#(The early one from 2003 I might have??)

[koushirouizumi]

{Aut in J.P.} - "With the Light" {2000~2001} (Series originally ran until Jun. 2k10)

{My Notes + Commentary below}

[ryin-silverfish]

A Guide to the Chinese Underworld (and what it isn't)

As many FSYY and fox posts as there were on my blog, I am actually a huge fan of the Chinese Underworld mythos. Mostly because I was once a morbid little kid that loved reading about the excavations of ancient tombs, and found the statues depicting hellish torture in the Haw Par Villa "super cool".

Apart from the aesthetics, the history of its evolution is also fascinating. Most of us, Chinese or not, only know the most popular version of the Underworld——the "Ten Kings" system, yet that isn't always the case. So today, I'll start off with a short summary of that.

In pre-Qin era, there was already this generic idea of a "Realm of the Dead" called the Yellow Spring, Youdu, or Youming, but we know very little about it.

Then, in the Han dynasty, two ideas start to emerge: 1) the Underworld is a bureaucracy, 2) the God of Mt. Tai ruled over the dead.

This early bureaucracy might not function as an agent of punishment; the main focus was on keeping the dead segregated from the living so they wouldn't bring diseases and misfortune to the latter, as well as using those ghosts to enforce collective punishments upon people for their lineage's wrongdoings while they were still alive.

Post-Han, after Buddhism entered China and took root, its idea of karmic punishments and reincarnation and the figure of King Yama was merged with folk and Daoist ideas of the Underworld bureaucracy, and, came Tang dynasty, resulted in the "Ten Kings" system that first appeared in Dunhuang manuscripts.

It was very rudimentary and far from well-established, as seen in Tang legends, with some adopting the Ten Kings system, some sticking to the Lord of Mt. Tai and some favoring King Yama, and overall little agreements on who's in charge of the Underworld.

But the "Ten Kings" system would become the mainstream version from then onwards, used in Ming vernacular novels and made even more popular by folk religion scrolls like the Jade Records (Yuli Baochao).

As such, most points in the following sections will be based on the fully matured "Ten Kings" system of the Underworld, as seen in the Jade Records and JTTW.

What happens when you die?

(This is a fictionalized walkthrough of the posthumous fate of souls under the "Ten Kings" system. I try to stick to the very broad progression outlined in the Jade Records, but many creative liberties are taken on the details.)

Let's say there's a guy named Xiao Ming, and he had just died of a heart attack. Bummers. What now?

Well, the first thing he saw would be the ghost cops.

There isn't really an unanimous agreement on who these ghost cops are: they may be a pair of ghosts in white and black robes, wearing tall hats (Heibai Wuchang), they may have the heads of farm animals (Ox-Head and Horse-Face), or they can just be generic ghost bureaucrats. For convenience's sake, let's say it was the first scenario.

"Who are you guys and where are you taking me?"

"Glad you asked!" The taller ghost cop, being the cheerful one of the pair, replied. It wasn't very reassuring, considering that his tongue was dangling out of his mouth way further than it should. "I'm the White Impermanence, my sour-looking colleague here is the Black Impermanence, and we are taking you to the City God's office."

This City God, a.k.a. Chenghuang, is just like how it sounds: the divine guardian of a city, who also pulls double duty as the head of the local Dead People Customs Office. They are usually virtuous officials deified posthumously, and in JTTW, they fall under the category of "Ghostly immortals", together with the Earth Gods a.k.a. Tudi.

So Xiao Ming went with the two ghost cops——not like he had much of a choice, made his way through the long queue at the City God's office, and was now standing in front of a gruff old magistrate in traditional robes.

"Name?"

"Wang Xiao Ming."

"Age and birth dates?"

"21, April 16 2003…"

After he was done asking questions, the City God flipped through his ledger, then picked up a brush, ticked off Xiao Ming's name, and told him to go get his pass in the next room. More waiting in a queue. Wonderful.

"I never heard anything about needing a pass to get to the Underworld," the girl in front of Xiao Ming asked the ghost cops, who were standing guard nearby. "Is this a new policy or something?"

"Yeah. In the old days, we'd just drag y'all straight to the Ghost Gate." The ghost cop in black said, then muttered to himself, "Fuckin' paperworks and overpopulation, man…"

(This "Dead People Passport" thing was popularized in the middle-to-late Ming dynasty, as shown by the discovery of such documents inside tombs in southern China. )

(It might have evolved from similar passes to the Western Pure Land in lay Buddhism that recorded their acts of merits. Which, in turn, might be traced back to the "Dead People Belongings List" of Han dynasty, to be shown to Underworld bureaucrats so that no one would take away the dead's private property down there or something.)

Anyways, after he received his pass, Xiao Ming departed together with the rest of the bunch, to be led to the Ghost Gate. It was like the world's most depressing tourist group, where instead of tour guides, you got two ghost cops in funny hats, and the only scenery in sight was the desolation of the Yellow Spring Road.

They weren't the only travellers on the road, though. Xiao Ming noticed other groups moving in the far distance, behind the fog and the flickering ghostfire, led by similar figures in black and white.

It made a lot of sense; realistically, there was no way two ghost cops could fetch hundreds of thousands of dead people all by themselves.

(SEA Tang-ki mediums believed there were multiple Tua Di Ya Peks——Hokkien name for the Black and White Impermanences, working for different Underworld Courts.)

At last, the Ghost Gate stood in front of Xiao Ming, guarded by two towering figures. Normally, they'd be Ox-Head and Horse-Face, like what you see at Haw Par Villa's Underworld entrance.

However, older Han dynasty works like Wang Chong's 论衡·订鬼 also mentioned two gods, Shenshu and Yulei, as guardians of the Ghost Gate, who would use reed ropes to capture malicious ghosts and feed them to tigers, making them possibly the earliest incarnation of "Gate Gods".

So here, they were what Xiao Ming sees, standing side by side like proper doormen, silently watching herds of ghosts being funneled through the entrance.

The place was more crowded than a train station during the CNY Spring Rush; the ghost cops had already said their quick goodbye and left to fetch the next group of dead people, leaving the resident officials of the Underworld proper to maintain order and quell any would-be riots.

Now you started seeing the Ox-Head and Horse-Face guys, poking at unruly ghosts with their pitchforks and dragging away the violent ones in chains. Among their ranks were other monstrous beings, blue-faced yakshas and imps, but also regular dead humans who look 100% done with their jobs, like the lady who stamped Xiao Ming's pass when it was finally his turn.

After this point, Xiao Ming had entered the Underworld proper, and his next destination would be the First Court, led by King Qin'guang. Here, his fate should be decided by what is revealed in the King's magical mirror.

If Xiao Ming was a good guy, or someone who had done an equal amount of good and bad things in life, he'd be sent straight to the Tenth Court for reincarnation. However, if the mirror, while replaying his life events, had displayed more evil deeds than good ones, he'd be sent to one of the 2nd-9th Courts for judgment and then punished inside the Eighteen Hells.

Each of the Ten Kings was also assisted by ghostly judges. Many of them were righteous and just officials in life who had been recruited into the Ten Courts posthumously——Cui Jue from JTTW is one such example, while others were living people working part-time for the Underworld, like how Wei Zheng, Taizong's minister, works part-time for the Celestial Bureaucracy in JTTW.

We decide to be nice to Xiao Ming, so, after reliving some embarrassing childhood incidents and cringy teenage phases in front of a bunch of dead bureaucrats, he was found innocent and sent to the Tenth Court.

The queue here was almost as long as the First Court's, stretching on and on alongside of the banks of the Nai River. King of the Turning Wheel made his judgment without even lifting his head when it was Xiao Ming's turn:

"Path of Humans, male, healthy in body and mind, ordinary family. Next!"

Exiting the Tenth Court building, Xiao Ming saw the Terrace of Forgetfulness, standing tall before six bridges, made of gold, silver, jade, stone, wood, and…some unidentified material. Before he could get a good look at them and the little dots moving across those bridges, he was hurried into the Terrace by the ghostly officials.

Now, both JTTW and the Jade Records mention multiple bridges across the Nai River. In the former, there is 3, and the latter, 6. The bridges made of precious materials are for people who will reincarnate into better lives, as the wealthy, the fortunate, and the divine, while the Naihe Bridge is either the common option or the terribad shitty option.

However, the Naihe Bridge proved to be so iconic, it became THE bridge you walk across to reincarnate in popular legends.

Anyways, back to Xiao Ming. He found himself standing in a giant soup kitchen of sorts, with an old lady at the counter, scooping soup out of her steaming pot and into one cup after another.

This is Mengpo, the amnesia soup granny; according to the Jade Records, she was born in the Western Han era, and a pious cultivator who thought of neither the past nor the future, only knowing that her surname was Meng.

Made into an Underworld god by the Jade Emperor, she cooks a soup of five flavors that will wipe the memory of the dead, making sure they do not remember any of their past lives once they reincarnate.

It tastes awful. Like what you get after pouring corn syrup, coffee, chilli sauce, lemon juice and seawater into the same cup.

Such was Xiao Ming's last thought, as he gulped down the soup, and then he knew no more.

Things you should know about the Chinese Underworld:

1. It's not the Christian Hell.

Rather, the Chinese Underworld functions somewhat like the Purgatory, in that there are a lot of torment, but the torment's not eternal, however long the duration may be. Once you finish your sentence, you get reincarnated as something else, though that "something else" is not a guaranteed good birth.

Other people can also speed up the process via transferring of merits: hiring a priest/monk to chant sutras and perform rituals, for example, or performing good deeds in life in dedication to the dead, or they can pray to a Daoist/Buddhist deity to save their loved ones from a dreadful fate.

Interestingly enough, a thesis paper I read mentions that, whereas Buddhist salvation from the Hells was based on transference of merits——you give monks offerings and pay them to chant sutras, so they can cancel out the sinners' bad karma with good ones, Daoist ideas of salvation tend to involve the priest going down there, sorting it out with the Underworld officials, and taking the dead out of the Hells themselves.

(The paper also stops at the Northern-Southern and Tang dynasties, so the above is likely period-specific.)

2. Nor is it run by evil demons.

Underworld officials are not nice guys and look pretty monstrous and torture the sinful dead, but they are not the embodiment of evil. Rather, the faction as a whole is what I'd call Lawful Neutral, who function on this "An Eye for An Eye" logic, where every harm the sinner caused in life must be returned to them, in order for their karmic debts to be cleansed and move on to their next life.

They can absolutely be corrupt and incompetent and take bribes——Tang dynasty Zhiguai tales and Qing folklore compendiums featured plenty of such cases, but that's a very mundane and human kind of evil, not a cosmic/innate one.

This is just my personal opinion, but if you want to do an "evil" Chinese Underworld? It should be a very bureaucratic evil, whose leaders are bootlickers to the higher-ups, slavedrivers to their rank-and-file workers, and bullies who abuse their power over regular dead people.

Not, y'know, Satan and his infernal legions or conspiring Cthulu cultists.

3. The Ten Kings are not Hades.

Make no mistake, they still have a lot of power over your average dead mortal. But in the grand scheme of things? They are the backwater department of the pantheon, who only show up in JTTW to get pushed around and revive the occasional dead people.

When Taizong made his trip to the Underworld, the Ten Kings greeted him as equals——kings of ghosts to the king of the living. If they see themselves as equal in status to a mortal emperor, then, like any mortal emperors, they are subordinate to the Celestial Host, and the balance of power is not even remotely equal or in their favor.

Also, it isn't said outright, but under the Zhong-Lv classification of immortals JTTW is using, Underworld officials will likely be considered Ghostly immortals, the lowest and weakest of the five types, much like Tudis and Chenghuangs.

Essentially: they are ghosts that are powerful enough to not reincarnate and linger on and on, spirits of pure Yin as opposed to true immortals, who are beings of pure Yang.

It's pretty much the shittiest form of immortality, the result you get when you try to speedrun cultivation (the Zhong-Lv text also made a dig at Buddhist meditation here), and if they don't reincarnate or regain a physical body, there is no chance of progressing any further.

Oh, and fun fact? In the Song dynasty, commoners and literati elites alike believed that virtuous officials in life would get appointed as ghostly officials in death.

However, the latter viewed it as a punishment. Which was strange, considering how they still held the same position and the same amount of authority, just over dead people instead of living ones, so there should be no big losses, right?

Well...it was precisely the "dead people" part that made it a punishment. See, a lot of the power and prestige they had as officials came from the benefits they could bring to their families and kins and native places, as well as the potential wealth and reputation bonuses for themselves.

A job in the Dead People Supreme Court would give them the same workload, but with none of those benefits. Since all the dead people had to reincarnate eventually, they couldn't have a fixed group as their power base, or keep their old familial ties and connections. At most, they could help out an occasional dead relative or two.

Like, working for the Underworld Courts was the kind of deadend (no pun intended) job not even living officials wanted for themselves in the afterlife. That's how hilariously sad and pathetic they are.

4. In JTTW at least, they aren't even the highest authorities of the Underworld.

That would be Bodhisattva Ksitigarbha, who is technically their boss, though he seems to be more of a spiritual leader than someone who is actually involved in running the bureaucracy.

Which makes sense, since he has sworn an oath to not attain Buddhahood until all Hells are empty, and his role is to offer relief and salvation to the suffering souls, not judging and punishing them.

Now, historically...even though Ksitigarbha in early Tang legends was still the savior of the dead, he seemed to be unable to interfere with the judicial process of the Underworld, merely showing up to take people away before they were judged by King Yama.

However, in the mid-Tang apocryphal "Sutra of Bodhisattva Ksitigarbha" (地藏菩萨经), he had evolved into the equal of King Yama, with the power of supervision over his judgements. By the time the Scripture on the Ten Kings came out, in artistic depictions, the Ten Kings had become fully subservient to him.

5. Diyu usually refers to the prison-torture chamber part, not the courthouse, nor is it the entirety of the Underworld.

And for the majority of souls that haven't committed crimes, they'll only see the courthouse part before they are sent to reincarnation. That's why I personally don't like, or use the name Diyu for the Chinese Underworld: I prefer the term Difu ("Earth Mansions"), which encompasses the whole realm better.

Also: even though historical sources like the Scripture on the Ten Kings and Jade Records seem to suggest that the dead were just funneled through this Courthouse-Prison-Reincarnation pipeline with no breaks in between, in practice, that isn't the case.

According to popular folk beliefs, after the dead were done with their trials/sentences, they stayed in the Underworld for a period of time and led regular lives, while functioning as ancestor spirits and receiving offerings.

Which would imply that the Underworld had a civilian district of sorts, populated by regular ghosts, making the whole realm even less of a direct Hell/Purgatory equivalent.

6. It is located in a different realm, but still part of the Six Paths and doesn't exist outside of reality.

In Buddhist cosmology, like the Celestial Realm, the Underworld is part of the Realm of Desires and thus subject to all the woes of samsara.

The pain and misery of the Path of Hell may be the worst and most obvious, but becoming a celestial being isn't the goal of serious Buddhists either: despite all the pleasures and near-infinite lifespan they enjoy, they are not free from samsara and will eventually have to reincarnate.

So if, say, the world is being destroyed at the end of a kalpa, all beings of the Six Paths will perish alongside it, leaving behind a clean slate for the cycle to start anew. The dead won't all end up in the Underworld and face eternal damnation.

7. The Black and White Impermanences would not appear in the Underworld pantheon formally until the Qing dynasty.

The concept that when you die, you get fetched to the Underworld by petty ghost bureaucrats is already well-established in Tang legends, but these were just generic ghost bureaucrats in all sorts of colorful official robes, with yellow being the most common color.

The idea of there being two specific psychopomps in black and white would only become popular in the Qing dynasty. Mengpo is kinda similar: although she existed before the Ming-Qing era as a goddess of wind, venerated by boatmen, her "amnesia soup granny" incarnation came from the Jade Records.

[crowroboros]

A Really Cool Detail About Might Crystals in The Legend of Zelda: Echoes of Wisdom

The first time I encountered a Might Crystal was maybe ~an hour into the game. I think I found it in a chest or something in Suthorn Forest and the first thing that I thought was "Huh...that looks kind of like bismuth." But, as I was so early on in the story that I didn't know much about what the Might Crystals were, I didn't think much more of it.

Well here I am with 46 additional hours worth of playtime in Echoes of Wisdom, and I'm here to say that there is a very cool reason that Might Crystals resemble bismuth crystals!

Before we get into bismuth, I need to talk about what is going on in Echoes of Wisdom. This WILL contain mid-to-late game spoilers, so do be warned.

Long before Creation there was nothing more than a void—a vast empty oblivion. Occasionally, bits of matter would spark to life in this nothingness. Nothing substantial, just small clumps of reality managing to form only for a moment. Only a moment, for anything that managed to flicker to life was devoured by the one who dwelt within this void:

Null.

Null is the main antagonist of Echoes of Wisdom. It is an ancient, incomprehensible lifeform that thrives in the absoluteness of zero. Nothingness personified.

Seeing the way these sparks of existence were so quickly extinguished, the three Golden Goddesses—Din, the Goddess of Power; Nayru, the Goddess of Wisdom; and Farore, the Goddess of Courage—descended from the heavens and forced Creation. Together, the three built the world itself and everything that makes up reality with Null imprisoned and contained at its center.

The Golden Goddess then departed back to the heavens, leaving behind the Triforce, the Secret Stones (though they aren't relevant for this, just thought I'd throw them in since we know they were created around this time), and the Tris. The Triforce and the Tris served as the glue keeping reality together; the Tris specifically being created to maintain the structure of the world, as even though Null was imprisoned that didn't stop it from consuming and returning the world to nothingness.

From the point of Creation onward, Null and the Tris were locked in a delicate balancing act of destruction and recreation. Null ate away at the world, creating rifts that tore through reality. And in turn, the Tris constantly patched up these rifts, quickly restoring what was lost.

This return to nothingness is a major part of the themes of Echoes of Wisdom, and why Might Crystals likely were inspired by bismuth.

Might Crystals—as well as the energy they produce—are some of the only things capable of withstanding Null and the void. When everything else is lost, these crystals remain. But what does this have to do with Bismuth?

Well visually both Might Crystals and Bismuth share the iconic stairstep spiral growth structure, but the main reason I believe bismuth to be the inspiration for the Might Crystals is the Bismuth-209 isotope.

Bismuth was previously thought to be the heaviest stable element, with only one stable isotope (Bismuth-209). I say previously because in 2003, a research team at the IAS (Institut d'Astrophysique Spatiale, a research institute in France) came to the realization that the Bismuth-209 isotope is actually undergoing alpha decay at an incredibly slow rate. How slow? Well it was determined that Bismuth-209 has a half life of approximately...

2.01x10^19 years. Or about 20,100,000,000,000,000,000 years (20 quintillion if you don't know/don't want to count out the zeroes).

For reference, that is billions of years longer than the current estimated age of the universe.

It is because of this inconceivably long half-life that it is said that bismuth will be among the last elements to disintegrate. And it is that bit of information that I believe inspired Might Crystals. If you need to come up with a crystal that can withstand nothingness itself and outlive matter in a void that consumes endlessly, what better choice to base it off of than the element that decays so slow that we used to think that it was stable?

I just thought that it was a cool detail. This is a bit different from my other Zelda posts—as this isn't me talking about the lore and story, but rather me talking about a possible irl inspiration for something in the series—but I thought this was really cool and I wanted to share my thoughts.

[mysterycitrus]

This is so stupid but I was wondering if you might have any Dick and Roy meta? I've always loved your meta posts about the relationships between the Fab Five and different characters and lately, I've been seeing a lot of those posts where people splice certain comic pannels with poems/sayings/inspirational quotes and things that match and I've been wanting to have more in-depth ideas of the relationship between Dick and Roy because they're just so interesting but I don't have the brains to come up with anything myself

when i think about dick grayson and roy harper i think about the trope king + lionheart — a burdened hero, and their loyal protector — and how they switch roles with each other. like two standout dickroy books are probably old friends, new enemies and outsiders (2003), and while they’re both initiated with roy reaching out to dick for help, his motivations are very different. i think that dynamic, and how they don’t fit solely into one role, is part of why i enjoy reading about them so much.

in old friends, roy is the king — he’s trying to track down chesire and find lian, and isn’t initially honest about his intentions. he’s struggling with his decisions, and his faith in himself. dick acts as the moral support, his backup, and also calls him out on his actions.

but their relationship is still loving. there’s a solid foundation of trust that makes dick want to support roy and protect his daughter, to the point that he and jade nguyen show a (very) begrudging respect to each other.

in outsiders, dick is the king — donna has just died, bludhaven is going to shit, and roy knows that he’s spiralling. roy is the solid support who convinces dick to lead a new team because he knows dick hurts himself through isolation. they’re both grieving donna and the loss of their team, but roy forces dick to reconnect again. he forces dick to care.

despite being the leader of the outsiders, dick is uncompromising in his loyalty in roy. he tells people to leave if they don’t accept roy’s authority in the team. after roy is shot, dick takes the same action as roy in the first issue — he brute forces his way into getting roy out of the spiral. he holds a gun to roy’s head and tells him to take it.

im a huge sucker for friends to lovers, but what i really love is two competent people with absolute faith in each other. i dislike the idea that bat-characters are like….. absurdly op and everyone is just in awe of them all the time, but dick’s reputation means that trusting someone the way he trusts roy is important. he watched his teammates die, he watched his sister die to save his life, and he still trusts roy to be there. roy historically has a bit of an inferiority complex about working with dick, but dick does not reciprocate. dick knows roy will be there when it counts.

there’s a particular kind of love that comes from mourning the same person during one of the worst times of your life.

the fact that the early tragedies in their lives are so similar, that they lost family and an idea of place at similar ages, were mentored by mortal men who wanted to do good, but still ended up so close but so different is really really interesting to me. u get to outsiders, and they really know each other in a really intense way.

truly like…. i would fall on ur sword because i trust u not to land the killing blow. to finish — something something gay people

[paperlifted]

A Turtle By Any Other Name

Because I had a little too much time on my hands: a tally of the names everyone's favourite sewer family uses for each other throughout the first season of TMNT 2003!

Includes all direct addresses, names given to a third party, and names dropped during the pre-episode narrations.

As you'd expect, a few trends jump out immediately - the impact of Leo's close relationship with his sensei, the A-team / B-team pairings, Master Splinter's determination to stick to the full names he chose thank you very much. But there were some interesting little quirks too!

• Leo narrowly wins the prize of being the top turtle on everyone's lips, scoring a total of 96 mentions over 26 episodes. Michelangelo is right on his tail with 94, though - and he does it without any Raph nicknames or a dedicated coma episode. That's talent.

• Leo returns the favour at least, hollering after everyone a whole 135 times. Raph comes in second with a respectable 99.

• Leo names Master Splinter 49 times to Raph's 17 - but fascinatingly, it's Raph who claims the only two references any of them make to Splinter being their father. Overall, the kids keep it respectful - "Master Splinter" or "Sensei" are the preferred addresses by far. Notably, while the older brothers might occasionally drop the Master, youngest Mikey does not.

• Who's playing favourites? Well, possibly Donnie - 52% of the time he's naming a brother, it's Michelangelo. Mikey, on the other hand, is pretty egalitarian, with only a few points of difference separating his bros (though Don's his favourite too).

• When the brothers full-name each other it doesn't necessarily mean they're mad, but they do tend to be making a point of some kind. It's fitting, then, that Leo follows in Splinter's footsteps by being one of the main culprits, and often reserves it for serious moments. Mikey, in contrast, is almost always making a jab ("poor choice, Raphael!" "Leonardo, you got some 'splaining to do..."). The middle children don't really go there at all - Raph drops a Donatello once in a narration, and otherwise makes a sweet gesture in reintroducing the new and improved "Leonardo" to the family following his recovery from Shredder's beatdown. And I have embarrassingly forgotten the context for Don's single Michelangelo... but I'd wager it was chiding.

• Donnie is the standout in having two diminutives that are used often and interchangeably by all his brothers, with only Leo showing a real preference (Don > Donnie). There wasn't any noticeable tone-mapping either; everyone just kind of switches it around whenever.

• There are a couple of Mikes in there too! Again, I don't think it lined up with any particular mood or scenario, besides dropping earlier in the season rather than later.

• Raphie is a rare and precious nickname reserved exclusively for little brothers (and sometimes Casey). As it should be.

• I expected Raph to be more of a nicknamer overall given his colourful speech patterns, but when you filter out all the off-hand 'bonehead' and 'oddball' insults, there's not actually that much going on. A single Fearless for Leo, a couple Brainiacs for Don...it'd be interesting to see if that changes at all as the show goes on. And in retrospect, maybe I should have counted his 'bro's.

• The single 'bud' Leo throws Don's way tickles me. He never does it again, and never does it to anyone else either! Early instalment weirdness?

[toychest321]

Sorry for being late to post about Ramadan (school's been hell recently), but I thought I could take the opportunity to highlight some Muslim dolls! While there aren't many, one of my favorites is Fulla! For those unaware, Fulla was made by the company NewBoy FZCO and has been running since 2003! (MASSIVE thanks to Dollect for most of the information on her, at least throughout her early run in the 2000s) According to Dollect, some of the first dolls released of her with a hijab was in 2005 from the "Fulla with Abaya" sets, which apparently had embroidery on the sleeves! I love the long skirts, they give me Flower Power Barbie vibes!

There were also apparently "Outdoor Fashion" dolls with a surprise element where beneath their Abaya they'd be wearing an outfit of a specific color out of purple, pink, and green. They were MILES ahead of the surprise toy gimmick of the 2010s.

However, I can't find exactly what their outdoor outfits looked like? There aren't any images of them on Dollect, though I suppose these might be them? No confirmation of such, of course, but I found the pink one labelled for 2004 on another website.

It seems to check out with the description of having purple and pink variants in the outfit, but the beige and black leads me to believe these might be another release entirely... regardless I adore the detail in these coats! Anyway, I'll be posting about these more soon, but for now I better get back to that homework I just got distracted from lol. If you guys know of any other Muslim dolls you'd like me to post about feel free to send an ask!

Ramadan Kareem!

(Edit: Y'all thank you so much for the traction but please check out my reblogged edits to this post, I lowkey fumbled the info on the mystery outfits the first time around 😭)

[andre-and-cal]

hiii!! this might be a stupid question, but do you have any headcanons on how andre + cal would act online? like would they have their own webpages, and how they would chat and stuff like that :p

also, i love your writing so much <3

Hii!! :3 That’s not a stupid question at all !! And TYSMM IM SO GLAD :D <33 These were fun to make, I hope you like these!

Andre and Cal Online Headcanons,,

Andre’s username on his favorite social/chatting websites is @ak47_0717, while Cal’s is @gunslinger83. The reasoning behind their usernames, first of all, is that Andre’s initials are AK. Because of his unsettling interest in firearms, he’s bound to be interested in one of the most popular guns in the world— the AK-47. He likes having his initials similar to the “AK” in AK-47. The four numbers at the end of his username are his birthday. Cal’s username is pretty self-explanatory; he calls himself a gunslinger, and the ‘83’ at the end of his username is the year he was born.

Andre and Cal talk to each other on AOL, which was one of the most popular online services for internet users at the time. They also chat on MSN Messenger, and they used to communicate on ISQ, which was more popular in their middle school years and early high school years— the late 90s.

With Blogger having been established in 1999, Andre and Calvin created accounts. They follow gun blogs and blogs dedicated to books, movies, and bands they like. Also, Andre follows— although he doesn’t really interact with— the Iroquois Track Team and Science Club blog pages. Cal follows the school band’s page. Despite following different blogs, they don’t really post much on Blogger; they like to stay relatively quiet and unnoticed. Andre does leave hate comments on posts from people he doesn’t like. Since anonymity wasn’t as robust as it would come to be in the mid 2000s— the years following Cal and Andre’s deaths— he made an alt account with a fake name for the sole purpose of hating on the Iroquois Wrestling Team blog page… for obvious reasons having to do with Brad Huff. He also leaves hate comments on Rachel’s posts. Cal mentions this mysterious user to Andre sometimes, mentioning how Rachel talks about how this unknown person on the internet criticizes her posts. Andre plays dumb and acts uninterested, yet he listens intently, replying with soft “Mhm”s, as well as a “Damn, that sucks”. He doesn’t want Cal growing suspicious.

They play girls’ flash games both for the hell of it and for the irony. They get relatively entertained from these online dress-up, salon, and cooking games, with Cal being aware these games are aimed at girls. He intentionally makes his character look ugly and goes into hysterical laughter over it— he absolutely laughs at the stupidest shit. However, Andre actually tries and is surprisingly concentrated on the game, face frozen with stoicism and focus. Andre would never admit it, but with his family having a cat, Mel, he finds pet care flash games to be genuinely fun.

Andre and Cal illegally download music and share it with each other by Napster or by email. They’ve sacrificed their computers for the sake of copying a System of a Down song onto their files for free, instead of physically buying the CD. In 1998, when Andre was still a freshman in high school, he ended up getting the CIH virus (Chernobyl virus) which practically wrecked his software and ruined his computer. Whole Calvin teased him for getting such a destructive virus on his computer, he ended up informing his parents. He’d told them that Andre needed a new computer, and he suggested that they pitch in to help Andre’s parents buy him a new computer for his 16th birthday in the summer. Because for the time being, Andre would have to use Cal’s.

Andre and Cal share similar humor in most areas. And since internet memes were beginning to rise in popularity, the two boys send or email each other dark humor memes and chuckle at them.

If they were alive in 2003, they would have used 4chan !!

Andre uses all types of different acronyms when chatting, such as but not limited to “ROFL”, “LOL”, “LMFAO”, “BRB”, “ILY”, “IDK”, and “BTW”. He often capitalizes the first letter of his messages and types faces like “:-)” and “>:(”.

Cal, too, uses many acronyms online. He also types with no capital letters, and he often takes shortcuts when he’s chatting with Andre. He creates little faces with the keys on his keyboard and copies and pastes special symbols online. When he’s typing to Andre first, his first message is usually a simple, “hi” of some sort.

They both play Doom together, considering how 1993 Doom was multiplayer when it first came out.

GeoCities !! Cal and Andre created their own website for the Army of Two. They didn’t necessarily say much on the site, and they didn’t give the site name to anyone they knew. But they still specified who they were and their interests without giving away their last names.

In addition, Andre and Cal used GeoCities to make a screamer site, and they made different alt emails to troll Brad Huff by sending the link to him, without him finding out who they were.

Sometime during the final week before Zero Day, their last few days of being alive, they’d both typed up a short, lovesick letter in their notepads— two messages they’d always wanted to tell each other but never got the chance to. Cal had gone on a tangent about how much he enjoyed being Andre’s comrade, how much he enjoyed Andre being his. Also, he was saying his goodbyes before their final mission and how he loved Andre and hoped he’d see him on the flip side. Whereas Andre was saying how he was looking forward to escaping the school with Cal and how he hoped they’d have a better life together, even while they were wanted from the cops. He mentioned how he loved Cal, too, but with his own phrasing of that declaration. But that ended up being an unrealistic expectation on Andre’s end.

[literaryvein-reblogs]

Monkey see, Monkey do in writing? I don't know how I think this in the story but I wanted it like a natural occurrence between Sibling. How does this could be achieved in the story

Writing Notes: Monkey see, Monkey do

Monkey see, Monkey do - imitation (for a good reason, for a stupid reason, just by instinct...). It is assumed to be an old saying.

Siblings seem to demonstrate an understanding of others’ minds and emotions during real-life interactions long before they show this understanding on more formal assessments.

In particular, this understanding is revealed during episodes of imitation, teasing, shared humour, pretend play, conflict resolution, teaching, prosocial behaviour, and through their use of connected communications and emotional and mental language during conversations.

First-born siblings engage in leadership, teaching, caregiving, and helping roles, whereas second-born siblings are more likely to imitate, follow, take on the role of learner, and elicit care and help.

Younger siblings often imitate the older child’s language and actions during play, which is one way to establish shared meanings.

Siblings demonstrate the ability to teach one another during semi-structured tasks and also during ongoing interactions while playing together at home, while taking into account their sibling’s knowledge and understanding.

Because infants show the ability to imitate at as early as 6 months of age (Collie & Hayne, 2003), older siblings are some of the first teachers in infants’ lives.

The infants aren’t just learning unrelated skills via mimicry, though; they’re also perfecting the art of imitation itself.

One study showed that children with brothers and sisters are better at imitating than those without.

In the study, children with siblings had the tendency to observe and copy the behaviors of others without instruction more than only children did (Barr & Hayne, 2003). 

Infants who are strong imitators are known to be stronger social communicators, especially in terms of language understanding (Hanika & Boyer, 2019). Having infants develop this skill early on sets them up for success in social situations in the future.

Mimicry is vital in many different social interactions, and people have an intuitive sense of how much they like someone which is linked, at least somewhat, to imitation levels (Lakin & Chartrand, 2003).

Mimicry with strangers and acquaintances is strongly studied in this affiliative context, but it takes on a strong role in the development of young children with siblings.

Imitation for those children is a powerful learning mechanism, that teaches not only new motor skills but also social skills, like mimicry itself.

"Baby See, Baby Do" Trope

Named from the expression "monkey see, monkey do".

Babies like to copy. It's how a lot of them learn. Sometimes, it even leads to them saying their first word.

If a baby copies another person, it usually means (or is taken to mean) that they like that person, so the other characters will find it adorable, even if the one being copied doesn't like it.

Sometimes, a character will make a remark about how the baby will grow up to be like the one being copied.

At times, it can overlap with Licked by the Dog trope if the person being copied is or has a reputation for being tough or evil and the surrounding characters believe that babies copying someone means they like them.

If the baby copies an undesirable behavior (swearing is a common one and it might lead to Little Brother Is Watching trope if the baby copies an undesirable behavior from their older sibling), quite often, the older people will try to get them to copy a better behavior, and some adults might try to get their babies to copy them if they want to make them talk.

Examples of "Baby See, Baby Do" Trope.

A Series of Unfortunate Events: At the end of "The Reptile Room", Violet and Klaus are talking about how "brilliant" the murder victim was, to which their baby sister Sunny says, "Brilliant!".

In Alice's Adventures in Wonderland, the Duchess is singing a song about beating her baby son when he sneezes and the chorus consists of only "Wow wow wow!", which the baby joins in on.

Incredibles 2: When Dash says that he wants to fight bad guys and mimes fighting, Jack-Jack also mimes fighting and shouts out some gibberish that ends in "bad guy".

Monsters, Inc.: When Mike says a line of dialogue that includes his first and last names (Mike Wazowski), Boo repeats it. She keeps repeating it until it becomes sort of her catchphrase (along with "Boo!" (how she got her nickname) and "Kitty" (what she calls Sully). She also copies Sully's "Shh" when he tells her to stop laughing.

In The Adventures of Pinocchio (1996), earlier Pinocchio displays this kind of behavior, imitating words and actions of those around him. He's technically "newborn" and is experiencing the world for the first time.

Sources: 1 2 3 4 ⚜ More: References ⚜ Writing Resources PDFs

Choose which of these notes are most appropriate to incorporate in your own story. Also found some examples that could be used as inspiration, alter as needed. Hope this helps with your writing! More references:

Children's Dialogue ⚜ Examples of Children's Dialogue

Children's Speech & Language

Emotional Development of Adolescents

[leandra-kinard]

The Tommy timeline is making me insane

We know the 911 writers are REALLY crap about timelines. I mean, just within the Eddie Begins episode there are several dates that just don't add up. I love those writers, but they can't even count to 10, lol.

Tommy was never supposed to come back, so him being in his late 20s-ish in 2005 when Chim joins the 118 was of no consequence, but now that Tommy is back, that makes it really difficult to say how old he really is.

Some people have speculated that he's 45, but I find that too old. Lou was born in Nov 1984, which makes him 39 currently. I could see Tommy being 1-2 years older than that AT MOST.

So let's say Tommy was born in early 1983 and go from there.

He would have started school at 6.5 and finished HS at 18 years old in 2001. Which means he could have joined the army that year and started training to be a helicopter pilot.

There's a program called "From Street to Seat", also sometimes called "High school to Flight School", so that is a possibility. Training would have been around 2 - 2.5 years until he'd achieved the rank of Warranty Officer and be a fully trained helicopter pilot in late 2003. After that, you have to enlist for TEN years at minimum to repay them getting you through flight school.

At that point, the US had entered the war in Afghanistan and just started the one in Iraq.

Tommy could have been stationed anywhere in the US, or been deployed to one of those countries, or at first, as a still very young officer, been deployed to an allied country like Germany. In the early 2000s, there were many bases in Germany where US soldiers were stationed, only serving short missions in Afghanistan or Iraq. So that's an option if we don't want him to be permanently stationed inside a war zone.

Now, how did young Tommy leave the army early so he ended up being a firefighter just two years later?

Well, there's always medical discharge, but if it was for any injury, him already being a member of the team (and by the looks of it no longer a probie) in 2005 is a bit tight. He'd have to recover from his injury, then apply, then be accepted, do the basic training at the academy (18 weeks) and his probie year... so yeah, that's really a very tight timeline.

Another option would have been Don't Ask, Don't Tell. Back then, army members could not be actively asked if they're gay and therefore fired for it, but if they voluntarily disclosed/confirmed it, they would be kicked out.

If he was lucky (and probably the version I'm going for in my fic), and had a very lenient superior officer, he might be offered medical discharge for depression. Usually, that can get you out of the army pretty quickly.

So, to recap:

Born between Jan/June 1983

Finished high school summer 2001, joined the army

Finished flight school in fall 2003, was deployed somewhere or in service in the US

Found out/discharged in early 2004

Started LAFD academy in summer/fall 2004

Started his probie year end of 2004

Just finished it when Chimney joined in (should be late) 2005, at now 22 years old.

Still an incredibly tight timeline, and I wish Chim joining had been more like 2007 or so, but alas. It works.

You are welcome.

And I need to lie down. God I hate inconsistent timelines, lol.

Oh and I just looked it up, and apparently you're only a probie for 6 months at the LAFD, so I guess that makes it a little easier.

I mean, if you shift things around a little, you could even make him only 40 now, born in summer 1983 instead of early. Maybe he was initially gifted and able to enroll in school at just barely 6 years old.

[transmutationisms]

hello! I remember you making a post mentioning Margaret Sanger + eugenics recently… I’m wondering if you might be willing to share more thoughts on the relationship between Sanger, eugenics, and the birth control movement? or if you have any recs for papers to read on this topic? thanks in advance if u have anything to share!

yeah i stuck some reading under the cut for length but basically and reductively this has become a poisoned discursive well because reactionaries of various stripes have discovered that Sanger was a racist eugenicist, and have also discovered that if you say that about a public figure, a certain brand of liberal will immediately rush to condemn the person with little to no reflection on what the significance of their objectionable beliefs might historically have been, so now every family values white supremacist thinks they are the cleverest boy in the world for being like "erm actually Planned parenthood was founded by a eugenicist" and the best response the average liberal can come up with is "[splits hairs] no it wasn't".

in reality what they should be saying instead is more along the lines of: this is because eugenics and white supremacy were incredibly popular politics in the usa in the late 19th and early 20th centuries, and were ideologies that united public health champions (& political figures in general) from across the 'left–right political spectrum'. additionally Sanger's rhetoric varied over time and by audience, though i'm not really interested in doing rehabilitative work for her historical image and mostly bring this up to demonstrate that eugenics was so popular it was widely rhetorically advantageous to throw support for it, whether you were a feminist demanding access to birth control or a garden-variety misogynist opposed to reproductive autonomy.

anyway Sanger's legacy and the legacy of US feminists in general simply has to account for the fact that both 'pro-life' and 'pro-choice' policy demands can be weaponised either for increased reproductive autonomy or for eugenic endeavours. it's not the [contraception / abortion / etc] in itself that creates the eugenics, and banning contraception or abortion doesn't solve the problem of capitalism nurturing and relying on eugenics (as disingenuous reactionaries already well know). a lot of right-wing writing on Sanger is indeed trumped-up, poorly substantiated, de-contextualised shock tactics—also, she did genuinely espouse a lot of racism and eugenics.

none of this is really relevant to the political question of whether, moving forward, reproductive autonomy ought to be ensured (it ought). but, it is certainly relevant to the question of why the us feminist movement has done a generally middling job of securing access to things like contraception and abortion: in part, this is because it has long been a movement that sacrificed an actual commitment to providing healthcare in an extremely unwise series of faustian racism bargains that (at best) framed reproductive rights in a very negative, libertarian-inflected way, and (at worst) threw over the principles altogether and wilfully ignored or even participated in the establishment of eugenic policies expressly designed to constrain the reproductive autonomy of racialised, poor, and disabled women.

Dorothy Roberts talks about feminist eugenics broadly, including some remarks on Sanger, in Killing the Black Body (1997)

Peter Engelmann's A History of the Birth Control Movement in America (2011) pretty much what it says on the tin; my notes from when I TA'd bioethics say we focussed on the introduction and chapters 1 and 3

Evolution and Eugenics in American Literature and Culture, 1880-1940: Essays on Ideological Conflict and Complicity (2003) ed. Lois Cuddy and Claire Roche has at least one chapter you'd probably find useful

there's also this annotated bibliography on Sanger but it's from the 80s, so the real value-add is if you want to see contemporaneous writings about her, or you want a list of her own actual publications. I don't know whether this is still considered a comprehensive list of the 70-odd years it does cover!

a couple dissertations, even though these are generally not as valuable citation-wise as published books or articles:

International Intercourse: Establishing a Transnational Discourse on Birth Control in the Interwar Era (2004) by Julie L Thomas, Indiana University

Feminist Eugenics in America: From Free Love to Birth Control, 1880–1930 (2006) by Susan Marie Rensing, University of Minnesota

[zahri-melitor]

I hate to be that person however:

"Why are Dick and Babs together in comics? They're being forced together!"

Dick Grayson and Barbara Gordon?

Yeah. A mystery.

But I guess, it might have a little something to do with the fact that back in 1995 both Dick and Barbara had returned to be firmly under control of the Bat office.

And in 1996 Chuck Dixon started writing them flirting with each other in Nightwing. And Devin Grayson wrote them having rooftop reminiscences on New Year's Eve where they told each other the same stories every year in DC Holiday Bash II. Which carried through to them flirting in Birds of Prey in 1999, and to having their first proper date on panel in Birds of Prey #8. And then shortly afterwards having them be very cosy in a dating way as Barbara patched Dick up in No Man's Land after he broke out of Blackgate.

And in 2000 we had the Hunt for Oracle crossover where Dick and Dinah had to work together to protect Barbara from Blockbuster's men coming to kill her.

And in 2001 Dick was sleeping over at Barbara's house and Barbara and Dinah had to rescue him when he was kidnapped by Shrike, and Babs was tucking little love notes in his gauntlet. And they had a favourite place to go for drives for a date and eat crab cakes in Joker: Last Laugh.

And in 2002 their contribution to Our Worlds at War involved Barbara and Dick travelling to another world and staking out a situation where they ended up making out by a fire. A lot.

And in 2003 we got Batgirl Year One which firmly retconned Dick and Babs into having dated in their teens.

And they KEPT dating until they officially paused their relationship in early 2004 while Dick's life was burning down around him, but they were STILL looking out for each other and when they officially bilaterally decided to break up with the other in Nightwing #100 and Birds of Prey #76 they left each other practically identical voicemails explaining how they loved the other one too much and their heads weren't in the right place and that it wasn't fair to be dating right now but they were still incredibly important to each other. As is obvious, in Birds of Prey #86 where Dick comes to Babs' house party in Metropolis and apologises and the two just hang out, sitting side by side.

And then in 2006 right as everyone expected Dick to be about to die in Infinite Crisis, Dick proposed to Babs and she accepted, because as I repeat this was written expecting Dick to DIE and even then the last thing they wanted to give him was to make sure that they were together.

And even when the engagement was broken off in 52 due to the rebellion saving Dick and Conner dying instead, Dick and Babs were still ready to drop anything for the other if one of them called, as seen by Dick coming at Babs' call when she faced off against Katrina Armstrong, or Dick taking Babs skydiving for her birthday in Origins and Omens in Nightwing #153. (I repeat, Origins and Omens, a series of shorts that were supposed to be Portending Doom moments or restating a character's background. Dick took Babs on a date)

And then during Reborn even while Dick and Babs were fighting with each other over the best direction for Gotham (and how hopeless the other's protege was) they still found time to get closer again, as seen in The Black Mirror and Birds of Prey #10.

And then it was the New 52 and while Barbara and Dick spent all 5 years of this Officially Not Dating, it was not because they didn't LOVE each other. Oh, no. In between having fond reminiscences of when they dated as teenagers while Robin and Batgirl, they were always checking in on each other, and the other's first phonecall. Babs bitterly mourned Dick's death and their lost future in Batgirl #30. Every time one of them gets out of a relationship they turn around and see the other, only to find THEM in a new relationship. But they're backing each other up and hanging out together and the UST just keeps building.

And then we get Convergence: Nightwing and Oracle in 2015 in a specific continuation of preboot, where Dick and Babs are together again (and basically getting to rerun No Man's Land) and in the face of alien nightmares and the end of the world, again, Dick proposes again and Barbara, after contemplation, accepts and they get married.

And then it's Rebirth and 2016 and Dick and Barbara are still circling around each other and turning up in the other's books for team ups and deep and meaningful conversations, and flashing back to their teens together (Batgirl #14-17 2016), and Dick has to talk seriously with Babs about What They Have Between Them before he has his relationship and pregnancy scare with Shawn Tsang and if either of them were simultaneously single it is obvious that it would very shortly be BACK ON.

(And then I am currently up to mid 2018 on my read and Dick is very shortly about to get head-injuried into being Ric for a while)

However I am aware that in Dark Nights: Death Metal Dick and Barbara get unofficially married again because it's the end of the world and they'd rather be married than not (are you sensing a theme here?).

And in Li'l Gotham, which is largely an adaption-continuation of preboot with some quirks of its own, Dick and Babs are very seriously dating and possibly may be married.

And in Juni Ba's The Boy Wonder Dick and Babs are so together they're discussing the shopping list while crime fighting.

Like, the answer to "why are Dick and Babs dating in Nightwing" is basically "have you read any of the last 28 years of Bat comics?" Because I dunno, but I have read almost every joint appearance of Dick and Babs between 1995 and 2018 so far and let me tell you they are either dating, lusting after each other with a lot of UST, or determinedly explaining to the other why they can't be together at this exact second because [obstacle].

It's not exactly hard up for precedent, folks.

[bestiarium]

The Crawfordsville Monster [modern cryptid; urban legend]

As far as modern urban legends go, most sightings of cryptids and creatures tend to fall into one of several recognizable categories: a lake monster, a flying saucer, an ape-like creature, etc. But every once in a while you have something weirder or unique:

On April 5, 1891, a supposed monster was sighted in the skies above Crawfordsville, Indiana, in the USA. A local pastor, Reverend G. Switzer, left his house to get some water from the well in his backyard when he supposedly experienced a strange feeling somewhere between dread and awe. Uncertain what caused this feeling, he looked up to see a large serpent-like being flying through the sky. The snake moved quickly even though there was no wind that night, and seemed like it was about to land, only to change its mind and take off again.

The paster and his wife were not the only witnesses, for that same day the apparition was seen by two workers about to haul ice on their wagon. They were so frightened of the creature that they took shelter until it was out of sight.

The size of the creature varies between stories, putting it somewhere between 16 and 20 feet (5 à 6 meters). It did not have wings – although other accounts added several fins or fin-like structures – but was able to fly by means of writhing movements, not unlike those of a real snake. The monster was white and had no head, or at least no clearly visible head, but it did have a large, brightly burning eye. Despite the lack of a visible head or mouth, the monster emitted a wheezing noise.

The Crawfordsville Daily Journal named the creature ‘the Midnight Wraith’ but today it is more commonly referred to as 'the Crawfordsville Monster'.

When researching this sighting, I came across some very weird UFO theories. While they tend to strain credibility, I admit that it’s fun to theorize about, in a fantasy worldbuilding kind of way. For example, the last source I listed here mentions a theory about atmospheric creatures that live in the clouds of our planet and stay afloat because of their extremely low-density bodies. The Crawfordsville monster, supposedly, could be such a creature.

Several explanations have been put forth. Some claimed it was a spirit. Professor Robert Burton assumed that the witnesses might simply have been under influence of alcohol or drugs. A later sighting in the same location put forth a simpler, albeit anticlimactic, explanation: two men followed the flying ‘monster’ around until it came close enough for them to identify it as a giant flock of killdeer birds: local birds with a distinct white belly. There were several hundred of them in the flock, and the birds’ erratic flight pattern might have been caused by their confusion from the electric lights, and the many moving ‘fins’ of the monster would have been the wings of the different birds. Perhaps exhaustion in the early hour, combined with the dark night sky, caused the ice haulers and the pastor to mistake the flock for a monster.

Sources: Clark, J., 2005, Unnatural Phenomena: A Guide to the Bizarre Wonders of North America, Bloomsbury Publishing USA, 408 pp., 160 pp., p. 87-88. Zach, K. B., 2003, Crawfordsville, Athens of Indiana, Arcadia Publishing, p. 140-141. Hunt, C. M., 2023, Ghosts & Legends of Crawfordsville, Indiana. Haunted America, Arcadia Publishing, 160 pp., p. 12-18.

(image source 1: Mart, T.S. & Cabre, M., 2021, A Guide To Sky Monsters : Thunderbirds, The Jersey Devil, Mothman, and Other Flying Cryptids, Indiana University Press, 174 pp.) (image source: Enshohma on Deviantart)

[not-wholly-unheroic]

A Comparative Analysis of Hook’s Ship and Cabin in Popular Media Portrayals

Part 4: Peter Pan (2003)

P.J. Hogan’s 2003 film is full of life and color, and Isaacs’ Hook is likewise a colorful character who, though grounded in reality, most definitely has a flair for the dramatic and a taste for the finer things in life.

Like the other Hooks we have seen thus far, Isaacs’ Jolly Roger appears to be the large stereotypical pirate ship that all children think of, despite the impracticality of a slower vessel in actual piracy. (By this point, I think we should just assume that all Hooks go for form over function when it comes to their choice of ship.) It’s a gorgeous ship, and I do wish we got more close-ups of the outside of this particular Roger so we could see more of what’s going on with all the decorative work on the outside of the cabin and the figurehead, etc. One thing, though, that stands out about this ship is that the mainsail itself has a giant skull and crossed swords on it. This would be completely impractical for any actual ship, as the enemy would see them coming and know they were pirates right off the bat…lending credence to the idea that this ship (and this Hook) may be deeply shaped by the children’s imagination. Then again…what else should we expect of a pirate ship whose name itself is the Jolly Roger?

The shots we get of the inside of Isaacs Hook’s cabin reveal the living space of a man who is accustomed to a decadent lifestyle but not so over-the-top as to be entirely unrealistic. While his beautifully decorated harpsichord is the centerpiece of the room, we also notice that he has several tables, a couch, and a globe.

This is about all we can tell from the in-film shots of the cabin, but some promotional material and a pirate-themed hotel that purchased a few set pieces from the film and set up their own room to mimic Hook’s can give us a few ideas about what the rest of the cabin might look like. (Big shout-out to @annabellioncourt for providing several of these bonus material images!)

In the one promotional photo, there is what looks like a lute, perhaps, in the background. I also love the little detail of the skull and crossbones on the candle stand…and his li’l stripey socks.

Here we can see the full-sized bed with a gun and what looks like it might be an Eton crest over it. (Note that if you pay close attention in Hook’s intro scene in the film, you will actually see that the tattoo on his left arm is an Eton crest as well.)

Isaacs Hook also has a self-portrait in his cabin, it seems…which interestingly has a date on the frame of 1742. This is about the most specific we get with ANY Hook as far as time period goes. This is after the Golden Age of Piracy had really already come to an end, though it’s technically possible he might still have been “Blackbeard’s bosun” depending on his age, as Blackbeard’s career ended in 1718 in a battle off Ocracoke Island, NC. Isaacs himself was around 40 years old when the filming was done, so if we want to assume Hook was around the same age when he came to Neverland and the portrait was done shortly before then, he would have been around 16 at the time of Blackbeard’s downfall. A bit young but…it’s possible if he started his career at sea early. Cabin boys usually started out around age 12 but could be as young as 8-ish on occasion. However…this wouldn’t really track with Hook being an Eton student. Assuming he actually graduated, he would have been at the school until he turned 18. So while Isaacs Hook may have very well been a sailor or even more specially a pirate prior to Neverland…he likely wasn’t a peer of Blackbeard or the other more well-known pirates of the early 1700s.

One last thing that is interesting to me is that in addition to the more standard weapons/tools like chains, guns, and boarding axes that we see in some shots, this version of Hook keeps what looks like an entire small cabinet of various tinctures and powders. At least the one of them which he removes is poison, but one wonders….are they all different kinds of poison? Or are some, perhaps, medicinal in nature or for recreational use?

As a whole, Isaacs’ Hook is, I think, perhaps one of the most realistic portrayals of the character. While there are some highly fanciful aspects to his ship—like the giant skull on the mainsail—much of his personal space has the lavish furnishings one might expect of someone with an aristocratic background without feeling too entirely impractical. Add to that a concrete date on the portrait, and I’d say this Hook is more grounded in reality than nearly any of the others we’ve encountered so far.

[starflungwaddledee]

I'm just sayin', Starstruck and Kirby would be adorable. But also Starstruck and Meta-Knight might be the funniest thing you could possibly do. :)

hear me out: peter pan (2003) window scene

been staunchly avoiding typing too much on most of these but i have some thoughts about this one!

you know... i had actually never even considered kirby for the shipaganza. mostly because i think of him as holding such a strong and unique position in the hearts of everyone who knows him, in a way that is devout but also seems fairly romance-free. and i'm actually very interested in the complex relationships that he has with his friends! but i wonder if not considering him was maybe a disservice, because if anyone has an abundance of the capacity for love, it's him, right?

i think that kirby could eventually occupy a similar heart-space for starstruck as bandee, though it would take longer. i strongly suspect that bandee's love of kirby would rub off on her, if nothing else.

i'm not sure either of them... really understand the premise of romance or dating, so it might not be a typical sort of thing. but i think they could giggle and laugh together and shoot each other slightly smitten looks when the other one isn't paying attention, and be very invested in each others happiness.

he adds a pass by her window to his early morning flight, on the off chance she might be up to join him. she's always thinking of him when he's off saving the world, and distinguishes his star from all the others in the sky with ease. the irresistible allure of adventure vs someone who has never seen any of the wonders of your planet before. someone who finds as much unrestrained joy and delight in the mundane as you do. eating paper cups you find on the ground together as a love language.

you know i could see it.

[sugarpasteltmnt]

What are some of your favorite character relationships/dynamics in TMNT, and why? Is there anything that you particularly like seeing explored with them in fan works (art, writing, comics, etc)?

oh wow!! what a fun ask!!

stashing this under a read-more because i really popped off LOL

My favorite relationships and dynamics??

I feel like i should preface this by admitting that Rise was actually my first real exposure to the TMNT franchise-- and after reading and watching some other iterations it became incredibly apparent how different Rise was in several aspects. And i loved it!!

but with TMNT as a whole, i really love the Leo and Raph dynamics across the TMNT universe (shocking i know lol). It's probably my favorite dynamic of the whole franchise lol. I love love love how they can clash against each other in dramatic ways. And yet, at the end of the day, they would lay down their lives for each other. It's so fun and heartwarming to see that across all the different TMNT iterations.

I also think how Splinter's relationship with the boys can drastically fluctuate between iterations is super interesting. Splinter is such a cool character, and playing with his relationship with the boys has such a crazy big impact on the story and vibe. My favorite Splinters are 2003 and Rise and those two are hilariously different. But something they share is their protectiveness of their families. Which is a dynamic some other iterations turn on its head! And I love that!

And April. GOD i love April so much. The concept of her character is a trope i love. A human who is not just a friend but family with non-humans??? I'm obsessed. And I love that each April of every iteration has her own level of unhinged-ness.

Honestly I could probably write a thesis on each character but I'll try to keep it short lol. But something I really love???

The TMNT franchise itself isn't afraid to experiment with its own iconic relationships or story beats.

It doesn't take itself too seriously while putting a lot of thought and care into the wild, different storylines or concepts. What I might think is an iconic relationship/dynamic in TMNT might be different than someone else's-- and that's fun! The level of flexibility and boldness for trying different things for dynamics and relationships is something I really adore about TMNT as a franchise.

There are tropes and dynamics that are totally my favorite. But I also love seeing those things experimented with!!! But I had to absolutely pick something, it would be all the dynamics seen in Rise. I just love it so much!!

And fan works??

as for what I like seeing being explored in fan works, i gotta say--

I LOVE IT ALL AHHHH!!!❤️💞💗💖💕❤️💞💗💖

TMNT is such a fun and unusual IP, and i totally enjoy seeing other fans going wild with their own creative ideas. I love seeing people pop off with whatever their hearts desire. Anything from the iconic tropes to the niche, hyper-specific concepts-- I love it all. Because there is so much to explore with these characters. And I adore seeing people having fun with their ideas. It's hard to answer what my 'favorite' things to see are because I'm greedy for ALL of it! Because seeing all the different experiments with my favorite dynamics and relationships is so incredibly refreshing and exciting!!

I love seeing people play with each brother's relationship with one another. I love seeing the different takes on Splinter and his role as a father figure (or lack of). I love seeing the potential early-days of Rise-April's relationship with the boys as kids. I love every possible take on every possible character. I will always be a sucker for the juicy story tropes. But I'm just as ravenous for the off-the-cuff twists and concepts. I love any and all of it. Because it's so fun to see what people can cook up-- especially when it's a setup that you never would've thought of before but gave you a new perspective!!!

Because at the end of the day, TMNT is-- frankly-- a silly franchise. And it knows it! But it's not afraid to put in the serious moments and emotions that make all the dynamics interesting. And it's not afraid to experiment with its own building blocks. And I love that fans aren't afraid to push the unexpected in fan works, or do a deeper dive of the dynamics and relationships we've seen in different iterations.

This turned more into a love letter for all TMNT and TMNT fans rather than what my favorite parts are, but it's still all true! I am constantly collecting my favorite dynamics and tropes and putting them in my mental shelf of favorite things. While there are classics I'll always love no matter what, some days the flavor changes!!! And I love that TMNT both as a franchise and as a fandom is so diverse when experimenting with these characters!!

So, in a way this is me saying keep having fun creating and experimenting--because not only does it make me happy, but I hope it makes you happy too 🩵

[paperlifted]

A Turtle By Any Other Name...3!!

[Season 1 tally here] [Season 2 tally here]

The season 2 tally of names used by the turtle family in TMNT 2003 - including a SAINW special count below the cut.

As is the usual rule, this includes all direct addresses, names given to a third party, and names dropped during the pre-episode narrations. It also includes the names the turtles use when referring to themselves.

• Splinter takes the Battle Nexus Trophy status as the individual whose name is used most often once again, and Mikey continues to dominate the brothers thanks to 'Christmas Aliens' giving him an early lead he frankly didn't need. There's a slightly more even dispersion with the latter, though, as Leo and Raph finally get sick of Donnie hogging all the opportunities to use Michelangelo's names.

• There's a noticeable contraction of nicknames this season - no brainiacs for Don (well, besides one notable moment listed below), no Mikes for Mikey, and no Dads for Splinter.

• However, those most interested in the Dad counts will notice we got a bit of a boost this season! Raph refers to him as 'my father' to the nice blind lady in 'Touch & Go'; Mikey claims him as 'my father' when conning the alternate Master Sliver in 'Reality Check'; Leo describes his missing family as his brothers and his father when pleading with the Daimyo in 'The Real World, Part 2'.

• Most bittersweetly, though, is the fact that for the first time we get someone calling Splinter 'father' in direct address - and of course it's Leo in 'Exodus, Part 2', quietly reassuring the person who's raised and loved them from the moment of their change that they're ready to make a terrible sacrifice for the greater good: "It's alright, father. We're all agreed." Wretched! Thanks, TMNT 2k3.

• April is very fond of saying Casey's name this season, which makes some sense given it's the season they finally get together (hooray!). It's also because he does a great job of getting knocked around in a few episodes.

• I thought it was rather sweet that while Splinter is pretty formal with everyone in general, he will occasionally call them April and Casey! In return, April is still staying polite, and Casey... not so much a formality kinda guy.

• Multiple Raphie's out of Mikey this season, though a couple of those were Raphie-boys. The one that made me laugh most was Raph himself dropping a Raphie: "It's not nice to invade Mr Raphie's neighbourhood..." Meanwhile, when Raph gets briefly eaten by a giant bug, both younger bros drop simultaneous and rare Raphaels.

• I think the best use of a full name this season goes to "big feet Leonardo of the landmines" though.

And now for...

The Same As It Never Was Special

I decided SAINW deserved its own count, because while the majority of the characters are an alternate version of the ones we know, they're still very much close parallels of those characters with a shared, if divergent, history (versus the Super Turtles, who have very distinct identities from the Ninja Turtles). So did the divergence make any difference?

Well, there are a couple of subtle things:

• Almost everyone greets Don as Donatello initially… except Raph, who goes straight for Donnie. Can't be stopped, won't be stopped.

• Leo and Raph might be furious with each other, and Mikey bitter as hell - but they're still Leo, Raph, and Mikey to each other. Even while actively dying! Then again, as I've noted a few times, the full names are rarely a sign of anger, and more often a sign of giving a statement some extra weight.

• It seems fitting, then, that Don asks April to reach out to 'Leonardo and Raphael' when he makes the decision to drag his fragmented little family back together again (so help him).

• It still makes me weirdly sad that Mikey is the only one to drop anything close to playful nicknames. The little brother hasn't gone far.

• And of course, Rebel Leader is a heartwrenching new title for April to wear. But she does wear it well!