#( FORGIVE ME FOR THE SUCK )
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valtsv · 1 year ago
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"kill them with kindness" wrong. GO FIND THE NORTHWEST PASSAGE 👉⛵⛵🌊🌊🧭⁉️❄️🧊🌨️🥶🐻‍❄️🥫☠️☣️🍋🚫🩸🩸🦷🦷🔪🦵🍖🍴🦴💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀💀
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jerich0two · 11 months ago
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Same voice actor
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withleeknow · 3 months ago
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happy birthday bang chan ♡ (for @matchannie)
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gomzdrawfr · 3 months ago
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Helo i offer nothing
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sanasanakun · 27 days ago
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People try too hard to make Curly an active participant in Jimmy's abuse. Isn't the whole point that he's passive in everything Jimmy does? Abuse occurs because he actively doesn't do anything? Not to call someone out or be mean, but I saw a post saying Anya's ID being in Curly's locker at the beginning shows that he intended to prevent Anya from filing an HR report and I disagree. I get where that interpretation is coming from, but I think it's a little uncharitable. I don't like being too kind to Curly because he's like...a morally mid dude at best lol But if we're going by the HR report interpretation, I would say it's more likely he requested Anya's ID in order to file an HR report on her behalf. After all, the only way to contact Pony (that we see) is in the cockpit, he's the Captain, and Pony Express sucks bad so I wouldn't put it past them to only allow the Captain to use the communication device thing. As we see before, Curly is the only one able to use tools around the ship that you would think other employees could use (ex. Swansea should be able to use the axe if he's the repair guy. Idk why they'd need an ax but that falls under manual labor which Swansea is designated for as the mechanic/fixer dude. But it has to go through Curly). I never got the vibe that Curly moved to actively protect Jimmy. He just lets things happen without say a word; Jimmy walks all over him, and by extension, the whole crew. I get why people would think that because he gives the whole "Hey Jimmy, we can get through this together, bud" spiel right before the crash. This part interests me a lot because there's so many ways to interpret Curly's intentions there. My interpretation is that Curly is on autopilot mode. The responses seem so stilted in comparison to Jimmy's. Like it's the kind of thing Curly's said before again and again and again when Jimmy's gotten in trouble. However, as others previously pointed out, I don't think Curly ever dealt with Jimmy doing something this irredeemable. He doesn't know how to respond, so he just goes for the default "You've gotten through tough situations before. Work through it one step at a time." Like the response is lame af lol I think he was in shock; he was scared (and just so I can say it one more time: he's super lame).
Anyway, this is way longer than I intended and I've said things a billion people have already stated. But uhhh tldr the whole point of Curly's character is he's passive; he never acts. He just watches. Making him an active participant in the abuse by taking actions to cover for Jimmy (like preventing Anya from filing an HR report) defeats the purpose of his character. He's a bystander.
#and I'm defining active as in like consciously taking actions to help Jimmy cover his tracks and stuff like that#because I know being passive can be seen as the same thing as actively participating in the abuse (which i agree with)#I just mean I don't think he's actually intending to help Jimmy by doing anything for him like taking Anya's ID away with nefarious purpose#I just didn't get that vibe#again I just thought he sucked lol like he just does nothing#so idk I just don't vibe when people make him too into helping Jimmy if that makes sense? I think it destroys the grayness of his character#they will never make me have a strong opinion of you Curly#but he is fine as hell ok lol I am not immune to buff blonde man#also like I hope this doesn't come off as mean to the person I'm referencing with the ID take if they see it#I just was thinking about their interpretation and was like ehhh i don't know if i agree and wanted to respond on my lil side account ;p#mouthwashing#curly mouthwashing#captain curly#anya mouthwashing#jimmy mouthwashing#ok and I could see people saying he actively covers for him by doing the psych eval for him and being like uhhhh good enough lmao#but to me that's him trying to placate any issues between crewmembers on his ship esp. when it comes to Jimmy#which just falls under the bystander thing because he'll do the bare minimum to keep things peaceful#but when it comes to doing anything he's just like whelp idk what I can do and just stands there#he's so cool#ok also I realize they need the ax for the foam I just forgot about that lmao#i was a little tipsy when I wrote this plz forgive hahaha I just meant like an ax isn’t like normally in a mechanic’s tool kit lmao#adding a link to the Twitter post I mention so people can refer back to it if they’d like
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headless609 · 5 months ago
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This might be an unpopular opinion but I think Cartman’s raccoon costume is the best superhero costume. I mean, look at him ⬆️⬆️
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its-elioo · 2 years ago
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Full designs babyyy!
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aq2003 · 1 year ago
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Is that the end of it? The Time War?
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md-confessions · 5 months ago
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It's Fwoggie ramble time, I apologize for yapping in advance.
Hey Nuzi lovers, want a fun fact I noticed after rewatching episode 7 too many times a few weeks back? Here's a fun way to tell how much time Uzi and N have spent "hanging out"
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In case you don't remember, we've seen N write multiple times throughout each of the episodes. Let's also be a bit honest, he unfortunately isn't the best at it... or is he?
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One of the things I noticed in episode 7, is that when N confesses, his hand writing looks SIGNIFICANTLY BETTER. Don't get me wrong. It isn't perfect, as there are some small errors with capitalization, BUT THERE IS IMPROVEMENT. The spacing and size of the letters has stabilized, and you can tell while it isn't extremely neat, he's definitely practiced his writing before. Not only that, but his art has improved a bit as well!
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For example, the way he draws hearts. The hearts added in episode 2 are way more deformed, but the ones in episode 7 look way more polished. (i still can't fuckin believe he drew hearts with his own blood oh my god)
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Another example is the dogs! There's a huge improvement with the form of the drawings, and you can actually tell the one drawn in episode 7 is a dog! (Last photo I edited the brightness on because the scene was too dark, however it is indeed the drawing from ep 7.)
Keeping the fact that he only has one "really good friend", who else would have helped improve N's handwriting if not Uzi.
Using context clues, Uzi and N started "hanging out" more after episode 4, meaning Uzi has probably taught N how to write and draw better within that time. According to google, it takes quite a while to improve your calligraphy skills. Let's say N was super skilled with learning. If we give him the benefit of the doubt, assuming he's a fast learner and ignoring the time taken to improve art, N has probably spent 3 weeks to a month practicing daily with his writing.
So using general estimates.
N and Uzi have spent AT LEAST a month "hanging out together", and this is counting it as if N has been practicing this daily, which i'm sure isn't the case.
Do with that information what you will shippers.
[ID of image 1: Badly drawn N with blue and yellow line art, with "I'm sorry" written next to purple colored scribbles with sad faces in them. END ID.]
[ID of image 2: Badly drawn N and Uzi. END ID.]
[ID of image 3: No ID.]
[ID of image 4: No ID.]
[ID of images 5, 6 and 7: cartoon like hearts of varying shapes. END ID.]
[ID of images 8 and 9: drawings of dogs on paper using crayons. END ID.]
[ID of image 10: drawing of a dog on the floor using oil, with a question mark next to it. END ID.]
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canisalbus · 4 months ago
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Hey, I’m new to Tumblr, but I’ve seen your characters around the internet and I love them so much!! Everyone has so much love for Machete and Vasco and your art is so cool to see! Do you have any tips for an aspiring artist and creative writer?
Hi! Welcome to tumblr! I'm glad to hear you like my dogs :]
I'm not really a writer, and I also completely lose my confidence when I'm trying to explain my art processes. So this is probably an obvious, unhelpful platitude at best, but one thing I've realized is that you should allow yourself to be self-indulgent. If you're the primary target audience of your own work, it generates passion and keeps you inspired and motivated. I like to believe that people who see your creations are more likely to respond to them positively if they can sense that you're putting your heart and soul to them.
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edwinspaynes · 3 months ago
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I DESPISE the fanon that "I was nervous around you" meant that Edwin had a crush on Simon. Like, no, he was nervous because Simon called him slurs and snatched his clothes off. Bffr. That would kill any attraction immediately, IF it was there at all.
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artzchao · 8 months ago
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things that go =D
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macfrog · 1 year ago
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if patrick bateman were a woman
cowboy like me [bonus chapter]
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surprise!! happy halloween!!!! may your day be spooky and your sex be filthy. here's a bonus chapter of clm to celebrate. love y'all !!! despite being cowboy joel and his reader, this is not canon. does not happen in the cowboy like me series. i wish. it's just a little bit of spooky szn fun with my two favorite star-crossed lovers. !!!
pairing: dbf!joel miller x fem!reader
summary: sarah throws a halloween party. you and joel have a little too much fun.
warnings: as pwp as a macfrog fic can get, age gap (reader is 23, joel is 48), lil bit titty appreciation, a singular daddy mention, a single slice of degradation, but also praise kink, unprotected piv sex, creampie, it's set on halloween, alcohol consumption, cursing
word count: 4k
series masterlist | main masterlist | playlist | follow @macfroglets w notifs on to be the first to hear when i post 🧡
Ice, pretzels, lime juice. Ice, pretzels, lime juice.
I’m giving you one job. Ice, pretzels, lime juice. That’s it.
That sounds like three jobs, you’d said.
Sarah ignored you. Be here at seven, alright? Ice – pretzels – lime juice!
It’s seven thirty. You’re finally on her front porch. The tiny section of bare skin between your stockings and black skirt is pimpled with goosebumps. With each inhale you suck in the sickly-sweet scent of fake blood, splattered across your face. You have a bag of ice slung over one arm, a bag of pretzels balanced on top, a bottle of juice hanging from your fingers and an axe under your elbow.
Only – it’s not lime juice. And the axe is plastic.
Sarah opens the door and spots your blunder instantly. “That’s lemon.”
“I know. They didn’t have any lime.”
“They didn’t have any lime? Where the hell did you go?”
“It’s Halloween, Sarah. Everybody and their fucking grandma is drinking tonight. Lemon tastes the exact –”
“Ah!” She holds a finger up. Her red cape flutters in the breeze. “It does not taste the same. Otherwise, why would it be two separate things?”
“Hey, Wonder Woman,” you drone, “mind letting me in? I’m fucking freezing.”
She scoffs, and steps aside. Mutters, “’s not the same thing,” as you pass.
You click down the hall, head rolling to check out her decorating. The living room and kitchen are lit by constellations of tiny tealights, flickering and blinking and casting tall, warped shadows across the walls. There’s a purple neon sign sat against the wall that reads Spooky. By the fireplace sit the two pumpkins she and her boyfriend carved last night; she’d sent you photos and asked you to pick a winner. When you chose the Iron Man head over the silhouette of Tinkerbell, she sent back a middle finger emoji.
Y: It’s cleaner cut. What do you expect? Shoddy work, Miller.
S: asshole.
Sarah’s slotting the ice into the freezer. Struggling, by the sound of it. You swing back into the kitchen to find Wonder Woman on her ass, hammering her fist against the frozen pack to fit it in.
You’re about to offer help, when someone else does it for you. Someone lower, gravellier. A voice like thunder in the distance, a storm approaching.
“You need a hand?” he asks, and when you turn, you almost drop your fucking axe.
He glances to you as he emerges from the dark hallway, the warm glow licking at his graying flicks of hair, nestling in the deep-set lines on his face. His eyes dart down to where your fingers now clutch the plastic handle, holding it against the hem of your skirt like it’ll do anything to cover your modesty.
Your modesty, meaning – the line of sexy black lace curling around your thighs, snug against the supple skin.
What the fuck are you doing here? you mouth, as Joel paces across the kitchen towards his daughter.
He shrugs, palms outstretched. It’s my house?
You roll your eyes, run your tongue like lightning across your scarlet lips. Sarah straightens up, huffs hair from her face and stares blankly at Joel.
He bends, takes the entire bag in one huge palm, and reorganizes the drawer with the other. Your eye drifts to his bicep, flexing under the tight seam of a dark tee. The bag of ice cradled in his arm leaves weak little droplets, running down the tan skin to the crook of his elbow. You want to fucking lick them up, gather the frozen beads on your tongue, hike up up up to the curve of his shoulder, the crook of his neck, the –
“Hey.” Sarah clicks her fingers in front of your face. “You hearin’ me?”
“Huh? No, yeah. No. I wasn’t lis– What did you say?”
She sighs again. Joel groans as he pushes off his knee and stands tall behind her. Wipes the water from his arm with one swipe of his palm.
“Would you put these in a bowl?” his daughter asks, shoving the bag of pretzels into your suited chest. She shuffles off, announcing she’s going to pick a playlist for the night.
Suited is perhaps giving you too much credit. You’re in a mini skirt and waistcoat, a red tie slung loose around your neck. You’ve a clear poncho draped over your shoulders, but with the heat from the million and one fucking candles – and the flush that the forty-something-year-old with his wide frame and fitted sweatpants and toned chest and his big fucking hands has cast over you – it’ll soon be discarded to the newel post.
But when you reach up for the bowl on the top shelf of the cabinet, pushing forward with a palm on the countertop, the marble digging into your pelvis and forcing your ass to jut out – you think yourself pretty fucking smug to be in a skirt that hugs your cheeks and not much else.
You turn, the lip of the bowl in your fingers, and smile sweetly at Joel, whose gaze returns north as you approach him.
“You got nothin’ better to do with your night than babysit a bunch of twenty-five-year-olds?” you murmur, spilling the bag into the blue bowl. You place a pretzel on your tongue, humming at the taste.
Joel smiles, popping the cap off his beer. He spills the amber liquid into his mouth. “I’ll be in my room.”
Your eyebrows lift. “That so? You need any company in there?”
“Nope. Rangers game is on. I’ll be busy.”
The words ghost across your lips. You’ll be busy, you breathe. Joel nods. Then looks you up and down.
“American Psycho?”
“What?”
He flicks his wrist up and down your figure. “What’s his name, again? Pat–”
“Patrick Bateman,” you say together. You nod.
“That’s the one.” Then he turns, leans his jaw nearer until his lips line with your ear. Your eyes shoot across to the empty doorway. Sarah’s skipping song after song in the living room.
Joel’s finger slips beneath the lace trim of your stockings, tugging gently. “I don’t remember ‘im in these, though,” he says, voice low.
You gulp. Swallow to push your heart back into place. “Well,” you glance down, lifting your thigh closer to him, “if he were a woman, he woulda dressed like this.”
“That’s somethin’ I’d like to see,” Joel murmurs, eyes locked on the place where lace separates from skin.
“Yeah?”
He nods. Growls, “Yeah.”
And then he’s walking away.
Within an hour, the house is jumping. Literally. Almost.
You sit at the kitchen island, sipping on a beer, staring down the hall at the sea of bodies – of nylon and polyester, of purples and oranges, of headbands and props and cloaks and hats. There are a lot more than forty people here – a lot more than Sarah intended to turn up.
A lot more than you know, too. She’s barely even four years younger than you, but most of these kids look like they just walked out of middle school. Of the handful of faces you recognize, one is sat opposite you, his arm draped over Sarah’s shoulder, her hand locked in his. She and Ty have been dating for a year now, surviving long-distance when she jets back off to school every few months.
The other you know, unfortunately for you, is swaying by your side. Leaning a little too heavily into you. Asking you questions about college, and then talking over your answers to tell you stories about his college. Asking you questions about films you like, and then interrupting to gawk at the titles you reel off. The only times he doesn’t jump in over your answer, are the times he’s asking who you think might win in a fight between prime Mike Tyson and prime Muhammad Ali. And that’s only because you don’t have an answer to give him.
Jace. Ty’s best friend. Fucking – loser.
“And who the fuck are you s’posed to be, anyways?” he asks, slinging a heavy arm over your shoulder. He reeks of beer, warm and stale. His jaw’s swinging, cheeks popping and suckling on a shriveled piece of gum.
You scowl, shrugging the uncomfortable weight from the nape of your neck. “Patrick Bateman,” you mutter.
“Who?”
“Christian Bale. You know, when he –” Sarah mimes lifting an axe over her shoulder, takes a swing through the air, across the island to Jace.
“No fucking idea,” he says, shaking his head. You’re not surprised.
“Where’s your axe?” Ty asks, as Sarah nuzzles back into his side.
You shrug. “Saw someone using it to stir the punch earlier. ‘s probably in the toilet or something.”
He laughs, flashing his dimpled cheeks. He’s got glistening eyes beneath long, black eyelashes. He’s handsome. Sharp jaw, full lips. Sarah links her fingers at his side, plants her cheek against his shoulder. She’s comfortable. She’s safe. Your chest warms at the sight.
He squeezes her arm, and they share a meaningful glance before there’s a yell from across the kitchen, and their attention is diverted.
When they turn to watch two of Sarah’s high school friends sword-fighting, wielding a plastic lightsaber and your axe, you slink off, swiping two beers from the fridge. Swift and silent, you scale the stairs and fade into the darkened hallway at the top, in pursuit of your own dark-eyed, sharp-jawed comfort.
The sliver of light at the end of the hall draws you in, footsteps silent along the soft carpet. Up here, tucked away in the corner of the house, far from the rattling music and rumble of boisterous chatter – you can hear the soft roar of a crowd, the crack of ball against bat.
Your hip nudges the door open, trickle of condensation running over your knuckles. Joel’s eyes are already on you. He’s laying on his bed, legs outstretched, knee cocked. One arm lies idly on his thigh. You get the feeling he shifted it quickly when he saw the door move.
He balances his chin on the end of the remote, purses his lips and lifts his head. “Now,” he mumbles, “you’re s’posed to be downstairs.”
You shrug, holding the bottles up. “Thought you might need a top-up.”
His eyes thin. He sits up straight, swings his legs over the edge of the bed. You come to a stop between his knees, holding the beer down to him. He hums, taking it with his eyes locked on yours.
“Thanks, darlin’,” he says, and his eyes begin to drift down.
You tilt your head back at the same time he does, lifting the lip of your own bottle. The cold drink washes over your tongue, bitter and blunt in its taste, leaving a furry feeling on your gums. When your chin lowers again, Joel’s hand is on the back of your thigh.
He’s staring at the two knolls between you – your breasts round, nipples peaking under the tight waistcoat.
“Welcome,” you reply, swirling the liquid around in the curved glass. Your voice is barely there. But he hears you, and he must hear the want laced deep through that one quiet word, because he instantly slides his beer onto his nightstand.
He curves both hands around your thighs, fingers lifting higher and higher between your legs until they’re crossing over lace and onto bare skin.
You shuffle forward, leaning your arms on his shoulders and propping your knees on the bed either side of his body. Your skirt rides up, exposing the shard of shocking red lace beneath the pinstripe material.
Joel sees it. Like it’s a rag and he’s a bull. It charges something deep inside him. Something that awakens beneath the thin line of fabric between your legs.
You can feel your pulse in your clit. Fluttering, fucking – hammering. Your cunt feels painfully empty, clenching around nothing. Joel’s palms surf across the tops of your thighs until his fingers are teetering along the hem of your skirt.
“Off,” he instructs, swatting the poncho away.
You shake it from your shoulders the same way you shook the blond downstairs off. Joel nods as the material crumples to the floor. He hooks a hand under your knee and yanks your body closer to his. You almost throw the beer bottle across his bed.
“J– fucking hell, my –”
“Shut up,” he clips, and grabs the beer from your grasp to deposit it alongside his own.
His hands find the tiny buttons of your waistcoat, fingers slip through the gaps between them where your skin peeks through. You can feel his hot breath on your chest. A wave of need washes over you, a desire from deep within your marrow to feel him everywhere. His breath, his tongue, his hands. All of him.
Your entire body weight rests on his shoulders, your fingers locking his shirt in two tight fists. Joel doesn’t seem to mind. Barely seems to notice. He pulls apart the first button, watches with a dark gaze as your breasts spill over. The second button pops open easily, and they bounce lower. When he unhooks the third, they drop into place, nipples pointed, welcoming him in between them.
“Dirty fuckin’ girl,” he whispers as he leans in, mouth flattening against the smooth skin between them. “No bra or nothin’.”
“Knew you’d be here,” you reply, head rolling back as he licks a trail across to the darker flesh of your nipple. His lips close around it and he suckles gently. Your nails dig into his scalp.
He pushes the waistcoat over your shoulders and it drops to the carpet, pooled inside the shell of poncho. As soon as it falls, his hands begin the climb up the seam of your thigh, resting on the brush of red – where he feels the quickly dampening mark on the fabric.
“Thought as much,” he says, head cocking to watch your expression warp as he rubs slow circles into your clit. His voice is as soft as his touch, innocent almost, when he asks, “She like that?”
“Ye-ah,” you choke, leaning back.
“Yeah,” he agrees, and uses his other hand to fish beneath his sweatpants. He rubs himself under the gray cotton, watches as your fingers clutch at the waistband to tug it down, releasing him.
His heavy cock springs up between your bodies, dabs precome on the pointed tail of your tie. You giggle, loosening the knot and pulling the thin silk over your head. Your hands wrap around him, twisting and pumping and dragging the milky arousal from his slit down the smooth, warm skin. Joel’s breath catches when your thumbs swipe across his head.
His fingers slip behind your knees and pull them apart, pull them wider on the mattress. You lean forward, chest brushing against his parted lips, taking your panties in one hand and guiding him along your slit with the other.
You cover him in your arousal, the veined skin soon slick and pearlescent. His wide head slips between your opening, notching against your entrance and forcing the breath from your lungs.
His hands sit firmly on your waist, pushing down on your hips, pushing and pushing until he sinks snug into your cunt. When he pauses, his mouth agape and eyes stuck on the sight of his body connecting to yours, you whine.
“More,” you mewl, voice dripping with need, drizzling all over him.
“We gotta –”
“More.”
“Baby,” Joel says, voice flat but crumbling. “We gotta go slow. I’m gonna – You’re gonna make me come, dressed like that, if we go too quick.”
But fuck, you want to feel him. Want him to buck his hips and fill you in one go – fuck the pain. Fuck the discomfort, fuck the way your walls would clamp in a vice grip around him. You want him to fuck you. Want to be fucked so good that you have to time your moaning with the bassline of the music downstairs, unable to contain the sounds in your throat. Fucked so good that you waddle out of the room, that you fling yourself back onto the couch and wince in pain, a sharp memory of the breadth of him shooting between your legs.
Your hips circle, the heat of your cunt swirling around and around on his tip. He groans, hands tightening on your waist to hold you still.
“Stop it, darlin’,” he growls, the words clawing from between his teeth.
“F-fuck me, then,” you moan, curling your back to slowly edge down on him.
“Ask nicer.”
You smile, heavy lids falling closed. “Please?”
His hands roam around the curve of your ass. He starts to push again. “Nicer.”
Your mouth opens wider the further he slides into you. The more he claims of your body, the further you open for him, the warmer your welcome. Your head tips back, eyes tighten until you see stars. When you feel a weight around your neck, you flutter your lashes open, blink the cyan-colored sparkles from your vision.
Joel pulls your jaw back down to face him. Squeezes on your pulse, holding you between his middle finger and thumb.
“Nicer,” he demands.
You lean in, small hands linking around his thick wrist. “Fuck me, please, daddy,” you whisper.
And he smiles like a fucking devil. Eyes drawn black like ink. He pulls you in until your chin brushes against the rough bristle of his own, lines his bottom lip with yours.
Into your mouth, he asks, “You think you can take it, babygirl? Think it’ll fit?”
You nod desperately, anchoring yourself on his wrist. “Know it will.”
He’s only halfway in. Your heartbeat is thudding around your body, focusing hardest on your clit. Your hips move again, and Joel allows it, sitting back to watch as you sink down further.
“Go on,” he says, watching your body slowly attach to his, “’f you think you can do it. Be a big girl ‘n take it. Slow.”
Something caught between a laugh and a whimper drags between your painted lips – something dripping in desire, built from a need to prove yourself to him, to take all of him inside your body, to feel him in the deepest parts of yourself. You push on him, loosen his grip around your neck and flatten your palms on his chest. And you curve your back, pushing him deeper.
“’s my girl,” Joel says, quietly, as if to himself. “This what you wanted? Comin’ up here, dressed like that?”
Your teeth hold onto your bottom lip. “Like what?” you purr, leaning forward until your noses brush.
Joel tips his chin up, lips flush against yours. “Like a little fuckin’ slut.”
You laugh weakly, feeling him finally in his entirety. “Fuck.”
Joel’s hands take your waist, pushing you down until the pain sends bolts of lightning across your vision. The bruising feeling of his head against your cervix. The sweet stretch of your skin opening around his.
“Beggin’ for it, weren’t ya? ‘n now look, you can’t hardly take it.”
“I can take it,” you hiss back, bracing yourself on the mattress. Your hips lift, holding onto him, bouncing up and down steadily. “I can take it,” you repeat, like a mantra, like the only thing keeping you in the room still. The only thing reminding your body to keep moving.
Joel holds a palm steady against the bottom of your stomach, rubs his thumb delicately against your skin. “So deep, baby. ‘m so fuckin’ deep inside you. That feel nice?”
The meat of your ass slaps against the tops of his thighs. You’re quickening, eyes screwing shut. He feels so good. Fills you up so fucking good. Your legs start to loosen, knees weakening the more you fuck yourself on him. Your head drops between your shoulders when his thumb lowers, circles gently at your clit.
“Keep – keep doing that. Fuck, Joel – touch me. Keep touching me.”
“’boutta come, ain’t you?”
“Sh-shut up.”
“Yeah,” he says, “she’s about to come.”
“Shut up,” you hiss, hips rolling now, losing rhythm between the split of his cock inside you and the lull of his thumb on your clit. Your back arches, vision begins to blur. Your lungs close in on themselves as you give one final gasp to the ceiling, and let go.
Your walls clamp hard around him, and in one swift movement, your bodies are flipped. When you open your eyes again, you’re on your back, Joel’s figure towering over you.
“’attagirl,” he mutters, palms flat against the underside of your thighs. He pushes them flat, folding you in two, your knees resting by your shoulders. “So close, darlin’. Ain’t gonna last.”
You’re shaking your head, holding onto his neck, thighs trembling. “I – can’t, Joel.”
“Yeah, you can. You can,” he assures, dipping his head to place his lips on yours. Your mouth opens up for him, tongue falls against his own. It’s barely a kiss – you’re licking at one another, sure, but there’s nothing tender or gentle about it. Joel pulls away only to glance down and guide himself back inside you. “Gonna be my good girl, aren’t you? Gonna make me come.”
With one seamless thrust, he’s back inside you, pressing your legs harder against your torso. You whine, a blur of pain and pleasure mixing where he fucks you.
“Good girl,” he says, tongue skimming along his top lip. “Nice ‘n wide, that’s it.”
Your back arches into him, arms tighten around his neck, lips settle curved around his own. You’re moaning, his name releasing itself from your mouth in shots of breath. Joel takes your knee and hooks it over his shoulder, letting the other fall to his hip. The angle forces him deeper. Deeper and harder.
But he’s starting to jump. Bucking randomly. He’s panting your name, teeth grazing against your neck in attempt to hold on just a little longer, feel you squeeze him a little more.
“You’re close,” you slur.
“’m close,” he says.
“Gonna come in me –?”
“Baby –”
“– ’n send me – ah – back downstairs full of you? Runnin’ outta me?”
Joel’s head shakes. His eyes tighten. “Fuck, darlin’. Dirty fuckin’ mouth.”
“C’mon,” you beg, “give it to – m-me.”
His hips hammer against yours, punching against the edge of your cunt harshly. You sob out, nails digging into his shoulders, until he halts, and you feel the warmth of him spurting deep inside your body. Feel the way he tenses, empties, and stills.
Your head falls back against the mattress. Joel’s still nuzzled against your neck, breathing labored, lips soaking wet against your skin. You sift your fingers through his hair, combing through it as he comes to.
His chest rocks against yours. Feeling starts to sharpen again, the orgasmic haze starting to bleed into the past. The walls of the house thud with the music from downstairs. You feel the weight of his body on top of yours again.
“Up,” you groan, pushing on his shoulders.
Joel scoffs, pushing against the mattress and rolling over beside you. He slips out, his spend seeping out and spilling onto your thigh.
Your fingers intertwine with his by your side, your nails scrawling into his knuckles.
“I miss you, when you ain’t around,” Joel whispers, glossy eyes blinking at the ceiling. “I’m bored up here.”
You roll onto your side, run your fingers over the halo of sweat around the collar of his shirt. “Good think I ain’t far, then. ‘m only downstairs.”
He smiles. “Downstairs is too far.”
You lean over him and place a soft kiss on his rough cheek. “Just have to keep you at my hip then, don’t I?”
His head turns and his lips find yours. He cups the globe of your head, pulls you harder against his jaw, runs his tongue along your teeth. When you pull away, you shift the damp hair from his glistening forehead.
“You ruined my tie, by the way,” you tell him. “The hell am I supposed to say that is?”
Joel shrugs. “If Patrick Bateman were a woman, ‘n all that.”
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ominous-horse-noises · 7 months ago
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main takeaway from certain fan reactions to the finale is this:
the final scene with ankarna was so meaningful to the bad kids' arcs and how they made peace with being wronged by people they loved, and if all you can focus on is that the rat grinders didn't get much screentime, then you don't love dimension20 and you don't love this world: you want to be playing your own hs themed dnd campaign and you're mad the oc versions of the rat grinders you made up in your head acted ooc. these are not your characters and this is not their story.
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mongeese · 7 months ago
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Frankly if I were in Kipperlilly's position I probably would have chosen the rage star too. Like sorry if I was 16 and a trusted teacher said that my worst most upsetting thoughts and feelings were actually right and justified, and he could make me feel like they were right and justified, while also giving me the power to change all the things I was most angry about, I would almost certainly take that deal. Hell I'm not even 16 anymore and I would still consider it
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unicone0crem · 1 year ago
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Can you blow my whistle baby whistle baby.. here we go *whistle sounds*
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