#(The early one from 2003 I might have??)

[koushirouizumi]

{Reference}/{Starting Master-list} - Donor Children History in Japan

(Gathered by me for reference; It's been a while since I researched this, but maybe you'll become Informed by following these {and I do plan to search around again}...)

Also re-blogging for my own reference since I'm, you know, a Donor child, and wanting to research more about how the laws surround such in other countries, including for the series I create fan works for.

(Some of the language may lean slightly bionormative in the reporting, so it is important to keep this in mind. Please note I am compiling these for my own reference, too.)

Children born through Artificial Insemination Speak Up {2003} "The Ministry of Health reports that {Donor children} births have been reported since the mid-seventies in Japan. While statistics record about 10,000 such children, the numbers could be much higher."

"There is no correct record on the number of AID children {Donor children, etc} as laws now do not stipulate that parents and doctors record such births. We contend the actual numbers could be between 100 to 200 a year," says Tomoko Kashiwage, a director in the infertility section at the ministry.

(...) Experts are now supporting the passage of a law in 2004 that would allow children above 15 years the right to the disclosure of personal details of donors of sperm and eggs in their birth.

(Yuri Hibino) Attitudes towards Disclosure of Children’s Genetic Origins among Japanese Patients Using Assisted Reproductive Technology {2014} (PDF) Keyword: Donor conception; Right to know; Infertile patients; Japan "In Japan, a 2003 government report recognized the right of children born via donor-assisted conception to know about their genetic origin, including identifying information about the donor [2]. However, this right has {not} been enacted into law(...)"

first, woman gives birth using egg from anonymous donor {2017 Mar}

"(...) Although there have been earlier cases of children conceived using a husband’s sperm and eggs donated by sisters or friends"...

{Tradition} denies Surrogacy {2017 May};

"Most major media covered the March 22 Tokyo news conference where Sachiko Kishimoto of the nonprofit organization Oocyte Donation Network (OD-Net) explained how a woman in her 40s had recently given birth to a daughter who had been conceived using the woman’s husband’s sperm and an egg from a third party. Though there have been instances in Japan of women giving birth by using the eggs of friends or relatives, this was the first publicized case in Japan of a baby successfully coming to term with the help of an anonymous egg donor."

"(...) there are no laws governing infertility treatments using donated eggs from third parties"...

"Japan tops the world in the number of women who undergo infertility treatment, while at the same time it also has the lowest success rate." (...)

[ryin-silverfish]

A Guide to the Chinese Underworld (and what it isn't)

As many FSYY and fox posts as there were on my blog, I am actually a huge fan of the Chinese Underworld mythos. Mostly because I was once a morbid little kid that loved reading about the excavations of ancient tombs, and found the statues depicting hellish torture in the Haw Par Villa "super cool".

Apart from the aesthetics, the history of its evolution is also fascinating. Most of us, Chinese or not, only know the most popular version of the Underworld——the "Ten Kings" system, yet that isn't always the case. So today, I'll start off with a short summary of that.

In pre-Qin era, there was already this generic idea of a "Realm of the Dead" called the Yellow Spring, Youdu, or Youming, but we know very little about it.

Then, in the Han dynasty, two ideas start to emerge: 1) the Underworld is a bureaucracy, 2) the God of Mt. Tai ruled over the dead.

This early bureaucracy might not function as an agent of punishment; the main focus was on keeping the dead segregated from the living so they wouldn't bring diseases and misfortune to the latter, as well as using those ghosts to enforce collective punishments upon people for their lineage's wrongdoings while they were still alive.

Post-Han, after Buddhism entered China and took root, its idea of karmic punishments and reincarnation and the figure of King Yama was merged with folk and Daoist ideas of the Underworld bureaucracy, and, came Tang dynasty, resulted in the "Ten Kings" system that first appeared in Dunhuang manuscripts.

It was very rudimentary and far from well-established, as seen in Tang legends, with some adopting the Ten Kings system, some sticking to the Lord of Mt. Tai and some favoring King Yama, and overall little agreements on who's in charge of the Underworld.

But the "Ten Kings" system would become the mainstream version from then onwards, used in Ming vernacular novels and made even more popular by folk religion scrolls like the Jade Records (Yuli Baochao).

As such, most points in the following sections will be based on the fully matured "Ten Kings" system of the Underworld, as seen in the Jade Records and JTTW.

What happens when you die?

(This is a fictionalized walkthrough of the posthumous fate of souls under the "Ten Kings" system. I try to stick to the very broad progression outlined in the Jade Records, but many creative liberties are taken on the details.)

Let's say there's a guy named Xiao Ming, and he had just died of a heart attack. Bummers. What now?

Well, the first thing he saw would be the ghost cops.

There isn't really an unanimous agreement on who these ghost cops are: they may be a pair of ghosts in white and black robes, wearing tall hats (Heibai Wuchang), they may have the heads of farm animals (Ox-Head and Horse-Face), or they can just be generic ghost bureaucrats. For convenience's sake, let's say it was the first scenario.

"Who are you guys and where are you taking me?"

"Glad you asked!" The taller ghost cop, being the cheerful one of the pair, replied. It wasn't very reassuring, considering that his tongue was dangling out of his mouth way further than it should. "I'm the White Impermanence, my sour-looking colleague here is the Black Impermanence, and we are taking you to the City God's office."

This City God, a.k.a. Chenghuang, is just like how it sounds: the divine guardian of a city, who also pulls double duty as the head of the local Dead People Customs Office. They are usually virtuous officials deified posthumously, and in JTTW, they fall under the category of "Ghostly immortals", together with the Earth Gods a.k.a. Tudi.

So Xiao Ming went with the two ghost cops——not like he had much of a choice, made his way through the long queue at the City God's office, and was now standing in front of a gruff old magistrate in traditional robes.

"Name?"

"Wang Xiao Ming."

"Age and birth dates?"

"21, April 16 2003…"

After he was done asking questions, the City God flipped through his ledger, then picked up a brush, ticked off Xiao Ming's name, and told him to go get his pass in the next room. More waiting in a queue. Wonderful.

"I never heard anything about needing a pass to get to the Underworld," the girl in front of Xiao Ming asked the ghost cops, who were standing guard nearby. "Is this a new policy or something?"

"Yeah. In the old days, we'd just drag y'all straight to the Ghost Gate." The ghost cop in black said, then muttered to himself, "Fuckin' paperworks and overpopulation, man…"

(This "Dead People Passport" thing was popularized in the middle-to-late Ming dynasty, as shown by the discovery of such documents inside tombs in southern China. )

(It might have evolved from similar passes to the Western Pure Land in lay Buddhism that recorded their acts of merits. Which, in turn, might be traced back to the "Dead People Belongings List" of Han dynasty, to be shown to Underworld bureaucrats so that no one would take away the dead's private property down there or something.)

Anyways, after he received his pass, Xiao Ming departed together with the rest of the bunch, to be led to the Ghost Gate. It was like the world's most depressing tourist group, where instead of tour guides, you got two ghost cops in funny hats, and the only scenery in sight was the desolation of the Yellow Spring Road.

They weren't the only travellers on the road, though. Xiao Ming noticed other groups moving in the far distance, behind the fog and the flickering ghostfire, led by similar figures in black and white.

It made a lot of sense; realistically, there was no way two ghost cops could fetch hundreds of thousands of dead people all by themselves.

(SEA Tang-ki mediums believed there were multiple Tua Di Ya Peks——Hokkien name for the Black and White Impermanences, working for different Underworld Courts.)

At last, the Ghost Gate stood in front of Xiao Ming, guarded by two towering figures. Normally, they'd be Ox-Head and Horse-Face, like what you see at Haw Par Villa's Underworld entrance.

However, older Han dynasty works like Wang Chong's 论衡·订鬼 also mentioned two gods, Shenshu and Yulei, as guardians of the Ghost Gate, who would use reed ropes to capture malicious ghosts and feed them to tigers, making them possibly the earliest incarnation of "Gate Gods".

So here, they were what Xiao Ming sees, standing side by side like proper doormen, silently watching herds of ghosts being funneled through the entrance.

The place was more crowded than a train station during the CNY Spring Rush; the ghost cops had already said their quick goodbye and left to fetch the next group of dead people, leaving the resident officials of the Underworld proper to maintain order and quell any would-be riots.

Now you started seeing the Ox-Head and Horse-Face guys, poking at unruly ghosts with their pitchforks and dragging away the violent ones in chains. Among their ranks were other monstrous beings, blue-faced yakshas and imps, but also regular dead humans who look 100% done with their jobs, like the lady who stamped Xiao Ming's pass when it was finally his turn.

After this point, Xiao Ming had entered the Underworld proper, and his next destination would be the First Court, led by King Qin'guang. Here, his fate should be decided by what is revealed in the King's magical mirror.

If Xiao Ming was a good guy, or someone who had done an equal amount of good and bad things in life, he'd be sent straight to the Tenth Court for reincarnation. However, if the mirror, while replaying his life events, had displayed more evil deeds than good ones, he'd be sent to one of the 2nd-9th Courts for judgment and then punished inside the Eighteen Hells.

Each of the Ten Kings was also assisted by ghostly judges. Many of them were righteous and just officials in life who had been recruited into the Ten Courts posthumously——Cui Jue from JTTW is one such example, while others were living people working part-time for the Underworld, like how Wei Zheng, Taizong's minister, works part-time for the Celestial Bureaucracy in JTTW.

We decide to be nice to Xiao Ming, so, after reliving some embarrassing childhood incidents and cringy teenage phases in front of a bunch of dead bureaucrats, he was found innocent and sent to the Tenth Court.

The queue here was almost as long as the First Court's, stretching on and on alongside of the banks of the Nai River. King of the Turning Wheel made his judgment without even lifting his head when it was Xiao Ming's turn:

"Path of Humans, male, healthy in body and mind, ordinary family. Next!"

Exiting the Tenth Court building, Xiao Ming saw the Terrace of Forgetfulness, standing tall before six bridges, made of gold, silver, jade, stone, wood, and…some unidentified material. Before he could get a good look at them and the little dots moving across those bridges, he was hurried into the Terrace by the ghostly officials.

Now, both JTTW and the Jade Records mention multiple bridges across the Nai River. In the former, there is 3, and the latter, 6. The bridges made of precious materials are for people who will reincarnate into better lives, as the wealthy, the fortunate, and the divine, while the Naihe Bridge is either the common option or the terribad shitty option.

However, the Naihe Bridge proved to be so iconic, it became THE bridge you walk across to reincarnate in popular legends.

Anyways, back to Xiao Ming. He found himself standing in a giant soup kitchen of sorts, with an old lady at the counter, scooping soup out of her steaming pot and into one cup after another.

This is Mengpo, the amnesia soup granny; according to the Jade Records, she was born in the Western Han era, and a pious cultivator who thought of neither the past nor the future, only knowing that her surname was Meng.

Made into an Underworld god by the Jade Emperor, she cooks a soup of five flavors that will wipe the memory of the dead, making sure they do not remember any of their past lives once they reincarnate.

It tastes awful. Like what you get after pouring corn syrup, coffee, chilli sauce, lemon juice and seawater into the same cup.

Such was Xiao Ming's last thought, as he gulped down the soup, and then he knew no more.

Things you should know about the Chinese Underworld:

1. It's not the Christian Hell.

Rather, the Chinese Underworld functions somewhat like the Purgatory, in that there are a lot of torment, but the torment's not eternal, however long the duration may be. Once you finish your sentence, you get reincarnated as something else, though that "something else" is not a guaranteed good birth.

Other people can also speed up the process via transferring of merits: hiring a priest/monk to chant sutras and perform rituals, for example, or performing good deeds in life in dedication to the dead, or they can pray to a Daoist/Buddhist deity to save their loved ones from a dreadful fate.

Interestingly enough, a thesis paper I read mentions that, whereas Buddhist salvation from the Hells was based on transference of merits——you give monks offerings and pay them to chant sutras, so they can cancel out the sinners' bad karma with good ones, Daoist ideas of salvation tend to involve the priest going down there, sorting it out with the Underworld officials, and taking the dead out of the Hells themselves.

(The paper also stops at the Northern-Southern and Tang dynasties, so the above is likely period-specific.)

2. Nor is it run by evil demons.

Underworld officials are not nice guys and look pretty monstrous and torture the sinful dead, but they are not the embodiment of evil. Rather, the faction as a whole is what I'd call Lawful Neutral, who function on this "An Eye for An Eye" logic, where every harm the sinner caused in life must be returned to them, in order for their karmic debts to be cleansed and move on to their next life.

They can absolutely be corrupt and incompetent and take bribes——Tang dynasty Zhiguai tales and Qing folklore compendiums featured plenty of such cases, but that's a very mundane and human kind of evil, not a cosmic/innate one.

This is just my personal opinion, but if you want to do an "evil" Chinese Underworld? It should be a very bureaucratic evil, whose leaders are bootlickers to the higher-ups, slavedrivers to their rank-and-file workers, and bullies who abuse their power over regular dead people.

Not, y'know, Satan and his infernal legions or conspiring Cthulu cultists.

3. The Ten Kings are not Hades.

Make no mistake, they still have a lot of power over your average dead mortal. But in the grand scheme of things? They are the backwater department of the pantheon, who only show up in JTTW to get pushed around and revive the occasional dead people.

When Taizong made his trip to the Underworld, the Ten Kings greeted him as equals——kings of ghosts to the king of the living. If they see themselves as equal in status to a mortal emperor, then, like any mortal emperors, they are subordinate to the Celestial Host, and the balance of power is not even remotely equal or in their favor.

Also, it isn't said outright, but under the Zhong-Lv classification of immortals JTTW is using, Underworld officials will likely be considered Ghostly immortals, the lowest and weakest of the five types, much like Tudis and Chenghuangs.

Essentially: they are ghosts that are powerful enough to not reincarnate and linger on and on, spirits of pure Yin as opposed to true immortals, who are beings of pure Yang.

It's pretty much the shittiest form of immortality, the result you get when you try to speedrun cultivation (the Zhong-Lv text also made a dig at Buddhist meditation here), and if they don't reincarnate or regain a physical body, there is no chance of progressing any further.

Oh, and fun fact? In the Song dynasty, commoners and literati elites alike believed that virtuous officials in life would get appointed as ghostly officials in death.

However, the latter viewed it as a punishment. Which was strange, considering how they still held the same position and the same amount of authority, just over dead people instead of living ones, so there should be no big losses, right?

Well...it was precisely the "dead people" part that made it a punishment. See, a lot of the power and prestige they had as officials came from the benefits they could bring to their families and kins and native places, as well as the potential wealth and reputation bonuses for themselves.

A job in the Dead People Supreme Court would give them the same workload, but with none of those benefits. Since all the dead people had to reincarnate eventually, they couldn't have a fixed group as their power base, or keep their old familial ties and connections. At most, they could help out an occasional dead relative or two.

Like, working for the Underworld Courts was the kind of deadend (no pun intended) job not even living officials wanted for themselves in the afterlife. That's how hilariously sad and pathetic they are.

4. In JTTW at least, they aren't even the highest authorities of the Underworld.

That would be Bodhisattva Ksitigarbha, who is technically their boss, though he seems to be more of a spiritual leader than someone who is actually involved in running the bureaucracy.

Which makes sense, since he has sworn an oath to not attain Buddhahood until all Hells are empty, and his role is to offer relief and salvation to the suffering souls, not judging and punishing them.

Now, historically...even though Ksitigarbha in early Tang legends was still the savior of the dead, he seemed to be unable to interfere with the judicial process of the Underworld, merely showing up to take people away before they were judged by King Yama.

However, in the mid-Tang apocryphal "Sutra of Bodhisattva Ksitigarbha" (地藏菩萨经), he had evolved into the equal of King Yama, with the power of supervision over his judgements. By the time the Scripture on the Ten Kings came out, in artistic depictions, the Ten Kings had become fully subservient to him.

5. Diyu usually refers to the prison-torture chamber part, not the courthouse, nor is it the entirety of the Underworld.

And for the majority of souls that haven't committed crimes, they'll only see the courthouse part before they are sent to reincarnation. That's why I personally don't like, or use the name Diyu for the Chinese Underworld: I prefer the term Difu ("Earth Mansions"), which encompasses the whole realm better.

Also: even though historical sources like the Scripture on the Ten Kings and Jade Records seem to suggest that the dead were just funneled through this Courthouse-Prison-Reincarnation pipeline with no breaks in between, in practice, that isn't the case.

According to popular folk beliefs, after the dead were done with their trials/sentences, they stayed in the Underworld for a period of time and led regular lives, while functioning as ancestor spirits and receiving offerings.

Which would imply that the Underworld had a civilian district of sorts, populated by regular ghosts, making the whole realm even less of a direct Hell/Purgatory equivalent.

6. It is located in a different realm, but still part of the Six Paths and doesn't exist outside of reality.

In Buddhist cosmology, like the Celestial Realm, the Underworld is part of the Realm of Desires and thus subject to all the woes of samsara.

The pain and misery of the Path of Hell may be the worst and most obvious, but becoming a celestial being isn't the goal of serious Buddhists either: despite all the pleasures and near-infinite lifespan they enjoy, they are not free from samsara and will eventually have to reincarnate.

So if, say, the world is being destroyed at the end of a kalpa, all beings of the Six Paths will perish alongside it, leaving behind a clean slate for the cycle to start anew. The dead won't all end up in the Underworld and face eternal damnation.

7. The Black and White Impermanences would not appear in the Underworld pantheon formally until the Qing dynasty.

The concept that when you die, you get fetched to the Underworld by petty ghost bureaucrats is already well-established in Tang legends, but these were just generic ghost bureaucrats in all sorts of colorful official robes, with yellow being the most common color.

The idea of there being two specific psychopomps in black and white would only become popular in the Qing dynasty. Mengpo is kinda similar: although she existed before the Ming-Qing era as a goddess of wind, venerated by boatmen, her "amnesia soup granny" incarnation came from the Jade Records.

[crowroboros]

A Really Cool Detail About Might Crystals in The Legend of Zelda: Echoes of Wisdom

The first time I encountered a Might Crystal was maybe ~an hour into the game. I think I found it in a chest or something in Suthorn Forest and the first thing that I thought was "Huh...that looks kind of like bismuth." But, as I was so early on in the story that I didn't know much about what the Might Crystals were, I didn't think much more of it.

Well here I am with 46 additional hours worth of playtime in Echoes of Wisdom, and I'm here to say that there is a very cool reason that Might Crystals resemble bismuth crystals!

Before we get into bismuth, I need to talk about what is going on in Echoes of Wisdom. This WILL contain mid-to-late game spoilers, so do be warned.

Long before Creation there was nothing more than a void—a vast empty oblivion. Occasionally, bits of matter would spark to life in this nothingness. Nothing substantial, just small clumps of reality managing to form only for a moment. Only a moment, for anything that managed to flicker to life was devoured by the one who dwelt within this void:

Null.

Null is the main antagonist of Echoes of Wisdom. It is an ancient, incomprehensible lifeform that thrives in the absoluteness of zero. Nothingness personified.

Seeing the way these sparks of existence were so quickly extinguished, the three Golden Goddesses—Din, the Goddess of Power; Nayru, the Goddess of Wisdom; and Farore, the Goddess of Courage—descended from the heavens and forced Creation. Together, the three built the world itself and everything that makes up reality with Null imprisoned and contained at its center.

The Golden Goddess then departed back to the heavens, leaving behind the Triforce, the Secret Stones (though they aren't relevant for this, just thought I'd throw them in since we know they were created around this time), and the Tris. The Triforce and the Tris served as the glue keeping reality together; the Tris specifically being created to maintain the structure of the world, as even though Null was imprisoned that didn't stop it from consuming and returning the world to nothingness.

From the point of Creation onward, Null and the Tris were locked in a delicate balancing act of destruction and recreation. Null ate away at the world, creating rifts that tore through reality. And in turn, the Tris constantly patched up these rifts, quickly restoring what was lost.

This return to nothingness is a major part of the themes of Echoes of Wisdom, and why Might Crystals likely were inspired by bismuth.

Might Crystals—as well as the energy they produce—are some of the only things capable of withstanding Null and the void. When everything else is lost, these crystals remain. But what does this have to do with Bismuth?

Well visually both Might Crystals and Bismuth share the iconic stairstep spiral growth structure, but the main reason I believe bismuth to be the inspiration for the Might Crystals is the Bismuth-209 isotope.

Bismuth was previously thought to be the heaviest stable element, with only one stable isotope (Bismuth-209). I say previously because in 2003, a research team at the IAS (Institut d'Astrophysique Spatiale, a research institute in France) came to the realization that the Bismuth-209 isotope is actually undergoing alpha decay at an incredibly slow rate. How slow? Well it was determined that Bismuth-209 has a half life of approximately...

2.01x10^19 years. Or about 20,100,000,000,000,000,000 years (20 quintillion if you don't know/don't want to count out the zeroes).

For reference, that is billions of years longer than the current estimated age of the universe.

It is because of this inconceivably long half-life that it is said that bismuth will be among the last elements to disintegrate. And it is that bit of information that I believe inspired Might Crystals. If you need to come up with a crystal that can withstand nothingness itself and outlive matter in a void that consumes endlessly, what better choice to base it off of than the element that decays so slow that we used to think that it was stable?

I just thought that it was a cool detail. This is a bit different from my other Zelda posts—as this isn't me talking about the lore and story, but rather me talking about a possible irl inspiration for something in the series—but I thought this was really cool and I wanted to share my thoughts.

[mysterycitrus]

This is so stupid but I was wondering if you might have any Dick and Roy meta? I've always loved your meta posts about the relationships between the Fab Five and different characters and lately, I've been seeing a lot of those posts where people splice certain comic pannels with poems/sayings/inspirational quotes and things that match and I've been wanting to have more in-depth ideas of the relationship between Dick and Roy because they're just so interesting but I don't have the brains to come up with anything myself

when i think about dick grayson and roy harper i think about the trope king + lionheart — a burdened hero, and their loyal protector — and how they switch roles with each other. like two standout dickroy books are probably old friends, new enemies and outsiders (2003), and while they’re both initiated with roy reaching out to dick for help, his motivations are very different. i think that dynamic, and how they don’t fit solely into one role, is part of why i enjoy reading about them so much.

in old friends, roy is the king — he’s trying to track down chesire and find lian, and isn’t initially honest about his intentions. he’s struggling with his decisions, and his faith in himself. dick acts as the moral support, his backup, and also calls him out on his actions.

but their relationship is still loving. there’s a solid foundation of trust that makes dick want to support roy and protect his daughter, to the point that he and jade nguyen show a (very) begrudging respect to each other.

in outsiders, dick is the king — donna has just died, bludhaven is going to shit, and roy knows that he’s spiralling. roy is the solid support who convinces dick to lead a new team because he knows dick hurts himself through isolation. they’re both grieving donna and the loss of their team, but roy forces dick to reconnect again. he forces dick to care.

despite being the leader of the outsiders, dick is uncompromising in his loyalty in roy. he tells people to leave if they don’t accept roy’s authority in the team. after roy is shot, dick takes the same action as roy in the first issue — he brute forces his way into getting roy out of the spiral. he holds a gun to roy’s head and tells him to take it.

im a huge sucker for friends to lovers, but what i really love is two competent people with absolute faith in each other. i dislike the idea that bat-characters are like….. absurdly op and everyone is just in awe of them all the time, but dick’s reputation means that trusting someone the way he trusts roy is important. he watched his teammates die, he watched his sister die to save his life, and he still trusts roy to be there. roy historically has a bit of an inferiority complex about working with dick, but dick does not reciprocate. dick knows roy will be there when it counts.

there’s a particular kind of love that comes from mourning the same person during one of the worst times of your life.

the fact that the early tragedies in their lives are so similar, that they lost family and an idea of place at similar ages, were mentored by mortal men who wanted to do good, but still ended up so close but so different is really really interesting to me. u get to outsiders, and they really know each other in a really intense way.

truly like…. i would fall on ur sword because i trust u not to land the killing blow. to finish — something something gay people

[toychest321]

Sorry for being late to post about Ramadan (school's been hell recently), but I thought I could take the opportunity to highlight some Muslim dolls! While there aren't many, one of my favorites is Fulla! For those unaware, Fulla was made by the company NewBoy FZCO and has been running since 2003! (MASSIVE thanks to Dollect for most of the information on her, at least throughout her early run in the 2000s) According to Dollect, some of the first dolls released of her with a hijab was in 2005 from the "Fulla with Abaya" sets, which apparently had embroidery on the sleeves! I love the long skirts, they give me Flower Power Barbie vibes!

There were also apparently "Outdoor Fashion" dolls with a surprise element where beneath their Abaya they'd be wearing an outfit of a specific color out of purple, pink, and green. They were MILES ahead of the surprise toy gimmick of the 2010s.

However, I can't find exactly what their outdoor outfits looked like? There aren't any images of them on Dollect, though I suppose these might be them? No confirmation of such, of course, but I found the pink one labelled for 2004 on another website.

It seems to check out with the description of having purple and pink variants in the outfit, but the beige and black leads me to believe these might be another release entirely... regardless I adore the detail in these coats! Anyway, I'll be posting about these more soon, but for now I better get back to that homework I just got distracted from lol. If you guys know of any other Muslim dolls you'd like me to post about feel free to send an ask!

Ramadan Kareem!

(Edit: Y'all thank you so much for the traction but please check out my reblogged edits to this post, I lowkey fumbled the info on the mystery outfits the first time around 😭)

[leandra-kinard]

The Tommy timeline is making me insane

We know the 911 writers are REALLY crap about timelines. I mean, just within the Eddie Begins episode there are several dates that just don't add up. I love those writers, but they can't even count to 10, lol.

Tommy was never supposed to come back, so him being in his late 20s-ish in 2005 when Chim joins the 118 was of no consequence, but now that Tommy is back, that makes it really difficult to say how old he really is.

Some people have speculated that he's 45, but I find that too old. Lou was born in Nov 1984, which makes him 39 currently. I could see Tommy being 1-2 years older than that AT MOST.

So let's say Tommy was born in early 1983 and go from there.

He would have started school at 6.5 and finished HS at 18 years old in 2001. Which means he could have joined the army that year and started training to be a helicopter pilot.

There's a program called "From Street to Seat", also sometimes called "High school to Flight School", so that is a possibility. Training would have been around 2 - 2.5 years until he'd achieved the rank of Warranty Officer and be a fully trained helicopter pilot in late 2003. After that, you have to enlist for TEN years at minimum to repay them getting you through flight school.

At that point, the US had entered the war in Afghanistan and just started the one in Iraq.

Tommy could have been stationed anywhere in the US, or been deployed to one of those countries, or at first, as a still very young officer, been deployed to an allied country like Germany. In the early 2000s, there were many bases in Germany where US soldiers were stationed, only serving short missions in Afghanistan or Iraq. So that's an option if we don't want him to be permanently stationed inside a war zone.

Now, how did young Tommy leave the army early so he ended up being a firefighter just two years later?

Well, there's always medical discharge, but if it was for any injury, him already being a member of the team (and by the looks of it no longer a probie) in 2005 is a bit tight. He'd have to recover from his injury, then apply, then be accepted, do the basic training at the academy (18 weeks) and his probie year... so yeah, that's really a very tight timeline.

Another option would have been Don't Ask, Don't Tell. Back then, army members could not be actively asked if they're gay and therefore fired for it, but if they voluntarily disclosed/confirmed it, they would be kicked out.

If he was lucky (and probably the version I'm going for in my fic), and had a very lenient superior officer, he might be offered medical discharge for depression. Usually, that can get you out of the army pretty quickly.

So, to recap:

Born between Jan/June 1983

Finished high school summer 2001, joined the army

Finished flight school in fall 2003, was deployed somewhere or in service in the US

Found out/discharged in early 2004

Started LAFD academy in summer/fall 2004

Started his probie year end of 2004

Just finished it when Chimney joined in (should be late) 2005, at now 22 years old.

Still an incredibly tight timeline, and I wish Chim joining had been more like 2007 or so, but alas. It works.

You are welcome.

And I need to lie down. God I hate inconsistent timelines, lol.

Oh and I just looked it up, and apparently you're only a probie for 6 months at the LAFD, so I guess that makes it a little easier.

I mean, if you shift things around a little, you could even make him only 40 now, born in summer 1983 instead of early. Maybe he was initially gifted and able to enroll in school at just barely 6 years old.

[zahri-melitor]

I hate to be that person however:

"Why are Dick and Babs together in comics? They're being forced together!"

Dick Grayson and Barbara Gordon?

Yeah. A mystery.

But I guess, it might have a little something to do with the fact that back in 1995 both Dick and Barbara had returned to be firmly under control of the Bat office.

And in 1996 Chuck Dixon started writing them flirting with each other in Nightwing. And Devin Grayson wrote them having rooftop reminiscences on New Year's Eve where they told each other the same stories every year in DC Holiday Bash II. Which carried through to them flirting in Birds of Prey in 1999, and to having their first proper date on panel in Birds of Prey #8. And then shortly afterwards having them be very cosy in a dating way as Barbara patched Dick up in No Man's Land after he broke out of Blackgate.

And in 2000 we had the Hunt for Oracle crossover where Dick and Dinah had to work together to protect Barbara from Blockbuster's men coming to kill her.

And in 2001 Dick was sleeping over at Barbara's house and Barbara and Dinah had to rescue him when he was kidnapped by Shrike, and Babs was tucking little love notes in his gauntlet. And they had a favourite place to go for drives for a date and eat crab cakes in Joker: Last Laugh.

And in 2002 their contribution to Our Worlds at War involved Barbara and Dick travelling to another world and staking out a situation where they ended up making out by a fire. A lot.

And in 2003 we got Batgirl Year One which firmly retconned Dick and Babs into having dated in their teens.

And they KEPT dating until they officially paused their relationship in early 2004 while Dick's life was burning down around him, but they were STILL looking out for each other and when they officially bilaterally decided to break up with the other in Nightwing #100 and Birds of Prey #76 they left each other practically identical voicemails explaining how they loved the other one too much and their heads weren't in the right place and that it wasn't fair to be dating right now but they were still incredibly important to each other. As is obvious, in Birds of Prey #86 where Dick comes to Babs' house party in Metropolis and apologises and the two just hang out, sitting side by side.

And then in 2006 right as everyone expected Dick to be about to die in Infinite Crisis, Dick proposed to Babs and she accepted, because as I repeat this was written expecting Dick to DIE and even then the last thing they wanted to give him was to make sure that they were together.

And even when the engagement was broken off in 52 due to the rebellion saving Dick and Conner dying instead, Dick and Babs were still ready to drop anything for the other if one of them called, as seen by Dick coming at Babs' call when she faced off against Katrina Armstrong, or Dick taking Babs skydiving for her birthday in Origins and Omens in Nightwing #153. (I repeat, Origins and Omens, a series of shorts that were supposed to be Portending Doom moments or restating a character's background. Dick took Babs on a date)

And then during Reborn even while Dick and Babs were fighting with each other over the best direction for Gotham (and how hopeless the other's protege was) they still found time to get closer again, as seen in The Black Mirror and Birds of Prey #10.

And then it was the New 52 and while Barbara and Dick spent all 5 years of this Officially Not Dating, it was not because they didn't LOVE each other. Oh, no. In between having fond reminiscences of when they dated as teenagers while Robin and Batgirl, they were always checking in on each other, and the other's first phonecall. Babs bitterly mourned Dick's death and their lost future in Batgirl #30. Every time one of them gets out of a relationship they turn around and see the other, only to find THEM in a new relationship. But they're backing each other up and hanging out together and the UST just keeps building.

And then we get Convergence: Nightwing and Oracle in 2015 in a specific continuation of preboot, where Dick and Babs are together again (and basically getting to rerun No Man's Land) and in the face of alien nightmares and the end of the world, again, Dick proposes again and Barbara, after contemplation, accepts and they get married.

And then it's Rebirth and 2016 and Dick and Barbara are still circling around each other and turning up in the other's books for team ups and deep and meaningful conversations, and flashing back to their teens together (Batgirl #14-17 2016), and Dick has to talk seriously with Babs about What They Have Between Them before he has his relationship and pregnancy scare with Shawn Tsang and if either of them were simultaneously single it is obvious that it would very shortly be BACK ON.

(And then I am currently up to mid 2018 on my read and Dick is very shortly about to get head-injuried into being Ric for a while)

However I am aware that in Dark Nights: Death Metal Dick and Barbara get unofficially married again because it's the end of the world and they'd rather be married than not (are you sensing a theme here?).

And in Li'l Gotham, which is largely an adaption-continuation of preboot with some quirks of its own, Dick and Babs are very seriously dating and possibly may be married.

And in Juni Ba's The Boy Wonder Dick and Babs are so together they're discussing the shopping list while crime fighting.

Like, the answer to "why are Dick and Babs dating in Nightwing" is basically "have you read any of the last 28 years of Bat comics?" Because I dunno, but I have read almost every joint appearance of Dick and Babs between 1995 and 2018 so far and let me tell you they are either dating, lusting after each other with a lot of UST, or determinedly explaining to the other why they can't be together at this exact second because [obstacle].

It's not exactly hard up for precedent, folks.

[bestiarium]

The Crawfordsville Monster [modern cryptid; urban legend]

As far as modern urban legends go, most sightings of cryptids and creatures tend to fall into one of several recognizable categories: a lake monster, a flying saucer, an ape-like creature, etc. But every once in a while you have something weirder or unique:

On April 5, 1891, a supposed monster was sighted in the skies above Crawfordsville, Indiana, in the USA. A local pastor, Reverend G. Switzer, left his house to get some water from the well in his backyard when he supposedly experienced a strange feeling somewhere between dread and awe. Uncertain what caused this feeling, he looked up to see a large serpent-like being flying through the sky. The snake moved quickly even though there was no wind that night, and seemed like it was about to land, only to change its mind and take off again.

The paster and his wife were not the only witnesses, for that same day the apparition was seen by two workers about to haul ice on their wagon. They were so frightened of the creature that they took shelter until it was out of sight.

The size of the creature varies between stories, putting it somewhere between 16 and 20 feet (5 à 6 meters). It did not have wings �� although other accounts added several fins or fin-like structures – but was able to fly by means of writhing movements, not unlike those of a real snake. The monster was white and had no head, or at least no clearly visible head, but it did have a large, brightly burning eye. Despite the lack of a visible head or mouth, the monster emitted a wheezing noise.

The Crawfordsville Daily Journal named the creature ‘the Midnight Wraith’ but today it is more commonly referred to as 'the Crawfordsville Monster'.

When researching this sighting, I came across some very weird UFO theories. While they tend to strain credibility, I admit that it’s fun to theorize about, in a fantasy worldbuilding kind of way. For example, the last source I listed here mentions a theory about atmospheric creatures that live in the clouds of our planet and stay afloat because of their extremely low-density bodies. The Crawfordsville monster, supposedly, could be such a creature.

Several explanations have been put forth. Some claimed it was a spirit. Professor Robert Burton assumed that the witnesses might simply have been under influence of alcohol or drugs. A later sighting in the same location put forth a simpler, albeit anticlimactic, explanation: two men followed the flying ‘monster’ around until it came close enough for them to identify it as a giant flock of killdeer birds: local birds with a distinct white belly. There were several hundred of them in the flock, and the birds’ erratic flight pattern might have been caused by their confusion from the electric lights, and the many moving ‘fins’ of the monster would have been the wings of the different birds. Perhaps exhaustion in the early hour, combined with the dark night sky, caused the ice haulers and the pastor to mistake the flock for a monster.

Sources: Clark, J., 2005, Unnatural Phenomena: A Guide to the Bizarre Wonders of North America, Bloomsbury Publishing USA, 408 pp., 160 pp., p. 87-88. Zach, K. B., 2003, Crawfordsville, Athens of Indiana, Arcadia Publishing, p. 140-141. Hunt, C. M., 2023, Ghosts & Legends of Crawfordsville, Indiana. Haunted America, Arcadia Publishing, 160 pp., p. 12-18.

(image source 1: Mart, T.S. & Cabre, M., 2021, A Guide To Sky Monsters : Thunderbirds, The Jersey Devil, Mothman, and Other Flying Cryptids, Indiana University Press, 174 pp.) (image source: Enshohma on Deviantart)

[not-wholly-unheroic]

A Comparative Analysis of Hook’s Ship and Cabin in Popular Media Portrayals

Part 4: Peter Pan (2003)

P.J. Hogan’s 2003 film is full of life and color, and Isaacs’ Hook is likewise a colorful character who, though grounded in reality, most definitely has a flair for the dramatic and a taste for the finer things in life.

Like the other Hooks we have seen thus far, Isaacs’ Jolly Roger appears to be the large stereotypical pirate ship that all children think of, despite the impracticality of a slower vessel in actual piracy. (By this point, I think we should just assume that all Hooks go for form over function when it comes to their choice of ship.) It’s a gorgeous ship, and I do wish we got more close-ups of the outside of this particular Roger so we could see more of what’s going on with all the decorative work on the outside of the cabin and the figurehead, etc. One thing, though, that stands out about this ship is that the mainsail itself has a giant skull and crossed swords on it. This would be completely impractical for any actual ship, as the enemy would see them coming and know they were pirates right off the bat…lending credence to the idea that this ship (and this Hook) may be deeply shaped by the children’s imagination. Then again…what else should we expect of a pirate ship whose name itself is the Jolly Roger?

The shots we get of the inside of Isaacs Hook’s cabin reveal the living space of a man who is accustomed to a decadent lifestyle but not so over-the-top as to be entirely unrealistic. While his beautifully decorated harpsichord is the centerpiece of the room, we also notice that he has several tables, a couch, and a globe.

This is about all we can tell from the in-film shots of the cabin, but some promotional material and a pirate-themed hotel that purchased a few set pieces from the film and set up their own room to mimic Hook’s can give us a few ideas about what the rest of the cabin might look like. (Big shout-out to @annabellioncourt for providing several of these bonus material images!)

In the one promotional photo, there is what looks like a lute, perhaps, in the background. I also love the little detail of the skull and crossbones on the candle stand…and his li’l stripey socks.

Here we can see the full-sized bed with a gun and what looks like it might be an Eton crest over it. (Note that if you pay close attention in Hook’s intro scene in the film, you will actually see that the tattoo on his left arm is an Eton crest as well.)

Isaacs Hook also has a self-portrait in his cabin, it seems…which interestingly has a date on the frame of 1742. This is about the most specific we get with ANY Hook as far as time period goes. This is after the Golden Age of Piracy had really already come to an end, though it’s technically possible he might still have been “Blackbeard’s bosun” depending on his age, as Blackbeard’s career ended in 1718 in a battle off Ocracoke Island, NC. Isaacs himself was around 40 years old when the filming was done, so if we want to assume Hook was around the same age when he came to Neverland and the portrait was done shortly before then, he would have been around 16 at the time of Blackbeard’s downfall. A bit young but…it’s possible if he started his career at sea early. Cabin boys usually started out around age 12 but could be as young as 8-ish on occasion. However…this wouldn’t really track with Hook being an Eton student. Assuming he actually graduated, he would have been at the school until he turned 18. So while Isaacs Hook may have very well been a sailor or even more specially a pirate prior to Neverland…he likely wasn’t a peer of Blackbeard or the other more well-known pirates of the early 1700s.

One last thing that is interesting to me is that in addition to the more standard weapons/tools like chains, guns, and boarding axes that we see in some shots, this version of Hook keeps what looks like an entire small cabinet of various tinctures and powders. At least the one of them which he removes is poison, but one wonders….are they all different kinds of poison? Or are some, perhaps, medicinal in nature or for recreational use?

As a whole, Isaacs’ Hook is, I think, perhaps one of the most realistic portrayals of the character. While there are some highly fanciful aspects to his ship—like the giant skull on the mainsail—much of his personal space has the lavish furnishings one might expect of someone with an aristocratic background without feeling too entirely impractical. Add to that a concrete date on the portrait, and I’d say this Hook is more grounded in reality than nearly any of the others we’ve encountered so far.

[starflungwaddledee]

I'm just sayin', Starstruck and Kirby would be adorable. But also Starstruck and Meta-Knight might be the funniest thing you could possibly do. :)

hear me out: peter pan (2003) window scene

been staunchly avoiding typing too much on most of these but i have some thoughts about this one!

you know... i had actually never even considered kirby for the shipaganza. mostly because i think of him as holding such a strong and unique position in the hearts of everyone who knows him, in a way that is devout but also seems fairly romance-free. and i'm actually very interested in the complex relationships that he has with his friends! but i wonder if not considering him was maybe a disservice, because if anyone has an abundance of the capacity for love, it's him, right?

i think that kirby could eventually occupy a similar heart-space for starstruck as bandee, though it would take longer. i strongly suspect that bandee's love of kirby would rub off on her, if nothing else.

i'm not sure either of them... really understand the premise of romance or dating, so it might not be a typical sort of thing. but i think they could giggle and laugh together and shoot each other slightly smitten looks when the other one isn't paying attention, and be very invested in each others happiness.

he adds a pass by her window to his early morning flight, on the off chance she might be up to join him. she's always thinking of him when he's off saving the world, and distinguishes his star from all the others in the sky with ease. the irresistible allure of adventure vs someone who has never seen any of the wonders of your planet before. someone who finds as much unrestrained joy and delight in the mundane as you do. eating paper cups you find on the ground.

you know i could see it.

[sugarpasteltmnt]

What are some of your favorite character relationships/dynamics in TMNT, and why? Is there anything that you particularly like seeing explored with them in fan works (art, writing, comics, etc)?

oh wow!! what a fun ask!!

stashing this under a read-more because i really popped off LOL

My favorite relationships and dynamics??

I feel like i should preface this by admitting that Rise was actually my first real exposure to the TMNT franchise-- and after reading and watching some other iterations it became incredibly apparent how different Rise was in several aspects. And i loved it!!

but with TMNT as a whole, i really love the Leo and Raph dynamics across the TMNT universe (shocking i know lol). It's probably my favorite dynamic of the whole franchise lol. I love love love how they can clash against each other in dramatic ways. And yet, at the end of the day, they would lay down their lives for each other. It's so fun and heartwarming to see that across all the different TMNT iterations.

I also think how Splinter's relationship with the boys can drastically fluctuate between iterations is super interesting. Splinter is such a cool character, and playing with his relationship with the boys has such a crazy big impact on the story and vibe. My favorite Splinters are 2003 and Rise and those two are hilariously different. But something they share is their protectiveness of their families. Which is a dynamic some other iterations turn on its head! And I love that!

And April. GOD i love April so much. The concept of her character is a trope i love. A human who is not just a friend but family with non-humans??? I'm obsessed. And I love that each April of every iteration has her own level of unhinged-ness.

Honestly I could probably write a thesis on each character but I'll try to keep it short lol. But something I really love???

The TMNT franchise itself isn't afraid to experiment with its own iconic relationships or story beats.

It doesn't take itself too seriously while putting a lot of thought and care into the wild, different storylines or concepts. What I might think is an iconic relationship/dynamic in TMNT might be different than someone else's-- and that's fun! The level of flexibility and boldness for trying different things for dynamics and relationships is something I really adore about TMNT as a franchise.

There are tropes and dynamics that are totally my favorite. But I also love seeing those things experimented with!!! But I had to absolutely pick something, it would be all the dynamics seen in Rise. I just love it so much!!

And fan works??

as for what I like seeing being explored in fan works, i gotta say--

I LOVE IT ALL AHHHH!!!❤️💞💗💖💕❤️💞💗💖

TMNT is such a fun and unusual IP, and i totally enjoy seeing other fans going wild with their own creative ideas. I love seeing people pop off with whatever their hearts desire. Anything from the iconic tropes to the niche, hyper-specific concepts-- I love it all. Because there is so much to explore with these characters. And I adore seeing people having fun with their ideas. It's hard to answer what my 'favorite' things to see are because I'm greedy for ALL of it! Because seeing all the different experiments with my favorite dynamics and relationships is so incredibly refreshing and exciting!!

I love seeing people play with each brother's relationship with one another. I love seeing the different takes on Splinter and his role as a father figure (or lack of). I love seeing the potential early-days of Rise-April's relationship with the boys as kids. I love every possible take on every possible character. I will always be a sucker for the juicy story tropes. But I'm just as ravenous for the off-the-cuff twists and concepts. I love any and all of it. Because it's so fun to see what people can cook up-- especially when it's a setup that you never would've thought of before but gave you a new perspective!!!

Because at the end of the day, TMNT is-- frankly-- a silly franchise. And it knows it! But it's not afraid to put in the serious moments and emotions that make all the dynamics interesting. And it's not afraid to experiment with its own building blocks. And I love that fans aren't afraid to push the unexpected in fan works, or do a deeper dive of the dynamics and relationships we've seen in different iterations.

This turned more into a love letter for all TMNT and TMNT fans rather than what my favorite parts are, but it's still all true! I am constantly collecting my favorite dynamics and tropes and putting them in my mental shelf of favorite things. While there are classics I'll always love no matter what, some days the flavor changes!!! And I love that TMNT both as a franchise and as a fandom is so diverse when experimenting with these characters!!

So, in a way this is me saying keep having fun creating and experimenting--because not only does it make me happy, but I hope it makes you happy too 🩵

[koushirouizumi]

{Aut in J.P.} - "With the Light" {2000~2001} (Series originally ran until Jun. 2k10)

{My Notes + Commentary below}

[candypalace]

Translation: Heterodoxy Pamphlet. Music Writers Reflect on 20 Years of the GazettE, Part 1/6 (2002-2004)

Hello friends! As promised long long ago, I'm starting the Heterodoxy series where music writers reflect on their work with the band in the last 20 years. This might take some time since not all the texts are ready just yet, but I will do my best to finish them as quickly as I can. This is Part 1/6, hope you enjoy it!

scan credit: @rad-is-more

Text by Hiroko Yamamoto [1]

the GazettE was born in March 2002. The band was formed by Uruha and Reita, who were dear friends from elementary school, Ruki, who they crossed in the previous band (back when he was a drummer) and who later changed to vocals, and their first drummer, Yune, who also invited his buddy from a previous band, Aoi. Two months later, they played their first show at Meguro Rokumeikan, a live venue that can be described as a gateway to success for visual kei bands. Their first maxi single "Wakaremichi" has a melancholic, catchy melody and an impressive fast-paced sound. During the encore of their 20th anniversary live at Yoyogi National Gymnasium in March this year, Ruki looked back on the beginning of the band: "We are the GazettE, and 20 years ago we got together thinking this would be the last band of our lifetimes”. It was during those young days when the band was standing on the stage with recklessness and foolhardiness when such strong headbanging songs as “Kantou Dogeza Kumiai” and “Waifu” were created, yet they continue to stay popular to this day. The band's forward momentum is best represented by the time when they had to play “Kantou Dogeza Kumiai” over and over again because they didn’t have many original songs yet. While they were firing the audience up with their so-called "violent songs", they also had an amazing ability to write emotionally rich compositions with Showa-inspired melodies, such as "Juunanasai" (later included in the pamphlet with CD for their first Nippon Budokan concert). Everything in the GazettE of those early days, up to their make-up and costumes, was elusive and funny in a good way, as conveyed by "Sentimental na Onigokko", a song about bullying, which presents the listeners with a droll world view of a locked room.

The band’s first turning point came the following year. In 2003, when their first drummer left the band, Kai, with whom they had played together in session shows, quickly took his place. This made the current five members, and the band moved to a new office. It was Ruki who made a last-minute call to Kai, and the drummer had to join in right from the next day's show. From this point on the band’s rapid progress officially began. the GazettE of those times actively participated in organized taiban [2] events. They were even nicknamed “taiban killers”, as their heat-packed shows helped them steal away fans who had come to see other bands. In the next three months they released three consecutive four-track mini-albums, "COCKAYNE SOUP", "Akuyuukai" and "Spermargarita", which increased the number of their fans in geometrical progression. Incidentally, at the time they called themselves "Dai Nippon Itan Geisha Gazetto" [3]. The name derived from the thought of what the word “Visual Kei” would sound like if it was a Japanese word [4]. On their 15th anniversary in 2017, the band held a concept show at the Yoyogi National Stadium. On that stage today's the GazettE performed songs from the Dainippon Itan Geisha era, so hopefully fans who didn’t know their early days got to know them. The sense of unity between band and fans that rose steam from the live house, the "Jump to us!" screams, and the band's stage presence all developed during that exact period. Back in September of 2003, the band sold out a two-day one-man show at Takadanobaba AREA, and only four months later, in January 2004, their one-man show "JUDGMENT DAY" at SHIBUYA-AX was sold out. On the day of the show, the venue was overflowing with fans, and the venue’s doors were barely closing. The band was not informed that the tickets had been sold out until the day of the show, and how they were surprised by the scenery in front of them and the crowd’s enthusiasm almost seems funny today.

Particular about every aspect of their performances, videos, sets, playing their music live, even coming up with their own ideas for photoshoots and never stopping the work until they are satisfied – this is the GazettE. When I was covering them in a magazine for the first time, I felt that a band of an entirely new generation that took over from the royalty of Visual Kei (although there was no such term back in the day) had entered the scene. I remembered their down-to-earth attitude, in which the live show and the fans who attend it are the most important thing. I also remembered that young the GazettE had a simple goal of keeping the band going, rather than becoming a band that was listened to by a certain number of people. Come to think of it, that hasn’t changed a bit. Truly an ironclad band.

[1] Hiroko Yamamoto / Born in Tokyo. Impacted by glam and punk rock as well as blues in her college days, she started a band and spent her life immersed in music. After working for an entertainment editorial production, she became a freelance writer. She covered the GazettE for the free papers and visual-kei specific magazines like Neo Genesis. She was particularly impressed by the band’s stance with its emphasis on live performances and believing in their music and their fans without being influenced by trends or critical opinions. Currently writes columns on music, as well as films and doramas. (From the pamphlet’s credits)

[2] 対バン (taiban) - A live with several bands performing. Usually those are beginner bands that split the venue and equipment rent as well as other costs.

[3] 大日本異端芸者 (Dai Nippon Itan Geisha) can be translated as “Heretic people of art (professional performers) of the Great Japan”. We know Ruki never chooses names for anything without putting a lot of meaning into it, and I’d say there are many layers to this title as well. 

大日本 (Dai Nippon) initially referrs to the Japanese Empire (大日本帝國 Dai Nippon Teikoku, 1868–1947), which embraced the Meiji, Taishō and Shōwa eras in Japanese history, though nowadays it is considered a nationalistic way of referring to Japan. Dai Nippon expressed the overall aesthetics that the GazettE (then - Gazetto) was working with at the time: Japanese flags on the Wakaremichi cover, the silhouettes of children wearing Imperial Japan school uniforms on the COCKAYNE SOUP cover, lyrics (Oni no men) and the use of traditional melodies (Back Drop Junkie [Nancy]), their iconic indie photoshoots with lots of elements clearly inspired by Japanese culture and so on.

異端 (itan) means heresy. This word is also clearly important for the GazettE’s vision and positioning since we see it literally everywhere: in the fanclub name, 20th anniversary live name, merch etc. If we look up the meaning of the word “heresy”, we’ll see the following: “an opinion profoundly at odds with what is generally accepted”. Not only “being profoundly different” is a key principle of Visual Kei, it is also one of the grounds the GazettE exists and continues to work on.

Finally, 芸者 (geisha, “a person of art”) is a pretty well-known word internationally. While most people associate geisha with professional female performers, the Japanese word itself doesn’t have any gender markers, and the first geisha, which appeared around the first half of the 18th century, were actually male. At the same time, it might refer to the androgynous nature of Visual Kei.

[4] “Visual Kei”‎ is partially a gairaigo — a word that came from a foreign language. The question they asked themselves was “if the concept of v-kei had to be translated through the prism of Japanese culture and values, what would a Japanese word describing it sound like?” And the answer is, apparently, “heretic people of art”.

[luxmoogle]

I've just seen the post about being visceral horror fan and need to ask: what are your favourite horror titles? 💜 Do you have any recommendations? 💜

Beware, long post below..

This is honestly quite a hard question, and recommendations hinge on what kind of horror one would prefer, and in what medium..! Books, movies, manga, audio tales even! A lot of my personal horror tastes weigh on the side of psychological horror or ones with supernatural or mystic features, less of slashers and violence, though I do enjoy quite a few of such titles as well.. I'll try not to mention all of the most obvious stuff everyone's already seen.

When it comes to games, I always say that if Kingdom Hearts didn't exist my favorite game of all time would be Bloodborne. The gothic style, vague storytelling and existential horror really speak to me. The Project Zero (Fatal Frame in the US) -series is dear to my heart, specifically the third one. The Forbidden Siren -series was also quite a treat in it's time. Honorary meantion to ObsCure, a great game to play with multiple people at a time, but unfortunately I think it's one of the rarest games ever now, so finding a copy/playing it might be quite the challenge..

In literature, I'd recommend getting into classic horror short stories, especially from the eighteen-hundreds! The setting and time they were written in often give them an automatic edge for a spooky tone.. They're fun stuff to read on a moody afternoon, and don't require the bandwidth that a full book might, if you're not such an avid reader. Some suggestions:

The Vampyre, John William Polidori (1819) The Monkey's Paw, W. W. Jacobs (1902) The Room in the Tower, E. F. Benson (1912) Kerfol, Edith Wharton (1912) Afterward, Edith Wharton (1910) The Empty House, Algernon Blackwood (1906) Sir Edmund Orme, Henry James (1891) The Body-Snatcher, Robert Louis Stevenson (1881) The Yellow Wallpaper, Charlotte Perkins Gilman (1892)

With horror movies, I think anyone with an interest in horror already know all the typical classics and modern favorites, so I'd recommend something a tad more obscure.. The asian horror scene, especially in the late 90's and early 2000s was littered with great techno ghost punk flicks. Many of these are favorites from one of my best friends, who really has a taste for this type of movie, but I'll highlight the one's I'm also very into and would especially recommend.

Kaïro / Pulse (2001), Whispering corridors -series, Dark Water (2002), Saiko! The Large Family (2009), A Tale of Two Sisters (2009), Bunshinsaba, The Wailing, The Complex, One Missed Call (2003), Shutter (2004)

This one's probably a very tired answer but with manga I just have to say the obvious, which is Junji Ito. His body of work just really scratches the itch I have for a nice tight scary story and gives a vague uneasy vibe.. Both his storytelling and art is something I love.

One of the main features of horror is suspense, so I would recommend always going in blind, stop with trailers, synopsis etc. and really sit in a dim room on a calm day or evening and get into it! You can only be horrified if you let yourself be.

[bassdaily]

The Complete Visual Guide to Bass (from Mega Man) in the Third Dimension That No One Wanted or Asked For: A Checklist

Articulated "Action Figures" (including model kits):

Tamashii Nations D-Arts Forte [4.5"] - 2013 Tamashii Nations D-Arts Gospel Jazwares Series 1 Bass [6", short helmet fins] - 2003 Jazwares Series 2 Bass [6", long helmet fins] - 2004 • Remote Mine [teal colorways]

Bandai Mega Armor Iron Buster Forte model kit - 1997 Bandai Power Buster Rockman Forte candy toy [4"] - 1997 Atelier Sai Forte garage kit - 2009 Crossover! Megamix Forte garage kit - 2015 Jazwares Bass [3"] - 2004 • Remote Mine [teal colorways] The Loyal Subjects Bass - 2020 • [metallic colorways] • [battle damage colorways] • [glow in the dark colorways] The Loyal Subjects Treble - 2020

Canceled: Jazwares "Minimates-style" Bass (proof of concept) • From the collection of nightram56 on Youtube • "These prototypes are from Jazwares […] the designer called these "Minimate-type" figures. They are not related to Minimates from Diamond Select Toys, but it seems at one point Jazwares wanted to mimic the brand." Canceled Jazwares Treble Darkstar 3" line vehicle [riding cars] Canceled: Jazwares Retro Roto Bass (picture is a custom) • Custom by hankhillp65 on eBay • Announced for a future Retro Roto release but it doesn't look like there were any prototypes, this custom gives a glimpse of what might have been. Canceled: Bandai Iron Buster metallic plated vers. [gold colorways] • From the collection of u/Last_Disk on Reddit • "Is that a gold Forte ironbuster I see? What's the story on that?" "Prototypes from ex bandai employee."

Bonus - Articulated Dr. Wily:

Funko Action Figures Dr. Wily - 2018 Jazwares Dr. Wily [from "Dr. Wiley's Lab" playset] - 2005 Canceled: Jazwares Retro Roto Dr. Wily

Figurines, mini figs, statuettes:

Tamashii Trading Super Model Spirit Rockman Forte - 2010 • A [standing, open palm] • B [jumping, fist] Unknown MM7 Bass minifig [purple] 25¢ Capsule/Dollar Store Bass minifig - early 2000's

Tamashii Chogokin 10th Anniversary Forte metal mini [4cm] - 1997 Bandai Rockman & Forte Forte candy toy ["puzzle pieces"] - 1998 Bandai Battle Brushers RM7 set Forte mini - 1995 Jazwares Wrecking Station Bass mini [playset] - 2004 • Clear minifigure [yellow colorways] (bonus with 6" S2 Proto Man)

Chibis:

Funko Pint Size Heroes Bass - 2017 Mitsubishi Pencil Forte pencil topper Banpresto Forte keychain [4.5cm] - 1998 Bandai Rockman Chasers Battle & Chase Forte and Gospel candy toys [riding cars] - 1997 Planeswalker chibi Forte and Gospel statue garage kit Q's Workshop chibi Forte and Rockman minifig garage kit - 2024

Keshigomu:

Unknown Battle & Chase Forte and Gospel [riding cars] Bandai Rockman 7 3D Encyclopedia Forte [assorted colorways] Bandai Rockman Fighters Forte [assorted colorways] Bandai Super Forte [assorted colorways] Bandai Rockman 8 Chibi Forte [assorted colorways] Bandai Rockman 8 Gospel [assorted colorways]

None of the images are mine, most are collected from public auction and sales listings, toy news sites, review sites. I have a lot of additional information on some of these, as well as a lot of thoughts about scale and which lines work together. At some point I'll put together something for Forte.exe too.

[gffa]

I adore your batman stuff very much. I recently read the Wayne Family Adventures, and now I really want to read some more. Do you have recommendations on comic lines to follow?

Hi! I'm glad you're having fun with getting into comics and enjoying the posts around here, it's always nice to have new blood (or returning blood, in my case)! <3 I would give a gentle caution in that Wayne Family Adventures is sort of in a class of its own in a lot of ways, the characterization is much softer and fluffier, while the mainline comics are darker and messier, the characters are definitely not always as nice as they are as in WFA. That's no shade on either of them, just that I want to give a quick warning that if you're stepping from one to the other, the culture shock can sometimes be more than you're expecting. (And also keep in mind that comics are a shifting landscape, there's no one "true" version of many of the landmark moments of characters' lives, you'll see events often retold, you'll see comics that later get retconned, you'll see comics that are in different continuities/set before or after a universe-wide reboot, etc. Don't worry about it, just recognize that you're reading a story to enjoy that story, not as Hard Continuity!) That said, some of the lighter comics that I think would be fun if you're looking to come over from WFA are:

Li'l Gotham is a cute parody series that's super adorable, has some lovely art, and is nice little self-contained stories that are humorous. It's not in mainline continuity and it's even softer than WFA, but it's deeply charming and it's a fun, quick read.

Super Sons (2017) by Peter Tomasi is in mainline continuity and it's focused on Damian Wayne and Jonathan Kent becoming friends, bickering all the while, and getting into hijinks. It tends to lean more humorous and cute, so it's a nice stepping stone up to regular comics.

Robin and Batman (2022) by Jeff Lemire and Dustin Nguyen is a good litmus test for whether you might like regular comics--it's a short 3-issue mini-series focused on Dick's early days as Robin and the complicated, thorny relationship he has with Bruce about it. It's one of my favorite, it balances what a terrible gremlin he was with what a little angel he was and the emotional beats are painful in the best way.

Robin: Year One (2000) and Batgirl: Year One (2003) by Scott Beatty/Chuck Dixon and Marcos Martín/Javier Pulido are good places to start for both characters, and hold up okay considering their age. The art is a bit stylized in a way I really like, it lends it a charming old-fashioned vibe while still being pretty to look at, and there's some solid character moments in both.

Nightwing (2016) by various (starts with Tim Seeley, but it's been several authors by now) is one of my go-to recs, I think it's a great jumping on point, has a lot of really nice art, and often tells fun stories, as Dick has some of the best connections to various other characters in the universe.

Nightwing (2016) by Tom Taylor starts with issue #78 and is a great jumping-on point and Taylor's writing is just very light-hearted, action-packed, quippy, and fun. Starting here saves you from having to slog through some of the worse arcs of Dick's series, you get Bruno Redondo's fantastic art, and you can feel the affection for the character, the author and artist love this character and want to make him very cool, as well as they love his relationships with other characters, so you get good Bruce guest appearances, Babs appearances, Damian appearances, Wally appearances, Jon appearances, etc.

Robins: Being Robin by Tim Seeley and Baldemar Rivas was a fun self-contained mini-series that had all the Robins working together and I don't think it should be taken super seriously as a case story, but it had some quality banter, some hilarious moments, and a great look at these chaotic gremlins all shoved into a mini-van together to go solve a case.

Batgirls (2022) by Conrad Michael W./Becky Cloonan and Jorge Corona is focused on Babs, Cass, and Steph as a trio and being adorable together, with some humorous moments, cool art, and fun Batfam moments. It's nice that they get the spotlight and the chance to shine (it's their book, so they get the majority of the cool moments) and it's not super-long and you can jump right in.

Batman: The Knight by Chip Zdarsky and Carmine Di Giandomenico is a "Bruce travels the world to learn the skills he needs to become Batman" and I'm really in love with the way Zdarsky writes a Bruce who is deeply complicated, messy, coming from a place of loving deeply, but also this man has twenty seven different flavors of fucked up trauma going on in that hell brain of his. Zdarsky's current run on the main Batman title has been my jam, but that's a bit of a darker leap than this one, and I think this one is a great way to get to know Bruce Wayne as a character.

Batman: Urban Legends volume 5 has a story called "The Murder Club" that is basically "Thomas and Martha Wayne are time traveled into the future and see what's become of their son, they're not thrilled about it, but come around when they see the people that love him so deeply--primarily Dick, Damian, and Alfred." and was an absolute BANGER for me for feelings, gorgeous art, and some great character moments.

Batman/Superman: World's Finest (2022) by Mark Waid and Dan Mora is an absolute knock-out, it's Bruce and Clark in their early days of their friendship, where Waid is one of the best writers in the industry for how fun his stories are but also how well he knows the characters, Mora's art is often THE portrayal I think of when I think of the characters, and there's a ton of bonus guest appearances from various characters across DC's universe. Also, I am biased, Dick tags along a lot, as he's still Robin at this point in time, and it's a great dynamic between the three of them.

Batman: One Bad Day: Mr. Freeze by Gerry Duggan and Matteo Scalera was easily the standout of the "One Bad Day" stories for me, it's set in the early days of Bruce & Dick as Batman & Robin and it has ADORABLE sunshine gremlin baby Dick Grayson, a genuinely touching story about Mr. Freeze and his wife, and some beautiful art.

Year One: Batman/Scarecrow (2005) by Bruce Jones and Sean Murphy is a fun look at the early days of Scarecrow, but also has absolutely banger baby Dick Grayson content, there's a scene where Bruce literally just grabs him by the scruff of the neck to haul him out of the way of a crowd about to stampede and it's the funniest thing because that 12 year old could destroy your face with his fists but also Bruce can literally pick him up one-handed. There's some great banter in there and it's just a super fun dynamic.

As you make your way through this list, keep the author/artist and year listings in mind, as often times there are multiple series under the same title and some are more relevant to what you're looking for right now than others. Like, there have been three different volumes of "World's Finest", but I want to direct you specifically to the 2022 version because I think that'll work better for you. Similarly, Nightwing 1996 is one of my faves, but I think the 2016 version will work better at drawing you in right now. This is definitely biased in favor of my faves, but I honestly think they work for good jumping on points for someone new to comics and who's coming from WFA and might not want to get into the messier stuff of the mainline comics right away. Hopefully, you'll enjoy these and anyone else who wants to transition from WFA to reading mainline continuity comics, feel free to join us! Yeah, comics fandom can be a bit of a pill sometimes, but genuinely there's a lot of really fun moments to love and the characters are so much more fun when you're reading their stories with all the history and depth behind them!