#( daiana's face. )
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Got tagged by @mountainashfae to do this cute little picrew! It took me a minute to figure out who I could actually do for this, so a few of the faces here might not be immediately recognized ^^
Daiana, Tammy and Valerie! Is it obvious I miss Valerie yet lol
#tammy king#Valerie#I haven't talked about Daiana here yet#She still holds a special place in my heart though
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Well well, I took the time to analyze almost second by second what little can be seen of Eddie's room.
Simply, why not?
(I hope that in volume 2 this Friday we can see more)
First of all, shot of his bedroom door from the inside, we watch Eddie hurry to his room already with his pretty dark eyes on his beloved guitar which I want to call Betty for some reason (don't tell me he doesn't would name his baby)
We can notice parts of two posters, and two warm light lamps. The poster on the left I assume is that of a movie, I can't figure out which one. The one on the right is a skull that I feel could be from a band of the time, movie, or just a cool illustration (if anyone knows please enlighten us in the comments) From this moment we can say his room feels warm, because of the lighting and how it is reflected on the walls...
(He looks so excited in this shot omg) We can clearly see a TV here, so we might think that his bed is just on the other side of the picture. I had not noticed the TV until I did the analysis. Anyway, I don't quite understand what he has on top of the television, it looks like a kind of neon sign or something like that... What do you think? I think it's not a window... But there seems to be one behind the TV.
Well, the room doesn't seem to be very big so let's say we're in the middle (? We can see a little more of that light anomaly above the tv (? And then we already notice the beginning of a kind of big banner/sign that you can tell it must have been painted by hand. I can't quite understand what it says but we can think that it is referring to his band or probably about some protest he may have attended. I'm probably wrong, but that black cube in the corner of the furniture looks like a kind of speaker or something for his music, then some random things.
Eddie finally manages to get to his guitar Betty (? And we can see that he is a womanizer because he has ANOTHER GUITAR MORE BASED ON THE FLOOR. We could say that it is acoustic because of its supposed round shape, perhaps. Behind this guitar that we could call Daiana (not because it's almost the same as my name...) We see an amplifier of the time, it doesn't look very good but I'm 99% sure that it is. We see the final point of the flag and finish noticing that it was written with red spray paint. A smaller lamp and then we see what I imagine to be flyers with dates from his favorite bands, or from his band itself.
A bandana hanging from his lamp, and below some sprays that can be spray paint, whipped cream, or shaving cream which I doubt because I doubt he will grow much of a beard (? but who knows. A giant poster, probably his favorite since it is also next to Betty, the mirror that reflects her beautiful face. A jean jacket hanging, and there is also another black amplifier on the right that seems to be under A RED YO-YO? Or is it a marijuana grinder hahahah. Above the black amplifier there is a skeleton that I don't know if it's 3D or if it's a very well done poster, maybe related to Iron Maiden.
Last image, please, look at his precious little face, so happy to see his most precious object in his natural habitat.
We can see a beer/soda can on the side, more band brochures, one of which seems to say "Metal Night" which we can assume is an under date where several bands played, probably his too. There is a very small and colorful skeleton, which I would have used on a t-shirt in my teens, but I can't quite remember where it came from...
And that have been all! I really think that the fact that it is such a small room and such his world makes it cozy and warm. A place where you would feel safe. I would feel that way if they asked me! I hope we see the other side of his room in the last few episodes when he goes to get his guitar and gives us an amazing guitar solo.
Please comment if you think I missed something, if you recognized a poster, figure, etc, and tell me if you liked this necessary analysis of Eddie's room ♡
#stranger things#stranger things 4#eddie munson#eddie munson stranger things#netflix stranger things#st4#st s4#stranger things s4#eddie munson x you#eddie munson x reader#eddie munson x oc#eddie munson simp#eddie stranger things#86' baby#eddie munson fanfic#eddie munson imagine
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Karina Rodriguez vs Daiana Torquato 1 - Invicta FC 46
Karina Rodriguez (9-4) did what Alexa Grasso and Irene Aldana couldn’t. She became the first Mexican fighter to win herself a title in Invicta FC. She won if in her previous fight in a fight with Brazilian Daiana Torquato.
The flyweight champion will face off once again with Daiana Torquato (10-3) in the main event of Invicta FC 46 this Friday (March 9).
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@crownedjustice
The tiny girl relaxed on a bench beside a bus station, bathing in the sun with a lollipop in her mouth-- truly the deepest form of self-care. Looking to her side, she spotted a woman sitting on the same bench, her legs crossed like she was royalty. She did look like a queen. Daiana’s eyes fixed on her legs for a long minute as she absently removed her lollipop from her mouth with a pop and placed it back in her mouth. There was a run in her pantyhose, right at her knee. Just a little line of thinned fabric. It wasn’t even that noticeable. Not yet.
Daiana gazed deeply at the line in her pantyhose as she spun her lollipop around in her mouth. It was the perfect size for her fingers, and she felt a very deep-rooted compulsion at this moment. A compulsion that led her to, with her free hand, stick a tiny finger directly between two threads. And tear a hole in the hosiery with a riiiiiiiiiiiip.
Her jaw dropped instantly then and she glanced up at the woman in a state of complete awe, as if she couldn’t have ever expected such an outcome. She remained in shock for few moments before finally uttering:
“ There’s a hole. ”
#( daiana. )#( closed. )#daiana: tears a hole in pantyhose#pantyhose: is torn#daiana: *surprised pikachu face*
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Today, you put a smile on my face,
today you brought the melancholy into my chest,
because today i got drunk on melancholy,
I sipped from my thoughts
‘'Drink more'' I told myself,
because today I realised how inspired I can get through a felling
This is not about you
because today I realised how strong I became,
today the melancholy didn't brought thoughts about you in my head,
but made my body feel drunk on thoughts about my own feelings,
so I can put my feelings into words, the way the wind carries the leaves
A poem by Daiana Vatamanu
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Karina Rodriguez to defend title at Invicta FC 46
Karina Rodriguez to defend title at Invicta FC 46
Invicta FC returns on March 9 with a card that sees the promotion’s flyweight title on the line. The promotion announced by press release that newcomer Ketlen Souza gets the call to face current champion Karina Rodriguez. Rodriguez, known for her action-packed brawling style, clinched the belt last May with a unanimous decision win over Daiana Torquato. Prior to that she lost to previous champion…
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#mma#mma 2021#mma berlin#mma core#mma fighter#mma fighting#mma handschuhe#mma münchen#mma news#mma spirit#mma training
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In March 8, women from over 30 countries went on strike to protest the economic forces that put them at a disadvantage around the globe. In the US, the measure was spearheaded by the leaders of the January 21 Women’s March on Washington, including civil rights and women’s liberation titan Angela Davis, who penned their call to arms in a letter in The Guardian.
In it, they pointed to Argentina’s Ni Una Menos (Not One Less) collective—the face of Argentina’s feminist movement—as their inspiration for embracing a feminism for the 99%. On the other side of the globe—el culo del mundo, as Argentines endearingly call their homeland—Minici, an academic, and the dozen other founders of Ni Una Menos, were thrilled, if slightly bemused.
“The fact that the American girls want to oppose capitalism is a triumph,” Agustina Paz Frontera, a poet and essayist, told me. “It’s incredible. Here in Argentina, it’s hardly radical to be anti capitalist, it’s something we feel all the time.”
“Knowing that a group of activists in the US read our literature and believe in it makes us proud,” Florencia Alcaraz, a journalist, added.
A motley crew of artists, journalists and academics with an anti-capitalist bent and reverence for anarchist shakers of yore, the women behind Ni Una Menos can be thought of as a cross between Gloria Steinem, Joan Jett and guerilla fighter Juana Azurduy. To them, the link between financial empowerment and female autonomy has always been clear.
Minici traces her feminist roots back to Argentina’s financial crisis in 2001.
“Back then, we were a country in which people were going hungry, and women were the hardest hit,” she explained. She’d always been involved with workers’ unions and was alarmed by how the economic downturn and wage gap made women more vulnerable to financial instability and domestic abuse.
Paz Frontera began her own brand of activism in 2005 after a friend, Florencia Pennacchi, disappeared, most likely sold into human trafficking. Police conducted a half-assed investigation before quickly giving up, leaving Paz Frontera and her friends to pick up the slack (in vain: Pennacchi was never found).
Alcaraz, on her end, was galvanized by the media’s macho tone and perspective. After a neighbor was shot by her boyfriend in 2002, she was appalled that headlines read, “He killed her out of jealousy.” “We all knew he was a violent guy. You know this stuff when you live in the barrio, everyone talks about it. You hear the screams,” she said.
Along with a handful of other women, they formed Ni Una Menos in 2015 on the heels of two events: the 10-year anniversary of the disappearance Paz Frontera’s friend, Florencia Pennacchi, and the murder of Daiana García, a 19 year old found tossed off the side of the road in a burlap sack. They began meeting at informal assemblies to discuss the most extreme manifestation of machista violence in Argentina: femicide, or the gender-based murder of women. A few months later, when 14-year-old Chiara Páez was killed by her boyfriend after he found out she was pregnant and intended on keeping the child he ostensibly didn’t want, the women set a date to protest. On June 3 2015, 40,000 people marched onto Buenos Aires’ Congress
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A/N: Sorry I haven’t replied anon! But I found some bored-time today sooooooo... DiAkkoSucy? NO plot no nothin’. Just me and my thoughts... ugh... usually goes bad but...
Enjoy?
~Shintori Khazumi
Twas another boring afternoon in the Cavendish Manor’s vast living room, the sound of the midday breeze being the only sounds of the day as a butterfly fluttered peac-
CRASH-BOOM-CRASH
Scratch that, Diana wished it to be a boring one, but really, nothing was ever boring with the red team around, or the nine new witches for that matter. Having her own team over wasn’t the greatest spice addition to this fiery mix either, especially not when you were practically having a spell casting competition with your girlfriend, your (poor) subject of said spells being your other one.
With Diana trying to ward off Sucy’s highly… dangerous- Diana decided to be honest, experimental spells on their girl, and the mushroom enthusiast going nuts in her age-shifting-slash-animal transformation practice (as she claimed), Akko could only sit in the middle of it all, before getting a break as both casters were out of breath, Diana trying to return her to normal and Sucy… doing stuff (Throwing potion bottles at Akko).
Chariot squealed in delight as that pause in their battle(?) stopped at a particularly good age, Akko being merely four years of age, clothing loose around her, a tiny, fluffy, swishing tail behind her as her whiskers twitched along with her pointed ears.
-She was a little fox girl.
Lotte helpfully transformed her clothes to those of her size, Constanze keeping her still by playing with the girl her size, and everyone enjoying the change with her while the professors stared in a mix of delight, shock and something else entirely.
Regaining her composure, Chariot cleared her throat before opening her arms out to the confused Akko, head cocking to the side, sending a certain jolt through the professor as she picked up the little angel and coddled her, cooing all the way. “Hello~ Hewwo, little Akko~.” She sang, rocking the toddler back and forth as it let out a yawn, rubbing her eyes before waving sleepily at Chariot in an attempt at saying hello. “Hnnnngggg… Croix! Croix! Hurry, a picture! Take a picture!”
The modern magic’s professor took a while to register the sight before her before she could follow. Her wife was getting a bit too excited over the adorableness of their ‘child’. The pair had really taken a shine to Akko and treated her as their own, as they did to all the others in her group of friends.
“C-Calm down, Cha-“
“Hurry!”
“Yes, yes.” With a fond sigh, Croix produced a magical camera, pointing it at the ecstatic redhead and the little fox. “Smile for me, Akko?” She requested, letting the said girl finish rubbing her tired eyes.
The next words made her heart stop.
“Y-yesh, Mama!”
“…”
“…”
“Char…”
“Croix.”
“Did she just-“
“Awwww! The perfect result to my experiment!” Sucy interrupted the moment with her celebrating, stealing Akko from Chariot’s grasp. Diana swore she heard a small whimper come from their idol as she watched Akko get taken away. “Look at you~”
To the common stranger, that toothy grin and malicious gaze could only be described as frightening, Akko and Sucy painting a picture of Rapunzel as a child being taken by the evil witch. But somehow, the baby-ish Akko dismissed the thought, tiny hands planting themselves on pale cheeks and letting out the cutest of laughs.
“Shushy!” She giggled, smacking her soft hands against Sucy’s face, the pale witch sporting one of her (extremely) rare soft smiles.
“Yes, Akko?” Even her uncharacteristic softness of voice was something to behold, Sucy’s unfamiliar side.
“Wu-wuv! Wuv? N-no.. Le-Llllooo.. Lo-Love! Love you!” Everyone could only squeal (even Diana) at Akko’s attempt at pronouncing the word properly. “I did it!”
Not being able to stand aside any longer, Diana approached her two loves.
“Yes you did, you sweetheart.” She smiled, taking her turn at holding Akko, thinking for once that maybe Sucy’s experiments on her personal guinea pig weren’t always too bad.
“Da-ia-na! Love you!” She grinned, wide and toothy, a little fang showing before it was hidden by two little lips pressed against Diana’s swiftly reddening cheeks. “Diana happy?” She asked as she waited for a response that came in the form of being squished tightly as Diana held back her urge to squeal so loudly, instead, opting to reply to the tiny fox-Akko.
“Yes, yes. I’m overjoyed my little fox.” She chuckled, planting a kiss on the child’s nose.
Sucy also drew nearer, Akko taking the opportunity to give her a kiss too as she color came to her usually colorless face, smiling as their noses bumped and nuzzled against each other in an eskimo kiss.
“Shushy and Daiana? No love? Each other love!” The little Akko exclaimed, clapping as she waited. The two stared at each other in surprise for a while before giving one another a kiss on the cheek.
“Like that?”
“Noooooo!!!” Akko whined, somehow frustrated at something, unsatisfied. “Like thi-“
Suddenly she was engulfed in a puff of smoke and the weight in Diana’s arms increased significantly causing her to have to let go of Akko worriedly, before it cleared and standing before them unharmed was an adult-cat, Akko seemed to have grown quite finely in particular-ahem-areas.
Gaping in shock, The green team, Hannah and Barbara and even Lotte stared, eyes the size of saucers. Croix for some reason, was covering Chariot’s eyes, blushing.
“What? What? What is it?” Chariot’s inquiries came to a stop as a voice cut her off. A familiar but not somehow, more mature voice pleading SOS.
“Umm? Do-Do.. Umm, can you help me with clothes, Someone, anyone?” Adult Akko, about twenty-one years of age, nervously and bashfully tried to cover her taller and more developed frame that popped out of her current clothing. “L-Lotte?”
With everyone still in a stupor, Sucy made a comment. “I actually quite like age gap, if you want to know.” She grinned her usual maniacal smile, hands doing dangerous looking gestures. “I’m interested as well in how much you’ve… ‘grown’.” She said the latter part to Akko who burned hotter than her eyes.
“WE DON’T!!”
“Sucy!” Diana took her earlier words back. Any experiment of Sucy’s would always end up in Side-effects. Her shaky hands half covering her eyes, she tried to make proper her girlfriend’s… s-scandalous form. “What’s wrong this time?”
“What? She might shift a couple more times because of what we were doing, changing her back and forth- thanks for the help by the way, this result couldn’t be achieved without you-“ She got a smack for that. “-but it’s all good. Just need to keep changing her clo-“
“ANTIDOTE. NOW.”
“But-!
“Now.”
“Yes, Ma’am.” Sucy chuckled, relenting. “I really do love you both.” She laughed at the embarrassed glares of her girlfriends, as she began heading to the potions’ room to get started on the cure.
Diana cocked a brow as she paused in the hallway.
“As I thought, after all, wouldn’t you wa-“
“NOW SUCY!” Everyone now yelled as she sighed, grumbling.
“Fine, fine, Sheesh.”
#diakkosucy#yeah#this ot3 again#hello hello#Khazumi wrote?#miracles!#do happen#lwa#diana cavendish#akko kagari#Sucy Manbavaran#hola!
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Puterea Dragostei: Ligi, furioasă pe Gabriel. De ce a intervenit tânărul în disputa ei cu Daiana?
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You Will Never Believe These Bizarre Truths Behind Genie Face Paint | genie face paint
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UNA TARDE DE PLAYA CON DAIANA @daiana_medina19 #carlosmilano_lifeimagen #CarlosMilanoFotografo #CarlosMilano . . . . . #modelo #modelosuruguay #models #joven #face #fashion #fashionista #fashionblog #beautifulgirls #beautiful #beauty #riodelaplata #riodelaplatauruguay #playa #beach #photographyuruguay #photography #photoshoot #photographer #instagram #nikon7100 #bellezasuruguayas #caras #carasuruguay #woman (en Malvín) https://www.instagram.com/p/B-2JV8cAmcx/?igshid=sm1g2upybiyy
#carlosmilano_lifeimagen#carlosmilanofotografo#carlosmilano#modelo#modelosuruguay#models#joven#face#fashion#fashionista#fashionblog#beautifulgirls#beautiful#beauty#riodelaplata#riodelaplatauruguay#playa#beach#photographyuruguay#photography#photoshoot#photographer#instagram#nikon7100#bellezasuruguayas#caras#carasuruguay#woman
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@destructiveglitch
The tiny girl flopped down on the stool beside the creature and slapped her hands on the bar to get the bartender’s attention. “ Gimme a milk! ” she hollered over the music, her face hardly high enough to be seen over the counter.
Daiana was allowed in this bar and was guaranteed protection by the owners as well as its regular customers because her guardian was a regular with a glamorous personality ( and a powerful position ). Plus, everyone liked Daiana. Moments passed before the bartender set a plastic cup of milk in front of the child and she grabbed it, taking a sip. She glanced to her side as she drank and immediately jumped in shock at the creature and spilled milk all over herself.
She gaped at the creature with absolute reverence, her eyes starstruck as she admired him. He was massive. And so, so magical. She held the cup with one hand, wiped her face with her sleeve, and slowly reached out toward him before hesitating, hand trembling for a second before she finally brushed her fingers against his arm, touching the fabric of his royal sleeve and immediately drawing her hand back.
“ You’re so pretty, ” she whispered, gazing up at him.
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Remind Me Why We're Trying to Get Hifumi to Love Us, Again? (a crackfic that's going too far)
Chapter Seven: Big Sis Diana's Rules For Dating
@chibibreeby
Momo couldn't believe this was happening. Never in a million years would she think that her brother sister would actually join in his her activities, yet here she was helping him, uh, her into a corset. Dai..ana...didn't have any clothes of "her" own, so Momo had to share, which would've worked better if Daiana hadn't chosen the tightest-fitting clothes Momo had (and no, there was no way s/he was sharing the tiger print thong, no matter how much Daiana begged).
Now here Momo, Chihiro and Daiana were, about to intrude on the Crazy Diamonds (well, not really intrude, but technically, yeah), and personally, the first drag sister and her wing"woman" hoped that Daiana wouldn't do anything devious, or in their case, humiliating. Cue Daiana clinging onto 'her sister' like a teddy bear and cooing into Momo's ear things like, "Did you wear a nice bra? Are your nails done? Do you have your makeup bag with you in case I see someone I like?".
Once the trio had come across the gang in the alleyway, the older 'sister' thought that the best way to catch the attention of the bikers was to forcefully push Momo out front, knowing that he she was wearing quite a tall pair of heels, and was very prone to falling. Luckily(?), Shoji was there to catch 'her' before he she fell.
"Well, well, if it isn't my lil' angel again.", Shoji greeted, pulling back Momo's hair right before Daiana swept in and knocked Momo to the ground and offered 'her' hand for Shoji to shake. "My, my, I don't think we met yet! I'm Daiana, Momo's older sister!". When Momo attempted to get up, Daiana placed her heel firmly on Momo's back, leaving the younger sibling to squirm, and Chihiro to cringe. "Shake my hand if you know what's good for you".
Nervously, Shoji delicately shook Daiana's handl "Good, good! It's nice meeting my little sister's male friends!", Daiana clamored, kicking Momo's butt before finally allowing 'her' up. "Uh, yeah. Nice ta meet ya, too, Daiana.". Giggling obnoxiously, Daiana replied, "What a sweetheart! You can call me Didi!". Once Momo brushed off the asphalt on 'her' clothes, Daiana, er, Didi clung on to her arm. "Nice boys. I wouldn't be suprised if they wanted to date you, little peach!".
One by one, the Diamonds surrounded Momo, only to be warded off by a hiss from Didi. "Just like I thought. Absolute pigs, all of them. Why, oh why do you have to fall for these bad boys, Momo?". Lovingly, 'she' yanked Momo's hair, causing the 'sister' to shriek. "Oh well. Look's like big sis Daiana will have to step in! After all, it seems like all of you want a bite of this juicy fruit, hmm?". Enthusiastic cheers rose from the crowd, causing Momo to blush. "Hehe! Looks like I'll have to go over Big Sis Daiana's Rules For Dating!".
Daiana then grabbed Daiana's shoulders and had her back(?) facing the gang. "Rule number one;", Daiana paused to lift Momo's skirt and flash the Crazy Daimonds with 'her sister's' trademark tiger-print thong, earning a ton of whistles and a distressed, "DAIANA!". "...Keep your filthy eyes off of my baby sister's ass, ya perverts! Your eyes should be admiring her beauty, not her booty.". After letting go of Momo's skirt, Didi brought 'her sister' in for a hug. "Rule number two; love my lil sis right. Hug her, kiss her, get her flowers, cotton candy, a maltese puppy, stuff she likes!".
"Rule number three, keep your eyes off of other girls.". Daiana paused to push up 'her' bra and stick out his...her tongue, earning a few catcalls herself. "Rule number four, keep all those violent gangsters away from my sweet little sister! Normally, this rule would apply to you, but I like your gang.". Both Momo and Chihiro rolled their eyes. "Finally, rule five...IF YOU HURT MOMO IN ANY WAY, I WILL HAVE YOU TIED TO THE BACK OF A MOTORCYCLE AND DRUG FROM HERE TO FUJI, GOT IT?!" . Shaking, the gangsters nodded.
"Good! We're going to the Karaoke Bar on Sunday! Be there~".
#danganronpa#mondo oowada#kiyotaka ishimaru#leon kuwata#this is so weird#mondoxhifumi#kiyotakaxhifumi#leonxhifumi#with a dash of#ishimondo#and#ishimondoleon#co-starring#chihiro fujisaki#celestia ludenberg#sayaka maizono#hifumi yamada#and everyone's favorite#haiji towa#made for#chibibreeby#crack#crackfic#fanfic
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Soo, I finally wrote my first LWA fanfic / one shot / prompt. I usually just write original stories, so writing this was a little nerve racking to do, tbh, but idk I hope this came out okay lol.
“Imagine person A of your OTP walking into their and person B’s apartment to find B dressing up their clearly uncomfortable cat in cute outfits singing “Buy U a Drank” by T-Pain.”
Her legs ached, her mind was fuzzy, and she wanted nothing more than to go home and plop herself down on her bed, and cuddle up to her girlfriend.
Diana Cavendish, ever since her adolescence, was always working herself to no end. All those years of late night study sessions and constantly having a great deal of work and assignments to accomplish were starting to catch up to her. Though it’s been four years since she, and her friends, graduated from the academy, the now 22-year-old heiress just couldn’t seem to catch a break. Between becoming one of Luna Nova’s fellow instructors, and being the head of the Cavendish family, there really was little to no time for rest.
Fortunately, it was the beginning of spring break, which meant that the blonde could finally take at least a bit of time off and spend some of it relaxing with her significant other. She wanted nothing more than to cozy up and get comfy with her lovable Japanese goofball, Akko.
Her Atsuko.
Just the thought of her instantly made some of Diana’s stress fade away. A small smile crept its way up her tired face as she walked towards the front door of her house. Fumbling around the inside of her bag, she found her keys, and unlocked the door.
“Akko?” The blonde called out as she closed the door behind her. “I’m home.”
Diana heard faint music coming from their bedroom, and what sounded like her girlfriend’s voice, singing along to whatever tune was playing. Following the noise, Diana was not prepared for the scene that was about to unveil before her.
“Akko, are you-“ Diana’s mouth hung slightly open as she processed the setting in front of her.
“I’ma buy you a drank…” Atsuko Kagari was sitting on their bed, singing off tune with the T-Pain song that she had playing throughout the room. “Then I’ma take you home with me!” She gleefully cheered out as she held up an animal, a black cat to be exact, and examined the outfit that it was uncomfortably modelling.
The cat, which was Akko’s familiar, had on a miniature white hat that resembled the one that Shiny Chariot owned. To go with it, was a smaller replica of the rest of Chariot’s outfit that hugged the poor feline’s body a bit too uncomfortably.
“I got money in the bank,” The Japanese girl kept singing as her familiar struggled to escape from both her arms and the tight-fitting clothes, “shawty, what you think ‘bout that? I’ll be in the grey Cadillac.”
“…Akko…” Diana tried to call out to her girlfriend once more, pinching the bridge of her nose as she felt a headache coming on.
“WE IN THE BED LIKE, OOH OOH OOH, OOH OOH!”
The sudden outburst of lyrics startled both Diana and the cat that Akko was holding. At this point, Diana started to blush at the proactive lyrics and the palm of her hand met her face, making a soft smack sound as the heiress shook her head.
“WE IN THE BED LIKE…”
“ATSUKO!”
“OOH OOh Ooh,” Akko lowered both the volume of her voice and music as soon as she realized that Diana was standing in their bedroom doorway, “o-oh, hey, Diana. When did you get back?” She nervously chuckled, as she tried to slyly, but gently set the cat down behind her.
Diana almost scoffed at her girlfriend’s poor attempt to hide the cat away from her view. As soon as Akko set it down, it scurried off into the living room, still trying, yet failing to remove the clothing from its body. Diana made a mental note to help undress it as soon as she was done prying some answers from the Japanese girl who was profusely blushing in front of her.
“I have a rather large amount of questions running through my mind right now,” the British girl started, “but the only one I will ask is, ‘Why?’”
Akko shrugged. “I was bored!” She exclaimed. ”I was waiting for you to come home and I got�� Preoccupied.”
“…So, you dressed the cat up in a Shiny Chariot costume?”
“I thought he looked cute in it!”
Diana sighed, but removed her shoes as she finally stepped inside the room. Akko shifted over and made room for Diana to sit next to her, but instead the British girl promptly laid down next to her, setting her head on her lap. Diana closed her eyes once Akko started running her fingers gently through her platinum blonde and green locks.
They were like this for a few moments. Akko still embarrassed on being caught horribly singing and playing dress up with her feline familiar, and Diana still exhausted from her day.
But finally, the heiress broke the awkward silence in the room. “It was a rather amusing event to be witnessed after a long day’s work.”
Akko looked down at her tired girlfriend to see a genuine small cross her face. The brunette let out a small giggle and nod her head in agreement.
“It would also make for an interesting story for me to tell Professor Du Nord once break is over.”
Akko’s body tensed and her ruby eyes shot open at that statement. “Don’t you dare tell her!”
Diana couldn’t help but to laugh at her girlfriend’s outburst.
“Diana!” Akko cried out in embarrassment. “I’m serious! Ursula-sensei should never, ever find out about this!”
The laughing girl laying upon her lap didn’t answer, she was still trying to control her giggles.
“Daiana! 何がそんなに面白いですか?” The brunette unknowingly started speaking in her native tongue, something she did when she was severely flustered. This only made the blonde laugh even harder. “私は本気です!笑うなー!”
#diakko#dianakko#akko kagari#diana cavendish#little witch academia#my writing#i'm fucking cringing lmfao#otpprompts#wasn't sure how to end it so#¯\_(ツ)_/¯
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ROSARIO, ARGENTINE
L’avenir de la ville appartient aux producteurs
#Chronique d’une ville organique
25 avril 2017 | Parque-Huerta « Molino Blanco »
Voilà deux jours que nous sommes à Rosario, troisième ville d’Argentine, située à quatre heures de Buenos Aires et la plus importante de la province de Santa Fe. Aujourd’hui, nous nous apprêtons à intégrer notre nouvelle initiative. Nous avons rendez-vous avec Matias, 30 ans, membre du parque huerta Molino Blanco, l’un des sept parcs-jardins de la ville situé dans la « Zona Sur », en périphérie sud de Rosario. Dans ce quartier de bidonvilles juxtaposant le centre-ville vit une population défavorisée, essentiellement issue des zones rurales du pays ou exclue du marché du travail industriel. Il est 10h00, nous retrouvons Matias à l’entrée du jardin.
Les présentations faites, Matias s’attelle à nous faire visiter Molino Blanco. Dix-sept familles y cultivent chacune sa parcelle, selon les principes de l’agroécologie, sur 5 hectares de terrain mis à disposition par la municipalité. Nous y découvrons des quantités de salades, de choux, d’oignons, de courges, d’arbres fruitiers en tous genres, ainsi qu’une serre dédiée aux plantes médicinales et aromatiques coordonnée par Daiana, la compagne de Matias. Ici, chaque famille, chaque individu a son histoire. Nous faisons notamment la connaissance d’Yda, la mère de Matias, présente depuis l’origine du jardin. Elle en profite pour nous faire un petit cours d’histoire sur la création de Molino Blanco et le développement de l’agriculture urbaine à Rosario…
2001, la crise financière frappe l’Argentine. C’est l’effondrement économique. Les habitants de Rosario en situation de précarité s’organisent et de nombreuses familles investissent les terrains vacants de la ville pour y cultiver la terre et produire leur propre nourriture. Si cette année marquera le début du processus de création du Programme d’Agriculture Urbaine, nous découvrons que celle-ci connaît un premier essor à Rosario vers la fin des années 80. Un groupe de personnes essentiellement composé d’agronomes décide de développer un projet de jardins communautaires partant des principes de l’agroécologie et des techniques « paysannes » comme levier de transformation sociale pour les populations les plus marginalisées. L’agroécologie présente l’avantage de proposer des techniques agricoles basées sur des technologies accessibles, en réduisant la dépendance aux intrants, et permettant aux producteurs de coordonner eux-mêmes l’ensemble de la production. Ce groupe formera plus tard le CEPAR, le Centre d’Études pour la Production Agroécologique de Rosario, aujourd’hui un acteur clé du Programme d’Agriculture Urbaine. Et si à l’époque l’agriculture urbaine se développe sans soutien institutionnel, la crise de 2001 marque le début du dialogue entre les pouvoirs publics et le CEPAR. L’urgence sociale conduit la municipalité à soutenir l’initiative et à créer un Programme d’Agriculture Urbaine, le PAU.
La visite terminée, nous voilà face à un véritable cas de résilience communautaire et, nous devons bien l’avouer, nous avons hâte de commencer notre travail. Et si Matias nous accueille avec plaisir, c’est pourtant un air de scepticisme que nous percevons dans son regard. Nous avons quatre semaines pour comprendre et, ce que nous entrevoyons déjà, c’est que nous sommes loin d’être les premiers à nous intéresser aux parcs-jardins de Rosario. Depuis une dizaine d’années, Matias, Daiana, Yda et les autres huerteros (producteurs) du jardin reçoivent la visite de nombreux étudiants, chercheurs et journalistes venus des quatre coins du monde. Une reconnaissance internationale du PAU dont l’obtention du prix d’UN HABITAT à Dubai en 2004 en est l’un des symboles. Nous retrouvons également Molino Blanco dans le documentaire « Sacré-croissance » de Marie-Monique Robin. Sorti en 2014, celui-ci met en lumière une sélection de solutions alternatives au modèle de croissance dominant et pose les prémices d’un développement économique fondé sur le développement durable. Car oui, il faut bien le dire, le PAU a bien évolué et propose aujourd’hui un modèle d’agriculture urbaine basé sur une économie durable et solidaire que nous n’allons pas tarder à découvrir…
14 mai 2017 | Feria de Rosario
Dimanche. Il est 9h30 et pas de grasse-matinée pour nous aujourd’hui. Matias nous a donné rendez-vous en centre-ville, aux abords du fleuve Paraná, à l’une des quatorze ferias de Rosario, un marché solidaire où nous retrouvons Matias et Daiana. Sur les étales, c’est légumes frais, plantes médicinales et cosmétiques. Les badauds défilent, la feria est un succès.
Et au delà de l’auto-production alimentaire des familles, c’est bien l’intégration de l’agriculture urbaine au tissu économique de la ville qui avait de quoi éveiller notre attention. Entre 2002 à 2010, le PAU développe en effet son action avec la création d’une chaîne agroalimentaire locale reliant le réseau des parcs-jardins avec deux agro-industries artisanales et un réseau local de consommation articulé autour des marchés, de la vente de paniers et de groupements de consommateurs. Un exemple d’intégration de l’agriculture urbaine réussi entre inclusion sociale par le travail, réduction de la pauvreté et promotion d’une économie durable et solidaire. Et si l’agriculture urbaine fait aujourd’hui partie intégrante du Secrétariat de l’Économie Solidaire de la ville, une vingtaine de huerteros ont par ailleurs reçu une certification « culture agroécologique » par le ministère du Travail, de l’Emploi et de la Sécurité sociale, quand d’autres sont formés à ces techniques par des ingénieurs agronomes présents en coordination dans les parcs-jardins. Certains huerteros ont également intégré l’équipe technique du PAU et tous les producteurs du programme sont désormais réunis sous l’association « Red de Huerteros y Huerteras de Rosario » dont Matias et Yda sont les coordinateurs.
Cette vision intégrée de l’agriculture urbaine, c’est bien ce que nous venions chercher. Et à le constater, c’est un succès. Seulement voilà, la feria est sur le point de toucher à sa fin quand un détail nous frappe : la majorité des consommateurs appartient à la classe moyenne supérieure, avec à la clé un risque de dualisation entre des producteurs issus de quartiers défavorisés et une petite niche de consommateurs aisés du centre-ville. D’autant plus que l’agriculture urbaine à Rosario reste perçue comme une activité réservée aux pauvres et un échec social. Nous sommes loin de l’image d’une filière d’avenir et d’une pratique valorisée. Point noir au tableau, et ça tombe bien car aujourd’hui à la feria, Antonio Latucca, initiateur et directeur du PAU, est présent. Après maintes tentatives de contacts, nous avons enfin l’occasion de lui demander une petite entrevue pour tenter de dissiper nos doutes…
16 mai 2017 | Antonio Latucca
Nous retrouvons Antonio au Molino Blanco, prêts pour une visite guidée des autres parques huertas de la ville. En voiture, c’est aussi l’occasion de lui en demander davantage sur les enjeux futurs du PAU. Et nous avons touché juste… Pour Antonio, il est aujourd’hui primordial de transformer l’image du producteur, de valoriser la pratique en tant que métier d’avenir, et d’attirer de nouveaux publics, producteurs et consommateurs. Et cela passera par rompre le mythe considérant l’agriculture comme un travail pénible, une pratique du passé, et par combattre l’ignorance autour de ses multiples bénéfices, en particulier lorsqu’elle est intégrée en ville. Le premier défi du PAU selon lui ? Mobiliser l’ensemble de la société, en premier lieu les acteurs politiques et la société civile, autour de la reconnaissance de la multi-fonctionnalité, socio-économique et surtout écologique, de l’agriculture urbaine.
Et c’est bien dans cette optique que, tout au long de ces années, le PAU a tenté de construire des ponts entre le rural et l’urbain, entre les secteurs public et privé, et entre agriculteurs, consommateurs et société civile dans son ensemble. L’ambition ? Promouvoir le producteur comme « gardien » de l’environnement et de la terre, et l’agroécologie comme pratique innovante. Et c’est peut être ce qui explique la raison pour laquelle le PAU perdure 15 ans après la crise et hors contexte d’urgence. Aujourd’hui, le PAU ne s’adresse plus seulement aux populations défavorisées mais s’est adapté aux intérêts d’autres parties prenantes. Notre doute se transformerait-il en avantage ? En cassant les barrières de la discrimination et en touchant d’autres catégories sociales, le projet peut rester à l’agenda politique et justifier un soutien sur le long terme. L’équipe du PAU n’a donc cessé de diversifier ses activités autour de l’aspect environnemental, essentiel pour la société civile et les politiques internationales, et de développer ses relations avec des organismes de coopération internationale pour assurer sa visibilité, lui permettant d’être aujourd’hui considéré comme une référence mondiale.
La visite terminée, nous voilà de retour au Molino Blanco. Matias réapparait, bien curieux d’obtenir un petit compte-rendu de notre entrevue. S’il est l’un des premiers convaincus de la valeur centrale du producteur dans nos sociétés, son scepticisme, lui, est toujours bien présent. Tant d’effort à faire reconnaître le programme qu’on en oublierait presque la réalité ? Car si le PAU tend à miser sur la visibilité et la multifonctionnalité de l’agriculture urbaine, le risque de s’éloigner des besoins des producteurs est bien réel. Et Matias ne manque pas de nous rappeler à cette réalité : une amélioration de la visibilité au détriment de l’attention portée aux huerteros qui ne disposent d’aucune capacité d’investir et d’assumer les risques économiques, avec par conséquent une dépendance vis-à-vis des ressources du PAU. Si Rosario est un exemple réussi d’intégration de l’agriculture urbaine, le besoin de renforcement de l’organisation des huerteros n’est pas toujours compatible avec les exigences politiques et les motivations des classes moyennes.
Alors Rosario, ville progressiste ? L’élan est en tout cas donné. Mais bien que l’agriculture urbaine comme piste de restructuration de nos modèles économiques et sociaux urbains peine encore à être reconnue, le renforcement de la visibilité du programme ne devra pourtant pas se faire sans son cœur névralgique : les producteurs. Car derrière cette réappropriation d’intérêts, c’est bien la capacité et l’autonomisation des producteurs qui sont améliorées avec à la clé, une transition imposée par des pratiques citoyennes plutôt que par une intention politique. Replacer le producteur au centre des considérations pour permettre à l’agriculture urbaine d’être perçue comme une alternative sociétale durable ? C’est peut-être ça, le vrai progrès.
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