#(but at this point I'm also basically just like)

[guardianofscrewingup]

Judgement Day is great because Tarlton the astronaut is specifically assessing the planet to basically join the big Earth Federation of Planets, which is like a lot of utopian space federations in sci fi, so the worlds have to be fair and just with equal rights.

Which like, given the federation in the story is founded around Earth sort of shows Earth had their shit that much together that they even formed a federation that wouldn't let worlds in until they also had it together. And they actually created the robots but allowed them the ability to build new robots and put them on a planet to develop on their own, hoping they'd form a good society as they carved out their own destiny. At this point, the robots want to join the federation so Tarlton is assessing the development of their society.

The most important part of the story is the setup. The two types of robots have different rights but they specifically hearken to Jim Crow law. Different spaces to wait for the bus, the orange robots sit at the front of the bus, the blue have to sit in the back. Blue robots aren't allowed at orange robot "charging stations" ie restaurants. Blue robots are purposefully given substandard education.

There's a whole whole huge emphasis where Tarlton points out to his orange guide in the blue robot factory how the blue robots have identical internal parts and literally only the color sheathing is different.

And when the orange robot protests that these problems existed before his time and he can't fix them alone, Tarlton points out the robot needs to ask themself the question of why their society is not ready and encourage other robots to ask themselves the question, too. Washing their hands of the problem as "it's too big to change" isn't enough, he advocates questioning and changing society, taking the effort.

But also gives them hope - and in doing so advocates hope for the reader, for the real world. Just like Tarlton tells the robot their society can overcome their prejudices someday, he's also painting a picture of a future Earth that might overcome it someday, just like the story.

Like...it's not subtle. At all. So the "twist" honestly isn't even that twisty. For the time, I'm sure it blew the minds of some readers, because it was printed in 1953. But from a story standpoint, it's completely logical that a story about prejudice that directly draws from then-irl-law might end up with the astronaut (whose helmet obscures his face until the end) being black.

And that's the difference between some of the good scifi "twists" vs the bad ones. A good surprise at the end of these stories feels like a mic drop rather than a random ass pull.

oooh have you ever done a post about the ridiculous mandatory twist endings in old sci-fi and horror comics? Like when the guy at the end would be like "I saved the Earth from Martians because I am in fact a Vensuvian who has sworn to protect our sister planet!" with no build up whatsoever.

Yeah, that is a good question - why do some scifi twist endings fail?

As a teenager obsessed with Rod Serling and the Twilight Zone, I bought every single one of Rod Serling’s guides to writing. I wanted to know what he knew.

The reason that Rod Serling’s twist endings work is because they “answer the question” that the story raised in the first place. They are connected to the very clear reason to even tell the story at all. Rod’s story structures were all about starting off with a question, the way he did in his script for Planet of the Apes (yes, Rod Serling wrote the script for Planet of the Apes, which makes sense, since it feels like a Twilight Zone episode): “is mankind inherently violent and self-destructive?” The plot of Planet of the Apes argues the point back and forth, and finally, we get an answer to the question: the Planet of the Apes was earth, after we destroyed ourselves. The reason the ending has “oomph” is because it answers the question that the story asked. 

My friend and fellow Rod Serling fan Brian McDonald wrote an article about this where he explains everything beautifully. Check it out. His articles are all worth reading and he’s one of the most intelligent guys I’ve run into if you want to know how to be a better writer.

According to Rod Serling, every story has three parts: proposal, argument, and conclusion. Proposal is where you express the idea the story will go over, like, “are humans violent and self destructive?” Argument is where the characters go back and forth on this, and conclusion is where you answer the question the story raised in a definitive and clear fashion. 

The reason that a lot of twist endings like those of M. Night Shyamalan’s and a lot of the 1950s horror comics fail is that they’re just a thing that happens instead of being connected to the theme of the story. 

One of the most effective and memorable “final panels” in old scifi comics is EC Comics’ “Judgment Day,” where an astronaut from an enlightened earth visits a backward planet divided between orange and blue robots, where one group has more rights than the other. The point of the story is “is prejudice permanent, and will things ever get better?” And in the final panel, the astronaut from earth takes his helmet off and reveals he is a black man, answering the question the story raised. 

[toothfa-1-ry]

JUST FATHER ACTIVITIES

Imagine in an alternative universe, somehow you and your baby daddy Thanos escape the games (don't ask me how) and you guys pay off all of your debts and have financial stability

Basically father! Thanos headcannons!!

First of all, thanos is a girl dad. Idc i do not make the rules you CANNOT and WILL not change my mind otherwise

After the games, irrelevant of whether you were also in the games with him or not, he'd quit his drug addiction and go to a rehabilitation for the sake of your daughter

You couldn't change him, but atleast your daughter could

Thanos would go with you to the gynae every single time without fail, he'd brag about it (very loudly) though

"Look" thanos points at all the patients in the waiting room in the gynae clinic "how many women do you see with their husband's accompanying them?"

"Thanos shut the fuck up" you'd hiss at him, while hitting his arm. The women around you guys giving you the stink eye which he proudly gave back

"I'm just saying the truth- is it a sin to speak the truth?!?"

Will brag to the doctor and nurses too

"Say doctor miss" he leans back at his chair with his head held up high "how many husband's accompany their wives to the clinic?"

"Oh well that depends, not all the time-"

*insert thanos's loud proud laugh, his head thrown back while you grimace*

"I'm the fucking best aren't i"

*insert your slow head shaking* "Yes babe, you sure are"

He was always protective of you, but it grew even stronger after he found out you were pregnant

The type to protect you from a pigeon if he felt like it looked at you for a second too long

"Wtf are you looking at you cross eyed motherfucker"

*glares at the pigeon from a distance"

The type of person to hyper fixated on whatever small movement you do cause he's doesn't want you to get hurt

"Oh be careful be careful" *Holds your hand* "hold my hand and dont let go, use your other hand on the railing"

Says that he doesn't need to read or watch those "pregnancy classes" or "how to take care of a new born" classes cause he's already fully prepared

You later find out that he signed up for one of those seminars online and attends those lectures at night while your asleep

Bro probably has even stronger baby fever than you do

Buys things for the baby and you

"Thanos.. what's that in your hand"

"It's a costume, a ironman costume"

"For?"

"Our daughter 🙄 duh y/n"

"Babe, she still isn't even born"

"I got you a costume too" *takes out a black widow costume that seemed a little too racey* "you should try wearing it now just incase-"

*he got hit by you for trying to get you pregnant again while you were pregnant*

Let's say nam gyu wasn't the slimy bitch he was in the series

Best GODFATHER ever. GOATED godfather, S TIER godfather

I already mentioned this but I'm sure Thanos and nam gyu would come up with names for the baby

I'm talking wack ass names that they genuinely find cool

The list of names would include marvel character names (cause cmon, the child's dad is literally called thanos) or rapper names

"Add cardi b on the list too"

"You know that's not her real name right?" Nam gyu asked, pausing before quickly scribbling the name down

"WHAT?!? Since when??"

I'm sure nam gyu even accompanied the two of you to the clinic atleast once or twice

He was banned from coming though cause him and Thanos together made too much noise

Whenever you and thanos are in public, it doesn't matter if your in a cafe or restaurant or if your just out for a walk

If he meets anyone and i mean anyone

He'd tell them that he was gonna be a dad

"Hey do you know that I'm gonna be a dad?" *points at you* "and that's the mom- she's carrying my baby"

"Sir I'm the waiter"

On the softer note though

Kisses you on the lips first and then kisses your stomach second before you both go to sleep

If you groan or even if he senses a inch of your discomfort he'll automatically try to figure out a way to make you feel in ease

Tries his best not to annoy you

(It doesn't always work cause being annoying is his entire personality trait but it's the effort that counts!!)

Ties your shoelaces for you cause you can't bend over

Traces shapes over your stomach while you both lie next to eachother

Reminds you how pretty you are everyday

"If I'm the legend Thanos, then I guess you would be a myth, cause only a face like yours could make a man like me want to quit"

"Your so corny"

But you wouldn't have it any other way

[genderqueerdykes]

I can't reply to the post directly but I saw a post where you were talking about trans masc erasure especially when you were in college and like....I feel it. I started college in 2003 and identified as a cis butch lesbian because I didn't know there was anything else to be, but also MOST IMPORTANTLY because my "resources" and info on trans men were basically Boys Don't Cry, which every lesbian I knew referred to as a lesbian film and Brandon Teena as a lesbian. There were also vague comments from time to time about Chaz Bono at some point, but again, everyone around me was referring to him as a "confused lesbian". What's frustrating these days is that while there is more information out there and more spaces, there still isn't enough. Like, I learned basically everything I know about my body from Gen Z friends who had better education and affirming teachers. And also finding space when you're almost 40 is an impossible task sometimes. At almost every trans masc group I've attended I've been the oldest by almost 10 or sometimes almost 15 years. It's a really lonely experience. A handful of times we've had moderators who are young and not trans masc and they've talked over me and tried to "correct" the language I use to talk about my experiences - for example, I call myself FTM, and I also say things like "when I was presenting as a woman" or "when I thought I was a lesbian". I use this language intentionally because there were over 30 years of my life where I had no idea of the possibility that I could be anything but a woman and that IS how I identified, and there are over 30 years of experience with that identity that I am still recovering from and that shaped the course of my life in a way that's difficult or impossible to explain without acknowledging it. Part of our erasure unfortunately comes within the community and people not listening to the experiences of others whose journey doesn't line up with the plot beats of a cinematic, linear coming out story (not to knock that if someone has it! But leave room for those of us who don't!). Even though I'm on T and have had top surgery, there's still so much I've had to figure out myself and it's a lonely life. I don't know how to date or make connections (or even if I should! I'm aromantic which I think complicates things sometimes). Anyway I don't know if any of this is relevant but like. I just wanted to say I relate to the erasure stuff. Wouldn't change who I am for anything, but I would change the world in which I had to figure it out.

im really sorry you can relate to this, it affects so many people and a lot of people are proud to say they don't care. it's not okay. trans men and mascs need community irl. i'm bet things were way harder back then, i can't even imagine how hard it must've been to talk about being transmasculine in 2003.

im going to keep my reply brief because i do not want to distract from your experience

[reboundttv]

Another one of these posts? Yeah sure why not.

So I know that there's a sort of, tongue in cheek joke about how the AU that Ekko ends up in, is WAY better because Vi is dead. That's a big one that people love to harp on: "oh Vi is dead in this universe and everything is okay HMMMMMMM how INTERESTING perhaps VI was the jinx after all HMMMMMM"

and like. no. shut up.

Because there are (no less than) TWO specific canon divergences that we are aware of in S2E7 that contribute to the way the cities are in that universe. The first is, obviously, that Violet dies in the heist in S1E1.

As an aside, I 100% agree with/believe the wiki entry that says that Vi and Caitlyn are soulmates in every universe, which means that Caitlyn probably also died in the Hextech explosion.

So Vi (and Caitlyn) dies and Hextech doesn't get developed. Neither Jayce nor Viktor are shown in this universe, so one or both of them are dead (Jayce likely via suicide if he wasn't imprisoned or exiled, and Viktor because he doesn't ascend to be Super Jesus with the Hexcore).

But there is another, less obvious one that gets a fair bit of screentime but isn't really like, touched on. And that is:

ZAUNDADS.

Silco and Vander are cool with each other. That's really important. It means that either:

They didn't fight because Silco found the note from Vander (S2E6), OR

They DID fight, but stopped themselves before they did something they regretted.

See, because in the main universe, neither of those things happen. Silco nearly gets drowned and gets bunch of sump water all up in his face, so he becomes dependent on Shimmer to keep the bacteria in his eye from killing him. He would assumedly lean on Singed to iterate on the formula, which is why he becomes the kingpin and rules over the Chembarons. The production of Shimmer, and its propagation through the streets of Zaun, contributes to things being arguably EVEN WORSE for the Zaunites.

But in the AU universe, he doesn't need Shimmer. I would argue that Singed is probably still on some fuckshit, but isn't helping anyone make Shimmer or chemtanks. This means that a lot of the industrial waste and runoff that's a byproduct of Shimmer production is also not there. Zaun isn't just better off because there's no Hextech, but also because there's no Shimmer.

Now, I'm gonna point a third thing out and I'mma use big ass letters so you can't miss it:

PILTOVER STILL DOES NOT SEE ZAUN AS EQUALS.

The heist still happens in this universe, which means that Vi and the other kids are still adopted by Vander. Which means that bridge riots or something similar still happened. There is still inequity and injustice in this universe; it's just not as dire as it is in the main one. They're still talking about Piltover like "yo fuck those guys" but it's less "they're hunting us for sport and killing us in the streets" and more "we're gonna show 'em up in this STEM contest that we're doing."

They're basically farther along in the "things will get better" timeframe than the main one is after S2E9.

[missdrarrydawn]

also!

avoiding interaction with children/teens hurts them emotionally.

like, one time I saw a post on tumblr an artist made where they said a 16 year old wrote them a nice message telling them how much they love their art but because they were underage, the artist wouldnt interact or acknowledge them, not even to say thank you for receiving a compliment, which like, isnt that basic manners? why does the person being 16 render them unworthy of basic decency?

like, that's the thing, when adults refuse to interact with children for being children, their only takeaway is 'oh, i guess i'm worth nothing until i've existed X amount of years on this earth, i'm not even deserving of basic manners or decency' and is that really how you want to make underage people around you feel?

ostracizing children from your circles means that the second they meet any adult that does happen to consider them worthy of respect and basic interaction regardless of whether or not they have been alive for 18 years yet or not, they will flock to that adult like moth to flame, because, fun fact, kids and teenagers are people, and people want to feel appreciated and acknowledged and wanted by their surroundings, and this fact is unrelated to one's age, it's just human

and what will happen if the adult that kid flocked to happens to have ulterior motives? well, op already pointed it out

bad things

dangerous things

interact with teens, with kids, be friends with them, show them normal adult behavior so they can spot abnormal adult behavior if and when they come across it, and dont make them more vulnerable to being preyed upon by isolating and excommunicating them from the world and making them feel like shit

Saw a tiktok of a guy saying he doesn’t feel comfortable talking to minors because he’s 19. And it’s just. I’m so fucking tired of this.

And like to be clear, I’m speaking as a victim of pedophilia when I say: We need to get over this collective fear of endangering children. Because holy shit, this stuff is getting out of hand.

The average person is not a threat to a child.

And also!!! It is actually really really good for kids to have friendships with adults that aren’t their family.

Having friendships with adults when you’re younger prepares you for adult life in a better way then only interacting with adults that are family members or teacher as well.

And also if there’s any sort of weird behavior happening with adults or teachers, it’s very helpful to have unrelated adults, you can go to, and also have a model for what normal adults are supposed to look like.

And also! You’re just making it way easier for pedophiles to prey on children when you completely avoid interacting with them as an adult. Because kids are naturally inquisitive and curious. They are going to want to interact with adults and they are going to want to ask questions. And if the only adult adults that are willing to interact and speak with them or adults who have ulterior motivations. Guess what’s gonna happen.

Also on a more general note. Having a model for what a normal healthy adult is supposed to look like makes it way easier for kids to be able to recognize and identify when adults in their personal life are being weird.

[astracora]

EVER's Tool

Characters: Poly!LADs x gn!mc (Sylus POV/MC POV)

Warnings: Hurt/No Comfort, Angst, Talk of EVER Experiments and Torture, Violence, Gore, Spoilers for multiple anecdotes and all current story.

Word Count: 10348

Written: 10th January 2025

Notes: Established-relationship with gn!MC with all LADs, with my personal pov of the game and lil headcanons littered in. Unnamed MC, but using my personal MC's basic appearance and adjusted backstory. I take some liberties with what the game offers me. A lil AU almost, set after cat curse and turning point. I had the mental image of EVER making MC into a personal weapon, using the fact their memories reset so it's easier to manipulate them. I also think about the line that 'sincere emotions are hard to forget', and how the LADs are basically EVER's worst problem when it comes to controlling them. As a side note, I fucking hated Leon when I read the anecdotes, so so much. The creepy way of calling a child 'little bomb' just set me wanting him smacked in the face. So I'm channelling that dislike into ruining his day. The way I screenshotted so many main story things to pull into this. It's upsetting... I had to double check so much stuff cause I have a terrible memory. My final lil note is I have no idea how MC's resonance works, but there was a line in one of the anecdotes that EVER wanted it to absorb Xavier's, so I've run with the concept.) I have no idea if anyone else will care about this lil brain thread, but hey, have at ye. Will there be more? Gods only know. Now I can finally sleep its 2am and my brain refused to let me rest.

Now Playing: Bite Marks, by League of Legends (ft TEYA)

Masterlist

Missing for months now… He's reached out to every source he can find. Has sent Mephisto all over Linkon, the N109 Zone, beyond.

He has looked in every shadow, every dark hole he can find. He has searched and searched, and still found no trace of you. He has never felt this powerless, this lost, to have all the resources of Onychinus and still unable to find answers to the only question he really cares to have answered.

How can you have disappeared? Vanished on him, on them, when you have built a life together? The house has emptied, the halls are quieter, the bedroom you all share is hard to sleep in.

It is like they have acquired ghosts. Griefs that will not rest, that cannot settle… because they have no answers. No response, no way to seek you out to soothe open wounds, and apply salve to scars.

He cannot stop, he cannot stop looking. He looked for you through time, and space, he will not stop now.

If you are out there, he will find you, and bring you back home. To them.

He did not vow and share his soul with you, to lose you.

He has spent most of his days looking, and searching. When he is not forcing himself to keep being Onychinus' leader, he barely sleeps for investigating. If he stops for a moment he thinks of an empty bed, and cold sheets. Of limbs no longer tangled with his. Of fingers no longer soothing through his hair.

Sylus cannot bring himself to tremble and to crumble, he does not have time. Not when the answer has fractured his home. His loved ones.

He watches Xavier hunt, carry out his job. Kill and fight. Mindless and driven, because he wants to protect the Linkon you cared about too. He wants to keep his blade busy, so that his mind does not wander. Then, Sylus knows he searches and he looks. Under rock, across desert, in the mountains. Everywhere his missions take him, he searches.

He comes home empty handed, and tired, but never seems to sleep properly anymore. Restless and unsettled, no matter how often someone soothes his hair and holds him. Xavier sits in the cycle that Sylus knows they cannot break.

He has tried to reach out to Rafayel, the fish beached and unbreathing. He sits in his art room and stares at paintings he cannot finish. Empty canvas and snapped paintbrushes. There are days, he tears them, dry sobs in his chest, eyes burning for tears he can't quite shed. He splatters paint up walls, and stares at what remains. His hands cut and torn from violent actions.

He finds no inspiration, and he ignores all of Thomas' calls, and he sits as the doctor tends to damaged skin, and clings to hands to keep himself grounded. Whispering things that he doesn't want them to hear. Fears of it being his fault. They can only respond with tight arms, and affirmation. It is not, they're sure. It is not.

He watches Zayne pick up more shifts than he should handle, only home when forced to be. Sinking into work, and sleeping in call rooms. When he does return, he waters plants you have left behind, feeds the cats outside the house that seek you out, and keeps your things neat. He traces trembling fingers over photo frames, looks through albums, and reminds himself. So he can stop mistaking every hunter he sees as you.

His sleep is more uneven, and he trembles awake with nightmares, hands reaching out for comfort, and clinging to chests to cry. To weep, to shake. He cannot find solace no matter where he looks, and Sylus can only offer presence and love because he does not know where the solace is found either.

His home is torn and hurting, and he cannot fix it. He will not stop trying to fix it.

He has to fix it.

It is a late night, ninety-two days after your disappearance, when Mephisto's feed flashes. He watches, and he waits, and he sees a flash of familiar white hair and jagged scar down your cheek, through your mouth.

His hand tremours in front of the screen, as he reaches out with tentative fingertips. As though he can reach through it, and pull you through…

His legs force him up before he can second guess himself, before he can waver on the edge of unsurity. Before he can hesitate to long to miss you. He calls the prince, and he leaves. On the first winds of hope, since you vanished.

—-----

The prince stands alert outside the building, while Sylus breaks in. It is old and condemned, the same kind of building that collapsed down around you. Landed you in hospital as they put you back together.

It is not a place he would normally spend his time at. Yet he trusted Mephisto's eyes better than he trusted most things.

The perks of a robotic bird, that he has upgraded even further after your disappearance. Desperate, though he isn't sure he can admit that. Not without falling to pieces, as he digs and he digs and he searches.

Sylus is quiet as he ascends floors, his mist drifting up walls and through broken door frames. Seeking and searching for the familiarity he can never mistake. No matter how many floors he climbs, he cannot feel you. Cannot seek out the sparks of gold he knows so well, and the soul that cannot complete without his. He finally approaches the final door, and pushes it open. An apartment in ruins, but the smell of acrid blood hits him. Familiar and cloying. It does not appeal to his sense, nor to his hunger.

He looks at the walls, where blood has splattered, across the floor where bloodstains mark it. There is a body, throat cut, arm torn partially off. It takes him a second to assure that it is not you, but it is a second too long. The fear drops his heart before he can pick it back and place it where you placed your own.

Approaching the body, he cares little for the blood on his hands as he rummages through pockets, inspecting the wounds. Another stab mark through the temples. A dagger, curved. Familiar. He's seen it before. Designed by the fish, for you to use, adjusted lightness for the metal of your arm. Replacing the trusty claymore he used to witness you swinging with abandon.

Cleaving through enemies.

Cleaving through him.

He presses his fingers against it, assuring himself that he is not seeing what he wishes to. It would not be the first time he has caught glimpses of you in shadows, in alleys and chased the ghast. It is never you, it is always a cut into an already fragile heart, and he rights himself quickly.

To keep moving forwards.

This, however, he is not mistaken about. So he takes photos, sends them to the fish to evaluate, to the prince to be on guard. That someone is here, with your dagger. If it is not you, it has been stolen from you.

He will greatly enjoy cleaving through whoever has taken something precious to you. To lay their dirty hands on something that is theirs. His home, his family.

Footsteps approach him, and he hears a song he knows is yours. The notes though, they are buried in dust. The tune is not familiar. Your feet shouldn't make that noise, your heart is too familiar to him to be mistaken. To be misheard.

He whirls as a knife flies past his head. Stabbing into the broken sofa behind him. Sinking into moulding fabric. Releasing a smell he wishes he hadn't experienced. It fills the air as you step forwards, twirling a dagger around your fingers like he knows you've seen him do.

Like he taught you when you poked fun at him, asked him how he made it move so smoothly.

'Is it a crime lord aesthetic thing?'

'You have quite an image of me.'

'Am I wrong?'

'You just haven't looked closely enough.'

You are a flash of light, and a chill. A ghostly vision against the dilapidated backdrop. The dagger is dripping blood with each spin, splattering it against the floor and against your clothes. Black and loose. Harness over shoulder and around your chest.

You look as you should, jagged scars and crooked lips, mismatched eyes, arm of meta-

His eyes halt and hold on your form, there is no metal. He looks at the twisted carapace of a wanderer. Segmented into a limb, and long clawed fingers. Sylus feels as though he is staring at his own limb, long ago. When his claws could cut through your flesh with ease, and he could not feel the heat of your skin properly through his own.

It is black and twisted and cracked. Like a well used tool.

It is not yours.

It is not yours.

Yours was silver, painted by the fish, well worn and trusted. A tool as well as a part of you. A shield and a weapon in one.

It could trace his face gently, and swing a dagger with ease.

This is not yours.

The chill that you bring becomes ice down his back. It feels like the cut of a sword through his skin. Tears away at flesh and bone. Your eyes are empty, there is nothing in them but the glow of a gold he recognises. The resonance lurking under skin like a serpent waiting to strike. He levels his look on the dagger, and then back to your eyes. Seeking something out. Seeking you out.

You're in there, you have to be in there.

"Did you forget to check your phone, kitten?" He manages, but his voice is weak and cracked. He wants to grab you, to tell you it's fine, as long as you're safe now. He reaches out, and barely pulls his hand back quick enough before the dagger slices through where it was.

You tilt your head, then look down on the floor, "I was curious to know who sought out my target." The smile is crooked, it's wrong, it's twisted at the edges and broken. Like the horns he cut off years ago. "You're not on my list though."

It's a dismissive shrug, and a turn away. As though he is a stranger… as though he means nothing.

He barely holds the growl, though he is not angry, he advances on you, moving himself out of the way when your dagger darts out again. "Claws out kitten? Watch it, you could hurt someone." He manages, voice low, but pulling his tone to heel. He looks down at you. Reading at the empty gold glow, looking for something. Anything.

Disgust even, if there is disgust… you know of him.

There is nothing. Empty and cool. The abyss he should recognise but it is nothing he has seen before. Like you are missing. Like your body is empty.

You look back at him, unflinching, unbothered, watching him stare at you. It is the EVER symbol on your collar, he notices, it is like a brand against you. It is the flaming fury in his chest. It is not you.

It is them.

"Are you done?" You offer, stepping back out away from him, so he grabs your arm. The twisted skin against his flesh. Warm and pulsing under, but hard as stone. It is a painful thing to touch. It is not yours.

He looks at it, stares, and as he goes to speak, you tug it away from him. Spin, and kick him in the side.

The force makes him see stars for a moment, falling to knees. He gasps before he rights his body, before he forces adrenaline into his veins to catch the next kick you aim at him. The gold glitters under your skin, as you attack, and the leg he catches shakes his limbs. Throwing it away from him, as you spin and back away.

Sylus stands, and advances as you back up further, "That wasn't particularly nice, Kitten, we were having a chat."

"You shouldn't grab someone you don't know. It's impolite." You growl back, showing canines, and narrowing cool eyes at him.

Don't know.

He almost laughs.

He knows you, more than he knows himself. He knows you because you are part of him. He has lived with questions for who he is all of his life, has struggled to decide who he should be and who he is. You? You he knows.

He knows every piece of you, inside and out. He will always see you.

This is not you.

This is them.

"Then we should get to know each other." The words burn to say, and he reaches his hand out, ready to pull you to him. With skin, with mist. He cares little. He will capture you again, and he will make you wake up from whatever nightmare EVER have placed you in.

"I have orders, you're not part of them." You incline your head. He's used to a smile accompanying such an action, a tease, a lilt in your voice. Yet you are flat.

Then with the elbow of the wanderer's limb, you smash the window… and fall back.

He follows, on quicker feet than he has ever moved, melding into mist. Over the edge of the fall, watching you fall back. He has caught you so many times in his life. On the winds, with his wings, with his EVOL. He has followed you over the edge of many cliffs.

He will follow you over any others.

As he reaches out, you twist, hand on his wrist, pulling and turning, so that his back is to the impending floor. "You're determined." You snarl, actually snarl at him. His EVOL catches the dagger you aim for his chest, pushing it back, and he grabs your other arm, keeping the claws from closing around his throat.

You sink your teeth into his hand, biting down hard enough to draw blood, tearing at his flesh like he is a piece of meat you could devour.

The pain shoots up his arm, but it's not important. His wounds can heal, and while you can kill him, you have not levelled that fiend blade at his chest yet. Getting you back is all that matters, no matter the blood seeping down his wrist. You have bitten him before. You have come for him with daggers. You have shot him in the heart. Stabbed him through his joined heart. Cursed him.

Every drop of his blood that you bleed is another drop that belongs to you.

"Want to mark me that badly?" He laughs. He can only hope the prince has rested enough to hear the shattering glass. That he is still capable of hunting.

Your resonance bursts out of the wrist he holds in his mist, shattering it, and you kick, pulling away. Reaching out with claws to grab at the building. Grooves left behind you, as you slow your descent, he watches the gold shimmer again. Watches as the limb hardens further, claws thicker, digging deeper.

Spitting blood from your mouth, as you do.

He slows, balances himself. Without wings he cannot hover, can only slow his descent by a margin. His mist reaches out to yank you back. Into arms that cage around you, tighten around ribs he would normally be scared to break.

He holds, tight, and squeezes as much as he can. He feels you writhe, an angry cat held in a grip you do not want. Clawing and scratching. Willing to draw blood to escape. He feels the jagged claws of your hand grab at his wrist, digging into his flesh, tearing. Your EVOL bursts, and shatters, but it cannot shatter his bones, and he keeps the grip as you fall with him, as he ties you to gravity with him.

"Get off!" You growl, fury in your tone, and he's glad to finally see something from you. Some spark of who you are, even if it's angry and violent and vicious.

He sees a flash of light reflected off the glass of the buildings, and then he is caught and swiftly righted. Alongside a curse, and a huff.

Sylus turns to Xavier, who makes to speak before his eyes focus on you. Yowling and clawing. He reaches out a hand, only to have it knocked back by mist, "Don't. Your wounds don't heal like mine."

You snarl, "No, go on, let me slice you up." Claws flexing against the flesh you're serrating.

He'll heal. The pain is harsh, and burning. He's fought wanderers, but they don't have your mind. The knowledge of where to slice, the strength behind your anger.

"Starlight?" Xavier's voice does not waver often, he is used to seeing things that have hurt him. He has killed people who once followed him, he has fought those that were his loved ones. He has blood on his hands that burn to feel, but can never be washed off. Now, he wavers, watching someone who wears your face, but hisses and snarls to bite and snap. To cut and rip.

You kick back, into Sylus' shin. He avoids the second one, he knows is aimed to break his leg. Squeezes harder to creak your ribs. "EVER did something to them." He manages, using the mist to move the mark on your collar so Xavier can see it. He watches a jaw tick, the muscles jumping, blue starry eyes turn to ice, and focus on the point.

"We need to get them back." The prince approaches, and Sylus tightens his arms once more. If you have to be knocked out to get you back, well he can live with that. He's done it before. Hand around your throat, watching the life flickered in your eyes. Can your disgust hurt him more than the lack of any personal acknowledgement?

It is too soon for him to think, as you let out a snap of teeth at the prince, then smash your head back into his nose. The pain jolts up into his skull, so you reach your hand up, grab him by the hair and yank, then snap back one more time.

He's fought you before, he knows you. He knows you can beat him, he's been pinned by you in a test match before. Watching the glee in your eyes, seeing the fire at your victory. He has watched you practice swordsmanship with the prince. He has seen you cross daggers with the fish.

Everytime, you are cunning, you are ready to win. Everytime joy lights up your face if you succeed. Thrilled and happy to learn and improve. Crooked smile and bright eyes as you thank them for taking time for you to clash with.

It is not joy that lights your eyes, it's savage and it's gleaming. You do not extend your hand, or press a kiss to his cheek in your victory. You let him fall away from you, as blood sprays, and then you reach out with a clawed hand to rip at the prince's chest.

As soon as both have stumbled back, you turn, and you disappear.

Sylus' patience is strong. He has lived a long time, waiting, and living, and managing. It is when he has his prize so very close, that his desperation comes through. It was moments where he asked if you truly wanted him. Voice trembling and begging.

To touch, to taste, to hold, to seek pleasure with.

It was times when he had found you at last, growing impatient to feel your resonance against him. Moving too quickly, too desperately. Seeking memories locked behind a seal. Greedy for his beloved to look into his eyes and see someone worthy of flowers again.

It is the moments where he waits for your missions to end, and the message that you are returning, that he can no longer sit still.

It is when he saw your new home for the first time, a life built where he was not a monster, a family where he had nothing. Need bubbling to the surface to paint it in colours and fill it with song.

His patience has held until the last moment where relief is in sight. That it shatters, and it demands.

As he holds his bloody mangled arm, and spits blood on the floor, it breaks into shards. As he reaches out to Xavier, checking the wound, turning his face to check for others, he tears his already torn shirt to hold to the jagged claw marks.

As his fingers tremble and he shakes at where he is holding, he reaches for where his patience has gone and finds a small boy with broken horns. The absence of his calm, built on the back of his agony, lost to the fear and the doubt that circles his head.

It is the memory of the empty eyes, and the snarl that he can still hear in his head, the warm body in his hands, even though you had not been you.

You were finally so close, and now you are gone.

A hand tightens over his, the prince pulling his focus, and reaching up through the pain to ease tears that can't fall out of his eyes, "They're alive. We can find them again." He bites out, warming the chill in Sylus' hands, and waking him from the nightmare.

He will, and he'll melt every EVER building until he does. Rip the rot out by the roots, and become what Philos sneered at him for. A calamity.

Their evil is similar, afterall.

—------

He does not find any joy or relief in the information he brings back. As he watches the doctor stitch Xavier closed. Waving off his assistant. He eases the pain with his EVOL. Part of him wants to feel it, a reminder. You were there, he had you, and he let you go.

It does no one any good for him to be useless, or deeply wounded. So while the moon is still high, he repairs the damage, pushing his nose back into place. You'd told him it was beautiful, he hopes you still thought so when you returned. As the blood stops, and his wounds close, he leaves the room to shower.

The heat as high as it can go, to sear his flesh. It leaves his skin pink, as he finally turns the water off. Seeking out clothes that don't bear the ruins of your violence. When he returns to the living room, the prince's stitches are complete and bandaged, and the fish is looking at the photos he sent.

Before you tore at him like a beautiful and horrifying monster.

Had it been you, he would have welcomed your dagger and your claws.

He will not die to EVER's machinations. They will not make you their tool.

When he dies it will be because you have chosen willfully to cut through his chest and his joined heart. It will be your choice to sever your curse, and scatter his soul to the wind like the petals of deadly flowers.

Sylus eases himself into the sofa, leaning back and taking the fish's head into his lap with ease. Fingers finding purple locks and smoothing them out as they look at the photos.

He won't comment on Rafayel's feline-like purrs. He is too tired and worn. His heart hurts more than his arm did. "It was really them?"

"It was kitten, alright… Their body at least."

Zayne helps Xavier ease into a new shirt, cool hands sliding down sore skin, and turns his head to speak, "You think EVER are controlling them?"

The fish snorts, eyes narrowing, flames at his fingertips, "Is it surprising, after everything they've done?"

"That wasn't my question. Nothing they do at this point would surprise me, but controlling a person is…" The doctor flinches, and Sylus can see it. The image of you. Cold eyes, claws extended, tearing through Zayne's jugular. Blood splattering over your face, but you don't blink, or flinch. Simply move onto the next.

"Their eyes were empty, doctor. They didn't recognise or care when they saw me or the prince. They wanted to hurt us to escape… They didn't care how."

He finishes with the shirt and rubs at his forehead, trying to ease a headache that brews. It is better a headache, Sylus thinks, than him focusing on the aching pain in his chest. The fear of someone being broken by EVER. Experiments that defy morality. That twist and snap and destroy anything worthy of protecting.

That left him with twins, bearing scars. Inside and out. Who thought death would be an entertainment worthy of hunting for great prey.

That made you a child with a broken heart and a grandmother who didn't look close enough at what she did to you. Her morality flexible, because of your broken, twisted memory.

The doctor is a moral man, who believes in the power of medicine and science to save and protect the sanctity of life. That has rejected every offer for using his knowledge to twist that boundary. Who stares into the face of loss and believes dying in control of yourself, is better than living as a ghost or beast. Who has healed every wound you have held, and stitched up every injury.

Who nurses your heart, no matter how fragile it can be, or how much work it is.

What EVER stand for is so strongly opposed to the doctor, that Sylus can watch the tick in his jaw. The pain in his eyes. The tremble in his hands. The snowflakes drifting from fingertips, and the chill arching up his hands.

Rafayel removes himself from Sylus' lap, reaching over with heated hands and takes icy ones. Easing the cold back slowly, as the doctor fights for control over an EVOL that is soothed by you. It is a slower process with the fish, but it is worth it, as the chill recedes and the heat returns to the doctor's skin.

His trembling slows before it ceases, and he removes his glasses to rub his eyes, "Thank you."

The fish shrugs, sitting down next to him, ready just in case he is needed. Sylus looks down at his hand, flexing it in his lap, as he thinks about you taking his hand, pulling him forwards. No matter who he has been or will be, your hold has not wavered. It is his job to pull you back.

"We have a target." The prince exhales after downing a glass of water, looking over at him, and he nods, thinking. He can narrow down the search, look for traces, documents, records. EVER have always been simple to understand. Their methods are outdated to gain traitors, their experiments never stopped, no matter the state of the N109 Zone. No matter what destruction they left in their wake.

So he just has to find the thread back to you. While he has no intention of bloodying the doctor's hands, he has a fish who has killed those responsible for his people's suffering, a prince who has hunted any who dared raise a blade to you, and himself. A dragon whose treasure has been ripped out of his palms.

It is a foolish mortal that steals from a dragon.

—--------

Your return to their compound is slower after you've exercised that new EVOL you had been fed. It sticks in your maw, like a bitten on bone. It is uncomfortable, untrained, and aching. Your shoulder aches, your arm is covered in blood, and you need to clean your dagger.

The door swings open as you push through, slamming your fist on the wall to find the light. It brightens the room and you look down. Muscle and flesh in the grooves of your arm, sticking into the carapace. Stuck under segments. The feeling is a violent rejection. You rip the thing from you, throwing it across the room so that it smashes an unused lamp. Splattering some of the gore across the scientists whiteboard.

It is not really satisfaction at the viscera painting pristine EVER surfaces, but it is something. Or it is until a throat clears behind you.

"Little bomb, you should really behave yourself in the labs."

The feeling turns to biting fear, before you grab it by its throat and remind it. You do not fear foolish men. You do not cower to his slimy, disgusting voice. You do not run, or hide. You are not a child.

He is nothing.

You are a weapon.

"I don't recall you being the one I answer to, Leon."

You move through the room, seeking out the sink, and splashing water over blood on your clothes with one hand.

"Is the new attachment that unpleasant?" He points, indicating the weapon you had thrown. "If you want something better, we can provide it?"

The scoff isn't entirely in your control, but it does narrow the man's eyes, "You can't provide me much of worth Leon, don't act like you have any more power here than I do. It just needs cleaning. Drop it in a bucket. I'll care about it later."

"You're in a worse mood than normal, did you even carry out your orders?"

You round, dagger in hand and flick its tip under his soft throat, the tip pricking into skin, and bare canines, "When have I ever failed a job?"

He watches your hand, the dagger, then looks into cool, icy eyes. You can feel the resonance flickering, angry, uncontrolled. It is always harder to control some days. Like the sensations and the feelings are too hard to read, too uneven. You think about it failing when that man with white hair had you in his grasp. Refusing to help you break, to make yourself stronger. The panic of being held, the anger at being weak, the fury that breathed fire into your chest.

You do not know who he is, but you will slit his throat if he shows his face to you again. Tear his throat open with your teeth and drown in his blood.

"Kitten, tch." You hiss, pulling away from the scientist watching you with fear flickering in his gaze. "Starlight… What world do they belong to?" You spit at the floor, clearing more blood that still feels caught in your teeth.

"Seriously? Can you stop that?" Leon looks down at the blood now splattered on the floor, mixed with saliva.

"Clean it up if you're so unhappy. I'm going to clean this mess off me." You push past him, heading deeper into a compound that does not feel like anywhere you want to be.

"Stop, you have another order."

"Give it to me later."

"I'm here now, little bomb. You may as well listen."

It bubbles, it burns. You despise him, you don't really know why. You looked him in the eye when you opened yours for the first time and hatred and disgust and fear, embedded so deeply in your chest that you almost threw it up onto him. Leon greets you with his greying temples, and his sickening glimmer in his eyes as he stares at you, and he calls you little bomb.

It tears at your nerve and chews at your heel.

You want to tear his throat out, but you won't drink his blood. He is sullied, and disgusting…

But you have orders.

"What is it?"

"A doctor, he's wanted to do work here."

"Then offer him money, and immortality, I'm sure he'll jump at the chance." You spit again, this time aiming for Leon's shoes.

He rubs a hand over his face in response, looking at you like he is seconds away from locking you in a cage. You want him to try. The feeling is under your skin.

'Kitten'

'Starlight'

It simmers and burns and you want to cut and rip.

If he wants to try to tame your fury, he is welcome to try. To send you to one of EVER's toy boxes. To jolt you, and burn you, to remind you who holds the leash. Maybe the pain will shake out the feeling in the back of your gut. Maybe they'll put you in a ring, and watch you fight someone else like you. A tool, a weapon. Maybe you'll let someone pierce your chest for once. Spilling blood over the floor. Seeking escape in the splattered walls.

'Kitten'

'Starlight'

It lurches in your brain, words you don't remember, and irritation that has no place. "What on earth happened out there?" Leon finally asks, watching you wary. Good. Wary is good. Wary is careful.

"Your target had friends." You snap, dagger twirling around the skin of your hand, unbothered when it catches on fingers that don't move fast enough. The pain grounds you, washes out the voices, so you run a finger over the blade, and watch the scientist. He looks away from the blood and you almost have to laugh.

He can torture you, but he doesn't want to watch you bleed on his floor.

"Did you deal with them?"

"They weren't on my list."

"If they were there-"

This time you do nic his neck, dagger fast. His EVOL is worthless, pointless, and has no way to stop you. Not like the mist, not like it curling around your wrist like warm fingers.

"I follow my orders, Leon. They weren't on the list." His blood trickles down his neck and the scent is sour. So you push him away, turning and walking off, even though he protests, hand covering his throat, "Send me the name. I'll capture him."

The walk through the compound is full of people whose names you cannot remember, whose faces you see every time your feet carry you through halls. There are rarely new faces, a close iron grip held over tools in a grand scheme. The dagger twirls and twists, and you are given a wide berth.

Unicorn, Subject 001. It is an easy title to hold. Thanks to it hanging around your neck like a noose, you are unbothered by others. It is like you are a beast that they keep their chains around, but no one is willing to feed you from their hand.

They would rather throw flesh through the bars, and run away.

It is fear and disgust, you muse. As it should be. As if any of them are better than you.

It is bitter hatred that bites at your heels, that reminds you of every experiment, of every time waking up on a cold table, chest flayed as you are dug around in. Heart pressed and prodded.

It is your orders that keep you off that table. You are useful now. If you stay useful, you don't have to wake up in a cage.

It is the closest you can get to relief here, as though the sick doesn't swirl in your stomach still. There is no one to seek out for help, you are alone.

'Kitten'

'Starlight'

Your snarl is unbidden, and you shake your head like a cat trying to shake out fleas. As if that will shake out the ghost of voices, for fools who get in your way. Bright red molten eyes, tinged in glossy tears, and star blue constellations, gazing at you in wonder.

No one has looked at you like that.

The scientists have stared at you in greed, in hunger, with curiosity. But it is not wonder, it is hungry and cruel and brings pain.

You stomach and you move forwards.

These voices will fade, you will not see red and blue eyes again, and you will forget the curling mist. 

As you enter the room you have been given to clean yourself up, the photo on the side stares back at you. A man you do not recognise, but whose name is etched into the frame. Caleb, your family… You do not remember him, your memories do not summon him. He has died, they've told you. Cut out of your life by people who stand against EVER.

Your home destroyed, so now you stay here. In a compound with cold walls… and a box of a room that cannot be filled because you own nothing. Except a photo frame you have been handed, and the clothes you are to wear when working.

You think you feel grief at the concept of not having him. You think that there are moments where something aches so deep in your chest that you can't find an answer to it. Like you are missing something integral. Seeking something out, but can never find it.

Sometimes in the shadows, when you enter and forget to turn on the lights, you think you see plushies along pillows… you have seen some with them on their desks. They are not for you though, you do not even know where you'd begin to find one.

There is a cold broken feeling in your chest, whenever you turn the lights on and they are gone. Just a mirage from a mind you think is fractured by the tests. You don't know what the feeling is, but it hurts, so you move onto another job, and move forwards.

You wonder if Caleb would look at you with disgust, to see no recognition in your eyes, to see you, with dagger in hand and blood splattered over your mouth and face.

Or was he like you? A tool to be used.

It is a question that has no answer, the dead don't speak. You will never find out. You will never have a voice answer you back, questions you speak out loud, when the room is too quiet and too cold.

So you scald your skin with heat in the shower, and burn away the remnants of the memories of voices calling out for you, and the pain. As the blood rushes down the shower drain, and leaves you as close to clean as you can get.

—------

Leon is cleaning up the blood when you return to the lab to pick up your arm, it is hours later, but he seems harried. Hair falling out from where he normally slicks it back.

You debate saying something, but decide against it, especially when you see that the gore has been scrubbed from your arm. A job you did not wish to have to handle. Even thinking about it, makes you think of the feeling of muscle under your claws. The hissed pain through clenched teeth. The arms pressing around your ribs, tight but wary. Like you would break under them.

You strap it back on, and spin the dagger in practiced claws in relief. No nics, no cuts. You don't remember who taught you, you never taught yourself. It eases you though, something familiar. A motion that is practiced and quick.

"You can get a better weapon than that, you know." Leon sighs, standing, relieved to be finished removing the mess you'd spread. So that he experiments could continue on. His finger points over at the dagger in your claw and you watch as he throws cloth into bucket.

The way he looks at the dagger makes your hand clench around it, slipping it back into its sheath at your side, and glaring, baring canines. It feels like an open wound. To be separated from it. Like it is as much a part of you as… your arm…

Itching in the back of your neck, a feeling of wrongness. It is not your arm.

Silver, and painted. A beautiful red fish swimming over metal.

You shake your head, pulling away from Leon before he can get his hands near you, or near the tool at your waist.

It is yours. It cannot be replaced. "It's killed enough of EVER's targets to be a fine weapon. Perhaps you should be replaced instead."

The bite does not agitate the man, but it does satisfy the little voice asking you to snap him. A little. There is no response but you are done with him, until a question gnaws.

Like a little beast at your heel. Demanding something.

You're not quite sure what.

"Why won't the doctor join you?" You ask, pushing some equipment to the side none too gently to sit on a table.

"Stop throwing things around, we need those." Leon snaps, "Your temper is too short, little bomb."

Your laugh holds no humour, it is a choke of a noise, that means nothing, "You call me that, and expect my fuse to be long? Unluckily for you, Leon, you are the only one who doesn't fear to talk to me. So you are to bring me orders, and answer my questions. If your things are in the way, that's not my problem."

He rubs the space between his eyes, and for a moment you get a flash. Forests, and snowflakes. Drifting through branches and alighting on white petals. Blending, and freezing, then falling.

Pushing his glasses back up, he speaks, "He doesn't agree with the tests we are running."

"You think capturing him will help?"

"I think capturing him will make him less likely to help, but surely the order came for a reason."

You scoff, but shrug, "Can't imagine what they could offer him, that means enough to make him agree. I suppose all of you science types have a price though. Something they can tug at to make you abandon your souls."

His voice is cold when he speaks, and you watch the spark of irritation. It's rare, he tries to keep his calm false mask, but sometimes. You can poke and prod. Like he is a beast you want to see bite. White hair ruffled and soaked as he laughs through-

You blink, and Leon returns to his bespectacled brown hair, and brown eyes. He speaks but you don't hear, and you push off the table, waving a hand, "Whatever." You don't want to hear it anyway, whatever he has to say won't remove the scalpel. Won't ease scars that don't disappear.

Won't mean you can lay down a clawed arm of beasts that they experiment on.

You're not too different you suppose, if you were maybe your arm would have rejected your body. Demanding something closer to home. Instead it follows your demands, moves smoothly, easily. You were told it was the ideal weapon and tool, and using it has certainly made missions easier.

It does not mean you wish to see it more than you have to.

Fabric catching on the segments of hard stone-like skin. Every sensation through it feels like it's felt underwater. Distant and abstract. A picture you can't fully see.

You step through the hallways, flexing the clawed hand carefully, as you approach the testing rooms. Inside is the usual, an old man with goggles on his head, greying brown hair. Wrinkles. He pushes the goggles up as he looks over at you, "Phi, I need my check." You approach.

His chuckle is low, and he eases you. There is something about him that is familiar, against all other backdrops of the compound. This man is familiar.

Sometimes if you stare at him for long enough, you can hear his voice telling you to stay calm.

You're not sure what it means, if he was there during your hazy wake-ups that you barely remember. Just the pain of the pressure on your heart.

"The Unicorn has wandered over finally. Come on then, you're weeks late." He indicates the black reclining chair beside him.

It normally grates at you, Unicorn. It is not a name, it is a subject title. You don't remember if you've ever been called anything else though. If any other name has ever mattered to you.

'Kitten'

'Starlight'

'Cutie'

'Darling'

They swirl and then you shake, like a dog shifting water from its coat. You will not drown to voices.

The chair is cold to the touch as you lie back, but Philip's hands are steady and careful. He checks over you, scans with his tools, checks your EVOL levels. "How are the new additions?" When he asks, you can actually hear concern. It's rare… it's not offered often. He is here just to manage your health, to track it. Leon is here as your keeper.

He proclaims that he knows you best. His little bomb. His reason to be in that lab. The core in your chest is his proudest test subject.

You think about the 'additions'. EVOL's fed into your resonance, powering it, making it more useful. You think about the pain, the snarling voice that wishes to devour and swallow. You would tremble at the sensation of the heat in your core. The ripping and tearing. The gold enveloping, and the rippling power that explodes outwards.

Broken glass and twisted shards of metal.

You think about how hard they are to control.

You think about fiery red eyes watching you as you fall, and the resonance failing to come to your hand at will.

You think about heat from skin like a memory you could grasp if you tried hard enough.

You think about when it finally answered you, so you could leave the call of snapping beasts at heels behind.

Questions left unanswered. Blissful ignorance, so your heart does not shatter. You don't want to know the origin of the fever or the broken splinters.

There is nothing on the other end of the thread.

"Temperamental." You finally answer, "They're harder to control than just my resonance is. I can't call them at will."

He nods, jotting things down, as he reads. As you look at his goggles, you see a leather jacket reflected in it, but when you turn there is nothing there.

Perhaps not sleeping is leaving you as useless a tool as Leon is.

A problem to solve later, when you can finally chase out broken parts of your brain, and swallow something to ease the screeching behind eyelids.

"You need to practice with them."

You huff, turning your head away, "I didn't need to practice with my resonance, what kind of tool can't be used straight away?"

When he doesn't answer, you return your gaze to him, watching as the man frowns. Staring at his tablet, like it holds news he does not want to see, but the tablet is empty. "Phi?"

He looks up, wavering eyes, and tired bags. He also does not sleep, you remember. You've never had it in you to ask why. If he's as haunted as you are. If this place keeps him from escaping his nightmares. You could ask, or you could dig for information… You do neither.

You always do neither.

"Your tests are fine, you should get some rest though, and make sure you take your medication. Leon said you've skipped it for two days now." He extends a hand with pills shaken out into them. Suppressants, for the core in your chest. To stabilise it.

You've taken them since waking up. They taste bitter, and they stick in your throat.

You grab them out of his hand, and throw them back. You feel like spitting them back up into his face, but manage to swallow them down, relieved when he has water prepared. You down the bottle, easing the sensation of the chalky taste, and run your tongue over your teeth to clear the residue.

It's no surprise to you that Leon would rat you out. Like he thinks he is your keeper. Like he owns your soul, and your body. Not just the warden responsible for your pain. The object of your abject hatred.

The cool of the seat starts to burn, so you pull up and step away. Shoving one hand into pockets, claw loose at your side. "Anything else?" The man asks, his expression becoming warmer, a smile loose on his worn lips. The familiar feeling sparks in your chest, and you wish you could ask.

Maybe if you ask you'd understand.

If you ask, you wake up from a nightmare, and you're not sure if the outside is better.

So you shake your head, "No, see you." and turn on a heel, leaving as quickly as you can. You can't thank him, you can never thank him. He is the only one who does not treat you like something to cut open for experiments, and you cannot thank him.

Because it is a low bar to clear?

Because you should not have to thank for that?

Because you blame him too?

You do not go to find food, though there is a cafeteria. You don't need to stay here. With the cold walls. Stared at by wary mad scientists.

You have a job, you can always do some research. Something that requires the movement of your feet, and the use of your brain. Something to distract from the feelings that bubble and overflow. That leave a lingering bitterness in your mouth like chalky medication.

That make you look over your shoulder, and not focus on the target.

It is an agitation you cannot shake out, so you have to focus it.

Your feet take you back to Leon's lab, but his lab coat is over the chair, as his tools are left behind. So you dig into his pockets, and pull out his wallet. Relieved to find cash, and not just card. You could figure it out, but it's always a pain.

Instead you take all the cash he has to hand, and leave, throwing his wallet back on the table.

If he wants to demand a punishment, he's free to. If you get results, he's less likely to get what he wants.

You want to watch him chafe under the pressure.

—------

Linkon is familiar in a way you aren't sure how to word. You've been told you lived here, that you lived with Caleb in a house in a nice little neighbourhood, before it was taken from you. You've walked to the area before, and while you sometimes can feel heat against your skin, you cannot quite bring the image to mind.

Like you're staring at a static tv screen. Sometimes there's a shape you think you can make out, but it could just be the broken image, flicking so fast you've fooled yourself.

It's like desperately grabbing at something, only for it to slip further under sand. One thing you do know, however, is that your feet travel before your brain focuses. That you pass by things called kitty cafes, and hesitate for a moment. Looking through glass, and wondering what it is you're seeing. You almost entered once, before dread settled somewhere in the pit of you. Pushing you back.

A warning.

So you simply look through the windows, to watch the small creatures and the floating OTTOs that tend to them.

It is enough. Perhaps.

The acknowledgement of something that you enjoy. Or think you enjoy. Perhaps you played with Caleb.

Before he was taken away from you.

Would he be able to remind you of things you have forgotten? Records of things you should know, photos of times you'd spent together? Would he be able to spark the image if he stood before you?

Your memory just a casualty of EVER's saving your life… It is a low price to pay, you've been told. That memory can sometimes be reclaimed. That your life cannot.

You cannot help but feel like a haunted ghost though. Sparks and flashes with abstracts and feelings you can't explain or name. Things that lurk along the edges but cannot be grasped. You have nothing for yourself, but the jobs you are given, and the titles you cannot shake.

Perhaps if you keep following the path, you'll find an answer at the end of it. Even though you want to turn from it. Run the opposite direction. Would the answer even make you happier? Or would it make the feelings worse?

Could Caleb really have cared about someone Leon calls little bomb? Could a tool be more than itself? Or were you both tools?

Perhaps it was easy to exist, because neither had anything else to claim.

If that were the case, you think you could accept it. At least then you would not be alone, surrounded by things that want to twist and snap and break and bend you. Make you into a weapon sharper than a dagger.

You still await the moment they pierce your skull with a sword, so you bear the horn of the beast, they're so proud of naming you after.

It is the smell of sweets that draws you to a cafe, and you are relieved that no one bothers to look at you for your arm. Though you have passed at least three people with panda costumes, so you think perhaps, this is a low scale of concern for Linkon residents.

As you enter, money in your pocket, you rattle off as many cakes as you can read, and afford with stolen cash, and then ask for a black coffee.

You pause, and then correct yourself. Cream, two sugars.

You can see it placed next to your head on a bedside table, you can hear a snort of disgust against your neck. You shiver, the sensation of lips on the back of your neck making you scratch at it with sharpened claws.

The blood that catches at the edges, makes your panic rise, but no one is looking at you. Couples too caught up with each other, groups laughing, and people alone working. Linkon, you decide, is an interesting but strange place.

At the compound you are stared at. Watched warily. There is no step you can take where you are not eyed, as though you could begin howling and snarling at a moment. You wonder if they fear you will turn into a wanderer. Will the core in your chest make you as horrifying a beast as the Myst's that EVER manipulate? Augmented protocores giving them powers beyond understanding?

It is an interesting thought. You hope if that happens, someone will silence you quickly. Lest you lose even the semblance of you that you have.

As you find your way to empty chairs, stuffing a macaron into your mouth, hunger tearing at your edges, you feel the aggravation and sensitivity calm somewhat. The itch easing, and the feelings leaving you be.

'Food is important, sweets can fill your heart as well as your stomach.'

The voice isn't familiar, it is a whisper on the edges. It does not bite at you though. The edges softened down, no longer sharp and broken. So you stuff more into your mouth, unconcerned with the world around you. Sating the beast that purrs as you feed it sugar.

As you finally stop starving your body, though you still refuse to let it sleep. Perhaps the confectionery will do for now.

With one hand you continue to claim sugary treats, while the other flicks through information Leon had sent you.

Zayne Li, cardiologist. Highly respected, has rejected offers of work over sixteen times.

You can't imagine why he'd suddenly decide to take up EVER's offer, if he has steadfastly rejected every time they had tried. Perhaps they finally had enough money for him. Money, equipment, a curiosity. It was always something that summoned the science types into EVER's hands.

They never fought or rejected for long. Denied enough opportunities, they would come running. Desperate.

Ice EVOL, uncontrolled, appears to create backlash when used.

Ice shards, tearing through skin, ripping into flesh, and rattling air from the chest. You choke on a sip of your drink, spitting the coffee on the table as you rub at your forehead. You can feel the cold on the tips of your fingers, and you aren't sure why.

It is not one of the EVOLs that was fed to you.

Just more static, things that don't belong to you, that won't stop haunting your vision. The lack of sleep has to be the reason.

Still, to have an EVOL you cannot control… That hurts you when you do. You think of the ones that aren't yours, that have been devoured by your resonance, and you rub at the space over your chest.

The core in your chest will eat anything it can grasp.

The file gives you his main location, Akso Hospital. Kidnapping a doctor from a hospital, would likely result in more mess than you want to deal with. You'll just have to follow him to somewhere else when he leaves.

Surely he has a home.

Why it's not in the file is a question you will have to ask Leon later. You'd expect them to give you more than minimal lines.

It is not as though you will fail… failing means tests. You think of isolation rooms. Of fighting people haunted, with protocore syndrome. That shatter when you fight back. You think of the agony in your limbs when they poke and prod.

You think of shocks, and scalpels. You think of what EVER means when they make you their tool. When you are their test subject.

You think of how, even if you run, they will always be able to find you.

You think of how pointless it is to fight back, when they break you down.

You think of their buildings in Linkon, office workers who mill about with their symbols on their chest.

You think of the news reports you hear, with their technology selling to everyone you pass.

It is an encompassing web, and you are barely a fly.

EVER have reminded you, that being a tool is better than breaking.

You're unsure if that's true, but you know that death never seems to save you. You have plunged your beloved dagger into your chest, trying to cleave the core out, but woken up on a table. Unsuccessful, reminded of your place.

You are hazy, if someone stops you, if you're always being watched that they can grasp you before. You wake up though, staring around you, and it continues. You continue. Dagger in hand, EVER's mark on your collar, and given orders.

It is as you lean back, finished with your bounty, sipping the last of your coffee, that the door swings open.

"I don't think now is the time to eat sweets."

"And I know you're not feeling great, when you can say that doc."

Static.

Like in that broken down apartment building. Staring at a man who looks like a ghost to you. Slowing your dagger long enough to look.

Crackling along the edges, filtering through your vision. Overlaying so many images against the other. It is noise and it is broken images.

It is a force of a wall you cannot break through.

You look, as two men enter. Tired, drawn eyes. One you know by the file in your hand.

The other, you know by the signs and posters.

Zayne Li and Rafayel Qí.

It is an easy thing to sit and watch as the one rubs at his eyes, and the other nudges him, hand easing strain from back.

They do not know you. No matter if they pick out the symbol on your collar, there are countless EVER employees, and your face is only known to the ones you're ordered to kill.

And now capture.

Still, your eyes want to move away. Looking at them hurts. The static is loud, and the feelings are back. An uncomfortable ripping at the fabric of what's inside you.

So you stand to leave, hoping you can pull away and come back another day. It is no use tracking a man when he has company, for all you know the artist is a bodyguard in his spare time.

Complications are not worth testing with.

It is the movement of your chair, and the way you stand, grasping at your chair to push it back in, that draws their gaze to you. It sends a chill down your spine, as they look.

As forest green eyes and burning pink and blue stare at you. Wavering.

You are hit with the static, louder now, pushing down on your head, trying to drown you. You want to cover your ears, but you can't. You can't stand out. You can't be odd. Not out here. Not more than you already are.

No one has looked, or cared. So you put one foot in front of the other, and it shatters the silence.

"Cutie?"

"Darling?"

It tears at the fabric, and it rips at the gauze. The open wound in your chest. You feel the ice though skin, the water in lungs. There is a sensation of falling, and an aching where you land.

They approach, and you wave off. Claw in the ground trying to right yourself, pull yourself together. Remember what you're supposed to do. Get out, leave. It doesn't matter if they remember your face… It won't matter when you knock out the doctor and take him back.

Even if the artist remembers you, EVER can cover it up.

They've never failed to do so before.

You just have to get out. To find your feet.

Why is there so much static?

Someone kneels by you, and a cold hand touches the claw digging into the ground. It cuts through the carapace, rips at the seams. You pull away, and it gives you enough shock to cut through, to give you a door. You back up, and shake your head, "I'm fine, sorry."

You don't look at teary eyes, or stop long enough to be grasped at, you don't want to know why they looked at you, or saw something.

You don't want the static.

You just have to get back, and do your job… Then shake out the voices who call out names that settle softer than Unicorn.

[creature-wizard]

Someone once asked me how I use psychology in my witchcraft, and I never got around to answering it. So I figured I should do that.

The basic answer is that I ask myself, "does this take advantage of something we know about how the human mind works; or might it have psychologically unhealthy consequences?"

For example, I remember reading somewhere that washing up can make people feel as if they've been emotionally or spiritually cleansed. So if someone asks how they can move past a bad point in their life, I'm probably going to recommend some kind of bath or shower ritual.

I also know that our subconscious minds process information and often come to fairly reasonable conclusions without our even realizing it. So if someone's having difficulty making a choice even after doing the best possible research they can, or where there's just no objectively "best" choice, I might suggest using a pendulum to sort it out.

I know that the brain tends to internalize repeated information, so I'm down with healthy affirmations.

I know that people respond to symbols, both consciously and subconsciously. So if someone wanted to feel more confident, I see no reason why creating a spell jar full of things associated with confidence wouldn't provide some benefit if they kept it in a visible place.

I know that energy healing practices can at the very least help people relax. While I would never, ever suggest that someone pays huge amounts of money or uses energy healing in place of evidence-based medicine (never use anything to replace evidence-based medicine), I'm down for using the techniques on yourself or on your friends, or watching ASMR reiki videos on YouTube.

And on the other hand, I don't really put much stock in spells or practices that target an unaware third party. For example, I don't think death or misfortune curses are especially likely to work. I also think that in some cases, they might just reinforce a fixation on revenge that actually hinders the caster's path to emotional healing and finding healthy coping mechanisms.

So yeah, that about sums up how I view magic though a psychological paradigm - I ask myself how a technique might take advantage of something we know about the human mind, and whether it might have psychologically unhealthy consequences.

[building-made-of-paper]

Story time!

My mother loves poker. She played all throughout college and grad school and sometimes goes to poker nights with friends. Nothing crazy high stakes (though she's played with people who make a living off of it) but she does believe that if you're not betting something it's not worth playing. As you might guess, she's more than a little bit competitive.

She has always wanted my sister and I to play poker, and has taught us various different flavors of poker over the years. And in a move that I believe stems from that same desire, she has a tradition of gifting each of us a deck of cards for one of the nights of Channukah. She also snuck decks of cards into our luggage when we moved off to college. She's convinced that if poker is god, then she is the messiah and we are the chosen people.

This year, because Channukah was later than usual, both my sister and I were home to receive our deck of cards and somehow she convinced us that this meant we needed to play poker. ("It's a life skill!" "What if all your friends are starting a poker group?") What she didn't realize was that in one of the decks she had bought the two jokers were the 12 of spades and the 16 of diamonds.

We play for a bit with a couple other decks (partially so my sister can relearn a few different types of poker), and eventually I add the third deck into the mix and volunteer to prepare it between rounds. I shuffle the deck, making sure to force the cards to be near the top of the deck (one side effect of growing up with many many decks of cards is you learn some card tricks, or at least the basics.)

My mother is the dealer that round. We're all dealt cards. Nobody flinches. My sister and I know what's happening, my parents do not. We bet. I do not have great cards. I stay in because if I pull this off I want to still be in play. Out comes the flop. The opening card is the 12 of spades. The other two cards are not face cards, so after much confusion we decide that it must be a stylistic choice. We agree to play it as a queen. We bet again. I am losing money at this point, but that's okay. I'm in it for the bit, not the money.

We turn the river. It's the queen of diamonds. My parents are baffled. No reasonable person would make a stylistic choice such that one queen is a face card and the other is a 12, right? Well, given the store we got these from (which also sells a Magic Flying Butterfly, a bowl made of guitar strings, and many other oddities) the stylistic choices are likely to be confusing.

Over the course of the rest of the game we manage to reveal all four queens. And we also have the 12 of spades. At this point the pot is ruled dead and everyone gets their money back (thank goodness, I would have lost handily), and laughs are had all around. Eventually the deck was searched through and the 16 of diamonds was discovered, to everyone's great amusement.

Moral of the story? Manipulate other people wants and needs so that you can always stay committed to the bit. Or just like have fun, I guess. Yeah maybe don't do that first thing.

[lesbianherald]

hiii I’m curious : what’s your process for creating your stories? like character development, plotting, creating arcs, etc?

thank you for asking !!! i'm going to get way longer and more thorough about this than necessary I feel it in my bones so I'm going to read more this now (I included a few tidbits from my miro board for carry the blade :) )

it's such a mixed bag ! part of this is my adhd lmao, and part of it is because, genuinely, I think each story needs something different.

almost ALWAYS (with one rare exception of a sci/fi fantasy world I've been building for years) I start with character, especially in original work. Because character is everything it's who we're following it's what the audience/readership will grab onto. Usually I have a basic premise and setting already there, but I don't build on it until I get to know who we're dealing with in the story. And then after building up the premise, setting, and plot I do even more character work after.

sometimes.... sometimes I get really impatient to start and start writing half way through the planning process. But anyways.

so I come up with character. do the basics. think about what their deal is. What is the journey they need to have, the lesson they need to learn, what themes and emotions do I want to explore with this character? Why is she important to me? Why will she be important to others?

I also think a lot about relationships

i just wrote a coming of age dramatic comedy for instance, and for that one, I broke up the story into my protagonists relationships. Wrote out the arc/story of each relationship and then combined each of these arcs into the key points that made up the film. Each relationship I wanted to be relevant to her grieving process, as she had just lost her mother. IDK if that makes sense. I wish I could show you but unfortunately I cannot.

for fic its honestly similar, but we already know character, so I usually ask what about this character/these characters am I most excited to explore.

that being said, coming home came to me in the idea for what they'd be like in modern day, and then a single idea for a single scene - their first kiss in the lab. I wrote that first, then asked myself what the context I wanted to give it was. Of course, I changed it a little once I actually got to writing and fleshing out chapter eight.

but this fantasy fic i'm writing is a fun example. I'm building out a lot. I'm building out characters, the world, the themes. - using visuals to help me kind of guide myself.

but because I have adhd and get impatient. I am outlining throughout this process to keep myself entertained. perhaps ideally you'd figure out everything first then outline then write but my brain just doesn't work that way.

in fics, especially, the relationship is so important that I really like to see how the obstacles they face, both due to their own psychology and internal pressures, can reflect the themes, create tension, etc.

but i also like to reflect on side characters too - their motivations and desires. So they don't just become like - flat little reflections of the central love story.

Finally, and this i learned from acting theory mostly - but I love it - is in each scene I like to think of what each character wants, what they are going to do to try and get that, and why they want it. In this fic, wants are something I also look at from a chapter by chapter basis.

side note - and i'm only saying this this far down so hopefully not too may people will see it - but I do have a secret subplot going on throughout the first half of this story that the audience doesn't know about.

in order to make this work I've been mapping out everything going on behind the scenes, and making sure they pair up well with events that people reading will see. it helps me plant little hints and seeds while hopefully not giving too much away (secret subplot in blue, actual story in red)

sorry i know this is such a ramble I just took my meds and had a double shot of expresso so I am buzzing right now lmao! Obviously I'm not the expert and there's not only one way. And also it really is so different for me every time. It's important to think about what the story actually calls for !

[tech-luver]

It's exam season and to help me cope I've been writing fun stuff between study sessions. Maybe my opinions could be appreciated and debated on the interwebs.

Ranking (some of) the LL crew based on who would let you take a nap on them and how comfy that nap would be:

Rodimus: 6/10 He would be so down with you taking a nap on him but he's very sharp and very distractable. His neck flare plate(?) would prevent you from sliding off but you better hope when something get his attention you don't get crushed in his neck cabling. I think he would try to remember you are there, maybe poke at you when he's bored, but if he's active, try is the key word there. Bonus points for running warm though… hopefully not too warm.

Megatron: 8/10 A solid nap to be had. Good flat shoulder plating and he would never forget you were up there. Loss of points over the fact he would only let it happen if he really liked you and, lets be real here, there would always be that prickle at the back of your neck over how low your defences are and how many organics this mech has crushed.

Ultra Magnus: 10/10 The holy grail of naps, plenty of flat surfaces to rest on, no one can bother you cuz almost no one is as tall as him, he would willingly be your alarm clock, always knows you're there, incredible nap spot. Only issue would be convincing him, but you could make up something about how humans need to nap in high places or whatever and he would fold in concern for your fragile human health.

Ratchet: 5/10 Half of the battle is getting him to agree and the other half is trying to fall asleep whilst he grumbles, he also moves around a lot cuz he never rests and is always helping bots in the medbay. I don't know if you can fall asleep to the sound of metal being welded together or someone getting yelled at for injuring themselves doing something stupid but… all the power to ya.

Drift: 9/10 Respects the need of the nap, it's basically like meditation so he gets it. His calm energy really helps when drifting off. I think he likes the idea of protecting a little human as they snooze which gives him guard dog energy when you're out, no ones messing with you and ruining your beauty sleep. Lose a point cuz he is sleek in design so fully resting on him comes at a risk.

Rung: 4/10 Doesn't mind if you ask but, I'm sorry, he's too rounded, not good for lying down. Although, he would be very careful and gentle with you so it just might work out. He works in a quiet environment which is nice but if he is having/about to have a therapy session he will ask you to leave, patient confidentiality is important to him. You would have to schedule your naps with him which is not the point of naps.

Cyclonus: 1/10 Zero flat surfaces so you would need to strap in. I don't think he would want you napping on him, he would constantly need to check you haven't fallen to your death and would find it awkward talking to people with something hanging on his shoulder. Would tell you to just go back to your berth or find a non-moving flat area, why do you want to nap on a Cybertronian anyway? A single point for at least being nice about it when he denies you.

Tailgate: 7/10 Absolute sweetheart about it but there's nowhere to really lay down on him. He would offer to hold you as a solution, which, if you don't mind being cradled like a baby (or having other people see you being cradled like a baby, tanking your reputation), seems alright. Since you are right in front of him at all times that way, there's no chance of him forgetting you're there. Will shush other people if they're being too loud around you. High chance of inducing cuteness aggression in him when you're asleep and softly snoring, will go for the cheeks.

Swerve: 3/10 This mech spends all his time loudly blabbering in a bar, noise needs to not be an issue for you. Similar issue with Tailgate where laying down is difficult. Unfortunately, does know what a human baby is so will coddle and humiliate you if you agree to being held. Another issue, the prankster Swerve is, you can't trust this guy to not draw on you or not steal something from you and hide it in an unreachable spot or not put you on a floatie in the middle of the oil reservoir. Gets some points cuz only HE can mess with you, anyone else tries to wake you up and they're out the bar.

Whirl: 0/10 …I mean there is literally nowhere to lay down, he's too damn skinny. You…could take a chance with his giant chassis but you'll probably slide off or look like you're in a baby holder if you strap yourself down. IF you are successful at staying in place (somehow), he would just bother you the whole time or not give a shit you're there and start running around. Worst case, he tries to use you as a meat shield to get away with annoying bots cuz "If you try to punch me, you'll punch the squishy human as well!"

Brainstorm: 3/10 Mech hangs from the ceiling sometimes. Sure, he has some alright shoulder plating to work with but his spontaneity could literally throw you off. Would allow a nap but wouldn't check on you, too absorbed in his work. If he was bored and didn't have any ideas coming to him, you could suggest a sleeping bag that attaches you to mechs you want to sleep on.

I know I've missed some bots, maybe my stress will produce a part 2.

[binniesunderworld]

How Gabriel Agreste Destroyed Adrien's Life: A 3 a.m. Analysis

From: ‘I enrolled in a school without my father's permission, I ran away from home to attend the first day of school and although I don't want my father to be angry with me, I'm not afraid of a punishment either because I KNOW there won't be one’.

To: ‘My girlfriend is alone with my father, with no one to protect her, completely defenceless. I NEED TO SAVE HER’.

One knows that his father is a good person who, no matter how angry he is, would never hurt him. The other doesn't, it's the opposite, he is no longer sure of anything, he fears for the safety of those he loves and is so terrified that he is about to have a panic attack.

But how did we get from the first to the second?

How Gabriel Agreste's abuse managed to completely change his son in a matter of days

People don't remember this because it happened a long time ago and has not been repeated, but Adrien used to be a NORMAL person, not as perfect as he is now. While he has always been kind and polite, there were also times when he allowed himself to be a bit hostile and not as perfect as we are used to seeing him (as Adrien, not as Chat Noir). Usually that ‘good boy’ facade was only used in front of his father and Nathalie, but in front of his friends he behaved like a normal teenager, even becoming a bit teasing, self-centred and rebellious. "The Bubbler", "Animan", "Kung Food" and "Evillustrator" being the clearest examples of these behaviours, in particular towards Nino, Chloé and Marinette.

In S1 it becomes clear that the only conflict Adrien has with his father is the fact that he does not give him as much freedom as Adrien would like. Apart from this, Adrien has no other problems with him and considers him to be a good father. There are several of Adrien's behaviours that suggest that Gabriel's overprotectiveness towards him was the only thing wrong with him, but that otherwise Gabriel was excellent. It is time for us to look at that.

1. Origins

Adrien literally enrolled in a school without his father's permission and when his father refused to approve Adrien's attendance, he ran away from home and went running to school. When Nathalie tries to convince him to come back Adrien simply says ‘this is what I want’ and turns around to continue up the stairs, not caring if she has anything else to say. He hears that someone needs help and immediately goes to their aid, and as soon as he finishes doing that he turns to Nathalie and the bodyguard with a charming smile expecting to see their proud faces, and when instead he sees that they are still angry he is immediately horrified and gives up.

This tells us a lot about Adrien: he is a spoilt child who has never been punished in his life, and when things get difficult his first reaction is to be adorable or do a good deed to be forgiven. Adrien intended to leave Nathalie talking to herself, and he wasn't worried about the idea of being punished when he got home from school because he knew it wasn't likely to happen. He then helps someone to ingratiate himself with Nathalie and the bodyguard so that they will stop being angry, and when he realises that it didn't work he is surprised. He is used to people forgiving his disobedience just because he is cute. He immediately gives up and asks Nathalie not to tell Gabriel. While he didn't want his father to be angry with him, he also didn't fear punishment because he knew he wouldn't get it.

Later, at the mansion, Adrien realises that Nathalie did tell Gabriel and he feels betrayed, as if he didn't expect her to do that. Basically, he is not used to people disobeying him. Gabriel again forbids Adrien from going to school but it's nothing he hasn't said before: Gabriel reprimands Adrien's behaviour with words, never with punishment, and there comes a point when words are no longer enough and Adrien is no longer afraid of them, hence he becomes ‘rebellious’. The next day Adrien runs away again and, surprise surprise, he is not punished, in fact he is rewarded. Despite having disobeyed his father again, he is rewarded and allowed to go to school, even Nathalie (whom he treated very badly) offers to help him. This reward is without explanation, just because. I'm not saying Adrien deserved to be locked up for life at home, at the end of the day he's just a teenager who wants to socialise with more people, but it's clear he was a spoilt child whose behaviours both good and bad were praised, just like Chloé and Felix, so if you ever wondered why he was such good friends with them, here's your answer.

2. The Bubbler

Here we get confirmation of how Adrien is a good boy only in front of his father and Nathalie, and how he is himself in front of his friends. At the beginning of the episode he together with Nino makes fun of his father because he does not agree to throw him a birthday party. Then, when Nino is akumatized, he at first refuses to be part of the party because he cares about Nino and wants to save him. Even when he realises that all the adults are trapped in bubbles, he never cares about his father, Nathalie or his bodyguard, only about saving Nino. And then he also gives up on this idea after a little chat with Plagg and says: "Okay, you're right. This might be the first day in my life that I actually get to do what I want for once", and Adrien joins the party without any show of consideration for the adults he knows.

Although all these behaviours were forgotten by the fandom, they are important to understand Adrien's character and how he changed due to his father's abuse. This is the normal behaviour of a teenager with a bit of a grudge: he's not a psychopath who wants something bad to happen to his father, he's a kid who knows that in the end he and his superhero partner will fix everything and he allows himself to have fun in the meantime. But it's something the current Adrien would never do, and there's where the difference lies.

3. Volpina & The Collector

This is the last episode in which we see Adrien acting like a normal teenager. He overhears Gabriel talking on the phone and decides to spy on him, then discovers that he has a safe behind his mother's portrait and out of curiosity goes to investigate. Adrien discovers the book and takes it with him, when he is discovered he quickly makes up a lie. RIP pre-lobotomised Adrien, you will always be missed.

This is the key point in the change of behaviour of both Adrien and Gabriel.

Gabriel confronts Adrien and he immediately gives an explanation in a tone of voice intended to generate sympathy:

—I just wanted to know what you were hiding behind that portrait that was so important.

This doesn't work so he resorts to blaming Gabriel himself:

—You.. you never told me about those things.

And this doesn't work either, so he decides to admit what he did but also looks for a way to justify himself:

—I was intending to give it back to you, I swear. But then I lost it.

Gabriel tells Adrien that he no longer trusts him, and what is Adrien's reaction? He just looks jaded and apologises to Gabriel, in an attitude that makes it clear that he is used to apologising to make things right, that he is not genuinely sorry, and also offers to buy him a new copy, confident that this will be enough for Gabriel to forgive him. This confirms the previous point: Adrien is used to getting out of his punishments just because he looks cute or does a good deed, and this became so repetitive that Adrien already knew how to get out of a punishment, and was not afraid of his father but simply tired of scolding that went nowhere. Again, there is no fear of consequences.

Everything changes completely when Gabriel tells him that this book is unique in the world, that there is no other copy. Apologies didn't work and the other form of redemption, buying him a copy, wasn't possible. Then is when Adrien's face changes completely to horror: he has just understood the magnitude of his mistake. His father punishes him by forbidding him to go back to school and Adrien is heartbroken, but does not try to reason with his father (as he had done, and many times, in past episodes). This is the birth of the Adrien we know now: from a normal boy to a submissive puppet. He knows that there is no way to redeem himself and that is why he decides not to fight, he finally realises that his actions have consequences, serious ones, taking away what is most precious to him: his freedom.

From here on we see a completely changed Adrien, from a rebellious teenager to a perfect doll with no thoughts of his own. Before, he pretended to be perfect only in front of his father, Nathalie and his bodyguard. Now he pretends to be perfect in front of everyone, regardless of whether he knows them or not. The trauma can be clearly seen: Adrien adopts this neat behaviour because he is afraid that his freedom will be taken away if his father finds out that he made another mistake. Now Adrien knows that he CAN be punished. He doesn't even allow himself to breathe in peace because of all the stress and fear he carries. And so it is that Adrien becomes a puppet unable to stop pretending even in front of his own friends: we go from an Adrien who was not afraid to react strangely to Marinette's odd behaviour, who was not afraid to tease Nino about his crush and who was not afraid to put Chloé in her place when the situation warranted it, to an Adrien who could not even keep his back bent for fear that his father would consider it inappropriate.

Gabriel Agreste being a shitty father and exploiting his son's weaknesses to profit from them

Despite being strict with Adrien, there were times when Gabriel let him spend time with his friends and have fun with them. In fact, in S1 there are several of these, most of them to be found there (before all the drama).

In ‘Animan’ he is in the zoo helping Nino with his date with Marinette.

In ‘Gamer’ he is playing video games for the school championship at Marinette's house.

In ‘Kung Food’ he comes to Marinette's house to help her with her uncle and even takes them to the hotel and stays for dinner with them, he spends practically the whole day away from home.

In ‘Horrificator’ he spends many hours filming the movie for the school.

In ‘The puppeteer’ he is going somewhere alone and relaxed.

In ‘Timebreaker’ he is present during the race between Alix and Kim.

As you can see, despite being strict, Gabriel sometimes let his son spend time with his friends. When did this change? After the book incident. After forbidding Adrien to attend school, Gabriel noticed how heartbroken he was and realised that school and his friends were not a whim for Adrien, but something he truly cherished. And Gabriel used these feelings to manipulate Adrien. In S1, before the incident, Adrien is more ‘rebellious’ and still has enough freedom to be with his friends. In S2, after the incident, Adrien behaves much better than in S1 and still doesn't have half as much freedom as before, and when he finally gets his father's permission to be with his friends, something happens at the last minute (Heroes Day Part 2, for example). This is because his father has discovered his Achilles' heel and uses it to benefit himself and manipulate Adrien.

The clearest proof of this is in the difference between ‘Horrificator’, where Gabriel let Adrien spend hours in the school filming the movie, and ‘Queen Banana’, where Gabriel let Adrien go for only a few minutes to the filming and right after he finished his part he literally left in a cage hanging from a helicopter. It is clear the pleasure that man developed in making his son miserable.

And we could talk about ‘Chat Blac’ and ‘Ephemeral’, but I won't touch those topics as they are not part of our timeline. I'll just say that they made it clear how far Gabriel is willing to go (literally traumatise Adrien) in order to get what he wants. What I think, is sick.

Adrien's Stockholm Syndrome: normalisation, justification and romanticisation, and how it makes him vulnerable to unhealthy relationships

1. Gabriel

We have already made it clear that Adrien became an uncritical puppet, and as a result he developed a terrible Stockholm syndrome. Adrien normalised all the manipulation, and by accepting it as something usual this caused him to start justifying it as well. Needless to name the episodes, in many of them there is always someone (usually Nino, Marinette or Plagg) who points out his father's problematic behaviour and Adrien immediately tries to justify it with ‘he does it because he loves me’ or ‘he just wants to protect me’. This shows us a big difference from the Adrien of S1 who was aware of his father's behaviour and even made fun of it, the current Adrien would never do that, on the contrary, he seems to live to justify Gabriel's actions. That's how serious the brainwashing is.

With Gabriel's behaviours now normalised and justified, they in turn begin to be romanticised. Despite being a shitty person, there are moments when Gabriel treats Adrien well: like when he hugs him (something Adrien is not used to), his worried words to Chat Noir about losing Adrien, or when he watches his mother's movie with him. These are all details that if they weren't accompanied by manipulation, anyone could call ‘cute’. And this makes Adrien unaware of the manipulation at first: his own denial and the kind details his father had for him confused his brain. Adrien did not think that his father could be so kind to him if he was a bad person, and that is why Adrien refused to consider him as such. This is a method of self-defence against dangerous situations, the feelings developed by this are not only romantic but any kind of feelings that are enough to make the victim feel safe in dangerous environments.

2. Kagami and Marinette

Let's start with Adrigami. Adrien didn't show a strong interest in Kagami until the chapter ‘Oni-Chan’ where he even rejects Ladybug's fist to make sure Kagami is okay, but what led to this? The romanticisation of obsession and control.

Kagami is simply Adrien's friend, but when she sees a photo of him with another girl, she gets so jealous that she is akumatized and starts chasing this other girl to get her away from Adrien. This is behaviour that is bad as a girlfriend, but even worse as a friend. Adrien doesn't take this seriously and even spends the whole fight making jokes instead of worrying that one of her friends is a jealous girl who is willing to kill for him even if they don't have any kind of commitment. Then, when he sees that Kagami still has the rose he gave her, his behaviour immediately changes and you could say that this is when he starts to feel a real attraction to her, even rejecting Ladybug's fist, whom he had long been in love with.

Here we see how dangerous the romanticisation of problematic behaviour is: Adrien is willing to let go of all the chaos Kagami caused and all her toxic behaviour just because she showed that she really ‘loved him’. And he reciprocates her feelings because he finds it cute that someone is in love with him enough to go crazy. The romanticisation of Gabriel's actions eventually led Adrien to romanticise other people's actions, even going so far as to feel honoured by all the questionable actions these people committed under the justification of loving him.

Something quite similar happens with Adrinette. In S5 Adrien mentions that he started to accept his feelings for Marinette from what happened in ‘The Puppeteer 2’, and there's no way this isn't weird. He had feelings for Marinette long before that, but it was that event that led him to accept them. Marinette literally assaults a ‘statue’ just because it looks like Adrien, starts fantasizing about a life together, steals one of his hair and many other weird things, and what's Adrien's response? To say that he fell in love. He literally saw how far Marinette was capable of going because of her obsession with him, and as much as that behaviour was justified with ‘it was a joke’, instead of caring, what he does is fall in love with her... because of her obsessive and bizarre behaviour towards him.

It is honestly quite disappointing to see how Gabriel's manipulation damaged Adrien to the point of leaving him craving only unhealthy relationships because that was his perception of love.

Both victim and perpetrator

Adrien developed a split personality and a taste for taking advantage of people when he is in situations of power. Gabriel turned Adrien into a victim and a perpetrator, the role depending on the situation. When Adrien is the one at a disadvantage, he displays submissive and manageable behaviour. When he has all the power, he has no problem using it selfishly and taking advantage of others. This was taught by Gabriel, from prudence to ruthlessness, are things Adrien learned from him. And in a way that's how Adrien differs from Chat Noir: the power they possess.

Adrien is always at a disadvantage: his life is in the public eye, everything he does is always monitored by his father or his fans, and if he makes a mistake it is very easy for his father to find out and punish him. This is why Adrien, always powerless, forces himself to act submissively. He does not possess the power in such situations, so he can only act as he is expected to act.

As Chat Noir things are quite different, he always has the power. Chat Noir is a superhero, he watches over Paris but no one watches over him, he has freedom, destructive power, a city that depends on him and a partner who needs him to defeat the supervillains. He has the power. And he uses this power to his advantage.

A clear example of this is his tendency to threaten. Adrien has several times been willing to give up his miraculous and even verbally threaten (in a passive-aggressive way) Ladybug just because it bothers him that she has secrets. All of S2 was Adrien threatening to give up his miraculous if Ladybug didn't tell him her secrets, and this behaviour wasn't like ‘we can't keep hiding things from each other anymore, this isn't healthy for me and if we're not going to be honest it's best to just give up’, no, this behaviour was like ‘if you don't tell me what you're hiding, I'll give this up and you see if you can do it all by yourself or if you find me a replacement’. I understand that he was tired of the situation, but manipulation is never justifiable behaviour. Evidence of this is found in episodes such as ‘Syren’, where Adrien even threatens Plagg with give up his Miraculous if he doesn't tell him what Ladybug is hiding.

Another example is ‘Glaciator’, where he invites Ladybug to a dinner and she makes it clear that she already has plans and is unlikely to go. And yet Adrien is self-illusioned, and when his fantasies are shattered by something Ladybug had already warned him would happen, he simply accuses her of mocking him, throws a tantrum, refuses to help with the akuma, and when Ladybug comes up with a good plan to defeat the villain he guilts her by saying: ‘Sorry, Ladybug, it's not cool to play with people's feelings’ when Ladybug never played with his feelings and in fact realised these only minutes ago.

There are many other episodes like these, too many to list. I guess the most notorious ones are ‘NY Special’ (where he has no problem being unfaithful to Kagami) and ‘Lies’ (where he also has no problem being unfaithful, lying to her, trying to provoke akumatizations and so on). His problematic behaviours are not only as Chat Noir, but also as Adrien when he finds himself in relationships where he has the power. In his courtship with Kagami he knows that she is completely in love with him and uses this to his advantage and does truly horrible things like the ones mentioned above without regard for her feelings because he knows or believes that she won't leave him. Something similar happens with his friendship with Chloé, he knows how much Chloé appreciated him and so every time she committed a bad deed he threatened to end their friendship. It's not wrong to want your friend to stop being a shitty person, and it's okay to let him/her know that if he/she continues this stupid behaviour you'll have no choice but to walk away, but the problem with this is that we go from Adrien's genuine concern for Chloé to empty threats just because, in the end, Chloé wouldn't change her behaviour and he wouldn't leave either.

Conclusions

This is not as well written as I would like it to be. I procrastinated for weeks and when I finally decided to write it I no longer had the series so fresh in my memory. I am a teenager with no professional knowledge of psychology who wrote this at 3 a.m. while I was not so sober.

This post is not salt against Adrien/Chat Noir, in all of ‘Miraculous’ there are only two or three characters I hate and none of those are Adrien, so this post is not hate towards him. While I did describe some of his behaviour in a not so nice way, that was not a personal opinion but an analysis. Like when you go to a psychologist and he doesn't give you his personal opinion but a diagnosis, the main difference being that I am not a professional nor do I claim to be one. Anyways, this is a direct attack on Gabriel Agreste for being a shitty person.

As you may have noticed, most of this analysis is based on S1 to S3. While I did mention some episodes from S4 and S5 they were not as relevant, this is because the first 3 seasons are the ones I've seen the most and ergo the ones I remember the most, maybe later (I don't think so) I'll do a part two on S4 and S5.

Finally: my personal opinion on Adrien. He is an amazing character whose development and build goes unnoticed by the fandom, this is probably because it wasn't done on purpose (if this character build was planned it wouldn't be half as good as it is, the writers aren't that talented). Adrien is just a boy, a victim of an abusive home that ingrained several of his father's behaviours within him and he has no ‘true personality’ as this depends on the situation he finds himself in. He acts this way as a method of survival and although it is not right, it is a psychological response and it is not as if he can help it. I'm really happy that the poor boy is free from his abusive father and I hope that in S6 he can be happy and get therapy.

[princesscolumbia]

As someone who writes about aliens, I'm just going to say it's not a big spiritual deep-dive to write about them, either. Space aliens, illegal aliens, trans-universal/timeline aliens, cybernetic beings that are technically alien life...you name it, you can write about it with research and...

(Goddess help me, I just used a Spongebob meme!)

There's a post that circulates about how Tom Clancy has never served in the military but writes remarkably accurate military fiction. When asked, he explains that it's pretty much just him thinking through, "What would happen if abc did xyz? How would we handle it through a military lens?"

Of course, this requires that you put enough in your head so you can think through these kinds of questions in a logical and reasonable way, so this, also, requires research. It won't always look like what you think it does.

I have a project that (minor spoilers for those reading my stuff) has a plot thread that concludes about 400-600 years from now where humans are basically hybrid beings, nearly equal parts nanite and organic tissue. Not cyborgs, the synthetic bits aren't something added in, they're born with them, having received both the genetic material AND the nanites from their parents. By the time they're born, the nanites from both parents have reconfigured to be unique to the child's nanites as an amalgam of the nanites from both parents. The nanites basically make the humans immune to any previously encountered disease, repair ALL damage, even just the damage caused by aging, and allow the human to learn to control the nanites to directly shape their own body. In this transhuman future, the human consciousness isn't even necessarily confined to that particular body because it lives just as much in the nanite swarm as it does in the blob of tissue that forms the organic parts of the body, so even the total obliteration of the physical form isn't necessarily lethal so long as they have a connection to a network and enough time to escape through that connection. (Surprise ground-zero nuclear explosion or teleportation to the center of a star would do it, but even said nuclear explosion could be escaped with a fast enough network connection.) Said network connection can be always on, and for most people it is, simply because it gives them access to all of the rest of humanity no matter how alone they may be IRL. Since the nanites are simply part of the person's entire framework of who they are, the build instructions for new nanites would be constantly updated in the person's...person-hood framework in their consciousness 'blob' on the network. If the person had to do this kind of jump, they'd simply find the appropriate machinery connected to the 'net to build their nanite swarm, which would then seek out the appropriate organic components to build them a new body and they just move into that.

While I was workshopping this as an end-point for this particular series, I stumbled onto a series on ScribbleHub that...sadly seems to have languished, because I'd love to see how the stories in the series end! But, the central premise is about humans making first contact with an alien intelligence that is based on mycelium. They're a complex multicellular life form that exists in a networked-by-default state. The individuals exist inside a collective consciousness as distinct individuals and have their own cluster of cells in the colony, but they have a somewhat loose relationship with the physical world because they can simply grow custom tailored bodies from the cellular colony and then inhabit said body, break it off, then go about their business. They can sever their connection completely or keep it going remotely, and everything we would do with tech and tools they do by just growing whatever tech and tools they need from their own collective cellular mass.

The two ideas smashed together in my head and I realized something...

Individuals exist untethered from a single corporeal form

They live connected to others as both a community thing and a survival thing

They can exist as nothing but a concept but prefer to be tethered to a physical form, regardless of how instantiated it is or how big or small the physical form is

They can build themselves bodies from the ground up so long as the resources and network connection exists

The smallest unit of survival for propagation is a single cell. Sure, that single cell may not be able to do much and may not be connected to the collective, but it can replicate, and from that replication, create enough more of itself to rebuild an entire civilization if necessary

The collective is just as important and invaluable as the individual and everyone in the community is incentivized to maintain their collective since that's where they keep all their stuff. (And by "stuff" I mean "all the memories and experiences and everything that makes me 'me' is at least backed up in part of the complete whole of all the everything else about my people and my community")

Their perspective shifts from time scales of years and decades to centuries and millennia

Life experiences and knowledge and even basic empathetic understanding can be transmitted to others easily because it's just data and data can be copied and sent easily

I realized that between what Murbellass and I wrote, there's a convergent evolution happening on the galactic scale.

It all comes back to crab mushrooms.

(While this creates an interesting setting, I didn't really have anything but the setting until @machoestofmen showed me some humanoid automata monsters from Dragon Quest XI that trap creatures in the cages that make up their lower halves and look like dresses and they suggested, "What if this but forcefemme?" and I'm all, "Sounds like a mechanical version of HDG...wait..." and now I've got ANOTHER damn plot bunny in my head where all of these ideas come together in a story that takes place about a thousand years from now...)

MY POINT is...I don't know any mushroom people. To the best of my knowledge, no mycelium are connected to the Internet for me to ask, "Hey, how does this work for you?" But I don't have to. By exposing my mind to new stories, new ideas, new things to research that I've never encountered before, I'm able to imagine how such things might happen, what occurs when xyz meets abc, and then extrapolate the 'What happens next?!' from there.

if you’re white and wanna write a poc character and feel awkward about it i implore you to ignore any twitblr stuff treating it as a massive ethical burden and instead come in more with the same mindset you’d have if you wanted to write about idk firefighters but didn’t know anything about firefighters so you do... research. Like fuck off with the weird kinda creepy calls for spiritual introspection you’re not writing about god damn space aliens you’re writing about humans and if you think you need more perspective of different life experiences just read?

[lu-is-not-ok]

Something I just realized is that both Hong Lu and Jia Xichun share Rupture as a part of their kits, but they also both have a secondary element. For Hong Lu it’s Sinking but for Xichun it’s Poise. Feels unique but weird. Thoughts?

See, I've been thinking about status effects in a more general sense as to what they represent more literally. I feel like there's a bit of a difference between Xichun having Rupture+Poise and Hong Lu having Rupture+Sinking, mainly because of what I think those statuses might represent.

Rupture, the status effect both share, is a representation of "true damage". Either damage done to precise weak points, as implied by Seven or Cinq, or damage done with enough power to break through defenses, such as Devyat.

For both Xichun and Hong Lu, I believe it represents their physical prowess and techniques, likely trained into them by the Jia Family.

Poise is a status effect that I believe quite literally represents moving gracefully and with intent. A building up of physical momentum or focus to deal more powerful strikes. Getting into the rhythm of the fight so to say.

This fits Xichun very well as we see she fights with fans, in an almost dance-like fashion. A combat style that would likely focus heavily on moving with intent and keeping up proper focus and momentum.

And while a lot of Hong Lu's IDs move in a graceful dance-like manner as well, they're usually not movements done for the sake of strengthening attacks, but merely for their performance. The only ID of his that does have Poise, Full-Stop, is shown to be explicitly moving with intent in his Uptie Story, weaving in and out to direct enemies into the line of sight of Heathcliff's sniper.

Sinking is an interesting status, as it represents mental, sanity damage. I'm guessing it could represent a lot of things. For the Butler and Dieci IDs, it could represent a sort of overpresent mental pressure. For Spicebush, it could represent the somewhat mind altering nature of the flowers. R Corp Ishmael literally deals damage directly to the psyche. There's a lot it could be, really.

...Which is why base Hong Lu having Sinking is so intriguing to me. Because there's only so much it could represent. Is it a representation of a sort of mental pressure he exerts due to something related to his status? Is he in some way actively taunting the enemy so that they lose resolve? Something else we don't yet know about?

There's also the implication of the juxtaposition of Rupture and Sinking next to each other. Rupture is a very physically-focused status effect, it reflects direct damage to the body. Sinking on the other hand is a very mentally-focused status effect, reflecting damage to the mind. Body and mind.

The very interesting part of this all is that this combination only exists in one other ID as of now - Sunshower Heathcliff. An ID that not only inflicts both Rupture and Sinking, but also gains Sinking as well, a reflection of how the E.G.O gear actively alters the user's mental state. The usage of both Rupture and Sinking here could represent how in Lobcorp terms, this gear could inflict either Black damage, or both Red and White damage. Basically both physical and mental.

So yeah. I think Hong Lu's status combo is much more intriguing than Xichun's, and I'm not sure if the reason for that is the same for both of them. It's a lot easier to explain Xichun's Rupture Poise than it is to explain Hong Lu's Rupture Sinking.

[velvetvexations]

the thing about socialization + the idea that testosterone/passing/coming out or whatever else people have decided trans men should stop doing is "the thing that makes them an Evil Man becuase the Evil Man Rays are seeping into their unsuspecting heads, but they're even worse because they 'got to' grow up afab and that gives them 'female privilege'" reminds me of something ive seen some people do.

ive met quite a few people who consider themselves academic types and are, on paper, anti-racist. they can and will state that one's race has no bearing on their mental and moral capacities, and they find all the racist scientology things bs. however, when confronted with the 'problem' of actually interacting with nonwhite people (especially in contexts of trust, relationships, and gauging skill) they spew textbook racist rhetoric and then cover it up with "well, ii don't think their skin color has anything to do with it, but im sure that growing up in a Certain Disadvantaged Environment does things to you that makes you less trustworthy/stupider."

and it's a whole shitload of baggage when it comes to nature vs nurture arguments, and i guess i can't prove nor disprove the existence of the invisble force begotten from a specific upbringing that creates all those Evil People we love talking about, but actually my point is this: i don't think it matters to the people they're talking about. if someone flings stereotypes at me but tries to undercut it with "well i'm not saying that because of your'e [ethnicity im not sharing], that's silly. i just think that about you because if the way i think Society has treated you" funnily enough, im not going to care that much. they're not getting extra credit for that

and that's why in all this im like OF COURSE 'tmes' (by which both they and i mean afab trans people and sometimes intersex people) are upset! youre telling me that this group of people, whom we can reasonably assume were not comfortably out from a young age, have dealt with this society's bullshit when it comes to being percieved as a woman...and they're mad about being called basic, whiny, overreactive, stupider on average, soft, and liars about their oppression? man, i'd think so! i'd hope so! i wonder where they might have heard that before!

that's where all the insistence about reading theory (which by the way, a lot of us have!) falls flat on its face. anyone, 'tme' or 'tma' repeating their transphobic arguments have encountered a fundamental failure in how to interact with a group of people with baggage. this is necessary context and i feel insane becuase it's almost never acknowledged, we're just supposed to pretend that transmasc people were never trans? and those who bring it up are 'cligning onto femininity?'

i feel like that's also why we've had so many people say "they sound like terfs." i myself am not really comfortable with the comparison, but to tell someone that they have terf-ish talking points is, i think, not the end of the world. because i thought we determined a long time ago that the problem is the people, the terfs, it's that bs that they believe. and to spout the exact same things while claiming that "well, but im saying it for a different reason! im not arguing that all people i think do gender wrong should die because im a terf, i do it for Enlightened reasons!" again, no extra credit.

yeah but other people read "trans people AFAB have dealt with misogyny all their lives and continue to deal with it" as "trans women have a lesser relationship to misogyny" like bitch dat's a whole new sentence! DAT'S A WHOLE NEW SENTENCE!

[hexedwinchester]

Sam and Dean's Heaven

i wanna talk about this scene, mainly the space time paradox. Now I know a lot of people have done math differently when it comes to their ages but in order to keep this simple, I'm gonna say Dean was 43 years old when he died at the end of season 15, which makes Sam 39 years old. (Basically I've taken their ages from when the show started and added 15 years to that. I have also added 2 extra years to account for some time jump but yes, this could be a bit off, so bear with me)

According to Supernatural Wiki, Sam dies in the year 2070, so that's at the age of 87 (woahh!). Sam lived without Dean for forty eight years which brings me to my point of: it really shows in the above gif.

Dean in Heaven, is happy, catching up with Bobby, driving the Impala, but Sam, he looks wary. Sure, he happy to be united with Dean again but all those years without him weren't easy. There's an interesting theory that says that Sam in heaven looks younger and not the 87 years old man because in a way, he too died the same day as Dean and the rest of it was just him surviving.

Yes, Sam lived a long, fulfilling and even a happy life. Started a family with his blurry wife, had Dean Jr. and raised him into a safe life. But the hole left by Dean's absence remained as the all consuming vaccum as ever. You can see that in his eyes. We even see it when he's alone, coping with the dog, or sitting in the Impala trying to remember all those times he spent on the road with his brother. Those years without Dean weren't easy on him. He had everything except for that one person he called his home.

Remember, in Hell one month was equivalent to one human year (agruable because there are theories that state it was different for different people and Sam's Hell probably stretched longer than that) so Dean goes through all those years taking baby one long drive. It seems to fly by so quickly. But for Sam, each day was longer, harder and left him feeling more empty.

Jared brought that gravity to Sam when they shot this scene. Is this also him being sentimental about the show coming to an end? Of course, something like that is going to bleed in but I feel this little scene here speaks volume of Sam's life after Dean died. Kinda shows life can cruel in giving what you want in a twisted way.

[mimorobo]

if you don't mind, could you go through your creative process? how you make your puppets, how you animate them and such?

Sure thing anon! I'll try my best..

First of all though don't expect anything AMAZING because this is super unprofessional and I basically improvise most of it, so uh, yeah.

I was making Frisk so we'll use them as an example I guess.

I make a base for the character first thing, using polystyrene ( DO NOT USE CHESTNUTS, your welcome) and pipe cleaners. (You can see I put Frisk's colours there too, cuz I think it's cool but it also serves an actual purpose... You can probably guess too ;))

(I added the stripes on the sleeves too, for Frisk it's because of that one sprite - you know the one! - and Chara weeellll, they're actually based on TS!UNDERSWAP Chara and they have the stripe there, also it just looks better...imo)

Then I just make the rest of the character, typically I start from down, up. I try to keep as close to the original sprites as possible, don't add anything and make sure it's simple. So with the hair only those slight details you can see and the clothes have just the stripes. Unfortunately I couldn't make a real onesie for Frisk :(

Don't really know how to explain this ... So I'll just jot down some things I do or I've learnt from working on them.

Whenever there's something on a character's clothes (eg. Frisk's stripes), I do that first before closing off the shirt, it saves an awkward hassle later.

If there's supposed to be a joint (e.g. knees, elbows) I separate the felt there. So I know where the joint is when I'm animating and it's easier to bend without restrictions. (You can most probably see this on Chara and Frisk)

The hands are my favourite to do! I make a skeleton hand (basically) out of wire and then stitch two hand shaped felts around it so that the wire is inside and you have posable fingers!!

The head is usually the trickiest part, (I never know how to do the hair!!) for me it's just trial and error, there's no point in planning it out on paper because I wouldn't even know where to BEGIN!! That's just me though!

The eyes and mouth need to be changeable, so no glue or anything, I just stick em on and they... Stay there. Sometimes.

WARNING! The amount of needles and felt pieces you will lose is catastrophic. You have been warned...

I used Chara as a reference here, copying what I'd done to get another fallen human...

And.... You got yourself a puppet!! :D

For a Chara sized puppet it takes 2-3 days, Flowey was done in one. Sometimes I come back and fix something up, or replace it, if I don't like it. I'll most probably do that to everyone at some point :'(

I'll make another one of these to show how I animate these guys, cuz I don't want this to be too long.

Also if anyone understood any of that and if you DO make a puppet based on this, I'd really love to see it! :D