#((i accidentally posted the other one fuck

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

[sorrelpaws]

rick at various ages

[kideternity]

Uhmmmmm soo. Over the past few months I've been seeing a lot of complaints or comments that digimon has too many designs which essentially boil down to “There are too many designs that are just humans in costumes.”

And for a while I just nodded my head and went Yeah Alright, because I Understood where it was coming from (the way most perfect + ultimate levels tend to become more humanoid over their predecessors) and thought it was a valid complaint even if I don’t agree. But eventually it got to the point where I got legitimately invested in wanting to know How Many Digimon there were that you could classify as “basically humans” and well. Here I am.

For the past week or so I came up with my own “categories” and counted how many digimon fit under each category to then later put into a graph like the one you see above ^

I did all of this for like, first and foremost My Own Interest, but I decided to share the results anyways in case someone else thinks this topic of discussion is interesting? I'll include as well under a read more a more in depth guide to the data i've accumulated as well

FYI, Important disclaimers: This is all highly subjective. Im not trying to claim these are any sort of objective categories canon to Digimon or that the results are objectively canon. You may think some or all of these categories are deeply redundant, or you will disagree with me over what counts as say, A Monster or A Furry or A Humanoid, and that’s fine. There are also digimon excluded from the total, most notably digimon that are cameo/minor characters in a singular digimon property, or recolours (ie Gabumon versus Psychemon) or which had minute design differences (Like, almost all of the different Agumons) because I thought including all of that was redundant or unnecessary. If there was a major difference in designs (ie Original Falcomon versus 2006 Savers Falcomon) however I did consider it as a separate design. Also, no X antibody designs were included, because oh my god there are already so many digimon and the X antibody designs could probably merit its own pie chart.

Baby 1 + 2:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 89

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 17

Anthropomorphic animals/creatures (Furries, inclu robotic anthros): n/a

Humanoid but still inhuman/monstrous/weird in some way: n/a

Essentially humans/Humans in costumes: n/a

Rookie:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 73

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 26

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 7

Humanoid but still inhuman/monstrous/weird in some way: 7

Essentially humans/Humans in costumes: 4

Adult:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 96

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 51

Anthropomorphic animals/creatures (Furries inclu robotic designs): 18

Humanoid but still inhuman/monstrous/weird in some way: 23

Essentially humans/Humans in costumes: 6

Perfect:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 64

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 46

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 39

Humanoid but still inhuman/monstrous/weird in some way: 46

Essentially humans/Humans in costumes: 9

Ultimate + Super Ultimate:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 68

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 41

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 48

Humanoid but still inhuman/monstrous/weird in some way: 95

Essentially humans/Humans in costumes: 17

Hybrid:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 7

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 4

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 6

Humanoid but still inhuman/monstrous/weird in some way: 8

Essentially humans/Humans in costumes: 7

Armour:

Explicitly Creatures/Animals/Naturalistic Monsters/etc: 40

Inhuman/Monstrous in other ways (example- Robots/objects/undead): 5

Anthropomorphic animals/creatures (Furries inclu robotic anthros): 11

Humanoid but still inhuman/monstrous/weird in some way: 7

Essentially humans/Humans in costumes: 1

[cocoa-rococo]

Koopaling Headcanons: Ludwig

Larry | Morton | Wendy | Iggy | Roy | Lemmy | Ludwig

The composer of chaos and everyone's favorite general, Ludwig! What a guy.

Naturally left-handed, but trained himself to be ambidextrous

He's disturbingly good at discerning people's motives, personalities, and past. He claims it's simple logic, but no one really knows how he does it.

Whenever Bowser’s in a pissy mood or feels agitated, Ludwig sometimes gets called in to play something soft and relaxing to calm him down.

There's rumors floating around the army that he was originally a Paratroop General who sold his wings in exchange for arcane powers in a magical bargain with Kamek. He's yet to confirm or deny this. (It’s not true, but he likes to keep his recruits on their toes).

Partially deaf in his left ear, and uses a hearing aid to assist him. Fluent in sign language, as well.

Has a baritone voice, very rich and darkly colored. He can hit high notes with relative ease, but can't hold them as long as he can with his lower notes.

His singing is enchanted. It's something he was born with, and he's gotten very good at controlling it. He does forget sometimes, and before he knows it, his humming down the street has attracted a plethora of birds.

Also fairly decent at mimicking bird calls. Iggy is dying to learn his secret.

Likes reading mystery novels and detective stories, but spaces them out so he doesn’t read the chapters all at once. He also uses Morton as a soundboard for theories in each chapter, and relishes the feeling of being smart if he solves it before the end.

One of the most magically powerful out of his siblings. He’s fairly decent at a little bit of everything, but his siblings are stronger with their specialization. His best field is in Evocation.

While piano is his preferred instrument, he plays several: violin, cello, pump organ, pipe organ, guitar, flute, clarinet, harp, harpsichord, and ocarina.

He’s an ugly crier and hates it, which is why he tries not to do it often.

Fond of gardenias and wisteria flowers.

One of his favorite down-time, out-and-about activities is going antiquing. He’s found a nice gramophone, a few records, and some furniture pieces for his room by doing so.

Likes having a physical, paper to-do list. It makes him feel productive and organized as he checks things off.

He and Wendy have ‘Bitch Lunch' together, where they basically talk shit about their coworkers, spill tea about their friends, and gossip the whole time.

You can actually tell how long he's been composing by how dark his hands are with ink smudges. You can also tell how bad of a mood he’s in.

Loves the smell of coffee and vanilla, but leans more towards being a tea person. He's got an excellent palate for both, however.

Larry is persistently trying to introduce him to the keytar. Ludwig is persistently refusing to go near it.

Very much a morning person. He wakes up earlier than most of his siblings and likes having his hot drink and reading alone to enjoy the quiet hours before the rest of his family wakes up.

The ultimate master of time management. He gets kinda tetchy when others don’t respect deadlines or appointments dates, and heaven help you if you intrude on his scheduled self-care hours.

He snorts when he laughs really hard, and is terribly embarrassed by it, so he tries to reign it in when he can. Anyone who can do it who isn't a sibling is a special person, indeed.

He likes tall places, especially the views. Great for a bit of peace from his siblings and inspiration for his music.

When his siblings are annoying him, he likes bombarding them with music puns. He is well aware he's being an ass and does not care.

Leaned more towards science as a kid, but discovered the piano when he was twelve, and creating music felt right in a way that making little inventions never did. He never looked back, and he’s a lot happier for it, too.

Keeps a little pocket notebook on him for writing things down, and he's pretty dutiful about marking things in. It's a common gift his sibling get him on the holidays.

He doesn't have as much of a sweet tooth, but toffee — especially with almonds or coffee in it — is his weakness. His siblings have learned he can be bribed to look the other way if they have enough.

Also a fan of very dark chocolate, and his favorite pastry is a freshly-warm coffee cake.

He's pretty alright at art, especially with acrylic paint and sketchier mediums like charcoal and conté, he just doesn't like how dirty his hands get afterwards. He's got a side business doing murals.

Favorite fruits are cherries and plums, but he also won’t turn down anything with blackberry in it.

Likes watching regency romance dramas in his alone time, but loves dragging the shit out of reality TV shows with Wendy.

He also loves watching those foreign films with subtitles, very artful with a lot of emotion in them, especially if he's feeling spiteful and his little siblings are annoying, because "No, Luds, I don't want to read a film after two hours of paperwork!"

Has a small collection of model ships in bottles. He keeps them on a high, high shelf in his room, given his work environment. Ship kits are another common gift to him.

Looks at memes like an old man; both hands, squinting eyes, mouth slightly open. The others think this is hilarious.

[samglyph]

Pulled in different directions.

Tip Jar and Commissions

[starlightomatic]

if you reblogged this post i don't want to see any Damn thing about the hostages on your blog ever again. not one peep.

[carnivalcarriondiscarded]

Wait im sorry if like youve talked about this before but what is everyones roles in the fantasy au 👁️👁️ or jobs?

i've just Thought Aloud in bits and pieces but hey. i feel like talking today so i'll put it all in one place with Updated Thinkings

(i like to imagine that they all kinda Quit their initial jobs/lives to go adventuring with each other, either by choice or... not. except Howdy, who's a multitasking king). the Neighborhood party earns their wages by completing jobs/quests, though some of them have minor supplemental ways of adding to the coin collection

Wally, of course, didn't really have much of a Before. he didn't intend on becoming a warlock/wizard - that choice was kinda made for him by the circumstances of his existence. but Wally had to pretend to be a wizard for his own safety, and wizards have a sort of societal expectation to be Helpful and Magical and Wise and Existing For Public Service. so while Wally would have rather just been a painter, he's obligated to be a wizard - that's technically his role/job. within the Neighborhood party, he's a bit of a distance fighter/support! he doesn't really do the whole up-close / physical aspect of battle, though he technically knows how. He casts spells from afar, which tend to be widely benign. artsy little cantrips and inconveniences to make it harder for the enemy to fight. he's also a bit of a bloodhound - illusions don't trick him, he can "see" most magic, and he's really good at getting around unnoticed. if they're stuck somewhere, Wally can probably get them out

Barnaby's "job" before going adventuring with Wally - it started out as just the two of them! - was just working on the farm with Ms. Beagle, where he had been his entire life. Sure he'd sometimes do public performances/acts in town, which would earn him extra coin, but that was more of a paying hobby than anything (a paying hobby he will Continue) in the Neighborhood, he's... uh. their cheerleader? that's not entirely inaccurate! he's not big on combat or effort i'd reckon, so he prefers to just keep morale high. offer background music, funny commentary, jokes to lighten the mood, mediate tensions, etc. if necessary, he makes good backup - he has his illusions of course, and he Does pack a mighty punch if need be! he's also very helpful when retreating - he can grab the smaller party members and run

Wormie is the group mascot <3

Sally was a bit lost before joining the party - i like to think that she was constantly on the move as part of a traveling theater troupe, but she wasn't the star or director. she was just part of the group, uninspired and with a full well of untapped potential. one day she up and left (dramatically) to find her own inspiration/muse & path to stardom, which ended up being several years of wandering until she happened across the budding Neighborhood and went "this! this will be the source of my stories!" as for her role, she's a bit of an everyman. front lines fighter, entertainer, mediator, etc. she views herself as the party "leader", or rather, their Manager. she keeps the party entertained with stories, and bolsters their reputation in the same manner. in a battle she's a bit of a powerhouse - her light magic is useful both in combat and entertainment! she keeps a "book" of the Neighborhood's exploits (she swears it will be edited/published someday) holy shit she's moominpappa, and in their Extended downtime she writes and throws plays inspired by their adventures at their home base (town).

Eddie was still, originally, a mailman. or i suppose in a fantasy setting - a courier! until one day he saw a group of people being attacked by some bandits, managed to fight them off, and immediately got roped into helping rescue the folks' entire town from the bigger group of bandits. then they told others about Eddie's help, they wanted his help too, one thing after another and now he's got a full set of armor, a sword, a shield, and his whole thing is saving people. huh? how did that happen? he was delivering letters a month ago! if i had to give him a title... i'd say he's a Protector! he seems like the type! he always has his fellow adventurer's backs - i bet he has his hands full trying to cover everyone at once. outside of combat, he's still very helpful and does whatever is asked of him / needed. collecting firewood! pitching tents! stirring soup! getting Frank to remove a centipede from camp! in downtime he probably takes small bodyguarding gigs. he also is a minor healer - he took some sorta oath for some sorta god (or virtue) that he can't remember, but he has minor healing/cleansing powers. he's also good at sniffing out evil & dark magic! some would joke that he's the party's guard dog

Frank was raised in a monastery that believes in "using your body to fight for the greater good". this was not his job when they became old enough to actually Act on his training! nah they ran away in his mid teens because they wanted to fight things on his own terms. also they want to study bugs more than anything, which he does! for a long time! then they meet a certain princess, befriends her, and helps her run away. he only joins the Neighborhood because Julie wants to, and it's a good way to travel - read: study more arthropods - and earn coin. fighting is a bonus aspect Frank's role is... front line fighter, bookkeeper, and the Guy Who Knows Things! what monster are they dealing with? what are its strengths/weaknesses? Frank probably knows! can they afford a room or two at an Inn? Frank knows (no, they cannot)! who's throwing themself into direct mortal danger with gusto? it's Frank! no but really, Frank is like their resident nerd who can beat pretty much all of them in hand-to-hand. in downtime he probably has a garden purposefully full of plants that can be left alone for long periods of time... maybe they sell half the things grown for extra coin!

Julie, of course, was a princess! that was her whole job! it was incredibly boring and restricting, so she ran away with the help of a funny nerd. after that her whole life was just "avoid getting recognized while figuring out how to live in a world without the comforts/ease of castle life". i'd think she much prefers her new one! as a role, Julie joins Barn and Sally in the "entertainment category". while they entertain with humor/stories respectively, Julie goes straight for games and activities to fill the lull between action. keep the blood pumping, spirits high, and bonds Solid! camp games, road games, locked-in-a-dungeon games! in combat, she's on the front lines with her oversized sword. i think another fitting role would be "navigator" - she can ask plants for directions! technically Julie is a secret powerhouse. her flora magic is insanely powerful, though she prefers not to use it for several reasons

Poppy, i like to think, did indeed have a bakery. it was well-loved in her community, her staff were wonderful people, and it all burned down in a night due to raiders. luckily for Poppy and her town, Eddie was nearby and got on the case to get rid of their problem - maybe Poppy felt obligated to help in some shape or form, and Eddie wound up inspiring her to learn healing magic. She moved into the town that would become the not-yet-existing Neighborhood's HQ to try and restart her business, but it just wasn't the same, and she had gotten a taste of what it would be like to directly save/heal people Poppy is the party's cook, healer, and ultimate voice of caution! the most she'll do in battle is sprint into danger to drag an injured person to safety for healing - she doesn't have a combative bone in her body i'd guess! does she enjoy being in the Neighborhood? eh... it's stressful and terrifying, but she couldn't live with herself if she let them all brave the wild without an adequate healer OR an adequate cook. i like to think that she saw the state they were traveling in and went "oh no"

Howdy, of course, has his tavern! it's a popular hub for travelers, townsfolk, pretty much anyone and everyone. of course it helps that it's the only tavern in town! the only reason Barnaby managed to convince Howdy to join the Neighborhood on one of their jobs is because Howdy realized that he can widen his net & sell to new people On The Go. finally, a use for that magic backpack collecting dust in his room! Howdy got a taste for adventuring and joins the Neighborhood every once in a while, usually only for shorter jobs - he doesn't want to be away from his tavern for too long his roles are support, professional haggler, sarcastic commentary. he doesn't have a crumb of magic in him, but he's clever! he's learned how to make his own support items - including his fancy revolvers with magical crayonsbullets. Howdy rarely fights, choosing to watch over his pack, dole out items when needed, and listen to Barnaby's running commentary. when it is necessary that he join in on combat, he can usually clear the playing field in a matter of moments. he's skilled with both the revolvers and using his own items - he's a one man four armed army!

Home's job is "keep Wally upright and powered". they prefer to be an observer in all situations, even after their existence becomes common knowledge to the Neighborhood. the most Home will do is nudge Wally in the right direction or alert him to something important. Home's literally just hanging out behind Wally's eyes w/ a bucket of popcorn. unless something happens to his beloved little puppet, in which case Home becomes the biggest baddest bitch around and sends everyone else to the bench

tl;dr: Wally: support fighter, magic geiger counter, escape artist Barnaby: entertainer, backup Wormie: mascot Sally: storyteller, fighter, Manager Eddie: protector, minor healer, "paladin" Frank: bookkeeper, fighter, scholar Julie: activities director, navigator, fighter Poppy: cook, healer, overthinker Howdy: tavernkeeper, inventor, support Home: just keeping an eye out

[reblog-house]

Some things can change.

[mumbledramblings]

[Trigun OC]

Team "would rather die than admit something's bothering them"

So for the first good chunk of their relationship, Bad Luck and Vash were more "fucking" than "dating". Bad Luck was really apprehensive about romantic entanglements, and had been taken advantage of by a friend, in the past. (While not THE reason he was kicked out of his community, it was definitely related.)

However, Vash-- aware of Luck's hesitance but not of the reasons why-- already had a little bit of a crush on him. So when Luck stupidly offered a FWB situation, Vash accepted, thinking he could be chill about it. He quickly realized, no, he could NOT be chill about it, and spent the next few months relentlessly pining and feeling guilty and wanting to broach the subject, but never saying anything.

Eventually, Vash's crush gets revealed, and by that point Bad Luck has kinda fallen in love with him and they get together and Bad Luck insists that it's all fine, water under the bridge. Truthfully, though, he feels a little betrayed, and has this sense of "why the fuck would you think that's a good idea" towards Vash, hanging over his head. But he also thinks he has no place feeling this way because he never told Vash why he was so hesitant (and still hasn't), and also he does love Vash now anyway, so there's really no point bringing this up now and messing with the status quo, right?

And that's just the beginning of their relationship. There's a whole bunch of other plot-related problems they never talk about until after things boil over. Eventually, they'll get their acts together and talk through everything, I promise. Eventually. It just, might take until after the plot's fully resolved for them to get there.

[civilization-illstayrighthere]

seeing all of these new ghoul fuckers come in and get into fo4 and stuff is bringing a tear to meemaws eye. even if the new ghouls look like mole rats and not technicolor corpses. passing the torch along. all these new kudos on fic that’re five, almost ten years old in some cases. :’) i’ve always loved fallout but never considered it would get crazy big compared or have the same staying power compared to a lot of other fandoms. welcome y’all.

[i-have-no-braincells]

i feel like a lot of people don’t understand that there’s a time and place for your opinions. anyone can have opinions, it’s part of being human, but that doesn’t mean you get to voice those opinions whenever you want. one example i can think of is people publicly voicing their opinions about certain foods. sure you might think that overly sweet coffees are gross, or plain food isn’t good (etc etc), but there are people who like those things. just because you have an opinion about something, or a preference, does not give you the right to be an asshole and make people feel bad about their own opinions and preferences.

going out of your way to point out that you don’t like something to someone who does just reads as asshole behavior. and i’m talking about instances where someone will go above and beyond to make sure that you know that they absolutely dislike and hate the thing that you mentioned liking. even in situations where you don’t necessarily know if someone you’re speaking to is a fan of something or not, i really don’t see a reason to immediately start hating on something unless you’re close to a person and know what they like and dislike.

[lionblaze03-2]

mousefur and longtail are both asexual aromantic in some sort of qpr relationship with one another. Do you get it do you see my vision

[lusalemaart]

[stergeon]

say it

Byleth makes Edelgard say swear words.

(~350 words; too stupid to post on ao3)

“‘Shit.’”

“Grotesque.”

“Give it a try.”

“… Shit.”

“Very good. ‘Ass.’”

“That one is easier. I’ve said it before.”

“Then why don’t you say it now?”

“I… er…”

“If it’s so easy, then do it.”

“… Ass.”

“Excellent.”

“Don’t mock me.”

“How about this one? ‘Cunt.’”

“Wh—I actually, um, don’t know what that means.”

“You don’t know ‘cunt’?”

“I don’t know what to tell you, Byleth, it’s simply not in my lexicon.”

“It means va—”

“All right, I understand. The gesture was absolutely unnecessary. I’m astounded at how many words there seem to be for the same thing.”

“If you think that’s bad, you won’t believe how many there are for pe—”

“Well, this has been a fun exercise and hopefully a source of great amusement to you, but I think I’m finished.”

“Wait, wait.”

“No.”

“One more, one more.”

“Mm, no. I don’t think so.”

“Please?”

“… You know it’s not fair of you to give me those eyes.”

“Is that a yes?”

“All right. All right. One more.”

“Yesssss. ‘Fuck.’”

“Byleth!”

“What?! You said one more, and that’s the one to say.”

“I’m—I am not—”

“Please?”

“You can’t pull the same maneuver twice in a minute and expect to succeed. That’s poor strategy.”

“Is it working?”

“… Regrettably, it is.”

“Then it seems like a good strategy to me. Just say it. ‘Fuck.’ It’s easy.”

“It most certainly is not!”

“Try it. Say ‘fuck.’”

“… Fuck.”

“Oh, that’s rich. That’s very good.”

“Are you quite satisfied?”

“Nearly. Now use it in a sentence.”

“Byleth.”

“I’ll give you one. It’ll be easy.”

“I did not—and do not—agree to this!”

“Just repeat after me.”

“No!”

“Say, ‘Byleth, I want you to fuck me.’”

“… Oh.”

“Go on, El. You can do it.”

“… Byleth, I…”

“Keep going.”

“Byleth, I-I want you to… f-fuck me.”

“Good girl. Wasn’t so hard, was it?”

“Less than I—ah—thought it would be.”

“Mm. Well, you’ve certainly earned a reward, haven’t you?”

“Yes, my teacher. Fuck…”

“Aren’t you a fast learner? I’m impressed.”

“If you don’t shut up and kiss me right now, I’m going to start swearing in earnest.”

“Don’t threaten me with a good time, Your Majesty.”

[thewingedwolf]

they were doing “is madeleine a pedo for being attracted to claudia” discourse on twitter the other day and i would like it very much if twitter was just nuked as a website lol

[thedrotter]

not-yet-dead-person

silly comic of a conversation in-game i thought was too funny not to make something proper for instead of a doodle ww

(timelapse + wip images (thus silly process commentary in read more if you like artist commentary :3)

i think the sketch looks silly and goofy and funny so i find it important to share with you the mere presence of the faces i drew on it. i drew it on top of the boxes without staying inside its borders because i find my proportions can get wonky if i draw them cropped in a restricted space. and I feel trapped otherwise and i will draw BAD!!! give me spaceeeee to go wild!!!!

the head circles are there for emotional support

very low res speedpaint because truth is the canvas was much bigger than the space where my comic was placed. i didnt account when exporting my timelapse in 720px that that tiny space would look so pixelated ... but it's able to be percieved, so its okay.

(i will now comment on my process and it is not brief sorry)

usually i would try to clean up my sketches and figure out what goes on top before jumping into linework, but since there are multiple panels and drawings i chose to jump into inking right away for the sake of brevity. i just went in with a brush that uses pen pressure and drew what was needed. i added extra line thickness and contrast in areas around the face because it helps direct your eyes there more easily that way.

according to her equipment rei has a chain belt but i only remembered it existed once I was going to color, and i did not like that discovery... I chose to ignore it to maintain my peace. i already have the color palettes for these characters figured out, and i didnt really want to think about a new element at the moment www I tend to overthink those things a lot so i skipped it

the rest is rather straightforward! not that anything else wasn't, but in here i could turn my brain off and sing. linework and sketching require mumbling so i cannot turn my brain off. just block in the characters with a solid color so i can have a mask (something along those lines,) where the color can stay inside. then just color in !!!

Base colors just had slight cell shading on the skin, and for the hair i airbrush a bit of the skincolor in low opacity near the forehead... I'm not sure what it means, but i can look at the faces easier with it somehow. i like the gentle subtlety it adds even if you cant really tell. it makes things look nice.

background was just me blocking in the color of the wall and floor, shade the wall a bit, then slap a noise and free use wood texture on top. work smarter not harder ! yet it took a bit to make it look stylistically fitting with the characters, and even now i think bottom middle panel looks odd. whatever!!!

for the middle panel i thought itd be funny if the background was a solid silly and colorful one to contrast the next panel's sketchy black one. a contrast to how the word widow is seen. on that note my handwritting is not pointy. i gaslighted my hand into thinking that it was indeed pointy in that moment so i could write "not-yet dead person" in letters that didn't seem cute. my hand did not fall for it but it complied anyway

that's basically it! I'm not sure what else i could say that doesn't feel barebones because it really is that straightforward. if you're curious I used clip studio paint for this. only special brush used was for linework (a brush named Lemon Brush), the rest used were just the default. my computer gets the least credit. it was trying to convince me a 20mb file was going to nuke it all the time and hardly let me save multiple times so i do not appreciate it