#(It's tragic. Yes. But what if instead of having to LET them get killed he has to make sure of it?)

[la-pheacienne]

I feel like I understand people's blorbofication of Javert because I get why someone would really cling onto a complex (male) antagonist with a traumatic past whose entire life is a lie and who kills himself when he reaches that final moment of realization. It is absolutely tragic, and it is easy and natural to cling onto that, we've all been there. But you need to understand that two things are in motion here: the first one is Javert's individual tragedy, and the second one is the broader system he personifies. He's a symbol. His primary function in the narrative is to personify the hateful, bigoted, cruel, inhumane legal system that intervenes after the fact and crushes all those that society has already put down. He, the incarnation of that bourgeois legal system, delivers the final blow. He finishes off what society started, and he does it with joy. When we say that he killed Fantine, it's not even about Javert the individual per se. It's about the entire system he represents. That system killed Fantine and Javert is its flesh and bones. Fantine was a poor girl that was exploited and let down by society in every single way and when she was herself a victim of actual physical violence, the Law, personified by Javert, instead of protecting her treated her like an animal, dehumanized her, humiliated her. The Law was scandalized that a woman like her dared attack the bourgeoisie. The Law was horrified that such a disgusting creature got medical care because she should just drop dead on her street. The Law rejoiced in tearing down her sole protector. The Law prevented her from getting her child back from the con artists that have been stealing her for years because the Law doesn't care about the crimes committed against marginalized people. That's not its function. Its function is to use its discretionary authority in order to dehumanize and punish people that ended up on the wrong side of the street.

So when you come at me with nonsense that Javert "didn't tEchNIcALLy kill Fatnine", "he was just rude", "he was just bitchy", "he just stole her final happy moments", respectfully, you don't know what you're talking about. Javert absolutely killed Fantine. He's not the only one who did but he eagerly and enthusiastically precipitated her execution, and that is the entire point Hugo is trying to make. Your arguments against it are nothing but a mere technicality that stems from the fact that the individual's actions technically do not qualify as manslaughter. It's as if we literally had an individual at court and we were thinking of whether or not to condemn him for manslaughter. It's not about that. It's not about your blorbo and his sadness. Your blorbo has a whole other function in the narrative. You have completely missed the mark of the entire book and you have let your personal emotional attachment for a character prevail over Hugo's main argument about the structural punitive violence that literally kills people. Javert being the product and the embodiment of an entire system that exceeds his individuality does not mean that, as a police officer, he's not responsible for his actions or their consequences. On the contrary, he's precisely entirely responsible for the structural violence committed against Fantine, that's what "embodiment" actually means, that's what we mean when we say that he personifies that system. Absolving Javert of his crimes goes directly against the themes of the book, because while systems operate above individuals by definition, they need those individuals to function. The system needs Javerts. Javerts are everywhere around us, yes even today and it is important to hold them accountable for their crimes. I can't believe I have to explain this tbh.

[recreationalfanfics]

Can I get a Yandere Poseidon with a reader that’s kinda like giyuu?

If you can do it, thank you

Yandere! Poseidon x Giyuu! Reader

- Upon first glance, people would think the only reason Poseidon was so obsessed with you is because you act exactly like him. Yeah, it was still surprising that you were a human but they just assumed that the God's vanity got the best in him. However, if one was to inspect the object of Poseidon's desires closely, they'd see that there was some very distinct differences between the two of you.

- For starters, you don't seem phased when you first encounter the Tyrant of the Sea. He lets his hatred for humanity be known and threatens to kill you without a second thought and you just stare at him, completely unfazed by his prescence. If you have survivors guilt like Giyuu has and suffered tragic losses, you're not even scared of intimidated by his threat of death.

- It baffles him and it eats at him. HE'S A GOD. DO YOU NOT GET THAT? He could end your life in a snap and bring you back to life and kill you again, you puny mortal! Basically, you're both interlocked in a staring match where you just don't react to him. Almost looking at him like HE'S the one inconviencing you.

- And yet, you never leave his mind after that. His thoughts travel to the insolent human who had the audacity to stare him down and he feels...he feels something different. Not hatred but something more intense, something more passionate.

- There really is no surefire way to tell when Poseidon's hatred of you became adoration. His feelings will grow the more he observes you, how your actions show you care more than your stoic face would lead others to believe, how you seem to be somewhat concerned of what other people think. He can fix that for you, though, after all: you shouldn't have to care what other people think. Not when his obsession starts to become more prominent.

- If you're practicing the art of water breathing then he'll just use it to feed his delusions that you two are MEANT TO BE soulmates.

- When he sees you smile for the very first time, that changes everything. He gave up on his internal struggle of his ego and immediately knew you had to be his. Yes, your unamused face is what interested him in you but the way you smiled? He had to have it, he had to see it again, he had to have YOU.

- You're not allowed to reject him, he won't let you. While he does put you on a muchhigher pedestal than most humans, it isn't really saying much. You're a human, you aren't allowed to defy a God.

- Even so, let's say that you did have survivor's guilt after everyone you love has been lost in a tragic accident. You don't want to keep being the one that needs protecting, you want to protect other people but you lead them to their death instead.

- It is in that vulnerable moment you will meet Poseidon a second time, you hoped he would put you out of your misery and you'd finally escape the shackles of your guilty conscious but instead, he picks you up from the ground where you were mourning and takes you to his watery domain.

- "They were too weak to stay in your life. I am a God, I am forever, and I will never leave you. Just as you never leave me."

- So either fight back for your freedom or give in because you finally feel like you found someone who wouldn't leave you, but either way, the God of the Sea will have you and you can not oppose him.

[magmythedevil]

Envy shippers are forgetting something, and thats kinda of connected to misogyny.

..........

Just warning before i start that i will be talking negativily about N a litte bit in this post, even If a love him very much, Its necessary lollll.

Also Please dont think this post is some form of hate against V or envy. Its a post about the way >some< NxV shippers treat Uzi and their double standards.

........

So, i saw that *one* group of people making jokes about Uzi dying/N killing Uzi so N can be with V again and after some time thinking i realized that those jokes are kinda of connected to how they think that "Uzi stole N from V" or "V deserves N more than Uzi does"

And thats make me think: why, them, as an envy shippers, chooses to throw their hatred at Uzi especifically? Why is the Idea of Uzi, the young girl who did >>nothing<<< to deserve what shes going through, dying so satisfing to them? Even If Its a "joke"?

And i guess i know the answer, they think V deserves N more, they are the one that deserve to be end-game, because they have a tragic love story, they had a spark and becuse they have known each other for way longer and all that stuff, right?

But I guess, them, yes, the one who love V and N as a duo and as a couple, are forgeting something important in this equation: N himself

If they want to blame someone for envy not working in the present time that much, N is the one they should be hating on (and V too tbh) not Uzi, Uzi is just having feelings.

N is the one that choosed to prioritize and protect a random purple worker girl he just met.

N is the one that choosed to change sides and fight against his own damn crush to protect the people of a random worker girl he just met.

he is the one that choosed to stop to act on his crush on V once he met Uzi, the random worker girl. (Srs, not even a single sigh of it since episode 2)

He is the one that choosed to keep holding Uzi's hand (and embrance It harder, when she was the one to ask him to let It go) while blushing at her on that hallway in front of everyone.

He is the one that randomly got her to have a dance with him in that prom fight.

He is the one that felt extremely bad of the Idea of Uzi being scared of him, yes, the random worker he just met.

He was the one to get angry at V for not respecting Uzi and say to her face "what is wrong with you?"

He is the one that ins't afraid to be all cozy with her in public (cabin fever is here as proof)

He was the one that, even after reexperiencing the thing he had with V in the past again, was happy to see Uzi instead of being nervous about it, when even V was embarassed.

Uzi never did anything, thats just a Uzi they created in their minds. wich ins't that surprising since they all dont even like to rewatch most of the show anyways (N and Uzi's interactions are too much for them to handle)

The worst thing she has done was being agressive to V, but mind you, thats bc V was treating her way worse when Uzi even considered her a friend.

>>N<< was the one that, accidently or not, made most of (If not all) his romantic moments with Uzi real.

But they wont talk about his position in this triangle right? Its just Uzi, Uzi this, Uzi that, Uzi is always the villian here.

Because N is the perfect boy who ins't capable of understanding love outside of his thing with V, right?

""N would never feel something like that for Uzi!!! Hes clearly being peer pressured by her!!""

"""the writing is sooo badddd!!! N would never do this ugggfhh""

""weirdo vickers, fix you damn show""

And..... you know what that sorta looks like...right? Yes, misogyny . Because they choose to hate on and make weird jokes about Uzi, the woman, when N, the man, had a bigger role with his romantic thing with Uzi than she did. And If they hate nxuzi so much, they should be hating on N too, but i know they wont.

For the people who hate to see N "being babied" they sure dont like to talk much about him in these things

[makeste]

BnHA Chapter 407: Wait Why Are You Running Away

Previously on BnHA: Kacchan figured out how to control his quirk upgrade and was totally chill and normal about it. Definitely not terrifying at all. He actually spent the entire chapter smiling and laughing like the wholesome little boy he is. I don’t know why Kid For One is so freaked out about it. He even politely introduced himself using his childhood nickname. Clearly he just wants to be friends with you, KFO!

Today on BnHA: Horikoshi is all “sorry to keep you waiting, here’s the AFO and Yoichi flashback you ordered at long last” and proceeds to serve a nightmarish stew of HUMAN MISERY and RATS and STABBING and CARNAGE and SO MUCH MURDER and THE SINGLE MOST FUCKED-UP CASE OF CODEPENDENCY ANYONE HAS EVER WRITTEN. I was not even remotely prepared for any of this, and if anyone else claims that they were, I will call you a liar to your face. If this chapter had a mouth it would scream. Or just sob, ceaselessly and uncontrollably. I’m really glad Horikoshi is on break next week because that man needs to take a fucking nap. My god.

okay WOW

anyone else read the first two words and just immediately say to themselves, “oh okay, so it’s gonna be one of those chapters”? I mean, I guess we were due for a darker chapter after last week’s Kacchan Comedy Tour. but idk, I just wasn’t expecting “homeless sick prostitute with a drinking problem” levels of dark

AND SHE’S PREGNANT?!

what exactly is this manga rated again? doesn’t this backstory seem just a little bit raw for the impressionable kiddos??

has anyone actually checked in on Horikoshi recently? you know, just to make sure he is okay??

what a fun and wholesome manga this is

the lil baby arm covered in blood with the AFO hole on the palm. lying next to the dead mom hand. what an image to sear into our minds. I guess it’s been a while since he killed any dogs. gotta keep us on our toes somehow

also wasn’t expecting AFO and Yoichi to be twins! that puts an interesting spin on their relationship, because it’s usually a closer bond than even regular siblings. especially with all of that delightful shared trauma from a young age!!

yes, exactly

ohhhh this chapter is gonna hurt me, isn’t it. okay. ooooooookay. let’s do this

OH I’M SORRY, THERE’S MORE?!

Horikoshi my dude. you do realize that their mom dying in childbirth and the two of them just barely surviving and growing up as street orphans would have already been MORE than tragic enough, backstory-wise. you did not have to turn this into a freaking horror show with RATS TRYING TO EAT THEIR NEWBORN SELVES jesus christ

and THAT’S where you chose to put a one year timeskip?!

what the fuck am I reading here, you guys. no please tell me, I am actually desperate to understand

so the narrator is saying that some of the quirks manifested later in life, in “pubescent and pre-pubescent stages”, which is interesting because it’s the first time I can recall hearing about someone actually manifesting a quirk that late. maybe Deku’s old OFA cover story was more plausible than I realized

anyway so eventually it occurred to everyone that they should maybe freaking study this shit, idk. and eventually the researchers concluded that the superpowers came from a new gene that apparently isn’t human. and upon hearing that, society apparently lost its freaking mind. which is fascinating to me because it implies that the turning point wasn’t actually the superpowers themselves, but the realization of what it meant

like, so they were apparently fine with it when they thought it was a “mysterious disease”, but somehow it hit different when they learned it wasn’t actually a sickness at all, but instead the Next Step in Evolution. and it became an “us vs them” thing, as opposed to a “we have to cure these poor people” thing. damn

anyway so now Japan is a dystopia and we’re cutting to a big crowd of merc-looking dudes who are getting ready to attack some “meta freaks”, how lovely

but who is this figure in the shadows

I ask politely, as if it wasn’t already beyond obvious that this is AFO about to wreck some people’s shit

ohhhhh my god lmao

hopefully Katsuki and Deku can take the present day AFO out before he winds up looking like this. because this little fella is clearly demonic and idk if anyone can stop him

you all don’t understand. you need to run the fuck away right now

oh shit it’s already too late for them

it’s too late for any of us. it’s over. it’s all fucking over

((((；゜Д゜)))

AFO I am putting the manga down. I am backing away slowly with my hands in the air. I mean you no harm. please for the love of god have mercy

holy

“you see, we told you he wasn’t human” okay Scientific Research Group, you know what?? you win this round I guess

“HE WAS LITERALLY EVIL FROM BIRTH” HORIKOSHI SERIOUSLY ARE YOU OKAY??

HE WAS BORN AN ARROGANT BABY is literally the most terrifying sentence I have ever read

what the entire fuck

it’s a gorgeous sunny mid-November afternoon outside my window. but no matter how hard it tries, the light cannot reach this place

what kind of moron would throw a can of soda at him. officially the stupidest person we have ever seen in this manga

OH MY GOD OF COURSE IT’S HIM LMAO

(ETA: how come baby Yoichi has clothes that fit him perfectly but baby AFO is just stomping around wearing a tablecloth.)

BABY YOICHI. OH MY GOD. HOW THE HELL DID YOU GROW UP TO BE SANE AND KIND AND GOOD. THAT’S MY QUESTION THAT I NEED ANSWERED RIGHT NOW. YOU ARE LITERALLY A MIRACLE. YOU ARE AN IMPOSSIBILITY, DO YOU KNOW THAT

small and weak, but also so, so cute. all of the cuteness genes went straight to him. no wonder AFO was jealous

(ETA: just want to press pause for a second to speculate about what type of twins AFO and Yoichi are, since it has some relevance to the story, and especially to the OFA/AFO quirk lore. so! at first glance the two of them would appear to be fraternal twins, just based on the fact that they have very different appearances, and also the fact that Yoichi doesn’t have the AFO quirk – no holes in his hands, etc. identical twins are born from the same fertilized egg, so in theory they would both have the same sequence of DNA, which means Yoichi would have had the same quirk as AFO. but that doesn’t appear to be the case. so all of that points to them being fraternal, not identical.

on the other hand, there is one piece of evidence in this chapter that does support them being identical twins, and that’s the fact that per the narration, AFO absorbed most of the nutrients from their mother. a few minutes of google fu informed me that this condition is relatively rare, and only happens in cases where two twins share a placenta, which typically is only the case for identical twins. HOWEVER, for what it’s worth, there have also been rare instances where two fraternal twin placentas fuse together and become a single placenta. AND this apparently also increases the chances of one of the twins gaining more of the nutrients and causing the other twin to have a lower birth weight.

so based on the evidence here, my conclusion is that the two of them are most likely fraternal twins with a case of placental fusion. besides, you can’t tell me that stealing his baby brother’s placenta while the two of them are literally still in the womb doesn’t sound like exactly the type of BS that fetus!AFO would pull, lol.)

HEY!?!

okay?!?!?! well to be fair he did throw that soda at him

oh my god this is so fucked up. in like the best and worst way possible

I genuinely couldn’t ask for a better AFO backstory. it’s so incredibly twisted, and you actually do feel sorry for him. or at least I do. but it’s also beyond clear that this kid was FUCKED UP BEYOND ALL REASON right from the get go. zero goodness in him. literally doesn’t see other people as people. sees them as possessions only. things to rule over. not other thinking, feeling human beings. and that includes his own little brother

but. even if it’s not actually what I would call love, there’s still... attachment, there. it’s the closest he can get to actually caring about someone. guh. just, somehow they have both managed to humanize him, and at the same time made him less human than ever. this manga, man. this fucking manga, though

lmao and here we go. Captain Hero

you know, all those times that I made fun of AFO for not knowing how to read, I never suspected that the twist in his backstory would be that he LITERALLY DIDN’T KNOW HOW TO READ dfksjdlfkjslkdf

but seriously though. because Yoichi appears to be self-taught, and I can’t see AFO having the patience for that, and CLEARLY no one else was around to teach him, sooooo...

oh my goodness it’s actually getting wholesome up in here

what a good fucking boy. poor AFO. fuck me, I can’t help it. it’s not your fault you’re the world’s greatest monster you poor bastard

now we’re cutting to THREE YEARS LATER. okay

is he going to declare war on the glowing baby

typical teenager concerned about nothing but likes and view counts. AFO you would be so much happier if you stopped worrying about all of that and just focused on your own growth

oh, lol. well that was quick

(ETA: r.i.p. Damien.)

“this guy had more instagram followers than me. so I killed him” honey. sweetie pie. you need therapy

omfg

all this time I was wondering who AFO’s middle school lit teacher was who had failed so spectacularly at teaching him reading comprehension. and it was YOICHI ALL ALONG. omg

“and, presumably, that’s how it always was and always will be.” dude. can you imagine listening to AFO’s oral book report on A Tale of Two Cities. “ahem. it was the Best of Times. the end” buddy noooooooo

it was at that moment when Yoichi knew, etc. etc.

oh my GOD I scrolled down to the next panel right after this one and I just IMMEDIATELY DIED LAUGHING

“WAS IT SOMETHING I SAID” ffffffffffffffff I fucking can’t omfg

NOW THIS HUSSY IS STEALING HIS BROTHER AWAY FROM HIM NOOOOOOO

HE’S HIS!!! WHAT ARE YOU DOING!!! THAT’S NOT ALLOWED!!!

oh my god the hands. so wait, is this just the standard symbolic BnHA handholding, or are there More Levels To This. when exactly did Yoichi pass OFA on to Kudou. like is that why the sudden close-up and all that? omg

WHAT!!!!

OH THAT’S THE END, HUH? THAT’S THE END RIGHT THERE, AND THAT’S JUST HOW IT IS. I SEE. OKAY THEN. EXCUSE ME WHILE I PUT MY LAPTOP DOWN AND GO INTO THE NEXT ROOM AND SCREAM INTO A PILLOW

oh my god. and break next week too. this is what you guys have been dealing with this entire time huh. I understand your feelings now. godfuckingdammit lmao

[avalonia320]

what the fuck Marius

*discussion of The Vampire Chronicles, spoiler warnings for those who haven't read*

Just had to rant a little. So I am a long time reader of the Vampire Chronicles, first read them and became obsessed when I was 11 but I'm gonna be straight up - I kinda peace'd out after Memnoch the Devil because that was just a bit too weird for me and kinda personal; Anne Rice was on this whole religious journey at the same time my mother went on her own similar journey (and immediately told me I was going to hell) so the religious themes were just not it for me. After that I stuck with the first four books, which are still my favorites. Now that the series is out and I'm re-obsessed, I decided to read the later books.

I always liked Marius. I saw him as a mentor to Lestat, he just seemed like this older, wiser, and more patient vampire. I loved how exasperated and fascinated he was by Lestat. I thought his and Armand's story was tragic. But now I've read The Vampire Armand - twice - and all I can say is are you fucking kidding me. It's actually probably not for the reasons one would automatically think - yes I was skeeved that he bought a traumatized kid in a brothel and immediately engaged in sexual activities with him, (not to mention the whipping) but I'm also quite familiar with Anne Rice's erotica so these were not entirely unexpected themes. Anyway I'm not touching that discourse with a ten foot pole. We all know it's problematic. We're all watching the show any way.

But man, so what the fuck does Marius do immediately after he and Armand are reunited again after Armand's suicide attempt? Armand entrusts him with what is most precious to him, his mortal 'children', Sybelle and Benji. Armand leaves them for ONE FUCKING DAY and when he comes back Marius has made them vampires. WHAT THE ACTUAL FUCK MARIUS.

Armand is screaming & crying and furious and then I hate-scanned what seemed like 30 pages of Marius making long speechy excuses for it and why it was actually so loving of him to take on the burden of being their Maker so that Armand can be with them forever and they won't hate Armand for it. Hello, Benji was 12 FUCKING YEARS OLD. Have we learned NOTHING from Claudia??? Couldn't give him another decade of mortality first?? God, this guy just will not allow Armand any agency in any part of his life whatsoever and it's MADDENING. Yes, Sybelle and Benji wanted to be vampires and I do think they would have become immortal eventually but again BENJI WAS 12! (and Sybelle is um...not exactly stable at the time either. Girl could have really used some intense therapy first before being frozen in her current state forever.)

Plus the fact that he just abandoned Armand to the coven that kidnapped him, killed his brothers, made him eat his closest brother and best friend - Marius couldn't have helped all that, having been set on fire and all but he had centuries to find Armand again and instead he was just like 'nah, it's whatever. I'm sure that twink is fine.' Meanwhile Lestat comes sauntering along and Marius is like 'oh hey person I've met five minutes ago, let me spill all the secrets of my life, not to mention the most secret secrets of all the vampires, including how to kill us all.' You know, I used to hate Armand and now I understand so much better why he's got so many issues.

Anyway, there's no point to this somewhat incoherent rant, I just had to get it off my chest. I don't know how Marius will be portrayed in the show and I'm excited to see it. Maybe I'll hate him even more. Maybe I'll end up loving him the way I love Armand despite everything he's done but man, I just really want to kick his ass right now.

[david-talks-sw]

What The Acolyte Season 2 would have looked like (had it not been canceled)

A nice thing about The Acolyte is that showrunner Leslye Headland was always very clear about the themes of the show and what the story was about, for her... and where it was going.

So as a fun exercise, I figured I'd speculate where the story might've gone, had the show not just been canceled.

The Sith subplot:

So Season 1 ends on this powerful image of Osha and Qimir/The Stranger standing together, united...

... but they're not gonna have a happy ending.

Firstly, their relationship is still forming. Yes, they united against a common enemy, but now it's time to put the pleasantries aside and start training her into becoming a fearsome Sith warrior, which is a dynamic that puts a strain on their relationship.

Secondly, and most importantly, because Qimir wants to train Osha so that he can overthrow his own master... Darth Plagueis.

And Plagueis realizes what Osha is. She's a being created exclusively using the Force... wow! Maybe she's the thing he was looking for to finally make his attempts at achieving immortality succeed!

Osha, in the meantime, realizes the Sith life isn't for her either. Her path lies somewhere in the middle. She decides to quit, maybe tries to convince Qimir to come with her.

Qimir is killed. Either because he rejected Osha's offer, thus being left alone to be off'd by Plagueis, or maybe dies sacrificing himself to let Osha escape, so the Sith Lord can't get his hands on her.

The internal review of the Jedi Order:

Beginning of the season, the chancellor is still deciding, the Jedi are being reviewed, but by the end of the first episode he decides to let Senator Rayencourt do his thing.

Instead of lying to him, Vernestra tells Yoda the whole truth... and he agrees to keep it under wraps, at least until she can find Qimir and bring him to justice, thus helping elucidate everything and get the Senate off their back.

Vernestra attempts to use Mae to find Osha (and thus Qimir), maybe in an attempt to exploit their bond in the Force. However, as with half the "memory loss" tropes in TV, Mae eventually regains her memories and frees herself from Vernestra's grip. She's now out in the wind.

Unable to find Qimir, Vernestra's lies eventually pile up and are uncovered. This scandal results in the Jedi being in the place we find them, in the Prequels:

With their power restricted, and put directly under the thumb of a Senate that will now grow more and more corrupt, seeing as the Jedi are now unable to keep them in check.

Finally, we get to Mae and Osha's final fate:

With both sisters away from their captors, their identity remains a mystery that they must both make sense of. They're not sisters, they're not twins... they're the same person.

At some point they reunite and find themselves on Dathomir... greeted by Mother Koril.

The get-together starts out great, but takes a turn when Koril explains she wants Osha to go through with her gathering. The witches of Brendok had a nefarious ulterior motive when performing the ritual that resulted in the sisters' creation... and Koril wants to see it through, their individuality be-damned.

It is at this point that the sisters' realize what "the Power of Two" really is. They're not Jedi, they're not Sith... they're something in-between. A Dyad in the Force.

They overcome Koril, maybe Plagueis too (that way he can witness a Dyad himself and we can tie it back to TROS) and go about their own way in the galaxy, now finally free and secure in who they are.

Either that or one tragically dies so the other can live. It is Star Wars, after all. Or maybe they fuse back into one being?

Bottom line: that'd be my guess as to what would happen in Season 2, had it continued. Note, I don't like the storyline I just detailed. In my headcanon:

Osha and Qimir would get slaughtered by Plagueis (because that's where joining the Dark Side takes you),

Vernestra would lie to Yoda and the ordeal would end there (because there's no way Yoda would hide something of this magnitude), with

Mae living off her days by rebuilding herself a life, happily oblivious to the horrors of her past (she deserves a break and fuck the whole "gray Jedi" nonsense).

The above is just speculation of what we would've gotten, going off the Leslye Headland quotes you can find below:

"Qimir is killed at Plagueis' hand, Mae leaves the Sith."

"If I continue to get to tell this story, I know how I would like that to play out. And I would say I think it’s pretty complicated and messy." - Leslye Headland, Nerdist, 2024

"With these two other people having gone through this positive corruption arc and coming together in a joining of forces and a romantic pairing, we always wanted to introduce Plagueis as a foreboding complication. We know Plagueis’s apprentice ends up being Palpatine, so it would be interesting to see how these two red-lightsaber-carrying warriors fit into that story." - Leslye Headland, Vulture, 2024

"What I think is going on with Plagueis is that he also knows this has happened. He also is aware, or will quickly become aware of this aspect of the Force existing. This is why I gotta say I disagree with the criticism of, “Well, so and so didn't have it, and Palpatine… Why do these women have it?” First of all, we're in a completely different part of the timeline. Second of all, if I'm going to tell the story of Plagueis, which I would love to do, like, absolutely love to do, him pursuing that power is so much more interesting as a storyline than him already having it." - Leslye Headland, Collider, 2024

"If the [Sith Apprentice] is craving the Master's power,then at some point, he must recruit his [own] apprentice-to overthrow the Master. And that's the acolyte." - Leslye Headland, Star Wars Conversations, 2024

"[We put the Darth Plagueis cameo in the series because] we wanted to show Qimir’s master." - Leslye Headland, Entertainment Weekly, 2024

"Because there’s Plagueis and because we know that Palpatine is eventually Plagueis’ apprentice, we know that these two people are not going to fall into that set lineage. [The end of Season One] is a triumph for Osha; it’s a triumph for both of them. But the added complication that master and apprentice — or in this case apprentice and acolyte — there’s always an imbalance. One to hold the power, one to crave it. And seeing these two characters completely aligned with each other in this hugely satisfying way, the tease is: How will they survive the structure of how the Sith work? Q: Is there a chance that they could decide not to be Sith? Yeah, I can’t talk to you about that." - Leslye Headland, Inverse, 2024

"Vernestra's lies become the reason the Jedi's hands are tied by the Senate, in the Prequels."

"Rayencourt suggests the internal review of the Jedi, obviously at the small council, but Chancellor Drellik doesn’t doesn't confirm or deny that request. It felt like she had to report to her superior and let him know what’s up, and probably tell him about what happened between her and her padawan. [...] It’s not like it’s the first time Yoda has hidden something from the Senate and the Republic." - Leslye Headland, Inverse, 2024

"A generation or two generations have gone by since the Nihil. There was a lot of drama, so it was just logical to me that there would be more of this button-down [idea]: ‘We're trying to avoid the mistake. Let's limit the power. Let's do that before someone asks us to.’ And it was just logical to me to show Vernestra as the bridge for that. [...] Vernestra and her relationship with the Senate and how that's going to unfold with this sort of internal review of the Jedi — where does that lead?" - Leslye Headland, Entertainment Weekly, 2024

"I am really excited about the prospect of the Mae-Vernestra relationship. I really love the idea that Vernestra now has on her hands a Force-sensitive, powerful woman that is, at this point, docile enough that Vernestra would be able to educate and form an allegiance with." - Leslye Headland, Inverse, 2024

The Final Antagonist & the Power of Two...

"No body, no death. That’s what I’ll say about [Mother Koril]. But what I will say, as a tease, if we are able to explore this story more, her species will tell you a little bit about where she ends up." - Leslye Headland, Inverse, 2024

[michaelmilligan]

Rotating Midam in my mind.

You have Michael, who is the biggest baddest bitch Heaven's got. A literal archangel, someone who killed his own sibling without flinching, someone who was ready to kill one of his once closest brothers, even though he still loved him. The guy who said that free will was an illusion, and that fate was inevitable.

And then you have Adam, who is... some guy. Sure, he's Sam and Dean's brother, and they're the main characters, but ultimately, Adam was never meant to be important. He was introduced in S4 as a gimmick, as a way to cause the brothers man pain. He's a Midwestern teenager, raised by a single mom, his lofty goal was becoming a doctor, but he was never fated to be anyone important, anything big.

And then Michael - the guy who said that there was no other way but for Dean to become his vessel - took Adam. He was under time pressure, sure. Dean just wasn't saying yes. But this archangel, who believed so much in his father's commands that he was going to kill his baby brother for him, chose to use Adam, the clammy scrap of bait, instead of his fated vessel.

And we don't really see them interact in S5. We don't know if Michael pressured Adam into this, if he scared him into compliance. We do know that Adam looked at the bright light descending onto the room, presumably Michael's true form - which had previously burned out people's eyes, in that bar Zachariah sat in - and he didn't look scared. If anything, he looked awed.

We don't know what they talked about. How much they talked. If Adam was conscious for that fight in Stull cemetery. We are led to believe that he is not, because Michael tells Dean that Adam isn't in right now, but he might as well just mean that Adam isn't in control, that he's Michael right now.

So we really don't know anything about their dynamic in S5, but we are led to assume from what we know about Michael that it isn't a good dynamic, we are made to see Adam being possessed as an unfortunate tragic. This poor bastard just won't stop being used by angels.

And then, ten years later, Michael and Adam come out of the cage, and we are once again led to assume the worst, because Lucifer said that Michael was insane, and everyone is scared of Michael, everyone still remembers the other Michael who brought so much death and terror upon the world - and when we see this world's Michael for the first time in ten years, when he's out of Hell and could have been anywhere in the world, or outside of the world really - he's sitting in a diner, smiling fondly at the just some guy, who is eating a burger.

This archangel, who would have killed indiscriminately for the sake of the plan, to fulfill his duty - he's chilling with this guy from Minnesota, who came out of the cage with more chill than when he went in, and whose first instinct on returning to the world was... greasy diner food.

This archangel - this eerie, dangerous entity, is smiling fondly at the guy he just spend over a thousand years (local) time with in Hell. And they talk openly, like friends, about their plans for the future. Michael mentions that he has nothing, and so does Adam, and they decide to stay together, and to maybe get a little job.

The biggest baddest bitch that Heaven had. And he doesn't even go back to Heaven. His closest brothers are dead, the apocalypse can't happen anymore with Lucifer already gone, and Michael just... doesn't care anymore. He seems a little melancholy, but ultimately he is content. Content to stay with Adam, content to sit with him in some random diner in a random American town, and content to stay with him, and let Adam show him what it's like to be human.

This archangel, who has never cared about humanity, or any human. This archangel looks at the gimmick character, the forgotten brother, and he is content. Adam is enough for him.

The guy who was dead before we even met him. And he's enough for the archangel who wanted to end the world.

Adam is everything he has, actually. And Michael is content.

[regrator-the-ninth]

On Xue Yang and Delayed Gratification

There was an experiment about children and marshmallows and delayed gratification, where children who were able to hold off on eating a marshmallow in order to get a second one if they waited long enough had supposedly more successful lives as adults.

It's since been debunked. The obvious reason for the results was that children who grew up in more food secure, financially stable environments were able to trust the researchers and resist their hunger better than children who grew up not knowing what/when their next meal was.

When I think about Xue Yang, I often find myself recalling this experiment and the explanation of its results. Xue Yang is a classic case of being impatient, unable to delay his gratification. He's impulsive, greedy, and doesn't really think about the long term consequences of his actions. He attacks people the moment they wrong him, he steals even when he doesn't strictly need to, he does things that make his own life more difficult in the future just because he wants them in the present.

But when it comes to Xiao Xingchen, he's suddenly capable of waiting. He holds off on his "revenge." Instead of killing or poisoning his enemy the moment he has an opportunity, he fixes Xiao Xingchen's roof, helps him buy groceries, and treats him as a friend. He puts aside his hatred of the guy just to do nice things for him that he's never done for anyone else. He holds onto the candy he's been given, knowing that there will be more to come (yes, he was doing this even before Xiao Xingchen's death! if he ate it immediately he wouldn't have had any to save, would he?). He is able to exercise restraint and seek delayed gratification because for once in his life, he has the stability and trust in the people around him to just let things happen and follow through to their natural, positive consequences.

I think there's something beautiful and tragic about that.

[ahamkara-apologist]

it's also wild because like. Mara Sov is outright manipulative. she outright says she has plans to kill you if you go astray. she has plans to kill everyone, actually. she gets information she has no business having just to do that even iirc. meanwhile Osiris is a stressed out gay old man who is trying to save everyone except himself.

Okay I WILL defend Mara here and say that while she is a manipulative bitch, yes, that's actually a good thing to have handy. The Young Wolf is fucking dangerous and so are many in the cast of Destiny, so having contingency plans to kill people as needed is kinda necessary (just look at Eris in the dark future). But Mara is out here playing games of 4D chess with the Witness and the likes of Savathun- she needs to play god like that because it's basically her job. The major issue with her is the fact that she doesn't know how to NOT play puppetmaster, and takes it into her personal life- what she did to Uldren was a prime example of that, and while I have many thoughts on why that is, the fact of the matter is that Mara is a person who does what she needs to do with the coldness and cruelty of a deity because that is the niche she's carved out for herself and what she needs to be to ensure the survival of humanity.

Osiris, on the other hand, is NOT playing 4D chess with the Witness- he's a soldier, a defender, a blade. And not only that, he acts the way he does because he's driven by anxiety, paranoia (well-placed paranoia too!), and the fact that for the longest time, he's been alone. He was outright exiled from the Last City! He was alone in the Infinite Forest with nobody other than Sagira and his own mind! That's a lot of centuries to be by yourself, and don't forget that those centuries were preluded by social isolation from his peers and betrayal beforehand. Osiris operated the way he did because his OCD had him constantly running on the assumption that the worst-case scenario was going to happen, and he had the experience from his time as Vanguard and his subsequent exile to show that not only did nobody believe him, they also didn't take it seriously (or took it too seriously) and wouldn't help him with it. Like, no fucking wonder he's always running around acting like he's the only person who's taking things seriously and throwing his all into solving the problem. His mind is hardwired to assume the worst and he has proof that people will not help him with it (though LF has him confronting that)

Like, I myself have OCD, and those repetitive thought spirals are no joke. Imagine that you're confronted with a problem, and your brain automatically jumps to the worst-case scenario for that problem. If you've gotten cognitive therapy for that, you know this isn't the case, but knowing doesn't change the fact that your mind is CONVINCED that the worst case scenario WILL happen, and it will get lodged to the forefront of your mind with all of its gory details while you try your best to ensure that it won't occur. Doesn't matter if you have to shift to doing something else- that fear, that worry, that will always be right in front of you. Meds and cognitive therapy have worked for me on that, but Osiris doesn't have those, and on top of it- he's got prophetic visions! I can't IMAGINE how awful that would be to deal with!!

That's also why his character development after Sagira's death is so big imo- as tragic as it was, Sagira dying for him forced him to really slow down and realize that rushing into things without thinking about his own safety harmed others, not just himself, and his subsequent reminder of his own mortality forced him to be reliant on others instead of refusing to let them help him. Part of why he was so impatient and brusque in Lightfall was because he had to rely on the Young Wolf and Nimbus to deal with an issue that he considered his own, and while it didn't go exactly as planned, I think that's also why he's softened up significantly since then. That, and him being unable to rush headlong into things and to just sit and enjoy his time with Saint (which he never allowed himself to do before because if he had the Light, what was his excuse for not fighting the Darkness) helped him tremendously. It forced him to face his flaws, learn that he could rely on others, and to slow down in life, and he's been doing much better as a result of it.

Osiris has only ever harmed others by completely disregarding the harm that he did to himself, and recent events in the story have forced him to reflect on that and change it. And maybe by being a bit of a blunt, extremely-honest ass that nettles sometimes. That's pretty much the extent of his flaws imo

[im-the-queen-of-stardust]

Long ramble about Vax and that ending of season three under the cut because it kept getting longer and longer. (Spoilers for the end of the campaign!!)

The Matron of Ravens didn't kill Vax. None of Vax decisions led him to dying (well except like joining Vox Machina in the fight obviously). Vecna kill Vax. Vecna disintegrated Vax. The fact that it hit him, that he was the one to go down and not any of the others, was a cruel twist of irony. Of all the people in the party the champion of the Godess of Death was the one to die. So perfectly tragic that you think it must've been planned but it wasn't. That is the true tragedy of Vax's story. He didn't loose his life the moment he offered it to the Matron in exchange for his sister. That was never part of the bargain he struck that day even though he definitely was willing to do that. But that's not what happened. He became her champion instead. And he found purpose in that. And it was a beautiful and complicated relationship between them. One that wouldn't have stood against him leading a long and happy life if it wasn't for Vecna cutting it short.

I understand the standpoint of Keyleth who still after all these years makes it sound as if the Matron took him away. Because she's angry and grieving and she had the power to bring him back. But regardless of that Vax struck a deal - another one - before she could do that. And this time it was a bargain to return and help his family before joining her once again. And Vax wouldn't have wanted it another way.

And let's not forget, he's died before and came back. You can bend the strands of fate but True Resurrection, which is what he'd have needed to come back with his body being nothing but ash, is a step too far. That's playing with powers beyond what the Matron accepts in her weave. And of course you can argue about what does her opinion matter, if the power is there why shouldn't have Keyleth used it? Well because Vax believed in it too. As much as I love that whole part with Scanlan's Wish he had saved for Vax, I think it would be been tremendously difficult to find a way for Vax to stay, that he and the Raven Queen would've been okay with. Like a simple "release him from the Matron" wouldn't have cut it because he wouldn't have wanted to be free of her. He went willingly. Yes he went with tears in his eyes, but it was still his choice. It was his belief that his time was over. Because he'd died. Vecna killed him. And if his friends weren't insanely powerful nothing could've changed that.

All this is to say that I'm not sure what to think of that whole "consequence" of bringing back Percy in the last episode. I don't wanna jump to conclusions. Especially since I trust these people, I trust Liam with his own character that means a lot to him. But while Vax dying as a consequence of going against the Matron's will and bringing back Percy is a compelling storyline by itself, it is fundamentally different from what happened in the stream and takes away from the tragedy of Vax. It is still a tragic narrative but in a very different way. And I dislike that it plays into making it the Matron's fault which is a misreading of what actually happened in the stream.

[mdhwrites]

Just putting forth this ask: why is it that compared with Amphibia's All In and The Hardest Thing, that TOH's finale and "final fight" (if we can even call it out that) just felt so underwhelming? Even especially Luz's "death" which felt so much of a fakeout and copying from Amphibia's. Granted, I wonder if a part of that is some of us already watching Amphibia at that point tho.

The fight feeling more underwhelming is easy actually. See, 90% of what people remember of Luz fighting Belos isn't her fighting Belos. It's just dancing around fighting moss. That is... Lame. To put it mildly. Meanwhile, you have three magical girls flying into space to fight the moon and his army of robots. That is awesome.

However.

What I really want to talk about is why their deaths actually play into the feeling of these two fights and the finales as a whole. It lets me talk about shock deaths versus heroic sacrificed because TL:DR: Anne heroically sacrifices herself for Amphibia as a final culmination of the growth she has had as a character. Meanwhile, Luz is given a shock death to sell how dangerous Belos is (which I will get into a bit) while also essentially being fridged for the sake of the Collector's arc. One of those is hype as hell and satisfying. The other is a complete stumble before we finally get the actual confrontation.

However, I'm going to go away from The Owl House and Amphibia first to talk about the tropes of Heroic Sacrifices and Shock Deaths with one of the easiest franchises to do it with: Dragonball Z.

Let's start with Heroic Sacrifice. A heroic sacrifice is when a character CHOOSES to give up their life so as to attempt to put things right, save lives, etc. like that. This choice element is actually really important. Without it, it's just a tragic death. The villain got the upper hand at a bad moment and killed them. That rarely actually happens in media but it is an option. A heroic sacrifice is just that: A sacrifice.

This is your classic moments of Piccolo sacrificing himself for Gohan against Nappa or Vegeta using all the energy he has in an attempt to defeat Buu. In both cases, these are major defining moments in their arcs. Arguably, the climaxes of them. The pinnacle of them changing to be a good person. We also see two classic examples here, one of which I think is commonly much stronger.

Piccolo's death is a split second decision where he decides to take the hit instead of allowing it to reach Gohan. This has a lot of good points for a character, such as showing their inherently good nature, but it does lack one key component: It doesn't feel like the choice weighs as much. Not wanting to see someone else get hurt is pretty basic and can be warped just as much by the bad guys so as to make it a weakness. It says a lot about Zuko when he takes a lightning bolt for Katara... But I wouldn't call it a sacrifice. It's a split second choice to make sure one person stays alive over themselves. This makes the impact revolve a LOT more around thematics over just the weight of the moment. As an example: If Superman dives in front of someone to take a Kryptonite blast, that's an "Oh shit," moment as the fight suddenly takes a turn for the worst. However, it is so ingrained in his nature that it hardly means anything for him to put himself in danger like this. It only hits hard for characters like Piccolo because of the journey they've been on.

Vegeta's hits harder for that reason because it still carries all the same advantages of the split second choice with one MAJOR boon: It's optional. Yes, technically these others are too but protecting an ally is just a part of being on a team. Being in combat. We don't blink at it most of the time unless it leads to a death, in which case it is a tragedy. Vegeta had a different option though. Just... Play along. Or leave. Or do ANYTHING else.

Instead, from his lowest point, he finally sees what he's going to lose from all of this, what he has done, and makes the choice to try and make up for it. Not even to seek forgiveness but just to have a single moment of redemption in his whole life in an attempt to save his family and those he cares about.

This also brings up another point about Heroic sacrifices: They don't need to be successful or permanent. The point is about what it says about the character. Vegeta doesn't manage jack shit in his last moments from an entirely practical purpose. From a character perspective though, this choice will last eternally. It will always be a part of him and his growth. That is powerful, even if it fails.

But what happens when there is no choice and it says nothing about the character? Well, that's when we get into the realm of a shock death, like Yamcha's legendary failure. A shock death is mostly meant to just raise the stakes. To make the audience know that 'shit just got real'. It always happens as a character getting instantly KO'd so as to really sell the "OH SHIT" factor of the moment.

Which is also why everyone always laughs at Yamcha. His death means nothing and as far as trying to up the ante? Good job, you killed the weakest of us in a show of strength. Good job. It is a HARD sell to a lot of audience members at this point because the character is just there to die. Their death doesn't say anything or mean anything for them so why as an audience should we care? It was just a cheap death that accomplished nothing and everyone moves on from.

So am I fair to call Luz's death this? After all, Camila cries over it. Eda goes into a more feral version of her Owl Beast form than she ever has before because of it. The Collector learns what death is due to it!

And in like three minutes, none of that will matter besides the Collector thing. No Eda having to try and bring herself back from the curse, despite claiming it can still eternally take her, a plot point never resolved. Camila has no reason to actually know. Her crying is just to add another octave to the overture "BE SAD NOW!" And the Collector?

He only was in danger because the writers said he was. Even if you believe Belos is immune to his magic (which was shown to be untrue as he flew up to Belos' face), he is still an incredible being of unrivaled power. He can move celestial bodies with a whim for god's sake. Why should he EVER be in danger? Shouldn't he be able to teleport or just shift out of the way faster than Luz can fly up to him?

And what does it say about Luz? You know, the girl who has been trying to abandon the Isles for TWO WHOLE SPECIALS before this and who has no connection with the Collector? They want this to be a heroic sacrifice in the way of Piccolo but it doesn't have the weight. It has no build up and Luz was NEVER going to have a real connection to the Collector. It's even explicitly used as a teaching moment for the Collector. To give him extra motivation to become a good guy... Like you do when you fridge a character. It's also something Luz would have explicitly done from episode 1 so it also has the Superman problem of saying nothing.

And the WORST part for Luz is... It wasn't something she thought was going to kill her. She thought the two would get out of the way. Maybe that was just a line in relief but a heroic sacrifice is an all in play. You don't expect to come back from a SACRIFICE. But Luz appears to have.

As such, it just feels like a way to up the stakes, especially when all it leads to is a power up for Luz. A cheap bit of escalation before the victory lap that is Titan Luz. That's just not that compelling and it feels manipulative, like a lot of shock deaths are.

And how does Amphibia get out of all of this? With one line:

"These stones aren't Amphibia's greatest treasure."

In that moment, we are reminded not only of all that Anne is fighting for but all of the growth she has had in order to lead to this moment. To go from the selfish girl she once was to the unifier of the stones. To someone who can actually care about an entire planet. How in episode 1, she wouldn't have done this but now? Now it's not even a moment of hesitation for her.

And it does have the Vegeta element of being optional. She could have gone home. She could have had Marcy or Sasha make the sacrifice instead. She doesn't though because she will not shrug off the responsibility of all this. This isn't even to do with the prophecy. She was the one to steal the music box. She was complicit, even if more fault lies with Marcy, in leading to the Core being potentially able to ravage worlds again. And then she is told that the prophecy is a plea for help. You don't have to yes to a plea like you do destiny. If not for Anne's experiences, she would have said no.

Instead, she says yes and she wins for it. Her resurrection is even based in this. She expects no resurrection and was ENTIRELY ready to bear the weight of her choice. She won't even accept the Guardian's offer of power because that's not why she did this. It's not what her arc is about. Instead, she gets her resurrection for the same reason she died: Because she has grown and in that growth, become so much more than she ever could have even imagined, so what would happen if given more time to grow? Would she surpass all of ours expectations? Even a god's?

ALL of that helps an audience care. Helps give a true climax to everything. Brings it all together. Even if you want to argue, and I actually probably would, that the Calamity trio fighting is technically worse from an animation standpoint than even Eda, King and Luz against the moss, narrative weight matters more. That sense of climax matters more. It is going to elevate the rest of the fight, and the episode, simply by making sure that ANY audience member is going to have a greater amount of investment in it.

And a heroic sacrifice is a great way to add to that. A shock death is not.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[bookloover35]

Sweeney Todd x fem reader-I fell in love with the Devil.

Yns POV.

The devil when I say that I have fallen for the devil then I mean it.  And the devil's name is Sweeney Todd I fell in love as soon as he set foot in my mom's pie shop.  I do not know why I fell for him and I know I should not fall for him.  Mom and I both discovered that he was the old barber who both in the old apartment where we now live.  Benjamin Barker he told us about what happened and my mother told the tragic event about his wife and that Judge Turpin has his daughter.

He was completely overwhelmed and I did my best to help him feel better, and then I discovered that he was very nice.  He is amazingly the very first who has ever been kind to me.  Yes my mother is kind but not all the time she blames me that it is my fault that my father died.  And my mother knew about my feelings for Mr T, but I have no idea how she found out.  And she did not like that I have feelings for him because she also had feelings for him.  She always told me.  (You should let him be Yn he is mine), or (do you really think he can love someone like you.) What does she mean by her he is not an object he is a human being.  My mother's words did not scare me I just fell for him more and more.  But one thing really scared me and that was what I saw a while ago.

( A While Ago).

Mrs Lovett: Yn go up with this cup of Tea for Mr T. I would do it myself but I have so much to do here in the store.  But remember, just give him tea no more.  He is mine.

I said okay to my mother and took the cup with Tea which was in her hand and walked out the door.  When I was out I started going up the stairs to his barber shop.  When I was halfway up the stairs, I heard something strange from his shop.  I started walking faster up the stairs with the thought that Mr T might have cut himself when he sharpened his razors.  When I was up, I slammed the door and saw something that would scar me for life.

There stood Mr T and had just cut off the throt of his customer.  Why I dropped the cup for fear I could hear them crushed below for my feet.  Then I saw that Mr T was looking at me he had not seen me before he had heard the cup crushed.

Sweeney Todd: YN!!!!!!

Yn: Wh_ What have you done.

Blood blood all over him and on the floor, I looked at the dead man and then at him.  He started walking towards me.

Yn: No stay away from me.

I quickly turned around and started running down the stairs I could hear Mr T shouting my name but I just kept running.  I refused to stop think if I did not have time to be fast enough think if he got hold of me he would kill me too.  I ran into the store completely exhausted and sat down in one of the chairs.  My mother looked at me as if I had seen a ghost.  I wish I had seen a ghost instead of that.

Mrs Lovett:What's with you?  you look like you've seen a ghost.  It went well to give Mr T his tea.

Before I could say anything, Mr T came into the store.  I felt my heart literally settle in my throat he looked at me and smiled then he looked at my mother and stopped smiling but my mother smiled big at him and said.

Mrs Lovett: Ah Mr T Did you get Teat off Yn?

Sweeney Todd:Yes, I got it, thank you so much Yn for coming up with it for me.

He looked at me while his told my mother I smiled back at him so my mother would not suspect anything.Even though what I saw really scared me and that he scared me, I could not help but blush.  I have fallen for the devil, and why did he lie that I had given him the Tea.  I dropped the cup and why had my mother not heard it, she must have been in the basement.

Yn: Your welcome

He smiled back at me again and I smiled back oh he must be so heavenly beautiful.  Stop Yn you just saw him MURDER a man.  Our eyes were interrupted by my mother saying my name.

Mrs Lovett: Yn Sweetheart can you go and buy us a bottle of Tonic?

Yn: What um yes I can do that I thought of actually walking past the library.

Mrs Lovett: Okay how good I'm just going to get my wallet.

She started walking towards her room and left me and Mr T themselves in the store I did not want to be alone with him.  I turned to him and saw that he was already looking at me and started walking towards me.  I quickly got up from the chair and started to back away from him I should have looked behind me because then I might have had time to discover that I have a wall behind me.  I closed my eyes and waited for death to come.  But instead I felt one hand on my waist and the other on my cheek and I opened my eyes.  Mr T looked at me with a loving look and sad, not angry or murderous.

Sweeney Todd: You do not have to be afraid of me my angel.  I could NEVER hurt you.

I was about to answer him but he leaned forward and kissed me then he whispered to me.

Sweeney Todd: We can talk later tonight.

He said to me and kissed me again and I do not know what flew inside me but I kissed him back and I felt how he removed his hand from my cheek and took both his hands and put them on my ass and squeezed and I opened  my mouth in shock and then he took the chance and stuck his tongue in my mouth.  Our tongues started fighting with each other and I felt how he squeezed my ass again, then he did something I was not prepared for I moaned into the kiss.  He smiled into the kiss that devil.

He quickly withdrew when we heard my mother.  What happened right now I really do not hope she saw that, I felt a strange feeling between my legs.  My mother came into the store and gave me the purse and told me not to come home late.  I promised I would not be away for too long and then I said goodbye to them both and when I walked a bit I saw that Mr T looked at me through the window and waved to me I waved back then I continued to walk.  What am I doing?

The end.

[fullmetal-scar-simping]

Thank you sooo much for your lovely response to my long ask a couple of days ago!!! I really do agree with you wholeheartedly (especially about Scar's post-Briggs characterisation), and something that irritates me about my fellow mangahood fans is that they love the complications in the plot introduced by the reveal that Scar killed Winry's parents (immediately after his own family died in an alchemical explosion + experiencing the world's most traumatic arm replacement).

I get that the point of having Winry confront Scar and point the gun at him is to make Scar reflect on their shared wrath...but I don't it's remotely comparable fhsjfjdj

Like yes it's tragic that the Rockbells died, but unless I am hallucinating they were fairly confident that the military wouldn't have actually killed them because they were Amestrians and thus why they continued to treat Ishvalans in their field hospital even after they had been warned. Now I think it would have actually been interesting if they were then later killed by the military that they trusted to spare them because of their Amestrian blood!

And then the Elrics + Winry having to deal with the fact that the institution they respect/work for/interact with is the same institution that killed the Rockbells - something mangahood treats like an unforgivable sin when Roy "War Criminal Extraordinaire" Mustang and Kimblee™️ are right there😭😭😭 They even show us the military scheming to kill the Rockbells, and then Arakawa has Scar do it at his most unstable to make a point about The Cycle of Hatred from a man whose pain is the most justified😭

And not to be petty but Ed's line about how Winry's hands were made for saving lives and the fact that her parents are doctors - Scar was a warrior monk whose hands also saved lives because he defended his people; and in fact that scene in the manga when he said he had nothing left to protect so he will instead live for vengeance went hard and is soooo indicative of his character😩

Unlike the war criminals and their accomplices, Scar's primary motivation throughout the genocide was to protect his people! And when they were slaughtered and their homes destroyed, that motivation developed into vengeance for his people! And I actually think it's quite powerful that Scar is willing to sacrifice his own peace of mind and the integrity of his soul by using alchemy - it's the fact that he is willing to kill the living to prove that the dead did not deserve it!

He is in fact the consequences of the rotten core that is the foundation of Amestris! So why do brohood fans insist on acting like it's his responsibility to end the cycle of hatred when the Amestrians were the first to pull the trigger? What's he supposed to do? How is he meant to continue living when everything was taken from him?

If we had even just a couple of scenes showing more of the Ishvalan perspective; like tell me more about the Ishvalan who refused treatment from Uriy Rockbell because Amestrians killed his father or the Ishvalan man in the desert mutilated by Roy's flames - there should be more angry Ishvalans in the series, and I think the Elric brothers (and fuck it Miles also - we saw an Ishvalan slum in North City) interact with them and deal with the horror that their nation inflicted upon the Ishvalans for no reason other than to serve the rotten core of the nation - Father & co.

But nooooo let's act like Scar killing the Rockbells is comparable and actually worse than the Ishvalan genocide🙄

(I am SO SORRY I just had to rant because I saw an annoying mangahood fan praise Scar's "redemption" arc when he doesn't need one😭 I even like that he got to return to his homeland and even reclaim his pre-genocide identity, but it should have been achieved through actual mutual understanding instead of my babygirl giving in to Arakawa's politics🗿 I know he's depressed and unhappy but to make his sudden cooperation realistic Arakawa should have has characters like Elric brothers and Miles should have done more reflecting on their complicity with the institution instead of bailing out of a difficult plotline)

Haha, no need to apologize for the rant! I'm right there with ya. The way Winry and the Rockbells get inserted into Scar's story feels so precisely calculated in order to both equivocate the violence of genociders with the violence of the oppressed, as well as (more directly) knocking Scar down himself.

[Long analysis after the readmore]

It's a perfect example of this method of narrative framing:

All anyone can focus on is Scar and the Rockbells, and that's by design, particularly with the 2009 anime adaptation.

For anyone paying attention to Scar's backstory with an anti-imperialist lens, it's clear he has correctly assessed who his enemies are and what to do about them. He's right to despise and destroy state alchemists and soldiers. And in order to "muddy" his position, Arakawa threw the Rockbells into the mix.

Again, with an anti-colonial, anti-imperialist framework this wrinkle to his backstory doesn't change shit. He is in the right to kill members of the militia. An accident doesn't erase the system of power that enacts imperial aggression. An accident doesn't negate a need for direct violence against a genocidal entity. Unfortunately Arakawa, the team at Studio Bones behind the Brotherhood anime, and the majority of people who watch Broho or read the manga don't see things this way.

Now I haven't read the manga myself, but as you've mentioned the Rockbells did seem to acknowledge the very real risk of death that can befall them while working in a war zone. Correct me if I'm wrong (and I may very well be) but don't they leave a letter behind in the manga, imploring that no one blame any Ishvalans who may instead harm them? Take this with a grain of salt, as I'm working off of a recollection of a post from someone who did read the source material. If I'm in the right ball park here, then Brotherhood cutting this from the story is an even more blatant attempt to tar Scar with a level of villainy (a trite description for the topic of genocide, even a fictional one) as the Amestrian war criminals.

Except the Amestrian war criminals are not seen as villains. The only ones characterized as villains for committing this (and other) genocide(s) are the homunculi, Bradley's council, and Kimblee. Following orders apparently is wholly excusable, even for a voluntary military. Both the "pain" and "anguish" of these 'do-gooder' genocidaires and Winry herself are elevated to near-martyrdom status in Brotherhood. Winry's parents especially so, and thus Winry's loss is seen as so poignant, so heartbreaking, that the audience (and Ed) are moved to an almost smug derision of Scar. See? It's the ~cycle of violence~. That's why his actions are ~wrong~. He doesn't parade around an idealism as a form of penance that makes him inspiring like Mustang (I have to laugh), he doesn't bat big doe eyes while looking so mournful like Riza (I have to yawn), he didn't have a lovely cis heterosexual family unit to create or protect like Hughes (please don't acknowledge Scar's family or community, in fact don't inquire about them at all) (also mangahood Hughes. Oh god, mangahood Hughes 😬). No, Scar is a violent man, an 'awful hypocrite", he harbours none of these 'heroic' qualities that everyone defends in the military characters, so therefore stopping him and bringing him to an Amestrian standard of justice is paramount.

The way this scene is constructed, in both the manga and the show is so blatant in its weepy-moralizing. Scar is contrasted as brutish, towering against a white teenage girl's trembling, collapsed position before him. His race cannot be ignored from the composition of this moment. The racism that under-girds the real life bogeymen of the "wanton violence of SWANA men" and the "foreign savage threatening our pure, fair, delicate women and children" is manifested in fma mangahood.

We're supposed to see these young (white) Amestrians as the hope for a reformed nation. (Abolition and decolonization are not vocabulary in the fma ethos. This isn't a unique lack for fma, most media can't be bothered to contend with truly ending a system or a nation that serves as its own sort of protagonist.) The end of ~the cycle~ will be because these golden-hearted white kids will choose pacifism (a useless paradigm when dealing with an aggressive entity). Ed assesses that his military superiors should not be held responsible for the mass destruction and slaughter they rendered with marvellous aplomb, Winry is too good to sully her hands, and Scar is a monster who's hand(s) are, it seems, meant to kill.

This is how we're guided to view things: The soldiers and generals are proud idealists to be respected and aided. Ed is a spunky genius who gets to use the coffers of the state's ill-gotten wealth for himself and his brother, and Winry is a saint who truly lost the most from the Ishval War. The Ishvalans shouldn't have fought the Amestrians, the Ishvalans shouldn't have resisted occupation, the Ishvalans shouldn't have retaliated for the murder of an Ishvalan child, the Ishvalans shouldn't have been where the military took aim. Scar shouldn't have been so human as to be loved, to be saved, to be physically and mentally harmed, to be so thoroughly concussed and delirious (neurologically and psychologically), and he shouldn't have ever hated Amestrians. Then the Rockbells could have returned home to Winry.

(If we throw in the ridiculous speech from Miles, Scar should have also, somehow, joined the military simultaneous to being in their crosshairs as Ishval was torn asunder.)

And that's what the framing, the script, the animation, everything in Brotherhood bellows: Winry is the truest, most blameless victim of the Ishvalan genocide. The death of two white, blond, blue-eyed humanitarian doctors is worth hundreds of thousands of Ishvalans. Where Father and Wrath both see each life worth only that life as a means of efficient resource extraction, and where the philosophy of One is All, All is One is meant to unify the value of each life, we get a much different, more bleak weighing scale from Ed, Scar's arc, and from the in-built bias of the audience: Scar's brother, his neighbours, the web of individuals, communities, and every generation of Ishvalan is worth markedly little in the holy light of the Rockbells and Winry's suffering. Scar's past and present are mere excuses; Winry's past and present are his sins.

This moment is also a tacit ploy to make people think of the families and loved ones of the fascist pigs Scar has already murdered by this point. The implication of those people as a trail of Winrys left in his wake also equivocates the pain of the imperial citizenry and the lives they enjoy thanks to ceaseless land, resource, and human acquisition, with that of the endlessly angry, 'dangerous' Ethnic Other. Surprisingly, given how little tact Brotherhood has as a visual narrative, the anime (thankfully) never outright shows these bereft loved ones from the murdered war criminals. However, it hangs invisibly in this scene with Winry as well as the one in the abandoned mining town in Briggs.

And to make a quick aside: I find it to be in very poor taste that the tragedy of Scar's life is being used to further the romance between Ed and Winry. Just. Please. Who the fuck asked for a brown man's oppression to be the backdrop for the growing passion between white teens??? What in the goddamn, man.

Getting back on track: Brotherhood wants us to see Ishval and Amestris as two equal parties foolishly destroying one another. It's the fallacy of both-sideism and we see the very real deployment of this propaganda every time an imperial power wages its (nowadays proxy) wars. But like real world targets of imperialism, Ishval has every right to fight back. Scar, even with the deaths of these doctors thrown at his feet in an attempt to manufacture a toothless, sanctimonious tale of "two wrongs don't make a right," is still fully in the right to have sought and destroyed the fascist boots that trampled him and his people.

The Rockbells assumed they would be safe from their own nation, and as you said we do get confirmation that the military was going to send someone in to assassinate them for their treachery. Kimblee (because we could never make any of the ""Good guy"" soldiers do this, only the strawman fascist) was given the task. In a twist of fate, Kimblee's assault on Scar indirectly gets that particular job done. I, for one, hate this writing decision. I've talked about it before, but fma 03's choice of making Mustang and Marco the Rockbells' killers is a far better choice for the broader anti-imperialist theme 03 focused so heavily upon. Hell, any serving soldier would have been a better, less nakedly military apologia than Scar. It would better reflect the real world strategies deployed by imperial armies: decimate medical facilities, staff, and humanitarians (including those who are citizens of their own nation state). Arakawa choosing a roundabout path to this outcome, one that vilifies Scar while sparing the ""Good"" reformable soldiers, because it's actually all Kimblee's actions anyway, is a cheap trick.

It drives me nuts that the Elrics and Winry are never truly confronted with the horrors of their nation and its governing institutions. Anytime they get a taste of what makes the military so vile it's coated in a million red herrings about who is "actually" responsible for this wretched state of affairs. It's not that militaries are the violent arm of the state meant to slaughter people and capture/maintain land as property of the state, no! That's the fucked up thinking of Bradley, his council, Father, and Kimblee! Look, our ""Good"" war criminals and soldiers actually ~understands~ that the military exists to protect people! (Which people? And from whom? Shut up, don't ask questions, you're ruining the wholesome idealism here!) With them in charge post-coup, everything will be better! Any harm Amestrians have faced from their own military's invasions is actually the fault of the military's targets: Resembool received collateral damage because Ishvalans fought back! So obviously this is akin to Ishvalan imperialism, right? Both sides? We shouldn't see race? Reverse racism is real? But look, Winry is suffering because Scar is a reverse racist! So it is real!

Everything you said about Scar is 100% on point. It's so good that I'm gonna highlight it here again:

Scar was a warrior monk whose hands also saved lives because he defended his people; and in fact that scene in the manga when he said he had nothing left to protect so he will instead live for vengeance went hard and is soooo indicative of his character Unlike the war criminals and their accomplices, Scar's primary motivation throughout the genocide was to protect his people! And when they were slaughtered and their homes destroyed, that motivation developed into vengeance for his people! And I actually think it's quite powerful that Scar is willing to sacrifice his own peace of mind and the integrity of his soul by using alchemy - it's the fact that he is willing to kill the living to prove that the dead did not deserve it!

What more can I say? This illustrates perfectly what a lot of fans seem to entirely miss or dismiss. And listen, I'll give Arakawa some credit, because she wrote this into his character! She wrote Scar to be more than just Big Bad Hypocrite, and Ed's view of him is in fact wrong. I appreciate that Scar doesn't fall over himself to explain to these Amestrians what happened on his end. But all the same, with other Ishvalans being used to essentially rat Scar out (the ones taking refuge in the ruins of Xerxes), and that there was no sympathy or solidarity given to him by his own people who were there in that makeshift hospital still shows what the primary perspective on Scar should be.

To Arakawa, he is wrong.

The Amestrians rebuke him, his own people (the refugees in Xerxes, his own Master and the refugees within Amestris) rebuke him. Miles rebukes him. Ed, Al, and Winry rebuke him. The Ishvalans rebuke his one-man insurrection on his and their behalf to instead stoke the flames of Ed's righteous animosity towards Scar. Why? Because not all Amestrians. But certainly all Ishvalan rebels. It doesn't matter to Arakawa and Studio Bones' Broho team that Scar's hands were already fighting to save lives; he has to be beaten down and cowed to agree to save Amestrian lives, reformed for Amestris' betterment. This is how he will pay for his "cruelty". Meanwhile the war criminals, sans the leader of the nation and Kimblee, get off scott-free.

A core problem with the ~cycle of violence~ rhetoric is that the buck is almost always passed to the latest victim of violence, particularly if that victim entertains the path of self-defense or retaliation. If you initiate, or are a major player, in that violence then you are practically absolved of your actions and intentions once you create a chain effect of harm. This, in my opinuon, is partly why fans see the responsibility of ending violence to be on Scar's shoulders. Combined with what I discussed regarding the "positive" qualities of our protag war criminals winning the hearts of audiences; that they are written to be as charming, inspiring, and pitiable as possible, with a sufficient lack of melanin to align with the colourism and racism imbedded in most societies and cultures irl, we end up here. With Scar seen by many as a villain/former villain.

Remember, don't argue against pacifism. And don't bother questioning what other routes he could have reasonably taken, because the manga and Brotherhood answers that question!

He should have been living "peacefully" with other Ishvalan refugees in their nice little "peaceful" (slums) settlements. After all, they had no real qualms with their "peaceful" new lives. We're hit over the head time and again by how "content" these refugees are, in spite of the ethnic cleansing and marginalized, hidden existences they suffer. And I scare-quote peaceful because this isn't peace. This is the hegemony of Amestrian "peace" forcing a people it wants fully eradicated to hide and remain quiet for their own safety. So peaceful. But that's what Scar should have done instead! (Or become a fascist to solve fascism, ala Miles' stunning advice.) Brotherhood keeping the majority of Ishvalans as an amorphous monolith, without identities or perspectives, who make do with the hand that's been dealt (it seems like all "violent Ishvalans" were slaughtered in Ishval during the war, since only Scar continues to fight afterwards) means we can digest the Amestrian perspective and internalize it without issue. It's an intentional choice.

Even the manga at least shows Ishvalan dissent a bit better, but it seems to lose any interest in pursuing the perspective of refugees as the plot progresses. A lot of entertainment media can only garner sympathy for victims of genocide so long as they have an innate "pacifism" to their people (this too is racist framing). You can only feel bad if the Indigenous and the racialized are simply too kind hearted and pure to ever raise their hand against the gunmen who fire at them. The narrative can only imagine Scar having the potential to reform into the acquiescent, useful native if we see that most of his people are horrified by any violence against their colonizers. If they're horrified of him, then they and Scar can be forgiven (for being what they are, for being victims whose victimization harmed the soldiers, the Rockbells, and Winry). So what more could the Ishvalan perspective hold in Brotherhood, when that's all that's needed of them to begin with?

I sorely wish we weren't fed such an awful concoction of racist, military-absolving story telling. All major fma media isn't necessarily perfect about consistently handing the mic to different Ishbalans/Ishvalans, but Brotherhood is the absolute worst of the three in this regard. The manga at least has Ishvalans who openly reject Amestris and Amestrians for the atrocities they suffered at their hands, as included in your ask. Brotherhood doesn't even bother with any of that. It's just a spotlight on Scar, and he made Winry an orphan. Not Amestris, not its military, not Father, not Kimblee, but Scar. And to Broho fans, that is the ultimate sin anyone in this series could ever commit.

I'm glad mangahood Scar gets to return to Ishval and rebuild. I'm glad this version of him gets to live, because this continuity has nothing of value to say had it killed him off or prevented him from reconnecting with Ishval. Of course Scar didn't need the "reformed" military to grant him that permission. And he abso-fucking-lutely did not need to earn it via "redemption". Such a crock of shit. To have to earn your homeland by joining the very forces that ruined thousands/millions of lives is one of the most disgusting outcomes of this story. People love his "redemption" because it makes them comfortable about real, heavy matters. It tells them "Their nation, their nationalism, their militarism can be good and healing after all." Fuck off.

Scar deserved infinitely better. Every Ishvalan deserved better than to be a morality lesson about what the oppressed ought to do instead of having a spine. And Winry shouldn't have been a pawn for distracting us from the evils of the military.

--

See, this is why no one should apologize to me about sending me a ranting ask. 😅 I'll take any opportunity to rant x10. And hey, you're always welcome to send long asks! I hope the long reply isn't too frustrating to read through, and I hope I didn't miss any of the great points you made.

Once again, I fully agree with you. Our babygirl being tied up with the Rockbells is straight-up poor storytelling. Mangahood had the potential to not be racist and pro-military about these storybeats, but instead chose to make an example out of the primary brown character.

Any Broho fan who can't handle this critique is weak. Period. But I'm always grateful that there are those like yourself who can handle it AND make that critique themselves!

[Sorry it took some time to reply. I briefly lost this ask after saving my first draft, since apparently tumblr hides ask drafts not at the top of the draft pile, but somewhere in the middle (???)]

[fandomshatepeopleofcolor]

i saw a tweet earlier today regarding barbie and oppenheimer and I realized how I haven't seen a lot of people talking about the potential anti-asian racism and whitewashing in the oppenheimer movie considering that it's a biopic set during world war 2 (tbf, I haven't gone through the oppenheimer tags on tumblr and twitter). I just know that those parts are gonna be overlooked due to being a Christopher Nolan movie

ok just for context i'm gonna paste the trailer for oppenheimer here

So I haven't talked about the inherent racism of making a tragic hero out of Oppenheimer on here but I want to clarify I'm not Asian and I'm not Japanese and I would like those voices prioritized here.

If you don't know much about Christopher Nolan besides yay batman movies... you gotta know a few things about him. Even in his batman trilogy he whitewashed nonwhite characters. Notably Ras Al Ghul, Talia Al Ghul and Bane. i'm not going to delve into how his movies besides tenet predominantly featured white casts. but just take that as a fact. Tenet was an exception not the general rule of his filmography.

Moving on for those that don't know about Oppenheimer I'm gonna refer you to a few wiki articles

First Oppenheimer

and now his legacy the atomic bombings of Hiroshima and Nagasaki.

Even though I'm referring you largely to wikipedia articles you gotta understand followers that the casualty numbers are wrong on article

mainly the bottom number of 129,000-226,000 killed.

Like that may not seem like much heck its not even the population of San Francisco. But you gotta understand that these numbers are wrong for the plain and simple fact that Japanese people around Hiroshima and Nagasaki also were affected with radiation and like chernobyl some died quick deaths and others died slow deaths. So you can't really put a number to that sort of devastation.

There's this narrative in the USA that in WWII we did everything possible to stop the nazis. But instead of focusing on the devastation of the bombings we're focusing on a tragic white man who from the beginning understood what this bomb would do??? Like yes he was haunted there's even this

So like we have this narrative of a tragic antihero that saved us from war with the axis but then was haunted by what it had cost him. And what I can't understand is why we revere him so much. This is as much a movie about USAmerican ingenuity as it is about how poor widdle Oppenheimer created the most powerful weapons in history and was haunted by it.

I haven't seen it but its very telling that Nolan didn't choose to depict the horror of the bombings and instead the single tragic man that choose to create them.

honestly its sickening. because now Cillian is gonna get nominated for his role as Oppenheimer, they're going to shove it down our throats that old USAmerican propaganda that we needed to bomb the Japanese to stop the war even tho nazis were defeated already. the Japanese were still fighting but we had them out manned and out gunned.

Don't let anyone tell you that this movie isn't propaganda.

mod ali

[thelordofgifs]

the fairest stars

What if Angrist was a little tougher, and Beren and Lúthien managed to steal two Silmarils from Morgoth instead of one? Somehow I’ve already written NINE parts of this unhinged bullet point AU here and decided it was time for a fresh post to avoid that one getting too long.

Where we left off: Lúthien has been negotiating with Mandos like a pro, Maglor is nearly-but-not-quite-dead in Menegroth, Thingol has taken one Silmaril from him, Fingon has the other Silmaril and ditched Curufin outside the Girdle even though they did some bonding on the Worst Road Trip, and people are still upset about Celegorm’s death. YES I am well aware that the pipeline from the fairly normal first sentence of the post to this mess is insane.

Fingon and Maedhros are both very, very good tacticians. Between them, it isn’t very difficult for Fingon to follow Maedhros’ directions towards Menegroth, and then to find the hidden pathways by which Huan led Maedhros out of Thingol’s halls.

It helps that Thingol is still under the impression that the Girdle is impenetrable with the aid of his Silmaril, so he doesn’t have anyone keeping an eye out for the High King of the Noldor sneaking into his realm on an Adventure.

Finding Maglor's sickroom/prison cell/whatever is a little trickier, but not impossible. Long ago in Tirion Fingon was a mischievous child, so he's well aware that the best way not to get caught sneaking into a forbidden place is to make it perfectly clear that you belong there.

He strides confidently down the corridors, silently reciting Maedhros' directions to himself. Nobody stops him.

He's hoping that Curufin was wrong, and he'll know Maglor's door by the holy light showing through the cracks; but when none is evident he's forced to take his chances and start trying doors in the area Maedhros indicated at random.

Since he has plot armour is very lucky with this whole improbable-rescue thing he comes across Maglor without any trouble.

Maglor is only half-conscious – quite apart from the wounded leg, he hasn’t eaten in days – but his eyes flicker open when Fingon comes in.

“Hello, Makalaurë,” Fingon says, deliberately cheerful. “I’ve come to take you home.”

“You can’t do that,” Maglor says dazedly. “It burned – in the Bragollach – remember?”

Fingon opts not to answer that. “Russo said you were healing when he left,” he says instead, frowning at the bloodstained bandages around Maglor’s leg. “What happened? Has Thingol been mistreating you? I thought Lúthien at least was kind!”

Maybe he was too hasty in leaving Curufin outside the Girdle.

Maglor hurries to explain that Lúthien is dead, and that he’s actually in this pathetic state by choice or something.

“Right,” says Fingon, “well, you’re coming back to Himring now.”

But Maglor shakes his head. “I can’t, Finno,” he says. “Thingol took the Silmaril from me. I don’t – I’ve been trying to hold it back. The Oath. But I can’t leave it in Doriath and go, I can’t. So you’ll have to leave me behind.” He manages a brave and tragic smile.

On Thangorodrim while Fingon was struggling futilely with Morgoth’s iron shackle, hopeless tears running down his face, Maedhros said, You’ll never be able to free me, Finno, just kill me, please—

Fingon is rather sick of Fëanorian melodrama.

“One step ahead of you,” he says brightly, and he produces Maedhros’ Silmaril from its box, handing it to Maglor before his Oath can stir at the sight of it. “Here it is.”

This would never normally work. But Maglor is very tired and ill, and not thinking as clearly as he otherwise would.

As long as the obvious question doesn’t occur to him until they get outside the Girdle again—

Maglor takes the jewel and gives a relieved little sigh as the bite of the Oath eases. “You really took it from Thingol?”

“Of course,” Fingon lies. “Let’s put it back in the box for now so that it doesn’t attract too much attention?”

Maglor acquiesces. He and Fingon aren’t close exactly, but they get on well – certainly far better than Fingon does with Curufin. There’s an odd shared camaraderie that comes from loving Maedhros; it lends itself well to cooperation in difficult circumstances.

Fingon picks Maglor up – he's alarmingly light – and they begin to make their way back out of Menegroth.

"You're to be my betrothal gift," Fingon tells Maglor, and Maglor actually laughs.

Unfortunately it's much harder to look innocuous when you're carrying someone about five minutes away from expiring on the spot.

They haven't got very far before an angry voice comes from behind them: "Who are you and where are you going with the Fëanorion?"

Damn.

Meanwhile

[I should clarify my definition of "meanwhile" here. Evidently time runs much slower in Aman than it does in Middle-earth, even post-Darkening, or it's difficult to fathom why Beren and Lúthien canonically took two years to return from death. In vague support of this, the Fellowship find that time runs slowly in Lothlórien, presumably with the aid of Galadriel's ring, so I posit that the more Divine Stuff there is near a place (and Galadriel was ofc a student of Melian too), the more weird time shit occurs. So since I've anyway fudged the timelines so that travel times work out conveniently, we can also put the bits of story occurring in Aman here for funsies.]

Meanwhile, Finrod has been following Celegorm around in the Halls of Mandos.

"Was it worth it?" he asks. "Did you take joy in the lordship of Nargothrond, once I was gone?"

"I could ask you the same," says Celegorm, responding for the first time. "Did you die for anything in the end, Ingoldo? The mortal's here, after all your efforts. So much for your oath."

"So much for yours," says Finrod; "it looks like that eternal darkness you doomed yourself to wasn't that dark. Or eternal. So what was it all for? Do you even regret any of it?"

The dead can't lie. Artifice and deception are matters of the flesh, and they are buried with it.

"I didn't want you to die," Celegorm says.

"Well, that's a start!" says Finrod. "I can't say I'm glad to see you here, either."

"O Fair and Faithful one," says Celegorm, "spare me none of your pity. They are already whispering that you will be released soon, first of all the Exiles to walk again in Aman. So it's all turned out rather well for you, despite your evil cousins' machinations."

"I suppose it has," says Finrod, thinking.

The thing is, it was worth it. Beren's life mattered. It mattered that he saved it, even if he died to do so, even if Beren is dead now too (although word is that might be changing).

He did not do it expecting a reward.

"And my werewolf was bigger than yours," says Celegorm.

Finrod rolls his metaphorical eyes. "At least I actually killed mine."

Cousinly bickering is still kind of fun, even when you're dead.

Curufin, fuming outside the Girdle, would not agree.

After a time he's forced to conclude that the only thing he can do is head back to Himring.

The ride through Himlad, once as green and fair a land as any, does not improve his mood.

Also his burned hand is still hurting.

Look: here's the little stream where Celegorm caught a huge fish once; and here are the low hills where, a couple of centuries ago, they held some war games and Curufin's people thrashed Celegorm's decisively.

Here's the copse where, years before the Dagor Aglareb brought tentative peace to East Beleriand, Curufin and his son were surprised by a party of orcs, who took their small patrol all captive.

Tyelpë was just barely of age at the time. How trusting his eyes, then, how baby-soft his hair: how easily he had believed that his father would fix everything.

As for Curufin, he spent the hours-long ordeal learning anew what terror was, rendered compliant by the mere possibility that they could hurt his child.

They were fine, in the end. Celegorm rode up to the rescue while the orcs were still quarrelling over where to take them.

But Curufin remembers: how disabling love can be.

Meanwhile Fingon finds himself surrounded by a crowd of angry Iathrim in their home city.

He sets Maglor down on the floor and sets a hand on his sword-hilt, wondering if he is about to become a Kinslayer again.

(Fingon regrets Alqualondë more than anything; and he'd do it again, for Maedhros' sake. He knows this about himself.)

Before things escalate too far, Thingol shows up at the scene of the disturbance.

"We haven't met," Fingon says. "Fingon son of Fingolfin, High King of the Noldor in Beleriand. I've come for my cousin." He gives Thingol a rather dangerous smile.

Thingol thinks he might be in serious trouble. He attempts to adopt a conciliatory tone (which is really really hard for Thingol ok he's trying).

"He'll die if he's moved," he says, nodding to where Maglor is slumped against the wall, shivering.

"He'll die if he stays here!" Fingon says. "Is this the famed hospitality of your halls?"

"He has been offered every treatment he could ask for," Thingol says. "It is not the fault of Menegroth if he chooses to refuse them. Now tell me, son of Fingolfin, how came you through the Girdle of Melian – without her leave or mine?"

Maglor puts the pieces together. "Finno, you lied to me," he breathes, glancing at the box in Fingon's hand.

Fingon wonders if it would be diplomatically insensitive to kick Thingol.

"The jewel alone does not explain it," Thingol insists. "While I hold the Silmaril my daughter won, surely—?"

"I could have told you that, had you asked," says Maglor. "Silmarils aren't weapons! You can't use one as some sort of military defence."

Thingol is now questioning all his life choices.

He only took the Silmaril from Maglor in the first place because he thought it would protect his kingdom, and now—

Maglor is feeling resigned. He should have known Fingon's claim was too good to be true. Thingol still has the Silmaril, and Maglor can't leave Menegroth without it.

Face pale and set, he attempts to get to his feet, mostly unsuccessfully.

Fingon looks down at him. "Seriously, Makalaurë?" And when Maglor ignores him, he says, "Sorry about this," and kicks Maglor's bad leg – carefully, but still hard enough to hurt.

Maglor faints.

Fingon picks his limp body up. "The Silmaril isn't yours," he tells Thingol.

"The white ships of Olwë my brother's people were not yours, either," Thingol returns.

Fingon inclines his head, acknowledging the point. "I don't wish to start a war over the Silmaril," he says. Maglor is so cold and still in his arms. "My cousins have done enough for that cause lately. Only let me take my kinsman home."

Thingol hesitates. The iron box in Fingon's hand is so close, and Fingon is outnumbered, and he has his injured cousin to worry about—

It could all be over, if he took the second Silmaril. He'd never need to worry about his people's safety from invasion again.

"Elu," comes a voice from behind him, "enough of this. Let them go."

"Queen Melian," says Fingon, bowing his head.

She barely looks at him, meeting her husband's gaze instead. "Time and again you have disregarded me," she says. "Lúthien is lost, and yet you persist with this. Will you heed me now?"

Thingol stares at her, and then, finally, he waves his hand. The bristling guards move aside, allowing Fingon free passage down the corridor.

"I trust you can remember your way out," Thingol tells Fingon, and turns away.

Fingon looks at Melian. "Thank you," he says, "and I am very sorry about your daughter."

He has met Maiar before, of course, in Valinor: but Melian is still unsettling, with her implausibly flawless face and eyes that hold yet the memory of a time before Time.

"Little king," she says, "only hope that you will not know any such pain yourself."

Fingon manages a smile. "I'm good at that," he says. "Hope."

On that note he leaves Menegroth, carrying Maglor, and begins to make the long trek back through the Forest of Region, and thence to Himring.

Curufin has managed the journey significantly more quickly. On a crisp cold morning he rides back through Himring's gates.

Maedhros has been... managing. Not well, but he trusts Fingon.

Beloved, I will bring them back to you. Beloved, I will bring them back to you. Beloved, I will bring them back to you.

But here's Curufin by himself, looking pale and tired, and after all it was only a hastily-scribbled note, not an incantation.

Maedhros arrives at the gate at a run.

Scarce weeks ago it was the other way around, Maedhros riding into the fortress with Fingon's cloak only just concealing his bloodstained clothes: and Curufin met him as he came in and he can still feel the terrible jolt of knowledge in his stomach, and Celegorm is still dead.

How can it be borne?

A thought comes to Curufin and for a moment he thinks it the cruellest idea he has ever had, but Celegorm is dead and his hand is still burned and nobody expects any better of him anyway.

"They're dead," he says flatly, "they're both dead," and Maedhros just – stares at him.

(to be continued)

[pikahlua]

Is it true that the fact that “Deku is like half quirk racist and judgmental is proven by the next season 7 episode because he rejects Toga because he’s an A-hole and judging her. I really dislike when in-universe characters keeping being mean to my favourite best girl in the series. Luckily, Deku gets whooped and bullied by her because he was in the wrong and disrespected her and judged her and made assumptions and pretending he knew her!! What a jerk.” - A guy on twitter said this to me and I’m like confuzzled, not my words!!!!😅😅😅 me copy and pasted AHH not me!!!! Anyways so is they right?

Uh...huh.

I think the statement in question is written in a pretty inflammatory, reductive way (on purpose). The writer is expressing their protectiveness of a character they like and/or relate to, so that explains some of the hyperbolic language. I don't agree with the statement; I think describing the situation requires a lot more nuance.

First of all, let us not make a habit of using this weird term "quirk racist." "Discrimination," or "quirk discrimination," are sufficient terms and don't invoke any awkward or insensitive equivocations.

Is Izuku judging Toga? To an extent, yes. But judgment is a necessary part of life when it comes to discerning other people's intentions and whether or not you wish to associate with them. No one is required to befriend anyone just because they ask. I could easily judge not to be friends with someone because we don't have similar interests or we have different perspectives on life. That's normal. What would be bad is if I were to judge that difference and remain close-minded to the possibility that my judgment is wrong, or if I were willing to take my judgments as far as harmful discrimination.

To bring this back to the scene at hand, I don't think Izuku has gone so far as to completely reject Toga. I think both Ochako and Izuku have honestly expressed their truths, their perspectives on life, and how they do not understand Himiko Toga. In a different situation, perhaps had they all encountered each other at younger ages, they would have had the opportunity to continue the discussion and come to a better understanding, and maybe then there would have been more acceptance for Toga. The problem is that they are meeting Toga after she has crossed an important line.

It's tragic. Toga did not receive the support and education she needed to properly integrate into society. Her feelings were rejected by everyone who could have helped, and all anyone did was try to repress her and make her conform. There was no attempt to socialize her properly. If they could have accepted that Toga genuinely felt as she did and needed to express herself, they could have taught her about consent. They could have taught her to express her desires in a way that others could better understand. She wouldn't have had to resort to attacking and killing others just to feel real. But instead they primed her to believe that everyone saw her as a monster, and she acted accordingly.

Izuku and Ochako meet Toga after she has become a serial killer and a terrorist. Toga already resolved to just do whatever she wanted without regard for others' feelings. The obvious response Izuku and Ochako would have to that is "Others' feelings are important. Consent is important. Respect for others' autonomy and well-being is important." They don't have the context about how Toga feels deep down, proven by the fact that Toga's confession on Okuto Island gave them better insight into what was going on with Toga.

So yeah, I think the circumstances of their encounters are what have exacerbated this situation. Izuku and Ochako have never had a real chance to talk with Toga, because they've only ever encountered her when she was trying to fight them. They've only met her on the battlefield. There wasn't a real opportunity for any of them to get to the bottom of things in time to avoid an escalation in their conflict, at least not until the end.