#(I enjoy these tags entirely too much)

[sockdooe]

I don’t know if maybe it’s just me, but is anyone else seeing a rise of people claiming that they could do a better rewrite of Voltron and then immediately say they’d make K/L cannon or Adash/ canon?

I don’t know about anyone else but I genuinely don’t think making ships canon would make the show better.

In fact I think It’d make it worse.

And considering shiro isn’t even mentioned in these and if he is it’s just to be Keith dad…. Is telling.

[mabaris]

no youre completely right - im a gay (trans)man and i legit wanna see so much more about the women bc There Is So Little. I wanna make a lesbian oc who gets bent in half by taash. im very normal.

i’m just tired man!!!! it feels so obvious how disproportionate it is when you’ve got. a cast of characters that we know almost equally little about. and a few of them explode in popularity and it’s like spongebob sticking his hand out the curtain. literally all a character needs to do numbers is to be a light-skinned man

[grapejuicegay]

Sometimes I just start thinking about this moment - paired with Maddie's "I just think that maybe you're not sure of your own feelings yet. And if there's something that you need to tell Eddie, you will. Just, in your own time" - and then don't stop thinking about it.

Maybe I'm just reading into it but the way this moment moves. Eddie steps forward, Tommy steps up to exactly where Eddie was, Buck turns to look where Eddie was, doesn't find what he was looking for but still finds something good. It's not just ep 4 and 5 where the focus on Eddie blows me away, it's also this.

[notsoprocreations]

The show really reignited my childhood pjo fixation at the worst possible time <3

[kakusu-shipping]

Double Date Collab with @delightfuldevin! He did the sketch and I did my best to render it!! I hope we get to do this again soon!!!

[random-lil-illing]

my cs designs are the dictionary definition of an animator's worst nightmare and i am well aware of that :)

[thechosenanubis]

Nina is actually a better person than people give her credit for. Like at the beginning of S1, I had the same scenario with Patricia happen to me: new girl at a new school, trying to make friends, and this other girl in my class didn't like my ~vibes~ or whatever and started saying nasty stuff and trying to isolate me. (thankfully in my case no close friends were kidnapped by secret societies in search for eternal life 💀 ) So not only i can sympathize with her situation, but even relate to it.

And what I don't see talked about enough is ( or if people did, I haven't seen those posts) calling out Patricia's behavior for what it really was: bullying. Keep in mind here, that I understand where Patricia's behavior is coming from, since she's being gaslit like crazy. But that still doesn't make her behaviour towards Nina acceptable or excusable.

And I wouldn't have blamed Nina if she refused to accept Patricia's apology, because is not a victim's responsability ( only their choice) to forgive their bully.

Still, Nina forgave Patricia because she's good like that ( and probably didn't want to break the already fragile ecosystem of the house with more hostility even if it was within her right to keep a grudge and refuse Patricia's apology. )

What i'm trying to say, Nina is a good person, flawed but good.

Thanks for coming to my TED Talk.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[carcarrot]

you'll be pleased to know that on my first day back at my job after my two week vacation i am already in one of my semi-regular Job Crises where i feel like if i dont find a new, better job soon im going to explode into 5 billion pieces

[sysig]

The brainworms are winning, clearly (Patreon)

[xenomorphicdna]

Flames,, blanket boy, my beloved

I gotta draw more art like this of him, he's such an odd creature I love him so much

There's so much to his character that I never talk about aaa I'll make a lore post eventually

[autism-swagger]

I love making art where the target demographic is literally just me

[arom-antix]

My feral little man

[obeymeow]

nightbringer lesson 14 FUCKED ME UP in several ways but primarily I've spent the last 48 hours making myself sad over the solomon backstory we got. specifically I have, for no reason, latched onto that one chapter in the Kids event where baby solomon cried because he felt so guilty over being responsible for that spell. and that just feels a touch more depressing in context

[lovesickeros]

This is a little out of the blue, but I genuinely really enjoy hearing your tsaritsa lore and character breakdowns. She's hasn't been someone I'm terribly invested in getting to know as a character, but reading your thoughts on her has really piqued my interest. I've never considered what being the goddess of love could mean I guess

Anyway, all this to say I've been really enjoying your tsaritsa/fatui hype :) it's contagious

THIS IS SO GOOD TO HEAR i love going into deep dive breakdowns of characters especially ones who don't really have a lot of content, because it provides wiggle room for a lot of interpretations. not that i can blame you for not being too invested in her, considering we've never actually seen her, and only hear about from a few sources (venti, who doens't really say much, and childe + arle who also technically dont say much in the grand scheme of things but understanding their characters to see how it changes their view of the tsaritsa and where it overlaps is a good chunk of it)

so its my job to do what hoyo doesn't and hype the hell out of her /j. ive been writing her since i joined sagau around when it first started snowballing into popularity i dont think i could leave if i tried

[ozlices]

im like sincerely so sorry bc my most shameful flaw is that envy is one of my favorite characters in the entirety of fma which is like. listen it's genuinely irredeemable but she knew exactly what she was doing when she made envy the pinnacle of gender envy bc my non-binary ass is NOT immune to feeling the gender envy to the highest degree for that little freak