#( also i like this more than the other promo

[canonicallyobserving911]

Buddie: Episodes 6x10 vs. 8x7

Last Thursday when I watched the promo for this week's episode, I noticed a lot of similarities to 6x10 and since then I've been wondering if the callback to the lightning strike will have any significance along with an effect on Buck and Eddie. Aside from the obvious of a firefighter hanging from a ladder truck's aerial, there are several others that are blatant and appear to have been done on purpose.

Since season 8 began, there have been numerous callbacks to previous seasons and they include emergency calls the 118 has been dispatched to. In 8x6, they were sent to a home where a young boy was trapped in a pipe and it looked similar to the well Eddie rescued Hayden from in 3x15. However, before Eddie could be pulled up to safety, the well collapsed and Buck lost his mind and started clawing at the ground and trying to dig Eddie up with his bare hands. Now, even though the 8x6 callback to the well didn't appear to have any obvious effects on Buck and Eddie, it's possible the call in 8x7 might.

An actor from the TV show set of "Hotshots" gets injured and he ends up hanging from the 119's aerial. It's too eerily similar to a call the 118 was dispatched to in 6x10 and it's when Buck got struck by lightning and he died for 3 minutes and 17 seconds. However, this call seems to be more than just a similarity because all of the 118 team members are standing in positions and doing the same things they did in 6x10. It almost seems like TM (showrunner) is setting up something big and he's trying to jog someone's (Buck's) memory (it makes me think my Buddie Crack Theory [linked here] is still in play).

Reminder Buck was dead, so he has no idea what happened after he got struck but everyone else does. In CANON, no one has told him about that time period that he was hanging in the air and the look on his face in the promo makes it seem like he's trying to figure something out.

Let's get started.

After the 118 arrives on the scene, one of the first things I noticed is Eddie, Chimney and Buck are all standing in the same positions they were in before Buck climbed up the ladder in 6x10. Eddie and Chimney are right beside each other and Buck is standing away from them. In 6x10, he was preparing to go up the ladder.

The second thing I noticed was Bobby looking up at the Hotshots' actor the same way he looked up at Buck after he was struck.

Hen was looking up too the same way she did in 6x10.

Furthermore, Eddie's (it looks like Eddie on the left and Buck on the ladder on the right) position on the ladder in 8x7 appears to be the same as it was when he climbed up without a harness to save Buck.

There weren't any shots of Chimney looking up in 8x7 or of how he will be involved in the rescue but his role was key in 6x10 so I'm anxious to see how it will all play out.

Gerrard and Bobby are standing side by side and they're both looking up so I want to know if Bobby will have a flashback to Buck being struck and I also want to know if he'll have to tell Gerrard the best way to get the actor down.

I also noticed Chimney and Eddie are wearing sunglasses but no one else is. They all have them and since the sun is out and Buck's squinting when he looks up, it seems like he should be wearing a pair. Hen has eyeglasses that have lenses in them that transition to sunglasses but she's not wearing them. Also, I've noticed Eddie only wears sunglasses when he doesn't want anyone to see his eyes 👀.

When Buck (on the right) and Eddie (on the left) start trying to rescue the actor, Buck starts yelling "No, no, no, no!" and it sounds similar to the yell he let out after he was struck by lightning.

Just saying.

It's unclear what TM is doing and no one will know until the episode airs but I'm excited to see if Eddie being in the same position he was in after Buck got struck will have an effect on him.

I'm excited for 8x7 and I hope the obvious call back will have some meaning and allow the 118 to remember what happened to Buck and hopefully, Buck will ask questions about what happened to him. Reminder, he STILL HASN'T PROCESSED HIS DEATH.

[imabillyami]

Oh man, look at Jeys' body language with Roman in the ring. There is so much healing that needs to be done

Most definitely. Buckle up, this is about to be a long one about all the nonverbal stuff that’s going on 😂

What I find extremely interesting/ have found extremely interesting in recent episodes is the blocking of the Bloodline scenes, especially the positioning of all the characters which I’ll get to in a minute.

Let’s focus on last night and start off with the entrances.

First of all Jey’s and also Sami’s entrances are a lot more demure and toned down as of right now. Barely any interaction with the crowd, no posturing, nothing.

But even Roman’s entrance is a lot more toned down from what it used to be. Plus he’s getting his own mic these days. That’s not something that’s done by accident. Of course Paul isn’t there, but even then he could make Jimmy do it. He doesn’t though.

Next: The timing of Jey’s entrance right as Roman was about to do the whole “acknowledge me” spiel. That speaks for itself too.

Sami’s entrance before Roman gets a chance to get a word in.

Then the fact that all their entrances except Jimmy’s and Roman’s are still separate from each other. It worked for this first segment on Smackdown perfectly obviously. And it worked on Monday for Sami, Jey & Jimmy too as a way to structure these segments. But I firmly believe it’s more than that. It’s very telling in terms of the lines that are still drawn and the separation that exists between all of them still, especially Jey and Roman, but also the twins.

I wouldn’t be surprised if that changed now that they’re all reunited (or if it changed progressively over the next few weeks as trust is regained between them and they become an actual team again. By the time WarGames rolls around I feel like they should make their entrance as a united front, just like Solo’s Bloodline does, even if it’s just for one night and they go back to their singles entrances after that.)

As for the blocking/ character positioning in the first segment:

Jimmy is always at Roman’s *left* flank, just like old times, positioned behind Roman at all times, with Roman comfortably having his back to him. There’s deep trust and a bond there and he knows Jimmy will have his back now that he’s proven his loyalty all over again and stuck with Roman through the worst. Jimmy has no problem acknowledging Roman as the leader still and following his command, hence why he’s always at his hip, but still always a step behind him.

He’s also the one who’s trying to make peace between Jey and Roman (though he’s still extremely protective of Roman when it comes to Sami. Sami might’ve proven his boundless loyalty in regard to Jey, but not in regard to Jimmy and Roman and that’s not lost on him), but he’s aware that it’s all very fragile hence why he’s staying at Roman’s flank to have his back if things go awry.

Roman doesn’t see him as Right Hand Man as he did with Jey though, cause again, Jimmy’s position is always still the left flank (except for when they’re watching Jacob’s promo, but by the end of the segment they are back to normal). This could have meaning in terms of how this time around he’s more willing to treat Jimmy (and ultimately Jey and Sami) as actual *family* and not as his lackeys or it could be cause they know they need Jey in that spot to be complete again and intentionally keep it open. Who knows.

Now. Roman and Jimmy are in the ring, Jimmy a step behind Roman at his left flank. Cue Jey’s entrance music and them looking into the audience. But no. Jey comes down the entrance ramp, tense shoulders and body language, none of his usual crowd interaction, laser focused on the task at hand. This is serious business.

Meanwhile Roman and Jimmy now stand with their backs turned to the commentary desk, arms in a similar position to each other in front of their bodies, still somewhat blocking Jey out.

Jey barely turns his back to them, only long enough to get a mic. When he does, Roman stays in position, but Jimmy turns around with Jey, providing both Roman and Jey with a sense of security that they don’t feel with each other yet.

Jey stands sideways, turned half to them, half to the entrance ramp, until he addresses Roman, but his body still doesn’t fully turn towards Roman and there’s still a good bit of distance between them in that ring. When Sami’s music hits he positions himself right back into that half/half position, arm outstretched towards Sami in invitation and encouragement.

Sami, tense and extremely reluctant of course, doesn’t step into the ring until Jey stands fully “by his side” and opposite Roman, blocking him off - physical reassurance that he has his back. And once Sami’s safely in the ring and Roman (or Jimmy) hasn’t done anything stupid he goes in for the hand clap - tummy pat - mic handover combo, before standing sideways between both parties, rubbing his hands, clearly extremely nervous and aware of how much this can blow up any second.

Meanwhile Jimmy has crossed his arms, making clear that he’s still not a big fan of this, but that he’ll let it play out for now.

Roman is just his usual picture of WHAT THE FUCK lol. That man’s facial expressions are everything 😭😭 He also hasn’t taken his eyes off of Sami once.

When Sami starts speaking, he’s hunched over and tense, but he’s looking straight into Roman’s eyes to tell him that he didn’t kick him on purpose. (Flashback to WarGames two years ago when Roman looked into Sami’s eyes for the truth. Roman is big on eye contact and Sami knows it.)

Roman’s barely noticeable nod. Jey’s very obvious shuffling around as Sami continues on. (Meanwhile Jimmy has given up the crossed arms - an off-camera reaction to Sami’s words?)

Sami grows taller, giving up his hunched over position the more he talks about the four of them together, meanwhile Jey is looking back and forth between them, unable to stay still.

Roman’s face is unreadable. Until Sami uses the word “FAMILY”. Then that little snarl is right back on his face. Funnily enough that’s when Jey crosses his arms (god they are so good at this game of nonverbal communication 😭 CINEMA!)

I can’t get over Jey’s little nodding along to “Jey felt it” 😭 (Like… “yup yup the hubby is telling no lies”). Also, notice how Sami’s slowly inching away from the ropes, closer to Jey and therefore closer to the others?

Another facial reaction from Roman at the “I think you love me.” - Blink, blink, look away, look anywhere but not at Sami - Jey saying something off-mic (thanks Carla!!) and looking amused, Jimmy trying not to smile.

“Jey in the backseat hater of the year” - now it’s just a contest of who’s gonna crack first 😭 Jimmy and Jey are smiling already, Roman is desperately trying to keep his composure lol. There’s that old magic again.

“I’m gonna put the ball in your court.” Aaaaand we’re back to serious. Jey’s crossing his arms again, closer to Sami than ever, almost ready to hold him back if he does - in fact - leave.

The crowd says “noooo” and Roman is confused by their reaction. ‘They want this fool with us?’ - But then the little knowing smirk again as the crowd pops. Flashbacks to the Honorary Uce. - The mistrusting eye-crunch as Sami says “I’ll do it.” By now Jey is basically standing by Sami’s side completely as Sami makes his one demand. He’s got Sami’s back on this, no matter what.

“Apologize.” And again, Roman’s face tells you everything you need to know. You see the exact moment where he goes from ‘that’s fucking ridiculous’ and ‘really, Jey? This is what you bring me?’ and ‘he can’t be serious, Jimmy’ to ‘NEVER GONNA FUCKING HAPPEN’

Sami’s surprise at Roman thinking that the apology is for *him* speaks volumes. So do Jey’s eyes and facial expression when Sami makes it clear the apology is for him. That man is SHOOK. He also knows it’s going downhill from here. And so does Jimmy in the background. Just look at their faces. They know their cousin.

You can see it right on Jey’s face that he doesn’t believe for a single second that he’s gonna get that apology from Roman. He knows it even as Roman utters the words “I’m sorry” and Sami smiles. Cause Jey knows Roman best.

“I’m sorry that I ever let you waste my time with this.” That’s not even disappointment on Jey’s face. That’s just plain resignation. He can deal with that. That’s Roman being Roman. He can also deal with rubbing his temples from stress until he reaches brain matter.

What he can’t deal with is Roman insulting Sami like that, turning his back and treating Sami like a waste of time now that Roman doesn’t perceive him as a threat anymore.

What he can deal with even less is Sami walking out on him. He understands and he supports his walking out after what just went down, their connection remains as strong as ever, but he’s not happy with Roman’s blatant dismissal of Sami.

Roman calls out Solo, but Jey doesn’t care. His first priority is making sure Sami is okay. Husbands indeed.

And then Jacob interrupts. At the right time honestly. Telling Roman that he’s no longer “that bitch”. And I do feel like Jey would’ve confronted Roman right there and then and walked out right after Sami if Jacob hadn’t interrupted (if the way he gripping the rope, looking wistfully at Sami who’s looking back, and the way he glowers at Roman in that final shot is any indication).

He’s very clearly not standing with them after this. And he’s royally pissed off.

And then that backstage segment. Roman clearly walked out on them first with Jimmy running after him, but Roman is too irritated to let him catch up. And then Jey steps up to him. And he’s still not willing to talk. His body language is so damn dismissive, he’s had enough.

But like hell if Jey’s giving him a choice on the matter. He’s no longer afraid to put hands on Roman and demand respect and attention, to Jimmy’s and Roman’s surprise. (Thinking back to another ask I answered a while ago about Jey not being the same person he was before he left and Roman & Jimmy needing to accept and acknowledge that or it’ll cause even more tension.)

Roman’s intimidation and entitlement don’t work on a pissed off Jey Uso anymore and the sooner he learns it, the better. Roman is in a position where he needs Jey more than Jey needs him and I think deep down he’s aware of that, even if his own trauma and his ego don’t allow him to accept it yet.

Jey calling Roman out like that was everything to me. I love how protective of Sami he gets, just like Sami gets protective of him. You hurt one, you hurt both. Sami is his ride or die now. (And I know the segment was mainly Jey and Roman, but we shouldn’t ignore Jimmy’s facial expressions either.)

But what I loved about this even more than Jey standing up for Sami? Jey standing up for himself and meaning it! “That’s your one pass, uce!” And then walks off to go find Sami. Not because Roman told him to, but because he *wants* to.

And then Jimmy, oh precious Jimmy tries to reason with him and fix things like he always does and Roman, stumped, irritated, overwhelmed, lashes out at him too, and Jimmy walks (but not in the same direction as his brother).

And Roman is all alone again with his ego.

So he ends up facing Solo alone once again.

Until that last beautiful segment. This is so long already, so I’m not gonna go line-by-line & frame-by-frame on that one, but even with that last shot, there’s still so much that’s unresolved and that needs fixing. These four need to TALK and really TALK.

And Jey needs to get that apology.

Anyways.

I feel like, pretty much as always, the stuff that isn’t said speaks so much louder than the actual words.

I know this wasn’t exactly the point of this ask, but you caught me in a rambling mood and I was just rewatching the show and so here we are 😂

The point: I completely agree. These four are not a unit yet and there’s a lot of healing left that needs to happen before they can truly be that unit again.

[imavikingo]

Everytime I look at Tumblr and see the tl I remember why I hate endgame with a passion you couldn't understand.

They fucked up Steve and Bucky so bad (yes, Bucky too bc suddenly he doesn't matter/isn't even a secondary character that deserves to be near Steve)

It's so funny to me (not) bc they talked about gay characters being in the movie at panels and interviews and even talked about Stucky at some point (basically queerbaiting) for then... Steve not even acknowledging Bucky. An awkward and impersonal hug doesn't cut it.

And Steve suddenly yearning and talking about Peggy? When he didn't even mourned her that bad and already had let her go ages ago? They knew they fucked up in CATWS with Steve and Buckys relationship, so they tried to distance them and then inserted Peggy bc ofc

(they possibly didn't have the time for a new character and they already had fucked up pairing Nat and Bruce and Wanda and Vision). Steve didn't have anyone else he cared about so they couldn't give him a new girlfriend. So they used Peggy AGAIN.

I'm not mad bc "Stucky not canon grr"

No.

I'm fucking pissed off because they did the worst character assassination and friendship assassination possible. Every movie of Cap America revolved around Steve saving Bucky at some point and him caring about him above all else, and you want me to believe that Steven Grant Rogers didn't care about him when Bucky died in front of his eyes? AGAIN? That Peggy's death was more important and impactful for him? If that was the case then why the fuck did he crash the plane then? If he cared so much about Peggy since forever?

No, that was just lazy writing and a way to reinforce Steve's sexuality "He can't be gay and you can't say that bc he LOVES PEGGY"(even tho he only kissed her once, even tho he crashed the plane and didn’t give her the coordinates, he didn't really care that much after all) they could have paired him with Nat in later movies, but they didn't.

That's why I only raise my eyebrows a lil when people say that x character will be gay canonically in a marvel movie/series. Is more than possible they won't. And if they are they're Deadpool, a secondary character no one cares about (obscure in lore too, so they can cut them off) or is plain queerbaiting again (because yes, even if you don’t see Steve and Bucky’s relationship as romantic, they DID QUEERBAIT IT)

Steve and Buckys relationship wasn't even written in a romantic way (you can ship them or not), but they tried so hard to rectify Steve's heterosexuality in endgame, that they fucked up their character arcs on purpose. And now they will always feel hollow and inconclusive. A bad taste in the mouth, a painful reminder of what it was and a what? 11 year long? characterization.

Idk man, I know I've talked about this more than three times, but omfg Tumblr reminds me why I hate that fucking movie!!! It's not my fault!!!

I know I'm going to end up writing something out of spite bc I can't take it shdkdjjcif

"It's been more than 4 years get over it" NEVER

Also the bit with Johnny Storm in Deadpool and Wolverine was also a dig (a fuck you if you will) to the fans bc Deadpool explicitly calls him Cap. And it implies that Steve as a character (not that old Steve nonsense) won't be back.

It's funny they've remade over and over again some movies (Fantastic 4, Spiderman) changed actors for characters (James/war machine, Bruce) and they include them in the multiverse/plot, but they won't do the same to some movies and some characters when they fuck up their stories, because they know if they do, they will have to acknowledge WHY they did it. Like with James/war machine changing actors.

So yeah, that's one of the reasons I don't care about Marvel anymore.

**I mean remake the movies ((Also they Can't remake Cap America bc that would mean they need to remake every important movie. And they don't have the time, the money nor the need. So that's why they decided to fuck their character arcs))

or include some characters in multiverse (they're going to do that with Tony/RDJ/Dr Doom after all, no?) and they also won't remake Cap bc the movies are amazing.

But the point stands. Steve couldn't be in DaW bc that would imply he's an alternative one or that Old!Steve was an alternative one or wasn't even Steve to begin with. But they couldn't do that ofc, no, bc that would give the fans hope in seeing Steve and Bucky together once again. So they did a dig at the fans bc "haha you thought it was Steve, but it's Johnny!"

Idk if I'm making sense at this point I'm tired af, need to sleep.

The thing is that they fucked up Steve Rogers's arc on purpose (Bucky's too, and others charas too tbh) and now they expect the fans to accept everything they give us with open arms. And imho I won't accept shit.

"Deadpool saved the MCU" how? If the other og characters are DEAD or they fucked them up too? Or are the butt of the joke now? Don't make me laugh. Most people don't gaf bout the new charas bc they only are presented in series not everyone watches (only available in one place) or are presented with characters that are dead now or as a replacement for the og characters. They aren't interesting on their own (not really, at least in mcu) and that's why most of the new stuff isn't liked as much. If they wanted to present more characters the opportunity passed already.

Also now if you want to watch and really understand 1 movie (if you don't read the comics too) you need to watch like 20 other movies and 5 shows. it's fucking exhausting.

[katnissmellarkkk]

my aesthetics :

the second quarter quell generation, pt one (aka the generation with all the principal characters’ parents, and then also haymitch)

[miss-floral-thief]

Drip

@hiyari8

[triglycercule]

i love characters with barely elaborated on personalities and traits and all that. dust sans??? absolute perfection i can do whatever the fuck i want with him. headcanon anything i want as long as it fits the framework that askdusttale has given me. nightmare??? his one main trait is that he's bad do you know how amazingly vague that is. i have even MORE freedom with him than anyone else. there are various different types of bad guy and i can make nightmare all of them and none simultaneously because he's simply not all that elaborated on. once i lose that creative freedom i lose all will to do anything with characters

[mishtershpock]

.

[whysamwhy123]

Any unpopular opinions?

(Sleepover Sunday, I guess, because I'm only getting to this now, whoops!) ALL I HAVE ARE UNPOPULAR OPINIONS, LOL. Seriously, I'm lucky I only have, like, seven followers because otherwise I'd be chased off this website with torches and pitchforks. I'll try to give a mildly spicy one and not to be too much of a bitch...we'll see...

Toni Storm's current character/gimmick is A THOUSAND times more creative and original than anything any man on that roster has done in YEARS. And the fact that she's not on this PPV card is a fucking travesty. But I'm not surprised because TK hates women, and wrestling fans simply do not show up for women's wrestling the same way they do for boring white guys doing the most generic, tired, old Heel 101 bullshit 🙂🙂🙂

Ah, fuck it, one more because I bitch about this every week anyways - that Nigel wanker on Collision is one of the worst commentators I've ever heard. He's so annoying! He spends more time putting himself over than the talent in the ring (literally the opposite of a commentator's job) and he clearly has no respect for the women because as soon as a women's match starts, he immediately starts talking about unrelated male wrestlers. Or just himself! And that's when he's not making pervy comments about them - dude makes JR sound like a feminist icon by comparison. I am uncooly judging everyone on here who thirsts over him. Come on, people, standards! Y'all gonna start thirsting over the Qanon moron next?

[goldenpinof]

this is not funny anymore i need either one of them to press that upload button NOW

i feel so not good about these delays, if you only knew

[headlessstar]

looking at some of the marketing for tekken tag 2 and wow. some fans nowadays would NOT have survived that

[welcometogrouchland]

Okay I think I'm mature enough to admit. That I am getting withdrawal from the owl show. And that I miss her so bad it's not even funny anymore

[louehvolution]

.

[shithowdy]

this is your periodic reminder that for all the artifacts and errors and "tells" one could possibly list, the only reliable way to actually determine if an image is ai generated is to investigate the source. it is becoming increasingly common for "fake classical paintings" to circulate around curative aesthetic blogs, and everyone should be using this as an opportunity to not only exercise their investigative skills but also appreciate art more in general. you're all checking out the artists you reblog, right? 🫣

so what are some signs to look for? let's use this very good example.

what a lovely late-impressionist piece blended with evocative leyendecker-esque themes! why haven't you ever heard of this artist before? surely tumblr would be all over an artist like this. who is justin brown?

your two options from here are to do a search for the name, or a reverse image search. i prefer reverse image searching, particularly when it comes to a common name like "justin brown". so what does that net?

Immediately, without looking at any text, something is wrong: it barely exists. an actual historical piece would turn up numerous results from websites individually discussing the piece, but no such discussions are taking place. Looking at the text, though, does show the source-- and at least in this case, the creator was honest about their medium.

But let's also look at the "exact matches", in case a source doesn't make itself apparent in the initial sidebar results like this.

This section will often tell you post dates of images, and here it can be seen that the very first iteration of the image was posted 15 days ago. It did not exist online prior to that.

Seeing how long an unsourced image has been floating around is a skill applicable to more than just generative images! See a cool image of an artifact or other intriguing item with a vivid caption? Reverse search it! If all the results are paired with that caption and only go back a few months, you might just have viral facebook spam.

Sometimes generative creators are dishonest about their medium and do not tag it like in the example, so that's when establishing "jpeg provenance" becomes important. While it can be a little trickier to determine if someone is using generative images and not admitting to it if they aren't trying to pass it off as a classic, something to consider is the age of their account and the frequency with which they post. Here are some account red flags:

-Did they only start posting art after 2022, or if they did before, did their style/skill level WILDLY change? Not gradual improvement-- I'm talking amateur graphite portraits straight into complex digital renders. Everyone starts somewhere, newness is not a red flag alone; it's newness combined with existing in a vacuum away from any community.

-Do they post fully-finished paintings several times a week? -Do many of these paintings seem iterative of a similar theme or subject matter ("three well-dressed young men face each other under shade and dappled sunlight")?

-Does their style change in inconsistent ways? An artist that can swap between painting like Drew Struzan and Hokusai should be pretty well known, right? Why is no one hyping this guy?!

-Do they have social media besides the source instagram? If so, what are they posting about? Are there any WIPs? Doodles? Interactions with other artists? Gallery dates? 3am self-doubt posts? Or is it all self-promo? Crypto? Seemingly nothing art-related at all for someone pushing out 3 weekly paintings?

Basically, if it's important to you to omit this stuff when you curate, please don't just smash reblog if the source doesn't seem to be the OP themselves. Seeking out sources was important even before this became an issue, now it is more than ever.

peace n love

[bugsbenefit]

What I'd keep in mind about the older teens actors having more promo so far is that they're more liked online. The younger leads have more scrutiny on them for whether they like Noah, since they were pretty close before, and Cara while she might be more of a lead this season, also made her likes on X private last month (not long before Elon made it that way for everyone) so they have to know she's being called out for her takes on Israel and JKR. But it is odd we haven't seen Winona or Priah yet

i see where you're coming from it'd make sense if they were just leaning into posting actors they would have to worry less about pr wise. it just doesn't really seem like that is really playing into what they post, at least not in a substantial way

the fact that someone like Winona isn't in ANY promo up until now is weird as hell, especially because Joyce is one of the shows most liked and most iconic characters. (as well as Jo/pper being the most liked ship in mainstream circles) if they wanted to post likable actors to get the hype up she'd probably be the one to go to first

it's also pretty noteworthy that they posted pics of Noah no problem before, even more than once. when even Hopper only showed up once up until now. it's very possible they're holding back pr wise behind the scenes but they're also very much still including him in their official updates

so certain people showing up more than others really does seem to be pretty random as of now and not tied to public perception of the actors that play the characters (people with bad pr like Noah being in posts while generally liked people like Winona not showing up being the easiest comparison)

(and i think it's also worth considering that the production updates we see are generally geared towards fans of the show. people who keep up with the active production of a show that's most likely more than a year from releasing already have to be pretty invested in the property. it'd be a fair assumption on the Duffer's part that the people who are actively following which actors they post are already aware that people like Noah will be in s5. and "holding back" from posting certain actors to what is essentially the core audience would probably not actually do very much since everyone checking ross's instagram already knows who's in the show)

but also, again, i'm not really reading much into who's in the promo posts in the first place right now so i'm not making any guesses about s5 based on this, t'was just an observation. the "teens" being in so many of the updates could be due to any reason really: had fun on set and took more pictures, nothing happened in the scenes that would be a big visual spoiler, or could also just be a real coincidence that we've seen more of the teen group. we're dealing with a small data pool here after all lmao. like, i can say Maya shows up more than twice as much as Noah but in reality we're dealing with 5:2 yk

[lazaruspiss]

modern comics industry maybe be struggling but honestly i think ur average local comic store is gonna be fine in comparison, like plenty of them have a huge focus on resells of older stuff and like. maybe one shelf to the side w new releases lol

[lemonlover1110]

𝐇𝐄𝐀𝐃𝐋𝐈𝐍𝐄𝐒

Toji Fushiguro

Pairing: Actor!Toji Fushiguro x f!Reader

Warnings: MDNI!, smut, oral sex (m. receiving), spitting, vaginal sex, creampie, angst, family fluff, toji has like 50 kids (4) and tries to be a good dad

Summary: Toji's selfishness is getting in the way of your family. When he notices that your family is slowly falling apart, he does what he can to hold it together.

*Actually a long oneshot! for @ayyy-pee's collab

Discord +18 - Twitter - Ko-Fi

“ACTOR TOJI FUSHIGURO SPOTTED GETTING A LITTLE TOO COZY WITH NEW CO-STAR”

The headlines are everywhere, it’s nearly impossible for you to ignore them. It’s not only the headlines but the pictures, the videos, the talk shows, the clear chemistry between them– And if that isn’t enough, the messages and calls you receive asking if you’re okay, are driving you insane. You don’t know how much more you can take of this.

Toji wanted to venture out of his usual villain role, wanting to do something more lighthearted, more fun. Whenever he’d audition for anything where he wasn’t the bad guy, he would get a simple answer: you’re not the guy we’re looking for. Truth is, Toji is too intimidating and lacks the look of the perfect picture man that they’re looking to cast in romcoms. You aren’t going to lie and say that you were bothered by this, because in fact, you were glad he wasn’t.

As selfish as it sounds, you were happy with the fact that Toji was getting stuck in the same villain roles. He’s already famous enough, and you have more than enough money, he doesn’t really need the lead role since it means that he’ll spend even more time away from his family. But you lie to yourself because if he got the lead in any other movie, you’d be ecstatic for him. 

The dreaded day came, and Toji got a call from his agent. An offer for a lead role in a new and upcoming romcom. It was hard for you to be happy for him, even though your husband was so excited to venture out of his usual character. ‘He’s going to kiss someone else’ was the first thought that came into your mind, and then you realized that movies nowadays are so much more explicit than just a kiss. 

Toji wasn’t supposed to, but he told you about a couple of things in the movie. He was so excited, and he couldn’t keep a thing from his wife. He told you of the characters, the plot, the scenes he was most excited about and the scenes he was worried about– The steamy scenes where Toji will be stripped to nothing with his tongue down another woman’s throat. 

Jealousy would consume you for the next months, realizing that your husband is going to pretend to be with some other woman; however, you can’t be too mad, since it’s all just happening in front of a camera. You’re the only woman Toji loves, you know so. You shouldn’t take this too seriously.

Until the relationship came off the cameras because the pair has undeniable chemistry, and the directors thought that hinting they were having an affair would make for great promo. You nearly begged Toji not to do it, but he didn’t listen. He wants to ensure the movie’s success, which you understand but it’s humiliating for you and your family.

You’re upset with him, and Toji knows this, but he’s allowed to be selfish. He’s wanted this, and he’ll do just about anything to make sure everything goes smoothly, he can risk having you mad at him for a few months. Although, he’ll admit that it sucks because you’re so cold with him.

“How about we take the kids and go out for dinner tonight?” Toji asks, watching as you get out of the bathroom with nothing but a towel. He wants to go on a date with just the two of you, but he also misses his kids. It doesn’t matter what Toji suggests either way, because you ignore him. He clears his throat, repeating, “How about we go out for dinner?”

“Huh?” You respond, acting as if you hadn’t heard him before, and Toji doesn’t know whether to laugh or roll his eyes. Toji repeats the question a third time and you proceed to answer, “I’m going out tonight, I can’t.”

“What are you and the kids doing?” Toji questions, wondering why he wasn’t invited. He guesses he knows why, but you should’ve at least tried to make the effort since it involves your kids.

“I’m going out, the kids are staying with the nanny.” You tell him, which makes his eyebrows perk up. Toji stands up from the bed, walking over to you. He hugs you from behind, planting a kiss on your shoulder.

“How about we–” He begins but you proceed to cut him off before he can even finish his sentence.

“I’m going out with friends. Without you.” You answer, removing Toji’s arms from your waist. You walk to the closet to find your outfit for the night, and Toji can’t seem to leave you alone, following behind you like a lost puppy. 

“You don’t have to be so cold.” He argues, and you pay no attention to him. You were clear that you didn’t want this to go this far, yet he let it happen. You can be as mad as you want to be with him. “What are you planning to do anyway? Cause a scandal to get back at me?”

“I’m allowed to have fun, am I not, Toji?” You respond. You simply want to go out without thinking of your husband and all the embarrassment his job is bringing. If it causes a scandal, then so be it.

“Then why are you so set on going alone?” He replies, and you scoff. You can’t believe the audacity.

“I just want to be away from you because you humiliate me.” You finally look at him, shooting him a glare. It shouldn’t hurt because he’s caused his own problems, but it still hurts to hear that from his wife, “I was upset about the movie, sure, but I knew you wanted to do it so I bit my tongue. This publicity stunt is too far, and I told you not to do it over and over again, but you did it. Fine. You’re an adult.”

“And? You know it’s not real.” He argues, which only ticks you off more. You won’t raise your voice because your children are wide awake, and you don’t want them to hear as you yell at their father.

“Do you know how many pity messages I’ve gotten? The amount of calls? I’m just the poor victim to all of them, and also the stupid woman that won’t leave her husband.” You respond, and he opens his mouth to argue that it’ll be over soon. In a couple of months the truth will come to light and everything will go back to normal. “The kids are getting teased about it too. Megumi is old enough to know it’s a stunt, but the other three aren’t.”

“What do you mean the two year old and five year old are also affected by this?” He questions in a mocking tone, which tells you that he isn’t fully believing you. You feel your blood boil, and you take a deep breath to keep yourself calm. You’re not letting him get the best of you.

“Well, considering that the ten year old can’t keep his mouth shut and tells the other two that mommy and daddy are getting a divorce, I’d say yes, they are affected by this.” You try to remain stoic, keeping your voice low and calm. Toji bites down his lip, his eyes going wide at the realization that his ten year old refusing to talk to him wasn’t just a simple tantrum. “I tried to tell him that everything is fine between us, but he didn’t exactly believe me.”

“Is that why they’re refusing to talk to me?” Toji’s demeanor changes, becoming somber in a matter of seconds. You end up shrugging, not really knowing why your son is acting the way he is, but you can only assume it’s because of it. 

“I’m not sure. Probably.” You don’t care to really find a solution to his problems since you’re upset with him too. He needs to realize that his actions not only affect him but also his family. You watch as the man walks over to the bed to take a seat and think of what to do with this new piece of information. And while you’re mad at him, you still love him and want to help him out one way or another. You focus on getting yourself ready while you tell him, “How about you take them out tonight? Explain to them that everything is fine between us and–”

“Will you come with us?” He interrupts you, making you click your tongue.

“I’m going out, you can deal with the issues that you’ve caused, alone.” You answer, and Toji furrows his eyebrows. He knows that he can’t exactly be too mad at you because you’re right, he caused his own problems. “Take them somewhere to eat, watch a movie with them, play with them. I don’t know. I’m laying it all out for you, Toji. You can decide what’s best.”

“What about you?” He asks, and you don’t even care to entertain him, sitting in front of your vanity to do your makeup. Toji has to repeat himself, and you sigh.

“Figure it out.” 

“Ryo, are you ready?!” Toji yells down the hallway, but his ten-year-old doesn’t answer. Toji simply goes ignored, and the man tries to remain calm. Getting mad isn’t going to do him any good, yelling angrily at his son isn’t going to make Ryo any less mad. 

You left around thirty minutes ago, and Toji spent the entire time trying to convince you to stay; however, his efforts were in vain. You didn’t care enough to listen which shouldn’t really shock him, he’s still upset though. After you left, he began getting his daughters ready to go out, telling his sons to put on something comfortable since they’re going out to dinner.

Now that both of his girls are ready, he’s simply waiting on his sons. Toji knows that Megumi is somewhat ready, but he isn’t sure about Ryo. 

“Aimi, baby, can you wait downstairs while I check on your brother?” Toji asks his five-year-old, and she nods in response. Toji has to talk to his son alone, but he can’t do so with the two-year-old that’s on his hip. He knows that Aimi isn’t going to cause any trouble, but the little one that he holds is either going to get hurt or cause a big mess. He’s dismissed the nanny, and he can’t exactly leave her alone with Aimi. 

Before making his way to Ryo’s room, Toji walks over to Megumi’s door. He harshly knocks on the door and puts Emi down in front of it, as if Toji were the stork himself. Emi is about to run after her papa but Megumi opens the door, and she squeals when she sees her beloved older brother.

“What?!” Megumi yells down the hallway when he spots his father. Megumi picks up Emi from the floor, ensuring that she doesn’t run away.

“I’m going to talk to Ryo! Make sure she doesn’t get hurt!” Toji responds, and Megumi sighs. Not that he particularly minds, but Toji could’ve at the very least waited until Megumi had her in his arms. Megumi clicks his tongue, shaking his head in disappointment before telling his sister,

“What are we going to do with him?” And she shrugs in response.

“I don’t know.” She answers, which makes Megumi laugh. He walks out of the room and goes downstairs to join his other sister. 

Toji stands in front of Ryo’s door. He knocks but he’s met with no response. Toji isn’t willing to respect his kids’ privacy, not when he pays for everything they have. Toji opens the door to the room, finding Ryo in his pajamas, playing with his console. Perhaps this would be the perfect time to have a heart-to-heart with his son, explain everything that’s going on– But would Toji really think of that right away?

“Change. We’re going out.” It’s an order, and Ryo doesn’t like it. He’s about to ignore Toji but Toji snatches the console that’s in the boy’s hands. “Don’t act like a fucking brat. Change. We’ve taught you better.”

“I’m staying with mom.” Ryo mutters, angrily getting out of bed to do as his father says. Toji won’t lie and say that the words don’t hurt him, but he remains stoic. 

“Hurry up. Your siblings are waiting.” Toji says before leaving the room, the console in his hand. He has to hide it before leaving.

“No more.” Emi pushes her plate away after taking a few bites of the food she ordered. She’s barely eaten, Toji wants to make sure that at the very least she finishes a chicken tender. 

“Can you at least finish this, please? You’ve barely eaten, princess.” Toji asks her, but she shakes her head. Toji has to find a way to bribe her, but first he has to deal with Megumi and Aimi who bicker about… Something.

“Chew with your mouth closed, don’t be gross.” Megumi corrects her, but Aimi isn’t going to listen to someone who isn’t her mother… Occasionally she listens to Toji, but it’s rare.

“I don’t care!” She yells, and Toji’s face slowly gets red with embarrassment. People are slowly looking at the table– It’s funny because he really thought that having Megumi here would be useful. Instead, he’s yelling back and forth with his five-year-old sister.

“You’re nasty, Aimi!”

“Your face is nasty!”

“Will you two quiet down?!” Toji half yells. His eyes linger on Megumi, “Remind me how old you are.”

“Sixteen.” Megumi answers, reality setting in when he says his age. His cheeks slowly turn pink as he waits for his father to say his next sentence.

“And you’re arguing with a five-year-old? Loudly, in a restaurant, dare I add.” Toji says, and Megumi pushes his plate away because he’s suddenly lost his appetite. Toji hadn’t realized just how hard it was to deal with all four kids without any help– Well, three kids since Ryo isn’t talking. He’s not doing anything. Toji clears his throat before asking, “Do you like the food, Ryo?”

Ryo doesn’t answer, and it’s slowly driving Toji to his limit. He’s talking to everybody but Toji, the moment Toji addresses him, he goes silent. Toji looks at Megumi and points at Emi, “Get your sister to eat.”

“Ryo, talk to me. Your mom and I are fine.” Toji claims, but Ryo doesn’t say anything because things clearly aren’t fine– After all, everyone is talking about it. Toji is essentially ruining the family by running off with his co-star.

“Ryo, do you want my leftovers?” Aimi asks her big brother and he hums in response, taking the plate from her. Toji takes a deep breath to remain calm. Ryo technically didn’t even say a word, he just hummed in response, Toji can’t be mad about that. Then Aimi asks, “Do you think daddy will get dessert? I think they have ice cream.”

“The key lime pie is better, plus we have ice cream at home.” Ryo argues and Toji gets an idea on how to get his son to talk to him.

“Do you really want the key lime pie? I thought you liked cheesecake better.” Toji comments, and Ryo doesn’t answer. He proceeds to talk to his little sister, and Toji can’t take it. He slams his hand on the table and causes a scene, “For fuck’s sake, Ryo! Don’t ignore me!”

If all eyes weren’t on them before, they definitely are now. The cherry on top is Megumi who tells Emi, “See, he’s going to do that to you if you don’t finish what’s on your plate.”

Emi begins to cry her little heart out, and Toji lets out the biggest sigh. Curse the day he decided to have kids.

“I’m not going to do anything to you, Emi.” Toji says, but she’s crying and stuffing her face out of fear. Everyone is looking at him, some people surely recognize him. At least this fits the narrative that his family is falling apart, and while it was all a stunt at first, it’s starting to feel real.

It’s his fault, he can’t blame anyone else but himself.

“Finish up, we’re going home.” Toji sounds defeated, and he is. Taking the kids out to dinner should not be this hard. 

“What about dessert?” Aimi’s voice is filled with disappointment.

“Dessert isn’t happening because you kids don’t know how to behave.” Toji answers, and Aimi crosses her arms, a pout on her lips. Toji wanted to make things better with his kids, but unknowingly, he’s made them worse.

“Night, night, princess.” Toji kisses Aimi’s forehead, but she doesn’t care to even acknowledge him. She doesn’t say anything, turning to her side so she doesn’t have to look at him. Toji sighs, “You’re ignoring me too, huh?”

She doesn’t say anything, which doesn’t really upset Toji. She’s just mad that she didn’t get dessert, tomorrow she’ll be fine with him again. He kisses her temple before telling her, “I love you.”

He knows waiting for an answer is useless, so he turns off the lamp and walks out of the door. Aimi will eventually get out of bed and run after him to apologize because she feels bad since she loves her daddy so much. 

Toji closes the door, and he looks for Ryo’s console. Once the console is in his hand, Toji goes to his son’s room. Toji doesn’t bother knocking because he knows he won’t get a response. Ryo has the lights turned off, trying to sleep since there’s nothing better for him to do. But Toji knows that the child isn’t sleeping, he’s just like you, he tosses and turns a million times in the night before actually succumbing to slumber.

“Here’s the console, kiddo. Thanks for going out with us tonight.” Toji says, putting the console on Ryo’s dresser before walking over to his side to press a kiss on Ryo’s temple. Toji hears some sniffling coming from his son, which makes the man want to fall to his knees and cry as well. 

Toji has four kids, he’s heard them cry many times before for trivial things. He’s never really felt this before with one of them because he really wasn’t at fault. He was doing things for their own good… But this time he’s doing all of this for his own selfish reasons. 

“My baby boy, please talk to me.” Toji kneels down by the bed, hoping that his son will finally say something to him. It’s killing him slowly, he just wants to talk to him. Toji doesn’t want his kid to hate him, but it feels like Ryo is slowly getting there.

“I don’t want you and mommy to get a divorce.” Ryo finally speaks up, and Toji’s heart breaks when he hears him call you mommy, considering Ryo started calling you mom the day he turned eight. Toji stops kneeling, taking a seat on the edge of the bed. 

“Everything is fine between me and your mommy.” Toji says although it’s hard to believe. They’re not fine, but you’re not getting a divorce either. “We just have to talk things out, but we’re not getting a divorce.”

“All of my friends are talking about you and how you two will end up splitting.” Ryo finally sits up on the bed, and Toji doesn’t really understand why this is even a topic of conversation for Ryo’s friends, but it is and Toji has to deal with it. “And it’s your fault.”

It is, Toji can’t really say otherwise. But he isn’t splitting up the family– At least not by having an affair like the news claim.

“Ryo, I promise you that your mom and I are not splitting up.” Toji tries to reassure his son, but Toji isn’t all too sure himself. “We are having some issues, but it’s not because of what your friends are telling you. What they’re telling you is not real.”

“But–” He’s about to keep going but Toji has to cut him off. Toji can’t keep defending himself, he keeps using the same argument over and over again and he doesn’t know how many times he can actually say the same words.

“Did you ask your mommy about this?” Toji asks, and his son nods in response. Ryo has asked a million times and you always have the same answer. 

“Yeah… She said that you two were okay.” He replies, yet he doesn’t believe a single word of it. Toji is growing frustrated, but he can’t let it show. His whole job is to pretend to be someone else, to act out certain feelings and suppress the actual emotions that run through his body, he should be able to do that, right?

“Then why don’t you believe us? Your friends don’t know what’s happening in our relationship.” Toji points out, but that’s not enough for Ryo.

“I know mommy was lying.” 

“What do you mean? Did she tell you she was lying?” Toji’s confused. Ryo is ten, he’s not smart enough to spot a lie, especially from you. You’re a damn good actress, when you show your emotions it’s on purpose, and Toji doubts you were purposely showing your emotions.

“I was going to ask her something and I saw her crying…” Ryo confesses, and Toji furrows his eyebrows. He’s certainly hasn’t heard that, but Toji clears his throat before arguing,

“You do know that your mom has a completely different life and she could’ve been crying for something that doesn’t involve me, right?” Toji is sure that the crying had to do with him, but he isn’t going to let that be known. Ryo nods in response, since what his father says does make sense. Toji ruffles his son’s hair before kissing his forehead, “Next time you’re mad at me, don’t give me the silent treatment.”

“I won’t.” Ryo answers, although neither of them are too sure that he’ll keep up with his word. Toji stands up and gives the gaming console to his son, and Ryo wastes no time in taking it. 

“You can stay up late tonight.” Toji tells him, which puts a smile on his face. Toji also walks away with a smile on his lips, feeling victorious after getting his son to talk to him. Toji exits the room, gently shutting the door behind him.

Toji begins his walk to Megumi’s room, planning to check up on him. However, when his hand touches the doorknob, he feels a pair of tiny arms wrap around his leg. He looks down to find his five-year-old hugging him. He chuckles, “What’s up, Aimi?”

“Papa, I’m sorry. I love you too.” Tears are streaming down her face, feeling guilty about not telling her daddy that she loves him back. Toji picks her up from the ground, wiping her tears away and kissing her cheek.

“My little princess, I’ll get you some ice cream tomorrow.” He assures her, rubbing her back. She continues to wipe her tears because once they begin, they’re hard to stop. He takes her back to her room, reads her a story and puts her to bed once again. 

Toji continues what he was doing, checking up on his kids before going to bed himself. He waits for you, but it gets late. His eyes are closing on their own and before he knows it, he falls asleep. He’s getting old.

“Toji, baby–” You’re calling out to him. It takes a moment for him to open his eyes, but they open rapidly when he feels you kissing his cheeks. It’s definitely nice to feel you kissing him after barely acknowledging him the last couple of days. Still, he can’t help but question,

“Are you drunk?” You keep kissing him. He doesn’t smell any alcohol on your breath, but that doesn’t really answer anything. He feels your hand go down his torso to his sweatpants. You’re just incredibly horny, that’s a good enough reason. Your hand goes to his sweatpants, wrapping around the base of his cock before lazily stroking it. “What happened to you? What have you done to my wife?”

“I just need you. Need you so bad.” You say in between kisses. Your lips are on his neck, and Toji really can’t complain. He misses your touch so much– But what the hell happened to you? You were barely talking to him a couple of hours ago; either you’re on something or something happened to you.

“What happened, baby?” He stops you. Your hand comes out of his hands and you get on top of him. Your lips go on his, your tongue quickly entering his mouth and pressing against his. You’re avoiding the answer, and Toji grows worried. You’re grinding on him, and it’s hard for him to have a clear mind when all the blood rushes to his dick. He doesn’t remember the last time he touched you. You’ve been so mad at him that you shut him down the moment that he initiates something.

Toji wants to enjoy it, and his body is but his mind thinks about the fact that nothing has been solved. He’s not done anything to apologize to you, so he immediately thinks that you’ve done something. It takes every bit of him to push you away even though he doesn’t want to. You’re so gorgeous while you’re on top of him like this, that he doesn’t want to ask the question but he has to, “What did you do?”

“What do you mean what did I do?” You furrow your brows, and Toji clicks his tongue. He can’t believe that you’re initiating something and he’s stopping it. One week ago he would’ve been beating himself up for passing up on this opportunity, but he has to know why you changed your mind. 

“You’ve been mad at me, and now you’re all over me when I haven’t apologized.” Toji points out, and you suck in your bottom lip between your teeth. That confirms that you’ve done something bad, and his heart beat speeds up, thinking of the worst.

“I met a guy…” You begin and Toji’s heart breaks. He doesn’t need to hear the rest of it because he knows. Tears well up in his eyes and he tries to take a deep breath. Yeah, he knew his actions would have consequences but not this. “We flirted a bit, just having fun and then he invited me back to his place–”

“You don’t have to–” Toji is about to cut you off, and he’s reasonably thinking the worst.

“I didn’t go back with him. I remembered the amazing husband I have, how much I love him, how amazing he is at everything he does. I wasn’t going to risk losing you even though I’m mad at you.” You have to interrupt him before he gets into his head. You press a subtle kiss on his jaw before your lips go to his ear, “But if you see some headlines tomorrow, don’t get mad at me.”

“You scared the shit out of me.” He chuckles. He guesses he’s getting a taste of his own medicine, but he’s not mad after his initial scare. Your lips go back on his, but they don’t last long before moving down his neck and torso. Your mouth kisses to his nipple, your tongue circling around it which makes him bite down his lip. 

Toji is sensitive. Just about anything will make him cum. You continue to kiss down his body until his sweatpants obstruct your path. You desperately push them down, while Toji reaches for the lamp to turn it on. He has a particular love for watching you while you take care of him.

Your hand wraps around the base while you spit on his cock. You stroke his cock a couple of times before your tongue circles the tip of his cock. You take your time working him up before you lower your mouth on his cock, taking in as much as you can take.

If Toji had known that this is how his night would’ve ended by letting you go out, he wouldn’t have tried to talk you out of it. A pathetic moan leaves his lips, feeling your warm mouth wrapped around him. He’s missed this, fuck. 

He wants to push your head down, forcing you to take all of him– Which he normally does, but it’s not going to end well. Toji knows well that you’ll stop, and he won’t risk that tonight. This is a sweet treat that he doesn’t deserve, he’s not going to risk losing it. 

You try to take all of him in your mouth either way, tears building up in your eyes as you gag, eventually spilling and messing up the makeup that was already coming apart. This is what Toji loves, watching the makeup that you work so hard on, fall apart just for him. And you do it because you want to. Because you love the taste of him on your tongue.

You take him out of your mouth, using your hand to stroke his cock. Toji’s moaning with your every touch, it’s hard not to. You’re just so fucking perfect with everything you do that it’s hard for him to contain himself.

“Baby, please–” He sounds so pathetic. Toji is usually much meaner in this situation, but circumstances have obviously changed. He just wants to feel your mouth wrapped around his cock. “Use your mouth, baby. Please–”

“How can I say no to you?” You chuckle before your mouth wraps around his cock again. You take as much as you can take, your hand stroking what your mouth can’t reach. He’s shutting his eyes, moaning your name as his climax approaches. 

His cum hits the back of your throat, and you raise your head. You swallow it, sticking your tongue out so he can check it. Toji sits up, his hand going down to your chin, thumb into your mouth. The bit of submissiveness that you had witnessed quickly fades. 

“Who’s my good girl?” He asks, your tongue circling around his thumb. He wants to know what happened that has you so aroused, but as long as you didn’t get physical, he doesn’t care. He takes his thumb out, a string of your saliva connecting it to your lips. He orders, “Open your mouth.”

As soon as your mouth opens, he spits in it. You don’t waste a second before swallowing. Toji lips meet yours again, his tongue messily entering your mouth and pressing against yours. You readjust your legs, knees on either side of him. You’re grinding on him again, and the man pulls away from the kiss, not doing so without biting your lip first. 

“You want me to fuck you, baby? You need me?” He asks as you push your panties to the side. You’re aligning him with your entrance, softly moaning as you push yourself down on him. You can’t wait any longer, you desperately need him. You softly moan as he fills you up, your eyes nearly rolling to the back of your head. You’re sure no one will ever feel as good as Toji.

“Was thinking so much about you, baby. I missed you, Toji.” You moan, throwing your head back. You give yourself a moment to get adjusted to him before moving back and forth on his cock. His cock brushes your sweet spot, driving you insane. 

Toji shuts his eyes, getting lost in the moment. He’s missed you so much too, but he can’t speak right now because he’s groaning. He can’t believe that he’s gone so long without you… He shouldn’t have agreed to doing that publicity stunt in the first place. 

“You feel so fucking good, baby.” Toji moans, his hands going to your hips as you move on him. He hands roam, looking for the zipper of your dress, pulling it down so he can take your dress off you. His lips go to yours, your moans translating into his lips. 

You’re bouncing on him, his lips going down to suck on your neck. You let your moans roam into the air, feeling overwhelmed with how good you’re feeling. Toji barely even tries and he makes you feel euphoric. Maybe you were having second thoughts, but then you remembered just how perfect your husband is.

Toji pulls out, putting you down on the bed. He puts your legs on his shoulders before sliding back into you. He sets the pace, much faster than how you were going. Your hands are gripping the bed sheets, loudly moaning as your husband pounds into you.

“You’re so perfect, baby. You’re everything to me.” He praises you while one hand goes to play with your clit. You’re almost at your limit, and he feels it as your cunt squeezes around him. He says through gritted teeth, “You’re so fucking tight.”

“Oh fuck, Toji– I’m gonna–” You announce, so close to reaching your peak. 

“I know, baby– fuck, I know.” He groans. You’re driving him insane, it’s the effect that you have on him after not being with him for a while. God knows he needed this.

You loudly moan his name, your legs quivering when you reach your high. It’s hard for you to last when his cock reaches deep, and reaches all the right spots. Toji can’t help but praise you when you come, “That’s my good girl, that’s my fucking good girl.”

Toji’s thrusts begin to get sloppy, even though he wants to stay buried inside you for as long as he can. His hands hold on to your hips, nails digging into your soft flesh. 

“Inside of me, baby, do it inside me.” You tell him, knowing he’s nearing his release. You need to feel his warmth in every possible way, and Toji isn’t going to turn you down, certainly not with this. 

Toji comes to a stop, groaning before filling you up with his warm cum. He stays buried inside of you until making sure every droop is inside of you. His lips go down to yours, kissing you as he pulls out. 

“I’ve missed you, love.” He says before you both get comfortable in bed. You’ll wait a minute before going to the bathroom to clean yourself up. 

“For the record, I’m still mad at you.” You say before kissing his cheek, causing him to laugh. You stand up, walking to the bathroom to take a shower before going to bed, and he follows behind because he’s truly lost without you. 

“You’re here late.” He points out, unsure of what to say next.

“When you don’t have the kids with you, things go surprisingly smooth… Speaking of, how was your night?” You get in the shower, and Toji is staring. He’s watching every single one of your movements, even when he tries to tear his eyes away, he can’t. You're just so perfect in every way, how can he look away?

“Why did we have so many kids? They made the night so difficult.” Toji shares, and he hears you laugh. It’s no surprise to you, you’ve handled the kids on your own so many times before, and you always swear that you won’t even think of having another one– But then Emi comes to you with her teddy bear and begs for cuddles which makes you reconsider.

“Welcome to my world.” You respond, and Toji chuckles. He lightly bites down his lip, debating if he wants to go back to bed. He really doesn’t, so he decides to join you in your shower.

“So you’re less mad?” He asks, grabbing your sponge and pouring some body wash on it. Toji kisses your shoulder before he begins lightly scrubbing your body. You hum in response, and he can only wonder what you were up to– But he can’t complain. He couldn’t care less what you were doing as long as you’re not mad at him.

“I’m still upset though, don’t get me wrong.” You say as you take the sponge from his hand and use it on him. You peck his lips before muttering, “My husband has still been misbehaving, I won’t forgive him so easily.”

Toji doesn’t know how to come back from that so easily, so he ponders his answer. He helps you clean up.

“I talked to Ryo.” Toji announces, and you cock your eyebrow. Before you can ask about the details, Toji explains everything to you, ending off his sentence with, “Why were you crying?”

“Life gets tough when your husband is allegedly cheating on you.” You answer, and Toji bites his tongue. You have said a million times how you hate this arrangement, and Toji has been too selfish to consider your emotions. It’s not like you’ve been silent about how much you hate this. He can’t exactly be too mad at the fact that you’ve been ignoring him when it’s deserved. 

“I’m sorry, baby.” Is all he manages to say. You turn off the water, and get out of the shower, Toji following your lead again, even though he’s barely washed himself. You have your towel wrapped around him, while he opts out of getting his towel.

“I think you’ll need a bigger apology, but I guess sex is good too.” You answer, but that’s not enough for him.

“I’ll call my agent and tell him that it’s off.” He says, and you stop in your tracks.

“No! You’ve already done this much, the premiere is soon. Stick with it for now and just clear up your name after.” You’re quick to object. That movie better do great after all you’ve been through for this. You’ve suffered for months, you can put up with some more judgment for another month or so.

“But now I feel horrible.” He responds, and you sigh. “I want to apologize.”

You take a couple of steps toward him, your hands meeting behind his neck. You kiss his lips before telling him, “Another little Emi will suffice.”

“Woman, how dare you?! After the night I’ve had, that thought makes my dick flaccid. Don’t you ever suggest having more kids!” He argues, and you look down. His words certainly don’t match his feelings.

“Are you sure about that?” You ask him, and he sighs. He isn’t going to lie to you, and he isn’t going to tell you that you’re right, so he does the next best thing, picking you up and carrying you to the bed.

You have a long night of apologies ahead of you.