#(despite the comic itself not using them)
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beardedhandstoadshark · 3 days ago
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I think general Legend of Zelda fans should start tagging their stuff with Linked Universe to catch some of that clout.
If literally every single Legend of Zelda tag is just full of only lu stuff anyways, to the point some of them have more lu in them than Zelda, might as well get something out of it in return.
Not like any lu fans should mind crosstagging, after all.
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superectojazzmage · 2 months ago
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#the two most surface-level readings of Christinity (at least in the anglosphere)#are noncommittal feelgood ''well Jesus' message was really just that He wanted us all to be good and care about each other''#and fire-and-brimstone ''everyone I don't like is going to Hell and they deserve it''#both of which kind of undercut the whole ''God Himself became a man and faced down painful death and damnation in your place#''accept Him into your life as your Lord and let your broken and dying heart and spirit be transformed'' bits
Suicide Squad: Hell to Pay is just such a deeply unserious movie. I get what they were going for but if you have the barest surface-level knowledge of theology the whole thing turns into a black comedy where you watch a bunch of idiots kill each other over a piece of cardboard.
#hollywood absolutely does think christianity is just some video game-esque karma system where you can go to heaven or hell based on points#because the most exposure most of them have had was exactly this kind of cultural christianity and they can't ass themselves to do research#because they view the faith and people in general who exist outside their echo chamber with barely concealed contempt#their view of anyone outside of their gated community is as a redneck fundamentalist#screeching about how everyone around them is going to hell for drinking beer or having sex#and that unwillingness to engage with anything beyond that strawman manifests as these shallow and bizarre Hot Takes#though other times it's just done because there's not MEANT to be any serious engagement with christianity as a real world religion#and the writers are just using ideas from judeo-christian mythology and writings for style#or basing their own worldbuilding off aspects common to real world religions#which is probably what the suicide squad example stoat is talking about was doing#which itself is just a dumber version of a much more intelligently written story from the comics - specifically gail simone's secret six -#in which bane is basically hit in the face with the fact that all his “noble” justifications for his evil actions are seen right through#and he's still damned to hell for his sins despite trying to pass himself off as some kind of lovable rogue#to which he responds by basically devolving into nihilistic despair and gives up on even trying to pretend he's a good person
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freezerbrldes · 15 days ago
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wanna try out my fuzzy pink handcuffs? - s.r. (teaser)
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PAIRING. Spencer Reid x Popstar!reader
SUMMARY. Spencer gets a lot more than he bargained for when he attends a concert with Garcia.
WARNINGS. afab!reader, sub!spencer, softdom!reader, oral (m receiving), use of handcuffs, red lipstick in places it should never be, unprotected pnv sex, just pure filth
AUTHOR’S NOTE. I got this idea after rewatching my short n sweet concert videos. I could not get the thought of Spencer receiving the juno handcuffs out of my head so I wrote it all down. The full fic will be out on February 19th!
credit to @cafekitsune for dividers
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As you feel his fingers tangled in your hair, you get an idea. You sit back on your knees, Spencer letting out a whimper at the loss of contact.
“Do you still have the handcuffs?” You asked, grinning wickedly.
Spencer gulped as he nodded, pointing to his discarded pants on the floor next to you. You dig through the pocket to pull out the fuzzy pink handcuffs you gave to him only an hour prior.
“Hands behind your back, Spencie,” You smirked as you dangle the cuffs in front of him.
"Yes, ma'am," he replies, his voice tinged with a hint of playfulness despite the vulnerability of his position.
A startled yelp escapes Spencer's lips as the handcuffs encircles his wrists, securing them behind his back. The sudden restraint sends a thrill through him, mingling with the lingering ache of want.
He stares up at you, eyes wide and cheeks flushed, as you fasten the cuffs with a playful snap. The term of endearment 'Spencie' slips past your lips, and it feels like a brand, searing itself into his very being.
Spencer's body quivers under your gaze, his skin prickling with anticipation. The pink cuffs seem almost comical against his pale, slender arms, but the effect they have on him is anything but humorous.
OUT NOW
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dickgraysonsptsd · 2 months ago
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dick grayson, money, and control
i am so obsessed with dick's relationship with money... the more post-crisis comics i read the more i believe that dick sees offers of money, especially from the rich or powerful, as an attempt to exert control over him. in part because bruce, intentionally or not, had dick in a position where dick was entirely dependent on him for housing and money for most of his life, and has directly used giving or taking away resources to punish or control dick before.
disclaimer: i'm using a LOT of chuck dixon comics here because of his heavy involvement in building out dick's personal history in the 90s/00s. as a reminder chuck dixon is an alt-right homophobic qanon creep and deserves no respect
early days as robin
in robin (1992) annual #4 (dixon's version of the dick's origin story), dick is taken in by bruce but almost immediately feels out of place and unwanted in bruce's home. he thinks of himself as bruce's "christmas puppy" and is certain that as soon as his parents' killer is caught, bruce will send him back:
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dick doesn't feel any sense of permanence in bruce's life early on. that's understandable given the multiple traumas he's been through, and the impermanence itself isn't what i want to focus on here—for our purposes, the way dick's sense of instability is framed here is as an adopted pet. a christmas puppy. an animal, an impulse buy.
even at age 8, dick understands there's a massive gulf in power between himself and bruce—bruce has a giant home, while dick doesn't see the manor as "home" because he's always expecting to be sent back into the system. bruce is the person adopting a puppy, while dick is the puppy. their power imbalance is implicitly tied to bruce's immense wealth and dick's complete lack of status outside of being bruce's ward.
in robin: year one #3 (also by dixon), leslie and dick talk about how bruce doesn't mind giving handouts, but neither of them want to go to him for them:
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Leslie: That's why I had you come to General for tests. They have equipment I just can't afford yet. And I'm not about to go to Bruce for another handout Dick: He wouldn't mind. Leslie: That doesn't make it any easier. Dick: Yeah. I know what you mean.
leslie says another handout, meaning that bruce has already funded her here, and dick too has received financial support from bruce as robin and as his ward. but they both don't want to go back for more money, despite knowing that bruce "wouldn't mind"—there's a deeper issue here than whether or not bruce minds it or can afford it. it's not "easy" for leslie or dick to accept bruce's money, even though it's easy for bruce to give it.
to me, this means dick still doesn't see his new level of wealth (or, more accurately, his new access to bruce's level of wealth) as a normal, secure part of his life. i don't know if he ever really does, though eventually he'll come to rely on a line of credit from bruce in his teen titan days.
the firing (nightwing: year one version)
in nightwing (1996) #101, the first issue of dixon's nightwing: year one arc, bruce fires dick as robin. in #102, dick goes to clark for advice, and clark is shocked at the news:
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Clark: How can he fire you? Dick: He said, "you're fired." Clark: It's not a job. Dick: It is to Bruce. His cave. His car. His rules. He pays the bills, Clark. And in his eyes I screwed up.
i think we can trace some of dick's intense dislike for taking money from the rich to this version of the firing—in dick's eyes, by accepting bruce's cave, car, and money to pay the bills, dick gave bruce the power to then take those things away from him. bruce was able to fire dick from robin because bruce's resources enabled robin. if dick had been funding robin himself, if it had been dick's cave and car, bruce couldn't have taken it away from him. (when he later moves to blĂŒdhaven, dick takes the first possible opportunity to establish a lair in his apartment and build his own car, rebuilding these resources on his own terms.)
notably, at the end of the actual firing issue (#101), bruce orders dick to leave behind the new robin suit alfred made for him, connecting the firing directly to bruce taking back something given to dick:
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here dick gets a very memorable lesson that gifts of financial support and equipment—or workplace resources, if you look at it from the "robin is a job" perspective that bruce takes in this story—can be given with good intentions, but later used as leverage to punish and control.
moving to blĂŒdhaven
nightwing (1996) #3 by chuck dixon was written years before dixon wrote nightwing: year one (above), so it's not totally consistent with it, but dixon was clearly already thinking about dick's relationship with bruce's money when he wrote dick moving to blĂŒdhaven:
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Operator: I'm not showing a credit history, Mr. Grayson. Date of birth? A man your age and there's nothing on my screen. You'll need to send us a certified check for one thousand dollars before we can approve electrical service. Dick: I'll get one to you this afternoon.
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Dick: Everyone wants cash because Dick Grayson doesn't exist. I guess they're right. Seems like I hardly know him. Kory or Alfred always handled this stuff for me. And for years I've had to rely on a line of credit paid for by Bruce. Seems like I've been on fast forward since the night my parents died.
dick moves to blĂŒdhaven without a credit history and without any financial records in his name at all, as far as i can tell. "dick grayson doesn't exist." he's been reliant on other people financially, either to manage his money or for the money itself, and now he's establishing independence as a solo operation by starting to handle all of that himself. and he's establishing that independence as dick grayson, not just as nightwing.
(also, "on fast forward since the night my parents died"—really juicy to me that dick's lack of financial independence gets linked to how quickly he grows up after his parents' deaths!!)
soon dick gets a job bartending and grins thinking about "the look on bruce's face":
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Dick: I actually have a job. Can't wait to see the look on Bruce's face.
which is a fun moment of "just moved out of my parent's place and i finally got my first job!!" freedom to me (though he's been out of the manor for years at this point).
dick and team funding
we now jump forward to 2003. in titans/young justice: graduation day #1, megacorp optitron offers a massive amount of funding to the titans and young justice. dick is immediately skeptical and assumes that optitron will gradually start to use their financial leverage over the titans to "[get] us fighting their own little wars"—it's clear that he's tying together receiving money with being controlled.
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Roy: Think of what we could accomplish— Dick: With a gigantic pile of money? No thanks. It begins with them just funding us. Then they've got us fighting their own little wars. I'm sure there's some land rights issue in Asia that they'd love for us to tackle.
donna makes it clear that she's well aware of dick's feelings about the rich, and implies that his bias against them is affecting his decisions around optitron:
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Donna: You have a chip on your shoulder about the rich. That and corporations. Dick: What do you mean by that? Donna: What do you think I mean by that?
and all that evidence of dick's view of money-as-control aside... dick wasn't wrong to be skeptical about ulterior motives!! in outsiders (2003) #21, it's revealed that the offer of funding from optitron in titans/young justice: graduation day was at bruce's behest:
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so the entire funding offer in graduation day was part of an elaborate deception by bruce to pay for dick's team without letting dick find out about it. bruce later says he meant well by doing this, but dick is so angry about it that there's clearly a deeper issue here for dick:
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Narration: And those who know [that Optitron is owned by Batman] are having a very hard time buying the "hands-off approach." Dick: I'll kill him. Roy: Settle down. Dick: Don't tell me to settle down, Roy. He did this again. He always does this.
"he did this again. he always does this." 👀👀👀
in one of my favorite scenes ever, dick confronts bruce in an explosive rage about his ownership of optitron and specifically calls out bruce being deceptive and manipulative (outsiders [2003] #21):
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Dick: What exactly is your compulsion, your burning desire to deceive, lie, and manipulate the only people who give a good god damn about you!?
you should really read this issue if you haven't, it's amazing!! i can't summarize the complex weird conversation bruce and dick have here, it has so many layers, but the point is that dick IMMEDIATELY and VERY EMOTIONALLY takes bruce forcing his money on dick('s team) as bruce being a manipulative control freak.
and like, yeah, we know dick can and does overreact to bruce, but the way he overreacts to bruce here... i am immediately connecting this on the red string board in my mind back to bruce firing dick and dick establishing independence from him in nightwing (1996)!! dick worked hard for that independence!! and then bruce made dick take his money even though dick didn't want to, even though dick has these well-established issues around bruce's money, and he brewed up this whole deception around it because he knew dick didn't want it!! of COURSE dick sees that as bruce being willfully a huge fucking controlling bastard to him!!! GOD!!!!!
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ohcorny · 7 months ago
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i reread all of chobits recently as insp for my next TT book and every time i think about some aspect of it all i want to do is rip it open and tear it apart and go "why?". it brings up so many concepts and scenarios within the premise of "what if computers looked like pretty girls" but it doesn't want to commit to saying anything about it or take its own world seriously.
i have a lot to say about chobits. arguably i have more to say about chobits than even chobits wants to say about chobits.
chobits is about sex except it isn't about sex at all. chi's power switch is in her vagina. we're shown images of chi doing sexy things, she gets tricked into doing a strip tease, and two separate men try to finger her and she does her Do Not Touch Me There magic powers thing, and we eventually learn every time she resets from the power button, her memories are erased, so you can't have sex with her without deleting her.
but we never unpack why her reset button is in her vagina, or why it's so important that nobody can ever touch her, or why people's personal computers were built with vaginas in the first place (we never have it confirmed that all persocoms have them, but that two separate men try to touch her there imply it's expected). why do the personal computers shaped like women have vaginas if not to fuck them. as a product, it is expected that you will fuck them*.
*i assume, because the comic never says so!
the man who invented persocoms is the same person who built chi and her sister, and he built them to be daughters for his wife. he put the reset button in chi's vagina. we never find out why. we never get a HINT of why. he built the chobits so they could feel and fall in love, but also built them so they could never fuck. you can extrapolate a reason why a man might build his daughter-androids that way, but the series itself never touches it, and never makes any sort of point about it. it's just presented as an immutable fact that chi can't fuck without it deleting her, as if it was born of happenstance and not a person's choice.
what does that actually say about anything? what is it trying to say about sex? is it about the commodification of female bodies, how once they're used up sexually they're worthless? that if you can't love somebody without fucking them, what good is your love? that love without sex is okay (but also a huge burden and sacrifice a man must accept for the sake of someone else's happiness?)
what does it want to say! chobits is about sex, but it doesn't want to commit to any specific message about sex.
and that's just ONE issue i have with it. there are so many things chobits wants to be about but won't say anything about. it wants to be about the persocoms replacing human connections, we constantly get told 'gee people hang out with persocoms a lot', chitose publishes a whole inexplicable book series about people preferring persocomes to humans. it's to the degree that a prominent character's husband gets So wrapped up in (presumably) fucking his android that he locks his actual wife out of the house, having just straight up forgotten she exists. we don't have anything to say about it though. she falls in love with a new man. the people who hang out with their persocoms too much are all background characters in crowds. we never look at how the rise in persocoms has affected society as a whole.
it wants to be about grief, in the story about the man who marries a persocom and has to watch her slowly degrade until she can't remember him anymore, or the kid whose older sister died and he tried to replace her with a persocom who he dresses up/treats as a maid and lives alone with despite being omega orphaned and 11 years old. but then it's fine. the man who married a persocom gets in a relationship with a high school girl 20 years younger than him (CLAMP!). it's fine! the boy who tried to replace his older sister just accepts that the persocom replacement won't replace her. still treats/dresses her up like a maid and lives alone. is she his legal guardian. i don't know. don't worry about it.
and it wants to be about women, because everything about the story is about women, all the persocoms are women, all the tragedies are wrapped up in the death of a woman, or a woman's heartbreak, or a woman's feelings. but it has fucking nothing to say about women beside look how pretty they are. my boobs are E cup, sempai :) teehee
it makes me insane.
friend @amphiaria put it best as "Unfortunately the story is uninterested in itself" and i can never forgive it for being so aesthetically good, giving us the best design for an android (the ear things are Perfect) and then being So Fucking Bad.
in conclusion:
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zan0tix · 6 months ago
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Any general thoughts on/relating to the Brobot?
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Have my half awake scrawlings...
I really love the brobot!!!! People really misconstrue it and also leave it out in a lot of dirkjake talk? Its a big player in not only how dirk expresses his affection/desire towards jake but also in their multi year spanning unspoken game of gay chicken 😭😭(all of dirks splinters are but Not about them rn)
It was sent yknow under the pretense that jake loves wrestling and wished so bad to have somebody he could wrestle with. But at the same time it protects jake from the horrors of hellmurder island (seen before they strife), pushing jake into the Damsel in distress role he wasnt expecting to play even before all the shit in the game, with Dirk being his hero.
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Jake says he keeps it on a high difficulty because apparently in the Novice mode he says their interactions become "too tender" and doesnt want to elaborate, Friendly reminder! His convo with jane on the SAME DAY dirk pulled off that big romantic overture and the kiss happens and him and dirk begin "dating".. is the same day he asked jane if it didnt make him weird for wanting to date dirk. And he also says hed joke around with dirk about how theyd soo make a great couple if dirk were a girl haha.
I imagine the brobot and well. Getting physical like that with a robot that supposedly looks like dirk probably gave jake his internal gay awakening at 13 but he just never wanted to actually confront it and instead just wanted to brush past everything 😭😭 (See: every single time sexuality or romance comes up in relation to jake he is literally always thinking about dirk somehow and he never directly talks about his attraction to men or how that reflects/contradicts on his self image of the Movie Star Hero guy)
and jake doesnt actually hate the thing either, he tells jane he thinks it genuinely did improve his fighting capabilities (Which we see it did in collide! he beat basically the whole felt with guns and fisticuffs alone, no hope powers.) Which serves as a pretty evident parallel to dave who also is good at fighting, even if he doesnt want to be. (see dirk + dave convo)
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This one comes from hussies authors notes in the aradiabot and equius scene (which equius imagery being invoked with dirk. something i could totally rant about another time haha) but yeah. Jake was being selfish asshat in that log forcing jane into a corner and wringing what he wanted to hear out of her, and also not giving a shit about the brobot (Which served as his protector and only other semblance of human connection since he was 13 and was a BIRTHDAY GIFT FROM DIRK) KILLING ITSELF? But hes so preoccupied talking about dirk. THE REAL DIRK. And immediately after jake loses the dirk splinter that protected him, HE (AND DIRK) CREATE A NEW ONE FOR HIMSELF USING THEIR COMBINED POWERS/?
Hussie is lying.. somebody Does care about dirks feelings. a whole lot to the point they activate their powers unwittingly Because of it. and its jake. but jake just cant admit that himself. (He cannot admit his real feelings until given permission to, dirk would have to concede the game of gay chicken first using his words and not just actions)
ANYWAY. hussie is so right its so easy to get sidetracked times one million talking about this comic. BUT AHH!! BROBOT. his existence.. tragic.. Jakes really smart in knowing that all of dirks splinters enlighten aspects of himself he doesnt oft share, and the brobot served as another dirk action on the pile of dirk actions he engineers to signify his deep immense care for jake, where he lets these grand gestures and implications sit out in the open without ever actually saying what they mean and where his feelings lay.
EVEN IF ITS SUPER OBVIOUS. The d man cant use his big boy words to actually describe his feelings despite how much a yaps! so jake doesnt know if hes even allowed to say anything about his own. Fellas: Is it gay if you labour for supposedly an extended period of time to create a custom robot in your own image to ship in pieces to your best bro guy crush who is HUNDREDS OF YEARS IN THE PAST because you cant be there yourself?
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I think this hal message says enough about how bad dirk wished he could visit jake 💀💀
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moonstruckme · 1 year ago
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hi bae, can i pls request reader who’s recovering from eating problems and is gaining a bit of weight and gets insecure with poly marauders but they just find her more attractive cause of it
fighting demons rn
đŸ«¶đŸ»đŸ«¶đŸ»
Hi sweetheart, apologies for the wait! I was hunting your demons with a crossbow. Thanks for requesting <3
cw: implied past disordered eating, body image issues
poly!marauders x fem!reader ♡ 1.4k words
Your favorite high waisted jeans used to sit just so on your hips, practically hanging off your hip bones. Now, they hug your waist, which you try to reason is where they were always meant to be, but it feels so wrong on your body. Everything about your body feels wrong. You jam your fingers in the waistband, and there’s little give. You’re beginning to wonder if you should even bother with these, when you know you’ll eat and they’ll start to bite into your midsection like a punishment. But they’re your favorite jeans.
James comes through on his way to the bathroom with a careless “Hi, lovie,” and you drop your hands from where they’ve been pinching critically at your waist. 
“Hi,” you echo halfheartedly. 
James pauses, pivoting slightly to give you a curious look. You have an out here, you know. You could fake a smile or feign confusion, and he’d let it go. Perhaps he’d be keeping a closer eye on you today, but James will never push the issue if you don’t feel like talking. 
Maybe it’s the option that makes you think it might be nice to externalize. 
“I’ve gained weight,” you say plainly. There. 
James’ eyebrows shoot up, more surprised at the abruptness of your complaint than the complaint itself. “Well, I should hope so. You’ve been doing really well lately.” 
“It’s just,” you sigh, “my jeans don’t fit.” 
He gives you a quick look-over, then an odd sort of smile. “They look great to me. Do they not feel right?” 
You feel your mouth quirk to the side. A dissatisfied pinch. “They used to feel different.” 
“That’s alright, sweetheart,” he says, going into the bathroom. You hear the satisfying schwick of his deodorant cap sliding off. “Do they still sell those same ones?”
You give a tentative nod as he emerges from the bathroom again, and he shrugs at you, a funny scrunch at the bridge of his nose. 
“Then get them in a bigger size.” 
Not what you want to hear. Not necessarily his fault, either. James doesn’t get it. How could he? The only time James’ body doesn’t look like it was drawn into a superhero comic is the few weeks of off-season where he doesn’t train as hard and gets a bit of pudge around his middle. And even then, it’s a very lovable pudge. James Potter wouldn’t know insecurity if it slept in his bed every night. (Which it does. You do.) 
“That’s not the point,” you say, and despite your best intentions your voice comes out with a petulant edge. “I just—I liked how these ones looked on me before. Don’t you think I look
different?” 
The scrunch migrates from the bridge of his nose to just above it, an unhappy notch between his brows. “Well, yeah. But I mean, I like it.” 
You give him a deadpan look. 
“I’m being honest.” James holds up his hands. “Really, sweetheart, I didn’t want to—I know talking about your body can be an issue for you, so I didn’t want to bring it up, but you’ve been looking fantastic lately.” 
You’re quiet, stuck. You aren’t sure what you’d wanted out of this anymore (validation, maybe?) but you’re not going to get it this way. You only feel bad for putting James in this position. He’s your boyfriend and a good one, he only ever had one way out of this. 
“Sorry,” you say, wrapping your arms around your torso, “I didn’t mean to fish for compliments.” 
“Hey.” He steps into your space, hooking his fingers through your belt loops to turn you towards him. “You’re not asking for anything I don’t want to give. You look amazing, I mean it.” Your eyes fall to his chest and he stoops to follow them, dark brows rising incredulously. “What, you don’t believe me?” 
You sigh. “I’m sorry I brought it up, okay? Can we not—”
“Nope.” James lets go of one of your belt loops but keeps a firm hold on the other. “Sorry, no longer an option.” He begins tugging you out of the room. Your hips follow disloyally, and though you wrap your hands around his wrist, he holds fast. 
“James, come on.” You give a little resistance, but he drags you doggedly onward. You could tear away if you commit to it, but these really are your favorite jeans and James is just as likely to take your belt loop with him. 
In the living room, Sirius is mending a pair of James’ trousers while Remus does the crossword, which involves him reading the clues aloud and Sirius firing off unrelated and too-long words until Remus gets it himself. Remus hears your protest first, brows rising as James brings you into the room. 
“What’s going on?” he asks, somewhat warily. 
“She doesn’t believe me when I tell her she’s lovely,” James says, like Can you believe it? Remus blinks and Sirius’ eyes flit up from his work, one brow quirking.
“That’s not what I said,” you defend. 
He releases you, and you step away, crossing your arms over your midsection. “Go on, then.” James sounds truly encouraging, though dubious. “Tell us how lovely you are, angel.” 
You roll your eyes. It’s difficult not to feel frivolous when they put you on the spot like this. “I was only saying that I don’t like the fit of my jeans now.” 
If you hadn’t had Sirius’ full attention already, you do now. He sets down James’ trousers, beckoning you forward, “C’mere, let’s see.” 
You go to stand between his legs, dread coiled like a snake around your ribcage that only squeezes tighter at the unflinching intensity of Sirius’ gaze while he analyzes your face. 
You look down to escape it, sticking your thumb into the waistband of your jeans. “Look, they’ve gotten small—”
“I can see for myself,” he says softly, moving your hand out of the way and replacing your thumb with his own slender fingers. They’re cool against your abdomen. He slides them around to the side of your waist, tugging experimentally at the denim. “Gorgeous, these fit great. This is exactly where you’d usually want them to be. What’s the issue?” 
“It’s just—they don’t—” You feel more and more ridiculous by the second, and you can’t figure out if you’re frustrated with yourself or with them for that. “They used to sit lower, and now I—I just feel like I look weird.”  
“That’s what I’m trying to tell you,” James insists, seating himself on the coffee table and setting his elbows on his knees. Sirius nudges your ankle with his foot, silent encouragement to sit between him and Remus. You comply. “You don’t look weird, sweetheart, you’re—listen, you’ve always been beautiful, but lately, it’s like—you’re just, you’re stunning.” 
You shrink from the compliment, face humiliatingly warm. “Thanks, Jamie, but you have to say that.” 
“No, he’s right,” Remus chimes in. He sounds so matter-of-fact, as if he’s simply recounting how traffic was on the way home from work today. “You don’t look the same as you did before, true, but it’s not a bad change. You’re just not used to seeing yourself healthy, is all.” 
“Exactly.” James throws up his palms, relieved. 
You consider this. It was warped perspective that had gotten you into this mess. Maybe you’re still not seeing things clearly quite yet. 
Sirius wraps a hand around the inside of your thigh, tugging it over one of his. “Babe, if these jeans are evidence of anything, it’s that you’re finally growing into the size you were always supposed to be. If you eventually have to get a larger pair, then fine. It still won’t mean anything about you. You’re exactly right, understand?” 
You nod, feeling thoroughly chastened, and Sirius grins. His fingertips dig into your thigh as he leans over to kiss your cheek. 
“Honestly, I don’t know how you can’t see it,” James says, looking pleased to have some validation from the other boys. “You’re radiant, lovie, your skin is glowing, you look happier—really, you’ve never been more lovely.” 
“It helps that we know you’re doing better, too,” Remus says, a bit quieter. “Frailty doesn’t suit you, dove. It’s
I love you no matter what, but it does make it easier when you’re kind to yourself. Feels more like we’re on the same team.” 
“Thanks,” you say softly, then once more for good measure. “Thanks, guys.” 
“Told you already,” James says, “you’re not asking for anything we don’t want to give.” 
“You liked it when these jeans fit a bit saggier, showed more skin, yeah?” Sirius asks. You nod with a shrug. It doesn’t feel quite so important now. “We can do that. We’ll get you the same ones, if you want, or another pair that might sit a bit more on your hips.” He gives your thigh a squeeze through your jeans. “Gotta show off this bod, right, babydoll?”
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acid-ixx · 8 months ago
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Dear author,
I love your batfam series SO MUCH. I like the way you describe the feelings, how you use the words, how the depression of Y/N was shown, and the thinking of Batfam when they realize that Y/N had been heavily neglectful. Every time I read this series again, I still feel the hurtful of it and it actually makes me cry a lot T.T. And I love that feeling. And the series makes me want to draw, even though I’m not good at drawing.
The first panel, I draw Y/N in my thoughts ( sorry if you feel uncomfortable) and Conner. This one is inspired from a manga called “ Veil”.
The second one, I draw some scenes from chapter 3 (I tried to draw the ways Y/N calmed themselves down, but I couldn’t 😭).
From your series, I’ve thought about ABO au, where Y/N is a beta, they can’t be marked ; so the yanderes ( romantic one) are more yandere, because they know that Y/N never belong to anyone.
Last thing to say, I VERY VERY VERY LOVE your batfam series and this is one of the greatest fics of Batfam I’ve ever read. I also very admire your hardworking and your inspiration about this series. But I hope that you also stay healthy because I saw that you’re very productive ( how you can write so fast but still focus on the details TvT). No words can reveal the love in my heart to your series.
Sorry if I either bother you or my bad grammar ( English not my native language, this is also the first time I do this ). Thank you so much because spending your time reading this piece of mine. I just want to express my feelings and thoughts about your fic. Hope you have a good day!!!<333333
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— masterlist !
a/n: the topic of a/b/o is written under this post. anyways, this comic panel is so absolutely brilliant and breathtaking omg... i love all the thoughts u have compiled here and i'm so sorry I wasn't able to reply to this quick enough 😭 but i appreciate this sm !! "even tho im not good at drawing" YET U SENT ME THIS !! i absolutely love everything about this don't say ur not good at drawing bec u are 😡
so like i said, don't be sorry if u draw the reader as female bec i portrayed them as gn so anyone can interpret them as any gender and it doesn't make me uncomfortable at all as long as i'm the one not being misgendered. anyways, veil is actually one of my fave mangas and if u ask me, i could say your relationship with conner is pretty much akin to that of veil's! which means conner is very touchy-feely with you and is uncaring of their status as a wayne and would rather... have you take his last name very soon, if you know what i mean hehe.
the second scene is absolutely heartbreaking even for me, especially the panel where your mom tries to comfort you by telling you it's all alright made my heart ache real badly because that's probably the last time you have experienced; the love of a parent that's soon taken away from you. your mom's last words would be reassurance, one that both comforts and disturbs you as the memory repeats itself over and over in you head like a broken record </3
and the abo au, for me personally (tho i never have written for it) is just going to threaten more angst with your family because not even your pack is willing to take you in and care for you. despite your hopes due to being a beta unlike your family who are comprised of strong alphas and resilient omegas, you are merely average in their eyes probably, average enough to be forgotten and discarded by a pack you had thought would take you in for you must be a misfit just like them.
yet despite the pain you had to endure for feeling unloved as a beta, it would also deepen your potential with conner as your love interest because although you could never be claimed by any past sweethearts, conner would always, and i mean always make a show that he loves you in a deeper, more symbolical way. he may not be able to mark you as your alpha, but a ring and an always protective hold on your waist paired with his scent and pheromones engraved into every piece of your clothing is enough to tell everyone to "fuck off, this one's mine."
and tysm for loving my fanfic 😭 even tho i have written it impulsively, look where it got now !! yes i am very productive but this is a mere product of my attention span and hyperfixations towards the dc storyline and no my health is very bad but trust me it's not from writing, it's more from me just being very ill every single day but im trying to take care of myself <33
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quartzteph · 19 days ago
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HAPPY 10TH ANNIVERSARY TGS!!!!!
I've had this design for a recombined Jekyll rolling around in my head for months now, so I finally took the time to draw him. For the sake of clarity I'll refer to him as Re!Jekyll (short for Recombined Jekyll) (also the prefix "re-" feels kinda fitting for him, since he is whole once again). I have many ideas/headcanons for him, but I'll put all that under the cut :)
As for the drawing itself, I tried to mimic the look of the comic for the most part. (Note: Many of the colors used here were colorpicked from the comic to ensure accuracy.) I wanted him to look less like a 50/50 mix of Jekyll and Hyde and more like a Hyde-ish Jekyll, so I opted to give him the same face and hairstyle as Jekyll, but with some Hyde-like qualities. Aside from the obvious blonde streak, his hair is fluffier, messier, and a bit longer. The hair tuft/sideburn things in front of his ears are based on a mix of the hair tufts that hang in front of Hyde’s ears and university Jekyll’s sideburns. While he mostly wears red, he likes to include a touch of green, as seen here in his cravat. Also he gets the dark eye circles, as a treat. (I just really like Hyde's dark eye circles and don't have enough self-restraint to not give them to Re!Jekyll.)
Bonus doodles cause i love my freak son:
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Various headcanon ramblings about him (plus drawing process) under the cut:
When he's trying to look more respectable, he uses his now-longer bangs to hide his green eye. At first, he also attempts to make his hair look neater, but this is a near impossible task that he eventually gives up on. (He is doomed to live out the fuzzy-headed mad scientist stereotype.)
When people question his sudden change in appearance, he claims his blonde streak and green eye are the result of a chemical formula splashing him in the face (ĂĄ la Two-Face). Yeah this sounds a little far-fetched, but he is charming enough to get away with it. (Besides, he knows way more about alchemy than they do, who are they to question it?)
This sudden merging of identities is initially super disorienting. It takes him a while to get used to it. (In the first few days, he keeps referring to himself with "we". He eventually breaks this habit tho.)
Has a bit of an identity crisis. (I'm specifically envisioning a scene of him staring at his wardrobe, mostly full of reds and greens, and getting stuck because he doesn't know what color to wear.)
Jekyll and Hyde were so used to having someone constantly there, listening to them and yapping in their ears (or in their heads, rather). Now, for Re!Jekyll, life feels so quiet. It's peaceful, but also a little lonely.
Has a bad habit of talking to himself aloud. When he's alone, he sometimes has whole conversations or debates with himself.
Struggles more with the mundane parts of his job due to having Hyde's impulsiveness and wanderlust. He occasionally has to take little breaks from all the paperwork when he becomes too restless.
He's still goopy. Moments of extreme emotion (stress, anger, excitement, etc.) can trigger the green goop. (Think that one scene in Ch. 14 when the priestess startles Hyde, causing goop to spew from his face.) I like to imagine the guilt of everything he's done hitting him and causing him to have a "that one scene in Howl's Moving Castle" moment.
In rare moments of severe inner turmoil or repression, he may even go into convulsions in addition to the goop, as if his body is trying to transform. (Feel free to disregard this one if you wish, this is 100% just me being super self-indulgent cause I love angst.)
Despite his many newfound struggles, he’s actually very happy! He now knows that Lanyon loves and accepts every part of him, and this helps him to better love and accept himself.
And now drawing process images! Shoutout to that one Re!Jekyll who is way too excited about something:
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unadulteratedsoulsweets · 3 months ago
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A DC X DP IDEA #40
A Fool’s Gold
Imagine dis

Booster Gold is the name of a hero that we are all familiar with both in and out of the comics.  He is commonly heard as the joker of the group, the time traveler who came with a robot to keep him updated on the latest information.
I just made this, cause I noticed that writers focus more on the Batfam, Supers, Arrows, and the Flashes when it comes to time travel in DC when we have another time traveler that hasn't been talked about too much so here we are
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The Watchtower’s main hall is buzzed with activity as different JL members come and go towards a mission or merely fill out paperwork. Here we see Booster Gold leaning against a console, idly flipping and folding what looks like his report from last week that should have been already filed, turning it into a paper airplane into the air and letting it pile around him.
His bright suit makes it so everyone can notice him even when Batman had already put the guy in a time-out corner until he finished filing and writing down his reports but it looks like boredom won over.
On his left, you could see the main monitor playing a replay from last week's news. Booster Gold is the main star of said news, as he is seen and captured by a news crew waving and interacting with countless fans surrounding him, screaming and awing at the sight of him, some even dared to throw themselves at said hero. Him interacting with his fans with every body language of his screams of arrogance paired with his cocky grin plastered on his face even though he should be providing support to an undercover op that is happening just a few blocks away.
Superman exchanged a glance with Wonder Woman as if to ask a silent question about Booster’s latest issue, with her answering the man of steel with rolled eyes as she seems to be fed up with the gold hero. Even Flash, the most laid-back of the team, muttered something under his breath about Booster being insufferable.
Batman on the other hand is holding Booster Gold’s last month's debrief that is filled with doodles. Gripping said reports to the point of almost tearing said reports into shreds, while also practicing deep breathing tactics to calm himself down. As much as he would want to lecture Booster he knew that Booster would have in one ear and out the other.
Besides the morals of the heroes, his knowledge of the future in ways that the Speedsters cannot comprehend is the only thing keeping him inside the JL.


Unbeknownst to the entire League, even from Batman’s prying eyes, Booster Gold’s true purpose and where his loyalty lies far beyond what the JL expected of him. His persona, the self-absorbed, fan-pleasing, buffoon, was meticulously planned and crafted to fit into his role.
Behind the scenes, Booster created and operated a deep network of informants made out of allies and ghosts. Many of them pose as fans of his that only pass on information using this method to fool everyone from the main members to the JL, to their hidden enemies, especially his ghost informants who needed to fit and control a husk of a humanoid-shaped android to pass on as humans and information. Thick make-up and wonky movements made them occasionally throw themselves towards Booster as to suspect no one.
Each interaction in the spotlight served as a secret exchange of information between two parties. Skeets, his loyal robotic companion, despite having all future knowledge in its database kept on changing and updating itself as to each change that he and the Speedsters made.
But Booster remembered, He always remembered.


He remembered the original timeline, a time and place where the love of his life Daniel “Dan” Phantom was his lover. In the apocalypse of a future when he used to live in, he and Dan have each other’s back, despite the rumors of a monster roaming around the streets killing every living human there is. So imagine his surprise and heartbroken when he learned that the reason they all live in this desolate future was all because of him.
So imagine his surprise when he encountered Dan in this timeline. Booster Gold was just trying to take a peek, a glimpse if you will, the life before he turned into Dan.
There he was, Dan who was reformed and wary, guarded especially with his younger self, Danny, his clone, and older sister, who is still alive and part of his little world.
It took a while but Dan’s family warmed up to Booster, recognizing that the man was being flocked by fans on the television than the one who looked at them with nervousness and anxiety while holding a tray of cupcakes to earn the approval of Dan’s family.
Booster took it upon himself to dismantle the GIW as it threatens not only his lover but also his new family that he slowly builds for himself. Through his human informants with new ghostly informants, he slowly but surely uncovered hidden bases, weapons caches, and classified operations.
Yet the progress was slow. Too slow.


The day Booster’s world shattered began like any other, it was another assigned to a space mission far away from home. The moment he stepped foot back at the Watch Tower Skeet; 's alerts began flooding his visor, message after message marked important and urgent from his informants all sending him out messages about how the GIW  had a raid on the Fenton household. By the time Booster returned to Earth, it was too late. Jack and Maddie Fenton are already dead, having sacrificed their lives to protect their children. Dan, Danny, Dani, and Jazz had been captured by the GIW.
Rage consumed Booster, gone was the carefree hero who smiled for the cameras and flashing lights. In his place stood a man filled with grief and fury, he tore through the GIW facilities with ruthless efficiency leaving trails of destruction with each step he took. The media caught wind of his destruction towards unidentified facilities and buildings, some even caught on tape his rampage broadcasting footage of the hero Booster Gold of the JL leveling a building. The Justice League watched in disbelief as the man they had dismissed as an airhead fought with ruthlessness.
Superman was the first one to confront him as the JL thought that Booster Gold might have been mind-controlled and sent out Superman to not only subdue Booster but also limit the destruction that Booster did.
Booster having known that they had sent Superman to subdue him immediately attacked, their fight was swift and unrelenting leaving the Man of Steel unconscious and bloodied in the center of a smoking crater. One by one, various JL members were sent out to subdue him, but none could capture him. Always outmaneuvering and using his technology and suit from the future to fight off each member.


Just as the JL thought they had cornered Booster and now arrived at another confrontation between them and Booster, the scene made them all stop in their tracks.
There, they discovered a scene that would haunt them. A massive facility painted white is now in ruins, with black smoke emanating from it, implying that it was just destroyed, most likely by Booster, known for destroying structures and facilities with similar appearances. There he stood, Booster Gold, his suit burnt and missing pieces displaying his bloody skin, his body beaten, cradling two bloodied babies in his arms. A huge monstrous creature with red-blooded eyes coiled protectively over Booster. Fangs bared, claws extended, he hissed low and menacingly at the League, his every gesture exuding a primitive need to defend. A red-haired teenager lay nearby, her head resting on Booster's thigh as a makeshift pillow, breathing shallow but steady.


PS: If someone out there wants to continue or make a fic about this you are free to do so, don’t forget to tag me though.
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naomijoestar · 4 months ago
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SWAG okay I was just asking if like. La Squadra with a goth reader but the Stand is like one of those little cute clown dolls???
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Kinda like one of these if that makes sense??
Masterlist here <3
I just wanted to let you know how much I enjoyed writing this, I’ve been wanting to give La Squadra something for so long!
You didn’t specify whether this is platonic or they’re dating so I made it platonic, I hope you don’t mind. 💕
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(Stand side nots: it’s small in size but not as small as the sex pistols, stand abilities: cartoon physics type of stuff, you’ll understand what I mean when you read)
La Squadra with a goth intimidating reader who’s stand is a cute clown
(Bucci Gang version)
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Risotto Nero
Risotto eyes you from the shadows, his gaze a piercing mix of curiosity and wariness. He’s used to assessing threats at a glance, and your dark, gothic aura suggests you’re someone worth watching. Expecting a deadly stand to match your look, he’s caught off guard when a colorful, plushy clown appears at your side, giving him a cheerful wave. Risotto’s eyebrow twitches in confusion. “That
is your stand?”
You merely nod, unbothered by his judgmental tone, and watch as the clown suddenly pulls out a giant anvil from behind its back. Without a moment’s hesitation, it hoists the heavy object above its head and slams it down toward Risotto. He dodges just in time, but a massive crater forms where he’d been standing. Now, his interest is piqued.
The battle is intense, with Risotto using Metallica to manipulate nearby iron objects, while your stand counters with cartoonish props that make no sense. When Risotto sends sharp metal scalpels flying your way, the clown produces a comically large pair of scissors, snipping each projectile mid-air before any can touch you. He clenches his teeth, frustrated but impressed, realizing your stand’s unpredictability is a dangerous advantage.
As the fight progresses, Risotto attempts to corner you, but your clown keeps pulling off unexpected tricks: an endless rope to trip him up, a cartoonish boxing glove that launches itself from its body to land a powerful blow, and even a giant magnet that affects his own stand. Despite his usual stoicism, you catch a slight twitch of a smile at the edge of his mouth, a rare acknowledgment of respect.
Formaggio
The moment Formaggio sees your stand, he bursts into laughter. “A clown? For you?” he teases, clearly amused by the contrast. He underestimates both you and the clown, finding the sight of it bouncing around in its colorful, knitted outfit hilarious. “Oh, this is too rich! What’s it gonna do? Tell me a joke?”
But as he’s busy laughing, the clown’s wide grin turns mischievous. With a snap of its fingers, it pulls out an oversized mousetrap and sets it right near his feet. Just as he takes a step forward, SNAP! Formaggio yelps, his foot caught in the trap as the clown cackles, its high-pitched laughter echoing.
Annoyed, he shrinks himself down, hoping to slip away undetected, but your stand has other plans. Suddenly, a tiny circus tent appears around him, trapping him inside with exaggerated cartoon walls that stretch and contract whenever he tries to push against them. He scrambles around, bumping into props like juggling pins and rubber balls, each one oversized and ridiculous. Every escape attempt is thwarted by the clown stand, which gleefully watches from outside, tapping its nose as if to say ‘Nice try!’
Frustrated, Formaggio finally escapes, only to be greeted by a pie to the face courtesy of your stand. You can’t help but smirk as he stumbles, wiping cream from his eyes. Lesson learned: don’t judge a stand by its appearance.
Illuso
Illuso sneers, confident he can handle whatever your stand throws at him. He’s unimpressed by the clown’s playful antics, crossing his arms with a smug grin. “That thing can’t possibly stand a chance in the Mirror World,” he scoffs. He reaches out, attempting to drag the clown into his dimension. But as he tries, the clown’s face smashes against the mirror like it’s in a slapstick cartoon, flattening with a loud ‘SMACK!’
Irritated, Illuso tries again, but the clown wiggles its finger at him in a mocking gesture. Then, with a flourish, it pulls out a comically large mallet and begins pounding the mirror. Each hit causes cracks to form in the reflective surface, sending Illuso scrambling to repair it from his side.
Realizing he’s losing control of the situation, he attempts to flee, but the clown is relentless, conjuring up ridiculous items: a huge pair of pliers that it uses to tug on his jacket from the real world, a tube of glue that it splatters across the mirror to trap him, and even a giant, inflatable hammer that bounces him around when he tries to escape. By the end, Illuso is fuming, his pride wounded as he’s bested by what he initially thought was a “harmless joke.”
Prosciutto
Prosciutto gives your clown stand a cold, judgmental look. “How ridiculous,” he mutters, activating The Grateful Dead to age it immediately. He expects the clown to crumble like any other target, but instead, the clown’s cheerful expression only morphs into an exaggerated elderly one, complete with a fake beard and comically oversized glasses. It hobbles around, leaning on an imaginary cane, but still manages to wave cheekily at Prosciutto.
Annoyed, he increases the aging effect, but the clown retaliates by pulling out a huge spray bottle labeled “Youth Juice” and spritzing itself. With a little shake, it reverts to its original state, completely unaffected by Prosciutto’s stand. He grits his teeth, realizing this is going to be more complicated than he anticipated.
As the fight goes on, your clown stand begins to toy with him, pulling absurd stunts to dodge his attacks. At one point, it stretches out its arm impossibly long to reach around him, delivering a surprise slap across his cheek. When he lunges at it, the clown conjures up a banana peel, sending him sliding across the floor in a rare moment of humiliation. By the end, Prosciutto’s usual calm demeanor is shattered, replaced with a barely restrained fury as he realizes he’s been made a fool of.
Pesci
Pesci is intimidated by your dark, gothic look, but the clown stand’s cheerful demeanor throws him off balance. He chuckles nervously, finding its antics strangely endearing. He reaches out, almost wanting to pat it, but that’s when the clown’s eyes glint with mischief. Suddenly, it pulls out a gigantic fishing pole, casting the line straight at Pesci’s Beach Boy.
To his horror, it hooks onto Beach Boy and starts reeling it in, dragging him along with it. He panics, trying to regain control, but your clown stand is relentless, pulling out one absurdly oversized object after another: a big rubber chicken that smacks him across the face, a fake tunnel painted on the wall that he crashes into, and even a gigantic fishbowl that it briefly traps Beach Boy inside.
Pesci ends up sprawled on the ground, out of breath and utterly bewildered, realizing that the “cute” clown was anything but harmless.
Melone
Melone’s analytical mind goes into overdrive the moment he sees your stand. He’s immediately intrigued, trying to understand how something so cute could pack such a punch. He releases Baby Face, expecting the creation to take care of the clown stand quickly. But your clown is ready. It pulls out an enormous vacuum cleaner and begins sucking up Baby Face’s cubes as they approach, each one vanishing with a satisfying “pop.”
“Fascinating,” Melone mutters, momentarily captivated. But his awe turns to frustration as the clown pulls out more absurd props: a giant fly swatter to smack down any cubes that regenerate, a massive cartoonish rubber band that it snaps at Baby Face, sending it flying back, and even a bucket of water it throws in Baby Face’s direction, which somehow shorts out its pieces temporarily.
Melone watches in frustrated fascination, torn between admiration and irritation as your clown completely disrupts his plans. His usual calm is nowhere to be found as he finally realizes that no amount of calculation could prepare him for your stand’s chaotic nature.
Ghiaccio
Ghiaccio scoffs the moment he sees your stand, launching into a furious rant about how impractical it is. “A clown? Are you serious? How can you take this fight seriously with something like that?!” he shouts, his icy rage fueling White Album’s powers. He expects you to be intimidated, but your clown merely giggles and pulls out an enormous fan, blowing back his freezing attacks with ease.
As Ghiaccio’s temper flares, the clown pulls out a barrage of comedic props: rubber chickens, cream pies, and a mallet that’s almost as big as he is. Each item hits him with perfect comedic timing, making him look increasingly ridiculous as he stumbles, rants, and struggles to stay upright. His face flushes with frustration as he realizes he’s being outmaneuvered by a “stupid clown.”
His final attempt to attack is thwarted when the clown produces a firecracker, tossing it at his feet with a cheeky wink. The explosion leaves him covered in soot, looking like a classic cartoon character after a mishap. Seething, he roars, “STOP LAUGHING!” as your clown grins back, unfazed.
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I hope you enjoyed this! If you’d like anything fixed or anything specific don’t be shy to message me and tell me!
If you liked this make sure to check out my other work, and if you’d like anything specific for any jjba character/squad from parts 1-7 don’t be shy to request it!
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cantgetworsethanthistbh · 3 months ago
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anyway a very enjoyable detail imo is how fords confrontation with stan in tots after he broke fords machine and his confrontation with bill after fiddleford saw bill's true plans are framed the same way, with a few tweaks so that they're not wholly identical
but what matters here is that stan and bill are watching something (innocence gap aside lmao)
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ford enters (or has technically entered the room already) with intent of confrontation
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ford's dramatic body language through out the scene + the way stan and bill are placed
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and theres a bit of irony in the fact that despite being liars and conmen, both stan and bill are both being entirely honest in this part, with fords reaction ending up the same way. stan is explaining that he broke fords machine on accident while bill is outright gloating that he tricked ford into building the portal. they both are angling to get something out of ford here, with stan still bringing up treasure hunting and bill trying to keep ford under his thumb with the deal they made.
at the end of the day though, with ford not believing stan saying it was an accident and thinking stan is lying to him vs him immediately getting confirmation from bill that he was being played the whole time, the end result is the same: ford feels he's been betrayed by someone he deeply cared about.
so thats all pretty basic stuff right? like who hasnt realized that ford has trust issues. and tbh im just pointing out some basic cinema similarities thats a cool detail nonetheless.
but my fave part is how these are the ONLY times times you actually hear both stan and bill call ford sixer in the show itself
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stan and bill are both the only characters to call him sixer, but we only see how frequent that is in the comics and tbob. the use of the nickname in ONLY these scenes in the show specifically was very deliberate to envoke how much this sucks for ford that he's been prevented from achieving one dream by one person he loves, only to have that same dream used against him by another.
imagine how wild this must be for ford lol. the time he confronted bill he is instantaneously thrown back in time by bill using the very last time stan calls him a certain nickname the very night he remembers being "betrayed" by stan. betrayal on top of betrayal is connected to that very nickname, so its not JUST a random nickname either of them couldve called ford (or bill couldve also called him poindexter and a whole lot of variations of nerd, but sixer is the only nickname among the two's list is the same. almost like rubbing lemon juice and salt to the wound atp which is really funny of bill.
tots and lmc in general also have some of my fave details on stans influence over ford in general. from ford quoting stan and copying his body language when HE gets abandoned by fiddleford the way stan thinks ford did with him
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(and i say copy— this is no coincidental parallel because we know in tbob ford knows what stan looked when he was doing the "high six" part, so he's been paying super close attention to stan's departure the whole time despite closing the window curtains)
and my favorite arguably funniest one, when stan called ford a dangerous know it all in ddamd and ford (who btw was already behind the vending machine and youd think already went down in the basement), is SO peeved by that he was tossing and turning in bed over that in conjuction with all his bill related flashbacks. this is funny because for someone who was literally writing "TRUST NO ONE" in his journal, he's very upset by the fact that either stan doesn't trust him + thinks that way about him, no matter how deserved or that stan is definietly right about him being a dangerous know it all (and i do not see enough people point that out lmao) AKDHAKDGEU
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comingdownwithme · 6 months ago
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Can we see more of Jeff and Toby also is Ben and Ej I’m the comic of not what are your headcanons for them??
Jeff and Toby have always been my favs since I was a kid, so you'll definitely be seeing more of them!
As for the comic, the whole thing is more of snippets and peeks into my interpretation of Creepypasta instead of a solid, sequential storyline, so not a whole lot is concrete, and I won't be posting a whole, fleshed out comic since it's very time consuming. I'm definitely sure Ben and EJ would show up though, especially during Jeff's directionless wanderings
Anyways, Woe! Headcanons be upon ye!
Eyeless Jack
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Jack Nyras is a man just trying to survive after he had been left disabled and transformed from putting his trust in the wrong people. Even as the demon contorts and shapes it's host as if it were trying to fit itself it's host's own flesh, Jack remains conscious, all too aware of what is happening to him and the dizzying, maddening hunger that drives him forward
He's gone from a 5'6"-ish guy to a whole 6 foot something of a man after the incident. The demon disfigured and stretched his body to "make itself at home", though it isn't too obvious with his shitty posture and what he wears
He used to go to medschool and was about to graduate as a Valedictorian.
He carries a roll of surgical knives in his hoodie pocket! (My best friend gave me this idea :)))
Burn scars over his eyes! Hot tar does that to you ig, and it harmed him enough to last despite his new form's accelerated regeneration
He's still sane enough to have morals (or at least, he believes he's sane enough), so though he isn't exactly picky, he prefers kidneys since his victims would usually survive with only one, and he strikes at night when his "patients" are sleeping
He's good friends with Jeff (even if neither would admit it, ESPECIALLY not Jeff). They first started out as seeing each other as nothing more than "easy body disposal" and "free meal provider", but each time they bump into each other, they've began to get along past their perceived usefulness
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BEN drowned
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An angry, vindictive spirit that's been freed from the confines of where he had been sealed. Even still, he can't remember his own face, so despite his newfound freedom, he had taken the form of the model he had been using during his digital imprisonment to manifest. He now wanders the world, vengeful and curious, yearning for a peace he might never get.
His face is stuck between 2 expressions: the calm, neutral look of the elegy of emptiness (which is his usual), or a more expressive- albeit heavily distorted face- during moments of heightened emotion like anger, sadness, etc. Nothing changes from his expression, not even his mouth moves.
The latter is also a reference to how fans usually drew Ben, along with just... .EXE characters in general-
His clothes are always soggy :(
He can manipulate and change his physical form, but the binary scarred into on his calf stays no matter what he does, whether that be changing forms entirely or removing the limb from his "model", in which case the binary moves elsewhere.
Ben is telepathic. He can choose who can understand him at any given moment, whether it be a group, a pair, or a singular person. Everyone else outside of the conversation could hear only gargling, wheezing and coughing.
Avoids areas where water is usually found in large amounts. I.e, lakes, rivers, bathrooms, etc.
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gffa · 9 months ago
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Disney, hire me as your Attachment Advisor, I will shove so many George Lucas quotes at your producers and writers, I will shove so many context-laden clips from the movies and TCW at your creatives, I will make powerpoint essays about how it's more Buddhist-aligned, not Attachment Theory-aligned, I will cite literally every time attachment has ever been discussed by Lucas AND in the show itself and show you that it's always aligned with fear, possessive feelings, and selfishness, I will do this work for you for free, I can even literally just point you to my Jedi Citations collection, DISNEY, HIRE ME AS YOUR ATTACHMENT ADVISOR, I CAN HELP YOU.
Everything I saw in the show aligned perfectly with my view of what the Jedi mean by attachment from the movies (especially with Episode II). You fail to understand that George Lucas words outside of the movies mean shit. You cane have the largest collection of words that has come out of Lucas's ass and it still does not change the movies. Look at the poster for AOTC. A Jedi shall not know love. Obi-Wan speaks beautifully about the undercurrent of remorse he feels for not being able to have an attachment with Satine because he lives by the Jedi Code which forbids it.
You people are so delusional.
Hi! You are so right bestie it has been way too long since I've talked about my love for Mace Windu! You are so right to have brought this up and I will meet your challenge! He is the Force's strongest soldier because the absolute nonsense he has to put up with every day, as someone who deals with the rest of the Council being hilarious assholes, who deals with Kenobi and Skywalker's nonsense, who has Yoda as a friend, and yet he seems to genuinely like all of these people?? Even when they're bonkers?? My man is stronger than I could ever be.
Not to mention, he goes on a whole ass mission with Jar-Jar, has to watch him make out with his girlfriend, the queen of the planet who told falsehoods about your family, and you have nothing but patience and kind words to say about them, and you only roll your eyes a little at Jar-Jar's antics, something even Padme does and she's worked with him even longer than you have, and by the end, you're friends with him, you like him and would probably hang out with him again if the chance arose???? Mace Windu is on ANOTHER LEVEL from what I would have done in his position!
And he's a former theater nerd! "The Council's gain was the theater's loss." Jocasta Nu says about how he didn't have time for it anymore after he got so busy with the Council, like can you IMAGINE Mace Windu doing plays? I want to know sooooooo bad how Jedi plays are different from non-Force-sensitive people's plays, I want to know what kind of cool effects they create with the Force, I want to know if they use their psychic empath abilities to literally connect with their audience! I want to know DOES MACE WINDU HELP THE YOUNGLINGS STAGE CUTE LITTLE PLAYS IN THE CRECHE? BECAUSE I BET HE DOES.
Because that man is so good with kids! Remember that Star Wars Adventures comic where he was so gentle and sweet with the little Twi'lek girl? Reaching down to help her up, smiling openly at her, walking with her back to her village to make sure she was safe, talking with her to make sure she understood how important and valuable she was in the galaxy? Because I'm still not over that!
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His relationship with Anakin in canon is pretty great, too, like, yeah, Anakin should take a seat and stop borderline pitching a fit about getting a rank he didn't earn, and Mace still offered to believe him, despite that Anakin had accepted Palpatine's forcing the Council to put him on it. He still trusted Anakin to help him in that fight against Palpatine! Plus, oh, man, their banter on the Endurance when they're teaching the cadets? That was such good-natured teasing, that was exactly the kind of banter Anakin would have had with Obi-Wan, and by the end of that whole fiasco (do you ever think about when Anakin was in danger and Mace yelled, "Anakin!" and desperately yanked him to safety, because he was worried about him? because I think about that a lot), Mace complimented Artoo by saying he saw what Anakin saw in him, that he was complimenting Anakin at the same time? Or pretty much EVERY interaction between Mace and Yoda is absolute hilarity, the side-eye they give each other, the teasing Yoda does when Mace is on a mission with Jar-Jar, the way Mace holds his hand out in the comics for Yoda to springboard off of into the middle of a fight? ICONIC FRIENDSHIP, I WOULD TAKE A WHOLE NOVEL ABOUT IT, DISNEY.
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Or that time even AT THE END OF THE CLONE WARS, like they are just a MONTH out from Revenge of the Sith, if that, and Mace is STILL trying to get the droids to stand down, that he's destroyed thousands of them, none of them have listened, but he's still trying, offering them a better life away from the war, a purpose again, even if he knows it probably won't work, that man still believed in compassion for anyone and everyone. Like, baby Boba Fett TRIED TO KILL HIM and Mace STILL argued for leniency and rehabilitation, rather than jail, because he saw a young child who was hurting and he wanted better for him. He was direct with Boba, he didn't try to befriend him, Boba would never have accepted that, but he told him, you're going to have to get over your hatred for me, he says this for Boba's sake, not his own, because he knows what poison the desire for revenge is, look at the path it's already leading Boba down.
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Or EVERYTHING WITH THE ZILLO BEAST, he tried so hard to rescue that poor creature, he fought the Senate so hard, he was so gentle with the hand he carefully pressed to its face, even when the Zillo beast was dangerous, even when it had attacked them and could so easily kill more, he wanted leniency for it, he wanted to save it because he understood where it was coming from.
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Or EVERYTHING WITH PROSSET DIBS, that guy tried to murder him, was ranting about how he would dance on their graves or whatever, and Mace looks at him and says, we need to help him, it's our duty to help him find the light again. And his big punishment is literally just library duty, because when Mace can decide the outcome, that guy always goes for helping people, always goes for the option that would bring them back to the light.
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Even as a young Padawan, his greatest struggle was to temper his anger, which was sparked because PEOPLE WERE BEING HURT by the false prophet on Mathas, he was angry because he saw how many people were suffering and the people in charge just let it happen, his heart hangs heavy when he witnesses people in pain, because Mace Windu deeply, deeply cares about the people in the galaxy.
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He cared about civilians, he cared about clones, he cared about his fellow Jedi, he didn't have to be bouncy or super smiley to show that, either. It was in every action he took. He cared so much.
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And, okay, yeah, he was COOL AS HELL AND WOULD HAVE BEATEN PALPATINE'S WRINKLED ASS IN A FAIR FIGHT.
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OR THAT TIME ON RYLOTH THAT WAS LITTERALLY THE COOLEST SCENE THEY EVER ANIMATED, THE SOUND DROP? THE ABSOLUTE BANGER PHYSICAL STUNTS MACE WAS CAPABLE OF? GODDAMN HE WAS SO GOOD.
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AND LEST WE FORGET--CUTEST BB YOUNGLING EVER!!!!
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nights-at-crystarium · 4 months ago
Text
Fragments - episodes 47-52 author notes
You can find similar breakdown posts on older episodes in my pinned!
Time to recap the first proper wolgraha miniarc. See what you might’ve missed, or simply enjoy the extra content in form of my rambling.
47 stands out as a bit disconnected, floaty, introspective episode fully focusing on Exarch’s pov. I’ve scattered some breadcrumbs for him throughout the entire comic, time to pick those up. He may be an oblivious fool in certain moments, but I believe he wouldn’t keep insisting on staying deaf and blind when evidence’s shoved in his face. So, this moment of recollection and rethinking marks the start of the canon divergence, all of his future actions are colored by this.
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Vivi has a dire effect on some people even without trying to manipulate them.
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The composition forms a star here :3c
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This panel should make their likeness even more obvious, they’re mirror reflections, albeit deliciously twisted ones. Also, the V sign is literally something that Vivi. Just. Does.
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Exarch's heard from Vivi himself that they might be the same, Urianger literally tells him to go to a mirror and ponder, but when he does, and tries to look a bit more like he imagines Vivi, he can't stand what he sees in the mirror. They still aren't the same in his heart of hearts, even if reality itself tries to prove otherwise.
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Hidden Angst Time! I can only hope that most readers are familiar with the flashback bubbles by now, and that this panel reads as it should: Feo Ul embraces Exarch while pointing out that they’re also being ostracized by their kind. Though the ultimate fae wisdom lies in accepting something the way it is, and just not caring too much.
More under the cut~ 
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*rewinds all the way back to episode 1* hehe
“Does a hero have to be happy about his job” is one of my personal fav lines so far, I think it hits hard, pointing not only at Vivi, but at Exarch as well, and the visual supports it. I think this encapsulates Exarch’s ideology.
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Exarch’s GASP could be interpreted as saying GASP out loud, which only makes it funnier.
Vivi carefully plans his entrance in order to make the atmosphere less formal. Approaching normally just wouldn’t do it. Also he just feels relaxed and safe to be silly. Remember how lowkey he was since his arrival to the First? His behavior all but contradicted what I said and showed about him in the ARR arc and outside of the comic.
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Well, that’s in the past now. He’s finished assessing the situation and concluded that it’s okay to be more himself.
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Feo Ul's upset that Exarch used his “radar” to detect Vivi’s ambush while they’d just used a similar ability to make sure that no emet-selchs are around.
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If you catch a flirty vibe from Vivi in this episode, you're correct.
Vivi when he's remotely interested in a man:
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My flavor of lampshading the obvious exposition dump. Oh Exarch, you asked for this, no take-backsies.
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Another few hard-hitting questions from Exarch. It's easy to gloss over these, but if you slow down and think, it's decent angst material. Has anyone ever been concerned about Vivi's feelings, or was it more convenient to look away, even if intently, even if both sides knew they're better off not talking about that, for there's indeed no wol replacement. What good does acknowledging the situation if you can’t change it.
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This's Vivi's memory, thus he appears small against the looming forms of the world leaders. Rigid, formal, impersonal. Raha's memories of the Ironworks seem to have a different vibe, despite all the parallels of the duty imposed by the world on one special guy. Also yeah I do wanna make my own version of the 8UC timeline and characters someday, for now these are just random characters that I consider as placeholders. And the dunmeshi cameo x’D
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Yes, he mocks the people that he's saved. He's VERY frustrated with his job.
I offer you a fun game: spot all the mannerisms that make Vivi and Emet so alike. I genuinely never thought about this until this year, while this scene's pretty damn old, i.e. Vivi's always been like this, it precedes my Emet brainrot.
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I swear that this line also was there before my Emet brainrot, but now it makes for a hilarious kind of foreshadowing.
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You could already tell how "fit" he is for solving trolley problems.
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This’s his “oops I talked too much shit” face.
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The way Exarch just quietly TURNS and LOOKS at Vivi cracks me up. Don't undermine the tone with random jokes, dammit. But is this random? I’ve already analyzed this moment somewhere but for the sake of keeping important things in one place: they wrestle for control here. Exarch winds up for something serious, while Vivi wants to steer the convo towards more casual. It does somewhat lower the tension, though Exarch doesn’t relinquish his lead in the convo.
This doesn’t save him from becoming Frank forever from here on.
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This miniarc’s rich with raw, hard-hitting words, so I’ll bring this up again.
We’re finally getting the explanation and context for a lot of previous episodes:
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And the following episodes only help driving this point home. Vivi already sees the First as a viable escape from the Source with all of its shitty people and endless problems.
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"This's why I... enjoy my time away from the Source": even at this seemingly high level of trust between them Vivi won't openly tell Exarch about his plans to stay here, a variable he doesn't want to become a risk.
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Yes, he does an entirely calculated and strategic flop. A literal thirst trap.
Meme provided by my discord server:
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Vivi casts provoke, it's..... not effective
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^ This’s one of my personal fav exarchs I’ve ever drawn DADDY PLS
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A panel that everyone loved to bits :>
I pair angst with other flavors to make it fun and non-repetitive. It's not "boohoo I can never kiss my hero, the world will end if I do, I'm so aggravated with myself", it's the hooded Exarch (duty) being mad at the unhooded Exarch (human), and delivering the same notion in a fun exchange. You can't help but laugh at the comical chibi violence, at the same time you acknowledge that it's a pretty fucked up act of suppressing one's innate human desires.
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It's not a date, they just sit and talk <- the water in which Exarch is being slowly boiled.
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I rarely talk about the visuals, but here I intended to make it look like a magical moment frozen in time. It's immersive, whimsical, full of color and movement. Despite the perceived warmth, the composition splits them apart, they're alone together. It’s still Raha’s pov, Vivi doesn’t seem to have any fond memories of the Source at all, we only hear about the past from his current jaded self.
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An in-universe acknowledgment of the ARR arc lasting only 11 episodes x’D Though it’s all by design, it was meaningful only to Raha, while being a forgettable blip in time for Vivi.
Episode 52 opens with.... *drumroll*
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NIP SLIP
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I lovingly rendered that nip and I’ll make you look at it.
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Ibuprofen meme would be the first thing that comes to mind, but consider the better/worse caption: "come to daddy". In all seriousness though, it’s a cool panel that I wanted to appreciate again. This IS Vivi’s pov.
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The grimy beaten up Vivi creates questions that are answered in episode 53, which is yet to be released publicly at the moment of writing this. Some episodes, like 52-53 and 42-43, come in pairs that only make sense together due to the non-linear storytelling.
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Yes this’s Aymeric, no I won’t say anything else :’> One thing that’s worth noting is the face Vivi makes here. And the distant, emotionless tone with which he recalls the moment of his own near-death.
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Lemme spell it out even more plainly: Vivi romanticizes the moment he almost died. Exarch just happened to be present in that moment, and Vivi latched on to him as someone who would grant him escape, freedom, peace.
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“A kindly wizard from fairytales”. I regret to inform you that we have two delusional fucks on our hands. Both see each other as some kinda dreamt up, idealized, mythical figures.
This miniarc isn’t over yet, but I’m wrapping up the recap here. Thanks for reading till the end~
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am-i-interrupting · 2 months ago
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i would really, really like fem shimmer addict!reader x viktor
i think it would make for an interesting dynamic (reader can be actively in addiction or recovering, dealers choice! i love ur writing btw!)
Shimmer in Your Eyes
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It’d been a week since you’d moved in with your childhood best friend. You sent him a letter, begging him to let you stay, promising you’d find some way to repay him.
Life in the Undercity had been a struggle the past three, nearly four years now. Silco had flooded the lanes with a new drug called shimmer. There were false reports about it healing. That is what pulled you in.
Well, perhaps they weren’t false but over exaggerated. It didn’t cure but momentarily gave relief that was quickly replaced with an inability to have control due to the violence and strength that would course through your system.
It had scared you the first time you used it. You didn’t touch it again for nearly two months. It wasn’t until the pain became too much to bear that you reached for it again. Then began the cycle which quickly took a hard turn into addiction.
You were ashamed. Dear Janna, were you ashamed. You were embarrassed to even have to reach out to Viktor but no matter how hard you abstained in the Undercity, shimmer was everywhere.
Up here, in the confines of his apartment, it was much harder to get your hands on. Which was good but oh so painful.
Your body was aching. It shook. There was sweat pouring out of every pour in your body.
One of your hands gripped the sheets of the bed tightly. The other was curled beneath a pillow, shaking despite the weight of your head making it that much harder for it to do so.
Your body curled in on itself. There was a cramping in your stomach that went all the way up into your lungs. It was accompanied with a lovely ache in your muscles as they contracted and released on repeat anyway.
Distantly you noted that the mattress dipped beside you. A cane was propped up against the wall. A rag was wetted and then rung out.
You jolted when your hair was moved off your forehead where it clung to sweat and the warmth of a hand was replaced with the cold of a soaked towel.
Your face screwed up. Your hand grabbed at a boney wrist and tugged it away.
“Please,” you said, voice weak and lips cracking as they moved. You didn’t even know what you were pleading for.
“It’ll help with the fever,” Viktor said.
He carefully pried your hand off his wrist. It didn’t take any effort at all. His fingers wrapped around your own and squeezed.
A slight chill rattled through your body. His hands were both warm and cold. Warm from his own body heat and cold from the lingering dampness of the cloth.
“Vik, please,” the words were short but getting them out was like a long fought battle.
He sighed and set the cloth beside the bowl of water on the bedside table. He dipped his fingers in it and dragged them across your forehead. It still caused a chill but it wasn’t near as painful.
He flattened the tips of his fingers and spread the cool water across your face. After rewetting his fingers, he touched at the nape of your neck and dragged it all the way to the front.
Water and sweat both pooled in the dip of your clavicle.
“We will get through this,” he said, “together, like we always do.”
You peeked your eyes open. The room was dim but even the lamp in the corner still felt all too bright. Your eyes squeezed shut for a moment before you forced them open once more.
Him in comparison to you must be comical right now. You were on the bed in nothing but an oversized shirt and underwear, sweating your ass off with tremors that didn’t stop or faulted. He sat before you in a baggy sweater and cotton pants but those paired with his matching socks (which had grips on the bottom) made him look like the well off member of society he was in contrast to you.
There was a knock on his door.
“I’ll be back in but a moment,” he said.
His fingers lingered on your skin as he stood. He grabbed his cane and walked out of the room. He looked through the peep hole and sighed.
Jayce. Of course.
He opened the door and was met with a worried expression. It immediately transformed into relief.
“Hey, are you okay?” Jayce asked.
“I’m quite alright, yes,” Viktor answered.
“Good. Good. Why aren’t you at the lab? You’ve been missing for the past two days,” there was a silent ‘that’s not like you’ which wasn’t spoken.
“Certain matters have come up,” Viktor told him. “I don’t know when I will come back.”
“It’s not your—“
“No, no, I am alright, Jayce. It’s someone else that pulls me away from work.”
Jayce’s brows furrowed. “What?”
“It’s not my place to say but rest assured, I will be back soon. I might have company. I believe once this passes, I may have found ourselves our assistant,” he said.
He shouldn’t have said that last part. He needed to talk to you about it but going back to the Undercity was not something he felt comfortable with you doing.
He was no fool, far from it. He recognized the purple veins on your face as a sign that this was not just any drug you were having a withdrawal from but shimmer. You didn’t have to say it. He didn’t care if you admitted it but it was obvious.
Jayce nodded slowly. Viktor’s ear pulled backwards as a small yelp was heard behind in, distantly in his bedroom.
“Excuse me,” he said as he began to close the door. “I shall see you soon.”
So obviously it was shimmer that ailed you so why hadn’t he seen the signs sooner? He felt like an idiot.
These past few years you’d grown distant but so had he. So engrossed in his work with Jayce, he barely made time for himself but he did make time to write. You always wrote back but it’d been a year since he’d last seen you in person whereas you used to make a point to see each other at least once every three months.
You’d made excuses of having to pull more shifts at work which was believable enough but every time? He supposed he knew now why you’d been taking those extra shifts.
There was guilt that say heavy in his stomach as he walked back into the room, now with a glass of water for you to drink and a plate of food. All the food bland in hopes that you could keep it down this time.
You made to gulp down the water but he took the glass from you before you could.
“Slowly,” he reminded you, “if you go to fast, it may come up again.”
You nodded in a tired, sluggish way.
He moved you like a doll into a seated position. Your head lulled and fell on his shoulder. Your legs were pulled up against your torso.
“You need to eat,” he said.
“So do you.”
He smiled to himself. He let his head fall to nudge against yours. He picked up the two halves of the sandwich he’d made. It was nothing special at all. Just plain lean meat on toasted bread.
He handed one piece to you. “How do you feel about sharing?”
You took the half into your shaking hands.
He couldn’t wait for that shaking to stop, for the trembling, sweat, and weakness to fade. He couldn’t wait for the shimmer to leave your body and come back in your eyes.
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