#(but at this point I'm also basically just like)

[yurinaa-world]

May i request love and deepspace boys with clingy!reader? Shes shy too!! In public, she'll hold onto his hand or finger and stays quiet but at home she becomes a yapper machine and also likes to plop onto his lap as she talks. Sometimes likes mindlessly squeezing and playing with his meaty bicep too :3

"𝒴𝑜𝓊 𝓉𝒶𝓁𝓀 𝓆𝓊𝒾𝓉𝑒 𝒶 𝓁𝑜𝓉"

💫𝒞𝒽𝒶𝓇𝒶𝒸𝓉𝑒𝓇𝓈: Rafayel, Zayne, Xavier, & Sylus x Gender-Neutral reader

💫𝒮𝓎𝓃𝑜𝓅𝓈𝒾𝓈: with a reader who's clingy at home and mindlessly touches him

💫𝒲𝒶𝓇𝓃𝒾𝓃𝑔𝓈: Fluff, & Spelling Mistakes

💫𝒩𝑜𝓉𝑒𝓈: I got sickkk 😫 this isn't my usual quality...I'm sorry (it had to be when it's my first post with the 4 lnds guys...Give me another chance!)

💫𝑅𝒶𝒻𝒶𝓎𝑒𝓁 "𝒯𝒽𝑒 𝒜𝒷𝓎𝓈𝓈𝓌𝒶𝓁𝓀𝑒𝓇"

He eats it up, watching you act shy in public, grabbing the piece of his shirt or finger whenever you're in public. The second you feel like you're in a comfortable space he watches you unwind, holding onto him so tightly that he’ll just tease you. 

Your pretty self not wanting to let go of him, not even for a glass of water, straddling his lap, and arms wrapped around his neck, hiding in his neck. You're just begging him to tease you so badly. Yet his jaw just drops whenever you unconsciously touch him more. 

While you’re talking about your day, your hands unconsciously go to his chest. aren’t you so handsy? He stops in the middle of your sentence, teasing you so much even bringing up the other times you act shameless with him. 

─── ⋆⋅☆⋅⋆ ───

After such a long day, you can’t help but unload everything you had been feeling the entire day, just going on and on while he puts on his irrelevant commentary—letting gasps and hums, you play with the buttons on his shirt before taking your hands away from his buttons, gently caress his chest while you talk about the climax of your entire day.

“You should have seen her, she was completely soaked and the owner didn’t even say anything even though it was his fault that it happened in the first place!” you chirped—your eyes shining so bright there might be little stars in them—leaning into his face to emphasize your point, he just gasps as if he were there experiencing it. “Oh wow…” he smiles back at you—it looked more like a sly lazy grin plastered on his lips.

“Yeah! And then…”

There you go again switching through topics so fast that he might just start taking notes to understand what you’re talking about. But feel his grin get wider, while your hands shamelessly touch his chest like a creep on the streets.

“If you’re going to shamelessly touch me, at least own up instead of pretending to tell a story.” He grins, snapping you out of your story with an accusation of your character. Your eyes go wide feeling embarrassment pool into your stomach, resulting in your cheeks becoming rosy red as your hands spring back.

“I didn’t mean to touch you like.” you stutter as if he were a cop, while he just enjoys watching you freak out. “You’re such a terrible liar, you’re always touching me, taking advantage of me just because I let you do it once” he sighs dramatically, pinching, and pulling your cheek as if he were an adult lecturing a child—in reality he would be the child…“I didn’t mean it like that.”

“Don’t bother, I already know the truth.”

💫𝒵𝒶𝓎𝓃𝑒 "𝒯𝒽𝑒 𝐹𝑜𝓇𝑒𝓈𝑒𝑒𝓇"

He lets you unwind, it’s good for a person to relax after a long day, and you it’s no different—maybe a bit more affection from him while he lets you grasp onto his arms.

Arms wrapped around his one arm while you talk about your day, with a large smile on your face, your body basically sinking into the side of his. He finds it amusing the way you act but what does he expect? You’ve always been like that; it's not like he hates it, he loves it.

He even lets you play with his tie, slowly untying it and fiddling with it as if we’re some kind of toy.

─── ⋆⋅☆⋅⋆ ───

“I didn’t tell you about the craziest thing that happened today.” You realized, switching through topics so fast that he has to put his entire mind onto what you tell him, which he doesn’t mind, he’ll always listen to whatever you have to say. 

Your body against his, sinking into his side with your fingers fiddling with the tie as if it were a toy.

His eyes are loving to them while he listens to your voice with such attentiveness as if he were still taking a midterm exam back while he was a medical student. Just going on and on, telling every part of the story, before stopping to think of another story in the past. “Remember when we were kids!…” there you go again.

He’ll always find it adorable, a small plastered upon his gentle face from your hold speaks for itself.

 “Do you remember that?” 

“Pretty well, I remember another embarrassing thing you used to do, always holding and touching…seems that nothing changed,” he smiles at you, his hand going to withdraw your hand that was fiddled with a tie, his thumb gently rubbing your knuckles.

“Your touch still feels more like a medical exam,” he gently teased you, seeing your mouth agape made him love you more.

“Not that I dislike the feeling, I can’t go a day without it.” He reassures, bringing your hand to his heart, making you feel where his heart is.

“You can Continue speaking, I won’t stop you.”

💫𝒳𝒶𝓋𝒾𝑒𝓇 "𝒯𝒽𝑒 𝐻𝓊𝓃𝓉𝑒𝓇 𝒪𝒻 𝐿𝒾𝑔𝒽𝓉"

He just loves to listen to your voice, whether it be a childish story about what happened that day or a drama your friend/coworker told you.

Now it’s no different even if he’s dozing off, his head flinching awake while you straddle his lap. It's fine! He’s not tired! You should keep on talking!

Through his half-lidded eyes looking back at you. Your touches might be the thing that brings him towards the border of going to sleep and staying awake, how dangerous you are.

─── ⋆⋅☆⋅⋆ ───

“And then she left her boyfriend for her boss,” you gushed, leaning into his face to exaggerate the story more while he looked back at you with his tired gaze, “can you believe it, Xavier? And you know what her boyfriend did!” you exclaimed, he can’t help but let out a yawn.

“What did he do?” he asked sluggishly, his arms snaking their way up your waist, he might just be going in and out of sleep, every time he slowly closed his eyes and opens to jump in between different stories or different parts of one long story, yet he couldn’t fall asleep, feeling your hands move around his body.

“Xavier, are you awake?” 

You gently poke his cheek, while he just softly groans before he pushes you into his neck, taking the chance to hide himself in the crook of your neck. 

“You can keep talking…”

💫𝒮𝓎𝓁𝓊𝓈 "𝒯𝒽𝑒 𝐻𝑒𝒶𝒹 𝒪𝒻 𝒪𝓃𝓎𝒸𝒽𝒾𝓃𝓊𝓈"

He’s very “attentive” to your little story about what happened in Linkon that day, with his eyes softly staring at you with that signature smirk. 

You have quite the hands, don’t you? He would think you were robbing him blind with your touches. Just feeling your arms on his bicep, his bicep right against your chest, even if he pulls slightly away, you just pull him back.

He can’t help himself but stare at you like, to the point you notice and stop your story under his gaze.

─── ⋆⋅☆⋅⋆ ───

“So that’s what happened…” he hums, listening to your little stories, grasping tightly on his arm while you laugh at your own story, and the way your lips grin ear to ear. 

“Pity I wasn’t there to see that.” He murmured—the little voice in the back of your head tells that it’s probably not the story he's focused on, cocking his head to the side, watching you go off onto another rant. only for you to cut your story short when you locked eyes with him for too long.

“He…”

“Something wrong?” He tilts his eyebrow with a subtle smirk on his lips, watching your lips pressed together in nervousness. “Well…” you mutter, while he just laughs at your expression. 

“Go on, keep on talking, I'd rather not miss what you were telling me, keep grabbing my arm like that as well.”

if you liked this, consider tipping me on ko-fi! it'd mean a lot!

[thaatdigitaldiary]

open your eyes

paige bueckers x fem reader

you and paige have been best friends since highschool. being basically inseparable your whole lives and going into college, you’re so oblivious to the fact that your best friend’s “kind words” was her flirting with you.

fluff and flirtation, minimal drinking, slight angst but cuteness at the end

hiii!! so this is my second fic and i’ll admit this is fun LMFAO, expect more! thank you for the love on my last one!! masterlist coming soon for ya - ke

enjoy!🙂‍↕️ (kinda long!) tags: @rosemariiaa @bueckerscore @juspeaks/@ohbueckers @ashortyluvsports @patscorner @mrsarnold here yall go <3

you and paige were inseparable all your lives. there was never a moment you were apart, and if you were, questions like "where's paige" or "where's y/n" would surface, unusual if you two were seperated.

paige has been good at basketball her whole life, she was popular, good at sports, and overall a major people person, while you were more introverted and quiet, and less known around the school. it sucked that when people DID know you, they didn't know your name. "oh that's paige's best friend," "oh yeah, paige knows her,". you got over it after a while because paige cared about you, and that's what mattered most.

paige however, made sure she mentioned you in every conversation possible,

"y/n loves those,"

"y/n is smart as hell, she helped me pass all through highschool. she's amazing at like.. everything,"

"she just gets me"

being a senior in highschool was your biggest year, graduating and taking the next step in life, not by yourself but with your best friend. paige and you both were committing to uconn, an amazing school with great academic programs, and an amazing basketball team for paige. the one thing paige was excited for, was spending the next four years with her best friend, who for some reason she couldn't keep her eyes off of.

paige constantly beat herself up for slowly falling for you, as you weren't huge on reciprocating the sappy things like she was, but in all honesty that was just her personality. paige would occasionally flirt with you, but you just assumed it was her being kind and complimenting you, even though everytime it happened your knees felt like they'd snap.

paige was a gorgeous girl, beautiful blue-filled eyes, that pierce everytime you two made eye contact with one another, it made your stomach ripple. but why?

it was a saturday night, around 9 pm when paige texted you to come to a small get together being hosted at one of the men’s teams houses for uconn basketball players, but you know paige can't go anywhere without you.

you answer back, a little nervous as parties aren't your strong suit, but soon after you receive another text.

"i know parties aren't your thing beautiful, i want you to know that if at anytime you wanna leave, i'm leaving too"

she really knows you huh?

"i want you to have fun p, i'll be good i promise" you said, not really meaning it, but also not wanting to interfere with your best friend getting to know some people on campus.

"ma listen, i'm here with you, so i leave with you. got it?"

you don't put up a fight, you respond with a "got it.", and put your phone down to find something to wear.

you didn't understand why paige called you these nicknames, but all you knew was it drove you crazy, and anytime someone else said it, it didn't hit the same.

was that weird?

you go looking in your closet, recently purchasing some new skirts, bodysuits, and dresses to try and switch things up from your usual overly basic outfits.

you wore a black flared bodysuit, something a little out of your comfort zone, but you've been going to the gym a lot recently, and your body was on point, and what better way to show it off?

after getting dressed, doing your hair and makeup and spraying your perfume, you go to put on a gold locket, inside holds a picture of you and paige as kids on halloween, you two dressed as princess peach and mario, (paige's request), faces so youthful.

watching paige grow up came with its perks. she got super talented, even taller, more wise and mature, muscular, and fucking beautiful.

looking at her arms was a daily occurrence to say the least.

was it weird for you to look at paige this way, after all she is your best friend, but you can't help how good she looked.

if only you knew.

after you're finished getting ready, you take a shot just to be safe, needing to ease up a little. you text paige that you're done getting ready, and she quickly responds,

"i'm otw"

why did your stomach drop? was it the shot?

don't be stupid.

a couple minutes pass, and your dorm door knocks, knowing it's paige, you straighten your hair up and go answer it.

she immediately embraces you, her tall figure taking you in, and holding you for a little over the time you should be hugging your best friend, well at least you thought.

"damn you look good y/n," she said looking you up and down and smirking, making you blush slightly.

"thank you p, i really didn't know what to wear so i hope this was good enough," you tell her, just happy she thinks you look beautiful.

"you look amazing ma, you always do."

can she be anymore obvious?

"you don't look too bad yourself p." smiling at her, making paige turn red in the face.

she had on a black shirt and cargos, almost matching you in a way, but you liked that honestly.

you two arrive to the party, and you're introduced to paige's basketball team, meeting some really funny and sweet girls, making you feel welcome and comfortable. they grew to know you for you, instead of having the "paige's best friend" title.

you really didn't wanna drink despite your shot earlier, but you were still so tense.

even worse now that you can't shake the feeling that you think you're possibly in love with paige.

but that'd be stupid, paige doesn't see you in that way.

but paige did, she always has.

she was the one to be by your side, the one to be there when you cried, she always was regardless.

she tried to make things obvious, she flirted with you any chance she got, called you nicknames only you deserved, made sure you were okay in every inconvenience, when you cried because of school and home life, she was there, she was your outlet.

you were queasy, feeling sick and you didn't know why.

then you look up and see paige and another girl, except she's hitting on paige.

and it makes you so upset.

you storm out of the party, tears slowly forming in your eyes, fucking up your makeup you took ages on, making you even more frustrated. paige texts your phone,

"where are you??? did you leave??? i can't find you y/n i'm worried"

"y/n??"

"ma please respond where are you"

you open the message, not really wanting to, but you want her, so bad.

"i'm outside." you type back, tone passive aggressive.

she sees you sitting on the stairs outside the house, hands on your face to cover your mascara stained eyes.

"what's the matter ma?"

"why did you leave, i told you we leave togethe-"

"it doesn't matter paige." you cut her off.

she takes your hands away from your face, so she can get a good look at you.

"tell me what's wrong, please?"

you look at her soft expression, eyes full of love and concern, and it dawns on you.

i'm in love with my best friend.

"i don't know paige, it's so confusing, I'M confused."

"confused how?" keeping the curiosity in her voice, letting you know she was interested in what you had to say.

"i guess seeing you and that girl tonight pissed me off, i don't know why i'm feeling this way, i'm sorry."

"it pissed you off?" she asks.

"yeah, it's weird i know, i can forget about the whole thin-"

she cuts you off with a kiss, holding your face while your lips connect, feeling her nose brush against yours, and smiling into the kiss.

“cmon mama open them eyes, all i want is you.” she tells you, making your eyelashes flutter.

“i was scared okay, my eyes are open now i swear.” you say jokingly, you two laughing and going to hug each other.

you smile at paige, knowing your feelings were valid.

"you know how long i've wanted to do that for?"

"you really know how to make a girl wait, ma." she says, making you laugh.

"that's my girl. you've got the prettiest smile ever ma."

you blush at her comment, knowing you can accept it as her officially flirting with you, and not making you feel crazy for thinking such.

my girl.. you could get used to that, don't you think?

HELLURRR!! i hope you guys enjoyeddd, my back hurts cause i was teeww locked in but i love you guys 🙂‍↕️

[bitchfitch]

My mother's bf had a fairly major surgery (he's fine and recovering well DW) and he's going to be housebound for his birthday this year, so I've been enlisted to come up with a fancy birthday meal for the special birthday boy that's primarily fruit and veg, sweeter than savory, and is something he's never had before.

Bc I'm making watermelington. It's beef Wellington, but watermelon. bc my mom only found out recently you can use watermelon as a tuna substitute. And I know that you can substitute most higher quality beef cuts with tuna or salmon.... usually. Anyways the idea fascinates her so I'm hoping to use that for bonus points.

Now he's off his ass on pain killers so I can't like. Ask him if he's ever had something before. so to meet my brief I've decided to just. commit a novel hate crime against the British I guess.

Anyways. I'm writing this because I need to walk myself through this process and think it'll be surreal enough to be worth taking y'all along for.

So, Beef Wellington. In its most basic bitch arrangement is a beef tenderloin wrapped in prosciutto/really thin bacon, with a layer of mushroom and onion mush, that has been further wrapped in mustard slathered puff pastry.

We will be ship of Theseusing this. bc beef Wellington is like. the opposite of what he wants. Which is why it's funny.

Puff pastry-> it's still just puff pastry

this one doesn't have to change (aka I can't be fucked to do pastry prep and I'm just gonna use store bought it's Fine.)

the prosciutto is also just going to be prosciutto.

Thin meat

Beef tenderloin-> watermelon,

Tbh this is a pretty 1 to 1 substitution. I'll bake the slices at like. 250-300 for an hour or so ahead of the rest of prep to dry it out a bit. bc you can't like. Sear watermelon to seal in the water like you can beef. By definition it's a very wet fruit (like me when I fall into the lake). Ill Add salt and chili and lime juice while baking maybe. this is the easy part

The mushroom mush-> salsa done bad style

As the word mush implies, this is meant to be a very soft mix. It adds a lot of nuttiness to the wellington that rounds out all of the salt from the meats. I'm replacing it with white person salsa(the birthday boy can't handle spice). Tomato, lime juice, parsley, avocado, cucumber, feta, and maybe mango so I can have an excuse to have a lil mango treat. I said I wasn't making it spicy. I'm still putting a bit of chili in it. bc it'll be better like that. This is also a ridiculously wet bit of mush, Even the original mushrooms have too much water. I'll figure something out.

Mustard -> jelly

He lives in a big city. those preserve sections are massive. I'll find a weird one. maybe apricot.

Prep:

We're in the mind palace kitchen, I have not attempted any of this. We're just thinking real hard about it and I'll edit as needed on the day and post results.

The watermelon

Preheat oven to eh. 300f? We want low and slow to dry things out without it taking a year. but idk what his oven is like. If it's gentle I'll bump it up another ten-twenty.

Slather some watermelon slices in salt chili powder and lime juice mixture.

bake for 30 min on a wire rack or directly on the oven racks (after cleaning thoroughly) if he doesn't have a wire rack. with a drip try underneath to catch the drippage. check frequently. Have one slice that's for being poked to see if it's approaching being meat. Bake longer if needed.

Salsa bad style

chop everything up and add it to a pan with some oil in it. Tbh I don't think the type of oil you use for cooking matters if you're not like, getting near any smoke points. Most people can't tell the difference unless you made your food bland as hell.

Anyways there's some wildly different moisture contents on the list so there has to be an Order to cook off as much water as possible without getting yucky.

Tomatoes and cucumbers go in together with some salt to get the cucs softening, then the mango chunks and lime juice. Once most of the water is gone the avocado feta and parsley can go in. There is a good amount of water in avocados but they're delicate and don't pan fry well, so we're just going to ignore their water crimes and hope for the best. They just need to be evenly mixed through the rest of the mush.

Putting it together

lay out the puff pastry, cut into sections to wrap each watermelon slice individually with.

Slather in jam

Take the prosciutto and lay it out on half of each section of the pastry,

spoon the salsa onto that

Melon

Another layer of salsa

another layer of thin meat

Fold the pastry over the top and pinch the edges bc watermelon slices are not a rollable shape and I don't want to carve a watermelon into a tube for this because that sounds irritating.

Brush with egg wash and more parsley

Cook in oven following the pastry's preferred temp and time. it's fucking watermelon, you're not getting ecoli from it.

watermelington :)

I'm serving it with baked sweet potatoes and spinach based salad with whatever toppings are left over from making the salsa.

anyways thank you for joing me on this thought experiment. I will post updates once the deed is done. I'm sorry to every British person ever.

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[sgtpeppers]

Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public! 

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Richard Short and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much. 

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great 

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit. 

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed 

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it. 

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here. 

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people. 

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!! 

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly. 

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go 

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[miodiodavinci]

im being so so brave but also i am gripping you by the shoulders and leaning in and letting you know i am so tired of being brave

[maleyanderecafe]

Courtin' Cowboys (Visual Novel)

Created by: Mr Fishess, jd

Genre: Horror

I know this game came out a while ago, but I finally was able to play it and man is it fun. It reminds me of a smaller scale DOL or even something like The Snake's Taken a Spouse. There are three yanders that are in this game, though it definitely follows more of a porn game logic for yanderes. I will explain that in a bit. This game has a lot of violence and sex, and is r18, so please be wary if you do play it.

The MC basically starts out staying at a town in Summerfield. They rent a motel there. The game allows you to meet people at the saloon, the store, the sheriff's office, out in the pastures and in the woods. You can also decide to leave at any point as well. There are a lot of things you can do in the game besides interact with other characters, including buying and cooking food, going fishing, foraging and catching snakes for money. You can also buy different outfits and customize your looks.

While there are many characters, we will be going over the three yanderes in the game, Dijon, Jak and Will. I'm not sure if I was able to get everything for them, but I was able to at least get all of the endings, so we'll start with that. A lot of the endings usually involve them competing with other yandere characters so we'll cover those as well.

Dijon is the farmer that lives in the pasture. When first meeting him, he will talk about how he can't tell if he's missing sheep because he can't count higher than 10. After helping him, we go hunt for his lost sheep, which has run off into the woods and then go into the farm to have sex with him (I finally get to be the dom in one of these games, heck yes). Most of his endings generally involve sleeping with another character, only for Dijon to kidnap you and bring you back to his farm, where I guess you can just leave afterwards. Each time, it seems like he believes you are like a sheep, having strayed too far from home, getting a bit more paranoid every time that you leave. He can do this upwards of about three times. After sleeping with the fourth person, Dijon will get angry and chain the MC up in the barn, before the MC is able to escape. Dijon runs after them only to hear a loud noise. Afterwards it seems Dijon kind of just continues what he's doing as if nothing has happened.

Jak is the drunk that hangs out in the bar. If you flirt with him before buying him a drink, the two of you can have sex outside in a camp. If you sleep with enough other characters, Jak will actually kill the last person you slept with before being sent to jail. From what I remember, he is also one of the main characters in the creator's other game, Lover's Trophy, though I have yet to play that game.

Will is a clown man that is found in the woods. The MC will end up trying to chase after him finding a bunch of bones set up in a way that resembles a tea party. Depending on options, Will can either end up killing the MC or growing obsessed when the two talk. We learn that he lives in the woods and wears clown makeup because he's afraid of social interactions and wants to make it easier to approach people (thus the clown makeup). We also see he's sort of the groundskeeper of the woods, burying bodies to let them be eaten clean to the bone. After talking to him and not dying, he ends up stalking the MC. During one of the other interactions when the MC is investigating a robbery, they talk to the dancer, Magnolia. If the MC brings up Will as the possible thief, Magnolia will defend Will, stating their history together as childhood friends before drifting apart. In another ending, Will is able to save the MC from the beast in the woods called the Bastard, a man who basically acts like an unkillable animal and wanders the woods. There is also an event where Will sneaks into the MC's room at night and kind of noncons them. This is a random event.

There are two competitions that occur with the yanderes in the game, one being Jak vs Dijon and the other being Dijon vs Will.

When sleeping with both Jak and Dijon, the two of them will end up attempting to kidnap the MC during the night. Upon waking up, the two will end up forcing the MC to choose one of them. Choosing Dijon ends with Jak attempting to shoot him, with the MC having the choice to push him out of the way, thus getting themselves killed. Otherwise, Dijon will be shot and Jak kidnaps the MC into the forest to noncon them. The MC can run away, causing the Bastard to come and kill Jak. Choosing Jak will cause Dijon to sadly walk away, allowing Jak to take care of the MC. Jak will end up shooting Dijon regardless and once again drag them back to camp to noncon them. Through gun play, I believe the MC can still be shot and killed, and the same bastard ending will still apply.

When interacting with both Dijon and Will, the two of them will end up the MC's room at night. The MC will wake up to the two of them talking at the end of the bed. At first it seems to be some sort of banter, the two insulting each other's ages and their weaknesses before Dijon attempts to take out a gun and kill Will. If the MC warns Will and then takes the gun, they can attempt to shoot as a warning, to which the bullet will miss and end up killing the MC instead, or they will simply threaten them and they will leave. If they don't warn Will, Dijon will end up shooting Will and dragging his dead body out, whereas if you do, Will can end up stabbing and killing Dijon.

As a whole, the game is very well put together and has a lot of features. You can basically date every character except three of them (that being the innkeeper, Mortom and the Bastard), each with it's own CGs and endings, along with various mini games, and an entire cooking and inventory system. On a technical basis, this game is done very well and it is pretty fun running around and doing a lot of these tasks. Still, as much as the individual components are very fun, I feel like there's not really any reason to do any of the mini games for the plot. You can basically ignore the entire portion of it if you are simply just seeing what the character plots would be like, which is kind of unfortunate. The cooking system is supposed to tie in with the stamina system, which is a good idea, but talking to people doesn't deplete stamina, only gathering items. In this way, it feels very disjointed from the rest of the game, as not even stuff like money is really needed to play. I think at least an easy fix for the money system would be similar to how DOL forces the player to pay Bailey, so in this game, you would be forced to pay the innkeeper money for every day that you stay there (which, you know, does make sense if you want to stay at the inn) thereby forcing you to spend time getting money and having to cook food to be able to get energy to make money. Unfortunately with the implementation that I see at least, it seems to be lacking in attempting to make a game play loop with these cool mini games. While it's not the worst thing in the world, I think it does make these minigames kind of pointless since you can basically completely ignore them.

Storywise, while I do think it's very nice that you are able to get more of a solid look at a lot of characters, I do feel like there isn't really anything satisfying for the end of a lot of them. When they are killed, there is no reaction for most of the other characters (with the exception of a handful of them). It's hard to say where certain events will happen unless you have a guide and while there is one on the fandom page, there is none on the itchio or steam page that helps you (which is unfortunate for people like me who generally rely on a walkthrough to try to get everything). I think that was the point of having a lot of characters all with their own story, but I feel like there could have been more to place more of an arc for each them.

Dijion as a yandere is mostly pretty light. He actually is probably the most harmless out of all of them considering that he only really kidnaps the player when sleeping with another character (unless it's with Jak or Will). He seems to delusionally believe that the MC is a sort of "lost sheep", which is why he keeps bringing them back to the barn. It is unfortunate that he doesn't actually end up trying to harm or even properly trap the MC (well, he tries, but they run away again, with seemingly no consequence). He does manage to kill Will in one of the endings, however, it's strange to me that he wasn't able to do so with other characters such as Jak or even any of the other characters that the MC might end up sleeping with. Still, I think I do quite like Dijion as a character, he's very puppy like, similar to a dog herder who is trying to get his sheep back. His running gag of not being able to count (especially when Will calls him out on it) is pretty funny, though I wish it was brought up more.

Jak is probably the most extreme out of the yandere characters considering that he is the most violent and most forceful of the three. When choosing between Jak and Dijon, Jak will outright shoot Dijon if the MC doesn't protect him and he can kill either Magnolia or Jade as well, sending him straight to jail as well as fighting and possibly killing the Bastard in one of the endings. I'm not sure how close he is to his counterpart in Lover's Trophy, but he is very violent in this version, with it often leading to his own detriment, like when he is killed by the Bastard after being taken when choosing between Dijon and him, or when he is jailed for killing either of the girls. He also definitely has a very intimidating presence with the game emphasizing just how tall he is and how generally strong he is. He definitely feels like he fits very well in this type of murder horror type game given his general behavior and intimidating presence.

Will as a yandere generally just stalks the player, and doesn't have nearly as many endings as Jak or Dijion. Still, I do think the scenes we do get give a bigger impression of what he's actually like. From what I've seen, although we generally don't see him in the game, it is implied that he stalks the player quite often, as we see him save the MC from the bastard and sneak into the MC's place at night. Given that he's rather aloof and is uncomfortable with most human interactions, it does make sense that we barely ever see him, only really gaining more insight from Magnolia as the two seem to be friends. I kind of wish that we had more personal encounters with him like maybe hanging out with him with his bone collection (thing), but I do think even with the little information that we do learn about him he's a pretty solid character. Plus if you talk to him wrong, he straight up kills you which is kind of entertaining.

In terms of what I mean by porn game yandere, I basically have to turn again to DOL for this. While I get it's not really fair comparing two of these games as they are going for different things, what I mean in this case is that in general, yanderes are not usually okay with their love interests sleeping with other characters. This usually results in murder of some sort or at least some sort of separation of their lover with the person that they're sleeping with. However, in games like DOL, while Kylar and Eden can get jealous or otherwise kidnap the MC, they aren't allowed to kill the other characters that they sleep with and in essence, the MC can just kind of have a poly relationship with all of the love interests if they want. While I'm not saying poly yanderes can't exist, they generally have certain specifications on how they act (at least in my opinion). Obviously for gameplay wise, if the player is not into any of the yandere characters and ends up sleeping with with by accident or on purpose, it would be a big pain if they ended up murdering or getting rid of the other characters gameplay wise, and considering both of the characters, it also doesn't seem fair to also just exclude them just because you are allowed to sleep with other characters, which is why I kind of call it porn game logic since for the sake of not making the gameplay bad for the player, I will make an exception for it in this context. Anyways, going back to Courtin' Cowboys, while unlike DOL you can have characters killed, they don't usually get that far. A good example is with Jak who is able to kill one of the characters (either Magnolia or Jade if you sleep with them) before getting captured (which is fine). Meanwhile a character like Dijon seems pretty light, having the player sleep with three different characters only leads to Dijon basically telling the player not to get lost again after being kidnapped and Dijon just...letting them go. Will also doesn't have that much yandere actions either considering that outside of the versus, protecting the MC from the bastard and the random encounter of him breaking into the inn and sleeping with you.

Still despite what kind of possible tweaks and missing things I have for Courtin' Cowboys, it is undoubtedly a fun game. There is so much in it that I probably didn't even get to see, plus every time you play you can have a different experience. The customization and general aesthetic of being a cowboy is really nice and the fact that you have all these minigames in the first place is very impressive along with the sheer amount of characters that you can date/interact with is very cool. It's a great entry into the murder sim type genre with a bunch of fun yanderes to boot. If you haven't played it yet, I would highly recommend it.

[oldmanjenkins985]

TW for pedophila since I mention it very briefly at one point I would like to clarify, with all the Tessa age shit that's been going on, that my intent with this was not to prove that Tessa is an adult so she can go on to be sexualized and shit like that. My intent was to prove it was ambigious by showing all the evidence is circumstantial with explanations that both sides could use. And if you boil down *any* character, ambigious age or not, to sexualizing them, that's a completely different issue and one that very much matters. I very much do not care for that stuff, and yes I did have a crush on Tessa once. I was 17 at the time though, meaning that even if she was as young 15 that'd only be a 2 year age gap, so don't you *dare* try and accuse me of being a fuckin' weirdo or anything. I've moved on to other characters now, that being N and Uzi.

Now then, to go along with that, anyone who is uncomfortable with explicit remarks made towards Tessa or Flesha are *completely* allowed to do that regardless of her age. Whether in ambiguity or if she eventually gets confirmed to be an adult, you are *allowed* to be uncomfortable with that. You're allowed to do that with 40 year olds even.

A lot of you who were saying constantly that Tessa is a minor as if it was canon are yourselves minors. So I completely understand why you'd feel this way. The two examples I can think of are @/nuvimuvi and @/kittydragondraws (Don't wanna ping cause I don't wanna bother you with this crap). Your feelings on this are valid and there's no need for you to say Tessa is a minor as if it's confirmed canon when it's not and even one of the people in the Glitch Inn can't give a definitive answer. I don't care that he's not the end all be all, if he has just as much info as the rest of us then why would he come to the conclusion it's ambigious if he could look and see she's "clearly" a minor?

So basically: You're allowed to headcanon Tessa as a minor and be uncomfortable with explicit content surrounding her and Flesha, but that does not mean Tessa is canonically a minor and that people are pedos for saying stuff like that.

Oh, one more thing since we're here. I wanna touch on the Bite Me music video render to clear things up.

So, I've seen a lot of people saying this isn't a "sexy" pose (sorry for lack of better word), but it just...is. And no, that doesn't mean they're sexualizing Flesha, I'll get to that in a moment.

So if you just look up "sexy lean back sitting" on google, you'll find a ton of pictures of people posed extremely similar to Cyn. I'm also pretty certain I've seen pin-up drawings of when in this pose. And one final example: Widowmaker from Overwatch. *The* character who's sexualization is a big part of her design. Her sitting emote is this exact pose. And for as long as I've known this is just *the* sexy sitting pose for women. I don't know where I got that from, just that it's been in my brain for years now.

Now then, let's get back to what I said earlier about this not necessarily meaning it's meant to be sexual. I just went over how it is clearly sexual, so why the fuck am I saying it's possibly not? Very simple, it could be a joke. I've done the "Sexy pose" as a joke for years now. Even when I was 16, 17, hell even maybe as far back as 15, I've done this *exact* pose as a joke. I'm a man, so a pose like this isn't the "sexy" pose most would think of for males and that's why it worked as a joke because it was like "oh, I'm so girly" Now that doesn't mean you *have* to be a man to make it ironic and funny rather than actually sexualizing. You can just be a girl or say...an eldritch horror wearing a girl's skin. Something that horrid looking could be seen as funny when doing a pose like this since it's not exactly something you expect to see. And an even further way to say it isn't sexual: It just...might not be intended that way. It could very well just be how they had her sit. Like I said before, this is *the* go to sexy pose for women, but that doesn't mean every woman sitting like this is intending for that to be how she's percieved. They could just be...sitting.

In conclusion of that, yes this is a sexy pose, stop saying it isn't, but that doesn't mean the intent is that Flesha is supposed to be attractive. It could very easily be a joke or have no intent behind it and that's it. So once again, like most stuff surrounding this, it's completely up to the viewer to interpret it as it's ambigious.

[balkanradfem]

Okay so I know I just hit you all with the controversial chestnut poll, but I have some new development in life that I want to complain about, and in order for me to complain about it, I need to give you the context.

I don't particularly want to give you the context. You're going to diagnose me with female socialization, and some of you will feel the urge to click the anonymous ask button and tell me off. Today I need you to fight that urge! I am feeling insecure, I am feeling lost, I'm not certain in my choices, I've acted without thinking, and got myself into a situation I can't control. So please don't be mean to me. I deserve to complain on the internet and not be called out, alright?

So this is the story of how I accidentally became a live-in caretaker for an injured, elderly woman. It's temporary! She'll get better, hopefully.

I worked for her occasionally, and she's always been kind to me. She would give me a little jar of jam sometimes, and I love little jars of jam, it's a way to win my heart. A few days ago, she called me in a panic, telling me she fell, and she needs my help. I came over, and found out she broke her arm in two places, and one of her rib is broken. She fell unconscious, after being dizzy all day, and fell on a big metal lantern, breaking it. She was now in so much pain she couldn't get up by herself, dress herself, or do any kind of household tasks. She went to the ER, got her arm wrapped up, and was trying to get a pain injection. I helped her get trough the day, and promised to come early next morning, to help her up from the bed.

Next day I found her in tears in her bed, unable to get up, desperate to go to the bathroom. It became clear she needed 24/7 assistance, and she asked me if I would move in until she got better. I said yes without thinking, because I was at this point, severely concerned, and wanted to do anything to help her out.

So this is all not so bad, right, I'm being normal, it's normal to offer help to an injured elderly woman who is nice, but there's a catch. She doesn't live alone. She lives with her older husband. Who is also disabled and can't help her at all. So in order to help her out.. I had to move into a place where a male lives. That is the worst part of this.

I'm still in the first few days of living like this, and my own life had to fall to the background. I can't go foraging for chestnuts every day, I can't go to my garden as much, I'm still going to work, just from her place. I'm overwhelmed and struggling to get used to the new situation. I'm not used to being around people at all, and now I'm forced to socialize almost all day. Caring for someone comes fairly natural! I'm already so in sync with her, she can just look in the certain direction and I know what she wants me to do. I've figured out where everything is in her kitchen, closet, and basement. She's pleased that I know how to do basic household tasks, and am willing to do it in her way. And she's nice, she's telling me things like 'thank you' and 'what would I do without you', which feels good. But I am very exhausted and sleep deprived, she wakes me up at 1am, and then 5am again, and I'm unable to fall back asleep in a room I lack familiarity with. I miss my room.

She and her husband said they were going to pay me, and in my natural ways, I said something like 'no you don't need to' which I feel like everyone will get mad at me for, but they did insist they would pay me anyway. I as usual lack the sense to care about money – someone's arm is broken, that's way more serious issue to me!

Alright so now to the part of the post I wanted to write, a fun poll where you guess, what has her awful husband done by this point :) go ahead and guess!

You have one day to guess! Which one of these scenarios happened in the first few days of his wife breaking three bones in her body. I'll tell you the correct option tomorrow!

[demigod-jack-hearth]

Hey this is the mods boyfriend (call me Freddie or Fred)

(Tw, mental breakdowns, SH, idk what else)

Idk if this sounds rude, but I was woken up by my boyfriend at 6:30am when he was on the edge of another breakdown

Basically, he was crying/breaking down and I didn't really understand much. Once he calmed down, he sort of explained what's happened. But I don't really understand

He gave me his Tumblr account and told me he "couldn't handle this anymore" and he's done "everything he could"

I've looked at old posts that he's made to try to understand, but some of it seems one sided I'm just becoming really confused

Like on one hand I've seen him apologising and people saying he's horrible for what he's done, I'm still not sure what he did.

But I've also seen he's received messages from people saying he's perfectly fine and whatever he did was justified

I just want to know why my boyfriend has had 4 breakdowns in the past week and why I've caught him about to cut himself twice

So could someone try to explain what's going on. I might be able to add context at some points if certain parts are unclear

Idk who can help me, but I've looked around and he's got something in his drafts called a tag list, so I'm assuming you people know what's happening. I'm sorry if I wasn't supposed to add you.

Also, a lot of the tags (is that what they're called?) didn't work, I'm not sure why or if i did something wrong

Also don't feel like you have to respond to this, I just really want to be able to understand and help him

@zariahthewitch @thegroovydaughterofhestia @if-chaos-was-a-boy @the-gods-strange-children @silena-daughterofaphrodite @fabulousdaughterofhecate @weakest-son-of-sun @chaos-pers0nified @neoptolemus-achilles-son @bast-the-best26 @goddess-of-bubblegum @gaygirldoodles @luck-is-crucial @reyna4ever @vicious-daughter-of-zeus @feral-hermes-child @oopsies-i-did-a-thing @unfortunate-daughter-of-hestia @that-girl-cupid @ariathemortal @love-lightning-forethought @emdabitchass @kaiaalwayswins @champion-of-revenge @i-was-never-sane @clown-energy-skyrocketing @zoe-aura-of-d3ath @itsyourboyezra @lunar-eklipso-r @pink-koi-lovejoy @that-daughter-of-athena @sleepy-as-a-song @smileyalater @thedaughter-of-death @gellyhelio @daughter-ofthe-moontitan @demeters-daughter-is-done @the-smart-and-the-dumb-one @trinket-snatcher @southerndaughterofeos @creature-under-ur-bed @burnt-out-bitxhes

[thewebcomicsreview]

As per the ask you got in may .What did tatsuya ishida say about the Holocaust ?Or draw ?im high right now

I can't really do a day-to-day on Sinfest even if I wanted to because it's increasingly just racist caricatures that'd get be banned for posting them, even to mock, but to quickly summarize where it's at since you asked politely and are in the right headspace to receive this information.

Tatsuya Ishida now worships Odin. Like, unironically he has a whole arc about how the Jews overthrew the Norse gods, who are the true gods, in order to impose monotheism on the world. I don't have as much knowledge on the inner workings of neo-nazis as I probably should be (there's a sentence for 2024, isn't it?), but they're super into all this Norse shit, which is why a lot of white supremacists like to use Norse symbols, like the Valknot, a set of three interlocking triangles.

That one, yeah.

(Not to be confused with the Triquetra that's' all over Jill's design in LoTH, which is also an old rune but mostly is just used as design shorthand for "Celtic" and hasn't been appropriated by Nazis because it doesn't have enough sharp angles for their sensibilities, but that is a Celtic cross in panel 3 up there to remind me there's a non-trivial chance I have to take LotH down one day over this. Sigh.)

Anyway, the year 2024 is burned as a witch, which stops time, which revives her as a Valkyrie because Odin is the true god and thus timeless. You may have noticed that doesn't make any fucking sense, but we are long since past the point where that matters. So, 2024 is fighting YHWH now.

No no, not the puppet guy that's been god this whole time! That's old Sinfest, which has no connection to modern Sinfest any more. God has been redesigned to be a racist stereotype stuck to a wall

I probably don't need to blur this but I'm not taking chances. Anyway this strip is important because it's Tatsuya Ishida explicitly calling for violence against Jewish people and saying it's justified because Jews are behind everything bad that has ever happened (earlier strips literally have the Happy Merchant appear and say that Jews are behind black people, communism, the gays, school shootings, and "assassinations". Basically everything Tats doesn't like is because of those wacky Jews, keeping themselves busy).

And one of YHWH's attacks is summoning "holocusts" and...yeah. Tats thinks the holocaust didn't happen, but that it should happen, and is at the point of saying so explicitly. We haven't seen a swastika yet, but we're at the point where it wouldn't even matter if we did. Tatsuya Ishida is a White Supremacist Neopagan worshiper of Odin who wants to kill all Jewish people. That's not an accusation I'm making, Tats says it himself.

[thebramblewood]

this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!

Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).

Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.

Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!

Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.

Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.

Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!

[ihopesocomic]

See something funny

When I watched My Pride I always thought Feather was just Nothing's step-brother

Makes sense, son of her step-father, that's her step-brother

But then I watched your review on it and yall kept calling him her cousin and I went???? No that's her step brother

Until I realized, no he IS also her cousin, her mom and his mom are sisters AND I DIDNT KNOW

They did SUCH a bad job with establishing basic character relationships that I didn't know that Powerstrike and Waterhunter were sisters.

HOW DO YOU EVEN DO THAT THERE AREN'T MANY ADULTS IN THE PRIDE AFTER SHARPTONGUE DIES

Powerstrike and Waterhunter literally never interact it's hard to tell if they even know each other????

Like in IHS you can instantly tell the relationships between Clever, Careful, and Vicious and you can tell they're sisters because omfg they actually talk and interact like they know each other!!!🫨🫨🫨

Like you don't even need to make Waterhunter speak but just let her interact with ANYONE????

She feels like a such an outsider you can hardly tell that Nothing, our main character who she lived with and who grew up with her around, EVEN KNOWS WHO SHE IS

lmao yeah, we've got a lot of comments that are all 'you keep calling Feather her cousin when he's not, he's her little brother: this just proves you didn't watch the show properly and your whole argument is void!' and we're just there snickering because we know...

In some twisted way, nobody knows the ins and outs of this show like we do. We didn't study it for six months without dotting the i's and crossing the t's. We didn't ask for this. We could've become well versed in French or some shit but instead we became experts in My Pride lore. It's a curse. lolol

The only thing I think I messed up was calling Kyoga a 'god' once or twice but, in my absolute defence, she did transform into a literal god at one point so I don't know what the hell else I was supposed to call her. lol

But the weird thing about Waterhunter is that she was actually supposed to have lines and she did have a VA. The lines were just cut for whatever reason. I'm willing to suspect that Tribble probably found the notion of having a voiceless character quite funny but it just made her a big ol' waste of space. A lot of nonsensical things seem to happen just so Tribble could have her weird inside jokes (i.e. Nothing have that weird ass steak thing on her face, Feather randomly disappearing in the middle of the Nothing vs. Fire battle).

A lot of characters could've been combined here. Powerstrike and Waterhunter. Farleap and Feather. Maybe even Silentstalk combined with them two for good measure. There was also no reason for Quickmane and Proudmane to be separate characters either.

But thank you so much, anon. I think another thing that helps is that Cat also designed the three sisters to actually look related too. Powerstrike and Waterhunter not only do not remotely resemble each other but neither of them resemble their mother either. Which is weird because I don't recall Cow of the Wild having this issue. - RJ

[drbased]

ok I have to talk about 'the dialectic of sex' by shulamith firestone because it was one of the first proper feminist books I read and I didn't have the confidence back then to address this book:

so this is still the only book I've read so far that actually uses the words 'radical feminist' - except her definition of this politics is essentially transhumanist luxury space communism. because her understanding is that the 'root' of women's oppression is our reproductive capacity and therefore no matter what happens society will never fully be able to share the burden of childbirth and child-rearing across both sexes.

this book feels so evocative of its time - like there was a small window of pure hope shortly after the invention of the pill and the hippy movement where everything entirely changed for women. like, think about it: up until that point unless you use some sort of condom (which men don't like using - and also not 100% effective anyway) you're basically always vulnerable to being impregnated by a man during piv, which is considered the basic form of sexual intimacy wth men, which women are expected to engage in to be considered full members of society. so women would have all been in some sort of constant state of low-key fear; one sex - or rape - away from having a child that would change their entire existence. that's got to really fuck you up, especially your relationship with your own body. and you could get an abortion but only if you're incredibly lucky, and still getting an abortion is probably more like surviving a car crash than anything - like you're glad you made it through but also you're still damaged psychologically and probably physically as well. and it's such a silent fear as well - because women are supposed to want babies and babies just happen so you're not allowed to complain that this is because your husband always wants sex and he's the one who impregnates you but if he does people say 'she got herself pregnant again'. like there's layer upon layer of psychological terrorism surrounding men's impregnation of women and that's gotta mess you the hell up.

so the invention of the pill - holy shit, just imagine it. the hope. you can take the pill in secret, you can take the power back, you're not uniquely vulnerable to your own bodily forces anymore, that gives you time to fucking think, to be alive, to feel, to feel vulnerable, to feel free. it's like literal magic. if the most basic of happenings - pregnancy - can be actually prevented, then what else can we do to the body? what else can science do for us?? how more free can we get?? It's women's first time to (ironically) feel like a god, able to transcend the body. I'm actually surprised that I've not found more writings like shulamith's - that there weren't more women spurred on by this amazing discovery into further transhumanism. I guess the problem was that women were starting to notice that whilst women were able to change their own individual lives with the pill, that wasn't making men behave any differently.

but I still find it fascinating how this definition of radical feminism hasn't survived at all. as it stands on radblr, the 'root' of women's oppression is men, and therefore the only real solution is separatism. but like, what happened to the brand of feminism that says, uhhhh isn't it actually kinda fucked up that half the human race are burdened entirely with pregnancy, birth and child-rearing? and could we maybe be freed from that if we used science to bring about children another way? I'm not even agreeing with her that that would solve everything (because regardless even if we *could* make babies in a tube, that doesn't mean all women are going to magically become infertile, and it certainly doesn't mean than men are going to be less violent against us), but I'm very interested in questioning what the 'root' of women's oppression is - because modern 'radical feminism' has a lot of gaps to allow for a simplistic narrative that I'm sure many in the community, definitely myself included, are rapidly tiring of. and I think it shows in the separatism debate, which rages on because no one can think of any other solution, because the unspoken tenet is that what the 'root' is is solved and agreed-upon, and therefore the answer is just so damn obvious that the women who don't agree must be scared and stupid. I've been wanting to address this in some form or another for years now, and I guess I'm dipping my toes in it now.

at the very least, I'd like to know if someone has a good source on where the term 'radical feminism' came from and how its meaning has evolved over the years. in ariel levy's 'female chauvinist pigs' she touches on this debate that started in the late seventies that led to the fracturing of feminism and the creation of liberal feminism - and it seems to be along these same lines of separatism vs fucking men. I've always found it odd that there's essentially no middle ground here - like you don't need to embrace 'sluttiness' in order to want to have a healthy sexual relationship with a man, but it seems the liberal feminist side chose that, meanwhile the only other 'mainstream' option seems to be separatism. obviously a lot of the women in radblr don't actually fully agree with that - but all us hetties are suspiciously silent on that subject.

to me the issues with separatism go further than simply sex with men - sure it's psychologically good for you to only purchase from women owned businesses and only read books by women etc etc, and it financially uplifts other women. but also we live under capitalism, which obscures our reliance on each other. when you buy from that woman-owned business, the person delivering your package is likely to be male, the person who assembled the vehicle he drives is likely to be male, the person who constructed the roads he drives on is likely to be male. this is not to say that men are vital - but rather, your 'separatist choice' is a fundamentally capitalistic one that exists more for your peace of mind than being anything actually radical - as in, nothing about the 'root' of women's oppression is addressed in doing so. there's no ethical consumption under capitalism yadda yadda. and only speaking to women irl is also less of a capitalist action but still ultimately an individual one. there's so much emphasis on personal actions as the height of feminism and it screams liberal individualist to me. like you took 'the personal is political' and ran with it.

but if the root of the problem is men, then that's simple, isn't it? just don't interact with men. don't have sex with men. don't pay men, apart from the men who happen to be an inescapable part of the supply chain, they will inevitably get paid by your actions anyway, but you don't have to think about that because that's what capitalism does: it makes you think you have this magical power as an indvidual to make real radical choice in the world, to 'vote with your dollar'.

I'm not exactly calling for firebombing a walmart but I'm bored with the capitalism-loving individualistic liberalism of what this community calls 'radical feminism' - but that same thought-terminating cliche keeps getting thrown at us: 'we're radical, which means we grasp at the root, and the root is male violence, so you can't call yourself a radical feminist if you don't want to do the basic things of not wearing make-up and not fucking men'. and nobody ever seems to stop and question, does any of that actually address the root of our oppression? capitalism isn't the only economic system that has ever oppressed women, but it's the one we live under, and it's very good at sneaking into the backdrop of our lives and naturalising hierarchies - capitalism becomes its own justification, e.g. women choose low-paying jobs just because that's what we gravitate to, yanno?

being genuinely anti-capitalist recomplicates politics all over again, because suddenly it's not an easy men vs women but also men vs women vs rich people, some of whom are women??? and like, what's the solution to that? do we stand with men agains the capitalist system and risk our voices getting silenced, or do we go full single-issue and just go fuck it, capitalism was created by men for themselves like solanas said, so if we stand against men then idk capitalism will just sort of fall by itself? or in reality it's just not addressed at all. separatism itself always sits there as a thought-terminating cliche in and of itself - an accusation ready to be levelled at anyone who wants to question any of these unspoken tenets of radblr. and the goal-post is ever-shifting - separatism is women's land, but if you say that's not a real solution in our capitalist interconnected world then you get accused of not wanting women's spaces because that's obviously what separatism has been about this whole time. also separatism is not fucking men, actually it's not about that it's about prioritising women (vague), and on and on and on - the argument always shifts so the word stays pure. but like, is separatism an end-goal? a political tactic? something you do to enrich your own life and psyche? something to give space for consciousness-raising? I saw someone ages ago claim that the suffragettes wanting the right to vote was somehow separatist because idk, the women were making spaces for themselves? but wanting to involve yourself in male politics is literally assimilationist, no??

I'lm going to stop rambling for now but this was good to get my thoughts out there - I enjoy my theorising in this space but I'm also deeply interested in questioning. I've noticed time and time again that discourse is always stopped by 'you're not a real radical feminist if you do/don't do x' and I've found it really odd and telling that no one's questioned that? like sure I know we've built our whole political framework on 'words mean things' but also it's always worth questioning the definition of 'radical' and what the 'root' of our oppression is, and what we can actually do to address it, and if our narratives and assumptions are too simplistic. the community would be all the better for it imho. I already think the influx of 'tirfs' in the community and the khelif debate has been opening up these unspoken simplistic narratives on the nature of gender vs sex, of socialisation vs low-key biological essentialism, and I think we can push that kind of questioning even further. ramble over.

[spockandawe]

Oh, this is interesting. To me. I'm not sure it's interesting to anyone else! But I'm on my computer for once and FULL of words again, and I'm delighted to talk to myself given half an excuse.

So, I made a post about Long Live Evil! Because I cracked open the book and was absolutely taken aback by how transparently it seemed to be an SVSSS reskin. I wrote up a goodreads thing (it's whatever, I'm going to rehash the main points here too), because I was also full of words and beans after finishing the book yesterday, and after polling online friends, I was surprised to see that the comparison didn't seem to have organically occurred to anyone else, when it was so naked to me. I know there’s a TON of transmigration and isekai stories out in the universe, and pointing at one single book was a big claim, so I just had to assemble all my thoughts! I find this so interesting! And I reblogged my initial one-off post with a little more elaboration about some of the things that jumped out at me, then got on with live and went back to chipping at ORV and GHG, and shotgunned MADK this afternoon.

This is a subtle nod and a wink to my passionate love for these kind of... morally grey main characters! Calling them villains might be a bit much, I don't think there are many true villain protagonists out there (LLE included), and even Devil Venerable has a demonic cultivator who's doing demonic shit and killing loads of people... but with the ultimate balance of the heavens and earth as his priority. This kind of story is my jam. I was recced this book on the basis of transmigration and sketchy protagonists being my thing. I can't rightfully call SVSSS the best cnovel I've ever read, but it is my favorite. And I've probably reread it more times than any other cnovel.

So, that SRB post, huh? I put Long Live Evil behind me, and honestly even following up on the sequel is mmmmmdoubtful, but THIS snagged my attention again. First, the comparisons she's calling out as incorrect are wild to me. Draco and Harry? What? Lan Wangji and Wei Wuxian?? (I had to ponder that one for a hot minute, but I bet you anything it's about 'the golden cobra' and 'the last hope' and that's just silly, they're not wangxian, they're MOSHANG)

I was recced LLE in one friend group, but I had an anti-rec from my book club friend group. My book club friend hadn't been at all impressed by it! And she's cool, and I talk up svsss and mxtx to that crowd every so often, without really expecting them to read it. I talk about transmigration as a plot device that I love, and the things that can be done with it! But with that connection in mind between the books, as I started LLE, I was jokingly defending the honor of SVSSS to this crowd, so I admit I was primed to recognize similarities.

I really truly did not make it far in the book before locking it down. I was getting vibes basically from the moment Rae started gushing about her problematic fictional fave, I referenced 95% certainty shortly after she makes the jump to the fictional universe, the golden cobra was 98%, Lia Mingyan's, I mean Liu Mingyan's lack of sex scenes was 99%, and the first pov section for Marius-jun was where I gave up and called it as a sure thing.

It'll be very funny if I'm wrong! I don't think I'm wrong.

Plenty of spoilers to follow, because I identified this inspiration early, I guessed basically every plot twist early, I don't have the patience to dance around spoilers while explaining how it all lines up.

Now, I said this elsewhere, but it bears repeating: I don't think this is plagiarism. I think it's tasteless to accuse an author of stealing and repurposing characters to her face. But I think it's also tasteless to repurpose characters as nakedly as happened here! Again? If I'm wrong? That's why I'm talking to myself on my blog and not messaging her directly (?????? who even does that). What are the stakes for me being wrong here? I look like a clown online? That would be terrible, I've never done that before! It's not a crime to write in ways I find distasteful. It's not a crime to write a book I think is not good, even apart from the use of fictional influences. But I like talking about my feelings online, and I can't be stopped!

But there's two aspects of this that make me somewhat uncomfortable in a less fun way. Both are contingent on the big IF. If this is inspired by svsss, I think it's not a classy move to take a Chinese story in a Chinese setting, inspired by the modern Chinese literary scene and classical Chinese fantasy, and just dump the characters into a generic western setting. Fanfic? Have fun and try to be respectful. Profic, making money off it? Ehhhhh. The question of how much change is necessary is a tricky one! It's not one I'm equipped to answer, this is not my wheelhouse or my place to speak. But it doesn't make me feel good!

However, here's where I have more personal stake:

Again, if this is inspired by svsss. It really doesn't feel great to see a queer story (a smash hit in more than one country!) stripped down for parts and made into a heterosexual story. It's not all heterosexual, we get side lesbians, we get men with homoerotic tension. But the central ship is now a guy and a girl. And it... stings a little extra, because in the story of svsss, the idea of assumptions about default (hetero)sexuality are such a central theme. A queer man has written a trashy, oversexed stallion novel where the hottest guy in the universe collects the hottest women like pokemon, and it sells so much better than the more personal stories he tried to write. He has to write this pandering trash to make money to live, he can't live on the more authentic stories he tried to tell before. The protagonist is the projection of his own insecurities and self-hate, and the protagonist's right hand man is his projection of his own ideal man. Another man transmigrates into the book, assuming that he himself is straight, assuming the protagonist is straight, and the force of their love changes the course of the entire narrative. In retrospect, it's upsetting to see those load-bearing themes casually carved out of the story and the hollowed-out remains used like this.

Anyways, in their place, now we've got running gags about how the heroine's tits are BIGHUGE now and she can't keep her balance because her GIANT HONKERS keep tipping her over.

I'm a little more bothered than I was yesterday! On the other hand, since I saw SRB's post, I've been chewing on that central ship. Full disclosure, it was one of my favorite aspects of the novel! My other favorite aspect is the dynamic between the golden cobra and the last hope (the moshang, which I think some people misdiagnosed as wangxian).

I know that the central ship here is the thing that's LEAST comparable to svsss, and the biggest roadblock in the way of my theory. On the other hand, I think it was the thing that HAD to change if this story was going to repurpose svsss without getting called out for being a classic 'bro can i copy your homework' adventure.

For this section, let's assume that I'm right and let's roleplay an author trying to figure out how to change Bingqiu into something not-obviously-Bingqiu. How do we need to differentiate Rae and Key from Shen Qingqiu and Luo Binghe.

First, we eliminate the martial sect thing. Easy peasy! That's a wuxia concept, and this book goes full nondescript western fantasy. She's not his teacher, he's not her student. And if she's not his teacher and he's not her student, why does this woman have power over this man, to build up the resentment that inspires him to turn the tables on her later? Well, in nondescript western fantasy, she's a noblewoman of some kind, and he's a servant of some kind. Noble lady treats servant like garbage, servant resents her. Doing great.

And to loop back around to the beginning of this a little, I think it really is key to this reskinning that Rae is a SHE. If the central ship remained queer, it would be so, so hard to pull away from the most identifiable thematic aspects of svsss. And pieces of what remain are... kind of bizarre for a normie heterosexual ship where our protagonist is aware that she's transmigrated into an impossibly desirable sexpot character!

Shen Qingqiu never considers that Luo Binghe might be interested in him because Luo Binghe is about to have a HAREM of beautiful women, he's the most heterosexual man of all time, and Shen Qingqiu is straight too! Besides, Shen Qingqiu is his teacher! He half-raised Luo Binghe! Even if Luo Binghe was bent, he wouldn't be interested in an old man like Shen Qingqiu!

Rae is 20, occupying a 24-year-old body. Her character's sexiness is relentlessly remarked upon from start to finish. Key is 18. Why is Rae so sure that he looks up to her as... a mentor, as an older woman? He almost goes down on her! He makes out with her! And she's like 'ah yes, it means nothing. lol. so funny how these things happen.' Bruh, at least after Luo Binghe kissed Shen Qingqiu, Shen Qingqiu finally got hit with the clue stick. Binghe didn't try to blow him only for Shen Qingqiu to keep noodling on about how Binghe definitely isn't into him in any sense, even the most oblivious man in the universe managed to catch on.

Why doesn’t Rae think there’s any chance of genuine attraction here? Yeah, I get that she's coming back from terminal cancer. She's doing great. She knows that the fictional character she occupies is one of the most desirable ladies in the land. He’s a teenager. He’s not expressing disinterest. A lack of horny for sexy lady ought to be more surprising for her. But I guess she’s slightly older than him and that small age gap has been magnified by the transmigration, so she conceptualizes herself only as his teacher, I mean mentor.

I’m not even mad at this dynamic. I love their chemistry, the ‘boss’ thing is cute, but lordt, I have to wonder if it’s meant to substitute for ‘shizun.’ But you know where this comparison really falls apart? Key isn’t really THAT much Luo Binghe.

At least, he isn’t in terms of personality. I mean, we’ve got the mysterious magical heritage, the healing factor, the unbeatable fighting skills, being beaten repeatedly because of the protagonist (tbh it’s sexier when she’s responsible, rather than just being a bystander), being yeeted into the abyss, I mean the ravine, to rise again and assume power as the merciless ruler of all the land. Oh, and he comes back from the dead still bearing the scar that represents her betrayal. In the original novel, he turned on her the moment he got his opening and was responsible for coming up with her gruesome torment.

(Also, Shen Qingqiu being terminally ill isn’t canon, but it’s very popular fanon, and it’s hard to ignore that with how hard the narrative lingers over Rae’s terminal illness as her gateway into this fictional world)

But! But the things that are different! Luo Binghe is a smart and sweet teenager, who had a rough start on the streets and has a tragically deceased single adoptive parent, but that’s their only backstory parallel, he doesn’t blacken until he’s thrown into the abyss. Not like Key, Key is a murder-happy sociopath, a former street kid who fought the odds and made good, and who’s a lot sharper and cleverer than the upper classes think someone like him should be. He utterly destroyed a righteous cultivator clan, I mean glassblowing guild, for the sake of revenge. Once our heroine scores a number of trust points with him, we unlock secret backstory about how as a small child, he experienced deeply formative hand trauma.

He’s Xue Yang.

It took me a moment to process the wangxian allegations SRB mentions in her post, because I was trying to figure out how someone would be aware of wangxian, and read that backstory, and somehow miss it. But it’s fine, I’m pretty sure they were actually talking about the golden cobra and the last hope! So LET’S TALK MOSHANG.

It was so funny. I was liveblogging the book to friends, because honestly, I do not jive with the buffy-esque joss whedon relentless quip-quip-quip writing style. I was struggling to stay engaged when the narrative never took a moment to breathe. And I perked up at the introduction of this new character! He seemed kind of fun, kind of meta, Key came over to share Secret Info with him, and I messaged the friend who recced this to me (also an svsss appreciator) ‘lol, what if he’s shang qinghua. just straight from svsss shang qinghua.'

Reader, a second transmigrator has hit the narrative.

Now, in some ways, he’s a disappointment to me. He’s not nearly as interesting as Shang Qinghua. Adding the author to their own narrative is way more fascinating to me than just dropping a rando into the story. But I’ll take what I can get, I think multiple transmigrators are almost always a fun decision. And for the queer reasons I mentioned above, I think Shang Qinghua ties into the themes of his novel a lot more strongly than Eric does here. I don’t want to call him ‘the golden cobra’ every time, I get more self-conscious every time I write it. And honestly, the reveal of Eric’s full Eric Whatever name feels a little awkward and… pointed compared to the sheer opacity of Shang Qinghua’s existence. Never mind what his name was in the real world, we don’t even know his name before he was a Peak Lord. I’m not upset we got a name or anything, it would make certain fannish activities a lot easier if Shang Qinghua had additional canon names, but it was an interesting detail in light of how parallel the characters are.

Okay! He’s not the author! He’s still a super-fan. He transmigrated into the book years before the LLE main character, and has settled in pretty well. According to canon as Rae knows it, he’s fated to be killed by his own favorite character. He’s fast-thinking and fast-talking, and scattered and all over the place, but dangerous when cornered and more competent than he looks. He deals in information and manages a network of spies. He’s a creative! He and the main character banter relentlessly and get along like a house on fire. He and the king’s trusted ice-cold right hand man share a weird codependent dynamic that’s part hostile, part homoerotic.

Marius has complicated feelings about not-shang-qinghua. Eric is a coward, he’d rather talk fast and lie than stand up for anything, he cowers and cringes and isn’t honorable. He and Mobei-jun also shared a deeply formative experience in their youth, where as a teenager in distress, Eric/Shang Qinghua appeared before them and announced their devotion. In Shang Qinghua’s case, it was offering to serve him (and saving him from huan hua injuries), and in Eric’s case, it was declaring him to be his favorite character (and saving him from sad teenaged isolation), but man. And in the end, after a long, fraught relationship, Marius/Mobei-jun is furious and strangely distraught when Eric/Shang Qinghua abandons him.

Guys, it’s not wangxian.

I think it hits less hard when Marius’s themes of family violence aren’t allowed to sit directly in the narrative, and when it seems like some vague berserker rage thing rather than Linguang-jun just bluntly wanting to murder him for practical reasons, but hey! This was still, genuinely, one of my favorite parts of the story. I wanted more more more of them, I would read this moshang au any day.

After that, the parallels get a little more nebulous! The comparisons between the abyss and the ravine are pretty obvious. I’m not sure why we decided to build our city and palace right on top of the pit of people-eating ghouls rather than literally anywhere else, but it means we don’t need to take a special field trip to Jue Di Gorge, which means we can do the bait and switch where it turns out Key was a heavenly demon all along. The temperamental King Octavian, the young master of the palace, one might even say the xiao gongzhu if they were feeling spicy, jealously tries to romantically monopolize half our main ship and has the other half flogged with a magic whip.

I already mentioned that Rae brings up that Liu Mingyan — wait, I said I’d change some answers so it wasn’t obvious I copied — Lia doesn’t get a sex scene in the books even though loads of other people did, just like Shen Qingqiu praises Liu Mingyan for her untouchable image in such an oversexed, gratuitous book. I don’t think it would be right to call Liu Mingyan a white lotus heroine in either SVSSS or PIDW, but her archetype is in that wheelhouse, and Lia is just a white lotus rival played straight (and played deliberately, another touch I liked). We don’t have made up animals like black moon rhinoceros pythons in LLE, but we do have leucrotas, which are like a lion and a hyena and serve no narrative purpose.

Oh, you know what else I forgot to mention? Rae gives Key one of her red ruby earrings, and he refuses to sell it, and stubbornly holds onto it until the bitter end. Is this Xue Yang holding onto the last piece of candy Xiao Xingchen gave him, or is it Hua Cheng determinedly keeping Xie Lian’s red coral earring with him even through his own death? Por que no los dos?

There are things that are original in here. I know that this presentation undersells how much of the book is original. The trouble is, almost everything I thought was good is something that either was lifted from another person’s creative endeavors, or is being tainted by association with all the other naked lifts. Some of the noble ladies have an archery contest! That’s pretty new and fresh, huh? We didn’t have any archery contests in SVSSS!

Yeah, but we sure did in MDZS. And MDZS is already in play, because we’ve already got one character who’s just copy and paste Xue Yang.

There’s a thermocline of trust in this book that fell off for me sharply, and it turned a lot of this into a guessing game of ‘wait NOW what the refrance? owo'

I’m probably on a hair trigger by now, but I’ve also probably missed some things. And I’m sure this is a synthesis of multiple influences, because most stories are. But this feels like cooking and trying to season your dish with a little salt and then the container lid just falls off.

Emer isn’t a clear parallel to an existing character! Love that for her! Love a lady with an axe, especially if she gets a nice girlfriend! On the other hand, in terms of backstory? Wow, she’s been raised with our protagonist since early childhood, as not-quite-foster-siblings, but she was always the clear unfavorite and harbors a lot of resentment over that. Oh, and once Rae entered the story, Rae started trying to speedrun an enemies to 'hello hiiii we should bestiessss' arc with her. I think she had to have an axe, because a whip or a sword would make the Jiang Cheng and/or Liu Qingge vibes a little uncomfortably strong. She doesn’t follow their character arcs! But the disappointing thing is that it felt like she was just there to facilitate pasting the frankenstein patchwork of the narrative together rather than having an arc of her own.

(why did Marius stop to give her a sword lesson? Why did she immediately sneak onto the roof to eavesdrop on the king?? It’s hard to give her credit for being an original character when none of her original actions make sense in the greater universe)

Oh, I almost forgot, we’ve even got magic plot macguffin plants. While Binghe is in the abyss, Shen Qingqiu needs to get the Sun And Moon Dew Flower Seed so he can build an escape hatch for himself before Binghe wrecks his shit. Rae, on the other hand, needs to secure the Flower of Life and Death by an arbitrary deadline as an escape hatch so she can go back to her original life rather than being trapped here forever. Very different! There’s even little side tangents about how these plants can be so beneficial to others, Zhuzhi-lang is desperately trying to secure a seed to build a new body for Tianlang-jun (which Shen Qingqiu enables him to do, despite not knowing what he wants it for), and Rae thinks about how the flower could “save someone on the very doorstep of death,” and gives it away for that exact purpose. So different!

I need to cut myself off, otherwise I’ll keep going. Truly, there is original content in here. It was just all the stuff I didn’t like. The character quipping was. God. There sure was a lot of it! By sheer volume, that’s a lot of original content. Some of the extended cast was interesting, I enjoyed the Horrors and their brothers, I liked Valencia. Now, I didn’t like how basically every girl ADULT WOMAN in this cast was in shitty teen mean girl mode. I didn’t like how immature every character interaction period was. I lost track of how many times Rae was going around in sexy clothes and rando servants were like “HARLOT,” out loud about a favored noblewoman, you know, as you do. Especially when her bodyguard is pulling against his choke chain just waiting for an excuse to do a murder. I don’t need Rae to be the picture of flawless maturity. But nobody is mature, full stop, not even the set dressing servants.

For a less loaded example, the cumplane friendship dynamic is here, practically intact. Shen Qingqiu can't snipe about authorial choices, because Eric isn't the author, so instead Rae and Eric squabble about favorite scenes and favorite ships and such. But it isn't nearly as charming when we don't see these two characters dropping their dignified Peak Lord cultivator roleplay to talk shit with each other. Rae and Eric never have a filter once in this book. They are always Like This, it isn't a secret face that gets unlocked when they're bouncing off each other, they are never circumspect, never have a filter, never have any idea they shouldn't be speaking their full thoughts at full volume 24/7. Even after this starts to have material consequences when they're inevitably overheard! It's an immersion-breaking level of immaturity, which is terribly frustrating when the original dynamic that I loved is only changed in such minor ways.

And another thing that actually tastes way more sour than it did on first reading – Valencia is probably the least mean girl of all the women in the cast. She’s delightful. Too bad that in every scene but her last one, Rae, who repeatedly references her own experiences having her body and appearance ravaged by cancer, cannot for love or money stop talking about how uggo Valencia is.

I know this is an adult novel. The characters are, by age, adults. There’s almost an oral scene. God, I wish we’d gotten the oral scene. But by every other metric, the characters are all high schoolers and I’m an exhausted adult muttering to myself ‘they’ll grow out of it, please GOD let them grow out of it.’

Again, none of this is a crime! Nobody forced me to finish the book! And I did enjoy the book. Parts of it! But that very distinct partial enjoyment experience almost forced me to dissect my own emotional response. And truly, other than a few flashes like Valencia, almost everything I enjoyed about the book was something I could trace directly back to one author, and mostly to one book by that one author. I… enjoyed half of the book. And if I can track most of that half back to mxtx and svsss, I really think that says something about how much wasn’t done to make the inspiration behind this book the author’s own.

It's disappointing! I read this book because I like svsss, I read it because I want more books like svsss, I read it because I trawl the novelupdates tags looking for more books that will hit me the way svsss did. It doesn’t taste good to be served reheated svsss with expired buffy sauce drizzled on top. It tastes even less good once I have a minute to think about what turning an m/m meditation on sexuality and self-image and assumptions about others into a m/f snooze does to the themes I loved so much. It stings to see an author rehash a book that was/is so important to me, and see what they kept and what they threw out, and be like ‘oh, so… these were the elements that mattered to you?’

Again, I hate to be redundant with this, but. I think calling this book plagiarism would be overdoing it. I think it’s tasteless. I don’t think being tasteless is a crime. It remains wild to me that she’s getting messages calling out her supposed inspiration, even if I’m simultaneously criticizing the judgment of the people making those specific comparisons. And I ABSOLUTELY understand why she’s reluctant to own up to the specific inspirations behind this book, because good lord. If it was me, I’d be professionally embarrassed too.

It’s not my job to be the book quality police, but I think someone as experienced as this should be able to do a better job of synthesizing inspirations into something original. I dropped ‘can’t afford to offend my scheming disciple’ earlier this year, because that narrative couldn’t shake the taste of stale svsss fanfic, and it was much more subtle than this is. Once again, if I’m wrong, this post will be retroactively VERY funny and I’ll be all ears to see what her inspirations actually were. I don’t think I’m wrong.