#( which i truly don't )

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

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[obsidianbit]

I love this gay ass show with its literally life ending injuries that heal immediately, but only when convenient to the plot, and its ridiculous use of modern phrases, and its laughing in the face of historical accuracy, and its kissing the face of the fans instead of trying to outwit them, and the way everyone involved in the show seem to go 'I KNOW RIGHT! I'M EXCITED TOO!' instead of mocking the fans

[being-of-rain]

In Classic Who and Dr Who EU fandom I regularly see the take 'The Doctor is a bad person' or 'The Doctor is not a good person' declared like obvious fact, so this might be a hot take in my circles, but I can't really wrap my head around that view of the character.

I get that the take comes about as a reaction to some parts of the franchise and fandom (especially some parts of New Who) hero-worshipping the character as a pillar or morality and ignoring a lot of flaws, but 'they're not a good person' feels like it's swinging just as far out-of-character in the opposite direction. It feels very much like a recreation of absolute morality, where you're either perfect or evil, no in-between.

My view of the character lines up pretty well with the show's take during the Capaldi era, which is that they're just Some Guy who Tries Their Best. In my mind they're a complex character who isn't perfect, who does some narratively-interesting shady stuff sometimes, and who has spent the better half of a few thousand years trying to help people and save lives because they think its the right thing to do. Feels very weird to sum that up as 'definitely not a good person.'

(note that personally I like the characterisation of the Doctor as 'not a good person' before they meet Ian and Barbara, who beat some ethics into him, but this post is about people's take on the Doctor of the show/as a whole)

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[sexy-sapphic-sorcerer]

thinking about "it's unreasonable to assume that a character knows what genre they're in" and how in series 1-3, Merlin (and the audience) thinks that he's in a fantasy adventure comedy. no one realises that he's in a tragedy until it's too late.

[ivan-fyodorovich-k]

Today, the country indeed looks alien. The America many of us believed we knew now appears stranger in retrospect: The anger and resentment we may have thought was pitched at a simmer turned out to be at a rollicking boil. And one of liberals’ most cherished shibboleths from 2016—that Trumpism is a movement for aggrieved white men—unraveled in the face of a realignment that saw the GOP appear to give birth to a multiracial working-class movement. A second Trump presidency is the result of this misjudgment.

Democrats are a coalition party of the center-left

The Left has traditionally been associated with egalitarianism, which is by necessity concerned with the masses, the common people, the working class, but also the dispossessed, the marginalized, the disadvantaged

The modern Democratic party traces its roots most directly to the New Deal coalition of the 1930s, which it understands to have been a robust working-class and labor-rights movement

They also see themselves in the 1960s cultural revolutions and their repudiation of hierarchy, itself generally seen as the position of the common person, the masses, but also the dispossessed

The party takes its name from Andrew Jackson, great champion of the Common Man, at least as understood at his time, but it goes back to Thomas Jefferson, famous for declaring that "all men are created equal," and now excoriated for failing to live out that egalitarian principle

The Democrats are a party for the people, understood as capaciously as possible, the party that repudiates narrow nationalism and jingoism, in favor of spreading the benefits of American society widely, in opposition to favoring the privileged few

Why am I reminding you of all these things that you already know?

Because they believe so deeply that they are right in every way that matters, or at least incomparably superior to their opponents, they cannot begin to imagine repudiation from the very people in whose interests they thought they were acting, let alone in favor of the very person they swore was an existential, even murderous threat to those very same people

I think to appreciate the sensation, you might imagine a thief broke into your home, and then your family kicked you out in favor of the thief; someone broke in to ravish your spouse and they called the police on you; a sex offender told your children explicitly what he wanted to do them, and your children fought you to get out of your arms so they could crawl into the van knowing full well they'd never see you again

The shock is so existentially horrifying, such a betrayal of reality itself, that it would require rethinking all your most basic assumptions about the political order, human beings, and worst of all, yourself. Why would they do such a manifestly insane thing? Is there something I don't know? What did I miss? What did I do wrong? What do I do now?

Democrats cannot meaningfully internalize that they are the party of the privileged and the elite, by their own philosophy they are themselves the enemy, they write a blank check for the most lurid excesses of anti-colonial violence and call it "exhilarating" without dealing with the fact that given their assumptions, in this society, they are the power and not the resistance

But it's hard to ask yourself these kinds of questions and most people don't have the nerve for it, and so what we see instead, in another little paradox of human nature, is they're going to blame not the ravisher but the spouse

TL;DR, self-examination is hard, so now Democrats hate Latinos

[blackhholes]

teen wolf meme: [2/4] families -> the hales

Killing doesn't run in a family. Maybe it does in mine.

[dootznbootz]

Fascinating how Polites, the character who is the personification of Odysseus' optimism and is only in 5 songs, is more grieved and appreciated than Eurylochus, a character who is his own person and is in 11 songs.

[transwolvie]

Got notes again on my post abt how Falin's Girl Autism is romanticized to the point where people who don't really know or understand her are trying to propose vs Laios's Boy Autism being seen as an active threat even though the Toudens are literally so fucking alike and like. Yeah. Gdhdh I have nothing to add I was fucking right and I like that Ryoko Kui created such loving and similar siblings so that she could comment on how their autism and hyperfixations are so clearly filtered through a lens of how people see them due to their gender as well

[transingthoseformers]

Tfa Optimus should absolutely be more than the deceptions can handle. I bet Megatron barely makes out out of that room alive. Blitzwing and Lugnut need medical attention afterward. I bet Ratchet is looking over the scene like "Ahh, I remember those days" because the party ambulance was no different. The only reason Optimus didn't become some sort of urban legend is because Sentinel and Elita-1 put their whole back into preventing it. Troopers frfr.

I think after being imprisoned, Megatron should think about Optimus. That little mech could keep up with him in a fight, sure, that's nice. But completely domming his processor out? He's obsessed. Optimus gave him a new kink, and he can't even explore it because he's in jail.

Make that strong, scary warlord into a wet paper bag in bed. Not because that's how he is, but because that's what Optimus is capable of. Black arachnia and Sentinel sense this happening btw, they're both losing it trying to find him and stop him.

Oof on Lugnut and Blitzwing, damn

It'd be funny if Optimus did become some sort of sex urban legend in the academy I'll admit

Sentinel and Elita are like the opposite of wingmen here, for Optimus's sake

Megatron, who is bored out of his mind in his cell:

Megatron, when it starts to hit him: oh

Megatron: OHHHH

This is gonna create such a fun dynamic after the decepticons break out

You know this puts an interesting twist on some of Sentinel and Elita/Blackarachnia's interactions with Optimus (plus of course the canon stuff of course)

Blackarachnia: I sense a disturbance in the force /ref

Sentinel Magnus: something just happened; why do I feel like it's Optimus's fault

[hypewinter]

Jazz wasn't crazy. People might argue that burning her childhood home to the ground with her parents still inside would be an indicator of insanity. But how else was she supposed to react after coming back home from college to find out her parents had brutally killed her brother via vivisection?

Dying her hair blonde wasn't crazy either before anyone asked. Plenty of girls dyed their hair when they needed a change. Besides, she could never live with herself if she kept the same hair color as that vile woman.

Admittedly Jazz would have to secede moving to Gotham had been a little crazy but it was the perfect place to start fresh and blend in despite her "quirks". She had even picked out a nice new identity for herself.

Clearly Jazz was not crazy as she had managed to land a job at Arkham Asylum as a psychiatrist. If she were really insane would they have ever hired her? No they wouldn't have.

Jazz was not crazy. She was very much sane. Just like her precious Mr. J.

[poorly-drawn-mdzs]

Bros before Ho(oh my god is that Hanguang-Jun?)

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[ohbluesky]

some random tmr doodles + stuff i made for the glader cup 2022 and 2023 :]

also that brinho doodle is an illustration that you can find in @newtedison ‘s fic over here (she literally tweaked her fic so my art could match it so obviously this is dedicated to her <3)

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[swordsofsaturn]

early seasons spn homophobia is actually so crazy because they literally do not look gay. hamfisted gay jokes when the characters look straight as hell. "you look the type" they literally don't. is the thing

[uncanny-tranny]

If somebody in your life offers to knit or crochet or, really, create anything for you, please be an active participant in the creation of the piece they are making. I adore making and gifting things, but nothing bums me out quicker than a person who passively just goes "okay," to my ideas about what I'm making them - it can send the message that they won't like it, or that they don't care, even if they're happy about my offering. The back-and-forth feedback is a great way to make sure that you are being gifted something that was truly worth the time, effort, expertise, and money that will inevitably go into the gift!

I know it's really hard to be an active participant, believe me, I'm an anxious ball of horror, but it will only do good for both parties to interact in this situation. It is a big deal to be offered a hand-crafted gift, but it's also something we want you to love and use, and that can only happen if you tell us what would make you fall in love with what we create.