#((and wondering how it'd change the story))

[lost-soul-in-time]

There's a universe out there where Oliver is the only child to be taken in by the King and he lives out his life as the prince of the Kingdom. He's oblivious to his Father's hidden misdeeds.

That doesn't mean there still isn't a villain terrorizing the land. A very familiar face...

:)

[reginrokkr]

𝐂𝐗𝐕. Dáinsleif's last act for Teyvat —threads of all fate reweaving—.

Sometimes I think about Dain's last act in this story being that he reweaves the threads of all fate, which makes me wonder: Is this related to the Abyss Order messing so badly with their Loom of Fate operation that needs to be undone? Is the constellation structure, most likely than not a control system (you can't tell me that the Archon War wasn't just that in order to get rid of all the several gods that existed in Teyvat save for very few in order to make it easier to control them and what they do :| )? Or maybe a combination of both? Whatever it is, it's the fact that the Traveler has to go over Dain first in order to do that which makes me believe that he can do it himself, alas—

[balladccr]

🤔 i’m gonna clear something up about my portrayal real quick since it’s the main thing atm that clashes with canon content:

though scara is of course a prototype puppet, i write him as still being a living/breathing entity. an immortal one, sure, but he’s flesh and bone. he has a lot of human-like qualities to him that were revised in the creation of raiden later.

so all the talk of him not having a heart? at this point, it’s figurative. and melodramatic, since it’s scara. it’s more or less symbolism of him abandoning his emotions (or so he thinks) and refusing to be anywhere near “human” in that regard.

i think, tbh, some part of him wishes he was built more like raiden is; scara doesn’t want any of those human qualities... he tells himself 

[mysunshine-youremoonlight]

put leo in a fine song and now im thinking abt the potentials of oddball leo again

[meo-eiru]

DUDE I JUST PLAYED THROUGH THE GAME, WHY IS IT SO SADDDD😭😭😭

and why is he hot

Starling went through quite a few redesigns through the entire development process so let me talk about it a bit :3

It all started with this notes app drawing I made with my finger

Right from the start we knew his tail would be made out of tongues but figuring out how many and placed how was quite hard, I really had to girlmath my way thru

This was the first actual drawing I made of him. The story wasn't complete yet but I went ahead and designed something anyway. Here he was definitely "scarier" and his scar was also placed differently. He had gills on his neck but as you will see I changed their location to under his arms later on. We were actually considering not giving him a tongue of his own so I wanted to make his mouth terrifyingly big and empty.

Here I tried giving him bigger eyes like a fish. This was when his playful and childlike personality had started shaping as you can see from the expressions. I definitely liked this direction better but it also wasn't perfect just yet so I went ahead and did a few more changes

I slowed down on trying to figure out his design a bit after that and instead focused on how his sprite would look. He is a merman after all, he can't just stand straight like a lot of the other visual novel characters. This stage was PAINFUL.

These were the first ones I sketched, we ended up deciding we liked the 3rd one the best.

I carried that 3rd one over to another canvas and started playing around with how we could place his tail, we started entertaining the idea of having him sit on a big rock

This is when his pose really shaped up. The animated Little Mermaid movie was actually a big inspiration, I sat and rewatched the entire movie and studied how they animated her tail

And after that I finally finalized his design. We decided to change the end of his tail to be more eel like for aesthetic purposes (normal tail shape looked weird with tongues)

And for anyone wondering this is what Maelyn looked like at first. Since the story wasn't complete yet I thought it'd take place in a more modern setting and designed her with that in mind but we decided to have the story take place in 1800s so I changed the design based on that. I did a lot of research on glasses and corsets to make the design as accurate as I could.

Yes glasses! We didn't use the sprites in the main story but Maelyn does wear glasses and looks very pretty in them if you ask me. You will be seeing more of it in the bonus episodes!

[stick2vamp]

Halllo and welcome to the Sebastian Solace fans!!

This interest me, Im in the Welcome home fandom and one of the characters is self-aware so I've wondering if Sebastian is self aware that he know the player is just playing game

What is his reaction? (It's okay if you don't want to- I can request other one- ÚvÚ

That's all and have a lovely Day or Night

𝜗 ˖ ❝ you're not what you seem. ᵕ ♡

— in which sebastian realizes something is off with you, and everything else that's ever known. ✧

↷　 sfw 𓈒 implied sebastian uses you a bit 𓈒 no happy ending 𓈒

When SEBASTIAN figures out that he is nothing more than a character in a videogame, one who has no control over the ending of the story, he is upset for a lack of better words.

It made sense, now that he thought about it. Why his memories of the past were oddly fuzzy as if they weren't truly his, why he never seemed to be unable to find things for his shop, why you kept coming back over and over again.

He's mad both at himself and you and the situation: himself for not realizing sooner, how could he be so stupid? You for never mentioning it to him, although you very well knew. And the situation: because that means everything he went through didn't have to happen, and was made for someone else's enjoyment.

In the midst of his anger, though, he realizes that you are trapped just as much as he is, if not more.

If everything was some game, some story, then that means only certain things had actually been written into existence. The path you followed on your journey, for example, was the only path there could be. Your goal couldn't be anything but getting the crystal.

Maybe he isn't real to you.

But his experiences were real.

His agony was real.

And he was real to himself.

Which is why he began to change things. You couldn't break your character's code, but he could break his. You'd occasionally hear little 'secret' voice lines that haven't ever played before, animations that seemed more lifelike and diverse. You'd see how Sebastian didn't show up just once anymore, no, he showed up frequently.

Yes, once you reached the end, you would be forced back to the beginning. But would he? It wasn't in his code to force him back, was it?

Sebastian began to stick by you more and more, trying to win your favor. It'd be easier to board with you if you grew attached — sympathetic towards him. It'd also be easier for you to give more documents. One of the only things you had control over was when you chose to buy from him. He endlessly looked through the research documents you gave him to see if there was anything about this: but nothing.

And when you finally had the crystal and were waiting for the submarine...

Sebastian swopped in and climbed into the submarine alongside you. You didn't put up a fight—well, you probably couldn't even if you wanted to. Luckily, there were no guards in the chamber, so he wouldn't be spotted until you made it to the surface.

He was finally going to be free again.

This may be a game, but it's his life.

He would finally —

— Sebastian was back in his shop once more.

Right, because games don't load their unused areas, oops!

[awearywritersworld]

she mumbled that i was peculiar

sukuna x reader summary: impressively, sukuna is still trying to find ways to deny his feelings for you. nevertheless, he keeps you safe from harm when a late night trip to the store doesn't go as planned. will seeing his violent nature for yourself change the way you feel about him? he seems to think so. w/c: 4.2k (oops) tags/warnings: angst to fluff. attempted kidnapping. canon typical violence. depictions of blood. reader throws up. reader is in shock for a bit. cursing. aged up!yuuji. not canon compliant. fem!reader. no use of y/n. *please mind the warnings for this chapter* a/n: i'm sorry this took so long! im ngl, i struggled quite a bit to write this chapter. i'm still unsure about the pacing, but here it is anyway. thank you for reading and i hope you enjoy! series masterlist // masterlist

it's not often that you go out for the evening, but tonight is one such occasion. you leave around seven, excited to meet nobara and maki for dinner.

when yuuji falls asleep a few hours later, sukuna doesn't take over right away. he spends a while in his domain, engaging in what some people might call sulking.

before long, however, he begins to feel restless and he tells himself it's because he's grown accustomed to his finite hours of freedom. of course, it has nothing to do with your absence.

so he assumes control of his vessel's body and pulls a short novel from your bookshelf. settling on the couch, his fingertips brush over the cover: the stranger by albert camus

it's the first time he's ever been alone in your apartment, a fact he's well aware of, and his eyes wander to the front door. it'd be all too easy to pull it open, to make his way downstairs and out onto the street.

how long would it last before yuuji regained control? are you nearby? would you get caught up in the havoc he'd doubtlessly wreak?

the thought makes him grimace. returning his focus to the book in his hands, time seems to pass by faster as he makes his way through the pages.

even so, he deems the narrative a bit boring. in his (what's the opposite of humble?) opinion, dead mothers and nagging girlfriends don't make for the most captivating story, so his mind begins to wander once he happens upon the quote:

"so why marry me, then?" she said. i explained to her that it didn't really matter and that if she wanted to, we could get married. besides, she was the one who was doing the asking and all i was saying was yes. then she pointed out that marriage was a serious thing. i said, "no." she stopped talking for a minute and looked at me without saying anything. then she spoke. she just wanted to know if i would have accepted the same proposal from another woman, with whom I was involved in the same way. i said, "sure." then she said she wondered if she loved me, and there was no way i could know about that. after another moment's silence, she mumbled that i was peculiar, that that was probably why she loved me but that one day i might disgust her for the same reason.

sukuna thinks about you— the woman who forced her way into his solitude.

although, what if it hadn't been you? what if the brat had been involved with another woman? would he have eventually taken an interest in her too?

are you really that special, or is he just going crazy inside the cage that is itadori yuuji? the latter is much more likely, right?

he supposes he prefers the idea of madness over... feelings for some human.

all of a sudden, your apartment door seems much more inviting. would it be so bad if he were to step through it? what did he really have to lose?

yeah, that's right. he'll get up any second now and act on every horrible impulse he's been repressing. any second now... any second...

he can't quite figure out why he's unable to bring his limbs to move, weighed down by some force that's beyond him.

it's at that moment the door clicks open and for a split second, he thinks it must be his sign to go, but then you come waltzing in.

"'kuna!" you greet in an excited manner, disrupting the peaceful quiet.

kicking off your shoes haphazardly, you make your way over to him and promptly drop yourself into his lap. it elicits a bout of unwelcome clarity for the king of curses.

no, he wouldn't have taken an interest in just anyone, that much becomes obvious. it wasn't through a medium as flawed as chance that he came to... tolerate you. you're much too annoying for that to be the case.

"hello???" you wave your hand in front of his face. "i'm home."

"i can see that."

"welcome home, darling," you say in a deep voice, a poor imitation of him. "i missed you so much— that's what you're supposed to say."

yeah, definitely too annoying.

"but i didn't miss you." one of his hands comes to rest on your thigh, a betrayal of his preceding assertion.

"you're sitting alone reading—" you pause to inspect the book lying open beside him. "existential fiction about a nihilistic frenchman. of course you missed me."

he changes the topic rather swiftly. "you're drunk."

"i'm tipsy, at best." you roll your eyes. "can't i just be happy to see you?"

"you'd be the first."

"i don't mind making history."

you place a kiss on his lips, casual and affectionate in way that makes sukuna's body stiffen, and stand up.

"i need to get ready for bed, then we're gonna watch tv together because i missed you— gosh, see how easy that was?"

you run off to the bathroom and his body doesn't fully relax until he hears the shower turn on.

the thought of missing someone is a strange notion to him, because it implies eagerness and desire. for as long as he cares to remember, those emotions have been reserved for proclivities much more sinister.

so he hadn't missed you. he just would have preferred it if you stayed home. that's all.

when you return to the living room around fifteen minutes later, you're wearing one of yuuji's shirts, and as far as sukuna can tell, very little otherwise.

making yourself comfortable on the floor between his legs, you pass a hair tie behind you. "can you braid my hair?"

he's watched you get ready for bed enough times that he's fairly certain he can manage it. taking the tie from you, he still asks "why can't you do it?"

"because i'm sleepy," you frown, reaching for the tv remote.

gathering your hair in his hands and carefully dividing it into sections, he sighs. "you require so much looking after."

"you're not going to die if you can't have cookies tonight." sukuna states dryly, glancing at the clock that reads eleven o'clock.

"please don't trivialize my struggle," you begin, pulling on your jacket. "i want miso butter cookies— my grandma's secret recipe."

most of what you need can be found in the kitchen, but a trip to the store is in order for a few final ingredients.

"my mistake," he huffs, rising to his feet. "how insensitive of me."

"oh, it's alright. just don't let it happen again."

"sure. i'll keep that in mind, princess." sliding the apartment door's chain lock off the track, he does little to hide the vexation in his tone.

just as he reaches for the handle, you stop him and wrap a scarf around his neck, forcing a hoodie into his hands. "put this on. you'll be cold."

he looks at you as if you're crazy. "i don't have to worry about things as insignificant as the weather."

"well, put it on anyway," you insist.

he decides that acquiescing will be easier than arguing for the next five minutes and slips the hoodie over head. when you both step out into the chilly air of night, there are still a decent number of people traveling the streets.

stopping at a crosswalk the next block over, you begin to prattle on about what you need to pick up and the different steps in your recipe. naturally, you completely miss it when the pedestrian sign turns green.

"come on," sukuna commands, his hand wrapping around your wrist and tugging you along with him. "i don't have all night."

you scoff. "to be fair, i didn't say you had to come with me."

"yeah well it's late. you shouldn't be out alone." there's a hint of exasperation in his voice, like he truly had no choice in the matter.

despite that, once you reach the other side of the street, his fingers slide down your palm and thread through yours.

you glance over at him and find he's looking off to the side, so you bite your lip to suppress your pleased smile. is he avoiding your gaze intentionally? you decide that bashfulness suits him better than you would have expected.

offering him a light squeeze of the hand, you hope it conveys your appreciation of his small display of affection.

"so, are you going to help me make the cookies?"

his lips press into a thin line. "as thrilling as that seems, i don't particularly have a penchant for baking."

"you think you'd humor me a little! you know, since i'm your only friend and all."

"if anyone else asked me such a ridiculous question, they wouldn't live to see tomorrow." you ponder whether he's joking and quickly decide that he isn't. "this is me humoring you."

"you're so mean to me."

"hardly."

"fine," you pout. "then you can't have any!"

"now, hold on." the threat does make him hesitate. you've come to learn that if there's one thing he loves as much as reading, it's food. "let's not be hasty."

you're approaching the store, the sliding doors just a few strides away.

"it's only fair! besides, you're not going to die if you can't have cookies," you throw his earlier words in his face.

he exhales deeply. "have i ever told you how irritating you are?"

"woah! now you're definitely not getting any, mister!"

"alright, alright," he groans as you step inside. "i'll help you bake your stupid cookies."

"perfect!" you exclaim as if you knew he'd give in eventually (you did). "then you can start by finding the miso paste while i get everything else!"

you scamper off before he can tell you not to order him around like some common servant. he's never even been grocery shopping, how the hell is he supposed to find anything in here?

wandering the aisles, he stews over how domestic this is. for god's sake— the king of curses, shopping for ingredients and making baked goods. what have you reduced him to?

just as he considers giving up, he spots the item he's looking for and grabs it so aggressively that it knocks a few packets of instant miso soup to the floor. wrinkling his nose in distaste for the entire experience, he sets off looking for you, though his efforts are to no avail.

he wonders where the hell you could have gone off to when a flickering light catches his eye, filling him with a strange sort of unease.

it's emanating from a narrow hallway tucked away in the back corner of the store. at the very edge of the hall, a phone with a familiar case is lying on the floor, the screen shattered.

his blood runs cold, a sensation that is fully unknown to him, and the miso paste slips from his fingers. he appears in the hallway the very next second and the sight that greets him ignites a furious hostility in the center of his being— heavy and consuming.

you're struggling against one man as he drags you out of the backdoor and into an alley. another man is holding the door open, urging his partner to hurry up.

the hand over your mouth keeps you from yelling, but you're unsure you would have been able to make a sound regardless.

one second you're cast into darkness, and the next, the light seems blinding. the flashing is unceasing and it makes your head hurt.

two limbs are wrapped around your torso, keeping you firmly in place, and your arms are trapped at your sides. you might be kicking your legs, but they may just be dragging along too. you really can't be sure.

there's a thrum of a heartbeat at your back. it's pace is unforgiving, the intensity mirroring that of your own. you've a vague concern that your heart may very well beat right out of your chest.

then there's an abrupt shift in the air and a sickening crack echoes through out the night. crumpling onto the concrete, you think it must have started raining before you realize that the droplets on your face are warm.

you wipe at your cheek and your fingers stain crimson, the color matching that of an increasingly large puddle seeping across the pavement beside you.

there's a heap lying a few feet away and you recognize that it's wearing clothes. it's a sight you struggle to make sense of.

needing to focus on something else, your eyes find sukuna and the expression he's wearing is fierce and unreserved. "tell me what you wanted with her."

you've never heard him speak in such a way. his tone is low, his cadence nothing short of threatening.

"s-s'kuna?" your own voice sounds foreign to you and it goes unheard by him.

he has your attacker pressed against the brick wall of the alley, both hands wrapped around his throat. he's too livid to realize the pressure on his windpipe is preventing him from answering.

sukuna throws him to the other side of the alleyway out of frustration, the man rolling onto his back and wheezing to appease his lungs.

"tell me!" sukuna commands again, louder this time. less collected.

the man scrambles away from his looming figure. "th-they sent us, told us they needed her for an important matter."

"who?"

"they'll kill me if i tell you—"

sukuna crouches down, laughing dryly. "and what do you suppose i'm going to do?"

his eyes are almost unrecognizable to you. they're frenzied— a few shades deeper than the scarlet you've grown so fond of.

"you'll k-kill me either way, so at least i'll die with honor—"

"tch. useless." sukuna waves his hand, and you can hardly comprehend what happens right in front of you.

neat red lines appear across the man's body, then it ruptures into nothing at all. the only evidence that he was ever there in the first place is his blood.

the stench of which is perhaps the worst part— intense, coppery, and hot. it makes your eyes water, and before you know it, you're hunched over and emptying the contents of your stomach onto the ground.

sukuna is at your side in an instant, pulling your hair away from your face, but while one of your hands is braced against the concrete, the other endeavors to push him away.

his body doesn't budge at the contact, but he takes a step back anyway in an attempt to respect your wishes.

your mind is a mess filled with racing thoughts— what the fuck? this cannot be happening. what the hell even happened in this first place? that man was there and then he wasn't.

inhaling sharply, you wipe at your mouth and shift to pull your knees to your chest.

"what..." you trail off, surveying the unutterable, incomprehensible scene before you. "what did you do?"

he doesn't respond, though his features noticeably soften. somewhere in the back of your mind, you know very well what he did, but you can't help repeating. "what did you do?"

"we need to leave." it's not that sukuna couldn't handle whoever might show up, but seeing as this is your reaction, he has no desire to. "if you let me touch you, i can take us home."

you take a moment to think about it, then nod wordlessly. as soon as his hand falls on your shoulder, you're met with that same sensation you felt the night gojo teleported you and yuuji home after one too many drinks.

though this time, the sick feeling in your stomach isn't caused by liquor. you don't stand up, you don't so much as move a muscle when you feel the surface beneath you shift from concrete to carpet.

sukuna breathes out your name, his uncertainty evidenced by the way he's shoved his hands into his pockets. meeting his eye, you reiterate the same inquiry once more. "what did you do?"

it's almost as if you want him to tell you that he didn't do anything. that the whole experience was some disturbing nightmare.

"those men would have hurt you."

"that doesn't mean they deserved to die." you choke on the final word.

"yes— it does."

with that, silence hangs in the air like a suffocating miasma.

looking to your hands, you're reminded of the blood you've been spattered with. "i need to wash up."

you still don't move from your spot, too fixated on your flesh and the dreadful hue that it's been painted with. sukuna notices now that you're trembling.

he approaches you hesitantly before extending his hand. "let me help you."

you decline his offer, shying away from him. "i think you've done enough already."

god, the look in your eye is utterly despondent. he struggles to swallow the lump that forms in his throat.

his arm falls limply to his side and he looks across the room, your copy of the stranger earning his attention.

he's overcome with chagrin when he realizes that his concern brought about by camus' quote the other night was wholly misguided. he'd been focused on his own feelings, whether they were genuine or simply wrought by his isolation.

how foolish was he to ever question what you truly mean to him? with the anguish that's settled in his chest at the sight of your current state, the fact he ever doubted it makes him feel like a hopeless idiot.

had he any sense at all, the part that resonated with him would have been—

she mumbled that i was peculiar, that that was probably why she loved me but that one day i might disgust her for the same reason.

disgust. is that what you're feeling now? he's certain it is.

it was just last week that he relayed the story of his past. you're the only person alive to know the truth of how his wickedness came to be, and you met him with unconditional sympathy and understanding.

you pulled him close and embraced him, but now that you've seen him for what he truly is...? you can barely stand to touch him and it's like a knife to his heart.

you're so fucking warm— like the sun against his skin after weeks of endless rain.

and if you're the sun, surely he is the moon— cold and barren on his own, but brilliant when in the presence of your light.

to be without that? to be without you? it's a prospect too terrible for him to bear. it makes his stomach twist miserably.

you're startled (as is he) when his form falls to the floor, his knees meeting the carpet with a dull thud. he calls out your name again, but this time, his voice cracks as he speaks. "please."

he doesn't have a clue what he's even asking for. a chance to explain? forgiveness? a way to turn back time?

you don't say anything, but you do shift your gaze to him. he knows that he needs to fix this, so he wracks his mind for the right words.

"i didn't enjoy killing those men." he's somewhat surprised to find he's telling the truth.

"you didn't?" your voice is so small and timid that he can hardly decipher your words.

"no. my only concern was to keep you safe— to make sure they never put their hands on you ever again. all i felt was rage and... and... guilt. i should have never left you alone and it's my fault—"

"stop," you interrupt him.

there are tears welling in your eyes, making it difficult for sukuna to breathe. he's positive you're going to tell him that his intentions were of little consequence and that you never want to see him ever again.

instead, you push yourself forward and collapse against his body, your own wracked with violent sobs. the reality of the situation is only just now hitting you. it'd been much easier to focus on what sukuna had done, rather than what almost happened to you.

"i was so scared, 'kuna."

and still, despite the way you're clinging to his shirt and burying your face in chest, he's under the impression that it's him you were afraid of.

"i'm sorry," he tells you earnestly. "i never meant to frighten you."

"n-not of you. those men." you're struggling to speak in between desperate gasps. "why did they do that? what did they want with me?"

"i don't know." though, he is going to find out.

sukuna is not a man well versed in comfort, so he's not entirely sure why he begins rocking you back and forth, but he does it anyway.

when you finally start to breathe a little easier, he mumbles into your hair, "come on. let's get you cleaned up."

he doesn't give you a chance to respond before he scoops you up in his arms and carries you to the bathroom. setting you down on the counter gently, he searches the linen closet for a cloth.

it's quiet, save for your intermittent sniffling, as he runs it under warm water and wrings it out. his free hand moves to rest against the side of your neck and he dabs at the blood on your face, rinsing the washcloth every now and then.

he tries his best not to show it, but sukuna is agonizing over what might be going through your mind.

do you still feel safe with him? have your feelings changed? do you still love him, even when you've been so harshly reminded what he's capable of?

when you speak for the first time your words are hoarse, barely above a whisper. "thank you for saving me, sukuna."

he thinks about telling you not to thank him, not when it shouldn't have happened in the first place. he left your side, an error in judgement he'll never forgive himself for.

he considers your mortality— your weakness— in relation to his feelings for you. he's always seen this exceptionally human quality as despicable.

but now? all it does is terrify him.

"in the past, i was only concerned with my own whims and desires." his hand moves to cradle your face, his thumb running over your cheekbone. "though after tonight... you have to know..."

it's clear that he's struggling. his eyebrows draw together and his mouth twitches as he ponders his next words.

"i care about you, angel." his voice is hushed when he adds, "very much."

your eyes widen briefly and you murmur his name, but your mind is still reeling from the events of the past twenty minutes and you can't think of anything more to say. you're emotionally exhausted in a way you would have never thought possible.

it's plain to him too, so he knows his next question is selfish, but he can't go on without knowing. "does what you saw tonight change things between us?"

the silence preceding your answer seems to stretch on forever.

"i thought it would," you confess eventually. it was as if you'd put up a wall in your mind separating sukuna the king of curses from sukuna the man you spend your evenings with.

and it's difficult to reconcile the fact that the hands you saw used to murder two men are the same hands that are caressing your face so delicately.

at some point, however, you realized that the only time you felt fear tonight was when you were without him. his arrival and ensuing actions inspired shock and apprehension, though in some twisted way, you knew it meant you were safe. "but it doesn't."

the next question tumbles from your lips thoughtlessly. "does that make me a bad person?"

he chuckles and some of the tension in the room dissipates. "i think i'm the last one on earth that can pass moral judgement on you."

he tucks your hair behind your ear and scans your face, relief coursing through his body when he sees you smile. in this moment, there isn't anything else in the world he would have asked for.

"i guess you're right."

and now, the hand over your mouth is your own, an attempt to stifle your tired giggles. the light of the bathroom is warm and steady. sukuna's hands rest atop your hips, his touch firm but comforting. while you can't feel your own heartbeat, you're positive it must be beating in time with his.

when you crawl into bed that night sukuna pulls you close, your back pressed to his bare chest. you're thankful for the softness of his demeanor, because you need it tonight more than ever.

he doesn't recede to his domain until yuuji wakes up the following morning. he's determined to keep an eye on you as you sleep, to watch the slow rise and fall of your chest with newfound gratitude.

he knows he needs to speak with the brat about what happened. someone is after you and while he hates to admit it, he knows he can't ensure your safety alone.

and he will keep you safe, no matter the cost.

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[sepublic]

Insane to me how Eda must've said yes to Luz asking to stay with her at the Owl house, because she could relate. Because at her exact same age, Eda also struggled with a mother who meant well, but was ultimately doing something that hurt her out of misguided intentions. And because she felt betrayed and didn't want to go along with that plan, Eda also ended up running into the woods outside her home, only to stumble across the portal in the ruins of a Clawthorne ancestor’s home, and go through it despite what her mother had planned. And in doing so, she found independence and began her journey into discovering herself.

So no wonder Eda let Luz do the same. Even if she didn't know her whole story yet, Eda must've picked up on a couple details with Luz deeply resonating with her "Us weirdoes gotta stick together" motto, as well as encouraging the Conformatorium prisoners that nobody should be punished for who they are. The way Luz said that, Eda must've realized she was projecting/relating to them hard. So Eda saw all she needed to, and that's why she let Luz stay.

Her telling Luz to go back to her "real" family in the season 1 finale hurts even more because of this, because I wonder if Eda missed her mother at the moment too. So she wanted Luz to have a good relationship with her mother that she couldn't have. She wanted Luz to treasure that while she could still have it. And at the same time, I wonder if Eda felt as if she was betraying herself by being a hypocrite, telling Luz to stay with her mother when Eda herself hadn't done so and would continue not to.

But then Luz stays for Eda's sake, and she helps Eda get back her relationship with her mother. And Eda helps Luz in making a new portal so she regain her relationship with HER mother. All while lamenting, at one point, that Luz is going to go back to her real family in Eda's Requiem. They're both going back to their biological mothers, so they don't need each other anymore as a substitute. Besides, even if Eda's morals made sense to her at the time, she might've regretted letting Luz in and allowing her to be hurt by the coven.

But Luz and Eda's familial and found relationships aren't mutually exclusive, either!!! And Eda has to remember what she told Luz in Separate Tides, that her life changed for the better meeting this girl! Maybe Eda thinks that she needs Luz, but Luz didn't need her. But she really needed another parental figure, not unlike Manny, to give Luz another perspective to work with, so she could eventually go back to Camila and explain in better terms what she needed. And by the time Luz reunited with her mother, she wasn't able to articulate how she felt, due to a number of other factors outside of Eda's control that made her feel too guilty to ask for that.

Eda meeting Camila was so tense on her part, because she likely though of herself as an irresponsible stranger who kidnapped Camila's child and got her so terribly hurt and traumatized; At least, she couldn't blame Camila for thinking that way. Eda probably felt that way about herself, sometimes. But Luz needed her moms to get along, it'd mean so much to her, so Eda brushes aside the self-pity and presents herself as Luz's other family; Similarly, Camila has already opened her mind to the Boiling Isles because she can tell how much this place and its people mean to Luz. So even if they had different ideas on how to help Luz, they've since made their consensus by listening to Luz herself, and have gotten together over this mutual love.

[sabertoothwalrus]

I'm going to think out loud about the dungeon meshi ages for a sec

I'm going to preface this by saying that this is based on my existing knowledge, and fact checking is difficult because there is A LOT of contentious research out there.

First of all, I think a lot of people come at this from a modern lens, forgetting the context that this is fantasy medieval era. this is fiction. on top of that, this is specifically Ryoko Kui's understanding of medieval era aging. plus fantasy. So before anyone comes at me with a bunch of 'ermmmm actualy's just consider that I don't really care and also it might not matter in this context lol

as far as the "age of maturity" assigned for each race, something I don't see many people talk about is that "teenagers" are a fairly recent concept. For a long time, you were either considered A Kid or Not A Kid. but this doesn't necessarily mean kids were more/less developed then, just our cultural expectations for certain age groups have changed.

Laios says the age of maturity for tallmen is 16. I don't think that means 16 year olds in the dungeon meshi universe are necessarily "more mature" than modern 16 year olds, but moreso that they have more responsibilities. However, things like medicine, smoking, drinking, sun exposure, physical activity, etc all affect age, so it's possible that developmentally they're closer to modern 18 year olds? Izutsumi is 17 (less than two weeks from turning 18, actually), and very much acts like a modern 17 year old.

The age of maturity for half-foots is 14. Chilchuck was 13 when he got married and had his first two children. Even though, at age 29, he's the equivalent of a modern 50 year old, I don't think he was That much more developed at 13 than a tallman. I think if half-foot 14 is equal to tallman 16, then Chilchuck was Pretty Damn Young for a parent LMAO. Even if you're generous and say tallman 16 is a modern 18, he still would've been younger than that.

The long-lived races are interesting. Marcille is obviously a unique case, and not a lot of this applies to her. We do know what Senshi was like as a minor (miner, lol), and he seemed like a modern 15ish, considering he was 36 and dwarf maturity is 40. I think it'd be really interesting to delve into how a culture functions with people being developmentally adolescent for soooooo long. Imagine middle school lasting 20 years. that would fucking suck. I suppose it makes sense why long-lived races are so patronizing.

Moving onto lifespans, I want to emphasize that they're average lifespans. Even in the manga, they say some half-foots live to 100, it's just rare. So it's less that a tallman 60 year old is "older" than a modern 60 year old, it's that it's easier to keep people alive for longer nowadays. Modern medicine is a BIG contributor. Dental health as well, considering how much your health is affected by your diet (and how much the action of chewing alone aids in digestion). Curious to know what the FUCK elven dentistry is like.

It also makes me wonder if half-foots would have a longer average lifespan if they weren't like, used for bait and treated so poorly, but half-foot 29 does seem to be middle-aged for half-foots. so who knows!

In that vein, I don't know if I can see Mithrun quite making it to 400 😬 like, his experience as a dungeon lord took a lot out of him quite literally, and he's doing exceptionally well despite it! I imagine he'd eventually start to develop a lot of heart problems if he doesn't have them already. Perhaps early-onset dementia. His memory seems still quite intact (he corrects Kabru on his story's accuracy) and he doesn't act like, lobotomized. He doesn't seem forgetful or confused, and he has a sense of humor/sarcasm still. It's mostly his task initiation that's been affected.

I almost want to say that mana affinity could affect long-lived races' lifespans, except dwarves have very poor tolerance for mana, so it's probably not that.

okay anyway I didn't really have a point to this post so I'm just gonna end my rambling here

[blackbird-brewster]

Highlights from Catherine Tate's Q&A Panel at Armageddon Expo 2024 (NZ) :

[I took notes best I could during the panel but some may be paraphrased]

Q: What's your favourite Doctor Who alien?

CT: The wonderful Ood!

Q: Who's your favourite Doctor? (Crowd gasps in anticipation)

CT: Well, I get asked this a lot, and obviously it's David (Tennant). I don't know what number he is, he keeps coming back. But definitely, David. Although, someone recently pointed out that I was technically the first ever female Doctor. So you know what? Me, I'm my favourite Doctor.

Q: What's your favourite episode you were in of Doctor Who?

CT:The Runaway Bride, because that's where it all began.

Q: What's a favourite memory of working with David Tennant on Doctor Who?

CT: The scene in 'Partners in Crime', the one with the Adipose, there's the scene where Donna and the Doctor see each other from across a room. But they're both behind glass and they have the whole mime scene with the windows. Well, I remember it was about 3am when we were filming that - - Russel really likes to film at night if the story is taking place at night - so it was 3am, and I said to the director 'Uh, right here it just says Donna Mimes' and he said 'Yeah do whatever'.

So that whole scene was ad-lib during shooting and David and I were so in sync with it, we did that first take and the director said cut and print!

Q: How emotional were you filming your final scene in Journey's End?

CT: So, we didn't always film in order. And I'm not really a sentimental person, but I will say I thought Donna's ending was absolutely perfect. When she meets the Doctor she was always yelling at the world, and she was so different than what she was by the end, she had so much growth with the Doctor and she changed so much in her time with him, but then, she forgets the him and all those memories. And that final scene, what really got me was how he says 'Donna, I'm off' and she's just, I think she's on the phone, and she just waves dismissively. She doesn't know him anymore. Russell, the way he ties things together, he's brilliant, that man.

Q: What was it like working with Bernard (Cribbins)?

CT: Oh, Bernard. God, I love him. He was so funny and talented. He always had stories and voices and sound effects. He loved making people laugh. But we had a gag where every single time I called him I'd say (Donna Voice) 'GRANDAD!'

He'd say, "Who is this?"

"It's Catherine."

"Catherine who?"

"Catherine Tate"

"Never heard of her."

We did this every time I called him and I loved it.

Q: Is there anything annoying about working with David Tennant?

CT: No, absolutely not. He's perfect. He's the best person to work with. I will say though, I was annoying him a lot. When we did the 60th Anniversary specials, our trailers looked exactly the same and I never knew where my trailer was. I'd walk into his all the time!

Sometimes I'd walk in and see his shoes in the trailer and instead of thinking 'Oops, wrong trailer', my brain went 'What's he gone and left his shoes in my trailer for?'

It got so bad, sometimes I'd walk up the stairs and from inside I'd hear 'NO.'

Q: Was it weird coming back to play Donna after all these years? Especially when it was along side David Tennant?

CT: It was a bit weird, more in the 'Oh I hope i still know how to do this' way than anything. But I did think it would be hilarious if David and I arrived on set and every take we just did completely wrong voices. Just thought it'd be hilarious for him to go (in an airy upper-crust British accent) 'Ohhhh, hellloooo. I'm the Doctor'

Q: If you could take any prop from set, what would you take?

CT: Ohhhh, I'd have very large pockets and see what I could fit. But mostly I think it'd be a sonic screwdriver. It's gotta be a sonic screwdriver, doesn't it? It's small and mobile... Easy to steal. Plus, it'd fetch a great price on Ebay!

Q: Best show you've ever worked on?

CT: The Office, they paid me tons of money.

Q: My mum loves David Tennant, is there something you can say to dissuade her?

CT: Hm, something to convince her he's not.... Oh, he doesn't believe in astrology! I'll say 'It's Mercury Retrograde' and he'll say 'NO, NO, NO I DON'T WANT TO HEAR IT'.

Other Highlights:

As soon as she came out, she saw the stage had no steps to the audience, so she stayed on mic and went the long way round to go into the audience and interview people, trying to find who had traveled the furthest to be here. She was sorely disappointed everyone was just from Aotearoa 🤣

Donna Lines She Performed:

"Oi Spaceman! You're not mating with me sunshine!" (Crowd went wild for that)

"Binary. Binary. Binary." (🥺)

She did some of her characters: Lauren Cooper mostly, but also wished someone Happy birthday as Nan

[loulovingho]

prompt: those pictures of buck make me think he's going to be endlessly harassed by Gerrard. I'd like to see something where it builds up until he kinda has a breakdown. maybe at home, with tommy?

It'd been a bad month. Possibly the worst of his life, and that was saying a lot. Twenty-four hour shifts were usually simple for him, but nothing was simple when Gerrard was in charge.

He was two hours into his fourth shift with the new captain when Gerrard found out that Buck was dating a man. Not just any man. A man that Gerrard seemed to particularly despise.

And maybe he should have thought better before blurting out that Tommy was his boyfriend, but he hated Gerrard and a part of him thought it might be fun to play with the man's mind a little.

He was wrong.

Tommy had dropped him off for work after he and Buck had accidentally fallen asleep after a particularly eventful night. Thankfully, Buck kept a change of clothes in his locker, so it really hadn't been much of a problem. He had forgotten his house keys and wallet at Tommy's though, so he was pleasantly surprised to get a visit from him a couple hours later.

Tommy had approached cautiously, but once Eddie informed him that Gerrard left to run an errand, he relaxed and let Buck pull him in for a brief kiss.

Tommy talked to the team for a bit, getting filled in on the endless cleaning they now had to do. How they had to fake bathroom breaks to get a moment to text or make a phone call.

In less than ten minutes, Tommy was heading back out the door. “See you guys soon,” he said, giving them a wave before pointing to Buck and smiling, “and see you tomorrow night.”

Just as Tommy had rounded the corner out the side door, Gerrard was walking in the front. “Was that Kinard?” he asked, disgust evident in his voice.

“Yes, Sir,” Eddie replied.

“Hm. What was he doing here?”

“Had to drop off something,” Chimney answered before Buck could even open his mouth. “Had a delivery meant for here that got sent to Harbor instead.”

“Can't even trust the postal service to do their job right these days,” he grunted out.

The group started back on their cleaning, but Gerrard blocked Buck's way. “Thought I heard you got plans with Kinard tomorrow, Buckley. That right?”

“Y- Yeah, it is. I mean, I do... have plans.”

“Huh. You didn't strike me as the type to hang out with a guy like that.”

“What do you mean?” Buck asked, face scrunched up in confusion. “A guy like what?”

“You know,” Gerrard shrugged. “Soft. Weird. Sissy-like.”

Buck could feel his face heating up. “I'm not sure those are the words I'd use to describe him.”

“You gotta watch yourself around people like him, Buckley. Men like us,” he said, making his hands into fists to flex his muscles, “we've got a reputation to withhold. Show the world real, manly strength still exists.”

Buck wasn't exactly sure what to say. He had known Gerrard was a terrible captain, had heard the stories from Hen, Chim, and Tommy, but this was so far out there he briefly wondered if he'd been transported back to the 1950's.

“I- I'm still not following.”

Gerrard rolled his eyes. “You're not stupid, kid. Kinard is... I'd say it right out, but you can't say anything these days without offending someone.” He nudged his head in Hen's direction.

So Buck said the words for him. “He's gay?”

Looking back at this moment, maybe he should have paid attention when Eddie came up behind Gerrard and motioned for him to cut it out.

Gerrard raised his hands up in surrender. “You said it, not me.”

“Yeah, I did,” Buck replied with a nod. The rage building inside him made him feel like he was left with no choice but say the next words that fell out of his mouth. “He's also my boyfriend.”

He could see Eddie in his peripheral, closing his eyes and shaking his head.

Watched as Gerrard's face turned from pale white to tomato red. A rage coming over him like Buck had never seen on a human before.

And that's what started the shifts from hell.

Gerrard, in those first shifts before knowing Buck's sexuality, had been rough. He was a grumpy, old man who demanded respect and attention that he didn't deserve. But he didn't pick on any specific person. They were all equal targets.

Until they weren't.

It was almost as though Gerrard felt like he'd been betrayed by Buck. Like Buck was supposed to be the one person at the station that was on his side, and finding out this single piece of information destroyed any and all possibility of that happening.

He had an endless string of one liners at his disposal, specifically for Buck, to use at any given time. And he used them every opportunity he got.

Buck could never do anything right. Nothing was ever cleaned properly and the equipment wasn't put away the way it should be. Gerrard didn't hesitate to reprimand him during calls. In fact, that seemed to be what he enjoyed the most. Anytime Buck tried to speak up he'd be brushed off or told his ideas were ridiculous.

When they had to line up at the start of their shifts, there would always be something wrong with Buck's uniform, or his hair, or the way he was standing.

He'd been put on cooking duty too. But it wasn't fun the way it was when Bobby was in charge.

Being on cooking duty with Gerrard was it's own special punishment. He decided all the meals, regardless of what anyone else wanted. He expected a full breakfast, lunch, and dinner, and he wanted them all at very specific times.

It was all food that Buck knew how to cook, but to Gerrard it was never done right.

“Too salty.”

“Too sweet.”

“Why'd you cook the meat so long? It's like leather.”

“Why's the meat still red in the center? You trying to kill me?”

“I hate cilantro.”

“You cook like this for Kinard? Must not be many options left for him.”

That was another problem. Gerrard brought up Tommy every chance he got.

“You kids today are so sensitive. Kinard used to laugh at all my jokes.”

“You keep your home this messy? Huh. Can't believe your boy toy puts up with that. He really has gone soft.”

“Kinard used to be my right hand man. Hate to think of what he's doing with that hand now... You probably know all about that though, don't ya, Buckley?”

*****

Buck had just gotten off a twelve hour shift when he headed home to start dinner. It was six o'clock by the time he entered the loft and Tommy would be over in an hour.

He was still shaky from all the things Gerrard had said to him today. Comments about Tommy, comments about him. Buck had tried to not let his words get to him, but that was proving more and more difficult each day. There were only so many different ways you could hear how worthless you were before you started to believe it.

He took a shower to try and help calm himself down before heading into the kitchen to get started on dinner.

Seared lamb chops, mashed potatoes, and glazed carrots were on the menu for tonight. Then a pre-made sweet wine cake for dessert.

Things fell apart pretty quickly.

He was deep in an internal conversation (fight) with Gerrard as he peeled the potatoes, causing him to slice right across his finger. Once he'd cleaned up the blood and gotten a bandaid, he remembered that he hadn't turned the oven on to preheat for the carrots.

While the oven preheated, he got the potatoes boiling and got the carrots laid out on a pan.

Then he started looking around the counter for the lamb chops, which he was supposed to let sit out for twenty minutes before he started to cook them.

He could have sworn he took them out before he got his shower but, lo and behold, there they were in the fridge.

He shoved the carrots into the oven and got started on the lamb. He didn't have enough time to let them sit out now.

By the time Tommy knocked on the door twenty minutes later, Buck felt like a big ball of nervous and panicked energy.

“Come in!” he yelled, not bothering to turn away from the lamb.

“Hey you,” Tommy said casually as he entered the loft. The overall calmness of his voice somehow stressed Buck even more.

“Hey.”

“It smells amazing in here.” Tommy came up behind Buck, set a bottle of something down on the counter, then wrapped his arms around his waist. He pressed a kiss to Buck's neck. “Missed you.”

Usually, Buck wanted nothing more than to be wrapped up in Tommy's arms. Tonight, it just felt too hot.

“Yeah, y- you too,” Buck replied, trying to sound as normal as possible.

Either it didn't work, or Tommy could sense how tense he was, because the next words out of his mouth were, “You okay?”

Somehow, Buck managed to turn toward him and fake a smile. “Yeah, I'm good. Just don't want the lamb to burn.”

Tommy gave Buck a peck on the lips before letting him return his attention to the lamb. “I brought wine,” he said, picking up the bottle again.

“Oh, good. You can put it in the fridge, or leave it out on the table if you want, or-” he whipped around, “God, I forgot to set the table!”

“I can set it,” Tommy offered.

“I wanted to have it all done before you got here.” Buck moved toward the drawers that held his good napkins, pulling them out before slamming the drawer shut. The noise caused Tommy to jump a little. Buck headed for the silverware next, tossing each utensil on top of the napkins and once again slamming the drawer. “I don't even have the wine glasses out or anything.”

Before he could pick up the napkins and silverware, Tommy placed his hand over it. “Really, Evan. I've got it. Are you sure you're okay?”

Buck sighed, letting Tommy take control of setting the table. “Yes, I'm okay.”

There was a heavy silence in the air while Tommy got the table ready.

Finally, Buck broke it. “You like your meat medium, right?”

“Yeah, that'd be perfect.”

“Great.”

Tommy paused on his way to get the glasses. That great did not sound very good.

“What's wrong?” he asked.

“Well, they're already passed medium. They're medium well.”

“That's fine. I'm not really picky.”

Buck huffed. “You just said medium was perfect for you.” The words came out harsher than he intended, but he couldn't find it in him to care. He'd ruined the most important part of the meal already, and the fact Tommy had been so nonchalant since he stepped into the apartment was only making things worse.

“Medium well is perfect too. I really don't care how my meat is cooked, Evan.”

Buck turned off the stove and moved the lamb to a different eye so they would stop cooking. He grabbed an oven mitt and pulled the carrots out of the oven.

The second he saw them, he felt enraged.

“Damn it!” he exclaimed, practically throwing the pan onto the counter. “I forgot to put the glaze on them.”

Tommy eyed him for a second before moving closer. “It's fine, Evan,” he said, placing a hand on Buck's arm. “They look really good.”

Buck shrugged him off. “No. They'd be really good if I put the glaze on them, but I forgot it. Damn it!”

“Babe-”

“Oh my God!” Buck hurried back to the stove and turned off the potatoes. “I overcooked them! They're gonna be too mushy now!” He wasn't sure what it was, but his eyes were now both blurring and burning.

Tommy was trying his best to keep up with each dilemma that was happening. “We're having mashed potatoes, honey, I don't think it matters how mushy they are.”

“Yes, it does, Tommy! God, you don't get it!” He dumped the entire pot of potatoes into the sink, making it the disposal's problem now.

“Okay, that's enough,” Tommy said, his voice soft yet commanding. “Come here.” He came up behind Buck, who had his hands gripped on the countertop and his head hanging low. Tommy placed an arm around Buck's waist and guided him around until he was wrapped in Tommy's arms. He buried his face into Tommy's neck as he started to sob. His whole body shook with the force of his cries, tears pouring out and running down onto Tommy's shirt.

Just something else to add to the list of things Buck had ruined tonight.

Tommy only held him tighter. One arm around his back, keeping Buck steady. The other on his head, rubbing gently against his scalp.

They stood there for a few minutes, until Buck calmed enough to speak. “I'm sorry,” he whimpered out against Tommy's neck.

“You have nothing to be sorry for,” Tommy assured him. He ran his hand up and down Buck's back. “Let's go sit down, okay?”

Tommy led them to the couch, cradling Buck in his arms as soon as they sat down. Buck closed his eyes as he rested against Tommy's chest, letting himself be soothed by the way Tommy's hand ran up and down his back. He provided just enough pressure to relieve the tension in his muscles.

They were quiet for a while. And although he'd calmed down quite a bit, tears still escaped out of his eyes and down his face. He couldn't remember the last time he'd cried like this.

“It's Gerrard, isn't it?” Tommy asked.

He didn't need Buck to answer. The shaky intake of breath told him all he needed to know.

“This is so stupid,” Buck said, wiping tears from his cheeks. “I- I'm acting like a child.”

Tommy shook his head. “It's not stupid, Evan.” He tugged lightly on Buck until he was sitting up enough for them to look at one another. He brought his hand to Evan's, keeping them intertwined as they talked. “Talk to me. What's going on?”

And that's when the dam broke. Once Buck got started, he couldn't stop. He told Tommy about all the ways he'd been picked on, the comments Gerrard had made, the things he'd said about Tommy. He talked about the way Gerrard spoke of their relationship, and made it seem like Buck was one mistake away from Tommy walking out the door.

Buck told him that even though he knew it wasn't true, it still messed with his head to hear it during every shift, over and over again.

“So he's been harassing you for a while now. Does the rest of the team know about all of this?”

Buck sniffed. “Some of it. Not everything. They couldn't do anything about it anyway. Hen and Chimney have to walk the line right now, because of Mara.”

“And Eddie?”

“He's got his... own stuff going on.”

“Hm.” Tommy wasn't too impressed by that answer, but that was a problem for another time. “You know you could have told me, right? I don't want you to think you have to hide this stuff from me.”

“Didn't want you to h- have to relive it. You already dealt with him, and I felt kinda dumb for it bothering me so much.”

“Evan, it's different. Gerrard didn't do any of that stuff to me. I wasn't out then, and I told you he didn't make me a better person. You shouldn't be having to deal with this every time you go in for a shift. It's not dumb that this bothers you. I don't know anyone that it wouldn't bother.”

“I just... I thought about filing a complaint, ya know? But,” a stray tear fell down his cheek, “I don't think I'd have anyone to back me up,” he admitted. “And even though it's anonymous, he'd know it was me.”

Tommy nodded. He understood how tricky filing complaints could be. It was what started the rift between him and Gerrard. Wheels were already turning in his head on what he could possibly do. He'd need to speak with his own captain, maybe Bobby, definitely Eddie, and possibly get a word in with the chief. But, if something could be done, he would do it to make sure he never had to see Evan this upset ever again.

“We'll figure something out,” he said, determined.

“Yeah. Yeah, o- okay.”

“And Evan,” Tommy scooted even closer to him, gently cupping Evan's face in his hands. He wiped away the remaining wetness from Buck's cheeks, staring deeply into his eyes as he spoke. “You are the best thing that's ever happened to me. I'm not just saying that, I mean it. None of what that man said is true, but even if it was, I wouldn't care. I don't care if every meal you ever cooked was wrong, I don't care if your house wasn't perfectly clean, I don't care about any of it. Only you. Got it?”

Buck nodded, allowing himself to fall forward into Tommy's chest and be cradled by him again. “Yeah,” he replied, closing his eyes as Tommy comforted him. “Yeah, I got it.”

[sigma-alpha-writer-chad]

Grow Up, Would You? [Josh Washington]

“I don’t know if you’ve changed any since middle school but I really hope you’ve learned the difference between pranking somebody and just being a fucking bully.”

You can also find this story on Ao3!

Chapter Two / Chapter Three / Chapter Four

[CHAPTER THREE]

Italics = Events taking place prior to the "present day" of the story!

It had been a quiet day, so far. That morning was easily one of the best I'd had in who knew how long. Everybody had been leaving me alone. I was grateful for the peace and quiet, though I couldn't relax fully. Somebody had to be planning something. Despite the thoughts, I wanted to have a good day.

I really wanted to have one good day.

The cafeteria was big. Rows of long, rectangular tables were filled with middle schoolers chatting about their day and eating their lunches. Some had home packed lunches filled with goodies they could trade off for something better or in exchange for cheating off homework, and some children had the school lunch. It was pizza today. Square pies with cubes of pepperoni on them. Many people didn't like them but they were always one of my favorites.

I looked around me. I couldn't see anybody who would've wanted to pull something on me.

I couldn't see Josh.

It had been years since anyone else had done anything to me without him participating or sort of approving it. If he wasn't at school that day, I would be free for the day. It was the only explanation I had that day for the lack of terror I'd faced.

I stood in the line for the pizza and spotted my cousin, Chris, and his friend Ashley. I called for them, and they allowed a bunch of kids in front of them to move towards my spot in line.

"Hey, cousin," Chris greeted me. "Last year of lunch together, huh?" He was one year my senior, meaning next year he would be in high school, a building separate from mine. "Is that why you seem to be in such a good mood?"

"Yep, you keep saying," I responded as a grin grew across my face. "Poor Jordan, without her big cousin around. Whatever will the humble 8th grader-to-be do?"

"Celebrate?" Ashley chimed in. "No more Josh, right?" I smiled wider and nodded. Chris made a face at Ashley for bringing it up. He obviously wanted to say something, but didn't. We moved forward in the line.

"I can't wait to have some peace," I admitted. For a moment I wondered what it would be like. Would the teasing and pranks really stop, or would they just be exacted upon me by someone else? I shook the thoughts from my head, but not my smile.

"Josh isn't that bad," Chris defended. "He's my best friend. Why are you so mean about him?" My expression faltered slightly.

"Why is he so mean about me? Why are you always on Josh's side?" I retorted. "You're no better, really. You're just my less mean cousin." I crossed my arms. Day ruined. "I'm tired of always being the one who is upset and ruins everything when you guys are the ones who upset me in the first place." Chris's face turned red in embarrassment and frustration, and I could tell he felt guilty, as well. He pushed up his glasses.

"They're just jokes! It's not my fault you're just a cry baby 7th grader and nobody likes you." I frowned, hard, and my appetite was no longer.

"Where is this coming from?" I asked, tears brimming my eyes. Chris was always sensitive yet defensive in 8th grade, quick to bite if he felt cornered. I tried to remember what my mother had told me about when people are mean to you for no reason - that they feel bad about themselves. I could see Chris's expression drop when I started to cry. At that point, though, it'd meant nothing. Time and time again he or Josh or someone else would make me upset, he would feel bad as soon as I started to cry, and then do it again the next week.

I left the lunch line and made a beeline straight for my homeroom class. Mr. Brown would allow me to just sit at my desk during lunch if I'd wanted, so oftentimes that's what I did.

He greeted me as I entered, but said nothing else as I went to sit down. He was the only teacher who seemed to understand I didn't like to talk about the pranks pulled by my peers, especially because the school would do nothing about it anyways.

"Somebody left something for you in your desk," Mr. Brown said. His expression was soft and mildly worried, likely due to the obvious tears I had running down my face. "Should we look together?" My lips pressed into a thin line as I nodded and my heart rate picked up. He stood up and made his way towards me.

"Who left it?" I asked warily, standing up as to not be trapped if water sprayed out of the desk.

Again.

"I'm not sure," he answered. "They were in and out pretty fast. Had a hood up." He placed his left hand at the edge of my desk, where he could lift it up. "Ready?" I nodded, and he slowly lifted the desk.

It was a flower.

Mr. Brown and I stood completely still for a couple of seconds. I sniffled and slowly moved my hand away from my chest to reach for the white flower. It was a daisy. My favorite? Mr. Brown's eyebrows raised and gave way to an expression of delight as I picked up the daisy to show him.

"Is there a note?" He asked, peeking over the wooden top of my desk.

"Uhm..." I leaned forward to look back into the desk. There was a pink piece of paper folded about a million times to be as small as possible. This failed miserably, the paper being too thick to even stay closed. "Yeah, I think so." I took it out and observed the parchment.

"A secret admirer!" Mr. Brown gasped dramatically. It suddenly occured to me how nosey and curious my teacher was. My face grew hot as I opened up the pink letter. "What does it say?" I shot him a look. He put his hands up and backed away. "Ok, I get it." He teased and went back to his desk with a small smile on his face. I looked down at the pink note in my hands as my heart pounded in my chest. Was it really a secret admirer? Or another dumb prank?

The handwriting was atrocious.

'Jordan, I saw this flower outside and I thought it was pretty and maybe I heard one time it was your favorite so I picked it for you. Don't get the wrong idea because this isn't a secret admirer and nobody likes you that much, especially not me.'

I was taken aback by the note. What kind of a note was this? I thought back to one of the animes Chris likes that he'd made me watch. There was a really mean girl who was very mean to the boy she liked to hide her feelings. Was this the same? I furrowed my eyebrows in frustration, confusion, and flattery. I would have to show Chris later. I put the daisy inside the letter and waited for the day to be over.

---

Chris and I sit on the floor of my bedroom, chatting about his previous trips to the lodge and what it would be like.

"A lot of drinking. Like, so much. Josh and I usually pass out at least once," Chris babbles excitedly. Even though he seemed very hesitant at first, he'd quickly come around to my invite. "I'm actually really happy you're coming. The twins are stoked, y'know?" I smile at him, and he continues on. "They're the ones who started the idea. Everybody comes up and spends a few days at the lodge and we all just party. This will be the second or third year without parents though, I think."

"I feel like that's a safety hazard," I sigh, laying on my side and propping myself up with the palm of my hand. "What if someone gets hurt or goes missing?" Chris shrugs.

"Then we do what we can and we call the police," he states. I shrug as well. I wasn't satisfied with that answer, but I understood that no parents meant more freedom and fun for us young adults. I scoot a little closer to him, a mischievous smile creeping across my expression.

"So... No adults, at all?" Chris side eyes me suspiciously, not bothering to turn his head.

"No... Why?" I know he knows what I'm about to say.

"No reason, just... Y'know, Ashley." He smacks both of his hands over his face in embarrassment, his face growing redder by the second.

"Oh, my God, Jordan, not you too," he sighs in annoyance. "I really like Ashley, I really really do but can't we talk about anything else for once?" I smile wider and shrug.

"What do you want to talk about?"

"Josh," My smile immediately fades. Chris shifts to match my position, laying his chin on his hand and laying on his side. "Let's talk about Josh."

"Why do you want to talk about Josh?" Chris has a small smile on his face as he shrugs, mocking my previous body language.

"I was surprised when he took you to the bathroom," he admits. He rolls over into his stomach, his jaw on both hands now as he kicked his feet behind him like a gossipping school girl. "Crazy, right?"

"Yeah, I think he was just high, though," I say, chewing my lip. I can feel the tips of my ears redden. "You saw how he acted immediately afterwards, didn't you? The daggers he was glaring when I got invited to the lodge were sharp, man." I raise my eyebrows and move to mirror Chris.

"Daggers... Of love." He wiggles his eyebrows and makes a kissy face. I roll my eyes so hard it hurts.

"Ok, you watch too many soap operas or something," I laugh. My cousin sighs and rolls his own eyes. "Would you stop copying me?"

"Would you stop copying me?" I go straight faced and stare at him, hitting my swinging feet on the ground with a thud. He does the same, and a staring contest ensues. I squint. There's no way I was losing this. Time slows down, but luckily for me, I could already see Chris's eyes begin to water. I'm tempted to reach for his glasses slowly and take them off his face when his phone rings and he instinctively looks away, squeezing his eyes shut.

"Technicality," he groans as he stands up.

"A technicality is still a win," I gloat. I roll over onto my back and stare up at the ceiling. "Who is it?"

"It's your boyfriend," Chris teases.

"My abusive boyfriend," I snort. "What does he want?" he puts his finger up in a gesture to wait as he answers the phone.

"Hey man, what's up?" I mouth to Chris telling him to put the phone on speaker. He glares at me and mouths 'nosey,' tapping himself on the nose. I sigh dramatically and wait. "Yeah, I'm just at Jordan's house... Uh huh. Yeah. No, I'm spending the day with -" Chris sighs in frustration. "I'll ask her." I perk up. "Do you want to get pizza with Josh?" my eyebrow raises in suspicion and look Chris up and down. He rolls his eyes. "He only wanted me to come but I told him I'm not leaving you and so he's extending the invitation."

"Does he promise to be nice?" Chris puts the phone on speaker.

"Josh, do you promise to be nice?" he asks. There's silence before Josh laughs. A smile tugs at my lips, though I'm not sure why.

"Yes, Chris, I promise to be nice to Jordan." Chris looks at me, waiting for my response.

"Fine," I sigh dramatically. Chris smiles and gives me a thumbs up.

"Niiice, see you soon." Josh hangs up. A silence hangs between Chris and I. He sets his phone down and looks at the ground, twiddling his thumbs as if he's nervous, like he's about to say something he shouldn't.

"He doesn't hate you, you know," he says. I look up at him, but he doesn't meet my gaze. "I'm... I'm sorry, for... betraying you so often when we were kids." This takes me by surprise. Chris had changed, being kinder to me as we grew older, but I never expected an apology.

"I forgive you, Chris," I smile and stand up, giving him a hug. He hugs me back tightly and he lets out a breath he had been holding. "Don't apologize for Josh, though. He's not sorry."

"Still, Jordan, I meant it," Chris takes a step back, putting his arms to my shoulders and bending down slightly to look me in the eyes. "He doesn't hate you." I didn't know what to say.

"Chris, I don't know what to say to that."

"You don't have to say anything. Let's just go get pizza. It's within walking distance."

"But it's cold outside."

"You have a coat." I groan dramatically as we start to leave, grabbing my coat.

---------

Chris opens the door for me as we walk into the pizza joint Josh had told us to meet him at. It was a homey, diner-like place with booths lined up against the walls for seating, bar stools at the bar, and a few circular tables for larger parties. In front of the bar was a sign that read 'seat yourself.'

"Looks like we beat him here," Chris mumbles. "Where do you want to sit?"

"A booth, by the window." I answer, walking ahead of him to take a seat at an empty booth near the back. Chris sits across from me and I furrow my eyebrows.

"What?" He asks. I don't want to tell him I'm worried Josh might sit next to me, so I shake my head and tell him nothing. A waitress comes to the table and lays a menu down. "Oh, we'll be a minute, we're waiting on somebody."

"Okay, hon, sure thing," she winks at Chris as she walks away. Chris shrugs off his thick coat to fall around his waist.

"Bro she wants you so bad," I say. Chris sighs, but he's smiling. "Hubba hubba." It had been an inside joke since our teenage years that every waitress or waiter wanted him. Of course, they didn't usually wink.

"Dude, guaranteed wife." He says, running his fingers through his hair dramatically, shaking his head. Suddenly the seat next to mine sinks, someone taking a seat next to me. Chris's eyebrow twitches in surprise and amusement.

"Hey, fellas," Josh grins, rubbing his hands together. "Pizza time? Did you guys order?"

"No, we waited for you, dude," Chris says. "I'm thinking just pepperoni, personally."

"Can we add some bacon on this bad boy?" Chris agrees, and both he and Josh look to me for an answer. I glance at Josh, who is staring at me rather intensely and gulp.

"Yeah, that sounds good." I smile. Josh tilts his head as if to see my face better and I feel my face grows warm with confusion and embarrassment. I ignore him, though I can tell he notices my flustered state by his wicked grin. I look at my cousin across the table, and his expression is that of surprise and curiosity. The waitress comes back, and we order.

Josh and Chris talk about the lodge. Past years, plans for this one. I feel a tinge of nerves and excitement. Everyone included talks so much about it, I don't know if I've ever done anything so hyped up. I'd never been to any huge events before, nor small, fun sleepovers with anyone other than Chris.

"So, Jordan," Josh snaps me out of my thoughts, bumping into me with his shoulder. I look at Josh, keeping my head tilted down shyly as I look up at him. He looks back at me, and I can see something in his expression I can't quite name. "Do you drink, or are you lame in that aspect, too?" He laughs and bumps me again. I frown.

"It's not my thing. I don't like being... Compromised?" I furrow my eyebrows, trying to find the words to explain myself. "I don't... I don't want there to be any opportunity for me to be taken advantage of in any way." There's many meanings to this for me. Someone could easily pull a cruel joke on me, film me vomiting and post it online, take me to the bedroom. Josh's smile fades.

"Is there anyone in particular you don't feel safe around?" He asks. I see Chris's eyebrows raised in surprise as he listens in, his eyes moving between Josh and I quickly as if anticipating what would come next. I'm surprised, too.

"What do you mean?" I ask, shifting in my seat uncomfortably.

"If someone is making you feel unsafe they're not invited." Josh states. His eyes are widened slightly and He's staring at me with an intensity I've never seen before. He's dead serious. I scan his face quickly. "Just say the word, Jordan, and it's done." I gulp.

"I-"

"Here you go, kids. Pepperoni and bacon, fresh out the oven! Be careful not to burn yourselves," the waitress says. She's very peppy and beautiful, a heavyset woman with curly brown hair draped over her shoulders and lipstick that was much too red for most, but perfect for her. We offer our thanks as she walks away. I glance back at Josh, who seems to have completely forgotten the intensity he was just showing me at the mention of my discomfort. Chris looks just as surprised as I am.

The pizza looks and smells amazing. The pepperoni was still sizzling, the grease popping. Chris, Josh and I are drooling and I realize just how hungry I was. It seemed torturous now to have to wait for it to cool down to avoid injury.

"Anyways, Jordan," Josh starts. I look at him again. "You don't have to drink, or whatever, even if it does accentuate your... your lameness." I frown again. "But no matter what, if anyone makes you feel unsafe please let me know... I've got no tolerance for that sort of thing."

"Do you promise not to prank me over the trip?" I ask, moving so that my body is facing him as much as it can in the booth. He does the same, straightening his posture as our knees touch. He doesn't move away from me.

"What?"

"Because that's my biggest concern, Josh, honestly," I admit. He seems taken back, glancing at Chris as if for help. "I don't want to wake up with my mattress in the woods or with a snake in my bed or rats in my coat pockets." I try to sound stern. Josh makes eye contact with me and doesn't look away. I almost shy away, but I hold. His eyes scan my face, for what I'm not sure. But it makes me nervous.

"Guys, you're freaking me out," Chris gulps. "Can we please just eat the pizza?" Josh's lips form a thin, straight line and he sighs, finally looking away from me.

"If it would make you feel safer and more comfortable and have more fun," Josh starts, placing his right hand over his heart and raising his left. "I will not pull a single prank on you." Chris's jaw drops. I open my own mouth to say something, and Josh puts some pizza into my mouth. It was hot, but just cooled down enough to eat. "Now eat." His face is darker, a light red dusting his cheeks. As I take the pizza from Josh, Chris and I lock wide eyes, the both of us shocked.

"Thank you," I say. Josh shrugs, his expression one of frustration and mild embarrassment.

"Yeah, whatever. Don't think too much into it," he sighs, his head turned away from me in an attempt to hide his expression. "Just don't want you to freak out and ruin the mood for everybody else." Instead of my normal frown, I smile to myself. This time, I had the feeling that he really was just trying to hide that he cared about me just a little bit - even if it was solely because I was his best friend's cousin. The number one sign that this was the case was still evident as I glanced under the table at my thighs.

Our knees were still touching.

-----------

Hey y'all, thanks for your patience waiting for the update. I work a LOT and on my one day off I'm busy, too. I try to have at least 3k words per chapter, so it takes a bit longer. Anyways, thank you!

Taglist: @sc4rrc @mattymxmo @cellyx33 @jenepleurepasbaby @kalynnjonas @spinback-kiva @frankcastlesvest

[girlfromthecrypt]

I haven't posted to this account very much (or at all, really), so I figured I'd update you guys on the state of Such Happy Campers and Press Play. I don’t want to talk about the incident that led to me putting SHC on ice because it still rather upsets me, but honestly, I think it was a good decision. I was grieving the “loss” of SHC for a while, but I can't help but believe I made the right call. Continuing on under the circumstances would have drained me and likely taken me right down the road to writer's block.

Furthermore, and in hindsight, I find writing Press Play a lot more fulfilling right now. All my life, I've only ever written horror, so Press Play has been a wonderful breath of fresh air. It feels cathartic writing about struggles I myself have experienced, and it’s so easy to write about music. I love music so much, and I didn't realize how fun it could be to combine this with my passion for writing. You might have been able to tell from the sheer difference in word count between Press Play and SHC, but it's been so much easier working on this somehow. Also, I do believe SHC wasn't all it could have been. I only want to put out my best work, and I don't think SHC was quite on par with Press Play.

But what about SHC, you may wonder. Or you may not, but I'll address it anyhow. I have recently had an idea for what I might turn the original SHC into. It's only a vague outline right now and I won't turn it into anything more until I'm done with Press Play (I have learned that I can't really write several IFs at once, I'm not C.C. Hill), but I figured I'd let you know that the SHC characters aren't gone forever. My idea would involve the entire SHC cast, though some names/appearances/personalities may undergo changes. Also, I might exclude Anita because she was, admittedly, my least favorite to write and might not fit in with the new setting. Other than that, the IF would explore an interesting alternative to the SHC narrative— for example, the character equivalent to Basil Laurier would actually be a practicing lawyer in this one. Another prominent change would be the inclusion of Sawyer Wright-Garcia as a full RO. They’re the only one I actually have a clear mental image for as to where their story would go, and it is… nuts.

Without spoiling too much, the plot and setting would be very different. It'd be horror, except it'd start out very unassuming, light-hearted and sitcom-y, only to then spiral. I feel like I'd enjoy causing that kind of whiplash. Anyhow, that's that. I hope that if you liked and perhaps miss SHC, this post helped at least a little bit.

[edges-of-night]

OMG YIPPIEEIE YOU'RE BACK🎉 you're one of my favorite Lotr blogs ever❤❤❤ hope you're having an absolutely wonderful day❤

You know when there's a short character that's comically strong? Could you do the characters of your choice reacting to a short reader just tossing them over their shoulder like it's nothing? I'd think it'd be a little funny

Thank you very much, nonnie! I hope you’re doing well, too. I picked six characters which I think would be the funniest for your prompt!

Also: I’ve decided to introduce a “humour” tag! And a divider, perhaps? What do you guys think? Anyways, have fun reading!

･ﾟ✧ Boromir.

When you pick him up, Boromir is so stumped he cannot speak. How could a small person like you be so strong? Did you practice dark magic? Have you been bonded to the enemy and only now shown your true colours? It causes him quite a dramatic headache. He would stay up late by the fire to stare into it and question your relationship. Once he realises nothing had changed – you’re still yourself after all, always have been! – he would grin and exhale in relief (but still probably ask you to not do that again).

.

･ﾟ✧ Éomer.

You probably won a bet against Éomer, that’s why he lets you throw him over your small shoulders in the first place. He expects to hate it but actually has a lot of fun being carried around like this. The two of you would often joke about how you could become his horse (or rather: pony) and use your strength to win many bets and free drinks among those who haven’t heard of your power. Additionally, Éomer would invent legendary stories to tell about you at drinking sprees. His fun would only be over when someone would ridicule your height – then it’s time for a brawl.

.

･ﾟ✧ Éowyn.

When you first threw Éowyn over your shoulder, she protested like a dragon, so you let her down again quickly. But as time passes, she grows accustomed to the thought of being carried by someone she loves so deeply – just maybe not over your shoulder, but bridal style through the halls of Edoras. She would also carry you in return, needless to say, though she would often blush when asked about it. But she would always defend you against bigots! Sidenote: Éowyn loves your standing on your tip toes to kiss her ♡

.

･ﾟ✧ Gimli.

You and Gimli vow to never speak of the day when you effortlessly carried him all the way back home over your shoulder. Though it fractures his Dwarven pride, Gimli is impressed with your strength. After all, he was wearing his heavy armour as well as his helmet and axe. Secretly, he would think back fondly to the instance. Still, the principle remains: “No one tosses a Dwarf over their shoulder!”

.

･ﾟ✧ Haldir.

You wouldn’t have carried Haldir all the way back to Lothlórien if it hadn’t been absolutely necessary. But he was unconscious, so you had no choice. Other Elves of your party had volunteered, but you were quicker than anyone else (and also untiring). Every single one of you swore to never speak of this again, though you now do share a great insight joke to rile dear Haldir up more than you already do. Needless to say, he would never suspect you tiny little thing were the main culprit!

.

･ﾟ✧ Legolas.

Being the Elven prince that he is, Legolas likes being carried around by you (and the scandalised faces of other people) so much that he would pretend to be fainting or otherwise stricken so that you would pick him up again. He is very playful about the entire thing, throwing his long arms around your neck and kicking his legs like a damsel in distress. He would also retort to your massive strength to threaten people, should the need arise…

[nouvxllev]

closed-door policy

Pairing: Wednesday Addams x Fem!Reader

Summary: There was a silent agreement seemed to form, a 'closed door policy' as Wednesday described when you brought it up abruptly. In the crowd, there were stolen glances, fleeting touches, and moments that hinted at something more. Nights were the hardest. You find yourself begging and succumbing to Wednesday's words, her touches, her glances, her kisses. But you knew the barrier; the barrier between friendship and lovers. You knew the both of you were far from it.

Words: 3k

Warnings: mentions of blood, near-death experience, intoxication/alcohol/drugs, angst, damn sexual tension, fwb typa story

a/n: first story to start off the year, happy new year everyone!! but this probably isn't the ideal story you'd read for the start of the year

part 2 || masterlist.

You sat there, silent. The first thing you heard was the rapid beating of your heart, the relentless ringing that could only be assumed as background noise. Not once in your life did you feel glad you heard the sound of your own body. The world drafted into something of a void, your vision impaired and your head became a haze. Accidentally intoxicating and cutting yourself. What a lame way to die.

You stared at your palm for a while.

Holy shit, this isn't yours.

The hand trembling before you was, of course, yours, yet the grazed and dried blood etched across your palm, racing through the cracks of our flesh, the sweat, rain from above, and blood seeping into another will never be.

You've always wanted to do something where you'd say your last words before you eventually meet the strangle of death to someone close to you. Or maybe someone who's in near-vicinity of you.

With the little willpower you had, you reached into the back pocket, pulling out a battered phone. With a deep breath caught in your throat, you dialed a number.

You called someone, atleast, someone who you think gives a single shit about your well-being before the world turns black. Someone you loved.

"Willa?" you choked, a strange wince in your voice.

------------------------------------------------------------------------------

You knew Wednesday wasn't one when it came to technology, actually, she's far from the target audience. Chances of her answering a phone call were slim, even if she were now owning a phone this semester. If not in a wild murder chase, fencing, or the bee-keeping club, she spent every waking moment at her workspace, the phone either tucked into the slit of her pockets or lying close by. DND, silent, volume low, nothing. You were risking your last breath for a voicemail that will never reach her.

But you were thankful she answered anyway.

The last breath you take is almost as important as the last sound you hear. A recollection, you'd say, if anyone tried to question. You had that in mind when you pressed her number, wondering if she'd answer anyway. She gave you exactly 2 seconds before she answered, only 4 seconds away for her to call out your name, and your world to close.

You'd like to think in the last few moments, Wednesday was playing her cello. You couldn't hear it, given the fact how far you were from Nevermore. But it was the same symphony you memorized in your head, the same symphony that you once hated with a passion when you first roomed with Wednesday—the perfect chords she'd play, the constant flipping of notes from her appendage, the graze of her bow against the strings, how you could see the intensity in her focused eyes as you closed yours. Back then, you despised every aspect of it, how you were always awake when she played the cello when you wanted to go to sleep. Now it became something you were humming in your head, hoping it'd keep you alive like how it always kept you awake when you wanted to sleep.

Wednesday had a change of heart when she saw your caller ID. Without a second thought, she abandoned everything down to her writing time and cello to rush through the door in the dead of night. Rain poured outside as if it was the purge in the skies, but she didn't bother changing into something decent. She needed to find you, she needed to find you in a condition that wouldn't keep her up at night. The thought of you, possibly lying half dead consumed every inch of her, leading her to spring through the woods under the haunting moonlit sky. Or, that's what you would like to believe.

There she found you near a tree, your legs splayed and your head hanging heavily over your shoulders. The phone in your grasp was slipping away as your body succumbed to giving out, the dim light of the flickering screen casted on your face before it powered off. Blood stained your hands and head, and a slash that pierced through your shirt gave Wednesday the assumption you were stabbed by someone.

Finding a lifeless body had always held a fascination for Wednesday, The last moments of someone's life could only mean so much, and it meant everything to see someone die in their own flesh and bones as the glint in their eyes faded away for Wednesday, and it would only be better if she was the cause.

But finding in you in the state you were in, realizing that you were now someone dying in their own flesh and bones, left to rot abandoned in a forest by all, Wednesday could only pray to whatever fucked deity that led you into this fate to have mercy on you, hoping that your heart would still beat as she picked you up from death.

------------------------------------------------------------------------------

By the time your eyes started to open, you could only think you made yourself through the rings of hell, a pat on the back you gave to yourself. Before finding out you were back in Ophelia Hall, the dorm you and Wednesday both shared.

You couldn't remember anything. Just how you were sitting near a tree, humming a tune you wouldn't forget even if you died, not even thinking once how your blood got mixed with someone elses. All you do remember is attending a party in the middle of the woods and that's it.

A reckless, foolish, heedless rogue.

That's what you were.

Or atleast, in Wednesday's terms.

You're pretty good you could say to yourself.

The tree you had been near was replaced by the headboard of your bed where Wednesday and Thing were diligently tending to your wounds, with a particularly nasty slash that crossed your entire abdomen. It's a surprise how you weren't dead by now.

A groan escaped your lips as you sat on the bed, absorbing Wednesday's scolding about your 'idiotic recklessness that couldn't be detained even if the leash with great resiliency were to be in her hands.'

"Ugh, chill out Wends. I still have enough blood in me to last maybe a few years. Just let it pour out."

'You're pretty calm for someone who lost a ton of blood and is still bleeding by the minute.' The appendage on your lap signed as he lifted up the cloth that was bloodied red at this point.

Wednesday found herself back in your bed carrying a medkit and some supplies she hid under the table. More specifically just some torture tools she had in hopes of torturing someone this semester. "I should have left your lifeless body to rot."

You chuckled, "'Tis fine, not that deep anyways." You were preparing to lift yourself up to adjust yourself from the uncomfortable position you were in, considering that your head was hunched over than normal, but Wednesday's glare warned you against any movement. It's like wrong twitch, and she seemed ready to take away your ability to move altogether.

"Why didn't you carry me to the clinic?"

"The school clinic is closed for the night," Wednesday replied, opening the kit to pull out a pair of scissors, tweezers, and threads. "You should thank the spontaneous timing you have on death."

"Then why don't you call an ambulance?" You eyed how Wednesday fixed herself onto you, your line of sight following her gaze. Seeing how a single glare from her automatically made you think to lie down without being told to.

"Your soul would've passed by the time they've arrived."

You raised an eyebrow, a smirk playing on your lips. "I thought you liked seeing people die. Change of heart?" But then that smirk eventually faded away and replaced with a wince when she pierced the clean part of your skin to thread the needle.

She shot you a withering look, then turned her attention back to cleaning and dressing the wound. She didn't answer immediately, what she was thinking was unreadable, even for you. "Foolish of you to mistake this for compassion. I'd rather not deal with the mess of explaining why there is one less head amongst us."

You couldn't help but chuckle at her matter-of-fact response. "Ah, the inconvenience of your roommate's dead body. I appreciate your utmost concern, Wednesday."

You want to believe you and Wednesday are on the best of terms. After all, she is tending to your wounds and giving a talk that isn't limited to one sentence. Or atleast that's what you want to believe. You knew above all else she'd go to lengths to manipulate someone to get what she wanted, so why let your guard down now.

But there was that thing. If letting your guard down is what it takes to be noticed by Wednesday Addams, you wanted to get manipulated by her. Even if it's one-sided.

You loved her.

"Why did you request my presence?" Wednesday started, her eyes still focused on the large cut you had.

"You mean call you?" You winced as she continued stitching, the throbbing pain from your chest coming back to haunt your nerves.

"Yes. Of course, call me."

"Dying's too easy Wends. One fucked up shit you do to your body you're—" You blew a raspberry, seemingly to mimic an explosion, a combustion of sorts. Which, of course, earned nothing from Wednesday. If you were sitting up, you'd see an unimpressed look on her face by now.

"I wanted to live for you, Willa. But even if I did die, atleast I spent the last moment calling you. Even in death, I couldn't escape the music of your cello."

"...I assume you are intoxicated up to this moment." She stitched up the last piece of skin and tightened it while wrapping your chest up with gauze.

'Did it not wear off?' Thing signed before Wednesday requested him to go fetch water and draw a bath.

Wednesday now regretted how she ignored you when you shared you'll be going to a party held up by the stoners. How it'll last up until midnight, and how she didn't tell you that it'll likely be some fraternity party that they just let anybody go, even if you weren't a part of it.

She thought you'd just be in there for a little while, considering how you weren't big on parties, you were just someone who wanted to join for a little bit and then eventually dip if things got worse. But she didn't expect this to be the outcome. By the look of your state, and how fucked up your mental state was judging how you talked, and how you often slurred your words, she could only assume someone either spiked your drinks with a shit ton of drugs or someone forced you to take some while being under the influence of alcohol then took you out into the woods for whatever reason.

Wednesday tucked her hand under your head and then pulled you into a sitting position, her dark eyes flicking up to meet yours. The unimpressed look on her face softened for a moment.

You took notice of how her eyes softened, or maybe it was just you and the drugs talking in your head, but there was definitely something. After a painful stitching process on your chest, she was now tending to your wounds on your skull area, not that much, but you knew your head was slightly bleeding and how you definitely got a blackeye, considering how closing your eyes burns like hell.

"Living requires more sacrifice than dying." Wednesday started, her voice being something that lifted the weight on your shoulders.

You chuckled weakly, the pain in your chest now drowned out. "Guess that's why it's so easy to do, and how some would like to." You studied her as she spoke, your voice seemingly getting quite as your gaze began to drift off somewhere else.

"How it brings me peace," You started, and even from here, or maybe just because you were under the influence, you could see Wednesday trembling. "How it erases my problems, how it erases me out of existence." You voice dwindled into a whisper, a breathy sigh left you.

"How death was the only way to get your undivided attention." Your eyes gaze over Wednesday's lips before going over to her eyes, to your surprise, she was leaned back, her usual stoic expression wavered and her jaw was clenched.

A flicker of something, maybe amusement, crossed Wednesday's features. "You have an uncanny way of getting what you want."

You chuckled weakly, the pain in your body forgotten and replaced with something burning inside you. "I just wanted your hands on me, Wends." Not something you'd say after going through a near-death experience, but it was partially true.

She met your gaze, her dark eyes meeting yours, who just wanted nothing but love. Her hand moved to gently cup your cheek, her thumb tracing a delicate pattern. "There are better ways to make me notice you." She murmured, a breathy voice you never heard from her before, her eyes searching yours for consent before her eyes flicker to your lips.

You closed the remaining distance. Your lips brushed against hers, a soft, lingering kiss you placed onto her soft ones. Wednesday responded, her lips parting slightly, deepening the kiss.

You could feel the softness of her lips, the warmth of her breath mingling with yours. Her fingers traced a slow, tantalizing path down your neck, sliding her hands around you and pulling you closer, but careful enough she didn't bring back that agonizing pain in your chest.

Every touch, every moment, everything that made Wednesday her at this moment made your world fade away. The warmth of her body against yours sent shivers down your spine, and you could feel her hands gliding across your body while you sat there, letting her own you in every way possible with just one single kiss.

The taste of her was intoxicating, intoxicating enough that it just might bring back that feeling of numbness and ringing in your ears, the idea of luxury was something more, something like her lips onto yours. Your hands found their way to her waist, your fingers tracing the curves of her body as you deepened the kiss.

When the kiss finally broke off, you found yourself breathless and wanting more, hunger reflecting in your eyes. Wednesday's gaze lingered on yours, and never once did reality hit you more harder than you thought.

Holy fuck, you kissed Wednesday Addams.

If you weren't dead that time in the woods, you were certainly dead now.

"Oh God. Oh shit, Wednesday, I'm so—I'm so sorry. I'll just—actually, I'll just room with Enid and Yoko for the whole semester, okay? Okay!" Panic laced your words as you fumbled across the bed, "Good—fuck that hurts!"

You winced as you tried to get up, the pain shooting through your body. Wednesday's hand gently pressed against your shoulder, halting your attempts to escape. "Sit down, y/n" she commanded, her tone surprisingly gentle.

"Stay," she commanded, her voice low and steady. Damn were you a dog or something? There was a glint in her eyes, something you could only mistake as someone in love with you too. "Apologies are unnecessary."

You hesitated, caught between the urge to escape the situation and the magnetic pull of Wednesday's presence. "I just... I didn't mean to overstep, I—"

Wednesday silenced you with a lingering gaze. "I assure you, you are far from overstepping," she stated, her tone unwavering. "In fact, you have my attention. For the record, I do not want you rooming with Enid and Yoko."

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Everyone knew you as the unlucky girl to receive a dormmate like Wednesday Addams. Considering all the rumors going around, how she keeps secret arsenals in the fabric of her clothing, the maybe-not-so-empty-50/50-threats and her aura in general made everyone fear her.

But honestly, you found that utter bullshit.

That's why you couldn't help but laugh and send a nonchalant "It's fine" when people ask about your mental state rooming with Wednesday Addams, and how people crossed the hallway just to avoid passing by your room. Well, probably since all the rumors were true, and the fact that she was scary as fuck was definitely true.

"New rumor in town saying you've got a pet spider that guards the entrance of our room," you mentioned, entering the room after your club and classes ended, wanting nothing more than to see the goth girl that everyone feared.

Wednesday glanced up from her book, a dry tone leaving her lips. "Humoring. Unfortunately, I left my pet spider back at the Addams Estate."

Actually, back then, you were one of the people who were terrified of Wednesday Addams. The first time you entered your dorm when you transferred, you had a knife shot at you, slightly grazing the side of your neck. But every now and then, you found yourself warming up to her. Why? Even you didn't know. Something about her, something about her coming every late at night after a wild murder chase, something about her playing her goddamn cello and spending every living day on her typewriter, just something about her made you insane.

Wednesday's gaze held yours for a moment, the intensity of her dark eyes softening. "Maybe you're just not easily scared."

"Or maybe I've just had the pleasure of getting to know the real Wednesday Addams," you replied with a grin.

The weeks that followed the near-death experience you had held a strange tension between you and Wednesday. The both of you fell into a routine where the both of you would wake up, pretend nothing happened between the both of you, and go to classes, and when it ends, it'll be like a flick of a switch where you two would eventually find eachother in eachothers pants.

There was a silent agreement seemed to form, a 'closed door policy' as Wednesday described when you brought it up abruptly. In the crowd, there were stolen glances, fleeting touches, and moments that hinted at something more. Nights were the hardest. You find yourself begging and succumbing to Wednesday's words, her touches, her glances, her kisses. But you knew the barrier, the barrier between friendship and lovers. You knew the both of you were far from it.

But that was what you wanted, right?

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a/n: part 2 soon???

[semiweirdshipper]

Slashers as dads. (Extending the addition).

So I've been thinking about other slashers that I could write as fathers. And this is just a little list of ones that I've chose and how I feel about them. Usually for the slasher dad drabbles, I like to include at least four slashers. Freddy, Michael, Bo, and Hannibal have been my primary picks so far- and I write them in canon-divergence so they're portrayed as good guys. Now...

Let's talk about who else is fit to be a dad.

Jason Voorhees

I feel like it goes without saying that Jason would be a remarkable father figure. He's strong, protective, compassionate, loves nature, is nice, ect... If we altered his universe a bit and turned him into a good guy, I think he'd be the best father figure yet! I'm already thinking about scenarios where he teaches a child reader how to swim and stuff.

Bubba Sawyer/Thomas Hewitt

So I struggle a bit with Bubba mainly because he can't talk and, frankly, I'm not even sure if he can write. Children take after their parents, and I'm not gonna write a child reader squealing and huffing like he does. That's why I have such a difficult time with deciding what I could do to make him a good father figure. And it's not just his inability to talk, it's also his intelligence and the condition he lives in. My father figures have to have suitable jobs and living conditions. I'm not sure what I could do to make his situation better, you know?

As for Thomas Hewitt? I've never seen a movie with him, so I don't know anything about him, his speech, intelligence or living conditions. I was hoping maybe someone would explain it to me, please?

Weirdo demon people like Pyramid Head, Pinhead, Pennywise and Chucky.

Now, I don't see any of these characters as fit to be a father figure. However, I do see them as fit to be a 'friend'. Let's say a child reader is feeling lonely, scared, sad or neglected, and one of these guys shows up to make them feel better, take them on an adventure, or so on and so forth. I think that it could be it's own special kind of drabble sequence- not necessarily father figures, but more like 'friendly monsters'.

Evan MacMillan

The one character that I turn into an overworked dad in a lot of my stories, lol. I think Evan would make a great father figure. With a little bit of canon-divergence, it'd be easy to give him a suitable home and job. As a father, he'd be one of the best.

Albert Wesker

With A LOT of canon-divergence (and extreme patience and determination on my end), I think I can turn prince blondy into a father figure. It's going to be rough and I'm going to alter his personality a lot, but I can make it happen. If given the chance, I know that Albert can be a great father figure too.

Karl Heisenberg

I need to ring my memory up on this guy, but from what I remember, he's decent. I've actually read stories where he adopts one of the main characters, so he already has some fatherly traits without even needing any altering. But obviously I'd give him some canon-divergence anyway. Not everything about Karl is perfect, but I can see him being a good father.

Writing Vincent or Lester as the father instead of Bo.

This idea would be easy to do since I already write Bo as the father figure in my primary drabbles, but I've often wondered what it would be like to change it up a bit. Either Vincent or Lester would make good father figures. It kind of just depends on future plot that is used.

I need a little bit more time to think of other Dead by Daylight characters who would make good fathers, because I'm actually struggling a bit with it. But other than that, thank you for taking the time to read my notes! I don't know what the future holds, but I'm hoping that one day, all these characters and ideas will be part of it.