#(( the snake devours its own tail

[flickerintwilights]

on the road to hell

[royalreef]

@howljock​ inquired: Head Canon  + insecurity Headcanons - Accepting

(( Miranda kind of fundamentally hates herself.

It’s not like she lets anyone know or wears it on her sleeve. After all, she’s still a princess and still with an ego to match, so if you asked her, she wouldn’t describe herself in those terms. Miranda doesn’t even think of herself as the type of person who hates herself, and never uses those terms with herself unless she’s deep into a particularly bad episode. If anything, Miranda refers to herself and thinks of herself in terms of grandeur, constructs the image of herself as self-aggrandizing and perfect in all ways.

In fact, all of this thought of herself as someone who is perfect and great and flawless is what enables her self-hatred, or even becomes just another aspect of it. She acts differently than how she actually, concretely feels about herself, because doing so allows her to ignore and hide how deeply dissatisfied she is with herself. She doesn’t have to interact with nor acknowledge how actually upset she is at being who she is, if she simply convinces herself that it’s not there, and even pointing out the existence of that self-hatred is making it true.

Very simply, Miranda’s self-aggrandizing is what she thinks she should be. She should be a perfect, flawless princess, she should be confident in herself and assured in all that she does. She should have all of this power and self-worth and be wholly unchallenged in that. One single flaw in that image, one single moment of her being revealed to not be that kind of person, and it sets off a cascade where none of it is true. She will not reveal that she doesn’t like herself or even despises herself, because that alone validates all of her self-hatred and sends her back into a spiral.

She hates that about herself. She hates that she’s not living up to her own potential, she hates that she has flaws that can be exploited and exist at all, she hates that she’s not who she says she is and who she’s desperately convincing herself that she is. Everything about Miranda both is and isn’t an insecurity, because they are insecurities so deep and painful that she’ll refuse to engage with them at all. If other people think she has ego problems, if she thinks she has a big ego, then it’ll have to come true.

Miranda is a person who is constantly putting on an act in every regard in her life, because simply being in any way that is not wholly what people expect to see is dangerous and potentially lethal to her. She cannot reveal her true intentions, she cannot tell the whole truth, she cannot let someone see who she really is, because that’s not the nature of the play she’s been born to act within. If one thing falls, everything else does as well.

This combines badly with her life on land. She cannot tell someone that walking around bipedally so much hurts her, because that would promise that she can be hurt. She cannot tell someone that she feels like a perpetual outsider amongst even her own friends, because then she would be an outsider. She cannot let anyone know that she feels deeply dissatisfied with her own life, because that would mean that there’s something wrong going on. To look it in the eye is to make it real, even if it’s a fairly simple and fixable issue. It cannot be a simple problem, because Miranda is not supposed to have simple problems. She would sooner sit in the flames and be consumed by them than to acknowledge their existence and all that they’ve destroyed. Pain is easy, but exposure is unthinkable.

Miranda can’t tell people how much she hates herself, or doesn’t want to live the life she’s supposed to have, or doesn’t want the body she was born into, because then it’s real. If she acts like she’s madly in love with herself, and willingly chose this life for herself, and that everything about her is the epitome of perfection, then it becomes closer to the truth, or at least prevents anything else from being real.

In truth, Miranda’s a bundle of insecurities and fears, yet acts like she’s everything but. If she can convince herself of this, then she can convince the world, and that’s basically the same thing as it being true.

[ramshackledtrickster]

Day 26: Symbol

“Were we not meant to live in peace, then? Is that it? Are we born to argue? To fight?”

I picked the oroboros/self devouring snake as the symbol bc of its thematic ties to ac3, with the temple key being in the shape of a snake eating its own tail but also representative of the endless war between Templars and assassins and the continuation and perpetuation of vicious cycles.

If you see this, please consider donating to this fundraiser to support a family, and remember your daily click.

[hermitshell]

Ouroboros (noun)

1. : a circular symbol that depicts a snake or dragon devouring its own tail and that is used especially to represent the eternal cycle of destruction and rebirth

2. usually ouroboros or less commonly uroboros : something (such as a never-ending cycle) that is likened to or suggestive of the Ouroboros symbol

[pinkeos]

AFAB! Neuvillette x AMAB!Reader || 18+ MDNI

Warning/s: SMUT, they have seggs in a lake

Notes: *drops this and scampers back to play swarm cause ive been procrastinating*

In a secluded lake, somewhere in Fontaine only known to two, was the Chief Justice. His horns glowed a translucent blue, tail swishing in the water as he relaxed his body.

Neuvillette seldom took breaks, often drowning himself with piles of papers, working tirelessly for the sake of his nation. However, he needed a break. He deserved a break.

And being a good partner, you decided to take him out for a late night swim, knowing well it would help him clear his mind off of his troubles. That, and you also wanted to finally spend time together outside of the very quick lunches you shared.

The surface of the water rippled when you entered, the man turning to face you with the softest smile on his face. The moon was bright and high up in the sky tonight, the way its light shone down upon your lover only made him even more ethereal than he already was.

You returned his smile, leaning forward to press a soft kiss on his forehead while he instinctively wrapped his arms loosely around your neck. You felt him shiver in your arms at the way your fingertips gently traced his spine, going down until your hand settled on the fat of his ass, earning a gasp from your beloved.

“You look so perfect.” You murmured against his cheek, placing kisses against his cheekbone, adding with a chuckle, “As you always do.”

Neuvillette smiled, “You flatter me, my love.”

Your kisses on his cheek traveled downwards, reaching his jaw and then his neck. In compliance, the white haired man tilted his head to the side, giving you more room to place loving kisses on his skin.

He could feel your hands roaming his body, groping, caressing with adoration. You’d been intimate with him a number of times, but nowadays, with the sudden rise in the number of cases he had to deal with, you could only sneak in a few kisses and sometimes make out that would ultimately be cut short due to his busy schedule. He sighed in pleasure, slowly feeling his knees grow weak at your affectionate touches.

Your naked bodies pressed against each other when you pulled him closer to you, the water flowing softly at the sudden action as his tail wrapped around your waist. It was quiet, with nothing but the sound of nature surrounding the both of you, coupled with Neuvillette's whines when you nipped on a sensitive spot on his neck.

“It’s been so long. I need you, sweetheart.” You groaned into his neck, snaking a hand between the both of you to take a hold of the base of your cock, inserting it in between his plush thighs to rub against his throbbing pussy.

The Chief Justice whined, hand coming up to hold onto your bicep as you continued grinding, your length rubbing against his folds, the veins stimulating his clit just right, “Then— ahh!— t-take me.”

You didn't need to be told twice, really. Your hands immediately grasping his thighs, mouth devouring his own with a sense of urgency, so thirsty and deprived of him. His tongue danced with your own, his hand running through your hair while the other held onto your shoulder as you wrapped his legs around your waist.

“Mm!” He whined into the kiss, feeling your fingers rub his nipple, twisting and pulling. The stimulation along with your tip pressing and teasing against his clit drove him nuts.

You pulled away from the kiss, panting as you caught your breath, staring lovingly into his eyes while your hand guided your dick near his entrance, pressing into him slowly. The man’s lips parted, forming a small ‘o’ at the sensation of the stretch.

He could feel your eyes linger on his face, intently watching to see if he was in pain. It was a simple action, but it did make his heart flutter with how attentive you are. As much as you wanted to pound into him with everything you have, especially with how good he felt around you, you still prioritized his comfort and feelings first. You weren't going to lie, though, taking the hydro dragon in a secluded lake was hot.

“You feel so tight.” You grunted, slowly grinding your hips against him as you waited for him to fully adjust.

With red cheeks, Neuvillette buried his face against the crook of your neck, “I-It’s been a while…”

A smile spread across your lips before you drew your hips back until only the tip was left, and thrusting back into him. You kept a steady pace, eyes closing and eyebrows furrowing as his warmth clouded your head, feeling nothing but his walls clenching around your cock.

“Mmm-ahh! Aaahh! F-faster… go faster…” He whispered through pants, gritting his teeth as you placed your hands on his hips, bringing him to meet your every thrust. He could feel your tip kissing his cervix, tears gathering in his eyes at the immense pleasure.

“Keep clenching around me and I might just come inside you.” You groaned, speeding up your thrusts, your movement creating waves and splashes.

His sharp nails scratched your back, desperately trying to ground himself from the overwhelming ecstasy brought by your onslaught of pumps into his pussy, pulling at the knot in his stomach to cause it to tighten and tighten.

From the way he only tightened even more at your words, you could tell he wanted it. He wanted your cum to paint his insides white, for you to breed him without a care in the world.

Neuvillette tilted his head upward, hearts in his eyes and tongue lolling out. He looked adorable like this, all dumb on your cock.

Without warning, his eyes widened, a loud gasp falling from his parted lips as his legs shook, hold on you loosening as his climax tore through him, his pussy spasming. You had to hold him tighter, making him lean against your figure as you continued to chase your climax.

“Cum… inside me.” He panted, biting his lower lip, “Breed me. Please, please…”

Who could refuse when he chanted and whined in your ear, meeting your thrusts and coaxing you to do as he told you.

“Fuck, that's so hot.” You grinned, finally stopping still, groaning into his neck as you spilled your semen inside of him, directly into his cervix.

He whined, ignoring the cool water the both of you were in, instead focusing on the warmth of your seed inside him.

You held him against you still, rubbing his back and placing soft kisses on his shoulder, whispering how good he was for you. He remained silent, however, and before you could ask what was wrong, you felt a drip of water against your cheek.

Slowly, droplets fell from the sky, clouds now blocking the full moon as rain took over. With wide eyes, you pulled back just enough to show him your worried face.

“My love, are you alright? Were you hurt—”

Neuvillette shook his head, nuzzling closer towards you, “It just… it felt too good.”

You worry dissipated, instead chuckling softly as you cupped his cheek, “You’re adorable.”

Ending note: i love neuvillette sm (totally didn't skip his rerun for a 4* in 4.7🤡)

[talonabraxas]

Carl Jung on “Our Uroboros.”

Prof Jung:

That is the hero again. The snake always means resurrection on account of shedding its skin.

According to an African myth, there was no death on earth originally; death came in by mistake.

People could shed their skins every year and so they were always new, rejuvenated, until once an old woman, in a distracted condition and feeble-minded, put on her old skin again and then she died.

That is the way death came into the world.

It is again the idea that human beings were like snakes originally: they did not die.

It was a snake that brought the idea of death to Adam and Eve in Paradise.

The snake was always associated with death, but death out of which new life was born.

But what is that definite symbol? A great deal has been said about it lately.

Miss von Franz: The Ouroboros.

Prof Jung: Exactly. The tail eater, or the two animals that devour each other. In alchemy that is represented in the form of the winged dragon and the wingless dragon that devour each other, one catching the tail of the other and forming a ring.

The simplest form is of course the dragon or the serpent that bites its own tail, so making the ring; the tail is the serpent and the head is as if it belonged to another animal.

The same idea has also been expressed by two animals, the dog and the wolf, devouring each other, or the winged and the wingless lion, or a male and a female lion, always forming a ring, so that one cannot see which is eating which.

They are eating each other; both destroy and both are destroyed.

And that expresses the idea that once the hero eats the serpent and once the serpent eats the hero.

You see, in these Gnostic rituals, or the ritual of Sabazios, man is superior to the serpent in a way-he makes use of the serpent.

That the golden snake descends through the body of the initiate means that the initiate asserts himself against the divine element of the snake: he is then a sort of dragon that

eats or overcomes the other dragon.

So it is one and the same symbolism whether expressed in this form or that.

In primitive myths it is usually the dragon that devours everything.

Even the hero, who by sheer luck and at the last moment succeeds in destroying the monster that has eaten him, cannot overcome the monster by a frontal attack, but he is able to defend his life and destroy the monster from within by the peculiar means of making a fire in its belly.

Fire is the artificial light against nature, as consciousness is the light which man has made against nature.

Nature herself is unconscious and the original man is unconscious; his great achievement against nature is that he becomes conscious.

And that light of consciousness against the unconsciousness of nature is expressed, for instance, by fire.

Against the powers of darkness, the dangers of the night, man can make a fire which enables him to see and to protect himself. Fire is an extraordinary fact really.

I often felt that when we were travelling in the wilds of Africa.

The pitch dark tropical night comes on quite suddenly: it just drops down on the earth, and everything becomes quite black.

And then we made a fire.

That is an amazing thing, the most impressive demonstration of man’s victory over nature; it was the means of the primitive hero against the power of devouring beasts, his attack against the great unconsciousness, when the light of consciousness disappeared again into the original darkness.

Now, in the alchemistic symbol of the two animals that devour each other, that peculiar functional relationship of man’s conscious to the natural darkness is depicted, and it is an astonishing fact that such a symbol developed in a time when the idea of the manifest religion was that the light had definitely overcome the darkness, that evil-or the

devil-had been overcome by the redeemer.

In just that time, this symbol developed, where darkness and light were on the same level practically; they were even represented as functioning together in a sort of natural rhythm.

Like the operation of the Chinese Yin and Yang, the transformation into each other, being conceived and born of each other, the one eating the other, and the one dying becoming the seed of itself in its own opposite.

This symbol of the Taigitu expresses the idea of the essence of life, because it shows the operation of the pairs of opposites.

In the heart of the darkness, the Yin, lies the seed of the light, the Yang; and in the light, the day, the Yang, lies the dark seed of the Yin again.

This is often represented in the East as two fishes in that position, meaning the two sides or the two aspects of man, the conscious and the unconscious man.

Now this preparation should make us understand the situation of the shepherd and the serpent.

What does it mean in the psychology of Nietzsche-Zarathustra that he suddenly discovers that shepherd in deadly embrace with the serpent?

He is apparently swallowing the snake, but the snake is attacking him at the same time, penetrating him.

Why such an image, or symbol, at this place?

You remember in his discussion with the dwarf just before, the dwarf was already the chthonic power. ~Carl Jung, Zarathustra Seminar

[youremyheaven]

Mrigashira: The Price of Speaking The Truth

I have been studying the themes and patterns of Mrigashira nakshatra for a while and I thought it's time I made a post about the same.

The myth associated with Mrigashira involves Daksha, the son of Brahma. Daksha organized a grand Yajna (a ritual) but intentionally avoided inviting his daughter Sati’s husband, Shiva, whom he despised. Sati went to the ritual without Shiva’s consent, where Daksha insulted her and Shiva. Sati couldn’t bear the humiliation and jumped into the sacrificial fire. Upon learning of Sati’s death, Shiva became furious and destroyed Daksha’s yajna. Yagya, the presiding sage, turned into a deer and ran away, but Shiva caught up and killed him. His head became the Mrigashira nakshatra, which symbolizes sacrifice. (there are multiple myths associated with each nakshatra and another myth about Mrigashira involves Rohini, Brahma's favourite daughter leaving heaven to escape Brahma's incestual interest in her and taking the form of a deer on earth)

From this myth, we know that making a sacrifice for doing the right thing is a theme in the lives of these natives (Yagya was only overseeing the ceremony, he did nothing wrong, he never insulted Shiva, he was just doing his job). Another prominent theme is escaping someone's wrath or escaping to seek safety.

The yoni animal of Mrigashira is a serpent.

Serpents feature prominently in many mythologies and are commonly associated with renewal and transformation.

The ouroboros represented in this picture is a serpent eating its own tail. Carl Jung, saw this as a basic mandala of alchemy and said:

"The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was the man himself. The Ouroboros is a dramatic symbol of the integration and assimilation of the opposite, i.e. of the shadow. This 'feedback' process is at the same time a symbol of immortality since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself, and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he, therefore, constitutes the secret of the prima materia which unquestionably stems from man's unconscious."

It speaks of human nature and how we must consume the opposites within ourselves to integrate into one whole being. Every nakshatra serves a cosmic purpose. Each nakshatra is a journey forward, its every step in the process of discovery. If you look at the standard descriptions of some naks, some are explicitly negative and others are overwhelmingly positive, while this is a simplistic understanding of nakshatras, it does point to how to retain balance in this universe, we need all kinds of energies, light and dark, good and bad, but every nakshatra contains within themselves these opposites, like the yin & yang symbol which shows a balance between two opposites with a portion of the opposite element in each section.

In Taoism, distinctions between good and bad, along with other dichotomous moral judgments, are perceptual, not real; so, the duality of yin and yang is an indivisible whole.

The serpent then can be seen as a representation of the eternal truth of reality, that all is one.

Truth telling is the purpose of the serpent in mythology and this is universally true across mythologies from different parts of the world.

This also seems to be innately tied to the nature of Mrigashira natives who speak their truth or make sacrifices to expose the truth. A simpler manifestation is how blunt and straightforward these natives can be.

Edward Snowden- Mrigashira Stellium in 1h (Sun, Mars & Rahu)

In 2013, Snowden revealed evidence of a shocking global surveillance programme run by the USA’s National Security Agency (NSA) and the UK’s Government Communications Headquarters (GCHQ) which have been monitoring the internet and phone activity of hundreds of millions of people across the world.

The Internet itself was allowed to spread at a magnanimous pace and reach people all over the globe because it serves the interests of people in positions of power by allowing them to track and monitor us, inundate us into a permanent state of distraction with ads and useless content, that fill the pockets of the already rich. It wasn't some lucky happenstance incident, the internet exists for a very malicious reason and if you read about reports from the 90s when the internet was still at a nascent stage you would know that many people called out this bs. In an occult sense, the internet is an all-pervading manifestation of Maya or illusion. It wraps itself into our reality and there's no escaping it, it becomes harder and harder to see the truth and most people are so completely immersed in this illusion, believing it to be real.

Like the serpent that lured Eve out of paradise, a Mrigashira native, Snowden became the harbinger of an era where we now know that companies including Facebook, Google and Microsoft were forced to hand over customer data under secret orders from the NSA. And that the NSA recorded, stored and analysed ‘metadata’ relating to every single telephone call and text message transmitted in Mexico, Kenya and the Philippines.

Several major companies including Apple, Google and WhatsApp have improved the default security and encryption provided to users. Greater consumer pressure has pushed the industry to strengthen its approach to protecting users’ privacy.

We know how algorithms work, we know that our user data is being tracked, we know why we see targeted ads. We know that most content out there is an ad in disguise. Still, we have no real choice in the matter (except maybe clicking the "reject all cookies" button lol), we're forced to stay in a state where despite knowing that something is deeply wrong with society we still have to participate in it. This is Rohini, who had to stay with her father Brahma in the celestial heavens even though he made incestual advances towards her.

In Mrigashira, the truth dawns on you and you have no choice but to act. The reason Rohini ruled by the Moon is connected to manipulation is because these natives cannot exit their unideal situations safely, they are forced to stay and to survive, they must manipulate their reality. Their freedom is curbed. Even if irl, there are no restraints, these natives feel restrained within, so leaving isn't an option for them, they stay and make things worse to cope or in hopes of changing things.

Mrigashira is Mars ruled and is the first Mars ruled nakshatra. Mars is all about taking action and marching forward. The truth can set you free only if you let it and Mrigashira natives deeply understand this. They are determined to remove themselves from these circumstances and stand in their truth. It may not always be literal but this pattern of setting boundaries, establishing a distance between what is "false" and what is "true" is deeply tied to the nature of Mrigashira.

Snowden sought asylum in Russia where he lives to this day. Being in exile or having to escape your home is also Mrigashira coded simply because the home is a toxic/unsafe/unhealthy place for the Mrigashira native to be. I have talked about it before but Mrigashira is connected to the story of Rapunzel.

Naomi Klein, Mrigashira Moon is an author, social activist, and filmmaker known for her political analyses; support of ecofeminism, organized labour, and leftism; and criticism of corporate globalization, fascism, ecofascism and capitalism.

Her book No Logo which came out in 1999 is a landmark book that exposes the evils of corporate globalization and franchises and how the Global South are being exploited to fatten the pockets of companies in the Global North. It greatly expanded the growing anti-capitalist consciousness and anti-corporate activism in the decades since. Here's a video where she explains her research. Its chilling to think this was made over 2 decades ago considering how all these things still persist in society and now hurt people more than ever.

Honestly, all her books are amazing exposé work and that's on her Mrigashira Moon.

Louis Pasteur- Mrigashira Moon

He was a French chemist, pharmacist and microbiologist renowned for his discoveries of the principles of vaccination, microbial fermentation, and pasteurization (named after him). His research in chemistry led to remarkable breakthroughs in the understanding of the causes and prevention of diseases, which laid down the foundations of hygiene, public health and much of modern medicine. Pasteur's works are credited with saving millions of lives through the development of vaccines for rabies and anthrax. 

He was a very controversial figure in his lifetime who was known for deceiving people.

This article explains it well. Here's an excerpt from the article:

"His most famous experiment was on a young boy, Joseph Meister, who had been bitten by a rabid dog and was doomed to death, and whose mother pleaded with Pasteur to treat him. Pasteur reported that he had previously used his rabies vaccine on 50 dogs without a single failure.

Again, the laboratory notebooks show that this account was misleading. Pasteur had tested a vaccine on dogs, but it was prepared by a completely different method than the one he used for the vaccine given to Meister, and he had no conclusive animal results to show that the vaccine worked. But he had guessed right."

Pasteur often lied to get his way and used "deception" to advance his practice. It is ethically questionable for sure but the work he did has helped millions of people and one could say it was all for the greater good.

He disproved the then prevailing notion of spontaneous generation (it was believed that any exposure to air anywhere causes the generation of living organisms) through his experiments and was initially disbelieved and ridiculed until his experiments began to be accepted as true and was recognised by the scientific community.

Mrigashira natives often have a tendency to gauge things or call people out on things even when that thing/person is widely accepted. The native may get flak for it and be shunned for it but eventually their ideas become widely accepted and everyone sees the truth. They may or may not get credit for this. They see the truth before others do.

Aldous Huxley- Mrigashira Rising

He was an author and philosopher who is best known for his novel Brave New World although he has written over 50 books. Brave New World (the title itself is very Mrigashira core, don't you think?)

The idea that government control is dehumanizing is the overarching theme. In Brave New World the government controls every aspect of the citizens' lives. They are created and born in a government lab. They are raised in a government facility while learning society's values.

It was published in 1932 and lets just say that the audience wasn't ready for such an alarming dystopian tale.

A notable critic of Brave New World was the author H.G. Wells, whose 1923 novel Men Like Gods (a book about a man who visits a utopian world and then returns to earth) had been an inspiration of sorts to Huxley, who told a friend in 1931 that he was writing a novel about the “the horror of the Wellsian Utopia and a revolt against it.” Wells said, “A writer of the standing of Aldous Huxley has no right to betray the future as he did in that book.”

H.G Wells was known for his utopian visions that permeated nearly all of his published work. Interestingly, he was a Shravana Rising. The thing is, Wells never used these utopian visions to criticize the reality of the world we live in, it was more of a "look how good things could be ughhh". This once again reflects Moon's nature which is idealistic but not practical or rooted in confronting situations as they are, if you ask them for a solution to the war, they'll say "if only everyone could get along and we could all stop killing each other" instead of saying "the power imbalance between nations is alarming, they create crises in other nations, put puppet governments in place, exploit them for their own benefits and when it no longer serves their interests, leaves the people to deal with the mess themselves". The former is a more emotional response but it also comes down to Lunar nature believing things are that simple, that if everybody could get along, then everything would be okay. its basically not a solution but a nice thought. I have made posts in the past about Moon dominance and manipulation but what i had failed to mention is that the reason Moon dominants resort to manipulation is because they lack the ability to think in concrete, tangible, practical terms since Moon is tied to the emotional mind which is incapable of rationality or logic. They have to manipulate because they do not know how to think critically. Being guided by your emotions is not reliable or healthy which is why Moon dominance often results in toxicity and manipulation as they are emotionally reacting to what is said instead of responding with their mind or logic.

Wells himself later said about his novel Men Like Gods, "It did not horrify or frighten, was not much of a success, and by that time, I had tired of talking in playful parables to a world engaged in destroying itself."

Do you notice how passive his tone is? He speaks as though he is not part of this world and that all he can do is merely observe its self-destruction (if not writing "playful parables" to it lol??). He thought his book was a flop because it did not "horrify" or "frighten" people (implying that, thats what sells) when the reality is that its more effective to read about the horrors prevailing our society that we are ignorant of instead of reading 300 pages about a perfect alternate reality where everything is wonderful. one calls to action, another encourages passive daydreaming. This further differentiates the nature of Mrigashira vs Moon dominant natives (Mrigashira follows Rohini's fall from heaven or realising the truth).

"There are things known and there are things unknown, and in between are the doors of perception"- Aldous Huxley, Mrigashira Rising

George Carlin, Moon (conjunct Ketu) in Mrigashira

Here's an excerpt of something he said that has stuck with me and exemplifies the truth telling nature of Mrigashira.

"But there’s a reason. There’s a reason. There’s a reason for this, there’s a reason education SUCKS, and it’s the same reason that it will never, ever, ever be fixed. It’s never gonna get any better. Don’t look for it. Be happy with what you got. Because the owners of this country don't want that. I'm talking about the real owners now, the real owners, the big wealthy business interests that control things and make all the important decisions. Forget the politicians. The politicians are put there to give you the idea that you have freedom of choice. You don't. You have no choice. You have owners. They own you. They own everything. They own all the important land. They own and control the corporations. They’ve long since bought and paid for the senate, the congress, the state houses, the city halls, they got the judges in their back pockets and they own all the big media companies so they control just about all of the news and information you get to hear. They got you by the balls. They spend billions of dollars every year lobbying, lobbying, to get what they want. Well, we know what they want. They want more for themselves and less for everybody else, but I'll tell you what they don’t want: They don’t want a population of citizens capable of critical thinking. They don’t want well informed, well educated people capable of critical thinking. They’re not interested in that. That doesn’t help them. Thats against their interests. Thats right.

They don’t want people who are smart enough to sit around a kitchen table to figure out how badly they’re getting fucked by a system that threw them overboard 30 fucking years ago. They don’t want that. You know what they want? They want obedient workers. Obedient workers. People who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all these increasingly shittier jobs with the lower pay, the longer hours, the reduced benefits, the end of overtime and the vanishing pension that disappears the minute you go to collect it, and now they’re coming for your Social Security money. They want your retirement money. They want it back so they can give it to their criminal friends on Wall Street, and you know something? They’ll get it. They’ll get it all from you, sooner or later, 'cause they own this fucking place. It's a big club, and you ain’t in it. You and I are not in the big club.

And by the way, it's the same big club they use to beat you over the head with all day long when they tell you what to believe. All day long beating you over the head in their media telling you what to believe, what to think and what to buy. The table is tilted folks. The game is rigged, and nobody seems to notice, nobody seems to care. Good honest hard-working people -- white collar, blue collar, it doesn’t matter what color shirt you have on -- good honest hard-working people continue -- these are people of modest means -- continue to elect these rich cocksuckers who don’t give a fuck about them. They don’t give a fuck about you. They don’t give a fuck about you. They don't care about you at all -- at all -- at all. And nobody seems to notice, nobody seems to care. That's what the owners count on; the fact that Americans will probably remain willfully ignorant of the big red, white and blue dick that's being jammed up their assholes everyday. Because the owners of this country know the truth: it's called the American Dream, because you have to be asleep to believe it."

Mrigashira natives are the most likely to be critical of society, modern living, capitalism etc among other things. They see through to the truth of things and thus feel dissatisfied and disappointed with the world. There is a reason they say "ignorance is bliss", those whose eyes are veiled, can tune out of all this cacophony of living and pretend everything is fine. Mrigashira natives have to live with the weight of knowing.

Jules Verne- Mrigashira Rising

He is widely regarded as the father of science fiction and his works have inspired a generation of scientists like the pioneering submarine designer Simon Lake, Igor Sikorsky who often quoted Verne and cited his Robur the Conqueror as the inspiration for his invention of the first successful helicopter, the rocketry innovators Konstantin Tsiolkovsky, Robert Goddard, and Hermann Oberth are all known to have taken their inspiration from Verne's From the Earth to the Moon.

Edwin Hubble, the American astronomer, was in his youth fascinated by Verne's novels, especially From the Earth to the Moon and Twenty Thousand Leagues Under the Sea. Their influence was so strong that, like Verne, Hubble gave up the career path in law that his father intended for him, setting off instead to pursue his passion for science.

Jules Verne lived in the 19th century (he passed away in 1905, aged 77) but he described technologies that would later be invented (some were directly inspired by what he had written). He had prophetic vision some would say he had described submarines, helicopters, the moon landing, holograms, newscasts, space travel, video conferencing,

“In the Year 2889, instead of being printed, the Earth Chronicle is every morning spoken to subscribers, who, from interesting conversations with reporters, statesmen and scientists, learn the news of the day,”

He even made political observations that have since materialised,

In one of his later works, called The Purchase of the North Pole, an auction is held for rights to the North Pole. The mysterious buyer who wins out over a number of national governments is a private company with a plan to fire off a giant cannon will jolt the planet and change the tilt of Earth’s axis, adjust the length of the days and climates around the earth, and melt the polar ice caps. With the Arctic melted, the execs planned to mine the north pole for coal and make a fortune. This is more or less what is currently happening lol

He invented a new genre to talk about things that did not yet exist. This is tied to Mrigashira's quest for truth and imagining possibilities.

Kanye West, Mrigashira Sun

Do I think Kanye is problematic? Extremely. Do I think he's also telling the truth on some occasions especially when he's trying to expose Hollywood or the system? Yes, I do

This is a bit of a tangent but we have seen time and time again how mental illness has been weaponized against people (ex: Britney Spears) to control them (Mariah Carey also speaks about it in her memoir), I do think a great number of celebrities are victims of this because their management/people in their lives benefit from exploiting them (would it not be vvv scary knowing that your career is what pays the bills of a whole crew of people? they depend on you to live? what if they're greedy or evil? what happens to you then?) so I wholeheartedly believe Kanye when he says "people are trying to conspire against him for telling the truth" (look at how many whistleblowers have been killed and had their deaths written off as suicides).

Sometimes I wonder if he's deliberately ruining his public image so that he just comes across as a crazy guy saying crazy shit that no one takes seriously. This is a safe option for him because if he appeared to be a normal sober serious guy exposing the system he might get killed. Deception is also a huge part of Mrigashira's truth telling.

Who can forget him exposing Taylor on that phone call? lol

Anyway, I want to make it clear that I don't condone or endorse any of Kanye's politics or most of the vile hateful garbage he spews.

Amy Winehouse-Mrigashira Rising

Amy was known for how candid and straightforward she was. If you listen to this song, you can tell how frank and honest the lyrics are?? (its about women who try to score rich men). Amy was always so real and unapologetically herself.

Pamela Anderson, Mrigashira Rising

She's such an icon and such a dignified woman after everything she's been through. She came forward to speak her truth and take control of her narrative. Unfortunately not many women in her position can or will do this. She empowers sooo many others by standing up for herself and speaking her truth.

Mia Khalifa, Ketu in Mrigashira (a lot of people ask me why I include placements other than the big 3 and the reason I use Ketu specifically is because it is a karmic planet and Ketu's position in the birth chart is thought to indicate ties to previous lifetimes. It represents life experiences and knowledge that people may carry from past incarnations. Yes, I am aware that Ketu is a generational planet and people born across the same year have the same Ketu placement but the reason why Ketu placement is significant especially in the charts of accomplished people is because they are channelling the collective unconscious and I believe that in order to receive recognition for the work you do, you have to skilfully channel your Ketu as it represents your latent creativity and potential that connects you to the whole)

whew went off on a tangent 🤪(me with everything i post lmao)

Mia Khalifa has come forward exposing the porn industry and calling out its predatory nature and has candidly spoken about how she was "intimidated" into doing her infamous hijab scene and that her toxic ex husband encouraged her to pursue porn. I hope Mia heals from everything but she's sooo brave for calling out people/society/porn industry on their toxicity, misogyny, double standards when the same men who fap to her porn are the ones calling her a whore (she made a mistake when she was 20 and has been out of the business for 10 years at this point, at what point will we let her move on with her life and shed this image for good?)

Nicole Kidman- Mrigashira Sun

who can forget this iconic interview when Nicole exposed the truth behind her meeting with Jimmy lol, he was so sh00k

She starred in the 2003 movie Dogville where she plays the daughter of a mob boss who runs away because she cannot stand the stuff they do (running away because they can't accept the circumstance they are in is a prominent Mrigashira theme). Its an arthouse film about the nature of evil and it shows how after Nicole's character has run away to Dogville, she has to provide labor for the community in order to be allowed to stay (Mrigashira natives making a "sacrifice") and ultimately towards the end after enduring a lot of abuse, Nicole's character destroys the whole place.

Jim Carrey- Mrigashira Moon

He is hella problematic for sure but he has this existential side to him where he is always dropping truthbombs. Remember this iconic video where he says NYFW is meaningless lmfao

Parveen Babi, Mrigashira Moon

Parveen Babi was a Bollywood superstar in the 70s and 80s. In 1977, she started dating the filmmaker Mahesh Bhatt (he has a reputation for being vile, crass asshole) and he insisted that she go to a psychiatrist following which she was diagnosed with paranoid schizophrenia. I cannot comment on whether or not Miss Babi was misdiagnosed but what is apparent is that her relationship with Bhatt took a severe toll on her mental health, there are tons of people who've said he's kind of a psychopath, so I don't doubt that he may have gaslit and abused Babi to a point where she may have lost her sanity. For the rest of her career she struggled with episodes of debilitating paranoia, delusion and violent aggression. She once even blamed Amitabh Bachchan (the biggest star in India) for being her biggest adversary and claimed that he was trying to kill her (I know this sounds delusional but we do not know what kind of relationship they had with each other or what might have led her to believe that she was in potential danger, its cruel to dismiss everything someone says as "oh but she's mentally ill").

Babi quit acting and was a recluse in her later years. She died alone in her apartment when she was 51 and her body was only found 3 days later. Mahesh Bhatt helped organise her funereal when nobody else stepped forward to even claim her body at the hospital. Her life is a tragedy and a cautionary tale.

Mrigashiras are doubtful of absolutely everything. They do not trust people easy AT ALL. They question absolutely everybody's motive and whilst this can create thought provoking and interesting art and make a person inquisitive, honest etc, it can also be exhausting and draining to constantly be on guard and watch your own back.

“Slowly, one by one, I lost trust in everybody and everything around me,” Babi wrote. “Have you ever wondered what it is like to function in life, distrusting everything and everybody? We trust most of the things and people around us without questioning. We trust the food we eat, the water we drink, the air we breathe...It is impossible to function in life without trusting. And that is precisely what happened to me.”- Parveen Babi

Mrigashira natives are prone to paranoia and feeling unsafe (this ties back to their mythology) and I truly feel for them :(((

Oppenheimer- Mrigashira Rising

Oppenheimer’s infamous meeting with Truman took place in October 1945. It did not go well: Oppenheimer failed to convince the president of the need for international control of atomic energy, while Truman confidently stated the Soviets would never get the bomb. Getting nowhere, Oppenheimer really did confess his guilt over the Manhattan Project, which turned Truman’s stomach.

Oppenheimer's morality is dubious and questionable etc etc but it is known and clear that he felt guilty for the role he played and the destruction that was caused as a direct result of his research. He stood up for what was true, although unsuccessfully.

Khloe Kardashian-Mrigashira Moon

Khloe has always been praised for being "real" and honest. She has opened up about a lot of different things and had this to say about having a baby via surrogacy:

“But a surrogate process – Kim knows – is very hard for me. It’s a mindf***. It is really the weirdest thing,” she bravely shares about her nine-month-old cherub, Tatum. “I do feel less connected. People do say it takes a minute to feel connected but Kim said hers was easy. This is not easy. I definitely was in a state of shock from my entire experience in general,” she said. “I felt really guilty that this woman just had my baby and I take the baby and go to another room and you are separated. It felt like such a transactional experience because it is not about him. I wish someone was honest about surrogacy and the difference of it. But it doesn’t mean it is bad or good. It is just very different.”

Compared to the kind of stuff that all the other Kardash-Jenners say this is a rare and sincere moment of truth telling.

John Cena Mrigashira Moon and Rising

He is known for his honest, humble and sincere personality.

In an interview about the Meltzer rating system, Cena honestly said:

“So how do I put this… I am much more concerned when I perform for WWE in how the audience as a whole feels about my performance rather than one individual trying to grade me in a level of stars. Not that it doesn’t matter, because that is a great way for those to try and get equity and try to get noticed. It’s a great ranking system and I do appreciate it. I’m not knocking critics. I’m just saying my process is to make sure that everyone who paid a ticket had a great night. And if that gets me a zero star match, I still know in my heart of hearts that I entertained my audience that night.”

if you type in John Cena honesty into google so many articles pop up lol, i guess thats a great thing to be known for. Zero bullshit that's Mrigashira for you

I hope this post was interesting and informativexx

thanks for reading<3

[yuesya]

“You need to eat me.”

The white-haired girl in front of him blinks, “That’s an odd way to start a conversation.”

Eligius briefly chokes at that uncaring, blasé response. “… I’m being serious here.”

“So you are.” Even so, the girl’s voice remains unperturbed, and her expression does not change. “Would your strange request have anything to do with the visitors who passed through recently?”

… That is a remarkably understated way of referring to the most recent Sarkaz travelers who’d visited Arkos. Travelers who’d come specifically in search of Miss Salome, too. From the heavy robes and tight wrappings that consisted their attire, from the necrosis-type Arts that they commanded, it had been obvious that they were Nachzehrers.

Nachzehrers –beings who were the very personification of war; gruesome, relentless warriors known to be devoted to the battlefield, who reveled in the slaughter.

But the standing policy of Arkos is that all visitors are welcome. Save for those who threaten the stability and wellbeing of the settlement itself, or commit crimes within its borders.

And so the Nachzehrers had been allowed to enter Arkos, just as so many others had been allowed before them, and no doubt far more would be allowed after in the future.

Eligius had regarded their Nachzehrer visitors with wariness and curiosity in the beginning. Which swiftly morphed into shock and outright alarm, when they had accosted Salome on one of her routine patrols around the mountains.

“You’re Herleva’s daughter, aren’t you?”

“My name is Naftali, a soldier who once served under Commander Herleva of the Withering Court. I apologize that it took so long for us to find you –I’ve come to bring you home.”

…

Salome had refused to leave with them.

… Much to the relief of many, Eligius included. Though their numbers were steadily increasing, it was undeniable that Salome was the heart of Arkos, and if she left, then in all likelihood they would end up scattering across the land once more. Misfits and travelers and wanderers with no place to belong, and no place to rest.

(No place to call home.)

…

Eligius had known that Salome was Sarkaz for a long time now, but he hadn’t realized that she was Nachzehrer Sarkaz. She certainly didn’t look the part; Nachzehrers were said to possess bodies that easily withered and rotted away like the necrosis Arts that they commanded, and Salome did not display any of those traits. She had a pair of distinctive Sarkaz horns sitting on her head, and that was it. Were it not for those curved horns, she probably could’ve passed as a Pythian girl with her pointed ears and long, snake-like tail covered in glittering white scales–

Or so Eligius had thought.

Because he’d seen it, the other day. Salome usually wore clothing that covered most of her skin, including a veil across her face, but he’d glimpsed her taking off her gloves –only to reveal blackened fingertips, eerily reminiscent of necrotic rot, which caused Eligius’ blood to run cold.

Was it because of her Nachzehrer blood? Was she –was she somehow rotting away? Was her Pythian blood not enough to offset the horrifying effects of her inheritance?

Wracking his brains and ruminating over what he’d overheard from the Nachzehrer visitors, there was only one potential solution that Eligius could think of. Through devouring the dead, Nachzehrers were able to add the strength of the fallen to their own, so–

“You need to eat me,” he repeats. Because if she doesn’t, if her situation worsens, then…

Salome arches an eyebrow. “Do you want to be eaten?”

…

… No. Of course not.

The day that Eligius had left Kazimierz, a broken husk of a knight who had failed his family and could no longer even properly swing a blade anymore… Eligius had thought that there no longer remained anything left for him to protect. Not that he even possessed the strength to protect anything, not as a disgraced, crippled knight driven out of his homeland.

Fate had led him to Arkos, eventually. He’d aimlessly followed a merchant caravan as a cheap hired hand, and somehow ended up staying in Arkos when a Sarkaz girl killed the head of the caravan. The man had a sexual proclivity aimed towards children, and had acted on those urges in Arkos –Salome had sliced the despicable merchant into bloody pieces for it.

Eligius had thought of his days as a knight in Kazimierz, of all the harsh training he’d undergone… only to be helpless in face of injustice and wrongdoing all the same. A knight must be honorable above all else. But what worth was there in honor when it was something that could be traded and bought by the monolithic corporations that ruled Kazimierz?

Arkos… is not perfect. The buildings are shabby and run-down, and the rooftops have a tendency to leak when it rains. There is no particular schedule for when merchants are passing through, and resources are always running tight. Sometimes, brash mercenaries end up causing trouble, even with the threat of Salome hanging over their heads.

But at some point, Arkos had grown to be precious to Eligius. The tenacity of the people that lived here, with all their storied pasts, and the young leader who never allowed the opinions of others to prevent her from doing what must be done.

Eligius is no longer a knight. With a body had been ravaged by vicious poisoning and missing his dominant sword arm, his days as a knight of glorious Kazimierz are long over.

But even so, there must be a way that he could still protect what was important to him. Even if he wasn’t the one holding the sword himself.

Eligius squares his shoulders and looks towards Salome determinedly. He knows that he is not the only one who is willing to become her strength through being devoured by her, but it’s better that a useless cripple like him becomes the first to die, so that the others–

“You don’t look like you want to die,” Salome says. Then, turns around to pick up a… shovel? From behind her? “Here.”

Eligius falters, automatically accepting the dull shovel with his sole remaining hand, “What is this?”

“A shovel,” Salome responds. Fair, but that’s not what Eligius meant– “Seeing as you have enough time on your hands to be thinking about useless things, you can go work with the others on developing the terraced gardens first.”

Eligius gives a small start, “But you–”

“I’m not interested in cannibalism. Let me know once you’ve figured out how to grow potatoes properly here.”

With that said, Salome turns and walks away.

Leaving Eligius standing in the street by himself, holding a shovel.

…

… It’s nothing but a rusty shovel, given to him haphazardly by a girl who doesn’t even bother to toss a second glance back towards him as she departs. But for some reason, the shovel rests in his hand with a greater weight than the sword he’d once held during his knighthood ceremony, and there is a strange emotion welling up within his chest–

Eligius tightens his grip on the shovel, exhaling slowly.

[funkyglitch]

heeeyyy :3

AHEM,, before you scroll down any furthur— this post contains season 5 spoilers! if you wish to not view them, or get spoilered, skidaddle

nuwa doodle fo brrr

prettyy

its messy because i didnt put as much effort in it HJSJHABJSHHKA

ALSO!!

you see this? the way shes circling? kinda forms into an ouroboros if u ask me :3 !!

"a circular symbol that depicts a snake or dragon devouring its own tail and that is used especially to represent the eternal cycle of destruction and rebirth."

FUNNY how she mentioned cycles and such, reforging things.

ANYWAY THIS SHOW IS AWESOME I LOVE IT OMG,, HAS MY HEART AAHHH

[santoschristos]

Ouroboros

A symbol of our cyclical nature and infinite possibilities for renewal, the snake devouring its own tail is known as an ouroboros. The flame of transformation swiftly engulfs the ways of the past, burning them off in order to bring about new potential. This is a talisman for embracing change and aligning yourself with your true powers.

[green-eyedfirework]

Do you ever think about how dangerously obsessive Dick can be? I know we all love that concept strongly tied to Slade as a character, but there is something haunting about Dick and the lengths he goes to feed his obsessions. Especially when these obsessions fall into Deathstroke territory. Dick is very loud and angry and possessive over Slade and Slade's tyranny to the point where he shuts out the help and opinions of other heroes and falls down a deep, deep rabbit hole of mental, emotional warfare and month long manipulation strategies with Slade (for Slade? against Slade? Because of Slade?).

Dick and his obsessions remind me of the Ouroboros; the snake that eats its own tail. There is no end and no beginning to them. Just a beast constantly devouring itself and being reborn again in the exact same image - the eternal cycle of madness and destruction and creation. And at the end of the day, we see how Dick's life long obsession with Slade has developed into madness and destruction but also creation, an never ending cycle of all three of those torments. Slade and Dick are so similar and I think that is why they are so magnetic with each other. Dick is nothing without his obsessions, and Slade is nothing without something to obsess over. They trigger each other's sickness, and it makes their tails an easier thing to swallow.

Oooh yes, I do enjoy the characterization of them being forever trapped in an unending spiral, doomed not so much for death but for never breaking free.

[zuvluguu]

"Life lives on life. This is the sense of the symbol of the Ouroboros, the serpent biting its tail. Everything that lives lives on the death of something else. Your own body will be food for something else. Anyone who denies this, anyone who holds back, is out of order. Death is an act of giving."

~Joseph Campbell

•The Ouroboros or uroborus (/ˌ(j)ʊərəˈbɒrəs, uːˈrɒbərɒs/) is an ancient symbol depicting a serpent or dragon eating its own tail. Originating in ancient Egyptian iconography, the ouroboros entered western tradition via Greek magical tradition and was adopted as a symbol in Gnosticism and Hermeticismand most notably in alchemy.

The Ouroboros represents the perpetual cyclic renewal of life and infinity, the concept of eternity and the eternal return, and represents the cycle of life, death and rebirth, leading to immortality, as in the Phoenix.

§In Alchemy:

In alchemy, the Ouroboros is a sigil. Swiss psychologist Carl Jung saw the Ouroboros as an archetype and the basic mandala of alchemy. Jung also defined the relationship of the Ouroboros to alchemy:

"The alchemists, who in their own way knew more about the nature of the individuation process than we moderns do, expressed this paradox through the symbol of the Ouroboros, the snake that eats its own tail. The Ouroboros has been said to have a meaning of infinity or wholeness. In the age-old image of the Ouroboros lies the thought of devouring oneself and turning oneself into a circulatory process, for it was clear to the more astute alchemists that the prima materia of the art was man himself. The Ouroboros is a dramatic symbol for the integration and assimilation of the opposite, i.e. of the shadow. This 'feed-back' process is at the same time a symbol of immortality, since it is said of the Ouroboros that he slays himself and brings himself to life, fertilizes himself and gives birth to himself. He symbolizes the One, who proceeds from the clash of opposites, and he therefore constitutes the secret of the prima materia which [...] unquestionably stems from man's unconscious."

§ In Antiquity:

The Ouroboros often symbolizes self-reflexivity or cyclicality, especially in the sense of something constantly re-creating itself, the eternal return, and other things such as the phoenix which operate in cycles that begin anew as soon as they end. It can also represent the idea of primordial unity related to something existing in or persisting from the beginning with such force or qualities it cannot be extinguished. While first emerging in Ancient Egypt, the Ouroboros has been important in religious and mythological symbolism, but has also been frequently used in alchemical illustrations, where it symbolizes the circular nature of the alchemist's opus. It is also often associated with Gnosticism, and Hermeticism.

§In Egypt:

The first known appearance of the ouroboros motif is in the Enigmatic Book of the Netherworld, an ancient Egyptian funerary text in KV62, the tomb of Tutankhamun, in the 14th century BC. The text concerns the actions of the god Ra and his union with Osiris in the underworld. In an illustration from this text, two serpents, holding their tails in their mouths, coil around the head and feet of an enormous god, who may represent the unified Ra-Osiris. Both serpents are manifestations of the deity Mehen, who in other funerary texts protects Ra in his underworld journey. The whole divine figure represents the beginning and the end of time.

The ouroboros appears elsewhere in Egyptian sources, where, like many Egyptian serpent deities, it represents the formless disorder that surrounds the orderly world and is involved in that world's periodic renewal. The symbol persisted in Egypt into Roman times, when it frequently appeared on magical talismans, sometimes in combination with other magical emblems. The 4th-century AD Latin commentator Servius was aware of the Egyptian use of the symbol, noting that the image of a snake biting its tail represents the cyclical nature of the year.

§In Greece:

Plato described the Ouroboros as the first living thing a self-eating, circular being—the universe as an immortal, mythologically constructed entity:

"The living being had no need of eyes because there was nothing outside of him to be seen; nor of ears because there was nothing to be heard; and there was no surrounding atmosphere to be breathed; nor would there have been any use of organs by the help of which he might receive his food or get rid of what he had already digested, since there was nothing which went from him or came into him: for there was nothing beside him. Of design he created thus; his own waste providing his own food, and all that he did or suffered taking place in and by himself. For the Creator conceived that a being which was self-sufficient would be far more excellent than one which lacked anything; and, as he had no need to take anything or defend himself against any one, the Creator did not think it necessary to bestow upon him hands: nor had he any need of feet, nor of the whole apparatus of walking; but the movement suited to his spherical form which was designed by him, being of all the seven that which is most appropriate to mind and intelligence; and he was made to move in the same manner and on the same spot, within his own limits revolving in a circle. All the other six motions were taken away from him, and he was made not to partake of their deviations. And as this circular movement required no feet, the universe was created without legs and without feet.

§In Gnosticism:

the ouroboros the serpent biting its tail symbolized eternity and the soul of the world. The Gnostic text Pistis Sophia describes the disc of the sun as a 12-part dragon with his tail in his mouth.

§ In Norse Legend:

In Norse mythology, the ouroboros appears as the serpent Jörmungandr, one of the three children of Loki and Angrboda, which grew so large that it could encircle the world and grasp its tail in its teeth. In the legends of Ragnar Lodbrok, such as Ragnarssona þáttr, the Geatish king Herraud gives a small lindworm as a gift to his daughter Þóra Town-Hart after which it grows into a large serpent which encircles the girl's bower and bites itself in the tail. The serpent is slain by Ragnar Lodbrok who marries Þóra. Ragnar later has a son with another woman named Kráka and this son is born with the image of a white snake in one eye. This snake encircled the iris and bit itself in the tail, and the son was named Sigurd Snake-in-the-Eye.

The famous Ouroboros drawing from the early alchemical text The Chrysopoeia of Cleopatra dating to 2nd century Alexandria encloses the words hen to pan, "one is the all". Its black and white halves represent the Gnostic duality of existence. As such, the Ouroboros could be interpreted as the Western equivalent of the Taoist Yin-Yang symbol.

The Chrysopoeia Ouroboros of Cleopatra the Alchemist is one of the oldest images of the Ouroboros to be linked with the legendary opus of the Alchemists, the Philosopher’s Stone.

As a symbol of the eternal unity of all things, the cycle of birth and death from which the alchemist sought release and liberation, it was familiar to the alchemist/physician Sir Thomas Browne. In his A Letter to a Friend, a medical treatise full of case-histories and witty speculations upon the human condition, he wrote of it:

"...that the first day should make the last, that the Tail of the Snake should return into its Mouth precisely at that time, and they should wind up upon the day of their Nativity, is indeed a remarkable Coincidence,"

§In Kundalini Yoga:

Ouroboros symbolism has been used to describe Kundalini energy. According to the second century Yoga Kundalini Upanishad, "The divine power, Kundalini, shines like the stem of a young lotus; like a snake, coiled round upon herself she holds her tail in her mouth and lies resting half asleep as the base of the body" (1.82). Another interpretation is that Kundalini equates to the entwined serpents of the caduceus of the Greek god Hermes, the entwined serpents representing divine balance in the west or, esoterically, human DNA.

§In South American lowlands

It is a common belief among indigenous people of the tropical lowlands of South America that waters at the edge of the world-disc are encircled by a snake, often an anaconda, biting its own tail.

[katyspersonal]

Chat help me gdhgjghg I have an idea but I think I am not able to quite untangle it

1) Godskins are connected with snakes: the tails of Nobles and ELONGATION of Apostles, as well as their weapon featuring serpentine motif

2) Them and GEQ are also connected to wind: their whirlwind attacks and her tornado-looking sword, multiply this by 3 if you believe the statue in Farum Azula where we access Destined Death is of her

3) Long before Rykard rediscovered it, Gelmir used to be owned by Hexers that worshipped "serpent god" (Eiglay) and brought it sacrifices, she was once killed by a wind spear before

4) There had to be SOME "gods" that GEQ had to slay since her fire got reputation for it, but that could not have been anyone from Marika's family since Godwyn was the FIRST Demigod to die and that happened long after GEQ's defeat

5) GEQ was an Empyrean chosen by the Two Fingers, Destined Death is "forbidden shadow plucked out of Golden Order upon its creation", and we are told that with birth of Erdtree and gold "so shadow, too, was born"! Maliketh only got control of Destined Death after the defeat of GEQ by him, and Destined Death was the part of OG Elden Ring. Marika's Rune was too, so she claimed that symbol, not created it (caged divinity much), and so Death was claimed by GEQ. Either, Marika allowed Death to lay around and came to regret it when that other Empyrean got chosen and picked it up... or she knew who was playing the second fiddle from the start and relied on GEQ to be her ally, but then she wasn't.

6) Serpent is seen as a traitor of the Erdtree, also something about original sin (not to be confused with cardinal sin... unless?)

7) God-Slaying Flame, God-Devouring Serpent.. themes against "gods". Also Eiglay's skin is found in Shadow Realm albeit smaller than in her temple

Like uh...

WHAT IF Gloam-Eyed Queen was an ally to Marika, trusted as her OG blade before Maliketh became that? Marika later took charge of who gets immortality and who dies for good via Maliketh owning Death later, but why not earlier, especially if she removed Death from Elden Ring as soon as she took it? Right, because there was someone else to carry this burden!

So, GEQ would be slaying those other "gods" off the face of the Lands Between, cleaning the path for Marika as THE new God, ensuring her political power and new world to prosper? There were 'old Gods' mentioned, frikin Deathbirds are called Gods, who knows what Outer Gods made appearance, who knows who ascended in other ways (like 'Malenia, Goddess of Rot' but not with Rot kinda thing).

But then, maybe, when the time came and GEQ "killed" Eiglay (not really, she can't die apparently), she decided "well, actually... 👀" and turned on path of blasphemy (as in against Erdtree's God, Marika) first? The "could not turn back after what she had seen" kind of change? So, the connection to snakes was not there from the start but something she acquired! Maybe, in fact, what transpired did make Eiglay 'God-devouring serpent' and not just some serpent God waiting for sacrifices?

...or maybe it was simpler, and her link with snakes WAS there from the beginning. In either case, in the timeline GEQ would have to betray before Marika killed Fell God, because... well, GEQ had god-slaying Flame and unless Marika was dumb enough to just let Death lay around until someone picked it, GEQ was her ally on that, right? But doesn't seem like anything of a kind was involved, Marika did it herself 🤔

Knowing myself I definitely had forgotten some piece of the puzzle, but I really start to wonder whether "serpent is seen as traitor of the Erdtree" started with GEQ and not like, Messmer? Especially since his Base Serpent nature was a secret but for sure everyone knew of Maliketh's victory over GEQ? Just some thoughts?

[hemipenal-system]

tongue anon here! thinking about saliva that can numb or paralyze again <3 it’s good for aftercare, but i’d imagine its evolutionary benefit would be to keep prey docile while they’re being devoured.

maybe this is a snakelike creature that can’t take large bites, it’s more adapted to swallowing its prey whole, and it’s MUCH easier to do so when they’re not struggling. maybe its throat is soft and easily damaged, and it’s not as easy for it to forcefully push prey down if they’re fighting back- they have to make them willing.

the mild toxins in the saliva can be absorbed through the skin, so a few soft licks will be enough to make the prey drowsy and compliant. bonus points if it’s absorbed through the softer oral tissue, or if the prey is forced to swallow the saliva.

^^^ for obvious reasons, these creatures would benefit from being able to seduce their prey. and, well, they’re good at it! the promise of getting tonguefucked by a snakegirl…….. there are plenty of those who would EASILY fall for this trap, only to be made into her next meal.

the toxins don’t act immediately- they hunt like a komodo dragon, waiting for their mark to collapse on their own. that snakegirl you made out with in the bathroom? she’s been keeping an eye on you the rest of the night. when you eventually get too tired to walk, and your muscles seize up, she’s there behind you.

you’re perfectly willing as she takes you out back and begins to lick down your thighs and calves (she’s making sure you won’t kick or fight back as your legs slide down her throat, but of course you don’t know this. you have no idea what’s going on <3). as she begins to push you down her gullet, her long throat expanding and contracting pleasantly around you, warm and wet, even more saliva is absorbed into your skin- you’re unconscious before you reach the lower esophagus.

monsterfuckers should watch out for crafty snakegirls in shady bars. don’t stare, don’t watch her lick her lips- she’s watching for prey. you might not be able to resist.

hijacking this just slightly and making it a naga, because the snake tail just adds some je ne sais quoi yk (i do not speak a word of french)

naga girl who sits down next to you at the bar after you make eye contact with her, wrapping her tail around the barstool to hold herself in place as she talks your ear off but never really says anything

naga girl who keeps pointing at the sports game on the tv, waiting for you to look so she can gather her saliva up and spit in your drink while you’re not watching her so her toxins will make you ✨ pliable ✨

naga girl who runs her fingers down your smooth skinned legs, saying humans fascinate her and she’d love to see the rest of you as she pulls you by the arm into a bathroom

naga girl who coils around you lovingly as her long forked tongue flicks across your skin, enjoying your scent as it leaves a trail of tingling warmth in its wake before kissing you, pushing her tongue under yours so you absorb more of her toxins sublingually

naga girl who helps you into her car, saying she’ll drive you home because you’re drunk (on her spit) and she doesn’t trust you to get home safe

…

naga girl who stops the car in the woods, using her coils to pull you from the vehicle, squeezing painfully tight around you as her nimble tongue caresses all over your legs, causing you to lose all feeling in them except for that tingling warmth as she repeats her damp touches all across your body. you can’t scream or cry out because her repeated kisses make your tongue so numb. she loves you, she says. let me take care of you, she says as you get more and more tired, her toxins sapping your energy and her coils crushing away your air

naga girl who can feel your faint pulse as she swallows you, muscular throat pulling you down into her bit by bit, tongue continually flicking against your skin, her hands playing with your hair as her jaw unhinges around you, enjoying her still, quiet prey…

naga girl who curls up in her bed, gently rubbing her fingers over her stretched scales, falling asleep to the way you move inside her. maybe she’ll let you out tomorrow, maybe she won’t. good night, morsel, she says.

[destinysbounty]

Who wants to overthink legos with me? No? Too bad, here goes

Okay so do you ever think about how the circle is (accidentally) a recurring motif in Ninjago? A running list of examples:

Ouroboros, the snake eating its own tail, which is commonly represented in a circular shape and represents infinity with endless return. Thats how they defeat the Great Devourer, actually, by getting it to bite its own tail

The original shape of Ninjago before the FSM pangea'd it

Spinjitzu is essentially the process of weaponizing circular motion. Airjitzu is similar, and even creates a sphere of air/light around the user

In the earlier seasons, Lloyd's main attack involved creating balls of energy

The light from portals - time vortex, Traveler's Tea, the Blind Man's Eye, the Realm Crystal - tend to resemble vortexes

Dragons often have to spin in order to traverse realms

All the circle imagery in the Temple of Light

Jay and Nya's yin-yang badges

Yang's whole "close the circle" shtick

The dust circle that swirled around the ninja at the end of Skybound when Jay said his final wish and all of time was undone

Zane's old house is circular/cylindrical, and the camera spiral-zoomed on him when his memories returned

The architecture on Chen's island

The Celestial Clock

Flower petals circling around Lloyd when he met the FSM

In that flashback when Mystake was telling the story of the Oni and the Dragon, with the FSM creating a circular yin-yang symbol to represent the combining of both light and dark

This is a bit of a stretch, but Zane's notably circular power core

Kryptarium is a panopticon style, which is circular in design. On that note, the s8 Lloyd v Garmadon fight happening at Kryptarium. Lloyd was familiar with the usual procedure of saving Garm, only for that typical cycle of saving and losing his father as Garmadon throws him through the wall and out of the prison

Lots of fights actually have the camera pan in circles around the fighters

That little hand paint collage they all made at the end of season 10

The spiraling bioluminescence surrounding the FSM's corpse

Actually, lets take it a step further. Cycles of violence. Sins of the father. History repeating itself. Harumi and Loyd's backstories causing, opposing, and reflecting one another, with her ending where Lloyd began and vice versa. The inheritance of elemental power, something endlessly recursive. Generational trauma.

Not to mention theres a heavy emphasis on either breaking cycles or perpetuating them. Lloyd saying "I wont let it do to me what it did to you." Harumi saying "i want you to feel the emptiness i feel." Morro saying "I make my own destiny." The Overlord possessing the Great Devourer so it would bite Garmadon. Lloyd wanting to be like his father but then being a hero instead. Nya quoting her mother in her final moments. Again i repeat. Generational trauma.

Theres just. This overwhelming sense of recursion and cycles throughout the entire series, and im mad bc im like 90% sure the writers didnt do that intentionally. Im not smart enough to put it into words but if i think about this for too long im gonna start biting things

[maniculum]

Bestiaryposting -- Gerzlaem

As a reminder, all previous entries in this series can be found at https://maniculum.tumblr.com/bestiaryposting .

There are said to be three kinds. Of these, the ones which are short in stature, with curly hair, are peaceable; the tall ones, with straight hair, are fierce. Their brow and tail show their mettle; their courage is in their breast, their resolution in their head. They fear the rumbling sound of wheels, but are even more frightened by fire. The Gerzlaem takes pride in the strength of its nature; it does not know how to join in the ferocity of other kinds of wild beasts, but like a king disdains the company of large numbers. Those who study nature say that the Gerzlaem has three main characteristics. The first is that it loves to roam amid mountain peaks. If it happens that the Gerzlaem is pursued by hunters, it picks up their scent and obliterates the traces behind it with its tail. As a result, they cannot track it. The second characteristic of the Gerzlaem is that when it sleeps, it seems to have its eyes open. The third characteristic of the Gerzlaem is that when a female Gerzlaem gives birth to her young, she produces them dead and watches over them for three days, until their father comes on the third day and breathes into their faces and restores them to life. The compassion of Gerzlaems is apparent from endless examples. They spare those whom they have brought down. They allow captives whom they encounter to return home. They vent their rage on men rather than women. They do not kill children except in time of great hunger. Equally, Gerzlaems refrain from overfeeding. First, because they drink and feed on alternate days; and often, if their food remains undigested, they postpone the next feed. Then, because they feel uncomfortable when they have devoured more meat than they should, they insert their paws in their mouth and pull the food out, of their own accord. And when they have to take flight, they do exactly the same thing if they are full. Missing teeth show that a Gerzlaem is old. Gerzlaems mate face to face; and not only Gerzlaems, but lynxes, and camels, and elephants, and rhinoceroses, and tigers. Female Gerzlaems, when they first give birth, bear five young. In the years which follow, they reduce the number by one at a time. Afterwards, when they are down to one child, the fertility of the mother is diminished; they become sterile forever. The Gerzlaem disdains to eat the previous day's meat and turns away from the remains of its own meal. Which beast dares to rouse the Gerzlaem, whose voice, by its nature, inspires such terror, that many living things which could evade its attack by their speed, grow faint at the sound of its roar as if dazed and overcome by force. A sick Gerzlaem seeks out an ape to devour it, in order to be cured. The Gerzlaem fears the cock, especially the white one. [Redacted], it is tormented by the tiny sting of the scorpion and is killed by the venom of the snake. We learn of small beasts called Gerzlaem-killers. When captured, they are burnt; meat contaminated by a sprinkling of their ashes and thrown down at crossroads kills Gerzlaems, even if they eat only a small an amount. For this reason, Gerzlaems pursue Gerzlaem-killers with an instinctive hatred and, when they have the opportunity, they refrain from biting them but kill them by rending them to pieces under their paws.

Remember to tag posts with #Gerzlaem so folks can find them.