mafia. once he decided to try living in the light, he got his tan coat, which fits him perfectly :’)

beast Dazai does wear the black coat correctly, bc the mafia is where he chose to be in that universe

then we have Chuuya. he had his jacket in the sheep, but until sometime pre-dark era/post dragon head conflict, he didn’t have a coat— as if he was still trying to find his place in the mafia

i have a hc/theory according to my analysis that something happened post DHC that made skk much closer. if that’s true, it would make sense why we finally see Chuuya wearing a coat— & not only that, he has it halfway on

bc his partnership with Dazai solidified his place in the mafia, & assuming that Dazai would be there indefinitely, Chuuya was probably (subconsciously) starting to solidify the mafia as where he’s supposed to be

but then Dazai left. and the next time we see Chuuya, he’s still wearing his coat (he did decide that the mafia is his family, after all) but he’s not wearing it properly, it hangs off of his shoulders

this could symbolize that the mafia isn’t where Chuuya is meant to be— that maybe in the future, he’ll leave & find His Place (or perhaps he’ll wander & never find it)

only time will tell…

but that’s my version of The Coats Theory :’)

(ps: notice how Chuuya wears a jacket that fits him when he works with Dazai in the meursault arc… 👀 we’ll have to wait & see if this means anything)

honorable mention for Akutagawa who also properly wears his coat— symbolizing that the mafia is most likely where he’s supposed to be. however the fact that he’s no longer wearing his coat in chapter 120 (having gotten a new outfit) shows us that he’s having an important moment in his character arc :’)

[runningforthemills]

There's a difference between coddling and kissing people's feet and not downright hating people for no reason, tbf. I totally understand how this feels. I understand that exhaustion of feeling like we have to be perfect and watered down and palpable to be accepted, let alone helped. I do think however that the post in question was not about being nice to men to protect their feelings but rather pointing out the fact that a lot of feminist and queer spaces (more and more it feels like) do fall into that hating men stereotype as an us-vs-them thing, and alt right people know that and use it to their advantage.

It's not an excuse, of course it's not, but imagine trying to join spaces to help however you can and being repeatedly told that you're evil, that everyone hates you, that everything is your fault. It can discourage people who had good intentions. "Oh then their help isn't worth it"? Even the most passionate people cannot lead a revolution on their own. Moderate people make up the majority of humanity, and their help, however benign, does count. They're actually a benchmark in how much mentalities are changing. And, yes, sometimes they can get scared easily. (Not only men! Women too). If they then fall into the alt right space that is absolutely ON THEM, don't get me wrong, but why are we making the alt right's job easier?

(Not to even mention how that can impact trans men, who might be scared to enter spaces that are very vocal about hating men.)

No one is asking you to be nice. The post is about not being hateful for no reason. While that is what happens in real life most of the time, online, people are always more extreme. And online spaces are taking more and more importance nowadays. You can say whatever you want in your friends groupchat, who cares? When you're on a bigger platform, it's different.

I understand that saying "i hate men" can be more handy than saying "i hate when men [blank]", "i hate the patriarchy", "i hate sexists" etc. But most of the time, we do not hate men. We have friends, partners, family, colleagues. Some we love, some we just tolerate. So why are we saying it? Why are we dividing our forces? Who benefits from it?

Idk if that made sense but i see this issue being treated with both extremes, pro or against, and i think it's just about being decent. Nothing more, nothing less

"as a guy who escaped the alt-right pipeline, [*blames it on Misandry*]"

[cilil]

Hi, do you have any advices for budding writers on AO3 or here?

Hey! :)

I've given this some thought and compiled what I hope might be some helpful pointers, but if there's anything else or anything specific you want to hear more about, feel free to ask again. Also I'm assuming this is about the amazing craft of fanfic and not, uh, building a platform or whatever (I wouldn't be very helpful with that, I'm a nobody x)).

Share what you feel comfortable sharing.

So since you're asking about budding writers on AO3 and Tumblr, I take it you're at a point where you feel comfortable sharing your writing online, which is amazing. Nevertheless, I feel the need to once again mention (just for anyone who may be in the same or a similar situation) that it's completely alright not to be comfortable with it (yet) or not to share everything you write. I share almost everything simply because I'm annoying and it makes me feel accomplished and since I've grown pretty comfortable with it, I might as well; but not everyone feels that way and feelings also change. It's completely alright to write just for yourself or a small circle of friends.

Don't worry too much about "being good".

I will be the first to admit that I deeply relate to struggling with perfectionism when it comes to writing (and other creative pursuits). However, as someone who's been reading fic for many years, tends to be into quite niche and obscure things sometimes and is rarely spoiled by big fandoms' abundance of food, I want all writers, especially new ones, to know that you don't have to write the most amazing, perfect, publishing-ready pieces. What matters is your passion and creativity, which will show in your writing regardless of skill level. Not to mention that fic is free and in fact a tool for many to experiment.

That's not to say you can't strive to improve or be good - by all means, I find it admirable if you want to hone your craft and make progress as you continue to write. Just don't let perfectionism ruin your fun and stifle your creativity.

How to get better without trying overly hard.

Aside from just writing, writing and writing (that is the most important part though), how do you improve without making it a point to do so? Well, if it works for you to read/watch guides or you enjoy specific writing exercises, that's great, but one thing that I find gets overlooked a lot in writing spaces is simply: Reading. Just reading for fun.

I find that I often discover little things in other people's writing that I really like and then I think to myself "wow, that's really neat how they did that, maybe I could take a page out of their book" (pun intended) and make it a point to pay attention to these things when I write. Essentially, it's like creating a nice patchwork blanket which is your style, made up of your own voice and preferences as a writer and cool stuff you picked up on the road.

Let me just name some examples, which, yes, are also an excuse to shamelessly blow some writer friends of mine a well-deserved kiss of appreciation. @sauron-kraut writes incredibly polished short stories with beautiful wording and atmosphere that have a lot of little hidden things to discover and dissect, and I want to steal her ability to set the stage and hide those easter eggs. @a-world-of-whimsy-5 is an absolute legend when it comes to writing medieval and medieval-adjacent stuff, and I learned so much from her fics. @i-did-not-mean-to has a way of writing with such esprit and wit that I always end up in a good mood after, a style of narrative voice I've adored for over a decade, and I've greatly improved my humorous writing in particular thanks to her. @crackinthecup has the marvelous ability to craft extremely emotionally evocative scenes, which have encouraged me to be more courageous and experimental in my sentence melody and structure. @tragedybunny has a way of writing that reminds me of coming home to a warm and comfy place, and I will find out how she did it and how I can do it as well.

So as you can see, it can be super helpful to compare notes with your fellow writers. Never be discouraged by someone else's ability; instead learn and expand your own.

Feedback, criticism and community.

Let me just get one thing out of the way: You don't have to take criticism from everyone. Or at all. As far as I understand, the fanfic community has come to to agree that we're doing this for fun and don't give criticism unprompted/when we aren't sure it's wanted or welcome. As a general rule: Take criticism from those you would also seek advice from. Ask for feedback if you feel comfortable, and if not, that's a valid boundary to have and I will gently smack anyone who presumes to pick apart writing that was made for fun and generously shared with the community for free.

The community aspect, however, should be taken into account on other fronts. While I won't tell anyone they have to interact and believe that, in an ideal world, everyone's writing would just speak for itself, it is helpful to engage with the community. Things you can do (both on Tumblr and AO3 if also applicable/possible) include: Respond to people interacting with your works, interacting with other people's works (for example while you're doing your reading sessions and looking at other writers' styles) and just overall being present, being talkative, going with the flow.

Again, this is not a must. But I will say that pretty much all of us want positive responses and interactions on their work and that just won't work if you expect everyone to show up for you all the time and never show up for anyone else. Engagement, passion and community are our "currency" in the absence of money and reciprocity is an important element of that. A lot of friction and complaints in the fanfic community regarding lack of interaction or entitlement are rooted in misunderstandings of this fundamental principle.

But don't take this in a cynical manner. Seek out what you enjoy, share the joy and passion and you'll make friends just accidentally - which is the part that I find makes fandom on AO3 and Tumblr so much fun! (I don't even want to be a "traditional" author anymore, I want this instead😁)

Find your groove and groove along.

Lastly, make sure your writing is fun for you or else it'll become a chore and eventually get ruined for you as a hobby. This is unfortunately a continuous task as your needs and interests shift - for example you might be in the mood to do an entire drabble challenge one month and during another month you feel so drained that you couldn't do another one. Or you might want to write something different for a change. Or whatever it may be.

Either way, one recent lesson I've learned is that I got too tied up in obligations and it left no space for spontaneous inspiration, so I never got to write what I wanted to write in the moment and it pushed me quite close to burnout. Do yourself a favor and always hold that space for yourself. In practice, this could for example mean that you do one event and on the side write this cool new idea you had, instead of doing three events - which is fun and games until it starts getting too much and you don't have time for your passion projects.

Finding your groove also includes the whole technical aspect, such as which writing programs you use, which device (or none at all), where you write, how to make yourself comfortable, how to get in the right headspace for things. I would also like to encourage all of you to be a bit crazy and whimsical about this: For example I've gone to the perfume store, picked out a scent for a specific character in a specific scene and sniffed it while writing the description several times now. Do what it takes. And say goodbye to your squeaky clean search history - you will research some weird stuff just to get that one line right.

So yeah, these are just my random thoughts on fic writing and what has been helpful in order for me to have lots of fun with this hobby. Happy writing!

[shineysposts]

My Thoughts on the Supposed 'Plot Hole' in Rafayel's Branch

I’ve seen a few people pointing out some "plot holes" in Rafayel’s branch. One of the biggest complaints is: How did MC suddenly know about Rafayel being a Lemurian and their special bond?

(spoiler ahead)

I’ll admit, this surprised me at first too. But after taking some time to process it, I realized that the two-month time skip after MC returns from the N109 Zone isn’t just a random gap—it’s pretty clear that a lot happens off-screen during this period, most likely involving interactions between MC and each of the boys.

We’ve seen a similar approach in Zayne’s branch, where MC already knows about Zayne’s recurring nightmares, even though this was never explicitly mentioned in the main story. The reason people don’t focus on this as a plot hole is because it’s easy to assume that Zayne and MC discussed it during the two-month gap, given their established friendship.

Rafayel’s case feels different, though, because the reveal is a big deal—it’s about his Lemurian heritage and the bond he shares with MC. This is probably why some of us feel like it shouldn’t have been glossed over. However, I think we need to give the devs a little credit and consider that Rafayel and MC likely had important moments during those two months. Here’s why:

Rafayel was the last person MC saw before heading to the N109 Zone. It makes sense that she’d talk to him when she got back.

Even though it’s not explicitly stated that they’ve been talking frequently, MC trusts Rafayel enough to involve him in her mission. This kind of trust doesn’t just happen overnight, it suggests they’ve been growing closer during the time skip.

Another common complaint I’ve seen is that Rafayel’s branch doesn’t mention the beta-protocurve plot, which was a major focus in Zayne’s story. However, Zayne’s branch revolves heavily around his recurring nightmare, so it makes sense that the beta-protocurve would tie into it. Beta-protocurves are unique energy wavelengths emitted by certain Wanderers, capable of distorting space itself. Exploring this in his branch serves the purpose of exploring his backstory.

On the other hand, including the beta-protocurve in Rafayel’s branch wouldn’t have the same impact.

Comparing Rafayel’s branch to Zayne’s and expecting the same kind of focus feels like missing the point. The purpose of the branch isn’t just to explore the beta-protocurve but to dig deeper into what Ever is planning behind the scenes.

As Jenna put it:

“Our mission isn’t just about finding the Aether Cores. We also need to investigate the shady organizations that covet them. These cores are essentially ticking time bombs in the wrong hands.”

The focus isn’t just on the new Wanderer or the Aether Core—it’s about setting up Ever as a major antagonist. Both Zayne’s and Rafayel’s branches serve their own purposes, each contributing to the larger narrative in its own way. In the end, I feel that both branches are doing exactly what they need to do to build up the the future chapters.

[fairycosmos]

Hello

Long time follower. Big fan.

Umm i dont have any "real" friends and i feel like i have to vent about what happened to me with someone so plz bare with me.

Yesterday I was sexually assaulted. Outside my own apartment building by a man that is an "aquaintance" at most. I managed to get away by stepping on his foot and elbowing him in the stomach before it went any further. What sucks even more is that I live in a super conservative middle eastern country that has a society that loves to victim blame. I cant even go to the police cuz i have no proof and the sad thing is this the THIRD time in my life of 30 years where i get sexually assaulted. The first time was my cousin when I was 13 and the second time was someone who was a close friend when i was in my 20s. I feel pathetic and cowardly for not speaking up every time it happened. I know I cant tell my family cuz they are religious and all they care about is my "chastity" whatever the fuck that is and i honestly dont know what to do anymore.

Thank you for listening

🪽

hey angel,

i’m so sorry it took me a minute to see this, and honestly, i'm just fkn enraged that you're even in this position to begin with. none of this should’ve ever happened to you, and it’s so beyond messed up that you’ve had to go through it, and more than once, on top of everything else. first, i just want to say that i’m so, so grateful to you for opening up about it, especially when you’re feeling so isolated. it takes so much courage to even put this into words, and i’m honored that you trust me with it at all tbh. as much of an eye roll it is to hear, you’re truly not alone in this. and you’re definitely not “pathetic” or “cowardly” for how things played out or for not feeling like you could speak up before. the way you’re feeling is real, valid, and so understandable—especially when support and safety feel so distant.

it’s beyond unfair to be in a place where victim-blaming is such a huge part of the culture. to have to carry that, while being made to feel like you have to hide this, is an awful weight. but please know, this is not on you—none of it. the guilt and shame that the world tries to put on you is not yours, even if sometimes that feels impossible to believe. grounding yourself in the truth—that you haven’t done anything wrong, no matter how often you have to remind yourself—can be a solid step. and if you believe that for other people who've been in your shoes, then you must believe it for yourself too. ultimately, the shame belongs to the people who assaulted you and a world that hasn’t supported you the way you deserve. please don’t let their actions shape how you see yourself. your survival, your resilience, your courage etc that’s who you are.

there are a few places that might be able to give you some support, even if it’s from a distance. rainn.org offers confidential chat options and resources, and while it’s u.s.-based, it could still be useful if you need a safe space to talk. another is pandora’s project, a support and forum site specifically for survivors. they have spaces where people from all backgrounds, including those with similar cultural challenges, can connect. <3

if you’re open to it, a counselor or therapist who specializes in trauma and works online might be a good option, too. there are so many who understand the importance of privacy and safety in environments where speaking out can be challenging. the International Association for Trauma Professionals has a directory that could help you find someone who’d really get where you’re coming from and respect those unique challenges.

just remember, it’s okay to take this one step at a time. if all you can do today is share this with someone who cares, or offer yourself some compassion and grace to cry and breathe and be pissed and hurt and numb and upset, then that’s more than enough. i believe in your right to feel safe, supported, and heard, and there are people who genuinely want to help you get there, however and whenever you need.

sending you so much love and strength <3 if you need to vent or if you just need someone to talk to, please msg me any time. i understand what it's like to have your boundaries violated too and i know how lonely and painful it is to contend with it in your own head. x