#(but at this point I'm also basically just like)

[mommy-mortis]

I wasn't really talking about the edginess of it all the Dragon Age games have had funny moments hell my favorite one was getting the big nug what bothered me the most was the the people you're supposed to align with like the crows for example the child kidnapping assassins that have no qualms about killing anyone and everybody for money

Now they're a child rescuing organization that treats children better than orphanages and they're all family instead of brainwashers I don't think that's how they were described in the first one I'm pretty sure that they were real fucked up with how they treated children and I think the game doesn't want you to support murdering child kidnappers

They basically took all the bite from these characters/clans/guilds also the fact that none of your choices really matter from the last three games is kind of a bummer as a standalone game I think it's fine but if you want to put everything together it falls short

In a sense it reminds me of Mass effect Andromeda just using a well-known name to push their sales when if they had just released it as a standalone I don't think it would have gotten so much flack and as a person who's played all of the Dragon Age games I wouldn't feel so disappointed so is it a good game yes by itself

And the worst part is that it's not the games fault it's these executives who are too afraid to take a chance on a new game I like the characters I like the designs even though it kind of looks like SIMs 4 mixed with fortnite there are so many redeeming points to that game I just wish it wasn't a continuation

I'm sorry to ramble so much

Maybe it's the banking on nostalgia with stories that lack authenticity but at the same time don't connect with the source material that's the real problem, cash grabs

AMEN 🙌

[gaysetokaibas]

Hey everyone, this is a different post than I'd normally make, but I've been dealing with urgent hardship, poverty, and food/housing instability, and it's escalated to the point where I am desperate for mutual aid support.

Ko-Fi here: https://ko-fi.com/jest_er

I am also able to take ca/shapp or ven/mo, please DM for those. Donors can ask for art with some kind of proof, I'm just unsure when I can get to those. Please understand that my situation is not stable atm.

It's hard to admit this stuff publicly, but while I've been able to scrape by for 6+ months on my own, my situation keeps worsening. I'm really sorry to ask for help, I've always been a private person who wanted to avoid asking online, but I've finally hit a point where I don't have many options. While I'm still in contact with family, I don't have monetary support from them & am hoping for a miracle to get through this.

It's hard to be so up front with what my situation has been like, but up until about a month ago I was struggling with enough money to afford food for at least one meal a day. I skipped multiple days every week to ensure that I didn't run out of food, and have regularly emptied my fridge/pantry to the limits before I allowed myself to spend meager amounts on enough to sustain me. Things are still shaky in that department for me, but manageable. However spending so much out of pocket on food has led to me struggling to afford basic necessities. Running out of things like trash bags, toothpaste, shampoo, etc. is a nightmare, and leads to expenses that I just can't deal with. I'm facing housing insecurity and am really just at a wall where I dont know what to fucking do. Anything helps and I really really mean it.

[marsprincess889]

Yoni animal observations

I did something similar with nakshatras. This is them in a very simple way. This is based on traditional associations as well as my own observations of real life and art. 💕 The word "yoni", as well as meaning the female reproductive organ, also means "origin". Yoni animal represents the instinct of the nakshatra and ultimately, reveals its true core nature.

Also, disclaimer: it's very sad that I have to say this, and apologies if you're not one of those people, but if you're going to correct anything in this post by writing one or more long paragraphs of why you think I'm wrong, you might as well just start your own blog or make your own post about the subject. I've been observing yoni animals for years and I'm kind of sorry if any of this offends you, but I'm not trying to attack anyone personally, or even a specific placement (nakshatras in this case), cause that's just dumb. Of course, everyone is free to express their opinions but please do it politely and have some respect for the person who took their time to gain and share knowledge. It's very easy to correct others, it's very hard to be faultless yourself. So, factual corrections are always welcome(say someone got someone's chart placement wrong, or they have written a factually incorrect association, like if they were to write that Jyeshta is fierce as opposed to sharp/cruel in nature.), but, once again, everyone's view is different and so either respect mine or don't write anything at all.

With that being said, you can now enjoy this post💕

Horse yonis

Ashwini and Shatabhisha

Keywords: activity, simplicity, masculinity(solar/yang), independence, healing.

Straightforward people. They might tend to have black and white thinking, can be very blunt with their delivery and definitely prone to "deafness": not hearing others' views. Simple and utilitarian, goal-oriented. Their presence might not be really noticed until the moment they suddenly speak up about or act on something. Love to point stuff out. Either quiet or very precise while speaking. Not aggressive but can be combative. Most likely will oppose someone before making peace. Independence>sharing. Don't like anything "unnecessary", love to get to the point.

Elephant yonis

Bharani and Revati

Keywords: slow, authority, time, timelessness, strength, transitions, protection, completion, gentleness, complexity, depth.

Not revealing their innermost selves, only revealing it to a select group of people, if to anyone. They attach meaning to things based on their experiences. Protective and gentle with each other, closed off to most of the others. Very private. Not really concerned with trends. Observant but not quick to act. Can have many sides to them that some others might fail to understand. Have an air of wisdom, but not that of arrogance. Still, they are the most likely to knowingly take the high road but still protect their peace, making them very exclusive, although it's never for show. Defensive but quietly so. Accomodating to some degree on the outside, there's always more to them than what's obvious. See the bigger picture in every situation. They have a certain quiet strength and power. Nurture is important to them. Do not appreciate unnecessary aggression and try to dominate over anything they consider harsh/crude.

Sheep yonis

Krittika and Pushya

Keywords: precision, structure, minimalism, choosiness, contained.

Do not like excess in anything. They have a sense of balance, usually in almost everything. Prioritize sctructure and basics/essentials. Like clarity and clear-cut lines in their lives and around them. Can be snappy, but in a passive-aggressive way. Not harsh in a heavy/overwhelming way but still harsh about details. Have a soft demeanor with strangers and acquaintances, sometimes even people close to them in everyday life but can judge them quietly. Neutral to friendly on the outside, but if they have uncomfortable emotions they try hard to release them quietly/without much fuss. Might bottle up resentment in result. Very utilitarian and practical.

Snake yonis

Rohini and Mrigashira

Keywords: enjoyment, ease, materialism, basic awareness, growth, progress, sensory indulgence, instincts.

Very placid and calm. They focus mainly on material things but can live without luxuries, and can also share them, although privacy is very important to them. Very aware of their surroundings and their own presence. Attuned to their senses. Can get easily attached to people and things. Can exhibit selfish tendencies(or that's how it looks to others) when they feel like their desires are ignored, but Rohini and Mrigashira each do it differently.

Dog yonis

Ardra and Mula

Keywords: upheaval, critical point, rebelling, release, change, anchoring.

Tense but not frail. Might look tortured sometimes. Do not like to and probably even cannot focus on details, at least not how it's traditionally done(different to each situation). Like to display their individuality in one way or another. Dark humor or sassy comebacks. Either quiet or very loud, but either way, opinionated. If they're neutral then they're opinionated about being neutral. Can be kind of nihilistic but at peace with it. Contrarian and unapologetic. If they don't care about something you can't make them care. If they do care, they care intensely.

Cat yonis

Punarvasu and Ashlesha

Keywords: accumulation, buildup, purity, safety, protection, preservation, cycles.

Concerned with what influences them, not so much what they put out. Self-focused but also highly aware of others' needs. Can adapt to surroundings and can change their behavior based on what they need or really want. Not unkind but laser-focused on the boundaries. Always keep their cards close to their chest, not out of malice but simply to preserve their safety. Look more unnaproachable than they really are, and know more than they share with most.

Rat yonis

Magha and Purva Phalguni

Keywords: dispersion, creativity, planting seeds, the self.

Can be egocentric. Prideful and nonchalant. Love to show off. Might be aware of surroundings to some degree but even if they are, they rarely care. Getting what they want is the priority, along with self-expression. Not very moralistic, don't care much about labels. Sometimes they can be too detached. Will almost never catch them crying in front of others, although they can be dramatic if they want and can, without a problem, attract their dwsired attention. Their happiness is more warm and generous than loud and euphoric. Might have a poker face, they rarely show strong emotions. The strongest emotion I've seen them express is that of defensiveness, and that's not even an emotion. When they get defensive it's almost always because something has touched their pride or triggered their ego. Focused on what they can do.

Cow yonis

Uttara Phalguni and Uttara Bhadrapada

Keywords: stability, the long-term results, natural, softness, power/influence, unity, calm.

Stubborn. That's the only defense they have, because otherwise they're very soft. Naturally honest. They have an effortlessness about them that feels easy to be around, and they are pleasant to be around but not accepting of everyone. They avoid people they don't like from early on and stick to the ones they consider better. Not hesitant to defend themselves or people close to them, but not quick to waste that energy on just anyone, and when they do become defensive they still maintain "the high ground". Backing their allies and fighting proudly is natural for them. Again, very stubborn, so they rarely, if ever, give up on something important. Although they're tough, they're not sharp or cruel. They are mostly in a state calmness and assuredness rather than anxious defensiveness. Very fixed and comfortable in their ways.

Buffalo yonis

Hasta and Swati

Keywords: materialism, gain, comfort, strength, feminine(yin), ease.

More attached to material things than other yonis. Individuality is defined through connections and surroundings. Love comfort and ease. Interdependence>independence. Can be curiously neutral and accomodating. Self-focused but not selfish. Often phlegmatic and slow. Genuinely caring but can be cunning. Not the most direct people. They will let others know their views but won't push them aggressively on others. Almost everything about them is filtered through that neutrality.

Tiger yonis

Chitra and Vishakha

Keywords: building, gradual, defensive, expression, buildup.

The most defensive. Can look sweet on the outside but are not all soft. Can range from extremely forgiving to extremely vengeful. Aggression comes out while speaking. Rarely, if ever, present in a state of calm melancholy. They moreso go from happy/fun to agitated. Focused on development/building, and always look for more than what's natural for them. Witty but emotionally so. If they're highly agitated, it's very hard for them to exercise restraint in the moment. Not that direct in general but unfiltered during critical moments. It's easy for them to put on a mask, whether out of neccessity or just for fun. Can be very judgemental. If they're not aware, it can make them act in a "mean" way when they feel not their best.

Rabbit/Deer yonis

Anuradha and Jyeshta

Keywords: society, organization, status quo, responsibility, transpersonal, maturing.

Very non-aggressive on the inside, despite how they might look. Naturally have endurance and a sense of responsibility. Can be judgemental but also understanding. Love to give advice. Competitive but respectful. Can become arrogant. Love everything "classic" but want to establish their own, new structures. Choosy and sometimes exclusive. More warm than they appear, and capable of more emotions than how it seems. Often traditionally intelligent. Have a very civilized behavior.

Vanar yonis

Purva Ashadha and Shravana

Keywords: flow, alliances, connections, support, creation and preservation.

Good at reading between the lines, anything too structured is harsh for them. Otherworldly aura/mannerisms. Most likely to posses what others might consider as "quirks". Value their own individuality and uniqueness. Seeks to be different from what they consider boring, normal or basic. Not very reactive. When they get defensive, they get quiet. Can romatisize sadness and melancholy. Capable of seeing both sides but are often willingly biased.

Mongoose yoni

Uttara Ashadha

Keywords: independence, solitude, practicality, victory.

Truly neutral and unbothered. Value honesty and integrity. Not attached to material things at all. Easy to be around but their regal nature might put some people ill at ease. Naturally take on leadership positions. Might feel lonely but won't trade solitude for tiring/uninteresting company. Value practicality and simplicity, and are practical themselves. Surprsingly warm and feeling in certain moments, but can also be uncaring towards others.

Lion yonis

Dhanishta and Purva Bhadrapada

Keywords: notoriety, flashiness, power, aggression, pride.

Very unfiltered and loudly so. Unashamed and bold, proud. That pride and confidence fuels their calmness, but they can lack patience. In everyday interactions they can look very unreactive but if something "triggers" them, they will not hesitate to be a little(or not so little) aggressive. Love to spread their influence. Might strongly dislike anything that looks subtle and quiet to them, as it arises distrust in them. Rarely, if ever, use/appreciate sarcasm. They prefer directness. Can slip into being a bully, or can become a proud voice for others.

[brw]

Please explain your answer!

*"Normal" in this context can mean a variety of things, from being somewhat normal about women and minorities, to being capable of basic reading comprehension, to not harassing comic creators at comic cons, to not saying a disabled comic character is magically not disabled just because they're like, rich or have powers, etc.

I omitted certain teams such as the Defenders and New Warriors because after a certain point these communities get so small it's really not worth adding them because of course they will comparatively look more normal compared to a community as large as Spider-Man fans. "Why is Alpha Flight here then?" for fun.

I also omitted certain characters who, while having their own subfandoms within those subfandoms that could justify giving them their own list (Tony Stark, Steve Rogers, Jean Grey, Ororo Munroe, etc), are also absolutely under the umbrella of a larger one. I'm aware there are different sects in all of these communities, this is mostly just for funsies.

[lazyscience]

People feel like astrology works BECAUSE it's so random and unspecific; taking these basically random word association tables of characteristics and vague actions can actually be helpful when you're stuck on something in your head. What it does is give you a fresh perspective/lens you're probably not using, because odds are you wouldn't have arrived at it from a logical analysis of your situation. However, because humans be humaning and what we think is "logical" is frequently full of unrecognized biases and cognitive distortions, it's full of blind spots and under/overestimations.

Trying to fit your issue of "should I apply for this job" or "should I call this person I'm attracted to" or "what should I do about X friend group drama" into "People with Venus in their ninth house should look for investment opportunities this month" isn't logical, but what it DOES do is inspire you to try and think how your personal issue fits into that prompt, which might give you a different but still useful angle to address it with.

For example, if you decide this advice applies to that person you're not sure you should call and come up with 'are they an investment in my future, or are they me wasting my money on a cool hoodie with thumb holes?' the question isn't actually "should I call them" but "are they a good longterm relationship prospect, and if they are is that also something they want?" Which you probably either already know and are just waffling because they're a good lay and the dating market for permanence has been discouraging so why not have a little treat (you know why, it delays finding what you really want), or you don't, so you should call them to make a date and talk more about where you might see things going in future.

So tl;dr things like astrology, tarot cards and other woo-woo divination techniques CAN encourage creative thinking and problem-solving - up to a point, as long as you remember that ANY horoscope forecast or card pull could do the same thing, and it's a thought exercise not someone actually foretelling your future. It's a more complicated and aesthetic way to flip a coin, basically.

Astrology doesn't seem to work.

[g0nta-g0kuhara]

I think I've gotten to the point where I'm just gonna not interact with or even block blogs that post v/3 fan art while aggressively and needlessly harping on it in the caption

[starlostlix]

ARCANE S2 ACT 1 SPOILERS BELOW as I analyse the scene between Vi, Jinx, Caitlyn and Isha, what it means for them, and the link to Caitlyn's 3-point plan for the strike team.

I don't usually post about Arcane here but I need a place to talk about it without word limits so here we are. Also my comparison between MTP's telling of A scandal in Bohemia and the og will be done at some point I have just been very distracted.

So the scene I'm focusing on starts here when Isha runs up to where Jinx and Vi are fighting, lying between them a pointing a gun at Vi to protect Jinx.

Now Isha is a kid that has accidentally wandered into Jinx's life and gotten attached to her enough to wish to try and save her from danger - a new found family for Jinx alongside Sevika (who gives aunt vibes to me). But not just any kid is going to run into the line of fire like this. If we know anything about Isha now it's that she's brave - really brave - but also shouldn't have to be in this position.

Taking at look at her face, Isha's expressions seem to flick between anger and fear quite quickly. There's the facial muscles around her nose often flaring for that anger, but also a deep fear you can see too.

I think it's how she maintains focus on Jinx whilst the gun is turned away to Vi that's interesting. It's clear that she's afraid of what Vi is doing and is focused mostly on protecting Jinx - so that gun isn't something she necessarily wants to fire. She occasionally kept trying to press the trigger, but her hesitation isn't necessarily that she can't, but that she doesn't want to. She had ample time to take a very clear shot but she doesn't (this is interesting when we think about Caitlyn nearby who is desperate to take a shot even if it's not completely clear - Isha's motive is protection whereas Caitlyn's is revengeful action). And once she is unarmed all she can do is cling to Jinx. Perhaps both for her protection of Jinx or for Jinx to protect her. Like how a child would cling to a mother or father or even a bigger sister. Isha is supposed to play the role of a younger sibling to, in my eyes, mimic that of Vi and Powder that Jinx is desperate to protect.

I wanted to move on to Vi because I think her reactions/expressions are the most interesting. You get to see her face a lot, and once Isha has the gun to her face the main expression is one of fear. Not fear for her own safety, but a fear for Isha's safety, AND a fear of what she's been doing as an enforcer.

When Isha has the gun, all Vi can focus on is this mystery child - who she's never seen before might I add- suddenly appearing to protect Jinx. Even if Isha is scared she's still trying to protect her, trying to help even. Perhaps Vi sees herself here, a kid just trying to protect her loved ones from the enforcers that oppressed them. Perhaps she sees Powder, a kid throwing themselves in harms way just to try to help. Either way, she sees an innocent kid putting themselves in the line of fire to protect their loved ones. Except this time Vi is the dangerous one, rather than the protector role she used to fill.

When the gun is knocked away we see Vi again, frozen in place as she stares at Isha clinging to Jinx. This one feels so much more like a face of realisation - that Jinx still has loved ones left and that Vi has become the problem she swore to destroy. She's become the enforcer who enters Zaun to 'clear stuff up' with no regard for how it affects the people of Zaun. Instead of a protecter, she has become an aggressor.

If you will, remember Caitlyn's 3 goals - 'Locate Jinx, Dismantle Shimmer, and neutralise any agents still loyal to Silco'. I feel that this is where Vi realises that those goals only truly help the people of Piltover rather than anyone in Zaun.

1 - 'Locate Jinx' - this is basically corporate speak for Caitlyn wanting to k!ll Jinx. Originally, Vi was fine with this, seeing Jinx as a 'monster she created' and who 'taints the memory of her sister' Powder. But in doing so, she now realises that she will leave people behind who care for Jinx - Isha in particular. She's seen in her life so many kids left behind after enforcers k!lled their parents/families who then turn to rebellion (INCLUDING HERSELF AND POWDER!!) that she knows if she k!lls Jinx here with Isha as witness that the cycle will only continue - more kids who turn to violence as a result of trauma. If she were to go through with it she'd have become a direct parallel to those enforcers who killed her own parents, and she's already become a parallel to the ones who terrorised her and her family in her childhood with her activities in the Zaun strike team (especially with their usage of the Grey).

2 - 'Dismantle Shimmer' - whilst the removal of this drug is a good thing for pretty much anyone, the way the team go about it creates huge problems. The team are specifically shown to simply burn large quantities of the stuff (in the opening montage to 'Hellfire') - not only does this add more dangerous gasses to the underground areas (which they've already been releasing the Grey into), but it also creates issues for addicts. With access to it simply cut off, a decent portion of the population who are addicted to it will experience pretty dangerous withdrawal symptoms which could even lead to d3ath. With no system in place, addicts are left entirely on their own, so the destruction of Shimmer like this only helps those in Piltover remove a threat to them without actually helping the people. Meanwhile higher-ups in Piltover like Salo can use it recreationally (for his tattoos, even if frowned upon as implied by Mel's conversation with Lest).

3 - 'Neutralise any agents still loyal to Silco' - I'm pretty sure the Chembarons are considered Silco loyalists due to the Zaun strike team's attack on one of Margot's brothels in episode 2. The Chembarons, now down to 3 of them, were heralded as the only leadership of Zaun besides Silco. Their infighting has caused major issues in Zaun, but their elimination will not necessarily help Zaun in the long run. The removal of the Chembarons will leave a power vacuum, much like the one already left by Silco, that others will only step into over time. The removal of leadership in Zaun will only cause more issues as up-and-comers will try to fill the power vacuum and build their own forces, eventually becoming a new threat but not without a long period of chaos as people try to build resources to fill the vacuum. Piltover needs the removal of those with current power and forces to remove any possible threats of attack like the attack on the councillor memorial. It is, again, only for the benefit of Piltover.

Vi had seen becoming an Enforcer as the only way to bring down Jinx (reinforced by Caitlyn's insistence of doing things together and also partly by Maddie talking about what Caitlyn did to get her the job) AND as a way of protecting Caitlyn, but now I feel that she has been able to see the negative affect she's been having on the people of Zaun - her own people. I think this is why Vi switches into doing anything she can to protect Isha and Jinx, her protective side for Powder kicking back in specifically.

Looking back at Jinx, she was so ready to d!e at Vi's hands until Isha appears. Her expression here is the clearest look at her emotions we really see in the sequence - concern and fear. We know she's not afraid of dying or k!lling (especially when she said earlier before the fight that she's not remorseful of orphaning kids as she's 'done it to herself enough'), but she's so visibly afraid of Isha being hurt, and afraid that Vi would be the one to k!ll Isha. She's grown attached to Isha more than she'd like to admit, perhaps even seeing similarities to her and Powder (especially in their desire to help their family).

Once Isha's gun is shot away she clings to Jinx. Jinx at first is trying to claw her off - get her away from the danger, telling her to 'scram', referring to her simply by 'kid' so she leaves and doesn't get hurt. But when Vi is just sitting there looking rather than attacking she brings Isha in closer as a form of protection and looks at Vi. The way she looks at Vi. That's fear. She's afraid of her own sister again. She's afraid her sister will hurt an innocent kid, who's just trying to help, with a punch again. All her face says is 'Don't hurt this kid'.

And it's devastating. Devastating for both Jinx and Vi. Jinx sees her sister as a threat, whereas Vi begins to see a bit of Powder in Jinx again. She sees herself about to repeat a mistake that previously cost her everything - leaving a child alone with no support. This is also part of what turns Vi to protect Jinx and Isha from Caitlyn.

Last but not least, Caitlyn.

Caitlyn's effect on this scene can sometimes be forgotten (I almost didn't include her in this analysis at all) but it's actually bigger than one may think. I mentioned before how her desperation to k!ll Jinx causes her to shoot even when her shot is not clear (and how it contrasts Isha's reluctance to shoot even with a clear shot), but there's also so much more. For one, she shoots at the gun Isha is holding almost without a second thought. She tries to shoot Jinx whilst Isha is clinging on to her almost without a second thought. She shoots Vi's gauntlets when she tries to stop her. She frankly is unhinged at this point, tunnel vision on k!lling Jinx with no regard for anyone else in this situation, not just Isha but Vi also.

Grief is a strange thing. It can create many reactions from people depending on their situation. In Caitlyn's case, her grief has morphed into a desire for revenge and a thirst for violence, strengthening her pre-established prejudices towards Zaunites that she was so adamant in reversing in season 1. In her grief there is one constant - blame for Jinx - that morphs into further prejudices towards Zaunites as a whole to justify her actions in her own mind. She similarly justified her tunnel vision in this fight with the idea that 'she wasn't going to miss' despite missing her shot multiple times already (specifically when she shoots to k!ll Jinx and only hits her middle finger).

Her actions here are what happens when grief takes control and her usual logic and reasoning is not able to intervene as much as usual. Her insistence on not harming innocents (seen early in episode one), her understanding of how Zaunites were treated unfairly (s1 episode 7) - it's all overshadowed by her grief. However, her grief doesn't excuse her actions - she's still making decisions based on her own internalised prejudices that with her grief are projected outwards and drive her actions.

This has all culminated here, where her tunnel vision has led to her hurting Vi and almost caused her to hurt an innocent child. She's this looming threat to the scene, her hextech rifle being probably the most powerful weapon here - and it's in the hands of someone who is vengeful and seemingly trigger-happy and in a position of power she was not ready for. If Vi was a big danger in Jinx and Isha's eyes at first, there's a bigger danger in Caitlyn, one that even Vi notices. And she's only going to get worse next arc.

[There could be more to say but I think this is a great place to end it! I may make more arcane posts as s2 releases but i'll have to see, I just really wanted to talk about this scene in particular it's just so interesting.]

[katerinaaqu]

What's your opinion on how Telemachus was handled in Epic (so far) ? I'm curious 😀.

And what is different from his Odyssey portrayal ? Not counting the fanart that infantilizes him, I'm strictly talking about the musical itself.

Hahahaha you guys definitely wanna put me against a wall one of these days! XD But I absolutely LOVE this question! Hahaha okay here goes;

Absolutely I wasn't gonna talk about the fanart and all that is part of the designing process and arguably that is part of every person to do. They could easily choose the depiction more Odyssey-accurate and still use the musical sound so yes you do well to mention it because yes I myself wouldn't touch the design part in this ask

Anyways long story short; I don't like it.

Storywise it is overly-simplified and shows only one portion of his possible emotions; the one that tries to connect with his father. That part is genuine and I see where the portrayal such as the song "Legendary" came from. Arguably Homer himself also touches the subject of glory through one's deeds and I see where the musical came from when Telemachus says what he says but the song was too bbbly, too naive portrayal of Telemachus and in a way completely disregarded the true depth of sadness and depression in Telemachus.

In the Odyssey Telemachus never connected to his father because his father was never there. To the point where he was even doubting whether he was his son or not. He basically says that "everyone calls me that but how can I know? The dude was never there. Possibly never will be here again". His whole energy was the total opposite than Epic.

Epic portrays Telemachus in a manner that reminds me of Disney's Little Mermaid in "Part of your world"; a bubbly teenager who dreams to start his life or to be making a legendary name for himself like his father and in childish naive energy says "bring me all these monsters to fight them!" while in his childish naive nature was also making him afraid or worried to face the bullying of the suitors (the way the suitors were portrayed as if Jorge wanted to make them EVEN MORE evil also had me cringe like Antinous calling Penelope "tramp". Antinous called Penelope more or less "divious" because of her scheme against them but that was all. In here they are competing for her hand while calling her names without reason? Yeah right....). He seemed like the average teenager that needs the adult to get him to realize video games is not the life and that he needs to do something about his future! Does he also seem low-key sad? Yes. But just like Ariel in the Disney movie was pictured as a dreamer that wanted escape from his confided situation through bubbly and childish dreams.

Odyssey Telemachus was both emotionally and psychologically exhausted; his mother was taken down by grief and endless waiting and had confided herself in her chambers, trying her best to avoid the suitors that were at her home for FOUR YEARS, constantly crying at this point. Telemachus also saw his grandfather lose his mind in sorrow and his grandmother melting away by desperation and sadness and dying or potentially killing herself by it. The last thing he wanted was "to be legendary". In fact Telemachus gave me the exact opposite energy than a dreamer. He was very down to earth and his main goal was to get out of this nasty situation, trying to grow as a person to set himself free from this torment. He had so much in his plate that the last thing he wanted was to dream. In fact he gave me the impression of a person with no more the luxury of dreaming. He almost seemed crushed to the point of breaking himself almost like every other member of his family. (He gives me the impression of a person that after spent years of trying and fulflling their dreams now they are forced to work in a work they hate for survival and think that "dreams are for fools. No luxury for them!")

Like I said Menelaus described Telemachus as a spitting image of his father including his eyes, which is something I find the most important. Menelaus compared Telemachus's gaze to Odysseus; a man that fought a war with him! A man exhausted by the evil he saw and caused. Telemachus's profound grief was so intense that his look was equivalent to a man Menelaus fought a war with! He was the opposite of what we see in Epic! In fact we know that Telemachus was also very much silent and tried to keep a low profile so he didn't need to face the humiliation of the men that were literally plundering his wealth and harassing his mother and himself. The last thing he had in his mind would be to "be legendary". He was also plundered by the fact that not only was he doubting that Odysseus was his father per se but also he was in doubt that this Odysseus that everyone named his father would be alive or dead. He didn't know that. He was actually almost certain that Odysseus was dead but that part in the back of his head was not yet leaving him in peace which is why he needed Athena's guidance

Which brings me to the next part; Athena In Epic Athena appears to...give Telemachus the boost to fist-fight the suitors for some reason and mind you he still gets his ass handed at him! It made it seem as Telemachus's only problem was that he didn't have the guts or skills to fight the suitors and Athena gave him a solution! (potentially a message to stand up against bullies for teenagers? Perhaps but still I felt it massively undermined Telemachis's situation in the book) As I have answered to another person around here, Telemachus's problem was that the suitors claimed the law of hospitality and named themselves ODYSSEUS'S guests. Telemachus could not yet take over as king and he had no power to send them away. Plus he was plundered by doubt about his own inheritence. What Athena did was not to make Telemachus a fighter for he already was (we see how well he stands against them at the side of his father in the Odyssey) she came to encourage him to find out on his own.

Arguably the trip of Telemachus was a mirror counterpart of Odysseus's but instead of a trip that makes you lost like Odysseus was lost, it was a trip for self-discovery. Mind you, both the trip of Odysseus and the trip of Telemachus are cognitive trips; both characters learn in them and come in contact with places. Psychologically the trip allows Telemachus to escape this boarderline toxic grief in his home and explore the world. Also find out on his own information about his father. Now, arguably he never really finds out about his father's whereabouts for certain apart from Menelaus's vision but there is something he definitely gets out of his trip that is not talked about enough;

He finds out he REALLY is the son of his father and he gets information about what kind of man he was!

He hears from friends that fought with him how similar he looks to him; not just from his closed and secluded environment but of people outside his circle and his known people that he looks like him and they also give him information about him. No more the random comments the suitors he hated say or his sad mother who could either idealize his father to escape her grief or the loyal slave Euryclea who adored the family naturally like a mother; now it was also friends and known people of Odysseus that speak about him Telemachus is double-checking his information! Thus coming home much more confident on his inheritence and his own destiny and duty

Arguably the Odyssey is as much Telemachus's story as it is Odysseus's. Telemachus was in one way a spectrum of Odysseus; fighting a different type of war; losing himself in a different type of sadness. His story was a story of coming of age not a story of a goddess that teaches him how to stand up against bullies. Telemachus already does that in the Odyssey by calling the council. Arguably he was alays standing against the suitors but his position did not allow him to do something drastic! I think just like many things Epic missed this by a mile; reducing Telemachus's profound grief, sadness and uncertainty to an average teenage escapism story rather than the fact that Telemachus had no luxury or energy for escapism, Athena's advice for self-discovery to the average "raise your fists and fight your bullies" story ignoring the deep cultural details that led Telemachus to that tight spot in the first place and of course it completely abandoned the importance of Telemachus's trip which could be a subject of a movie on its own! (Quite frankly Telemacheia covers more chapters in the Odyssey than Odysseus's own flashback! It covers 5 rhapsodies of the Odyssey while Odysseus's story covers 3-4)

I hope this answers some questions! I will be happy to elaborate more.

[anotherdayforchaosfay]

I'm Disabled.

Before applying for the federal program SSDI, we married. This was to prevent losing the life-saving insurance I needed. At that point, I was still on my parents' insurance, but would soon age out of being able to use it.

After we married, I applied for SSDI, which takes about two years. Everyone is denied by default, so I was prepared with an SSDI lawyer (they only take the case if they know they can win, and their payment is a very small portion of your backpay; my lawyer was paid just 15% of my backpay)backpack. When the rejection letter arrived, I immediately went to her for help.

I inquired about the state program SSI. She told me I didn't qualify because I'm married. I applied anyway, because I ad nothing to lose. Here's what the person at the SSI office told me I would have to do before I could apply:

I need to divorce my husband.

I need to live alone. We could not be living together because this would be seen as us basically being married.

I need to have less than $2k to my name at all times.

I cannot work.

I cannot live with my parents because their income would count against me.

I cannot own expensive things that could be sold for money.

If I was approved, I would have to continue following these rules with a few additions.

I cannot receive gifts of money.

I must have a bank account, and they would monitor it to make sure I never went even a single cent over $2000.

I cannot have a savings account.

I cannot have a safety deposit box.

I would have to continue living alone.

They can stop by my home at anytime to inspect how I'm living. They could talk to my neighbors to see if I had anyone who visited and helped me as more than just a friend. This means I could not have my former husband turned boyfriend stay overnight, and he cannot be perceived as taking care of me.

I cannot have anyone help me financially. This means no one else can pay my bills. If I cannot afford those bills on my own, I would have to apply for programs that would. Most of those have long waiting lists, like section 8 housing (we had applied for section 8 housing in 2008, and three years ago I received an email telling me we qualified. They had only the information we gave them in 2008, and have since moved across the country).

My SSDI, if approved, would count against me financially.

The most money I would receive from SSI, if I did everything they demanded and was approved, was $618/month.

This is enforced poverty. It's also the onky way may of those Disabled would be able to receive the medical care that keeps them alive, like Medicaid. My seizure medication used to cost nearly $2k/month. My neurologist gave me free samples of it every month and helped me apply for free medication through the manufacturer's financial aid program (you should too if you can't afford your medication). I was receiving medical care through the hospital's financial aid program when I married and lost my parents' insurance coverage.

I refused to do as SSI demanded. My SSDI lawyer was, in fact, relieved when I told her I'm married. Why? Because marrying afterwards would have caused serious and life-threatening complications. She encourages everyone who applies for SSDI to marry if it's possible a ble for them to do so. Because of her, I was approved for other programs, things I didn't even know existed, but for two years, it was Hell-on-Earth. I couldn't work because it would count against me. At that time, rent was $650, but my husband was making federal minimum wage, worked full time, and his employer kept changing his schedule, which made it impossible to apply for a second job.

I know many who are on SSI and need it in order to remain alive. One of my friends nearly fell out if the program because a nosy neighbor saw her and her boyfriend cuddling in her couch watching a movie. They assumed he was secretly living with her. Said neighbor was frequently seen just outside my friend's windows, watching her. When she met my lawyer after getting the automatic SSDI rejection, she married, got into the programs I had been in, and filed a restraining order against her neighbor because my lawyer absolutely insisted on it. The bitch violated the terms three times and was put in prison for six months. She's now on SSDI, married, and much happier.

Marriage equality does not exist until the Disabled can marry without losing everything.

[jamiepaige]

Constant Companions Closeup #3: ROT FOR CLOUT

(also on bandcamp and spotify!)

WHAT'S going on guys, welcome back to another Constant Companions Closeup, the show where we take a DEEP DIVE into what makes these tunes tick! Last episode, we went aaaaaall the way there on Not Quite There, and today, we're making that liggity-line go up up up up up with ROT FOR CLOUT featuring VISUALEYES!! Before we get started, remember to SMASH that like button, SLAM subscribe, and FUCK the bell icon. This week's community challenge: leave your credit card info in the comments! Bet you won't!

(*cough*)

---

I check my notifications way too fucking much. It's a habit I'm trying to curb, and to my credit, I am doing better lately, but being chemically predisposed to dopamine deficiencies has done a number on my ability to go five minutes without checking the funny glowing numbers on my phone. Naturally, I also very much seek more validation than I should from the opinions of strangers yadayadayada yeah that's what the song is about but none of that actually has to do with why I started writing this song in the first place.

Have you ever taken a flight with American Airlines?

This was after waking up at 4 in the morning to fly out of Houston thinking I'd be napping on a couch in Ohio by 2 pm at the latest.

I want to make one thing clear here, and that's that I made this bed for myself. Tucked the sheets in and all. You see, on the rare occasions I fly, I normally take Southwest. Southwest does not overbook flights like a lot of other airlines do, so it's a practice I am mostly unfamiliar with. So, when I received a notification on my phone promising genuinely ridiculous amounts of flight credit money in exchange for taking a slightly later flight, I thought - well, shit! That sounds nice!

This is how they trick you. I didn't really realize I'd been tricked until I was on my second flight of the day, sitting in a middle seat at the very back of the plane, heading from Dallas, a city I don't live in, to Washington, DC, a city I was not trying to get to, staring down the barrel of another flight I was destined to get on that had been delayed like two fucking hours.

I became the Joker. All I could do to remain sane was write a song about it. This is how ROT FOR CLOUT came to be.

I guess the moral of the story is this: Don't go to Ohio. And to answer your question,

Yes I am

Not really

No

---

This is a complete sidenote but I want to mention it here: I'm genuinely overjoyed at the amount of people excitedly talking about my songwriting or the intention behind my lyrics. For a long time, it really felt like lyricism was the last thing people cared about from me, while it was always the thing I wanted to take pride in the most... So genuinely, thank you everyone for caring!! Every single fire emoji people have put next to a line I've written has extended my lifespan by multiple years

There's a brief little moment where the song's chords leave the key, doing a really stereotypically jazzy 2-5 movement, and it's one of my favorite parts of the entire song. I'm not really a music theory buff or anything, and I'm certainly not formally trained, but I've always been very passionate about more complicated harmony in otherwise poppy and accessible contexts - bo en's album pale machine really rewrote my brain when I first heard it.

On that note, there are microtones in the vocal melody - During the chorus, some of the rapidly repeated words move up in quarter tones! Possibly the simplest way I could've included microtonality, but I'm genuinely afraid if I learn more than what I already know about it I'll be lost to the darkness.

Obviously, the work of Sasuke Haraguchi was a massive influence on this song, particularly the song Igaku. I think basically everyone on the entire planet has picked up on that at this point, but I do also wanna point out some other songs that were on my mind at the time! (two for three on these posts mentioning louis cole now)

I'd also like to take a moment to spotlight the vocal samples on this! They previously appeared on エビチャーハン!, and they've honestly become some of my favorite samples to throw in things. They're also just a fucking goldmine sincerely

Finally, HUGE thanks to Visualeyes for the delightful synth solo on this!! I had put out a call on Twitter looking for instrumentalists, genuinely originally envisioning a super jazzy piano solo, but their synth playing genuinely brought the whole song together perfectly!

That's about it for this song - though again, if there are any more questions people have, I'd be happy to answer them in the replies to this post or elsewhere!! (*ahem*) THAT'S gonna do it for today's video, folks! Feel free to leave a like, comment, hit the subscribe button for more and click the bell so you don't miss any new videos. Tomorrow? I Wish That I Could Fall. it hurts.

[warblogs17282]

Looks like it's time for me to discuss this piece of merch.

I instantly notice two things, the first being that Stolas genuinely looks terrified in the first picture, with the pupils that appear when Stolas is extremely stressed as well. They're not looking at Stella, however, they're looking away from her, at something else, or someone else.

The second thing being that Stella now appears to be laughing while looking directly as Stolas, who is now no longer wearing his crown. Stella and Octavia are still wearing their crowns, which I feel potentially implies that the second picture was taken after Stolas has lost his title of Prince. This is probably overthinking but I'd also like for you to pay attention to the fact that the arrows point to Stolas in both pictures, his face in the first picture, and his crownless head in the second picture.

Plus, the grimoire is now in shot for some reason, which considering Andrealphus' comment of 'Because, my dear sister, you've already produced an heir; when he dies, his duties, his possessions, his legions, it'll all pass to.... Via.', sure Andrealphus is talking about specifically if Stolas dies, but I feel like this would also be true if Stolas loses his title of Prince. His duties will be one of the things that will be passed to Octavia if that happens, which could explain specifically why the grimoire is present in the second picture.

All of this would also tie in perfectly with Stella's line of 'I'm going to take everything! Everything you own!', with one of those things being Stolas' title of Prince.

But getting back to the first thing I noticed, I think I can explain the specifics of why Stolas is so terrified in it.

A few lines from Paimon stick out to me, those being these ones:

"It is finally your day of becoming a true part of the Goetia family."

"Also, son, you are destined to sire a precautionary addition to the Goetia family."

"Would that distract you enough from your non-negotiable future marriage?"

The first thing Paimon does is basically hold Stolas at metaphorical gunpoint to sire (give birth to) a precautionary addition to the Goetia family. You may be asking, but Stolas did sire Octavia, why does he look so terrified in the first picture if it's not Stella he's looking at?

The answer is simple, it's because that metaphorical gunpoint I mentioned earlier extended beyond just siring Octavia, it likely went on until Octavia reached maturity/was close to reaching maturity. (aka, the age of 18.) Considering Octavia was just a very young child in the first picture, it tells us that the metaphorical gunpoint was still a factor for Stolas, hence explaining why Stolas looks so scared in it.

My proof for this is a few comments made in s2 e1. Those being:

"What do you think the rest of the Goetia family will think?"

"And the only thing the Goetia family wanted from our marriage is already 17, so, it's over, I'm DONE!"

The common link between all the lines I have showed you is the Goetia family, Stella uses the family to threaten Stolas, meaning that she is naturally aware of this metaphorical gunpoint as well, hence why she uses it in an attempt to stop Stolas from getting the divorce.

But then Stolas fires back, telling us that the only thing the Goetia family wanted is already 17, which most likely tells us two things.

The first being that the metaphorical gunpoint Stolas was under did extend past just siring Octavia, it also reached to raising Octavia until she was mature enough/close to mature enough, which was likely the age of 18, but at this point Octavia to close enough to age.

The second being that the same metaphorical gunpoint Paimon, and by extension, the Goetia family put Stolas under is no longer a worry because Octavia is now 17, close enough to reaching maturity for the Goetia family, which again, I believe is 18.

Considering all of this, I believe that this adequately explains specifically why Stolas looks so terrified in the first picture, and the fact he appears to be terrified of someone other than Stella in that picture as well.

Which begs the question, just what or who is Stolas looking at in that picture?

It's most likely Paimon, although, considering all the comments about the Goetia family that have been made throughout the show, in theory, it could be anyone in the Goetia family who reports to Paimon, or anyone with equal or higher class compared to Stolas.

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[hikariyuushi]

HCs about the boys and human language

Because no one asked but I wanna get this out anyways. I'm not a blog dedicated to this or anything, but I still wouldn't mind if anyone asked about my headcanons on the boys or any residents or anything about Homicipher lol.

Mr. Crawling would be a very enthusiastic student when it comes to learning the human language. After all, the more he learns, the closer he is to understanding MC! But as enthusiastic as he is, there will be plenty of things that trips him up. Could probably expect him to speak at a toddler level over the course of a month or so (which is still pretty impressive).

Mr. Hood takes a practical approach, learning the most basic of words to get across what he deems are the most important points at any given time ('you safe? you injured? they enemy? you need help? they good? they bad?'). He's not too interested in the culture of humans, but he does feel better knowing some of the most basic terms in case he comes across other humans who haven't learned the language yet.

Mr. Gap would be most interested to learn to read instead of speak, just so he can see what these papers and articles are saying about him. He could also write his requests easily. It's a win-win! He'd probably most like some sort of textbook or self-teaching book so he could research and teach himself at his own pace instead of having MC teach him.

Mr. Silvair wants ALL the knowledge. He will take notes on absolutely everything, viewing every single aspect from a very pragmatic lens. He'd be the one marking which words were possessive, which were an interrogative, which were particles, etc. He'd also make a few notes of human culture which can add context to the words said.

Mr. Chopped is not the best student, but gosh darn is he trying. His head just starts hurting when it tries to take in too much information and he constantly has to take breaks. Usually a nice scalp massage or combing session helps to calm him down enough for him to continue a little longer. He would also be the first to be able to detect sass/sarcasm being used, and be able to effectively use it in return.

[ratcash-wasgud]

Lmao hey arcane fandom

I'm going to spew my two cents and try to get yall to see why I will defend Cait with my WHOLE LIFE IF NEEDED

I love Vi too btw, don't get me wrong, they both need their foreheads kissed

EDIT: Also, I'm gonna put this here since ppl thought othervise: This is not a post against Vi, she's my goat, she needs to retire from bad shit happening to her. This is a post defending Cait, since she's the character getting the most hate rn, and I will defend basically every arcane character with my whole chest (exepct Heimerdinger, fuck that hoe)

Spoilers

Ok, let me start with the whole breakup scene and the things that led to it, since that's basically one of the biggest points in this argument. I'm going to be honest, I kinda feel like Vi was a little af fault there. Because now, because Caitlyn couldn't kill Jinx, even when she could've, she will have to do the whole hunt again. AGAIN. And we know Cait is only hurting Zaun because she WILL comb through an entire city just to find Jinx, and nothing else. She doesn't hate the people of Zaun. And it could've stopped at that one incident with the grey IF she killed Jinx. But she didn't, because Vi stopped her. Again.

And let me tell you, if I went through all that shit, WITH the support of my bae, just to be stopped at the last moment I'd be pissed too.

"Oh, but Caitlyn didn't care if she accidentally killed the kid," let me remind yall of that moment when Jayce accidently killed a kid in season one with the hextech weapons, and wanted to stop using them, but Vi was like, "hey, it happens a bunch here, let's not stop using these things for fighting!" And literally said "He knew what he was signing up for." But now she suddenly cares about one kid? Plus what's the chance of Cait ACTUALLY missing? And even if she did, and killed Isha...Jinx killed multiple people yall, probably even kids (including her brothers) but yall love her (me too but that's besides the point).

Cait is now driven by revenge. And let's not pretend we didn't see this change coming. The whole bullet board thing she had on the floor in season one, the dedication to free a random prisoner just to get clues about Silco...she was always dedicated to her craft. And the raige started to appear in her even in the final episode, where she got KIDNAPPED BY JINX, let me remind yall, and she had to literally free herself. Just imagine how traumatic that shit was for her. Then, when she could've shot her abductor, her bae stops her, letting Jinx slip away and go on to kill her mother. But, she's still not blaming Vi, and wants her on her team, just to be stopped at the last moment again.

Next thing is the fact that she becomes a dictator...well, she could've said no when Ambessa said her name, right? Yeah, no. That's not how it works. She couldn't have been like "yeah, no, I don't wanna do allat, I'm still kinda liking the enemy after they keep attacking us, so ima pass on this one", for some reason. Ambessa literally made sure that she can't pass this up. Plus she caught her almost right after she returned from Zaun, and leaving Vi. She was in a vulnerable, revenge hungry state.

Ok, yap session over, I'm writing this at 1 am, and I have work tomorrow at 6, so I'm cooked, but Cait Cait Cait Cait Cait Cait Cait

[batmanisagatewaydrug]

Hi sex witch,

Apologies if this isn't exactly your area, but I'm a trans woman who's had a full-depth vaginoplasty, and I haven't been horny or enjoyed sex basically at all ever since. It's been more than a year and a half since I had it, I've been following all the rules for recovering from it and everything, but my sex drive is all but nonexistent. Whenever my girlfriend and I *do* have sex, I don't actually feel much sensation in/on my neovagina (still feels numb), but I *do* still get overstimulated to the point that my hands and face have a pins-and-needles sensation that doesn't go down for a while afterwards.

The surgeons said it would be normal to lose feeling immediately after, but >18 months feels too long for that to still be true. I also have gotten that pins-and-needles sensation during sex before the surgery, but never so frequently/intensely. I assume some of this is just "relearning the same activities with different equipment," but there's definitely something else going on and I just can't tell what. I'm tired of "just trying it" and then failing and having shitty sex that just makes me feel bad for myself and my girlfriend. She's *extremely* wonderful and patient about this and I'm very fortunate to have her, but it's frustrating enough for *me* in a vacuum that I just... can't bring myself to try new shit. I *want* to be able to have sex that doesn't feel awkward and bad and terrible, like I used to, but the lack of inherent motivation plus how weird and bad every effort thus far has felt is a major demotivator.

Any ideas? The very few other full-depth trans women I've spoken to have told me that they felt better after starting progesterone, but I'm on that already, so I have no idea what to do.

hi anon,

I'm super sorry to hear you're dealing with that, that sounds super frustrating and demoralizing :(

I'm afraid that surgery (of any kind) isn't really my area, and the results of a major surgery like this are likely to be so varied anyway that I wouldn't feel right trying to hazard a guess. I'm posting this in the hope that some of my followers might have had similar experiences, and have something helpful to share to fill in where I'm failing.

[dukeofankh]

I mean, nothing I said was suggesting that nothing can or should be done. I have a couple things I can think of but people are already rightly pointing out that my experience, like all experiences, isnt universal. Calling out a shallow take isn't something I'm doing because I'm so so wise and I know how to fix everything.

I have heard the take that part of the fix for this will probably be a lot more white men with podcasts, and that is almost definitely *part* of the fix. It is legitimately difficult for young men to find content about random ass basic hobbies that isn't being served to them by low-key fascists. That needs to change. When talking with other progressive men, something that came up a lot was after school programs, especially ones that bring boys in more contact with their communities and expose them to different kinds of people in positive ways. Hate breeds in ignorance and isolation.

You already seem very anti-terf, which is great. That is also part of it. I don't honestly think that women are the cause of this problem but like, in terms of fixing this and convincing men that feminists are on their side, yeah, some small part of it is probably looking at the state of feminism currently and recognizing that it has devolved in many very public online spaces into reactionary gender essentialism and that radical feminism takes up a lot more air than anyone would like to pretend it does. "Sure I wholeheartedly reblogged something that claimed that any man who seems decent is just trying to let women's guards down to make it easier to assault them, something all men are trying to do to women at all times, but that's just venting. Ignore that broadside that me and my friends just unloaded on you and everyone who looks anything like you, if you think that your hurt feelings about that matter, that's on you for not recognizing that our pain justifies saying literally whatever we want" (to call up a random example) is certainly a standard that it is possible to enforce in some more isolated corners of the internet, but there has been a serious breakdown between the personal and the public, which is hell for messaging as a movement. This is no longer drinks with friends, this stuff gets broadcast worldwide to men who are trying to get a sense of what feminism is about. At some level, what is cathartic to say will have to give way to what is tactically wise to announce. The only men who will willingly share space with that sentiment if it is core to this movement are either convinced that they are personally exempt from examining their own privilege, which is its own problem, or men who agree wholeheartedly that all men are evil, them included, and are trying to atone. I've interacted plenty with both in male feminist spaces. It's not a winning team. I am aware how hard that will be. 4B type political lesbianism/lesbian separatism seems to be having a moment (at least as a meme) right now as people process their grief in this moment. That's understandable. But it's not wise.

Considering this is happening in the wake of the US election, and I'm saying this as a Canadian, it's also worth gently and precisely noting that even if the harm is the same, someone who voted for trump didn't necessarily do it because they despise women. If we're just looking at the raw numbers and saying "we're doomed", that's probably not helpful or, luckily, accurate. The project of changing the cultural narrative is huge and depressingly long. The rise of reactionary right wing populism when a society starts failing its young people economically isn't. That is a different, and much easier project. If you don't want people to vote for right wing populism, you need to give them left wing populism, and infiltrating the democratic party and pulling all the same tricks the right did but towards economic policy that will provide the next generation of men with the opportunity to own homes and pull their weight supporting families will do a hell of a lot more in a much shorter time than systematically changing each and every man's heart, especially considering a lot of the people who voted for trump weren't men. This project will outlast us, but MAGA doesn't have to.

If your vision for the deradicalization of right-wing men begins and ends with "other men telling them that that's gross and to stop it" then I'm sorry, you do not understand how masculinity works.

"Men who hold patriarchal status" and "men who are feminists" are two groups who overlap less than you want them to. I'm sorry. That's not solely because men are so happy with patriarchal status that they don't want to risk it by policing misogyny/queerphobia/racism, It's because being misogynistic, queerphobic, and racist, end expressing other forms of toxic masculinity(and often abusively so) are part of how people establish and maintain patriarchal status. The men who have the ability to stop this via nothing but peer pressure are the very people who are doing it. That's by design. And engaging in feminist intervention is, in and of itself, usually the abrupt end of that status and its associated power to persuade misogynistic men.

Like, I have worked in blue collar jobs as a notably queer person. It was pretty much a constant deluge of verbal abuse. In my experience, most blue collar work environments are exploitative, abusive, and bigoted, and very gleefully so. On the occasions I have spoken up about someone saying something that was super fucking out of line (asking me which of the girls walking by was hottest. We were installing a portable classroom at a middle school), believe it or not, they completely failed to be shamed! Because nobody else on the crew gave a fuck. *I* was the weird one. They ghosted me. A full blown company ghosted me. I suddenly didn't have a job anymore because they just straightforwardly stopped telling me where the next job site was.

Like, this doesn't mean that it's your job to do it, but this vision you have of these big groups of men where everyone is on the fence and there is precisely one shit stirrer who can be shut down by a brave feminist man who can single handedly set the example for all these other guys...you are high. You are describing an "everybody clapped" level absurd scenario. Most of these truly virulent misogynistic guys either have zero friends, because, you know, our society is atomized to fuck, or they are in a group where the feminist guy is actually the weirdo who can be shut down and ostracized much, much easier than the misogynists, because there is no such thing as a man misogynists respect who stands up for women.

You might be saying "well, we're talking about longstanding personal relationships, actually. Like, they need to have to want to spend time with you and then, as a side effect, you can mind control them out of being a threat to us."

Problem with that being:

1: Many feminist men also have no friends, see the atomized society above.

2: Feminist men already stopped hanging out with men who make rape jokes because why the fuck would we want to spend time with them.

3: That isn't just because we respect women so hard. We are in many cases talking about men who are also deeply queerphobic, heirarchical, violent and abusive to other men. What initially drew me to feminism and women was a lack of heirarchical squabbling and constant bullying, and the ability to be openly queer. A lot of men who came to feminism did so because they knew that the patriarchy was not a place they would find success or acceptance. These are not the men who are gonna be able to change right wing minds.

4. Men do not view themselves as a monolith. There is no universal brotherhood of men. The actual meaning of the term "Fragile masculinity" is that men are constantly expected to prove that they are deserving of the status of being a member of their own gender. There are large swathes of men--including most of the men who you'd look to as examples of good, feminist men who you want to undertake this project--who are considered failed men, sissies, f****ts, soyboys, ect. They are. Not. Going. To. Convince. These. Men. Of. Jack. Shit. Much less successfully *shame* them. Jesus.

I know all of this sucks. I know it would be cool to be able to just point at a group and have them be responsible for the work. But nah. It's gonna have to be a societal project, one that will probably outlast all of us. Sorry. The thing you want these men to do is, absolutely, the morally correct thing to do. But presuming that it would be effective is, and once again I am so sorry about this, just ignorance of how these social groups function.