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delopsia · 11 months ago

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Ok so I’m assuming Rhett is 30 ish because Lewis is 30 (almost 31 in like a month) but like Rhett with reader who is younger than him by a good number of years (reader being 23 at youngest probably) what’s the relationship like? Was he super reluctant at first because of the gap? How do we meet him? How does the family feel? What if he’s her first “real” boyfriend? How would he react to reader asking him to take their v card?

When I tell you that this has been stuck in my head since you sent me this, oh my GOD. I've been meaning to write this concept with Rhett and Bobby for over a year and keep forgetting to 🤤 I got a little carried away. Hope y'all don't mind 🤍

Canonically, Rhett is twenty-four, but I think we as a collective have chosen to ignore that 💃 here's my proof post on that, if you're curious 💕 TLDR: Rhett was born June 12th, 1996, and OR S1 takes place in November 2020

For the sake of this post, I'll just leave it and say he's noticeably older than the reader ✨ I don't want to set a specific age for him and accidentally exclude someone :(

I like to view an older version of Rhett as someone who's still into the rodeos; he's gotten up there in the bull riding ranks, and though he's a year or two away from aging out of it, he's still up there kicking ass when you first encounter him. It's your first time coming to this rodeo, and you're not sure what to think when you see him leaned up against the fence in that quiet, rugged glory so many cowboys seem to carry. Older than the rest of the riders, so jaded by buckle bunnies that he hardly notices the ones trying to get his attention.

The first time you walk past him, he lifts the corner of his lip and nods his head toward you as if to say hello. Some simple little thing that gets you smiling, hoping to high heaven that your friends don't notice the sudden weakness in your knees. Three Sundays in a row, you go to the rodeo with your friends, and three Sundays in a row, you walk past him on your way to the food trucks. Three Sundays in a row, he smiles and nods his head at you.

You think he's just being nice.

Rhett just thinks you're hot.

But he's too tired of entertaining relationships with folks who only want him for what lurks beneath his championship buckle and to tell all their friends they fucked a real cowboy. It was fun when he was younger, but after a while, like most things, it gets old.

So when he sees you at the bar after a rodeo one night, he doesn't think too much about it. Sneaks a few glances at you out the corner of his eye, sure, quietly wondering how pretty his name would sound coming out of your mouth, but that's it.

Until some hotshot decides that he's going to give you hell while your friends are in the bathroom. And Rhett's within the perfect earshot to get rightfully pissed off. He's not particularly one to get into someone else's business, but he's also not too fond of this whole "badger someone 'till they give what you want" technique the younger boys have been employing recently.

"'s this guy botherin' ya?" He asks, in that gravelly voice, his elbow propping against the bar, speaking to you but his eyes never once leaving the steer wrestler giving you trouble. He's got a history with this kid; this isn't their first confrontation.

Of course, you don't know that when the younger man goes nose-to-nose with Rhett. But oh, if it doesn't make you the slightest bit dizzy when Rhett's jaw hardens at your meek 'yes.'

He only means to scare the guy off and go back to watching his buddy eat shit at the pool table, but your friends are taking forever to come back, and he's found himself offering to sit with you until they do. You're asking his name, and he's ashamed to admit that his heart jumps at the sound of his name on your tongue.

You don't seem to care all that much about the age difference, and Rhett's got no reason to be concerned; your age doesn't end in 'teen,' and you can legally drink, but he's found himself a touch hesitant to flirt with you. Isn't all that fond of breaking his heart over another sweetheart who stumbled into Wabang.

But you just keep running into each other. You're in line with him at a food truck; he sees you at a rodeo bonfire and chats you up until your friends are begging to head home. He's given you his number, and he's catching himself looking for you at the end of his rides.

And then he's busting his left shoulder after a ride, and somehow, he's found himself outside of the ambulance, being backed up against a wall as you kiss him hard on the mouth. It's the first kiss he's had in years, and your hands on his big chest are the sweetest thing he's ever felt. It's everything, and it takes every ounce of his will to draw your hand off of his belt buckle.

"Y' don't wanna do that," his whispered warning drips off his tongue like honey, and oh do you want a taste, "'m 'fraid if I let ya have me, I might follow ya 'round for the rest of my life."

He really doesn't know what to do when you smile and ask, "But what if that's what I want?"

How he survived that, he doesn't know. But a kiss-filled conversation ends in him agreeing to take you on a real, proper date. He takes you to Odessa's diner for lunch, pulls your chair out for you, and never lets you touch a door, and he gets along with you so well. It helps a lot that he's been on a funky little life path that has given him many of the same experiences as you. There's an age gap, sure, but his stage of life isn't too different from your own. Especially because he was a bit of a late bloomer with this whole 'adult' thing. The perks of being emotionally stunted by Royal...

Rhett doesn't differ that much if he's your first boyfriend; he's sickeningly sweet, regardless. No amount of experience or inexperience will stop him from going all out on you; if there's one thing his momma did, it was raise him right. You might as well be royalty. That being said, he's happy to take the lead (or give it up) depending on your experience level.

The relationship isn't all that different from how it would be if he was your age. There are some generational references that take time to understand, and Rhett's age shows the most when you try teaching him to use Instagram, but that's a given. He's a little bit smug when you're with him in public, especially at rodeos. He knows he's struck gold, and he intends to show you off as much as you're comfortable with. Protective, too. Those bull riders know better than to linger and try their luck with you. More times than you can count, you've overheard the whispered warning, "That one's Rhett's."

Rolls his eyes when you (affectionately) call him old man...

To be fair, Rhett does try to wait until a few weeks into your relationship to start getting intimate; he wants to take things slow with you, but then you're cupping him through his jeans, and he's breathless as you massage him through the fabric. And when you sit in his lap, wrap your arms around his broad shoulders, and grind your ass down into him? He's a goner.

If you're a virgin, then he's extra careful with you. Takes some more time to draw your clothes off, slow as he kisses down your belly until he can run his tongue up your sweet little pussy. But he's obscene about it, regardless. Groaning around your clit, letting you yank on his hair all you need. Frustrates you to no end because you're trying so hard to get him to fuck you, and all he wants to do is eat you out. Four times. Four times, you rile him up, and the most progress you make is getting his jeans off. He doesn't mean to upset you, he's just a whore for giving oral.

Until that one time at the bar when you hauled him into a bathroom stall, dropped to your knees, and wrapped your mouth around him before he could get under your skin.

That got him. You couldn't take all of him, gagging every time his plush tip hit the back of your throat, but his knees were shaking. Moans muffled by the palm of his hand. Trying his best to pull you off when he came and damn near hit the floor when you instead chose to swallow him down.

Again, if you're a virgin, then there isn't a huge difference in how he treats you when he takes your virginity. Not out of impatience or anything of the sort, but it's your first time together. He's going to treat you like a virgin regardless. Overusing the lube as he introduces you to a thick, calloused finger, watching your reaction for the slightest hint of pain. "'s this hurt? No? You sure?"

Annoyingly pushes the tip of his cock against you, then lets it slide through your folds, obsessed with the sight of it. But just as you're going to complain, he finally nudges inside, and it silences you completely.

If there is one thing about Rhett Abbott, it's that he's huge in more ways than one. Splitting you open in all the right ways, big hands stroking up and down your skin, whispering the filthiest things into your ears. "Think 'm almost too big for your lil pussy, angel." "Shhh, we'll make it fit. Jus' relax 'round me." "'s that feel good, sweetheart? Y' like bein' stretched 'round my cock like that?"

He ruins you either way. You never pegged yourself to be this insatiable, riding him in his truck, fucking him outside the bar, in bathroom stalls, cheap hotel rooms, bending over the hood of his truck while he had a flat tire. It's not your fault; Rhett's just that damn good, and he's somehow able to match you entirely. Rolls his eyes a little, sure, but he's just doing that to annoy you. "This old man fucks you that good, hm? Cute little pussy ain't satisfied 'till I pump it nice 'n full of my cum?"

Sometimes, he tells you he's too tired for sex and then turns around and pounces on you because he heard you whimper once and had a second burst of energy.

Which...is how your relationship gets found out. He's left a mark on your collar, and at some point, you bend down to pick up a fork you dropped, and it gets noticed. So you either got in a fight with a vacuum cleaner and lost, or you have a little someone.

The worst part is telling everyone how old he is. Rhett's got this funny charm where he looks younger than he actually is, and it nearly makes someone choke at the dinner table. And Rhett's not the best with people, but he's quick to make a good impression. He's like a fine wine; he's gotten better as he's aged.

You'll likely never meet Rhett's family, and if you do, it's a handful of times for no longer than two hours. After Rhett moved out, there's been tension every time he sees his folks. He was supposed to stay and spend his life helping the ranch, to honor his family loyalties, not run off and find love in someone else. Cecelia's sweet, doesn't say anything about the age gap, so long as you're both happy. Royal...you don't know what he said, but you had to grab Rhett by the belt to reign him in.

All that being said, Rhett's a sweetheart to you, regardless of your age gap. There are some differences that wouldn't be there if he was your age, but he's keen to work on those things together. Rhett doesn't fall in love often, but when he does, he falls hard, and he's going to give you the world. Even if you do call him old man every now and then.

Like I said...I got carried away

#rhett abbott #rhett abbott x reader #delgato's asks

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lesbiansforboromir · 1 year ago

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Categorically the most galling part of this universal perception that Boromir is a 'poor out-of-his-depth himbo whose completely ignorant of politics' is how it is blindingly canonically apparent that he put massive effort into being a political entity, to the point that his political opinions follow him even into the Council of Elrond.

Without the Council of Elrond, one could interpret his narrative positioning as a more 'Middle Man' and less 'high' as something forced upon him, a (narratively framed) negative aspect of his character that Faramir is critisising and lamenting as just 'part of his nature'. He is being associated with the Rohirrim and other 'lesser' men because he is also a 'lesser' man inspite of his heritage, due to his 'flawed' and 'weak-willed' personality.

Although that is still a bit of a stilted and awkward interpretation in my opinion, Eomer explicitely differentiates Boromir's treatment and manner around the Rohirrim from other men of Gondor he has known. He is 'less grim' etc etc, Eomer felt more at ease in his company, which implies to me more that Boromir interacted with the Rohirrim as equals, unlike most of this kin. Which seems more likely to be an active effort on his part.

But interpretations based off of that are entirely unnecessary, because the Council of Elrond exists! Where Boromir, when confronted with Aragorn's mistrust of the Rohirrim and Gwaihir's accusation that they pay a tribute of horses to Sauron, immediately and comfortably comes to their staunch defense. 'It is a lie that comes from the Enemy' he declares, literally pointing out propeganda that all these elves and dunadain are primed to believe given their own investment in the racial divide between them and these 'middle men'. A primer that also belongs to Boromir, whose place amongst the 'high men' is a right bestowed on him from birth, yet one he is actively discarding here in favour of defending the Rohir perspective.

And not only that! He even goes so far as to place the rohirrim's ethnic and cultural heritage as a reason for their trustworthiness, inspite of the fact that they cannot claim any relation to any so called 'blessed' lineage. They come from 'the free days of old', a statement that is similar to one of Faramir's but that, tellingly, Faramir uses as a method of infantilising the rohirrim 'they remind us of the youth of Men'.

These are all inherently and radically political statements for the heir of the Stewardship, the man next in line to be chieftain of the southern dunadain, to declare, especially when acting as emissary as he is now.

So now, all those moments when Boromir is linked directly with middle men, when his right to his 'high' heritage is questioned, when he is critisised with the same racially charged language as the rohirrim are (too warlike, "we are become Middle Men, of the Twilight, but with memory of other things" [-] "So even was my brother, Boromir") - all of that is now on purpose, on Boromir's part. He is the one distancing himself from the title of 'high' and questioning it's validity in the process, something Faramir clearly disapproved of and was a part of the breakdown in his respect for him. (Understandable, considering Faramir's equal and opposite effort to reclaim the title of 'high' for himself and his people.) Boromir is, essentially, engaging in some kind of racial-hierarchy criticism/abolishionism and activism.

That is not to say that his political opinions all entirely pass muster, he does still engage in racist rhetoric at least once, calling Gondor's eastern enemies 'the wild folk of the east'. But within the context of his own country and it's ethnic diversity, his position is maverick in comparison to pretty much everyone else.

And before anyone says it, let me head off comments like 'Boromir was just being himself, he didn't even know it was political he was just that stupid but I love him for it' No. Boromir's reputation in Gondor was complex and multifacetted but a great many people loved and supported him, clearly we see that there was a divide in political opinion between the two brother's stances on war and society. What you are essentially saying here is that Faramir is such a dull-witted statesman that he was incapable of swaying opinion his way against someone who didn't even know he was a part of the discussion, who wasnt even involved in the debates, against a high society that based their cultural identity on being descended from racially superior Numenoreans. The historical perspective is heavily weighted in Faramir's favour.

The much more likely state of affairs is that Boromir and Faramir have both been working towards their own social change and against each other, causing an opinion divide within the country. And apparently Boromir has not been losing that fight, even if he hasn't been definitively winning it either. Some people call him reckless where Faramir is measured, others say Faramir is not bold enough, Denethor himself claims Faramir is placing his desire for nobility and 'high-ness' over the safety of himself and his people. Culturally Gondor is going in for more pursuits of war-sports (wrestling perhaps) and the adulation of the soldiers that defend them, above the men of lore if Faramir is to be believed.

Society is changing around this debate and Boromir is actively, purposefully and directly involved in that debate! Hells bells, he even describes a part of how he works in the political sphere to Frodo! 'Where there are so many, all speech becomes a debate without end. But two together may perhaps find wisdom.' Boromir is!!! A politician!! On purpose!!

The neutral political position of 'Heir to the Stewardship' given to him by his birth is so ludicrously weighted towards faithful that the effort it must have taken to push the needle and associate with the middle men as such a divisive yet loved figure is MASSIVE. Boromir believed the Rohirrim and middle men of Gondor were his social equals and counted them amongst his people and that was a stance he upheld in PARLIMENT! Stop!! Acting like he's just a blockheaded soldier who cares about nothing else- he cares!! He cares a lot!! Professionally in fact!!

#text post #boromir #erran vs tolkien #tolkien meta #gondor #faramir #gondor meta #boromir defence

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familyvideostevie · 11 months ago

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living high until that fatal day

a/n: i never do this. literally, never. when i'm not here i'm writing stuff that's not x reader for ao3 and this is a fic i posted over there. it's a time loop story about joel and ellie. @bageldaddy told me i had to post it here. without her this fic would not exist. thank you so much, bea. so, here we go. if you read it, thank you. let me know what you think. joel miller & ellie williams gen fic. 7.5k words warnings: Time Loop, Fluff and Angst, Angst with a Happy Ending, kind of???, it resolves, Suicide, only in one of the loops!, Canon-Typical Violence, joel gets stuck and has to figure it out, Father-Daughter Relationship, thoughts about sacrifice and love, POV Joel, mostly, this one is kind of intense folks, major character death tag is cause well the loop ends one way or another, gonna diverge at the end, but it ends well!!! i promise, also this is pretty firmly game but hbo folks should be okay!

summary: joel finds himself stuck in a time loop of that day in salt lake city.

Joel lies to her.

He's got dried blood under his fingernails and his shoulder aches from the kick of the rifle and he's so, so tired.

But he lies to her.

If he was a smarter man he'd have thought of something better. Told her that the hospital got raided or they had a FEDRA mole, how the whole thing was a sham from the start. He doesn't know if she was awake for any of it. If the last thing she remembers is him reaching for her and failing to save her. If she remembers what it feels like to drown.

It's hard to look at her in the mirror but he manages. Just keep driving, hands tight on the wheel. Don't white knuckle, don't spook her. She's in the car. She's safe. He did it.

"We found the Fireflies," he says. She doesn't look at him. "Turns out there's a...a whole lot more like you, Ellie. People that're immune. It's dozens, actually."

There's a strange pull in his gut, a pull that he's felt a few times before in the moments before everything went south. When the soldier pointed his gun by the river, when Tess looked at him on her last day, when he fell off the ledge in Colorado. But he ignores it.

"Ain't done a damn bit of good, either. They've actually st--" Ellie closes her eyes, takes a deep breath. She doesn't look at him. "They've stopped looking for a cure. I'm takin' us home. I'm sorry."

She turns her back to him and the pull becomes a burn, becomes a black hole under his ribcage taking everything with him. He blinks once, twice, wonders if he got shot and didn't notice, if he cracked a rib and it punctured his lung, if --

The road in front of him disappears.

He can't see a damn thing -- not like the lights went out, like there is nothing to see. There is nothing in front of him at all.

Then, Joel wakes up yesterday.

___

He jolts awake with a strangled yell. Ellie kneels over him, the rifle he taught her to hold slung over her shoulder. It's just past dawn based on the color of the sky and how he can make out most of her face, her withdrawing hand and her unimpressed but slightly concerned frown.

"You were talking again," Ellie says. "Nightmares?"

Joel tears his eyes from her and thunks his head back down on his crumpled up jacket. The trees stretch high above him and he tries to get it together so he doesn't spook her.

They’re camped within sight of the highway. Salt Lake City has been looming for days now and Joel doesn't want to take any chances. The ring-road is almost clear, dotted here and there with cars and a fair amount of supplies, enough that Joel suspects people haven't been here for some time. If this is another Colorado State situation, he's going to have to put Ellie in a car and take them back to Jackson before she does something stupid.

She's fine. Well, no, not quite. Things aren't the same and they never will be but he can tell she's doing her best and he won't ask more than that. Their pace has slowed this week and he's having a hard time figuring out if she's sliding back into some sort of post-Colorado haze or if she's nervous about actually arriving in Salt Lake.

God knows he's nervous as hell.

But every day she'll walk as far as he tells her to and won't complain. He knows she wants to get there. They have to get there and it has to work -- because he doesn't know what they're going to do otherwise.

She asked him a question. Nightmares. Joel sits up and drags his hand down his face.

"Somethin' like that."

Ellie shrugs and starts to clean up their camp now that he's awake. He still hates letting her take watch, but she needs to feel in control of things, so they split it most nights. She hums a little bit as she works and he has hopes that today might be a good day.

But that dream... It comes back in flashes: the giraffes, the tunnel. Ellie hanging from the side of the bus because she jumped to save him, her small frame sinking slowly, just out of reach. The crack of her ribs underneath his hands. The hospital. The Fireflies.

Joel gets up, rolls his shoulder at a phantom pain and looks down at his hands. Crusted with dirt and nothing more.

Jesus Christ. He's losing it.

They set off.

The blue hospital sign seems to shine in the spring sun all too soon.

"This is where we get off. Let's go, kiddo."

Joel talks even though he knows she's not listening. He talks to take his mind off of the echo that sits at the base of his neck with every step. Has he told her he'll teach her guitar before? He's been thinking it for months.

Ellie trails behind him, kicking rocks and half-heartedly searching cars when he asks her to. She heads for a faded blue sedan but he stops her.

"Blue one won't open, don't bother."

The look she gives him makes him think about what he just said. "How do you know that?"

He blinks. How does he know that? Before he can explain it, Ellie shrugs and keeps walking.

The disinterest is new and it doesn't sit well with him. She's been through a lot, more than any kid deserves, and they're almost there. He figures it's worse today because of that.

"I dreamt about flying the other night."

Joel's stomach twists. "Oh, yeah?"

"Yeah."

"Go on, tell me about it."

She tells him about her dream, about how it felt to fly and then fall, and he is dizzy with deja vu.

"I've never been on a plane." Ellie looks at him like he can tell her what it means. Like he has any damn answers at all. "Isn't that weird?"

Joel hums and swallows the lump in his throat. The bus terminal. Ellie, drowning. Firefly after Firefly in his path. His hands flex around a gun that isn't there.

"Well, you know. Dreams are weird." It tastes like a lie in his mouth but he can't figure out why.

It gets worse when they find the bus station, when she runs off in search of something that's got her smiling. Her small hand reaches for the giraffe, her eyes bright, but Joel feels like he's watching it through a fog. He knows what she's going to say before she says it.

"So fucking cool."

Joel has seen a lot of weird shit in his life but whatever is happening here is leagues above the rest. It bumps up against something in his brain, like the answer is just out of reach but he can't fucking get there. Always a step behind when it counts.

Ellie hands him a picture of his dead daughter and something in him comes dangerously close to snapping. Instead of gratitude or sorrow or anything that would make sense, he's terrified.

He's fucking terrified because this happened. Which means he knows what comes next.

But there's no time to worry about it. They pick their way through the tunnel, through the runners and the clickers and the fucking bloaters. The pressure on his neck gets heavier, gets almost unbearable. He's strung tighter than he's been in years, like the walls are closing in on him and there's a timer he can't see.

When they get to the rapids, he waits for Ellie to get to the other side of the bus until he jumps on it but it dislodges. The dam in his head breaks and he yells, screams at her to run, to leave him, but she jumps on the bus anyway.

She drowns.

Joel doesn't doubt that the Fireflies are coming -- he hears them -- but he doesn't take his eyes off of her, doesn't stop the chest compressions until he's knocked out.

The rest of it is a blur, his sense of reality already warped by his need to get to the operating room. To save her.

Joel picks them off one by one, floor by floor, hardly taking note of how familiar it all feels. He doesn't even give the surgeon a chance to speak before he's dead, a bullet between the eyes. He knows they'll make it to the elevator. He kills Marlene. He drives them away.

He lies.

He wakes up yesterday again.

___

It takes a few days before Joel purposely deviates from what he's thinking of as the script. His head feels like it weighs a thousand pounds when he wakes in the clearing, Ellie's eyes on him.

He thinks about it as they pack up camp. Can he get them out of here? Would that be allowed? The rules of this aren't clear to him but he figures it can't hurt to try. They could turn around right now and make it back to Jackson in a week or so.

He watches Ellie carefully arrange her things in her bag, watches her stop to admire a butterfly in the branches above. He watches her and tries to see her alive and not pale on an operating table.

"Ellie," he says. "I got a bad feelin' about this."

She loves to tell him he's overreacting but today she crosses her arms and sits back on her heels. "What do you mean?"

Her scream as she falls into the water. Her ribs cracking beneath his hands. The piercing alarm in the hospital, her body warm but limp in his arms.

"What if we waited?" She frowns but he keeps going. "Went back to Jackson, rested up. Took a break. Come back in a few months with a bit of a crew. Tommy'll give us some guys, hell, I bet he'll come with if you want --"

"No," Ellie says sharply. There's an edge to her voice he hasn't heard in a long time. "Joel, shut up."

"Ellie --"

She stands abruptly, takes a few steps back. "I said no." The look on her face tells Joel he's already lost. "Are you -- are you fucking kidding me? You want to go back? Now?"

He sighs. "Just to rest up. We don't know what we're walking into --"

Ellie throws her hands around in disbelief. Her eyes look wet. Christ, he's made her cry again. He promised himself he wouldn't do that.

"We don't know if they'll still be there."

"We don't know if they are there."

"And we won't find out if we fucking run away like cowards!"

Joel stands. "I don't want another Colorado State situation, Ellie --" Her face shutters. Mistake.

"Don't bring up Colorado," she growls. "You don't know what that was like."

Damn right he doesn't. He knows by now what happened but he'll never know how hard it was for her to survive when he was busy dying on that mattress. But he has to try something or they'll just end up here again tomorrow. Yesterday. Whatever.

The idea of her suffering makes his hackles rise, makes his blood run cold

"Can I finish a god damned sentence?" he snaps. Ellie is undeterred and snaps back.

"Not if it's going to be about leaving. We-- I -- we're not fucking leaving. Not after everything. We can't."

Joel sighs and drags a hand down his face. This girl. He's trying to save her and she can't see it. There's no way to make her see it and it's his fault. She should know by now that he'd do anything, anything, for her. He lost that battle a long time ago, probably longer ago than he'd like to admit.

"I know," he tells her. "Just...if you want to give it all up, to go back, we can. We don't have to go through with this."

Ellie's eyes are blazing and her tone is disappointed. It cuts deep. "Yes we do. I thought you'd understand that, Joel."

He follows her this time as she stalks down the highway towards the hospital. No mention of six strings, no dreams about planes. They catch the giraffes but she doesn't stick around to watch them for as long. It's a different kind of loss to be without her smile, her laughter. Joel wishes he'd never opened his god damned mouth.

"I'm sorry," he says. "For earlier." Ellie pauses on the stairs and half turns to look up at him. "I know it's important to you."

She sighs. "I know you mean well." Joel closes his eyes. He knows what comes next. "But there's no halfway with this. Once we're done, we'll go wherever you want, okay?"

He plays his part for the rest of the day, just to get it over with.

___

Next time, Joel waits until they're watching the giraffes to try something different.

"So," he says. "This everything you were hoping for?"

Ellie gives him her half-smile. "It's got its ups and downs, but...you can't deny that view, though."

He seizes his chance. "Wanna go down there?"

She perks up. "Really? Do you think they'll let us get close?"

"They might. Let's try."

They manage to backtrack a little bit and end up on the field. It smells like a zoo but Ellie is thrilled to be so close so they post up on the roof of a rusty FEDRA Jeep. Two of the giraffes end up eating out of the tree right above them. Ellie holds her breath.

"They just...don't care, do they?" she whispers. "How long do you think they've been here?"

She leans into his side and cranes her neck to watch one of them use its tongue.

"Don't know," he says. "Big ones could've been from before. But the tiny one s'probably younger than you."

"So cool," she says again. "They're from a zoo, right? I wonder if anything else lives in the city."

They've been sitting here long enough that the sun has started to set. Joel allows himself to hope.

"Might be. What do you say we spend the night here and look on the way to the hospital tomorrow? Daylight'll do us better."

Ellie chews on his suggestion. "I guess," she says. "Are we safe here?"

"Should be." Joel has no idea, frankly. He sure as hell wants them to wake up here in the morning. He wants to make good on this idea, wants to show her something else that'll make her smile. He wants this to be a bizarre, unexplainable day that he'll forget about with time.

"I'll keep watch."

They set up camp crowded against the fence so Joel can see the whole field. The giraffes leave them alone and Ellie falls asleep quickly after they eat.

In the quiet open air the dread in his gut returns full-force and he knows he's wrong. Again.

A branch cracks and he whirls around, rifle in hand to find three men pointing their guns at him through the wire. They might be wearing Firefly jackets but he can't tell. He doesn't care. Joel dares to look at Ellie for a second and sees she's still asleep.

It's a mistake.

One of them follows his gaze and his eyes widen.

"Holy shit," he whispers. "She looks like who Marlene said --"

"Shut up," the second one hisses. "On the ground, old man."

"How are you gonna get around that fence, hotshot?" he says. "Ellie. Ellie, wake up."

She blinks a few times and sees his stance. scrambling to her feet with her knife in hand.

"Holy shit. What the fuck?"

"Get behind me."

One of the soldiers points his gun at her.

"Don't move."

It's chaos after that. The guys shout at each other.

"Don't point it at her! Don't you remember the fucking briefing?"

"You hadn't even joined when we got here, you don't know. We've been looking for her for months --"

"If you shoot her we're all dead --"

Joel locks eyes with Ellie.

"When I say run, you run. Okay?"

The fear in her eyes turns to determination. Brave girl, he thinks. I'm sorry. He waits for the idiot pointing at her to look away and takes a deep breath. What's one more day?

"Run!"

Joel doesn't check to see if she obeys before firing through the fence. The rifle is incredibly powerful at such a short range and where there was once a head there's only mist. Joel clears the chamber as fast as he can and gets the second one in the shoulder but he's not fast enough for a third and before he realizes it he's on his back in the grass.

The Firefly's assault rifle litters Joel's chest with bullets but he doesn't feel it until he tries to take a breath and nothing comes. It's like he's underwater.

At least he didn't make her cry this time.

Joel isn't much of a believer in anything but he decides fairly quickly that he's in Hell or something close. God knows he deserves it.

His sins are countless, his ledger dripping with red just like his hands. They will never be clean. What he can't figure out is how he got here. Did he die somewhere in St. Mary's? Is the real world somewhere else beyond his reach, now? If he died then what happened to Ellie?

He tries to make tallies in the bark of a tree on the edge of camp but they disappear every time he wakes up. He makes do with his own slowly unspooling brain. Two, five, ten.

Ellie is much the same every time but somewhere around day twenty she asks him about it. "How do you know where everything is?"

They're in the bus depot before the tunnel. He's taking them quickly around the tents, putting off Ellie handing him a photo of his dead daughter. It's muscle memory at this point. A pair of pliers here, some rags there. A half-empty but uncracked bottle of hooch behind that blood-stained bed, some bullets under that overturned partition.

"Just payin' attention."

"I pay attention!"

Joel uses the excuse to grin at her. It's hard sometimes to remember that she has no idea what's coming, that he can and should be good to her every chance he gets. The violence has already started to blur together in his mind. Killing everyone in the hospital is by far the easiest part of this fucking loop. These parts are harder.

"Didn't say you don't."

"I feel like that was a double negative."

She's still energized from the giraffes and he knows she's working up the courage to talk about Sarah, but right now he wants to spend time with her. He spots the Firefly medal tangled in the shattered floodlight and points it out.

"Ellie," he says. She's at his side in seconds, looking up at him with eyes brighter than he's seen in weeks. "Wanna get that down?"

She gives him her classic why are you like this look. "Are you going to be weird and pick it up?"

Joel shrugs and leans on the rotting tank nearby. "Just want to check your aim."

"My aim is really fucking good and you know it!" Even so, she picks up a brick from her feet and palms it, eyeing the silver circle before winding her arm back and hurling the brick towards it.

She misses. Maybe three hundred miles and a trail of dead bodies ago she'd have stormed off, embarrassed and pissed. But she just makes a face at the still-swinging medal and then looks at him. "How did I miss that?"

He pushes off the tank and scoops up a glass bottle. "Sun s'probably in your eyes." Joel stands next to her and eyes the target, trying to compensate in his mind for her height. "Stand here." Ellie moves over in front of him and he hovers his arm over her. "Can I?"

She nods. Joel presses the bottle into her hand and she takes it as he maneuvers her with a hand on her elbow until she's got the trajectory he thinks will work.

"Now?" she asks. "Feels pretty fucking similar to what I was doing."

"Just trust me. Throw a little lighter than last time. And higher."

Ellie sighs, but once he steps back she does as he says and nails the medal hard enough that it drops to the ground. She whoops and turns around, hands high in the air and a wide smile on her face. Joel tries to breathe through how easily she puts her faith in him.

"Fuck yeah! Did you see that?" She holds both hands out for a high five and he obliges.

"Sure did. Nice job, kiddo."

When Ellie hands him the picture of Sarah, he pulls her in for a hug. He half expects her to shove him off but instead she allows it, twisting her hands in his shirt as he cups the back of her head.

"Thank you," Joel says quietly, thickly.

Later, when he finds her on the operating table, he presses his lips to her forehead for an extra moment before picking her up and heading for the elevator.

He messes with the order of things a little bit. Tries to make their morning last longer, tries to stay watching the giraffes for an hour or so.

Sometimes it works.

Sometimes it doesn't.

Watching Ellie drown over and over fucks with his head more than the hospital does because he can't stop it. At least while he's leaving behind corpse after corpse he knows that she's asleep upstairs, waiting for him. In the tunnel, he knows that the only way out is through, but she has to fucking drown first.

He gets sloppy.

He forgets about the runners in the side rooms when he ducks in to avoid a clicker and takes a step too close. Ellie is behind him as always and he shoves her back blindly as three runners slam him against the metal railing of the stairs before he can reach for his gun. He's too surprised to feel anything, but their breath smells like rotting meat and something worse, something that makes his eyes water.

Joel searches the room for her and finds her -- pale-faced and terrified, already reaching for her knife. He tries to say her name but it comes out as a scream when one of the runners goes for his shoulder, jagged teeth ripping through his shirt in an instant.

"Ellie -- run, Ellie -- GO --" He begs her to leave him but his voice stops working as his throat is ripped out. The last thing he sees is her horrified face as she raises her pistol.

And then he wakes up yesterday.

___

It occurs to him on day 30 -- if he's keeping track accurately -- that he's got one of the smartest people he knows at his disposal. Kid's got an encyclopedic knowledge of space as well as science fiction stories. He asks her while they're still on the highway, stalling though he can see the blue H sign from here.

"Y'ever read stuff about time?" No reply. "Ellie?" She's staring at that deer again. "Ellie."

"What?"

"You read any stories about time back in school?"

"Uh, sure," she says. She tugs her sleeves over her hands and catches up to him, eyes on the ground. "Why?"

"Saw a weird movie 'bout it once. Somethin' reminded me of it this mornin'. Guy gets stuck in a...shit, what did they call it?" Joel peeks inside an RV and smells rot so he leaves it be. "He lives the same day over and over."

"A time loop!" Ellie sounds more excited about this than anything they've talked about for days. "Those are so fucking cool. Scary, though. I feel like I'd go crazy."

Joel drags a hand down his face. "Yeah," he says. "How do you think you get outta one?"

"Well, how did the guy in the movie do it?"

"He stopped bein' an asshole," he says. Ellie laughs.

"Well, we know that's not possible for you. Guess you're fucked."

"Guess so," he mutters.

The H sign is close enough that she'll see it any minute. He wishes for the hundredth time that they could just stay out here all day, just talking. If he had a guitar he'd play for her. If he had a fucking car he'd put her in it and turn around, even though it wouldn't do any good. They'd just end up right back here because he can't fucking figure out how to get out of this.

"I think you just have to change, right?" Ellie says. She's looking at the photo of an airplane on the bus. This time she doesn't tell him about her dream. Is he losing pieces of her, already? "I guess it doesn't have to be about yourself. Maybe something you do, or something you say. It's the universe telling you to make a different choice, right?"

That's the fucking thing. The choice isn't an option. It's not even a choice.

The one thing he hasn't tried and will not try is leaving the hospital when Marlene tells him to. He'd rather die a thousand times, rather live this shit show over and over for the rest of eternity than let them cut her brain out. They will not touch her while there is still breath in his body.

He'd do it all over again. He will.

Joel tries a hundred things and they don't work.

After his conversation with Ellie he decides to really fuck with the day. Doesn't matter, right? So long as she's not put in any extra danger he considers it. He begs her to walk away, get on his knees and pleads with her throughout the day. Doesn't work. She just gets pissed at him like that first time and he doesn't push it because he can't bear to see her cry. He lengthens their morning in the clearing, fakes sick or says the rifle is jammed and needs cleaning. That goes south, too, when a pack of runners wanders through the woods and straight into them. They make it to the highway and have to miss the giraffes because they're running.

One time Joel spends all day zig-zagging them around the city to avoid the tunnel. The Fireflies find them much the same way except they shoot him on sight and grab Ellie right out of his arms as he bleeds out on the cracked asphalt, her screams echoing in his ears.

Another time, he ties them together in the tunnel with some fraying rope and they both drown.

Killing Marlene early gets him a bullet in the head and not killing her at all gets him back where he started, no change.

Joel even begs the doctor to run more tests first, to try blood, to try anything, but it takes too long and the alarm sounds and he's cornered in the operating room before he can grab Ellie and go.

Nothing fucking works.

But what is there left to change?

His mind starts to fray. He loses count of the loops and it becomes hard to detach himself from the slaughter. Not even the good moments -- Ellie's laughter, the awe in her face when she sees the giraffes, her jokes and her muted but still sharp sarcasm -- keep him afloat. He's lost, adrift in a sea of blood and bullets and it starts to eat away any humanity that was left in him.

The blood of hundreds, thousands maybe, is on his hands and he feels nothing.

Once and only once does he get there too late. Everything else goes like it always does but maybe he took too long on the first floor, maybe he took too long picking the guys one by one instead of using the assault rifle, maybe maybe maybe.

When Joel gets to the pediatric ward he knows something is different -- he can hear a buzzing sound, something loud and unnatural. The stale air is thick with something metallic, tinged with death. The buzzing stops and he finds his feet glued to the floor outside the operating room. Voices on the other side of it, murmuring and the clink of metal on a tray. Joel's hand shakes when he reaches for the knob because he knows whatever he finds on the other side is going to kill him.

But he opens it because he has to. The doctor is at the sink this time, the nurses nowhere to be found. Ellie's body is covered in a sheet, blood seeping through the fabric. Joel looks away. He just stands there, his heartbeat loud in his ears as the world ends.

The first time his daughter died, Joel thought he could will it not to be so. He held her as long as he could, whispered her name with her blood drying on his hands until Tommy begged him to get moving.

This time, he knows it's true and he knows there's only one ending.

He raises his gun at the doctor who is now leaning on the edge of the sink. The door swings open and the nurses return, eyes wide and vibrating with the energy of a job well done. He swings over to them and kills them both with quick headshots. The doctor has barely turned around when he's dead, too.

Joel breathes, ears ringing. He manages one step closer to the operating table but his knees buckle and he goes down hard on the cool tile. His vision is blurry. Is he crying?

"I'm sorry," he says. "I'm so fucking sorry, baby." He angles himself so he won't get any blood on her and then presses the barrel of his gun to his temple and pulls the trigger.

If Joel was on the edge of losing his mind before, now he's laser focused. He doesn't pull any more shit. He settles back into the loop, savoring Ellie's laughter with the giraffe and gunning down every sorry motherfucker in his way at the hospital. He will not get there late ever again.

So when Marlene says something different the next time around and he almost misses it.

Ellie is dead weight in his arms but she's warm and he can see the rise and fall of her chest. The hospital was messier than usual because he rushed this time, cutting down the Fireflies like it was his last stand. There's blood in his hair and crusted under his fingernails and his shirt is beyond ruined.

"Are you going to tell her what happened here?" Marlene presses her hand into her side, blood leaking from around her crimson palm. "Are you going to tell her what you did?"

He lies to her.

Every time.

It's never occurred to him to try something else. Even though he's changed almost everything about this damn day except that.

Because Joel knows what happens if he tells the truth. He knows what that will cost him.

And he doesn't know if he'll survive it.

He's afraid. Joel doesn't want to lose her and if that makes him selfish then so be it. He wants to take her back to Jackson and give her a bedroom of her own and as many stupid comics as she wants and three meals a day for the rest of her long, peaceful life. He wants her to grow up and grow old.

He'd kill a thousand more Fireflies to make it happen.

He'd damn the whole world.

Because he loves her and it fucking hurts.

This girl and her puns and her comics and her god damned bravery and her bleeding heart. He doesn't want to lose her.

But is this, whatever this endless hell is, is it fair to her?

If it's breakable, if he has the ability to get them to tomorrow, to get them to Jackson, to get them home, shouldn't he? If he loves her shouldn't he give her a life even if he's not in it?

Joel gently arranges Ellie in the backseat and shoots Marlene in the head.

For a few seconds Ellie thinks she's in the car on the way into Pittsburgh. The hum of the old engine, the rocking motion of the truck. But -- wait. She's lying down. The car smells...musty. And she's cold like she's wearing a dress and --

"What the hell am I wearing?"

She flutters her eyes open. Different truck. Backseat. Is she in a...hospital gown? What the fuck? Where is she?

"Just take it easy," Joel says. Okay, so she's with Joel. Something in her chest settles. She must be safe. "Drugs are still wearin' off."

Drugs? Ellie pushes back into her memory and tries to find something, anything that'll give her a clue as to what's going on here. They were in the bus tunnel. The water was rushing, Joel jumped on the bus and it started moving and she...fell into the water?

It's a blur after that. More of a blank, really. Did they get to the hospital? Did they find the Fireflies? Based on her weird fucking outfit it sure seems like it.

"What happened?"

Joel's eyes flick up in the rearview mirror to look at her. "Let's get you into some clothes, first. Then we'll take a break and I'll tell you everythin'."

He sounds tired. More tired than he's ever sounded, frankly, but she can't imagine why. And he can't seem to stop looking at her like she's going to disappear. Like he hasn't seen her in ages.

"Okay," she says slowly. "Where the hell are we going to get those?"

"Your bag is on the floor by your feet." Joel veers off the highway down an exit ramp and Ellie sits up. Her head feels light for a second and then really heavy so she braces her hands on the seat in front of her and takes a few deep breaths. "You okay, kiddo?"

"Yeah. Fucking...drugs, I guess. What'd they do that for?"

"They ran some tests. We'll talk about it."

Normally she'd push him but something feels off. Ellie tries to get a good look at his face but she can't, not from this angle, and not with her head fucking pounding like it is. She's missing so much time. It makes her skin crawl, makes her heart race. Joel is here, she tells herself. He wouldn't let anything bad happen to her.

He parks them at the edge of a cemetery and gets out of the car to stand guard while she changes out of the gown. Her last pair of jeans, apparently, and a grey t-shirt with a few holes in the collar. She wishes she had a sweatshirt or something to wrap around herself, to pull over her hands and feel covered. But beggars can't be choosers. At least someone put her shoes in her backpack.

Joel doesn't turn around when she opens the door but she sees him stiffen.

"I'm done." He looks back at her and she finally sees his face. "Jesus Christ, Joel, what happened to you?"

It's not just the blood. Sure, he's got dried streaks of it on his neck and in his hair. Ellie glances at his hands and sees it crusted under his fingernails, too. But he looks wrecked. Older, somehow. He looks like something terrible happened, the way she remembers his face when he fell from the balcony in Colorado, when he found her in the burning restaurant. But somehow it's worse.

He's looking at her like he can't believe she's real.

"Alright." Joel lowers the rifle and ignores her question, clearly. "Didn't see anythin'. Should be fine to sit here for a bit."

"Are you going to tell me what the fuck happened?"

He moves like he's going to drag a hand down his face but thinks better of it. "Yeah," he says. "I am."

Ellie swings her legs so they're hanging out the door. Joel leans the rifle against the truck and crosses his arms. "You're making me kind of nervous, man."

"Just...promise me you'll hear me out to the end."

Yeah, something is going on. She doesn't like it.

"Uh, sure."

"What do you remember?"

Good fucking question. "The tunnel. The bus and -- water. I fell in, right?"

Joel nods, clears his throat. "Jumpin' on the bus was dumb. Don't do that again."

She snorts. "Yeah, okay. Point taken. But I was afraid you were going to drown!"

"You did." He delivers the news in a flat tone she doesn't like. She drowned?

"Are you serious?"

"I got us out of the water and tried to get you breathin' again." Ellie realizes her chest is sore. She imagines Joel doing compressions like they showered her in school, imagines his panicked face, his hoarse voice calling her name. Fuck.

"Did it work?"

"No," he says. "Fireflies found us first and knocked me out."

"That doesn't make sense." She frowns. "They knocked you out?"

Joel shrugs. "Just tellin' you what happened."

This isn't how she imagined it would go. She never told Joel, but for weeks she's been thinking about waltzing up to the hospital and telling them who she is. She pictured Joel telling her jokes while she got her blood drawn, pictured him staring down nurses and doctors while they made the cure. She figured it would take a few days, maybe a week, and then they'd be on their way back to Jackson. She had hoped Marlene might be there, too. She has so many questions about her mom.

"What did they do with me?"

Joel looks troubled. "I...don't exactly know. It was a while before I saw you again."

It makes her skin crawl. He must be able to tell because he keeps talking. "I'm sure they just ran some tests while you were out. They brought you back, made sure you were breathin' okay."

"Tests?"

"I'm gettin' there." She feels like he's having a hard time looking at her. Something close to but not quiet dread sits heavy in her stomach. What happened?

"Joel..."

"I woke up inside the hospital. Marlene was there. Told me they didn't know it was us, that they'd been waiting." He pauses, drags a hand down his face. "You didn't wake up or nothin'? You sure?"

Ellie shakes her head. She doesn't remember anything after the tunnel.

"Well, she told me they could do it. They had a doctor who could make the cure."

The air rushes out of Ellie all at once. "Are you fucking serious?"

"And then she said..." Joel chews on his words and looks away from her. He looks angry.

"What did she say?"

"Makin' a vaccine...would've killed you."

The bottom drops out of Ellie's world. It's like a hundred doors in her brain open at once.

It would have killed her? Are they sure? Did they do enough tests? Were they going to? Why didn't they wake her up? Were they going to ask her? How did they get out?

She swallows them all and manages just one in a broken whisper. "What did you do?"

Joel looks right at her. "I stopped them."

If Ellie wasn’t already sitting down she thinks her legs would give out. She knows that Joel meant what he said to her in Silver Lake. Knows that he'd do anything for her.

But this?

"What do you mean?" He shakes his head. "Joel. What do you mean, you stopped them?"

His shoulders slump. "They told me to leave and I refused. And I made sure no one can follow us to try again."

Static builds in her ears. She can read between the lines. She speaks Joel now. He killed them all, that much is clear to her. He killed them all, Marlene, too, probably, because she was supposed to die to save the world. Hot tears sting her nose and gather at the corner of her eyes.

"But I -- but we -- I was supposed to...I'm the cure!"

"You're a person. You're a kid. Don't matter what's in your brain, you ain't dyin' for --"

Ellie pushes out of the truck and to her feet. Joel steps back to give her room but she knows he probably wants to touch her, to reassure her. The anger fills her, makes her face hot and her heart race.

"Who said you get to make that choice? If they said I had to die maybe I should have? Then it would mean something --"

"Your immunity ain't the thing that matters most. You are. So I picked you," Joel yells.

She's really crying now, huge heaving sobs that make it hard to talk, make it hard to convey how angry she is. "Well, you picked wrong, asshole."

"I ain't gonna apologize for it. I'd do it all over again, the exact same way. Every time." Joel's expression is as serious as it gets. He used to look this way all the time. No nonsense, no room for argument.

She tries to find the words anyway but they don't come.

"Now, you've got some options here," he says. "I think the best one is for us to go back to Jackson. I know Tommy'll take you in, and --

She laughs, or tries to.

It sounds like something bitter and awful to her own ears. First he tells her she was supposed to die today and now he wants to leave her?

"Are you fucking serious, Joel? You want to leave me again?"

Joel's brows pinch together. He looks pained. Good. It feels like her chest is caving in, like her lungs aren't working right anymore. This must be what it felt like to drown in the bus terminal, to sink slowly, to fade away entirely. She read once that drowning was supposed to be peaceful. This hurts.

"I want you to be safe," he says. "Jackson is the best place for that. I don't have to be there if you don't want me there --"

"I didn't fucking say that!" she yells. "I -- Jesus, give me a fucking second, okay?"

He stands by the door as she paces back and forth, tugging her hands through her hair.

She was supposed to die. But she didn't. There's no cure. And it sure fucking sounds like Joel didn't leave any option to try again.

He traded saving the world for her.

It's too much.

"What do you want, Ellie?" Joel sounds like he's been awake for days. Like he's in pain, like he's being hollowed out. He sounds like how she feels.

She digs the heels of her hands into her eyes.

"I want none of this to have happened! I want us to go back to this morning and I want us to not have gone into the bus tunnel and I want you to have asked for tests first, I want them to try something else. I want Marlene to tell me why they didn't wake me up. I want to do it again but differently, I want things to be different, I --"

Her words break off into a sob. "Ellie..." She opens her eyes and finds him reaching for her. His shirt is stained with dried blood but she steps into his hold and his arm wraps around her.

"I don't know what to do, now," she whispers.

Joel exhales a shaky breath. "I know you wish things were different. I wish things were different. But they ain't."

They stand there, his hand dragging up and down her back. She listens to his heartbeat and remembers those nights in the basement when she thought it would stop any minute.

"Fuck," she whispers, then pulls away. He lets her go. "Fuck, Joel."

He sighs. "Yeah, kiddo. Fuck."

He told her the truth and that means something. It hurts, it hurts so bad, and it doesn't absolve him of anything, but that matters.

"I'm so angry with you," she says. "I don't know how to forgive you for...for...saving me."

It sounds stupid as she says it but Joel nods solemnly.

"That's alright."

"But I..." She wants to get this part right. "Let's go back. To Jackson. We'll figure it out there. But you...you have to swear to tell me the truth. Just like this. We have to be honest with each other."

Joel meets her gaze without blinking. "I swear."

Ellie takes a deep breath. The anger, the horror, the disbelief at what he's done settle a little bit. She has no clue what comes next, but this is a start.

"Okay."

Joel wakes up.

His back hurts and his shoulder aches. It's dark, darker than it should be, darker than it's been for hundreds of days.

Ellie is asleep in the backseat of the truck.

It's tomorrow.

thank you for reading. let me know what you thought!

#the last of us fanfiction #i dont know how to tag this #the last of us #bea this is your fault!

189 notes · View notes

maul-of-shame · 18 days ago

Note

The hate is not fair. They say Elrond kissed his mother-in-law, but that's not true in the show, and they're very close and intimate already from the first episode. Why is it okay for Galadriel to fall in love with Sauron, but not Elrond? Because it goes against the concept of Elven marriage? Oh but not when it comes to Sauron? Yeah no, they have biases.

Celeborn is still gone, and his contributions in the lore kinda stop after the fall of Eregion, so he can stay gone for all I care. Also, Elves usually make babies during peaceful times, so I doubt Celebrían will show up in the show.

Tolkien already thought about Elrondriel, it was just a note (published in The Treason of Isengard), but he thought about it. I don't think he would be horrified by that possibility.

THANK. YOU.!!!!!!!

[TW: long rant XD]

Finally, someone who gets it! The hate is honestly ridiculous.

They’re out here shouting that Elrond kissed his mother-in-law when, newsflash, Celeborn isn’t even in the picture, and who knows if he’ll ever show up!

Galadriel and Elrond have this deep, close, and really touching bond from episode one, and somehow that’s off-limits?

Why is it suddenly scandal city when we dare to suggest she finds happiness and true partnership with Elrond?

But throw her into the arms of Sauron, the Dark Lord himself, and suddenly, it's “complex” and “character development”. It’s all “look at her grow through her suffering!” as if Elven love can’t mean support, respect, and actual happiness.

And don’t even get me started on the “Elven marriage” debate X'DDD

People are quick to dismiss all those Tolkien notes about Elven traditions when it suits their ship, but suddenly it’s set in stone the moment Elrond and Galadriel’s names come up together. Also, Tolkien literally pondered Elrond and Galadriel in one of his drafts, just like you said, so maybe instead of clutching the canon scrolls like they’re about to burn up in the fires of Mount Doom, people could acknowledge it’s not heretical to want Galadriel with someone who sees her and loves her.

Her marriage to Celeborn only seems to matter when it’s about Sauron or Celeborn himself. But the moment Elrond’s name is in the mix, suddenly everyone’s clutching their elvish pearls and running back to their mothers, calling for the Tolkien Canon Inquisition to bring down judgment on the Elrondriel shippers.

Some folks would rather see her fight her way through every imaginable trial just so they can applaud her “strength,” as if Elrond couldn’t offer a kind of partnership/relationship that allows her to be both strong and loved.

And let’s talk about why some of us ship Elrondriel in the first place—maybe it’s because it represents a soft, supportive love, something different than the tragic, high-stakes relationships often portrayed?

Some Elrondriel shippers find solace in a relationship that emphasizes mutual respect and gentleness, especially those of us who might have trauma connected to toxic or damaging significant others.

I know I do.

When Haladriel and Celeborn/Galadriel shippers come after us with attacks like, “Elrondriel ruins her character!” or wave the banner of “feminism” to bash a pairing built on care and understanding, it’s not only missing the point; it’s harmful. That criticism doesn’t strengthen Galadriel’s character—it polices her story.

Not every relationship has to be built on struggle, abuse, manipulation, physical abuse or else to make a character “strong”.

Romanticizing cruelty or betrayal as “character development” ignores the very real impact those relationships can have on people, fictional or not. A kind, soft love doesn’t weaken Galadriel; it honors her resilience, allowing her to find peace with someone who truly respects her, flaws and all. So can we please move the conversation forward instead of dragging it down with unnecessary, hostile purity tests? This kind of dialogue isn’t constructive—it’s just plain vile.

We’re not out here hunting through the Haladriel or Celeborn/Galadriel tags, nor are we combing through fics that focus on those pairings. We’re not interested in disrupting spaces others enjoy. To each their own tastes, and I fully respect that—right up until the conversation targets us. I’m not personally a fan of storylines involving intense emotional or physical abuse or dark manipulations, and I certainly don’t go searching for them.

Elrondriel shippers just want the same respect in return: a space to explore and enjoy our ship without being policed, brought down or harassed.

If this pairing isn’t your thing, that’s completely fine—just scroll by or block the tag. There’s room for all kinds of interpretations, and it’d be nice if we could keep the fandom an inclusive and respectful space where people can enjoy the pairings they like without unnecessary interference.

So yeah, I’ll stand by Elrondriel, and I’ll do it proudly because it’s about wanting Galadriel to be happy, without her suffering being painted as "depth" or "character development."

To me, making her feel loved and cherished doesn’t weaken her character, it actually strengthens it. It shows her humanity, something that, frankly, some of these characters are desperately lacking. Love and respect aren’t weaknesses, point blank period.

They’re what give characters the depth and growth they need to evolve in a healthy, meaningful way. A character can’t be defined solely by their pain or struggle; their strength often comes from overcoming it and finding love, support, and peace along the way. I’ll stand by this pairing because I believe it honors Galadriel’s strength, her journey, and her need to be valued beyond the endless suffering she’s faced. Just because the media or others may portray certain things a certain way doesn’t mean it’s wrong to seek out a different kind of love story, one where the characters find joy, peace, and mutual respect.

And for Galadriel, that kind of love is long overdue.

[ NB: And let’s be real here—to be a mother-in-law, there actually needs to be a daughter/son. And as far as I know, said daughter is just as MIA as her “dad”. So until Celebrían herself decides to make an appearance, let’s not go throwing around “mother-in-law” labels like they’re fact.]

Thank YOU Anon for this, I'm so happy more Elrondriel shippers are coming forth!!!🤍🤍🤍

#elrondriel #galadriel #elrond x galadriel #galadriel x elrond #the rings of power #trop s2 #trop #rings of power #elrondriel theory

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fallloverfic · 8 months ago

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I know not everyone has read the Delicious in Dungeon World Guide: The Adventurer's Bible, but there's an interesting section I think even some folks who did missed when it comes specifically to Mithrun and what he can and cannot do in re: taking care of himself. Spoilers for the manga. (And obviously to each their own headcanon, but I'm just looking at what's in the canon text)

On p.73 of the Delicious in Dungeon World Guide: The Adventurer's Bible, there's this bit of text in Mithrun's character section, "Even though he has no desires, he still has routine habits, so he can handle everyday life on his own. However, when he's in a dungeon, he tends to neglect things like eating and sleeping." Nowhere in there does it say anything about him needing help to bathe or go to the bathroom. We know Cithis is assigned to look after him (so that he "doesn't collapse during missions." (p.82)). We know from Daydream Hour that he at least seemingly needed help to bathe while he was recovering. It's possible he's since gotten over this and can do it on his own (one targeted focus of Milsiril helping him was to get him to keep himself clean).

Another note is that while Cithis does kind of leave things vague when asking Kabru to "see to his needs" (p.144, Volume 9, Chapter 61), the only thing she specifically tells Kabru to do is make sure Mithrun eats. Kabru is the one who takes it a lot farther. And while, yes, carrying Mithrun to safety and making sure he rests properly is a lot more than feeding him, it's also not "make sure he goes to the bathroom regularly". You could argue Cithis was just being delicate or they didn't have time... But still. Cithis didn't say this. She just says, "Until we do, we'd like you to see to his needs. Food in particular! Three meals a day. If you feed him properly... ...we'll overlook this incident." And this matches what the Adventurer's Bible says. In the Cithis comic in the Adventurer's Bible, the only things we see Cithis telling Mithrun to do are: eat, sleep, and switch out his clothes. While the clothes thing is kind of a question mark (and probably a joke), again: the only things we really see him having an issue/getting help with are really eating and sleeping properly. Principally, while it's clear he does need more help than just someone to feed him... the things we see Kabru do are adjacent to his eating and sleeping properly. Mithrun doesn't register a need to rest or eat, so he doesn't sleep or ask for food until he collapses. He's unable to sleep without aid (and a foot massage, to my knowledge, does not solve "uncomfortable but ignored need to go the bathroom"). And he generally tends to overuse his magic until he collapses. He doesn't like... collapse because he just forgot to go to the bathroom for too long. Nor does Kabru seemingly indicate that he smells. The one time he noticeably has an issue bathing is with the mushrooms, and Kabru seems to be going to the next level with making Mithrun's hair glossy, which implies maybe Kabru's either getting Mithrun better shampoo or cleaning and/or brushing Mithrun's hair himself. But outside the mushrooms it's not clear Mithrun needs the help bathing, and the difference might be because his body has changed completely due to the mushrooms.

Additionally, what does Cithis say when Mithrun is using his magic a lot on floor one: "We'll have to make sure Captain Mithrun eats soon. Once we're finished here, let's get some food in town." (p.146, Volume 8, Chapter 55). Again... all roads lead back to: he forgets to eat and sleep properly at least some of the time, and his comrades have to keep an eye on him for that. But that seems to kind of be it.

Where I think folks might be getting confused is in trusting Kabru's estimation of things a bit too much, and I do understand why. After all, he's the massage feet guy! He kept them alive (with Mithrun's help)! He helped Mithrun choose to live on! He knows his stuff!

...But that doesn't mean that Kabru is always right. In fact, he's not right a number of times in the manga (e.g., when he's describing Past!Mithrun in the Adventurer's Bible, or when he's trying to convince Laios to wait without explaining what happened to Marcille).

But let's start at the beginning: the one set of panels where it's left sort of open-ended whether or not Mithrun needs help to remember to go to the bathroom:

(I personally imagine Mithrun just going along with it in the end might be due to the fact he's exhausted to the point of collapse, and just generally goes along with what other people want in these situations so long as it doesn't endanger his mission, such as with Cithis and Fleki)

I just think it's interesting it never seems to come up anywhere else that I'm aware of (even Daydream Hour doesn't show the caretakers going to that level of care, though I imagine he would at least need help getting out of his bonds to go to the bathroom), nor do we see how this specific scenario - Kabru literally dragging Mithrun out of bed to go to the bathroom while Mithrun protests he's doesn't need to go - turned out. The scene literally fades to black while they're running; not that I'd expect Kui to draw Mithrun doing his business or Kabru forcefully encouraging him to, but it does still leave it more open-ended than clear-cut. You could argue that because bathroom stuff grosses people out a lot, bringing it up once twice and solely for a gag works, but also only showing this much and not bringing it up again makes sense as well, so the fact that it isn't clear-cut + isn't brought up again doesn't necessarily mean that Kabru was wrong in his belief that Mithrun needed this help, so much as it's practical storytelling... Also Kui literally has a whole comic about Laios' poop creating forests from makeshift toilets, this comic is not above literal toilet humor.

But also it still leaves open the idea that Kabru was wrong. Because while Kabru is often right about things, he isn't right all the time (especially when he panics). And one of the notable times he was panicking about something, Mithrun was the one who slapped him to his senses.

(I mean part of it was probably revenge for Kabru knocking him out at Sissel's home earlier but the point still stands). This isn't even the first time Mithrun calls out Kabru's wild imagination: it's technically the second/third.

Also as astroloquacious pointed out in the notes: Kabru's role model for caretaking was Milsiril, who was notably overbearing. Specifically before he is thrust into working with and then looking after Mithrun, he recalls a memory of Milsiril being overbearing in her caretaking of Kabru, and how he would rather stay in Merini with its dangers than return to that life. He probably internalized some of the stuff he disliked about her. And if Milsiril, who is a lot older than Kabru, can get stuff wrong about his needs, then who's to say that Kabru doesn't get stuff wrong about Mithrun's needs?

tldr; Believe what you want about this aspect of Mithrun's lifestyle. Not showing a thing doesn't make a heavily implied thing untrue. But I think the Adventurer's Bible is pretty clear. Also, according to the complete Adventurer's Bible, it seems Pattadol is still helping him a little post-Merini, and he's clearly not averse to having a helper (e.g., Fleki). I just don't think it's necessarily factual that Kabru is right in that Mithrun needs this level of care/attention in this particular area, particularly outside a dungeon.

#delicious in dungeon #dungeon meshi #kabru #mithrun #dungeon meshi spoilers #delicious in dungeon spoilers #manga spoilers #dunmeshi plays a lot with truth and implication and reading between the lines #and I enjoy that a lot #I honestly enjoy the idea of exploring this aspect some caretaking involves #but I also hesitate to say that it's genuinely something Mithrun needs a caretaker for #especially with the info in the adventurer's bible #fallfthoughts

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oatmealdaydreams · 2 months ago

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The Sides Are Dorks, Part 389534

I was wondering why the Sanders Sides tag was trending earlier, and then I saw. the Video. Anyway, here's my thoughts while watching the new vid (in list format) bc I haven't done this in a while.

[it's gonna be LONG knowing me]

"I would never be caught dead in a bowtie" *cuts to when Janus literally wore a bowtie in canon*

"yeah and I deserve it" -> ha mood

"Wrong, I ate an entire bottle of melatonin gummies" -> Patton. Patton, no.

"I could switch to green tea, and I'll still be a bitch!" -> also mood

hey. hey why you do that. why would you say that. (aka: Roman is offended by the mustache comparison)

"Where is my ruler" -> PLEASE it'd be so fucking funny

Virgil really be like "WRONG! I use the tildas you faker" (/j) (/lh)

Patton starts listing off every appliance that has heat stuff and I cannot. I CANNOT--

^and then there's the fridge. what did Fridge ever do to you? where's the lorreee

"wholesome friendship" // "how many holes we talkin'" -> yeah that makes sense

"No, he's just not worth an attack" -> Logan sounds like he's thought about this before

Roman Unscrews Imaginary Lightbulb, reaction is a family-friendly version of "Listen here, you little shit"

"get him" -> Virgil hates that Anxiety so much

Emile Picani Joins the Ranks of Rat Man by Sleeping in the Buff. it's canon now.

"It's no one's business what bites me" -> Janus. Janus, the implications. Janus--

Patton reveals Logan's secret: Love for Donuts, feat. wiggly fingers

"Which is rude...because I am not young" -> also Sheldon is missing The Tie, which is essential for Serious Smart People (I guess)

Roman likes My Little Pony

"No, I didn't--" // "He did!" // "He definitely did." -> LMAO the Others confirming that Virgil had a meme phase

Ah yes: The Sponsor Section

Patton being like "some cookies are bad??" is funny to me lol

"--vaccuums" // "No" // "ignore that last one" -> goddamnit Patton (/pos)

"There sneaky people out there" *cuts to Janus*

Roman loves Barbie movies. Barbie Movie? whatever, he likes Barbie

"war against the evil cookies" // "wait--" -> haha. this is why I believe in Intruality so much

"I dropped another laptop in the toliet" -> another one?

conclusion: Patton and Remus are both accident-prone. an Intruality win. also they interacted for like, 2 seconds. another Intruality win

Sponsor Ends!

"ACTUALLY it was four times. bitch." (Sleep, basically)

okay but like. when the glasses are on the head, it's like they're invisible. I say as someone who loses their glasses, only to find them in stupidly obvious places. also mood

Virgil DEFINITELTY watched Patton do this for five minutes before he said anything

Roman is in love with his sword, Exhibit D

^(D is for--)

Logititties. that's all

Janus really said "wanna go, bitch?"

also: "I wouldn't be caught dead in a fish fight. I would poison you" -> ah, of course, a snake with style (/j)

"calculator is computer" // "that's technically correct, actually" -> where's the Logicality enjoyers when you need them

Roman Rage Quits at Roblox. also Insecurity

"bitch, I'm not that out there" -> this helps deduce the scale of What The Fuck Is Remus's Normal At

"True...or is it false?" -> he loves fucking with people, doesn't he?

"yeah" -> he sounds so resigned, nooo :(

Endcard Moment: Logan loves jelly-filled donuts

and that's it, folks! This was lovely. Silly gay personality traits.

#sanders sides #sanders sides reaction #sanders sides react #janus sanders #patton sanders #logan sanders #virgil sanders #roman sanders #remus sanders #list #list form #list format #emile picani #sleep sanders #remy sanders #long post

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popculturebuffet · 4 months ago

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The Book of Bill Review: Bye Everyone He'll Remember You All in Therapy (Comission for Emma Fici)

Hello all you happy people and man it's good to be back. After a week's vacation i'm recharged and ready to plunge back into reviewing stuff. For those of you new here i'm Jake, I review various media , mostly cartoons and comics.

Over a week off filled with batman, persona 5, more batman, Truthful Timmy the Blowjob Queen of Saskatoon, and more, I picked up a certain book since my money dropped: Yes folks thanks to a generous friend who also enjoyed the hell out of this book it's time to talk about mildly curesed new york times #1 bestseller The Book of Bill.

The Book of Bill is the latest in something Disney has been doing for a while, some of the only merch they really make for their telveision animation series: Journals! Specifically books following a character from the show in the first person and helping drop some juicy lore. I naturally have all three previous major ones: Journal 3, The Big Book of Spell and Marcy's Journal. There was also one for Ducktales I need to get at some point and an early Star Vs book, but these big three are the important ones, making real books from the show canon and not only being cool props to own, but also nice bits of canon after the show ended. Or in star vs case as the show slowly burst into flames.

Book of Bill continues that trend yet also breaks it: This book is coming out 8 years after the series ended, is an entirely new creation, and is geared towards adults even having a warning label. Granted it's more a pg-13 than the hard r said warning label implies but the fact disney is acknowledging a product from less than 15 to 20 years ago has nostalgic fans is a victory in itself.

And said victory was followed by an even bigger one with the book recently topping the New York Times bestseller list, even topping "we gotta see what that couchfucker is about just in case". This is a huge victory lap that makes me hope we'll get even more content from various disney shows in book form. At the very least it makes the owl house art book an even easier sell and at most i'm hoping Owl House gets more content now, and I wouldn't say no to Hirsch returning to gravity falls if he has another idea. While i'm used enough to Disney's bullshit to see them ignoring this obvious sign, it could really get them to take kids content from this era more seriously or at least try to get it's creators back to get more of that sweet dollar dollar bill ciphers ya'll. Either way this could be a great thing.

Even if it dosen't lead to more books, Book of Bill is great on it's own and something i'm happy to dive into. And since I know it's harder to get the book outside of the us this is also a chance for those of you outside it to get a peak inside. So let's begin as tonight it's gonna get weird.

Book of Bill is diffrent from the other books in that while it follows a narrative, the first half is mostly just bill shenanigans while the second gives us his history from when he was a baby boy baby to he and Ford's messy breakup involving live snakes, it's a small world and jars of spiders.

It works perfectly too: I forgot how much fun bill was till he burst through the page to greet me

Like bill himself the book deftly ballances comedy and horror. Like gravity falls it leans more to the former, as most of bills antics are just him being unsettling and charming as always, but we get plenty of truly disturbing stuff from his collection of heads to a mouth suddnely popping up demanding blood to this lovely bit showing all the many realities where the pines kids didn't exactly win

Also yeah, outside of Bill's fate, the book dosen't move past where Gravity Falls was on the timeline in the extended Disney Television Universe. It does firmly confirm it's all one universe as we get some refrences to owl house with some tapestry showing off the titan and my boy

As well as a cameo we'll get to later. But it's clear Hirsch, for now has no plans to tell us what happened to errybody after the show aside from bill himself and honestly? That's fine. I'd rather he did a full revivial or book about it at some point than drop it in here and before the nightmare fuel sets in the sleep image of the two on the bus with waddles is adorable.

Back on point the book will hit you with horror well but is maily just a non stop parade of good jokes for the first half. The framing device is simple: Bill created this book and Ford found it shortly before he and Stan went off to make movies, make songs and fight around the world. He tried destroying it but befitting spooky books it kept coming back and so he put in an ash williams style warning telling the reader for the love of god don't read more. And like that idiot from evil dead 2013, I didn't listen and pressed on as i'm sure any of you who got the book did too. I mean we already paid our 20 some dollary doos right?

So the book has bill giving the reader advice, trying to trick them and general other wacky nonsense. This book is DENSE with jokes, and there was hardly a page that wasn't meant to be truly horrifying that didn't have one on it. And sometimes even them. Highlights for me from the first half include his self interview where he deflects being phineas' father, dating a howling void and other hot goss, his entire chapter on silly straws (if you murder someone with one it becomes a serious straw), his having you murder an elf for him, dividing a number and brutally murdering it, and Ford claming he'll tell you how to turn ducks into nuclear bombs.. with Bill doing that immediately after and likely being fully aware of what he was doing.

My faviorite bits are him fleshing out his "reality is a hologram" statment

Every bit of this joke works from me from the reveal, to perfectly nailing the classic pokemon trading card style for this gag. Good stuff. Also not sure why the multiverse has only 50 hp, better not to ask.

The other bit I love the most is bill trying to help the readers love life with advice so good it got this book classified as advice

And helping the love cage with some wonderful bilintines

I"m sending I don't want to die alone to my next crush!

This section really is just a vehicle for jokes and general bill chaos for the most part and it does so gloriously. If you liked bill, your gonna love this thing and if you love him.. he'll never love you back but you'll still enjoy this.

The first half does have a few little pitterpats of lore. One of the biggest.. is that we get more dipcifica

Also Dipper's search history as a whole and while some parts I'd rather forget if my brain would let me, there's a lot of good gags here. But yeah Pacifica Northwest Pagent Video. man is crushing. And also mildly creepy but it's still a step up from looking up Wendy's instagram and other things i'd rather not get into because

This segment goes into the casts dreams, most in depthly Dipper, Mabel and McGucket. That last one is just a really hautning page of how much of a tornado his mind is ... bill BARELY got out. Dipper is naturally bill laughing at his embarassment and revealing he put a bunch of fake author images in his head for funzies.

Mabel on the other hand is one of the funniest segments in the entire book as well as revealing exactly HOW he concoted the scheme. A nice thing we get , and that explains why he gave her her own fifedome.. is that bill actually likes mabel as a person. he likes her chaos, loves watching her dreams which is creepy but for him is about as close to kind as he can get. Problem is he went in AFTER the whole Sock Opera mess, so she hates him. Thankfully the people guarding her dreams are Xyler and Kraz, nature's perfect himbos. So he simply gives himself a hat and blonde hair, a neat jacket and the name chill cipher and gets them on board by eating his skateboard. And to his horror has to do a montage from saying no to drugs to teaching a dinosaur with shades to beleivie in himselef. Just imainging bill doing an over the top 80s montage while having the most pissed off uncomfortable look in the world.. it's going to help me sleep at night.

We also find out he found Mable's deepst darkest fantasy... a tape of Mariah Carrey's fantasy.

It's a genuinely good gag and bill finds out from them how down in the dumps she are, her wanting to let summer last etc.. and thus you can thank these himbos for the apocalypse.

Otherwise the only other little tidbits are in a bit on various dreams. We find out Ford is in love with logic (Bill quips he'd be a plansexual which.. accurate), Soos wants to change his name to pins, and Pacifica.. is suffering horrible ptsd. The big bit though is that dipper walked in on a conversation between his parents about something he wouldn't hear and Bill implies it was why they sent them away. It COULD be divorce, it could be somethign else entirely it's honestly hard to tell given both how little we get and the fact it's bill. Bill's about as trustworth as a snake wearing a top hat

On second thought make that Snake mayor stat.. then god emperor.

But yeah you can't really TRUST bill but it's a nice little seed of info nonetheless and it'd be weird if I didn't talk about it. That said I don't have much to say about it. The kids parents MIGHT have had a rough marraige though that would make sense why they cling to each other so much and make Mable's desperation to keep her brother around even more heartbreaking, so i'm all for it.

So then we get to that sweet juicy lore we woudln't stop bugging Alex for: Bill's history. And this may be my faviorite part of the book simply because there's a LOT of good gags and great visuals tucked in here. A crapton of artists who were VERY good at making something look real enough, as well as GF Vetran Emmy Ciecerga who drew all the gravity falls style art for this book and deserves a LOT of credit, make this book look gorgeous. There's all kinds of styles, from 20's newsclippings to photos to disturbing bill images, all of which needed a great graphic design to it. While none of the books so far are slouches in graphics, journal three itself looked gorgeous, this is far and way the best looking of them so far. Since it's bill their not constrained to one style, like marcy's was mimicking her art style (And later Anne's for her third of the book), journal 3 was. Book of Spells has come closest having each queen have a unique style but it still held to star vs.

This being bill this book goes all over the place: you've got brain teasers, photos, photoshopped nightmarish heads, a reaslitic mouth wanting your blood, all kinds of visual trickery that fits what a visually gorgeous nightmare bill could be. Like the other style, a very chaotic style that oscelates from people magazine to several pages of the great gatsby to punish you for wanting to know his weaknesses (get gatsby'd sucker!) all without breaking a sweat.

The history of bill section is where it really gets to shine once he gets to earth.. but before that.. we adress the elephant in the room. What happened to his home dimension?

Yeah one of the biggest bits of narrative blue balls of book of bill is we don't learn hardly anything about the second dimension and learn NOTHING about how it actually died. Both make perfect sense enough narratively to work and it's clear Alex, while great about answering the shows bigger and more importnat mysteries and not just jerking the audience about, does like to keep some things a mystery. The kids parents, shermy pines, why was thor crying that kind of stuff. While I WANTED an answer for my own works, I respect that it honestly worked better to not get one. We get just enough: bill climas to have been well loved by all in the way a flashback would show he wasn't, having seen the third dimension. It adds layers to him and ford's later friendship: both were outcasts with no one at one point or another. But Stanford at least had stan for a while before he was a dick about things.. bill seemingly had no one and is active denial he was hated and feared.

So he tried to merge dimensions.. and we have no idea exactly WHAT happened.. but not knowing.. is more horrifying. Bill tries to retell it but blacks out

It's very clear Bill has ptsd.. and somehow used urkel to kill people. I feared this day would come but never thought such a dread weapon would wind up in the worst hands imaginable.

It's a great section and I honestly like this... it makes the clear bait and switch work as alex knew what we wanted.. but gave us something more fitting the character.. the one moment bill GENINELY regrets.. but due to eons of lying to himself can't admit. He twisted the narrative to be that he freed a bunch of squares when really it was his first mass murder and the only one he clearly still feels bad about. While he was likely always a tad weird, this event is what snapped him into the monster he is, convicning himself their better this way and he did the right thing instead of truly dealing with his guilt. Bill has lied to himself so much he blacks out when even thinking abotu the truth because if he really thought abotu what he did and what happened, he'd have to rethink his whole sense of self. And Bill can't do that because he's built his whole self worth into his ego after this. That he was specail they just didn't get it and it's to the point he can't even be honest that he wasn't liked> he always had ot be great and special. It's honestly.. sad more than anything. That had bill not done this or simply not made what seems like an honest mistake just not to be alone he may of simply been able to escape and find kinship in ways that didn't involve gaslighting and evil overlord ship.

Sadly he did so we find out he found the nightmare dimension , conquered ita nd slowly gathered his henchmaniacas. We find out little btis; 8 ball has a crush on pyronica, pyronica wants to fuck smokey the bear for the sick thrill of pulling it off

Teeth is more a team pet.. all stuff i'm glad we have simply because the henchmaniacs never got fleshed out. Pyronica also has a phd. Bill also has a lawyer named dan crabbleman he uses as a scapecrab because of course. His version of peter I suppose.

Eventually though the good times stopped; While they had nightmare dimension prom (death toll 300), it ultimately was found the dimensionw as dying and we find out HOW bill ended up here and why he hates the time baby so much. .

Now granted the section with the time baby, only a few pages.. didn't do much for me. I've never really been a fan of the time baby: he comes off at least a touch evil, if less here since ANYONE comes off less evil when compared to bill, and the only joke they seem to have is he acts like a baby but is an elder god or something. He's one of the weaker weridos our heroes encountered.

Thankfully bill defeats him and the dinsoaurs would rebound eventually

And we'd only have to deal with time baby a few times after this before Bill kills him

So we then find out why Bill was spread about history. Turns out, not suprisingly, he landed in gravity falls which was perfect for his nonsense. In 30 Million BC he found a small tribe and befriended it's local shaman.. then kinda killed that good will when his first portal created the bottomless hole, let loose sea monsters and killed a lot of people.

This is also where something clever about the book comes about, something I hadn't noticed in the show till Bill's history made it clear: While Bill CAN manipulate a person fairly well he has a huge weakness besides tin foil or techno: He dosen't care enough to hide how unhinged he is. Bill by this point in the story, after eons of self denial and surrounding himself with people who either enable him or he tortured until they enabled him presumably, simply can't grasp that maybe giving a kid deer teeth or a head that's always scremaing isn't the way to make a good first or second impression.

And those moments from the show did set this up well: i'd always assumed he did that shit because it was fun. See the "Your insane!" "Sure I am what's your point?" exchange that's the second thing he ever says. But now I get it's .. well still part that, Bill likes fucking with people.. but it's also that he can't turn OFF his need to fuck with people. Even in this very book instead of giving genuine if shallow love advice he wants you to lock someone in a love cage or become johnny cobra arms. And I mean the second one is sound advice if you've got sufficent padding or a venom immunity, who dosen't want cobra arms, but this book really hammers home that Bill , while good at praying on people's desperation... is REALLY bad at actually keeping them on the hook unless their already as mad as he is or their desperate. He has one exception in ford but as this book, journal 3 and the series all establish.. Ford is also weird, dosen't really get people or social norms. Not saying all societal norms are good.. but maybe don't give your grandaughter a gun Sixer.

It dosen't detract from Bill's threat, as Ford comes to horrifying conclude later... no one actually BEAT bill pemrenantly. The shaman simply banished him and gave out the prophcey for the finale.. a prophecy that ended up not working. Bill constnatly gets shooed away or bribed by people to please shoo, shoo good sir shoo.. but it's not till stan after centuries of work on earth that someone actually BEAT him.

But it does humanize him, even if calling him human is not even a stretch it's just innacurate, but it's the term we got: Bill's ultimate weakness isn't his ego or collection of sily straws: it's that he simply CAN'T stop being him long enough for someone to actually buy into his shit. He actually had the founding fathers listneing.. until he called martha washington hot lips. He nearly gets the US Government to get him to the president.. but can't reissit talking about how fun it'd be to set all the nukes off at once. He makes a truly fun looking silly siphonies style cartoon.. but then it's time to relase the bees

Bill for better and for worse can't help but be himself. his schemes usually drive people to madness or away. He's good at preying on people's desperations and it ultimately needed him his three days of weirdmageddon.. but but he's not good at pulling the long con and only managed it once in his long career.

Thankfully while the book has plenty of great failures from bill from his computer to his do wop group the cipher tones (And the insuing country music backlash record calling him the devil. Please the devil threw him out because living with him is like living in a living nightmare).

There's a few slightly meatier episodes: There's his days in the dark ages.. and one of the few times someone actually got the better of him: he seemingly cons a dark wizard into joining him, sending some knights on a fetch quest to get his copy of monty python and the holy grail. How Disney got away with using the full title I have no idea but they did. God I hope it's not the same copy I have. Turns out though said wizard pulled a sandman and trapped him in a glass orb somehow woven with unicorn hair. Granted it does lead to bill goign on a rampage the second he's free but said rampage gets him banned from Europe so we'll call this one a draw.

The other is the anti cipheretes, a turn of the century group that means well and is engaging.. but sadly tried to preent their findings publicly and their leaders gets intionalized. It's honestly sad.. all this guy wanted was bill out of his head and they lost.

There's also said Silly Symphonies detour where the walt disney expy uses it's a small world (not named directly but barley disguised) to drive bill out.

It's another fun section, filling things in and letting bill fuck with history. He even gets a genuinely heroic moment

Yeah Bill deals with the puritans.. and they piss him off something bad, their lack of imagination making most useless to him, their society being horrifcally stuffy even by the cipher standard of "Stuffy assholes won't let me fill a theater with bees. Charlitans", so he helps an abused local housewive used as a footstool discover what laughter is and soon forms a coven. Said coven inacts a bloody coup, sure.. but it was puritan times, this is the only way a feminism could happen.

We then get the penultimate chapter in our story: At this point it's the 80's, do a lot of coke and vote for ronald regan and bill.. is at the end of his rope. His last scheme is easily one of my faviorites...

I know disney won't because they hate merch but I genuinely hoope a fan recreates these to own. Even the 3d model used here would be appricated for printing.

But then... fate threw bill a bone: he started laughing. Uncontrollably.. lights turned yellow his image was on every computer and breakfast cereal... someone.. opened up gravity falls again.

This is where Ford comes in: In a clever twist the next bulk is from Ford's perspective, with Bill having somehow found pages ford torn out. This is great for two reasons: the first is that it allows us to see their story more on the ground.. and the second is it's a resonable explination why pages that would've defintely told dipper who the author was were missing: Bill points out Ford tore them out due to his own shame and vanity. The former was on display in the last mablecorn, with him not telling dipper and only not getting mindwipped because the horrifying experinces recounted in those pages made him get a plate in his head. The second was in the book: Ford's biggest weakness and one Bill fully took advantage of.. was his ego. Ford thinks a LOT of himself and while he is impressive, it's his need to be seen, to be recognized after being ostrachized most of his life that makes him easy to play like a fiddle before bill and made him stubborn and dangerous after.

Ford can't admit he was wrong and had he left that vunerablity in there the show might of gone diffrently and weirdmageddon probably woudln't of happened.

It also covers in the one gap the journal glaringly left out, but again for plot reasons: that winter Ford was at his cabin. It's a geninely touching story: Ford feels lonely, and bad that he didn't get fiddleford anything before McGucket goes to see his wife back home, and spotted dipper and mable's footprints.. and ends up kidnapped by the krampus and having to rescue a bunch of children because of where he lives. What's heartwaring is fiddleford returns.. and while he fucked up his relationship by forgetting to get her a present, though the shippers certainly got one with this story arc, Ford decorates the portal to cheer him up.

The bulk though is about Bill and Ford: While Fiddleford IS his friend, he's gone a lot because he you know has a life. We see a side we didn't really see too much in the journal but makes sense: Lonliness. Ford is just too dang weird and awkward to be around people, can relate and bill takes full advantage of that. We get to see bill play full on manipulative boyfriend as he preys on Ford's ego, need to not be alone and subtly tries to isolate him when stan comes up and after the heartwarming moment above. It's neat to see just how things went wrong, how Ford got played by bill. Like I said Bill can't hide who he is.. but it works here as Ford dosen't get people so while creepy as hell, Bill leaving a giant pile of dead rats in his name for his brithday and getting him karoke drunk is not a red flag. You also get the sense that while bill isn't remotely a good friend, person or triangle, Bill WAS fond of ford, he genuinely liked the guy and gets shitfaced when eh dosen't on "i'm totally fine juice" and crashes an interdimensional mexican restraunt. Also props to alex I didn't know I needed to see Ford and Bill hammered on seperate occaions but here we are.

Naturally it goes south and the post breakup is easily the most serious part of the book. There's still some great jokes, but it shows how horrifying bill can be. His first actions are, after Ford installs his lab's retinal scanner to keep bill out (since the pupil thing isn't just stylistic, it really happens), he beats the poor guys knuckles bloody trying to claw his way out. He revivies Zombies to stop ford at the mourge as it turns out he can control ANYTHING with a brain. That does lead to a really awesome moment I didn't see coming as Ford admits he's missing him.. but his aim is getting better

Yes they called back to THAT of all things.

It's then things get terrifying: Bill starts writing on ford's post it notes, taking his body at intevals since Ford let him in.. and it's something I just never thought of: while we saw what he could do to dipper, we knew it was a bad idea and he was able to get him out pretty quickly. This segment.. shows what happens when bill can come and go as he pleases. Fordapparenly would just pass out for a second and wake pu with notes.. and when Bill got tired of the post it note tag.. he went a bit further with what's easily my faviorite joke of the whole book

It's just so bill. Grante did' be terrified and probably dead from such a stunt, but it's still just.. so damn perfect.

Ford gets him back with it's a small world after all.. only for us to get to the most unsettlign portion of the book. Ford wakes up on the roof and finds bill left a tape. And while a portion of bills shenanigans, memoralized with polaroid are just hilaroius, like slapping a cop or getting a baby girl tatoo.. we also get shit like eating a jar of spiders (And as an arachnophobe the sentence I keep coughing up siders is.. a lot for me ) and hammering his own hand. We'd seen this kind of shit with Dipper.. but this is what he'd do when he dosen't necessarily NEED the body for himself.

The lowest though is Bill.. trying to call stan. And trigger warning for his next image as it's ... pretty fucking rough.

Yes Bill.. nearly sent a suicide note to stan over the phone in ford's name. It's only sheer luck and likely some lawsuits that saved it but it just hits so hard. Even as much as Ford hates stan.. he dosen't want this and is truly terrified. It strips away the wacky nonsense of bill and gets right to the point: bill is gaslighting and abusing ford, even making him forget his own name for a second, until he gets what he wants. The earlier parts showed him playing the more manipulative roll of abuser but now.. we see what happens when bill goes full on petty and vindictive and there's nothing humorous about it.

Thankfully ford got the plate in his head, he called stan, you know the rest.

It's here the book reaches it's climax: Ford contacts the reader again.. but in a nice bit while he begged them before.. he can't blame them. THe post weridmageddon character development shown in journal 3 stuck: he was where they were. Not only that while he hid the book from his family they found it and instead of turning all into bills.. they just laughed. They'd all grown enough to just find his attempts at playing them funny. They all took his embarssing past in stride. As Stan perfectly puts it "So you messed up a bunch. Guess that really makes you a pines". Stan of all people has EVERY reason to never let ford live this down.. yet does because he gets it. Everyone fucks up and it helps Ford see he's human.. and so's bill. Well again eh's a triangle man but he's ultimately as Ford puts it "A sad theater kid desperate for attention". This book isn't some grand demonic tone: it's the sad last effort of someone who already lost.

We get some fun letters from each pines: dipper and mabel both encourage the reader, and Mabel, even if she threatens to fucking murder bill if he goes after her brother again.. even offers Bill tips on getting over ford. Dipper sympathizes with the reader and also threatens to murder him. And stan.. well stand does what he does best.. promote the mystery shack. Yes even when he's not the owner he can't help plug it. But he also gives bill the biggest kick to the nuts of all: he dosen't care. He hasn't had the personal trauma the others have and just sees bill as another werido trying to steal his wallet like every other thursday in this town. Stan Pines murdered one of the greatest villians in history.. and he somehow tops that by not even carring.

We get Bill screaming STANNNLEEEYYY again, having been beaten and the reader convinced not to swap places with bill. Not only that Stan and co also figured out something important: If bill isn't dead but IS trying to escape.. where he is cant be good.

And we finally find out what happened to him. Which is a mild suprise as while it's VERY nice we found out, as seen in the rest of the book alex is keen to keep some secrets close to the chest. He teased at bill's possible return: the statue in the finale, the axotitl he invokes showing up in a non canon choose your own adventure story, that sort of thing... but it wasn't guarnateed going into this book we'd learn. Thankfully Alex, as ever knows when to not tell us stuff and when it'd be a real dick move not to and not in a funny way.

Bill made a deal with the axitotl to reincarnate. For those less familiar, all two of you the axitotl is some mysterious god taking the shape of that adorable creature whose as kind and benevolent as that sounds and even gave BILL a second chance.

He isn't, thankfully stupid.. and thus after a lifetime of lopsided deals.. just like with Stan moments before making this one.. Bill gets hit with a bad one. And the thing is unlike Stan who just flat out tricked Bill like Bill played so many people, the Axitotl didn't lie: it told bill he'd have to repent. It was bill's own ego that assumed he could scheme his way out

Instead bill is now inside the Theraprism, a maximum security dimensional prison that takes all commers and is filled with sterotypical therapy activites like arts and craft and constant group sessions. And while a tad unsettling it's honestly.. nicer a fate than I expected. It's still pure hell for bill.. but the place isn't EVIL. it geninely wants to help it's patients, even the worst people imaginable and while there's things like a sensory deprevation void, it's clearly because this place is essentially arkham asylym but ran compitently and with actual care towards ehabilitation. To let those who genuinely repent reincarnate.. granted there are options like "cloud of spore sor a butterfly" but I get that maybe Freddy Kruger dose'nt need to come back as a wolverine and possibly maul faces. Let him get a chance at that third time around.

But for Bill.. a place to self reflect, heal and come back as something powerful.. as hell. There's no ESCAPE: whatever's running this place is clearly powerful enough to hold fucking BILL down. Darcy's helmet is there too in a nice little cameo and I wouldn't be suprised if every dead disney villian deemed enough of a threat was here. Honestly making Bill and Belos room together is the punishment they deserve. or belos does, Bill would get a kick out of having someone to torment so maybe just let him do it in moderatoin. As a treat if he participates in group.

It's Bill.. trapped in his own personal hell... a place he can't escape through manipulation, surrounded by people he dosen't respect, with the only way out being self reflection and a cursed arts and craft project that was quickly confiscated before it coudl take the reader. Bill's fate was already great in the show.. but this improves on it> Bil got conned twice and is trapped in a hell he could easily escape but never will because he just.. can't grow. He won't. He refuses to. His ego can't take it. So all that's left in the book is bill pathetically whimpering that SOMEONE wil lcome from him.. but with his henchmaniacs thinking he's dead and having spent his life burning bridges.. no one ever will.

This book is amazing. Read it if you can. A truly great little followup that fills in some gaps, is packed densely with jokes, has some really effective horror and has a truly amazing ending. Check it out if you haven't and if you can.

Thanks for reading

#the book of bill #gravity falls #bill cipher #ford pines #stan pines #alex hirsch #disney #horror #comedy

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