#(( loud wheezing!!! crying!!! ))

[kismetlotts]

cw: choking, mentions of hickeys, p in v, some submission from Simon, creampie, very slight mention of death, hinted rough sex? mentions of sweat, mentions of drool

Simon choking you and this, Simon choking you and that but what about you choking Simon? His veiny monster cock fucking so deep inside of you it was twattish, penetrating and destroying you with such vigour and need you had nothing to defend yourself with- nothing to hold onto to and stable yourself.

Snatching your hands up to his thick neck and placing your soft palms around his sweaty, hickey-scattered skin. Your pretty, little fingertips not able to wrap around him fully from how big and muscular he was, but with the amount of pressure you applied, you choked him anyway. Feeling his rapid pulse against your hand, making your sticky cunt tighten around him helplessly.

He couldn’t refrain himself from going harder than before, the loud creak of your bed echoing the quiet house and you were sure your neighbours were going to kill you-but how were you supposed to stop now? You fucking couldn’t; you didn't want to.

Watching as his flushed cheeks turned a dark mahogany, feeling the tremble and twitch of his body against yours, pinning you down and you suddenly realised what you had done. A shameless gasp leaving his throat pathetically as you quickly let go. Sexy body sinking into the mattress as you wished the material could swallow you- capture you and shield you from the memories of what you just did. It was irrational- a stupid action done without thinking- it was embarrassing.

How could you let yourself get out of control like that? Choking Simon Riley- a fucking military Lieutenant- you were lucky he didnt slap you across the face. Were you stupid? Your head spiralled in regret but before your thoughts could pester and consume you fully his own scarred hand snatched yours back. Dragging your arm and jolting your body up as held you in place, reuniting your with the warm flesh of his neck.

Brown, hazy, eyes pleading you to strangle him again, suffocate him, make him pass out deep inside your pussy. He liked how you made him feel, his heart pounding with adrenaline from the sudden rush it gave him and his mind melting with submission. Grab his fucking throat and make him your bitch. Make him cry, make him wheeze and cough once you let go.

You hesitantly choked him again, your body overcoming with pleasure as you forgot about what you were doing and where your hands were. Fucking yourself against him and fingers tightening as your eyes shut about to cum. Losing it as you heard a strained ‘Fuck’ fall from his lips: He couldn’t fucking breathe. He was seeing stars.

Unapologetically flooding you with warmth, filling you up before crushing you with his big body. So tired and worn out from the sex, chasing back the breaths you’d stolen from him. Oh god, it felt like heaven to him, his brain feeling so tight and achy- lightheaded with ecstasy. Next time you had do it with your thighs instead- leave him with as little air as possible, leave him with nothing to do but pant and dribble over your pussy when you loosen your hold. Choke him until his lungs give out, let him breath from the air you accompany him with- he didn’t deserve you.

You could kill him like that and he’d thank you in the afterlife.

[screampied]

“. . do you . . know what happens after death, sweetheart?”

the words that slipped out of nanami’s lips struck you right in the very depths of your heart.

it stung—a sharp prod that made the very crevices of your mouth twitch. his hands, his once warm and loving hands started to grow abnormally cold. frigid to where you even started to adapt to his chilled temperature.

“no why….” you started, feeling your throat tighten. “why are you asking me that, kento?” you sniffle, tightly interlocking your fingers with his.

he stares at you with a warm smile spreading across his lips.

regardless of his current position, peacefully resting his back against the ground—his inevitable fate had finally caught up to him.

nanami’s breathing patterns changed significantly. everything was so loud, all he could make out through his peripherals was splotches of blur and your pretty worried face. “. . because,” he continues, and his speech was so slow. you could tell he was trying to get every word out, every syllable, every vowel. just for you and only you. “i’m about to find out, my love . .”

your irises focused on him. nothing else, no one else—just him.

you’ve never seen him like this. so pale, so weak, so . . . scared.

his pure emotion, it showed in his eyes. his perfect brown eyes that you never failed to get lost in. for the first time in what was probably forever, nanami felt…scared. he tried his best to conceal it in front of you though. but even his best wasn’t enough, because you probably knew him better than you knew yourself.

“don’t say things like that, kento,” you mutter, already feeling that annoying plump knot rise up in your throat. your breath was shaky, tremble after tremble. “you’re fine. you can get up. we can get up.”

he knew when you said we, you implied that you’d both be walking away together — hand in hand, like in those stupid cheesy movies you’d watch with him every sunday after he gets off work. but alas, reality was quite harsh to face. an even more incredible tough pill to swallow. nanami knew he wasn’t going anywhere.

it was irksome, you had to squeeze your eyes shut to prevent a single tear to roll down your cheek.

nanami’s eyelids were hanging on by a thread, just barely open. he was trying—trying so hard to hang on, a small pout curls against his lips before he huffs out a single breath.

“ah . . forgive me, you’re right,” he says, his thumb swiftly stroking the front of your hand. a single tear escapes past your lower damp eyelid. even his voice sounded different. a voice you grew to love, so sweet and protective. it now sounded incredibly tired. you could hear a slight wheeze between breaths of his. “hey, don’t cry. don’t do that, look at me.”

his voice was so soft, you sniffled—despising the irritating tears that started to run down both sides of your temples. if it was anything nanami couldn’t stand, it was that he couldn’t stand to see the love of his life shed such sweet pitiful tears for him.

you looked at him, watching his eyelids struggle to stay open for you. everything ached, his body didn’t even feel like his own anymore. it was an indescribable feeling from when he got struck, laying against the slick cold floor of the shibuya train station.

“. . d-don’t leave me,” was all you managed to say, your lips was trembling, your heart pounded and you didn’t wanna say goodbye just yet. “kento, i need you.”

“hm? what are you mumblin’ about, sweetheart? ‘m right here.” his voice, it sounded happier.

you furrowed your eyebrows, now finding yourself buried into nanami’s bare chest, damp chin pressing against his pecs and all.

you were here safe and sound, snuggled up all against him, as you should be. it took you a long while to calm down, he’s staring at you with a soft loving gaze—a brief look of concern before you mumble out a, “..kento? are you okay?”

“why wouldn’t i be, baby?” nanami hums, a soft thumb stroking your back. with a relaxed breath, he leans in to plant a gentle kiss near the very tip of your forehead. his touch was forevermore soothing, a touch you never wanted to forget.

you let off a jittery sigh of relief, finally coming to the conclusion that it was another one of your horrid nightmares. you had nothing to worry about.

he was fine.

you were fine,

everything was fine.

. . is what you kept telling yourself.

nanami never told you those words, he didn’t kiss the tip of your forehead or stroke your back lovingly whilst staring into your eyes. the only true unbearable truth was that nanami was gone.

he was gone, and his last words weren’t even “i love you,” or “i’m sorry.” on his fatal dying breaths, nanami’s last words to you while squeezing your hand, sliding a ring into your palm, he rasps out a breathy, “will . . you marry me?”

but before you could tell him yes, he was already gone.

[harunayuuka2060]

MC: I hope Sebek gets one of those terrible sore throats where the only thing he can do is wheeze the sound out.

Ace, Deuce, Jack, and Epel: *cackle*

Sebek: WHY WOULD YOU WISH SOMETHING LIKE THAT ON ME, HUMAN?!

MC: What? Is it wrong of me to wish that you keep your voice down a little? Even your breathing is loud, bro.

Sebek: ...

Ace: Prefect, careful. He's gonna cry.

Sebek: NO, I'M NOT!

[under-your-floorboards]

Will Solace and Nico di Angelo having a ghosts youtube channel together like Watchers (Shayne and Ryan but gay) with Lou Ellen being their true crime collaborator.

~

Will : I can’t even begin to describe how gnarly this cause of death was … it is, very gruesome stuff.

Nico : please never say gnarly when referring to the dead ever again

Will : that does sound disrespectful, doesn’t it? No offense to the no longer living!

Nico : Yes, no offense to our dead audience members out there.

Will : do you really think ghosts are watching our youtube series?

Nico : they might do it just for kicks.

Will : *wheezes* like, “Look at these assholes trying to prove our existence.”

Nico : yeah. or “Terry, come take a look at this! They caught your cameo in the last upload!”

Will : *laughing hysterically*

Nico : what a couple of cards we must make to them.

Will : undoubtedly. Should we add that to our intro? “Welcome back to Halfblood Horrors, guys girls and ghouls”

Nico : oh, I like that.

~

Will, after hearing a loud bang that scared him so bad his country accent comes out : WHAT THE FUCK WAS THAT?!

Nico : that was me.

Will : Gods damnit, Neeks, are you tryin’ to give me a heart attack?

Nico, snickering : you jumped like a startled cat.

Will : I’ll get you back for that. We’ll see how you like it.

( He does not, in fact, get him back for that )

~

Will : Welcome back to the channel our good friend over from Witch Crime is Which, Lou Ellen!

Lou Ellen : hello Halfblood Horrors fans. And hello dweeb and Nico.

Will : Wait — Why am I dweeb? I’m your best friend!

Lou Ellen : Nico’s earned my respect. I’ve seen you cry on the ground over rewrite the stars.

Nico : *snorts* always a pleasure to have you in the office, Lou.

Will : This is harassment and defamation, you’ll be seeing my lawyers very soon.

Nico : We’re already off topic —

[literaryvein-reblogs]

hi! could you help with describing different sounds of materials and textures? like dripping of water, clinking of glass etc. maybe a vocab list or your advice in general, doesn't matter ☆

Chatter - to click repeatedly or uncontrollably (teeth chattering)

Chime - to make a musical and especially a harmonious sound (clock chimed at midnight)

Clang - to make a loud metallic ringing sound (anvils clanged)

Clatter - to make a rattling sound (dishes clattered)

Clop - a sound made by or as if by a hoof or wooden shoe against the pavement (clop of hooves)

Clunk - the sound of a blow (books fall to the floor with a clunk)

Crackle - to make small sharp sudden repeated noises (fire crackles)

Creak - a prolonged grating/squeaking sound (creaking wheels)

Crinkle - to give forth a thin crackling sound (crinkling silks)

Fizzle - to make a hissing or sputtering sound (fireworks fizzled out)

Grate - to rub or rasp noisily (metal grating)

Gurgle - to make a sound like that of a gurgling liquid (water gurgling through the pipes)

Hiss - to make a sharp sibilant sound (hissing steam)

Jangle - to make a discordant often ringing sound (keys jangling)

Pitter-patter - a rapid succession of light sounds or beats (pitter-patter of rain on the roof)

Pulse - rhythmical beating or sounding (pulsed from the speakers)

Rasp - to produce a grating sound (rasp of steel)

Rattle - a rapid succession of short sharp noises (windows rattled)

Ripple - to play with a slight rise and fall of sound (rippling water)

Ruffle - a low vibrating drumbeat (ruffle the pages of a book)

Rumble - to make a low heavy rolling sound (thunder rumbling)

Rustle - a quick succession of small sounds (rustling leaves)

Scrape - a sound made by scraping (chairs scraping against the floor)

Sizzle - to make a hissing sound (a sizzling pan)

Slosh - the slap or splash of liquid (water sloshed around)

Splash - to make a sloshing sound (waves splashing)

Splutter - to make a noise as if spitting (spluttering engine)

Squeak - to utter or make a short shrill cry or noise (squeaking wheel)

Susurration - a whispering sound; murmur (susurration of waves)

Throb - to beat or vibrate rhythmically (throbbing beat of the bass)

Thrum - to sound with a monotonous hum (wings thrumming)

Thud - a dull sound (bag landed on the floor with a thud)

Thump - to strike or beat with or as if with something thick or heavy so as to cause a dull sound (thump of footsteps on the stairs)

Whish - to make a sibilant sound (baseball whished past)

Whiz - a hissing, buzzing, or whirring sound (cars whiz by)

Some Words to Describe Different Sounds

Harsh or loud. If you want to articulate abrupt, piercing, or loud noises, use: beep, bellow, blare, cackle, clack, clang, clank, clink, croak, earsplitting, full blast, grating, high frequency, huff, jarring, rasp, rumble, scrunch, shriek, toot, twang, vibrating, wail, and zap.

Soft or subtle sounds. Some descriptors to use to evoke quiet noises: breathy, chime, droning, fizz, glug, gurgle, jingle, moan, sizzle, squish, swish, swoosh, tinkle, trill, wheeze, whir, and whoosh.

Animal sounds to describe noises. English language readers often associate these words with animal noises, but you can use them to create imaginative descriptions of other sounds: bleat, bray, chirping, cluck, hoot, howl, meow, neigh, purr, quack, roar, woof, and yelp.

How to Write With Sound

Auditory imagery engages the sense of hearing.

Literary devices (onomatopoeia; alliteration) can help create sounds in writing.

Sound is a great sense to use to create a mood.

Consider two scenes of the same forest:

You might describe the chirping of many small birds, the rustle of small mammals moving through the softly falling leaves, or the whispering of a breeze through the trees. This creates a particular atmosphere, one that seems peaceful and maybe even a little magical.

Now consider another set of sounds from the same forest. Somewhere in the distance you hear the howl of an unidentifiable animal. Nearer to you, the creak of an old branch, followed by the snap of a twig. The wind, when you hear it, seems to moan.

The same two descriptions of a forest can create entirely different atmospheres with sensory language. Some exercises:

Carry a notebook with you as you go about your normal day.

Pay attention to the sounds you notice and write them down as you go.

Does your coffeemaker whistle, or would you say it hisses?

Do the sirens of emergency vehicles wail, or perhaps blare?

Does your door squeak?

The more you can become attentive to these things, the more you’ll be able to incorporate them into your writing.

Use onomatopoeia to help capture the sound of a scene:

The plop of a frog dropping into a pond

The clink of two champagne glasses

The crackle of a dry log on a hot fire

The whoosh of a car racing by

Onomatopoeic Words: hiss, ping, crunch, pop, sizzle, bang, swish, smash, flutter, clunk, peck, whistle, smack, whack, hush, whir, tip-toe, thud, zap, twang, cock-a-doodle-doo, squish, stomp, tap, thump, splash, purr, tinkle, gush, kerplunk, slurp, swirl, crash, whirl, clang, mumble, squeak, boom, meow, cuckoo, pow, splat, quack, screech, zoom, tick-tock, burp, clip-clop, eek, hiccup, moo, oink, buzz

In general, though, you’ll want to be judicious about using onomatopoeia, unless you’re going for a deliberately cheesy, comic book-type effect.

Tips for Describing Sounds in Writing

Consider your purpose. As you begin a project, decide if you want to render a specific experience faithfully or creatively. Consider the target audience for your creative writing, blog, or journalism. Understanding your goal and audience helps you make descriptors more effective and precise.

Employ onomatopoeia. Onomatopoeia is a type of sensory language in which the descriptive word sounds like what it describes—words like “drip,” “bang,” or “plink.” If you want to achieve an especially sound-driven description, consider using existing onomatopoeic words or craft your own.

Pay attention to verbs. While adjectives (words like “loud” or “sharp”) are the obvious choice for describing sounds, verbs are a powerful tool that can also help you achieve a strong description. For example, saying, “the jet was loud” is accurate and descriptive, while “the jet screamed” evokes an even stronger sense of the sound.

Sometimes less is more. Descriptions are most effective when focused, allowing readers to zero in on the essential details. If you include too many synonyms or attach multiple adjectives to each noun, you can overwhelm or confuse readers.

Sources: 1 2 3 4 5 6 ⚜ More: References ⚜ Word Lists ⚜ 100 Sensory Words

Hope this helps with your writing! :)

[inkskinned]

you keep having dreams about the holidays. in this last one, everyone is happy again, and it is a good day for a moment, the way that sometimes peace could settle in restless clumps over everyone's head. your father is downstairs, everyone else is picking a movie to watch. your cat is still alive and in your mother's lap. you aren't afraid to go into the kitchen to eat, the guilt isn't there yet, and everything is free. your dog is lying down with your siblings, tongue lolling out his mouth. everything feels warm and silly.

you see your hand in the kitchen and you see the light of the fridge click on and some part of you says go back into the living room, you're missing the good part. this is how you spent most of your childhood: when you weren't in the room, it was alright. being in the room was the problem. you spent so much being present wishing someone would notice if you left. you love these people. there is something fundamentally wrong with your head. you stand in the kitchen and feel that rabid heart of yours; the one that tries to make you leave any situation, even when you're wanted.

you don't have this anymore. the mashed potatoes you pull out of tupperware containers spell out big letters on the counter. when you wake up, this isn't the life you have anymore.

sometimes that's an amazing thing - you are so glad you're out of this fucking house. when the peace breaks here, it shatters into months-long screaming. these gulfs and valleys are illusions. you're holding your breath even in the memory, waiting for the wrong thing to happen, the thing that splinters the family.

but sometimes... it would be nice to have this version of the house back. the fire is roaring. someone is laughing so hard it sounds like they're crying, wheezing through the story they're telling, michael buble is singing. in a few hours it will be time for pie, but in the meantime you're going to watch some fast and the furious something. you're all going to talk over most of it, quip lines at each other like it's mystery science theatre. you're all just about to start a board game or maybe a family art project. you're just about to hang up garlands.

someone asked you recently - what if you wake up and it's november of 2013. there are a lot of things that you would be horrified by. the things you'd have to relive, the bitter slow pain of recovery. and fuck, you'd still have to escape him, and the parts of this house that are ugly. to deliver yourself, mangled, into the long road you take in therapy. fuck that entirely.

but you'd also have this moment back, standing half in the kitchen and half in the living room, talk-shouting at your siblings, wiggling and dancing, throwing karate chops at each other and splitting the last crescent roll and gleefully telling college stories your mother really doesn't want to know. the house like this is warm, held in this space before-things. in this world it will be a few years before your family is splintered. these days you have to get in a car to travel to each visit, looping each person together in a little embroidery constellation. here it is loud. it will be a few years before the holidays are quiet, reserved, a little distant.

in the dream, you waver, your hand outstretched. for the love of god, go back the room. go back in and tell them you love them, tell them what this means to you. for the love of god, go now!

you're gonna wake up soon.

[venusplan]

Do you think you could write like a Heian era Sukuna x a very sick! reader? Like reader coughs up blood and sometimes can't even feed themselves. Please and thank you!! Much love 💕💗🧷🎀

a/n :: my first anon :0 tysm! ofc I can. I love Sukuna sm (all my babies are gone)

tw — blood, very sick reader, soft Sukuna(he'd murder us in a heartbeat), fem!reader(sorryyy), fluff + angst!!

It's told that Sukuna has never had a wife or kids. Though that much is true. Though it's not like he didn't think about marrying a specific person. That person being you. Though, unluckily you had fallen sick. The first signs weren't all that bad. You'd cough every so often. Then blood started to appear. Coughing became hacking. Non-stop coughing and wheezing at night

Sukuna had noticed the signs before but you reassured hm it was nothing, and you just didn't feel good and that it would go away. It didn't and it got worse. The moment he noticed how sick you had fallen he didn't try to leave your side much. Though it was only so far so he could protect you. Truthfully, no one had known of your place with him.

He wanted to keep you safe and protected, until he couldn't. He figured one of maids were sick and caused your sickness. So he killed them all, but not just the maids. The cooks, anyone you could practically be around. New people would come and fill their shoes.

Sometimes he would come into your chambers, having Uraume bringing your food on a sliver platter. Truthfully he never knew what dish would be your last, or if you maybe somehow over come it. Which doesn't seem likely.

He shared every part of his life with you. Just like how you shared yours. Truthfully he loves you, though it was more by actions than words. He wouldn't admit to crying in front of you, hiding it. Not like ever did cry, right?

But maybe he did when you finally passed.

Maybe he did treat you with more kindness than he ever did. You were more than just a weak human. You were his, maybe more weaker than any of the others. But he had a strong like towards you. Was able to tolerate you.

Sometimes he missed your annoying yapping, the annoying look in your eye when he would look at you. The way you smelt, the way you treated. Maybe he did, but he'd never admit that. You were like his secret.

His love, his most everything. Maybe he did miss you, but he'd never say it out loud.

» reqs open

[flowercrowngods]

this wouldn't leave me alone, so have my thoughts on a steve-centric "who did this to you?" steddie concept inspired by @imfinereallyy (i hope this is okay, even though it's uhhh nothing like what you mentioned)

When Eddie gets to the boathouse, he immediately notices that something is off. The door is cracked open but he can’t hear anyone talking or moving stuff around. No one ever comes here — it’s been his hideout spot since the ripe age of thirteen when he’d had hist first real fight with Wayne. 

No one comes here. But now the door is cracked open and Eddie stares at it for a good minute as though that would make it come to life and tell him who’s inside so he won’t have to look and deal with whoever decided to steal his spot. He’s really not in the mood to start any shit today, or to be called all sorts of names — most of which aren’t even half as true as people fear. 

His first instinct is to leave, find somewhere else to hide from this miserable world today, when he hears it. The sound of sniffling, followed by wet, heavy breaths. 

Oh. It sounds like someone’s crying. In his spot.

Maybe it’s some girl who got her heart broken, some dude who lost the last bit of faith in his family, or some kid who— 

Ah, fuck it, he’ll just come back later. Not his problem. Definitely not his problem. And it’s definitely not guilt or worry that gnaw at him as he turns on his heel to leave. 

But then there’s a groan. A pained groan. Someone’s in pain, and crying in his spot, and Eddie really shouldn’t make that his problem. He shouldn't. Nopbody cares when he's crying and in pain either! But fuck if he won’t be thinking about it for the rest of his life if he turns his back on whoever it is. Maybe they need help. 

They most certainly sound like they do.

With a heavy sigh, Eddie is already at the door before he can think about it too much. 

“Hello?” he asks the darkness, and immediately the sniffling stops. 

Silence falls, but only for a moment before whoever it is has to draw shaky, wheezing breaths that make Eddie swear under his breath. 

“Listen, I know you’re here.” He’s taking slow, deliberate steps, his eyes roaming he mess of boats, tools and tarp he knows so well.  “And I’m not trying to start anything. Tell me to go away and I will. But I have a first aid kit in my car and, uh, you sound like maybe you need it.” 

There’s no response, but the wheezing breaths turn into whimpers with every second that whoever it is tries very hard not to make any noise, and Eddie’s heart starts to race in his chest. He can feel worry and panic starting to rise. And overshadowing it is an overwhelming sense of dread.

What the fuck is happening? 

He tries to be careful but his mind is racing and his limbs are starting to feel like lead. His wary steps become heavy and clumsy, and then he accidentally boots something that makes a terrible, horrible noise, breaking the eerie silence. Eddie cringes and is about to apologise, when finally there is movement in his peripheral vision. 

And then he sees him. There, hidden in the shadows between a boat and the far wall, his face breaten and bloodied, his eye swelling around a nasty bruise. Wait, do bruises bleed? Should they look black like that? Is it a cut? Something worse?

Even after years of constant bullying and goading in middle school and high school, he has never actually seen someone look like this. With their face completely smashed in. It makes him freeze for a horrible, horrible moment before he saps out of it.

“Fuck,” Eddie breathes, hurrying over as fast as he can, stumbling over tools and tarp as he does. Something falls to the floor with a loud clunk and it makes the boy flinch again. Eddie curses. “Sorry, shit, sorry!” 

He makes it to the boat rather quickly, crouching down in front of the boy a few feet away so as not to spook him, not to crowd him. And then his heart only plummets further, because he knows this one. 

Steve Harrington. The boy who’s come to school with many a black eye over the past two years — but never this bad. The boy who’s been looking like the world might be about to end each time he rounded a corner in school; ever since things started happening around Hawkins. Since the Holland girl died and the Byers boy disappeared. 

It fascinated Eddie, the way Steve fell from grace. The way he turned quiet, and showed up with healing bruises. There are stories woven around it, because teenagers like to gossip and word spreads fast, and Eddie always listened with rapt attention as Harrington turned into a bit of a myth. A legend. A ghost story.

But fascination is not what he feels right now, seeing Steve like this.

His eyes are unfocused and Eddie knows about the danger of head injuries. He knows about the consequences of blood loss, he knows that Steve will be warm to the touch even though he’s shivering already, and… Fuck!

“Shit, Steve,” he rasps, not daring to speak louder lest he spooks the boy. Of all the reasons he’s had to be afraid of talking to Steve Harrington, this one might be the cruellest. "I..."

He takes in his wounds, his bruised and scraped knuckles where his hands are wrapped around the knees he’s pulled to his chest, and his split lip that he keeps biting. 

Eddie swallows before he asks, “Who did this to you?” 

But Steve just shakes his head clumsily. Sniffles again, and then his breath comes in wet heaves, and Eddie worries for a moment that he’s going to throw up now. 

He doesn’t. 

Steve’s just staring. Eddie isn’t even entirely sure he can see him, or maybe he did and then forgot, or maybe he’s fading. Eddie should do something, he should get help, he should— 

“Steve,” he says, and dares to touch him when he doesn’t react. 

A light touch to the knee shouldn’t make anyone flinch like that, but Steve’s whole body jumps, and then the shivers and the wheezing get worse. It almost sounds like a whimper, and Eddie curses again. Feels like crying now, scared and helpless as he is.

“Fuck, I’m sorry. I’m sorry, okay, I— Jesus, okay.” He swallows hard, trying to think, willing for the panic to subside and a plan to form. “You’re okay. I... I’m gonna, I’m gonna grab the first aid kit. I have it in my car. It’s not, it’s not far. And a blanket. So you'll be warm again. I’ll be right back, okay? Don’t move, don’t…" He gestures wildly, caught between reaching out and pulling away. "Don’t move.” 

Eddie takes a wavering breath and moves to stand on numb, tingly legs, nearly missing Steve’s, “Can’t.” It’s barely more than a whisper, hardly even a wheeze. It’s like he’s just breathing out words because everything else is too much effort. 

Right. Right. This is messed up and Eddie’s panicking, but Steve will be okay. Because things like that don’t happen, not here, not today, and not to Steve Harrington. 

Except this is Hawkins. Where Will Byers disappeared and Barb Holland died and many people are missing and weird shit just ends up happening everywhere even though they’re all just kids. They’re just kids. And Steve’s not even conscious enough to realise that right now. 

Eddie all but runs outside, sprinting to his van with a speed that would make the coach swallow his stupid whistle if gym class only mattered right now. It doesn't. Nothing matters, because Steve is... He's hurt. And there's no one else around to help.

Grabbing the first aid kit, a bottle of water and a thick blanket he always keeps spread out in the back of his van, he makes it back to the boathouse in no time. 

He wasn’t even gone for three minutes, but still he sighs in relief when Steve is still awake. He even looks up. Blinks. Frowns in what can only be confusion and makes Eddie's heart fall.

“Munson?” 

Fuck, that’s not a good sign. That’s messed up, it’s fucked up, it’s— Focus, Eddie! 

“The one and only,” he says, voice shaky and his smile not fooling anyone. He wraps the blanket around Steve, whose eyes are unfocused again, though he tries so hard to blink it away. 

Brave boy, stupid boy. Head trauma isn’t blinked away. Though Eddie is inclined to let him try. Maybe he’ll find a way. 

“Here.” He hands the bottle over to Steve, who grabs it with clumsy hands. He can hold it, but he can’t get it open — again, not a good sign. 

Eddie opens it for him, then turns to his first aid kit. It seemed like a great idea five minutes ago, but he’s petrified now. It’s too dark in here and he can’t really see the wounds, he doesn’t know what to use, what’s in there, he doesn’t, he can’t, he— 

The bottle, empty now, is handed back to him, bumping into his hand, tearing him away from his spiralling thoughts. 

“Thanks,” Harrington breathes, and there’s a small smile visible in the darkness. Eddie just nods and takes it with hands that are still shaking.

“I wanna help you,” he says, like it isn’t obvious. “But I don’t know how. You gotta tell me where it hurts, Steve.” 

A beat. “Everywhere.” 

Eddie sags, falling back to sit opposite Steve, frantically rubbing at his face. “Shit.” 

“Yeah.” Steve chuckles, but it sounds so wet with tears and pain, Eddie never wants to hear it again. “Thought I could do it.” 

He’s talking. That’s a good thing, right? He can’t pass out as long as he’s talking. That’s how that works, isn’t it? So, Eddie asks, “Do what?” 

“Doctors told me,” Steve sighs, his voice slow and slurring. “Told me to... to stay out of fights. Stay out of them. Said I had to make sure my head won’t—“ 

He makes a motion with his fist, and Eddie thinks he’s simulating a punch, disoriented as it is. It makes his heart fall. Is that what happened? Someone beat Steve to a pulp? Again? Just like that?

Eddie is so stuck on that thought, trying to piece together the puzzle, that he almost misses Steve’s mumbled speech. 

“Y’know, th— Said I’ll go blind. Or deaf. Or just… die.” He says it to matter-of-factly that Eddie’s heart stops for a second.

What the fuck happened to Steve Harrington? Not just today, no. What happened to him?

What happend to make him look up at Eddie Munson, out of all people, with glistening eyes so endlessly scared, and say, “I don’t wanna die, Munson. I never… I didn’t. With the monsters or the torture. I can't—” A wheeze, a keen, a whimper, and Harringtin pulls at his hair, uncaring that he's making things worse.

Meanwhile, Eddie is stuck on his words. Because what. 

“Can’t, can't die now ‘cause Tommy thinks he’s so… He’s… He’s just sad, man. Griev'n' and confused. But Billy’s gone, an'— And now I’ll…”

Steve looks at him now, his eyes shining with tears and something that Eddie’s written poems about and created characters around. This expression, like the world will end. And inspiring as it is, it fucking breaks his heart now. 

“They said my brain is hurt, Eddie.”

Eddie swallows the hurt and the fear and the complete overwhelm he's feeling. Steve is telling him things that Eddie doesn't know how to handle.

“You won’t die, Steve,” he says in as gentle a voice as he can muster right now, because that's the only thing he knows.

And he won’t, right? People don’t just die. Not from taking a punch, not when they just graduated high school, not when they’re Steve Harrington. Right? 

“Yeah?” 

“Yeah.” 

“Okay,” Steve breathes. “That’s good.” 

Eddie wants to hug him in that moment. He never knew that this was possible, wanting to hug Steve Harrington, wanting to wrap the blanket around him even tighter and keep him safe and convince him that he won’t die. 

And then the rest of what he said catches up with Eddie and leaves anger in its wake. 

“Hagan did that to you?” 

Steve nods. “Started going off about Billy.”

Eddie’s blood freezes at that name. "Hargrove?” 

Another nod, though Steve doesn’t look too happy about moving his head, and he groans quietly. “They were friends. Tommy is angry. Grieving. Con— Confused. He was just saying shit, like it’s my fault. And it is. Kinda. But Tommy’s, he, he’s... Just saying shit. And then he punched me. A lot. And he didn’t stop. And now… is now.” 

“Yeah,” Eddie breathes dumbly, carefully bandaging the glaring wound at his temple, needing to start somewhere. “Now is now.” His blood is still frozen as he tries very hard not to listen to Steve. Nothing that Harrington says has any right to matter anything to him; they live in two different worlds. If Harrington confesses to murder while severely concussed under Eddie’s watch, then there are no witnesses to drag either of them through the mud for it. Eddie is just gonna forget about it. Or try, anyway. “But you’re… Shit , Steve, you’re really hurt.” 

Steve blinks. Pauses. And Eddie thinks he’s lost him. But then, “Yeah. I’m always hurt.” 

And that, in this little voice, is like a gut punch. Because Eddie knows something about always hurt. “What?” 

“What?” 

There is ice in his veins as he asks, “Who’s hurting you, Steve?” 

Steve looks at him, opening his mouth once, twice, like he’s about to say something and Eddie holds his breath. But then Steve’s eyes droop and he shrinks in on himself a bit more. 

“Jus’ everyone, sometimes. God you don’t… You don’t even know.” 

Know what, Harrington? Eddie can barely breathe anymore.

“’M tired, Eddie,” Steve mumbles, closing his eyes. “Don’t wanna hurt anymore.” 

“Hey, hey, no!” Eddie reaches out, catching Steve’s head and preventing it from colliding with the floor as he’s slumping and falling over. 

And just like that, the panic is back, frantic but determined this time. He’s going to get help; there’s nothing he can do with his lousy first aid kit, not when Steve keeps going in and out of consciousness like that. Not when he can barely see anything or clean the wounds properly.

He’s going to get Steve to a hospital and allow them both to forget this ever happened. Because Steve Harrington and Eddie Munson don’t breathe the same air or share traumatic stories in a boathouse like this. 

He’ll get out of Steve’s hair the second the hospital doors close behind him, and get out of whatever trouble someone like Harrington could be in. Eddie doesn’t even want to know. He doesn't want to be part of his ghost story.

But as he’s scooping him up and helping him out of the damned boathouse, clumsily preventing him from stumbling over his own feet or tools or tarp or planks or whatever fucking shit is littering the floor of this godforsaken place, he can hear Steve speaking quietly. 

"Where‘re we going?"

And even though a second ago he was determined to take Steve to a hospital, there is only one place on Eddie's mind right now. Only one place he knows where he won't be scared anymore.

"Somewhere safe," he says, tightening his hold on the boy even though his hands are shaking now, too. He looks over his shoulders the moment they're out of the boathouse, stupidly worried that whoever did this to Steve – Hagan, apparently – would still be around, would follow them and do the same shit to Eddie.

"Safe?"

"Safe."

"Okay," Steve sighs, like he believes him. Like he trusts him. Hell, they've never even spoken before, but something inside Eddie breaks at the little sigh, at the way Steve goes slack in his arms. And even more at the little, "Thanks."

If Eddie's eyes are filled with tears and the hands around the wheel are clenched so tight to hide the way they're shaking, then Steve is not conscious enough to comment on it.

(addendum 7 december) onwards to part 2

[imbored1201]

Dumb Decisions

Happy birthday to my homie @sleekswosobession

Pairing: Barcelona Femeni x Reader (Sick fic)

Word Count: 1.1k

You cursed in your head as you were woken up by Alexia pulling your blankets off you. “Get up,” she said, grabbing your bag and throwing it on your bed to get you started. It took you a while to actually process what was going on, but all you knew was that your head hurt really bad and you felt like you were about to throw up. 

You were sick. You spent the next 10 minutes questioning if you should tell Alexia or not. 

You told yourself it was dumb to train and that you should tell Alexia, but there was the other part of you that didn’t care and just wanted to train. 

The second part won. You were able to take medicine without Alexia noticing before you left for training, but the nausea really hit you when you walked into the locker room. 

The loud conversations weren't helping with the headache. Especially with Patri blasting her music and running around poking everyone to get them excited for this very early training. 

“Aw, what’s wrong?” Frido cooed and pinched your cheek when she noticed your mood. “I'm just not feeling it today." She frowned and patted your head before leaving you alone. 

————

“Y/N, come here." You froze hearing Jonatans voice, quickly making your way to him. “Si?” You tried your best to make yourself look somewhat presentable, but you were barely able to stand straight at this point, just wanting to curl up on the grass and cry. 

“Go see the medics,” you said, giving him an odd look. “Why? I don’t feel any discomfort.” 

“You look pale; you're off your game today; even right now, you're struggling to even catch your breath. Get checked out.”

He waved you off, leaving you no room to argue back. You simply huffed and walked back to the lockers. 

————

You shuffled into the room, looking in between them. They stared back at you, inspecting you to see what was wrong. “Sit,” one of them said. “She’s all yours,” the other one said, and she walked out to go back onto the field to monitor. 

“Symptoms?” “I don’t feel anything,” she let out a sigh. “Do I have to get Alexia?” You looked at her, terrified. “No” 

“You know, when players are sick, they usually stay home,” you heard her mutter. You scowled, “I’m not sick; just tell Jonatan I’m fine.” You were silenced by her glare. 

“Do you want me to lose my job?” You quickly shook your head, thinking of any other ways to get out of this situation. 

“Can I at least change out of these clothes? I feel nasty.” She just nodded, desperately wanting to get a tiny break from you. 

————

There were 10 minutes left of practice, so you knew she was going to notice; you just hoped it was towards the last 5 minutes. 

“Here comes trouble." Cata commented as she watched you jog back to Jona to tell him you were "fine.”. 

He did look a bit worried, but he decided to just let you off and motioned for you to go on a team for a scrimmage. 

You didn’t know why, but you were tired before it even started. “You haven’t done anything,” Patri commented when she noticed how you were struggling to even stand. This drew the attention of everyone. 

“I need a moment," you said as you sat down, regretting even coming back on the pitch. 

“You okay?” Ingrid put a hand on your back, watching as you struggled to catch your breath. "Fine,” you wheezed out. 

After a couple more minutes, you finally recovered. “Why is everyone staring at me?” You whined to Ingrid, and everyone quickly went back to doing their drill. “Let's get you some water.” 

“Y/N!” You froze hearing the medic, everyone watched shocked as she started sprinting towards you. “Ah shit” as much as you wanted to run away, you just didn’t have any energy left and just sat on the grass, accepting your fate. 

“What is going on?!” Jona asked, frustrated; training had been interrupted way too much today, and he was sick of it. “She’s sick, and she lied to me,” Jona sighed and waved Alexia over. 

“Never a moment of peace with you around,” Alexia muttered, dragging you off the pitch. You made sure to stick your tongue out at the medic. 

————

“Sit down,” Alexia said sternly, for once you actually listened to her. “What are you feeling?” You were about to speak until she cut you off. “And be honest, no lies,” you rubbed your nose. 

“I’m not feeling good,” you admitted, and you watched as Irene entered the room again. Alexia held back a sarcastic comment, looking at her. Irene took that as a sign to take over and gently pushed Ale away to cool down. 

“Okay, let's do this quickly so we can get you home.'' You rubbed your eyes and nodded at her words. You watched as everyone entered the locker room again and took the water from Salma. 

“This is probably the dumbest thing you’ve done." You glared at Salma and watched as Patri and Pina laughed at you. “Alexia, tell them to leave me alone.” 

One look from Alexia, and they quickly went back to doing whatever they were before. 

————

Alexia was jealous watching as you listened to everything Irene told you to do. You even took the medicine without complaining. 

“Now all you need is rest; you’ll be better soon." Irene reassured you as she brushed your hair. 

"Gracias, Irene, you should get home to your family; I can take it from here." All Ale got was a look. “Please don’t go all captain on her, not until she fully feels better.” 

“That’s difficult for her,” you whispered, and with one last hug, Irene was out the door. Now it was just you and Alexia. 

“You're an idiot." You looked upset by that statement, making Alexia regret it. “Movie?” “My choice?” “You always choose.” That was true; no matter how many times Alexia told you she was going to choose the movie, it always ended up with you choosing. 

————

“You need to tell me when you're sick, Bebe." You tested your head on Alexia’s shoulder as you scrolled through to find a good movie. 

“Needed to train." “No, the number one thing you need to worry about is your health.” 

“Yes Ale” She wrapped a blanket over you and focused on the movie you chose.

[snaileer]

Time Unsolved

Dp Unsolved

“Today on Buzzfeed unsolved we cover the Timely Disappearance of Charles T. Williamsworth.”

Danny slurped loudly on his drink as the intro played. Was he maybe crazy for watching a Buzzfeed Unsolved True Crime alone, at night? Maybe.

But Danny had been attacked by ghosts. What was a human gonna do that Skulker couldn’t?

“What a name!” Shane cut in immediately, the video showing him seated at their table holding a cup of coffee. Ryan laughed.

“‘Ello, yes, my name is Sir Charles T. Williamsworth, how art thou? Ah yes, jolly good!” Shane mimicked with a horrifically bad posh British accent.

Ryan laughed harder, “We’ve been to London, they don’t sound like that!” He said between laughs.

“Uh, he does! There’s no way a man with a name like that is not ‘mm yes I will take a spot of tea with my biscuit thank you.’ I’m calling it, he definitely talked like that!”

Danny smiled at the antics as Ryan wheezed, “Well it’s too bad we’ll never know for sure then isn’t it, what with his disappearance, y’know what we’re actually here to talk about.”

“That’s okay. I’ll know. I know my buddy Charles.”

“Alright then.”

Ryan flicked his file open as Shane took a sip from his coffee.

The screen lit up with an image of a man on a black backdrop.

“The Williamsworths were a French-German family who moved to Biel, Switzerland in early 1914, just months before the largest war in European history kicked off.

They were one of the lucky few families to have left France before the war broke out…”

“Oh a family moving, that’s suspicious now?”Shane cut in, yellow words typing themself across the screen.

“Well, it was right before World War 1, I mean the timing is kind of suspicious.” Ryan replied in blue.

-People move, Ryan.-

-Okay, okay, it’s just the facts of the case,.-

Danny rolled his eyes, ready for the story to continue.

The images came back.

“This move would evidently prove to be quite fortunate for the family for obvious reasons. However, it also led Charles to find his true passion: … Watchmaking.”

There was a pause as a map of Switzerland came on screen. “Biel, the town that Charles would live in for the majority of his recorded younger life, was known for watchmaking, being one of several in the heart of an area named ‘Watch Valley.’ “

-You ever own a Swiss watch?-

-Nope-

-Heard they’re good. Reeeal good.-

-Yep.-

-…-

“Charles would reportedly develop a passion for clocks, watches, and timepieces in general, only getting more entrenched in his obsession over time.”

The image of the man now shifted to be overlaid on a map.

“By the time the First World War was over, Charles had gained an ostentatious apprenticeship under one of the premiere watchmakers of the time, Max Stührling. This lasted until Stührling’s death in 1938, after which Charles vanished from any records for two years.”

-Well y’know, his mentor had just died. -Maybe he wanted to grieve. Y’know curl up in his room and not see anybody for a bit.-

Ryan laughed, -2 years, he was crying in his room for 2 years and nobody found him?-

-Well, it’s not like records were great back then, I mean what are you gonna write on the census… just.. like..-

-Loud weeping heard from inside. One resident. Unnamed.-

-Yeah!-

“The next time Charles T. Williamsworth appears on record, it is in the back of a photo from France in 1940. Showing Williamsworth standing in front of a watch shop wearing dark clothes, a distinct pocket watch, and looking into the camera.”

The black and white image appears on screen, zooming in on the background figure. Danny tilts his head at it, something about it niggling at him.

“The shop and its owner would go on to be infamous within the French town for the duration of the Second World War. Charles was unwillingly drafted in the summer of 1941, serving on the front lines for no more than 3 months before sustaining a wound to his face, leaving him with damaged eyesight, facial scarring, and a medical discharge.

He returned to his shop soon after.”

Danny frowned at the mention of what the man had probably gone through.

“Later evidence statements regarding Charles stated that he was: ‘an odd man. He never mentioned the war, leaving it behind once he was not forced to be a part of it. He seemed to be separate from it all, he only cared for his watches.’

This sense of separation would extend to his shop, as when the town was bombed in 1944 leading up to D-day, his shop was left miraculously unharmed. It was reportedly open the very next day.”

-I can appreciate the dedication- Shane says in yellow.

-Yeah, I mean, the morning after is a bit soon, but he did really love watches. If he didn’t have to, I guess he wasn’t gonna close his shop.-

-His advertising: ‘Sure you were almost killed in a fiery explosion, but look! I’ve got new watches!’ Jazz hands.-

Ryan laughs.

“Over the next 50 years, Charles T. Williamsworth would disappear from records repeatedly, sometimes for months, only present on seven censuses between 1952 and 1979. Despite this, the clock shop was never sold, remaining in wait for its master’s return.”

Multiple pictures of pocket watches came onscreen. “It became known in the surrounding area for especially good pocket watches and grandfather clocks. Each personally made using Swiss essemblage practices, often engraved.

While it was a place of prestige, some described the shop as having ‘an unbearably loud sound of ticking, as if a thousand clocks were set to the same second.’

Apparently, Charles ‘seemed to enjoy the sound, often standing in the front room when no one was present. He was able to pick out one clock if it was off time.’ Witnesses stated.”

It cut to showing Shane and Ryan at their table.

“God, I can’t imagine. That’d drive me crazy.” Shane said, shaking his head.

“Yeah, I don’t know, a thousand clocks at the same time? Just..” Ryan looked back and forth frantically, as if there were sounds from every direction, “I’d go nuts pretty fast, I can’t even handle one sometimes.”

“I’d just go off and punch one of the clocks, just- RAAAH and -oh my god is that where that comes from?! I’m gonna punch your clock? Or like you clock somebody!?! Oh my god I never realized that!”

Danny’s jaw drops at the realization as Ryan laughs. Shane looks to be losing his mind as well.

“However, Charles’ most notable disappearance was his last.”

Dramatic music played as Danny zoned back in.

“Due to his frequency of vanishing for extended periods of time, it is unknown when exactly Charles disappeared. The last definite sighting of Charles T. Williamsworth was late at night on April 23rd, 1999, when neighborhood patrolman, Elliot Dubois, noticed him locking the door to his shop with its lights still on. Elliot, concerned for the safety of the elderly man, questioned him but eventually allowed Charles to leave, noting that he turned down a road that only led into the woods outside of town.

Two weeks later, 12 year old James Chappellè, a mailboy in the area, noted during his morning run on May 7 that mail had begun to pile up in front of the shop’s door.

Something that had never happened before.”

The word ‘before’ faded into red.

“It reached such a point that the mail system declared they would no longer deliver, as they couldn’t guarantee it wouldn’t be stolen.

At this point, the police got involved and the case was assigned to Detective Jacob Laurent.

It turned out to be a more difficult case than first expected, as when they looked into Charles’ past, they were unable to turn up any such notable documents as a birth certificate nor any document containing a birthdate.

But when police entered the shop on May 10th, they found it largely empty, with only the shelves, register, and equipment left remaining between the front and back room. There were no clocks of any kind.

It should be noted that there was still money in the register, and a light on in the back though the other bulbs for the front seemed to have been burnt out.

Upon entering the living space above the shop, it was found to be covered in dust, and all of Charles’ clothes and belongings still present.

Rather, there was evidence that Charles largely slept in his shop, with a cot beside his workbench.

A workbench that, upon police entry, only held one gold pocketwatch, personally engraved with the initials ‘C. W.’ As it was known for Charles to always carry the pocketwatch, he was officially declared missing and possibly presumed dead.

The watch’s presence also led detective Laurent to suspect foul play.

Despite the declaration of foul play, the police did not extensively search the town woods, citing the size and density of the forest.”

The video cut to Shane staring at Ryan, face deadpan. Ryan was clearly trying to hold back laughs.

“So… let me get this straight… an old man who’s… how old at this point exactly?”

Ryan laughs, “Nobody knows, there’s no known birthday-“

“That’s weird too, but okay, let’s say he’s like what, at least 95? I mean… there’s a certain age that like if you disappear… ..eh.” Shane shrugged.

Ryan looked at him incredulously, “Eh??”

“Yeah,” Shane shrugged again, “Eh.”

“What???”

“I mean… y’know… old people wander into the woods sometimes, maybe he just went for a walk and got lost. At that age… death has gotta be around every corner, I mean come on!”

Ryan wheezed into his elbow.

Danny laughed quietly.

Once Ryan calmed down, he organized the file, clipping it down on the table, “So! With the story finished, let’s get into the theories,”

Shane rolled his eyes, “Oh god this is gonna be one of yours isn’t it? What ghosts are abducting people now?”

Danny smiled, briefly considering how much effort it would take to go haunt Shane all the way in LA.

“The first theory is that Charles T. Williamsworth was involved with the mafia at the time and was a long standing or high ranking member that had crossed the wrong people.

Some reasons for this theory is the lack of early documents, suggesting a fake identity or forgery.

This case is especially supported by the long absences, where his shop remained closed and yet still remained in his possession.

In fact, the deed for the shop was not listed under Charles’ name, instead Iisted as owned under a private organization.

This theory explains his disappearance and possible subsequent death as an act of revenge from an enemy made from illicit activities. Leaving no body behind, there would be no evidence to prosecute the acting party.

Within this, there are also some who believe that if Charles was engaged in the mafia and lived under a false identity, that his disappearance was him returning to his actual identity, possibly due to being caught.

Prison records indicate 6 Swiss-German inmates arrested at the approximate time of his disappearance, roughly matching the age and appearance of Charles. Notably, none of them had a distinct facial scar and no identification was ever confirmed.”

The screen switched.

Shane smiled at Ryan, “Oh Ho Ho, my boy Charles is getting into some funky stuff, huh? Workin’ for the Mob, breaking knees, chopping fingers?”

Ryan laughed, “Yeah maybe, it definitely lends credit to him being a part of something. Maybe he was out in the woods breaking knees y’know. Or burying something.”

“Someone,…”Shane said ominously, then burst out laughing, “What if he buried himself! Just-“Shane mimed digging, clapping his hands like he was wiping off dust, “Alright, thats a good illegal grave right there, just a good hole for a dead- woaaah!” He pretended to fall, “Boom, stuck in his own grave.”

“Really, this old man dug a 6 foot deep grave? On his own?”

“Hey you don’t know his strength, maybe he lifts.”

“Alright.” Ryan shook his head, still grinning.

Danny smiled, considering it, it did kind of make sense.

“The second theory is that Charles T. Williamsworth did indeed just walk into the woods and never come out. If this is the case, what happened in the woods is widely speculated on. Some saying that animals may have attacked him, or that he simply fell or was injured and could not get up due to his age.

This theory loses support due to the fact that no body was ever found. Though some say that if the woods were too big for the police to search, there may be a den or that his body was covered naturally.”

“Or in a grave.”

“You really think he was mafia?”

“I mean, who could tell?” Shane shrugged.

“The third theory, much like the first, is that Charles was a federal agent for one of the Allied Powers.

This theory is also supported by the significant periods of absence and lack of documents to indicate a forged identity, meant to fool the German government and allow him to work behind the lines. However, unlike the first, there is also evidence of a man with the same distinct scar on his eye, showing up in the background of photos at the British Intelligence Office, the Eiffel Tower during Germany’s occupancy, and behind closed Swiss borders.

None of which would be possible without the unique skills and permissions of a government agent.”

Silence reigned as Shane and Ryan stared each other down, Shane clearly ramping up for something.

“The name’s Williamsworth. Charles Williamsworth.” He said dramatically.

Ryan burst out laughing. “You support this one more then?”

“Yeah, I’ve changed my mind, he’s not in the mafia. His suspicious activities were in the name of secrecy, national secrets, confidential war trades. Espionage…”

“Well I guess, nobody’s gonna suspect the 95 year old man to be up to anything. I mean, if I saw an old man somewhere I’d just be like, huh I wonder who lost their grandpa, not ‘I bet he’s secretly working to take down Hitler.’ Y’know.”

“Charles gets caught: just ‘Whaa-at me~e? I’m just a gentle~e o~ ol~ld ma~an, I can’t harm nobody~y.” Shane mimed leaning over a cane.

“He gets caught and just pretends he has dementia, ‘Who am I? Who are you? Why am I here? Where’s my breakfast?”

Shane cackled as Ryan laughed.

Danny considered it more, this one seemed the most likely, though… he’d definitely be the oldest agent.

“Another theory is that the shop was robbed and Charles returned while or before it was happening, catching the criminals off guard and leading them to react rashly, injuring or killing Charles. They then would have hidden his body and cleaned out the shop to hide any other evidence.

This theory however is disproven by the lack of money taken from the register.

Despite this, it is the official claimed circumstance by the police at the time.”

“Fucking police, always with the boring one.” Shane said ruefully.

“Our last theory, and my personal favorite,-“

Shane groaned. Danny smiled, this was gonna be good.

“-is that Charles T Williamsworth was a time traveler. And that all of his disappearances were when he was traveling through time.

This theory supports his families early move to Switzerland under odd timing, his appearance in so many photos and even his obsession with clocks. As well as why he seemed unbothered by the tumultuous times.”

“I can… accept it.” Shane said, hesitant.

Ryan laughed, “I’ll take it.”

“Despite all of these theories, there is still significant information missing from the case.

And so, like clockwork this case shall remain:

Unsolved.”

Danny’s mouth dropped as the screen went dark.

No way.

No freaking way.

He lurched upwards, eyes wide.

Obsessed with clocks, scar on his eye, fricking weird and talks in riddles.

Oh mygod!

Danny threw himself out of bed, “I’ve connected the dots!” He rushed to untangle himself from his sheets, transforming immediately, “I’ve connected them!”

He dove for the ghost portal.

Holy frick!

Charles T. Williamsworth was Clockwork!

[sexlapis]

nanami reminding you of your manners 💭

ns4w, short one shot, female!reader, overstimulation, vibrator, ropes as restraints, collars, slight breath play, praise (good girl), nanami is a tiny bit mean 🎀

masterlists

*

vermillion ropes gently restrain you, similar to nanami’s hands, wrapping around you thighs and calves and arms like vines, with your body being the guarded, sacred temple.

and the black collar sits securely around your neck. a firm reminder.

you know you will have marks for days.

the most significant aspect of this, is the erratic wand being held right up against your trembling pearl, playing with and almost tormenting your poor, little nub. but, you blossom like a flower under the vibrations, chest rising to the sky and your mouth agape and awaiting.

and nanami loves to see you bloom.

“look at that, sweetheart,” he says, beckoning down to your ruined cunt, “look at all the mess you’ve made.”

with tear-filled eyes, you look down.

it is messy.

the bedsheet you sit on are puddled with your essence, the hairs around your mound gleam with it too and your inner thighs are damp and sticky.

“oh-oh!” you stammer out to him in acknowledgment.

you feel it coming.

the heat gradually rising from you poor pussy and up to your belly, pooling all around your lower abdomen, swirling all together and all around.

“oh, you’re almost there, aren’t you?” nanami taunts you, so meanly, in his easy tone.

he doesn’t need you to answer that.

he can tell by the tear-streaks on your puffy cheeks, the droplets that bead at your hairline and trickle down the side of your face, the tautness of your pointed nipples, the way your eyes lull into the back of your skull, the tempting twitches, tremors and shakes of your wrecked body.

that’s all the answer he needs.

you gasp.

the vibrations rock through you, slick wetness forming around the wand attached to your pussy.

“i’m gonna-i’m gonna cum. i’m g’nna cum.” you sniffle, a tear rolling down from your eye.

“hm? is that right? what do we say when we wanna cum?”

oh, yes. where are your manners?

you moan loudly. you almost forgot.

“can i…can i cum? please?”

“of course you can, baby.”

the kiss nanami places on your temple is what sets you off.

it pummels right through you, sending your already sensitive body into overdrive. all the pressure curled up in your stomach unfurls rapidly, and bursts out from your cunt, splattering on the soft sheets. the loud, high-pitched cry you let out rings around the room as nanami nibbles and sucks on your jawline.

your quiver. random, whiny sounds pour out of your mouth as you twitch. you hands squeeze into fists, trying to gain control of yourself and your body.

nanami doesn’t stop.

he continues, the wand still on a high setting.

a long whine flows out of you.

“what do we say?”

you blink at him.

you’re so fucked out, your eyes bleary and tender.

you groan softly, confused.

so nanami raised his free hand and holds the end of the collar on your neck, and pulls.

you wheeze, a full body tremble rocks through your body again.

nanami asks again. “what do we say?”

it clicks.

“thank you,” you scrabble out, peering up at him in search of validation, “thank you, thank you, thank you!”

the vibrations destroying your body come to an abrupt end. you let out a large breath, your body sagging and going near limp.

“that’s a good girl.” nanami kisses your cheek, your nose, your eyelids, your lips and all over your hot face while you come down from oblivion.

his hands soothe over your sweaty, convulsing body and he quickly unties the restraints on your body, moving them away from you completely.

with the strength left in your weary body, your curl your arms around his neck, wanting to be close to him so badly.

nanami’s warm chuckle fills your ears and he holds you to him gladly, resting his head on yours.

“god, you’re so good.” he breathes out. “so fucking good for me…”

*

a/n: uhm ahahaha soooo this isn’t funny anymore i need him…………………………….

[ervotica]

i’m on the run with you (my sweet love)

pairing; rafe cameron x fem!reader

warnings; sorta dark? but not really bc this is just rafe in character lol, established relationship, rafe is insane but also cute (i <3 deranged men), rafe is violent towards r and he cries a lot, 1k words

summary; you've reached the end of your tether with rafe's bad behaviour. just how far will he go when you try to leave?

He's so loud. It rings in your ears even as you walk away from him, trying to put distance between yourself and his growling; he's almost animalistic as he stumbles against the concrete sidewalk and grapples for purchase against your bare arm, a desperate attempt to get you to stay. Rafe has never been one to ask nicely for things. His rings leave a cold bite on your forearm and you sob, snatching out of his grasp even as he wails and cries.

"Rafe, stop," you're begging, pleading with him not to make a scene. He's flushed pink right down to his toes as he shakes, hands reaching out for you in a way that almost makes you reconsider leaving.

"You can't leave me," he says. Plain and simple, as though it's a fact. He's incredulous that the thought would even cross your mind in the first place- let alone that you're brave enough to try. "You can't."

"Rafe, this is unstable. I can't live like this anymore." Tears clog in your waterline and you sniffle and gasp, the back of your hand coming up to press against your open mouth. "I don't wanna do this. You've left me no other choice."

"No-no other choice?" he laughs through tears and grit teeth, an odd sound that gets lodged in his throat and then pushed out with a sob. "No other choice?"

He's alight with fury, pacing back and forth, gnawing on his fingernails as his hands flex, desperate to grab hold of you.

"Stop, you're scaring me," you murmur; stepping backwards away from him, a rock wedges in the sole of your sneaker and you lose balance. Just as you're about to hit the hard ground, Rafe surges forward, a thick arm wrapping around your waist and pressing you to his chest. The heat is emanating off of him in waves, coursing over you as his iron grip tightens.

"I'm scaring you, huh?" You're trembling as he whispers in that snarling way that he does- the tone that's usually directed at others, but never you. You don't like being on the receiving end of his wrath. "There'd be nothin' to be scared of if you just did as you were told, baby. Why do you insist on making everything so fuckin' difficult for me?"

You start to really cry then; in the middle of the street, sputtering in fits and starts, sagging in Rafe's hold when he shushes you and presses his palm to the top of your head to draw you into him.

"Shh, shh, I know," he mumbles, a thick bicep drawing tight as he wraps himself around your neck, quiet words vibrating against your skin.

"Why do you keep doing this to me?" you wheeze against his shoulder, the cotton of his jersey soft as you rub your face on it in an effort to hide. "Why does it have to be like this?"

"It doesn't. It doesn't, okay? Let's go home and we can talk about this."

His arms shift your weight until he's lifting you, hooking your legs up and over him and carrying you to the car parked a little way away. In one last futile attempt to free yourself, you kick out, squirming.

Not that it makes much difference; he has the passenger door opened despite your resistance and then he's trying to force you in.

"No! I don't want to. Rafe, stop it."

"Baby, get in the car."

There's an edge to his voice and you know if you push him much further he's going to snap. He's like a coiled spring, and he'll lash out at whoever's closest.

"No, please," you sniffle. "I don't wanna go."

"Get in the damn car!" he screams, and you cry out as he throws you through the gap; your head hits the top of the door with a thump and you moan, curling in on yourself on the leather seat.

He slams the door and stomps around the front, brow knit, lips pursed as he climbs into the driver's seat.

He takes a breath. The mist starts to clear from his eyes. You're still doubled over, fingers splayed over the forming bruise on your forehead.

"Angel," he murmurs, reaching for you. "Baby, I'm sorry. I'm so sorry."

You swat his hand away and wince at the throbbing in your temple. His breath quickens and you can feel how he convulses; from experience, he's around 3 minutes from a total meltdown.

"Rafe, calm down," you say, blindly reaching for him to placate his temper, if nothing else. "It's okay, I'm fine."

He coughs and snivels, clenched fists pressed to his eyes to conceal the tears. He's frozen with them, silent as he sobs and brings his head up to slam it against the steering wheel. You swivel in your seat, hands pressing to the sides of his neck in an attempt to keep him still.

"No, baby, no," you sniff. "Come here. I'm sorry."

He starts to turn towards you, his eyes swollen and red-rimmed as he hiccups. And then he's climbing right over the armrest and into your lap. It's comical, really; this huge, hulking boy crawling into your arms like a puppy.

He curls around you, laying between your thighs, his legs bent awkwardly in the footwell as he presses his face to the hollow of your throat.

"I'm sorry," he cries. "I just love you so much, I don't want you to go." His voice cracks and he wraps his arms around your middle, slipping cold fingers beneath your t-shirt to feel your bare skin.

"I'm not going," you murmur. Your lip quivers as you stave off tears. "But we need to get this under control, Rafe. I need you to try to get better."

"I will. I will, I promise. I'll be better for you."

You tilt his chin up and his watering eyes meet yours. You slot your lips between his and sigh when his whole body softens against you.

"I love you," you tell him. "We'll get this under control, okay?"

You suppose only time will tell.

[pippin-katz]

The Awardist - Nicholas Galitzine & Taylor Zakhar Perez

I have to write down the best bits and record my thoughts while listening to this because I am completely losing my mind over what is our first real interview with the boys that was recorded in real time.

27:55 - right off the bat we got a great inside joke/reference from the host that had me cackle

28:19 - taylor being happy to see their faces and nicholas immediately shutting him down like "well i'm not happy to see taylor's face"

28:40 - taylor joking about putting a post-in note over nick's face lmfao

29:30 - the way they don't want to talk over each other, it's giving alex's bedroom flashbacks

29:40 - nick being like "oh! oh, it's good!" when dipping into the online response when the movie released lmfao 😆

30:33 - the silence following the social media question where they were apparently nodding followed by taylor saying they were texting each other like "mate" "mate" back and forth

31:20 - THEY TALKED ABOUT THE SIGNING WARS

31:44 - nicholas calling taylor "this little fucker" had me dying cause me and @meraki-yao were literally referring to him as that in our conversation on ig yesterday

32:00 - nicholas genuinely asking taylor "what possessed you to do this?"; it's giving storage closet in the children's hospital vibes when henry's like "why do you dislike me?"

33:04 - "take it nick" immediately upon being asked the dense question regarding fans reacting to their portrayals of henry and alex, and the way that nicholas laughs and stutters makes me think that taylor totally did that on purpose to mess with him lmfao

34:00 - taylor stopping to talk to fans regardless of where he is or where he's going and specfically mentioning how meaningful it was that people have said *TW* they were contemplating suicide when they read the book/watched the movie and that it helped them 🥺

35:40 - the host referred to the film as "a coming out story", which i don't really agree with as a label because the coming out portion is an added piece of their relationship as two public figures, but their love is the actual story

36:40 - nicholas referring to the film as "wholesome and funny" made me smile so much because it truly is wholesome

37:18 - not the host making the "top to bottom" joke 😭

37:58 - nicholas and taylor have talked about their friendship with each other and how they instantly clicked; nick knew within a few minutes of rehearsal that taylor was "his buddy" 🥺

38:41 - catch me squaring up with everyone who has made nicholas self conscious and self deprecating about doing so much intimacy work on the screen that he refers to it as "basically his thing" like that's all he's recognized for; i am so ready to punch some motherfuckers 😡

39:10 - "it's so fun now, seeing my mate at all these awards and stuff"; catch me fucking crying

39:24 - not taylor misremembering the "nicholas or joey" question as "who was the better kisser"; he totally combined the "is nicholas a good kisser" question with the "who has your heart tonight" question

40:05 - taylor talking about matthew's background in theatre and how they got to actually rehearse with each other; i will never stop being insanely grateful that matthew is a theatre guy

40:55 - the way i said "oh my god" out loud because i was so excited by the question

41:14 - improvised the "physicality" of the store room; i.e. they just fell on top of each other and clamored around 😂

41:32 - the way i literally gasped so hard that i started coughing when nicholas called taylor "tay", i am not even fucking joking, that was so fucking cute 😭

43:42 - fucking wheezed upon realizing where the question going

44:02 - the knowing way taylor was like "i will take this one" lmfao

45:10 - not me going so red from second hand embarrassment 🫣

45:44 - taylor bringing the jockstrap that nicholas wears in bottoms, and nicholas immediately adding "i won't even go into mary & george" 😂

47:51 - taylor finishing nicholas' sentence about matthew's direction for the cake scene; sharing a braincell lol

48:36 - taylor's dog passed away the night of the first day of filming like wow, that fucking sucks 🥺😭

49:05 - "everyone's looking at me with these sad eyes" made me so sad but then taylor said "do you want some tea?" in a terrible british accent lmfao

49:50 - nicholas complimenting and boosting taylor's performance while having such a hard time emotionally 🥺

50:49 - taylor bringing up running through the museum; i can hear the smile in his voice while talking about it 😭

51:28 - they filmed the kensington palace fight and the red room the week after nicholas got covid

52:40 - oh my god, the way you can hear nick grinning as he throws taylor under the bus for the sequel question 😂

53:30 - taylor wants a second book to base the sequel off of

54:03 - taylor used they/them pronouns for casey!! see? he knows, it was totally nerves

55:20 - it felt like it was over too soon, i desperately need more of them PLEASE 😭

This is the greatest thing that's happened in like, a month for me lmfao I am literally begging for more people to interview the boys about RWRB, I am so fucking desperate for more content of the two of them together. They are everything to me 🥺

Thanks for reading!! If you enjoyed this essay & would like to support me, you can give me a tip on my Ko-Fi! ☺️

[romulusthethird]

Alt. Universe AU

Listen, Danny didn't mean to fall through that portal and end up in a pool of burning ectoplasm. But here he was, after another annoying meeting with Clockwork about time shenanigans and alternate selves, in said pool of goo.

It felt like he was being burned alive. His mouth opened involuntarily to scream, taking the green liquid into his mouth, into his lungs when he ran out of breath. He screams anew, actually hearing his voice in the dense goo. He sounds like nails digging into a chalkboard and dragging across it.

His Lichtenburg scars light up, glowing an eerie green, almost yellow.

He's going to drown. To actually die.

He kicks his feet, but it's as if he is trying to run in a dream. Too slow. His hands wave above him, pushing down. He kicks, and kicks, and kicks.

He can't breathe.

He's in so much pain--more pain than he's ever felt in his half-dead life.

And then, somehow, someway, he breaks through to the surface.

He gulps in the fresh, clean air with loud wheezes. He's still kicking his weakening legs, still moving his arms. He coughs, moving forward.

His feet touch the ground.

He wants to laugh, and to cry when he finally stands, waist still emerged in the hot ectoplasm. He gags, hacking and coughing, maybe even throws up a little, expelling the green goo back into the pool.

When he looks up, he's in a cave. It's tall and expansive, and he could kiss the damp, disgusting stone a few feet away from him.

He's alive.

He pulls himself out of the water, chest heaving, and lies on his back on the cool stone. His clothes are eaten through and barely resemble clothes. His skin steams and... is he glowing?

He is! His arm looks like he lost a battle with a Edward doll from those twilight movies. He's not sparkling, but it's like a faint shimmer out the corner of your eyes. Like something is trying to enchant you.

Is he some type of Fae?

And his nails... They're claws! Freaking claws! He moves his hand around, wiggling his fingers. They look lethal. Like a mon--

"And what do we have here?" A voice, deep and old, rang out.

Danny startles, not having heard anyone come in (and he has super hearing!) He sits up, hair falling around his face (did his hair grow????) and eyes taking in the old man and the people in black surrounding him.

"Who are you?" The man asks.

"...None of ya business."

"Everything is my business in my domain."

Danny stills. He looks closer at the man. He isn't a ghost, maybe a little liminal, but alive and well. "Who are you?" He shot back. "And what's you 'domain'?"

"Since you managed to find my personal Lazarus Pit, you know what I am. But, I suppose I'll humor you. My name is Ra's Al Ghul, the Demon's Head. This is Nanda Parbat, my domain."

Nanda Parbat? What the heck? Demon's Head? "I don't know you. My name is Danny." Should he be giving random people who appear in caves with green pools of ectoplasm his government name? He doesn't know, but if it goes south he has the power to leave. And maybe that's also in his human form too, now, if the claws were any indication.

The old man hums. "How did you get here Danny?"

"I don't know. One minute I was--" He can't tell him that. That's not something a human should know. Not something someone living should know. "--Y'know at home and the next I'm waking up in this goo pool that burned me."

"You are a poor liar. Why shouldn't I slay you here and now?"

Danny snorts. "You can try."

The man's lips twitch in amusement. "Fascinating. Take him to the dungeons. We'll see how long you can endure before you spill all your secrets, dakhil."

Two men came forward to grab his arms. Danny wants to fight them, really, but he's so tired. He can escape later. For now, he lets these men pick him up and take him out of the cave and into what looks like a medieval castle.

"Do be careful not to damage him further before I can see to him."

Maybe that should scare Danny, but it doesn't. He's dragged past a courtyard full of training people, including a boy, lightning quick, fighting against a woman.

Their eyes meet--his, and the shocking blue of the stranger--before he is dragged further into his new temporary home.

He is leaving. He just needs to rest first.

Yes.

Rest...

-

--

---

----

-----

----

---

--

-

So, the plan for this AU is essentially, Dami never went to Gotham at the tender age of ten, and is still in the league (We are ignoring the "Ra's needs his body" canon because that does not fit here) and is still the heir. He's still his little murdery assassin self. I wanna say Danny is 15 here, (we are ignoring ALL CANON in this household today because Danny is not the ghost king and I can't remember shit about the tv show rn so my plan is like, he's strong right, but not like op insane, but like on par with superboy right, and he does errands for clocky and maybe goes through time/dimensions for him idk. I might make him come across half alien (like in those fics where hes kryptonian or martian, you get what I'm saying right) in this idk we're gonna find out together) and Dami is 16. The plan is to have Dami and the Danno fall in wuv and abscond to gotham together, for the glorious scene of "the son you never knew you had" showing up w his boyfriend. Thank you for coming to my ted talk. (the second part is already in my brain but I was up all night watching movies so you get this now, and that later.)\\

--

(also if you've read my shit before, and even if you haven't, I know that Dakhil isn't technically correct, since its using the wrong alphabet, and is not even remotely written how it sounds, but I purposefully do not use the correct alphabet because that is not what the character will hear. They won't hear دخيل, they're going to hear sounds and they won't be able to see the alphabet, so I figured why not just put the closest equivalent so readers can kinda understand what the character, in this case danny, is hearing? idk maybe it's stupid, but I digress. thanks for coming to ted talk numero 2)

(Also 2.0, the word means intruder.)

(i had something else to tell you, but I am genuinely fighting for my life against this headache rn. You cry a few dozen times watching Interstellar and suddenly you and your brain have beef)

--

(Lmaoo I remembered. it took me a sec, and the light from my computer is hurting my eyes, but I got distracted right, and remembered--

I almost had danny lie and tell them his name was Dante (which is what a lot of fanfic writers use for Dan) and was tempted to have him impersonate the other danny, and then when clockwork catches wind of his act, have dante come rescue him and get simultaneously confused and angry:

Dante coming to rescue his hopeless alt self Danny: wtf man why are you impersonating me? Danny-Dante, gasping dramatically: what do you mean you're Dante? I've always had this name! My great aunt Tilda gave it to me at the 75th annual Fenton christioning. Are you an imposter? Have you come to harvest my eggs? Dante: You don't have eggs Dante: and what the actual fuck is a christioning Danny-Dante: HA! see? Imposter. Doesn't even know about the christionings. Dante: you made that up Danny-Dante: Prove it. And so the other Danny went back to their dimension to see if so-called "Christionings" are real. He has to wait a year, and when he comes back, he is traumatized. A year later, Dante at Danny-Dante's door: I'm moving in. Danny-Dante: Did you bring Ellie?" Dante, shuddering: No... she enjoyed it. Danny-Dante: Oh god. come in come in. Hopefully she comes to her sense before yultol. Dante, dreading the answer: what is yul-- Danny-Dante: You don't want to know. You really, really don't.

That spiraled but yk. thanks for coming to my fifth ted talk. Bye)

[halcyone-of-the-sea]

I wanna hear your head canons about Gaz (sfw or nsfw, or both,what ever you want), you write him so well 😩

—In His Head

⇢ ˗ˏˋ 5k Drabble Masterlist ࿐ྂ

╰┈➤ ❝ [Collection of his SFW and NSFW quirks.] ❞

This man is literally the only one in the One-Four-One I could see having/keeping a long-term relationship without much challenge and/or angst. Johnny’s a close second, but Kyle takes the cake because I love him and I’m biased towards men with brown eyes.

Gaz strikes me as incredibly attentive and kind—especially to someone he loves and cares about in more than a friendly way. He’s a breakfast-in-bed type of boyfriend even if he’s tired. Long date nights that leave you both laughing and losing track of time until it’s late at night and you have to get back to your flat before the sun comes up. I’m talking fancy/casual/anything that he feels you emulate at the time of going out. 

You want to dress up? He’s already called for a reservation at the expensive restaurant down the street. You’re tired from work but want to do something with him? An easy dinner is already cooked and a movie is playing on the telly—your favorite drink is in your hand before you can slip off your shoes near the door.

Gaz has that boyish charm that I talk about often. He’ll make you laugh, gasp, and wheeze even when you think you can’t. 

That isn’t to say he’s never serious, because he is. 

When the weight becomes too much, he’s by your side when he’s off from deployments. He pulls you into one of those tight and all-consuming hugs, head on top of yours and lightly rocking you back and forth while you cry it out. Whispering into your scalp and rubbing his hand up and down your spine. Gaz breathes you down, concern tight in his face and his jaw clenched to restrain the flood of what he wants to say—you only need him to hold you and tell you things are going to be okay, so that’s what he does.

NSFW-wise, he’s just as attentive. He’s not inexperienced, either—he knows how to please you and has no trouble forsaking his painful hard-on just to get you off as many times as it takes with his fingers/mouth. 

Personally, I think he has an oral fixation. Loves watching you writhe above him as he goes down on you, or, heaven forbid he gets you to sit on his face. Goes absolutely feral as his face gets drenched and he feels your nails on his scalp. Moans/groans/grunts unabashedly as his hands grip your thighs and ass, letting your hips jump and tighten around him. 

Does not care if you’re worried about your weight. 

“I wouldn’t be asking if I didn’t want it, Love.”

Make him go lightheaded. He’s begging you. 

Gaz is a switch—top, bottom, doesn’t matter, he’s making you feel good and you’re making him feel amazing so it doesn’t bother him if you suddenly shove him over and climb on top mid-fuck. His hands snap and help you ride him, head tilting back into the pillow and mouth opening in breathless groans. 

I don’t see him as incredibly into rough sex—he would never hurt you, and anything that involves that would make him nervous about your safety. Very light breathplay is alright, but he’s not going to apply more pressure than a light squeeze. Gets upset if he finds any marks beyond hickeys on you—kisses them and mutters apologies into your skin as he continues rutting into you softly. 

Very into overstimulation and edging on both parts. 

Bring him to tears and leave him wanting you until he’s physically shaking and trying to grab at himself even as he’s hissing at the slight sizzles of pain. 

But, above all of that, he always wants to see your eyes while he’s pounding into you—missionary is his go-to until you decide you want to move/change/etc. The man just likes making sure you’re enjoying yourself, and that in and of itself helps get him off. Moan for him, be as loud as you want, it’s like a present as your eyes go all glossy and pleasure-drunk.

Will tease you about it though. I don’t make the rules.

“That good, Love? Yeah? Fuckin’ hell, hear that down there? Dripin’ for me—c’mon let me hear it, then. Let me hear those sounds from that pretty mouth. There we are, just like that. No need to be shy.”

Just slam your lips to his to shut him up, he can’t resist you—it’ll even make him move a bit faster.

All and all 10/10 boyfriend/husband material if you can deal with him being away for long periods of time for deployments. 

No doubt he always makes it up to you on leave.

[beeperis]

if only

warnings; discussions of death, grief, angst pairing; old man! logan x reader reuploaded from my ao3!

Your fingers glanced over the pages, turning to the next. Before you was another familiar illustration, this time of the white rabbit. Of course, you knew what was next. You were barely even reading from the pages anymore. It was easier at this point to recite from memory, you thought.

Your voice was that of a classical piano to Logan. In his eyes, you were a magnificent storyteller, even if he'd never say that out loud to protect his masculinity. What little masculinity he had left at least--from lying in his bed, coughing up blood and wheezing--was sacred. You didn't deserve to see him in that state.

You'd been reading him one of your favorite books, Alice's Adventures in Wonderland, ever since the doctor told him he didn't have much longer. Looking into your eyes was so hard; he couldn't stand how much hope was in them. It felt like it was killing him faster.

Though a nonreligious man, Logan prayed he wouldn't die before you could finish the story. For your sake.

"...when suddenly, a white rabbit with pink eyes ran close by her." There came your voice again. So sweet with a melody unaware of what was to come. He held back another rattling cough as to not interrupt your fantasy.

You must have heard his wheezing breaths, because you stopped. It was a rather uncomfortable quiet, so Logan broke it. "Why'd you quit?" He rasped out. Looking over at you instead of at the ceiling, slivers of moonlight from the window reflected off fresh tears from your cheeks. "Oh, no. None of that, angel."

With a voice much shakier than before, you resumed from the paragraph you stopped at. "In another moment, down went Alice after it, never once considering how in the world she was to get out of it." Even on the verge of tears, you were still so pleasant to listen to.

Logan never much cared for reading. In his older age he'd adapted to a quieter, more serene life, but never once had he thought to pick up a book such as the one you were reading now. Come to think of it, he was a toddler when the story was written.

But in that moment, he found himself paying attention to the characters. You reminded him of Alice. Always in your own world, so full of hope in a hopeless situation, so eager to pursue what cannot be pursued. He saw himself as the white rabbit. Mainly because he was running away from time, and managed to catch your eye during the 200-year-long flee.

"I wish we could stay on this page," you murmured sadly. Noticing you'd stopped reading again, Logan perked up. "Why?" You brought your knees to your chest to hug them. "I don't know, it's stupid. Maybe the longer I read to you, the longer you'll be around to hear it," you paused to sniffle, "I can't imagine not having you to read to."

If he wasn't already dying, that would've killed him on the spot. Logan took a deep breath through battered lungs. "You gotta. Books don't just stop because you want them to. They need an ending, and it's there regardless of how long you wait on one page." His words sounded harsher than he'd intended, but he couldn't bear the thought of you lingering on him and never finishing your story.

As soon as he saw your lip quivering, he wondered if he should've kept his mouth shut. Still, he pulled you into one of the tightest hugs his fleeting strength would allow. The wetness of your tears were like thousands of needles in his heart. Logan patted your back softly, listening as you seemed to be crying yourself to sleep. "G'night. You know I'll always love you." Quieter, he whispered, "that's the only part of the ending that won't change."