#((it's okay!! no worries!))

[lizzibennet]

chappell roan’s got this sudden very huge burst of attention and since then she has

shown up to jimmy fallon in full drag

shown up to her concerts in even zainier outfits than before

worn a nun costume to one concert and when people were uncomfortable she was like good. toodles!

very clearly stated she will retreat from the public eye if she feels threatened by her fame

put very firm boundaries in place, not caring how that might make her look in today’s ass backward society that thinks artists owe everyone everything

she really is trying the hardest to do this in her own terms, in this industry that pretty much allows no wiggle room when it comes to being as big as she’s gotten. it’s clear to me she doesn’t care about maintaining the level of notoriety she has now, she cares about connecting to the subset of people who her art has always been aimed at and that is it. and i find it so admirable! it must be really hard to get what every artists out there is trying to and not let yourself get influenced by it, but she is remaining steadfastly herself. it’s so refreshing and it makes me like her so much more

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[kimetsu-chan]

Doing this bc I’m scared to and won’t on my own

if this gets 5k notes by October 20th, I will tell my dad about my eating disorder and get help to recover + therapist

Rules:

No spamming

5 notes per person including likes

if either one of those is broken, I’m reducing the time limit, basically making it less likely to hit the goal on time

FOR CRYING OUT LOUD PLEASE STOP SPAMMING

tagging is okay

Might delete later(sorry!) because I’m scarrredddd, I don’t wanna tell my dad >:l

[unicornpopcorn14]

So we all know by now that Dazai is comfortable enough around Chuuya to show nervousness/worry.

Enough times for Chuuya to pick up on that pattern. The pattern, may I remind you, that doesn't have evident correlation to either nervousness or worry to most people. One that can even be interpreted as misplaced given the situation.

Which means that Dazai has done this in front of Chuuya so often, that Chuuya at first was hella confused, before he finally made a connection between when and why it happens. And still remembered that connection after four years of separation. Which gets us to my point:

What if this isn't the only emotion Dazai displays weirdly?

What if he has multiple unconventional patterns he displays for sadness, frustration, content, or disgust? The times he really feels them, and they become too strong for him to just deal with normally? What if these are the only times he's actually being genuine with his emotions?

And Chuuya is the only one who is familiar with them all?

Dazai would be jumping rope and Chuuya would be like, "quit sulking, let's get icecream"

Dazai hanging upside down on the couch and Chuuya going, "It's okay, mackerel. You can cry."

Dazai actually crying, full on heart-wrenching sobs, and Chuuya unironically going, "What, good news?"

It's just... comforting, for one person in Dazai's life to read him like a book. Everyone else would look at him like he's crazy, displaying wrong emotions/behaviors at the wrong time, but Chuuya knows that it's just how he processes feeling properly, and thus he's the only one Dazai can count on to put things into context and understand, which makes him display them even more openly.

Because Chuuya never shamed him for his quirks, as much as Dazai never did his.

[egophiliac]

HAPPY HALLOWEEN here's some seasonal guys! 🎃

[otselotus]

Knight Gem season 10??? Tw: blood a bit

[thebibliosphere]

I'm scrolling through some ambient noises to help me write, and it got me thinking. Y'know those white noise machines people use for sleeping?

Do you think there's a very specific brand marketed at Gothamites?

Like everyone else has rainy nights on the beach, whale song, the crackle of the campfire, and everyone's all-time favorite "rickety fan about to oscillate off your shitty ikea desk at four in the morning."

And then there's "The Sounds of Gotham," a nighttime ambiance made up of heavy thunderstorms interspaced with the wail of police sirens and the occasional smattering of gunfire.

If you upgrade to premium, you can get the added sound effect of "small vigilante child dropping onto your apartment roof followed by the heavy pitter-patter of their combat boots as they dropkick a criminal off the fire escape."

Mm. Cozy.

[ghostlylicious]

i, as an artist, can draw anything i want!!!!! *beardifies your she-dwarf*

[gunstellations]

safety first! 🏍️🏍️

[v-poreons]

That's it that's their dynamic

[juniper-clan]

Moon 19: Les Yeux San Visage

PREVIOUS l NEXT

[nekrosmos]

Okay one last batch of silly little memes for you silly little memes enjoyers out there

Part 1 / 2

[heybiji]

[ministarfruit]

day 12: karma ♡

(femslashfeb prompt list)

[azulhood]

Jazz was, at her core, a pessimist.

Oh sure, she wanted the best outcomes and strived to always see the best in people. But listening to her parents talk about and share crime scene photos of someone who was brutally murdered and who may haunt the place they were headed to while true crime podcasts played instead of road trip tunes as they traveled to whatever graveyard had caught their interest had dulled young Jazz's faith in humanity.

Jazz still had memories of a young her standing in an abandoned insane asylum (or abandoned hospital, or old house, or graveyard, or whatever place they dragged her too) holding a small torch with shaky hands and begging to leave because she was terrified "Can we go? Please? this place is scaring me" only to be told "In a minute Jazzy, we down want the ghost getting away."

They had settled down after Danny was born, choosing to stay in one placed instead of traveling all over the country. She still expected them to unexpectedly announce that they were going on the road again, she had plans in case they did (saying she'd stay behind with the van to take care of Danny was better then both of them getting used as ghost bait) But surprisingly they didn't.

And Jazz was thrilled. Sure, she and Danny were known as the kids of the towns crazy ghosthunters, and sure, she basically had to raise her brother since her parents would rarely leave their lab let alone focus on something not ghost related, and yes, she did have to carefully plan out how to use the family's money so that none of them starved.

But no more sleeping in cheap hotels or their van, no more making friends at playgrounds that she'd never see the next day, no more countless hours spent in places where people died, no more English lessons while on the road. She went to school now, she had friends that she saw more than once, she had a home that wasn't filled with cockroaches and the sounds of a argument from the room next door. She had a semi-normal life.

In this time of normality, she relaxed, she let her guard down. Then Danny died and only came back halfway.

And Jazz was back to being that little girl who was scared of ghosts, only this time she was scared for a ghost.

Danny didn't tell her at first, and even though it hurt she understood, and so while she waited for him to tell her, she planned.

She took job after job, from mowing someone's lawn to working at a checkout. Money had been put aside in bags filled with clothes and a pair of new id that she had gotten from Tucker, ("Just in case our parents get classified as supervillains and we need to flee" She said not giving anyway that she knew of Danny's ghostly problem, Tucker had made the id anyway even if he thought she was joking and did not in fact have a plan should that situation happen) One of their neighbors was willing to let her buy their old car despite her family's driving history. A safe house (more like safe apartment) was bought in the only place that was willing to let a teen buy property, Gotham City.

Danny fought numerous enemies until the only enemy that was left was telling their ghost hunter parents that their son was half dead.

Compared to her, Danny was an optimist, seeing the best in everyone without even having to try like she did. Believing that the best would happen like if he didn't, he would break into a million pieces and not know how to put himself together again.

Even though he was scared Danny believed that their parents wouldn't react badly, Jazz hoped they wouldn't but was prepared if they did.

And finally, after many nights spent wide awake in case her parents tried to rip Danny apart molecule by molecule while she slept, the shoe dropped. Their parents loved them, but their work came first, it always came first. Jazz loved her parents, she truly did, but she loved Danny more. And in the end, that made her choice of driving all the way to Gotham with nothing but their go bags all the more easier.

And that was how Jazz and Danny ended up as the neighbors of one Jason Todd.