#'if you have children someday/when they point to the pictures/please tell them my name'

[jessicas-pi]

Long Live by Taylor Swift is about the ghost crew no i am not taking criticism

[drivemysoul]

brain rot real bad (just sobbed to long live thinking about attack on titan)

[ferrariprince16]

If you have children someday

When they point to the pictures

Please tell them my name

Tell them how the crowds went wild

Tell them how I hope they shine

Long live the walls we crashed through

I had the time of my life with you

❤️😭

[nyoomfruits]

for the ask meme: 5 + 68, landoscar!

THANK YOU TO @ocontraire FOR HELPING ME OUT WITH THIS ONE <3

bar/restaurant au + heroic sacrifice

It's the calm before the storm, that small moment right after family meal and right before their first reservations, tables all set and silverware shined. Lando's standing in front of the bar, double checking the reservations, while Oscar's behind it, cutting a lemon.

"How's the apartment coming along?" Lando asks, when he's made absolutely sure all reservations have a corresponding table. "Managed to find a couch yet?"

Oscar wrinkles his nose, tosses the ends of the lemons and sweeps the rest into an ingredient container next to the limes and the maraschino cherries. “Logan thought he found one but when we went to look at it,” he shudders. “There were stains, Lando. Stains. Questionable ones.”

“Oh, yikes.” Lando mimics a retching motion. “Well, have to keep looking then I guess.”

Oscar hums, grabs a glass and fills it with water, two ice cubes, and a singular slice of lemon, places it in the exact spot Lando always keeps his drink, hidden out of sight from the rest of the restaurant by the coffee machine. When Lando raises an eyebrow at him Oscar sighs, and adds a pink straw. “We were planning on doing a thrift store run on Sunday but Zak gave me the opening shift, so.”

Lando drops the pen he’d been fiddling with. “Zak did what?” He asks.

Oscar shrugs, a dismissive little motion that Lando learned long ago to not actually dismiss. “It’s fine, it’s just this once. Bella has this family thing, so.”

“No,” Lando says, “no, he can’t do that to you. You hate the morning shift.”

Oscar rolls his eyes. “We all have to do things we don’t like as much sometimes.”

“Yeah, but,” Lando frowns. “Last time it took you weeks to recover. Months! You do realize you have to get up at 7am right?”

Oscar looks at him, bemused. “Lando, seriously. I’m fine. And it wasn’t months. It was two days max. I’m just not a morning person, I’ll live.”

“No, no, no, do not worry. I will relieve you of your duties. I will fall on this sword for you. For you are my brother in arms and I have sworn to protect you with my life,” Lando’s reached over the bar to grab Oscar by the shoulders, and Oscar’s face is doing some kind of crossover between fond and exasperated.

“That’s sweet, Lando, really. But I’m fine.”

“For death,” Lando says, completely unfazed. “For glory. For brotherhood. Fear not, my beloved. I will save you from these atrocities.”

Oscar pinches the bridge of his nose. “We’re not even. I’m not your beloved, Lando.”

Lando perks up, smiles. “But you could be,” he says, winks.

“Sure,” Oscar says, dubiously. “Anyway, really, I’m fine. One morning shift won’t kill me.”

“No, no, no, let me do this for you. Just promise me one thing,” Lando says, still dead serious. “If you have children someday, if they point to the pictures, please tell them my name. Tell ‘em how the crowds went wild. Tell ‘em how I hope they shine.”

“Okay, now you’re just quoting Taylor Swift at me,” Oscar says throwing up his hands, making Lando’s hands drop off his shoulders.

Lando pouts at him. Oscar frowns. Lando pouts harder. “Fine,” Oscar relents, shoulders sagging. “Fine you can have your weird heroic sacrifice or whatever you want to call it. Take my Sunday morning shift.”

“Yay,” Lando says, beaming brightly. “Think of me, when the sun falls behind the heavens. I’ll go tell Zak.”

“Your sacrifice is greatly appreciated, you absolute dumbass,” Oscar drawls after him, as Lando skips off in search of Zak. With his back turned, Lando misses the ridiculously fond, endeared smile Oscar sends after him.

[taylorswifttournament]

Lyrics under the cut

marjorie    

The autumn chill that wakes me up You loved the amber skies so much Long limbs and frozen swims You'd always go past where our feet could touch And I complained the whole way there The car ride back and up the stairs I should've asked you questions I should've asked you how to be Asked you to write it down for me Should've kept every grocery store receipt 'Cause every scrap of you would be taken from me Watched as you signed your name Marjorie All your closets of backlogged dreams And how you left them all to me

Long Live    

Hold on to spinning around Confetti falls to the ground May these memories break our fall Will you take a moment? Promise me this That you'll stand by me forever But if, God forbid, fate should step in And force us into a goodbye If you have children someday When they point to the pictures Please, tell 'em my name Tell 'em how the crowds went wild Tell 'em how I hope they shine Long live the walls we crashed through I had the time of my life with you

[lanasw1ldheart]

Will you take a moment? Promise me this..

That you’ll stand by me forever

But if, God forbid, fate should step in

And force us into a goodbye

If you have children someday

When they point to the pictures

Please tell ‘em my name

Tell them how the crowds went wild

Tell them how I hope they shine..

Long live the walls we crashed through

I had the time of my life… with you 🫶🏽

12.8.2024 “It was the end of an era, but the start of an age”

[katyagrayce]

If I had the time, and the resources, I would write an entire PhD about how Taylor Swift’s relationship with her fans has been variably represented through her songs, and how that representation has in turn shaped that relationship. And I have neither of those two things, but I do have the next-best options – a free evening and a Tumblr account. So here we go. As far as I can remember, there are only six songs where Taylor directly addresses her fans: Long Live, mirrorball, Dear Reader, and now But Daddy I Love Him, Who’s Afraid of Little Old Me? and I Can Do It With a Broken Heart. I could be missing a few, because the woman does have a 20-year career. But even so, I think it’s telling that those are the six songs that come to mind: one huge feel-good ballad released when she first made it really big; then nothing for 10 years; then two quiet songs buried in their respective albums; and then, out of the blue, three loud, unforgettable bops released at the same time. From that alone, it’s pretty clear that Taylor has something that she wants to tell her fans – whether consciously or not, something about her relationship with them is increasingly weighing on her mind. And it doesn’t take much to figure out that said relationship is changing.

In Long Live, the fans are addressed mostly as a ‘we’ – a part of a collective that also includes Taylor, her band and her team, all of them with equal status and common goals. ‘Long live the mountains we moved / I had the time of my life fighting dragons with you.’ Later, those dragons are further described, are established as factions of the general public whom the fans stand separate from, in opposition to – ‘The cynics were outraged / Saying “this is absurd”.’ Basically, Taylor’s fans are shown to be fighting for her like an army ‘on the history book page’, which is not an uncommon metaphor in pop culture. But this is where things get interesting. Because, although Taylor creates that image of the army, she doesn’t structure it in the traditional way. Her fans are not footsoldiers defending her throne – they too are ‘the kings and the queens’, the ‘heroes’, hearing their names read out and holding up trophies. And because of that – because they stand equal with Taylor – they don’t look up to her even in victory, and she doesn’t claim to be anything more than a member of their bedraggled mob. Even at her pinnacle, she’s simply part of ‘a band of thieves in ripped-up jeans [who] got to rule the world.’

There’s only one point in Long Live where this total equality fractures – where the ‘we’ splits into a ‘me’ and a ‘you.’ And it’s in the bridge, where, for just a moment, Taylor steps outside of the present – she imagines herself and her fans growing up in the future. ‘Promise me this / That you’ll stand by me forever / But if, God forbid, fate should step in / And force us into a goodbye / If you have children someday / When they point to the pictures / Please tell them my name.’ This is usually the part of the song where you see audiences crying, and it’s easy to understand why – because even when Taylor separates herself from the fans, even when she doesn’t explicitly share her title of ‘queen’ with them, she still portrays them as the ones with the power. She asks them to stand by her, then to remember her. Scratch that, she pleads for them to do it. She’s expressing that she needs her fans, deeply. They’re not looking to her for guidance – it’s the other way around.

Fast forward 12 years, to Dear Reader, and you wonder how the hell did we get here?

Dear Reader is the exact opposite of Long Live. The fans are never part of a ‘we’ – in fact, they don’t play an active role in the song at all. All that they are is an omnipresent but silent entity, the titular ‘readers’, who hover offscreen as Taylor sings verse after verse of advice, then spends the chorus telling them not to follow it. This is Taylor as the long-crowned queen in the history book – the ex-thief, the grown-up revolutionary, who realised at some point that no matter how equally you fought alongside your people, no matter how young and inexperienced you all were, at some point they will need a ruler and then they will all look to you. Inch by inch, you will find yourself climbing up onto the throne, and you will be alone up there. The words you speak will fall down on the subjects sitting by your feet, and their power will be absolute, even when you didn’t mean them that way – even when they don’t have any conscious meaning, are just ‘desperate prayers of a cursed man / spilling out to you for free.’ And in the end – just like before – all you can do to rebalance the power is plead. ‘Darling, darling, please / You wouldn’t take my word for it / If you knew who was talking.’

And of course, this plea is interesting in itself, because it’s also the exact opposite of the plea in Long Live. In Long Live, Taylor is asking her fans to immortalise her in the future, to pass on her memory – the underlying assumption is that they can do this because they were there with her, they know her. But here, Taylor says that her fans wouldn’t listen ‘if they knew who was talking’, which implies – well, they don’t know. They don’t know the person behind the words. Despite all the mountains they moved – all the magic they made. Despite all the games they played together, the secret sessions, the Easter eggs, the friendship bracelets. Despite the songs spilled out like confessions. Despite it, or because of it. They don’t know her. They don’t know Taylor Swift.

In Dear Reader, this concept is portrayed as tragic. There is a lot of sadness in that image of Taylor alone above the crowd, a perceived ‘guiding light’ that is actually so lonely and broken in the way it shines – which is a good segue back to an earlier song on our list, mirrorball. The metaphor there was very similar to in Dear Reader, but the plea Taylor made was more in tune with Long Live – she begged for her fans to keep standing by her, keep listening to her. ‘When they called off the circus, burnt the disco down / When they sent home the horses and the rodeo clowns / I’m still on that tightrope, I’m still trying everything / To keep you looking at me.’ Basically, in mirrorball, she begs her fans to stay with her despite the new gap growing between them; in Dear Reader, she begs them to take a step back, to acknowledge that the situation is becoming toxic. And then, we get to the songs of The Tortured Poets Department. And Taylor isn’t begging anymore. If anything, she is screaming.

TTPD was marketed as Taylor’s saddest album, but to me, it’s more obviously her angriest. Rage is not a new concept in her songs, but it’s previously always been directed at very specific people – Kanye West in Look What You Made Me Do, the online haters in You Need to Calm Down, Jake Gyllenhaal in We Are Never Ever Getting Back Together and I Bet You Think About Me and All Too Well (10 Minute Version). Alternatively, it’s been couched in fiction, like how the story of Rebekah Harkness couches mad woman. But in TTPD, there is no couching – the very marketing leans into how personal each song is for Taylor – and nobody is safe. For the first time, Taylor’s fans are not represented as a separate entity protecting her against the rest of the world – they themselves are a part of that roiling mass whom she needs protection from. That message becomes very pointed in the third line of But Daddy I Love Him, ‘I just learnt these people only raise you / To cage you.’ That line flags the entire song as directed not towards strangers, but towards the people who have surrounded Taylor since she was 16, who have shaped her career, who claim to care about her – the army of Long Live, the audience of mirrorball, the listeners of Dear Reader. Those people are the ‘Sarahs and Hannahs in their Sunday best / Clutching their pearls, sighing “what a mess.”’ And that makes sense when you remember that it was Taylor’s fans who were most critical of her relationship with Matty Healy, and even with Travis Kelce when they first started dating. But it doesn’t make the song any less uncomfortable to listen to. For the first time, the ‘you’ Taylor is yelling at is actually you, and maybe that’s why she’s so unguarded and vicious in her choice of words – ‘I’ll tell you something right now / I’d rather burn my whole life down / Than listen to one more second of all this bitching and moaning.’ It also brings a new dimension to the lyrics ‘Time, doesn’t it give some perspective? / And no, you can’t come to the wedding’. Because of course, when things are going well in Taylor’s relationships, it’s her fans who want to share in that – her fans who want to hear updates from her, like her social media posts, listen out for wedding bells. And with those lyrics, Taylor’s taking that away from them. No, you don’t get to be there for the good parts. You haven’t earnt it. You weren’t there for me when I needed you. You don’t know me that well.

And that leads, of course, to the ultimate song about Taylor’s fans not knowing her – I Can Do It With a Broken Heart. Arguably, the song doesn’t quite belong on this list, because Taylor never directly addresses her fans either as a ‘you’ or as a ‘we’. But that’s telling in itself, because it’s a song where the fans play an active role in the narrative, and yet where they only appear as a foreign, menacing entity – the crowd that sees ‘all the pieces of [Taylor] shattered’ and responds by ‘chanting “more.”’ There’s been a lot of debate online about whether this song will ever be performed live, and personally, I think that it’ll be just too uncomfortable an experience. Because this song is mirrorball without the plea in it. This song is so self-reflexive, its light burns your eyes. Every single syllable of this song is designed to say what you see is not who I am, and you don’t know me, and what you think is love is killing me. And how can a crowd cheer during a performance when that’s what their cheering means? I love you, you’re falling apart for me. I love you, it’s ruining your life.

Of course, the song was written about a very specific time in Taylor’s life, and I think that’s worth emphasising for every song on this list – they all capture a specific moment, immortalise a specific emotion like fixing a bug in amber, whereas in the real world, emotions come and go. The fact that Taylor felt like this about her fans at one stage doesn’t mean she always feels Iike this about them. The fact that she was hurt and furious doesn’t mean she can’t also be grateful and warm. But what angry songs do is disrupt the assumption that everything’s okay, form a crack in the glass, introduce doubt behind every smile. You only need to see through someone once to never take them at face value again. And when that experience is immortalised in a song, it’s even harder to forget it. What angry songs do is become self-fulfilling prophecies, echoing in the fans’ heads every time they see Taylor until, eventually, some distrust is inevitable. And that’s not necessarily a bad thing – to be more aware of how the mirrorball turns, the illusion of light, the real person underneath. But it’s a change. It’s a change, and even by singing about it, Taylor is ironically making it happen.

Which brings us, finally, to possibly the angriest song Taylor’s ever written – the last song I’m going to be talking about, Who’s Afraid of Little Old Me? At first glance, this song isn’t necessarily directed at Taylor’s fans. It reuses a lot of imagery from my tears ricochet and mad woman, and it’s easy to write it off as also being about Big Machine Records or her detractors in the general public. But some of the lyrics in the bridge are very, very telling. The most obvious is ‘Put narcotics into all of my songs / And that’s why you’re still singing along.’ Then there are all the veiled references to obsessive people trying to get closer than they should be, closer than any stranger is allowed – ‘So all you kids can sneak into my house with all the cobwebs… I’ll sue you if you step on my lawn.’ Elsewhere in the song, we also see the circus imagery of mirrorball turned threatening – ‘I was tame, I was gentle till the circus life made me mean’ – and the opening lines of But Daddy I Love Him come back, ‘You caged me and then you called me crazy / I am what I am because you trained me.’ This song has all the evolving messages about Taylor’s fans rolled into one – you don’t know me, you don’t own me, you’re ruining my life, you have no right to criticise. And then, for the first time, she says it in black-and-white – ‘You hurt me.’ No metaphors. No frills. It’s only three words, but it says volumes – You hurt me. You were meant to be on my side. We were meant to be fighting together. But, somehow, we’ve been split apart. You broke the promise I asked of you when I was 19 years old. You turned on me. And it hurts.

TTPD is an incredibly, incredibly angry album. Who’s Afraid of Little Old Me? is an incredibly, incredibly angry song. But they are also both incredibly, incredibly sad. Taylor sings ‘Who’s afraid of little old me? / You should be’, when, 15 years earlier, she was singing ‘I’m not afraid / We will be remembered.’ And yes, a song is just a moment in time, but a series of songs – that’s a story. It’s a life. You can play through Taylor Swift’s discography, and you’ll hear the story of a 16-year-old girl whose trust was slowly destroyed. Sure, that might be the story of most 16-year-old girls. But most of them don’t go through it in the public eye. Most of them don’t have to balance being honest against perpetuating the cycle. And most of them listen to sad songs to get them through, instead of being the one putting those sad songs out into the world. ‘You don’t get to tell me about sad,’ Taylor sings, because of course she does. We don’t have to tell her about sad. For our generation, she is one of the people who defined what it means.

~~~

(Disclaimer: This essay is not intended to deal with the actual content of any criticism Taylor received from her fans, or the question of whether that criticism was justified. I’m leaving that discourse to other people. My aim was just to explore how Taylor’s writing about her fans has changed over time, and what that tells us about their relationship and her career as a whole).

[francesderwent]

TRIUMPHANT

I mean!!! it’s King of My Heart again!!!!! for all the same reasons I said it was exhilarating haha

BUT I will also say that a STRONG contender for most triumphant is Long Live. “long live all the mountains we moved I had the time of my life fighting dragons with you”!!!! my heart swells every time!!!

Long Live is forever the ladynoir song of my heart. whatever you do don’t think about a Ladybug and Cat Noir that never found out each other’s identities and so were constantly on the verge of losing each other forever: “Will you take a moment? promise me this: that you’ll stand by me forever—but if God forbid, fate should step in and force us into a goodbye, if you have children someday, when they point to the pictures please tell them my name! tell em how the crowds went wild! tell em how I hope they shine! long live the walls we crashed through, I had the time of my life…with you”

[taylorswiftandx]

Taylor Swift and Family Members

‘Taylor Swift’

Picture To Burn: My daddy’s gonna show you how sorry you’ll be

Mary’s Song (Oh My My My): And our daddies used to joke about the two of us

Mary’s Song (Oh My My My): And our mamas smiled and rolled their eyes and said “Oh my my my”

Mary’s Song (Oh My My My): Our whole town came and our mamas cried

Mary's Song (Oh My My My): We'll rock our babies on that very front porch

Our Song: When we’re on the phone and you talk real slow ‘cause it’s late and your mama don’t know

'Fearless (Taylor’s Version)’

Fifteen: And your mama’s waiting up and you’re thinking he’s the one

Love Story: And my daddy said, “Stay away from Juliet”

Love Story: I talked to your dad, go pick out a white dress

The Way I Loved You: He’s close to my mother, talks business with my father

The Best Day: I have an excellent father, his strength is making me stronger

The Best Day: God smiles on my little brother, inside and out he’s better than I am

The Best Day: And Daddy’s smart and you’re the prettiest lady in the whole wide world

We Were Happy: Talking about your daddy’s farm we were gonna buy someday

We Were Happy: Talking about your daddy’s farm and you were gonna marry me

'Speak Now (Taylor’s Version)’

Mine: You made a rebel of a careless man’s careful daughter

Mine: You say we’ll never make my parents’ mistakes

Mine: I fell in love with a careless man's careful daughter

Back To December: How’s life? Tell me, how’s your family?

Speak Now: And her snotty little family all dressed in pastel

Dear John: And my mother accused me of losing my mind but I swore I was fine

Never Grow Up: You’re in the car on your way to the movies and you’re mortified your mom’s dropping you off

Never Grow Up: Memorize what it sounded like when your dad gets home

Never Grow Up: Remember the footsteps, remember the words said, and all your little brother’s favorite songs

Last Kiss: Because I love your handshake, meeting my father

Long Live: If you have children some day, when they point to the pictures, please tell them my name

Ours: And any snide remarks from my father about your tattoos will be ignored

Superman: He’s got his mother’s eyes, his father’s ambition

When Emma Falls In Love: When Emma falls in love, she calls up her mom

'Red (Taylor’s Version)’

All Too Well: And I left my scarf there at your sister’s house and you’ve still got it in your drawer even now

All Too Well: And your mother’s telling stories about you on the tee ball team

Starlight: Ooh, ooh, we could get married, have ten kids, and teach them how to dream

Begin Again: But you start to talk about the movies that your family watches

All Too Well (10 Minute Version): You who charmed my dad with self-effacing jokes

'1989 (Taylor’s Version)’

Now That We Don’t Talk: I call my mom, she said that it was for the best

Now That We Don’t Talk: I call my mom, she said to get it off my chest

'reputation’

This Is Why We Can’t Have Nice Things: And here’s to my mama, had to listen to all this drama

Call It What You Want: I’m laughing with my lover, making forts under covers, trust him like a brother, yeah, you know I did one thing right

'Lover’

Paper Rings: Which takes me back to the color that we painted your brother’s wall

'folklore’

the 1: Rosé flowing with your chosen family

cardigan: Leaving like a father, running like water

seven: Your dad is always mad and that must by why

invisible string: Now I send their babies presents

mad woman: Good wives always know

epiphany: Keep your helmet, keep your life, son

epiphany: Something med school did not cover, someone’s daughter, someone’s mother

peace: Give you my wild, give you a child

peace: Family that I chose now that I see your brother as my brother

'evermore’

champagne problems: Your mom’s ring in your pocket

champagne problems: You told your family for a reason, you couldn’t keep it in

champagne problems: Your sister splashed out on the bottle

'tis the damn season: I’m staying at my parents’ house and the road not taken looks real good now

no body, no crime: Este’s been losing sleep, her husband’s acting different and it smells like infidelity

no body, no crime: He reports his missing wife

no body, no crime: Good thing my daddy made me get a boating license when I was fifteen

no body, no crime: Good thing Este’s sister’s gonna swear she was with me

dorothea: Skipping the prom just to piss off your mom and her pageant schemes

ivy: So tell me to run or dare to sit and watch what we’ll become and drink my husband’s wine

right where you left me: I'm sure that you got a wife out there, kids, and Christmas, but I'm unaware

it's time to go: When the words of a sister come back in whispers

it's time to go: 20 years at your job, then the son of the boss gets the job that was yours

it's time to go: Or trying to stay for the kids when keeping it how it is will only break their hearts worse

'Midnights’

Lavender Haze: The only kind of girl they see is a one-night or a wife

Anti-Hero: I have this dream my daughter-in-law kills me for the money

Anti-Hero: The family gathers around and reads it and then someone screams out, “She’s laughing up at us from hell”

Midnight Rain: It came like a postcard, picture perfect shiny family

Vigilante Shit: Now she gets the house, gets the kids, gets the pride

Vigilante Shit: Picture me thick as thieves with your ex-wife

Paris: Your ex-friend’s sister met someone at a club and he kissed her

High Infidelity: Storm coming, good husband, bad omen, dragged my feet right down the aisle

'The Tortured Poets Department’

Fortnight: Your wife waters flowers, I wanna kill him

Fortnight: My husband is cheating, I wanna kill him

But Daddy I Love Him: Now I’m running with my dress unbuttoned, screaming, “But, daddy, I love him”

But Daddy I Love Him: I'm having his baby, no I'm not, but you should see your faces

But Daddy I Love Him: Dutiful daughter, all my plans were laid

But Daddy I Love Him: All the wine moms are still holding out, but fuck them, it’s over

But Daddy I Love Him: Now I’m dancing in my dress in the sun and even my daddy just loves him

But Daddy I Love Him: Screaming, “But, daddy, I love him, I’m having his baby”

Florida!!!: And my friends all smell like weed or little babies

Florida!!!: And your cheating husband disappeared

imgonnagetyouback: Whether I'm gonna be your wife or gonna smash up your bike

Chloe or Sam or Sophia or Marcus: And you have some kids with an Internet starlet

How Did It End?: Soon they'll go home to their husbands, smug 'cause they know they can trust him, then feverishly calling their cousins

So High School: I feel like laughing in the middle of practice to that impression you did of your dad again

thanK you aIMee: Everyone knows that my mother is a saintly woman but she used to say she wished that you were dead

thanK you aIMee: And one day, your kid comes home singing a song that only us two is gonna know is about you, 'cause

The Bolter: And I can confirm she made a curious child, ever reviled by everyone escept her own father

The Manuscript: Afterwards she only ate kids’ cereal and couldn’t sleep unless it was in her mother’s bed

Other Songs written by Taylor

All Of The Girls You Loved Before: Your mother brought you up loyal and kind

Best Days Of Your Life: I heard you’re gonna get married, have a nice little family

Christmases When You Were Mine: My mama’s in the kitchen, worrying about me

Christmases When You Were Mine: I’ll bet you got your mom another sweater, and were your cousins late again?

Official Alternate Releases

But Daddy I Love Him (Clean Version): All the wine moms are still holding out, but it’s over

[womenshockeydaily]

If you have children someday When they point to the pictures Please tell them my name Tell them how the crowds went wild Tell them how I hope they shine

[lily4731]

So I just heard 'Long Live' by Taylor Swift and I immediately thought of Tessa and Jem showing Mina and Kit pictures of Will and James, Lucie, and the other Merry Thieves and now I'm crying.

But like

If you have children someday

When they point to the pictures

Please tell them my name

Yeahhhhh 😭

[undescribed1mage]

breaking down my doctor who playlist by what from the show they remind me of the most <3

As The World Caves In by Matt Maltese — The Doctor & The Master, more specifically in The End of Time Part One & Two & Last Of The Time Lords. but also. just. vibes (vibes about the doctor holding the saxon master after he was shot).

Happy Xmas (War Is Over) by John Lennon — All of the Christmas specials but mainly, again, The End of Time part one & two. & . everything about that.

Two Birds by Regina Spektor — The Master and The Doctor, again (they're awful), but also twelve & clara with the bird symbolism and clara leaving when he tried to save her, clara being brave and letting go, and Jack & Torchwood &. everything with that (i've never seen Torchwood but I still know like. most of what happens)

Memories by Conan Gray — Martha Jones, specifically in the episodes after her season (also Jack in seasons 3 & 4). With 'It's been a couple months / that's just about enough time / for me to stop crying when I look at all the pictures / now i kinda smile / i haven't felt that in awhile'. 'You see / it's hard to find an end to something that you keep beginning / over and over again.'

I Know The End by Phoebe Bridgers — Ten's era, with different companions for different parts like — "When I get back I'll lay around / then i'll get up and lay back down / romanticize a quiet life / there's no place like my room." with Donna at the end of Journey's end, and "Out in the park we watch the sunset / talking on a rusty swing set / after awhile you got quiet / and i got mean / always pushing you away from me / but you come back with gravity / and when I call / you come home / a bird in your teeth." (the last line specifically with the fact that Jack was Supposed to be in a good man goes to war). I also think it works very well with The End Of Time Part One & Two & just. the world almost ending at the end of s4

Your Sister Was Right by Wilbur Soot — You know how like. every mother during the RTD (pt1) era slapped the doctor at some point? yeah. just. the doctor in reference 2 rose, martha, & donna & their mothers. as well as the doctor thinking that they're bad news which is something that comes up quite a bit with these songs.

Why Didn't You Stop Me? by Mitski — I don't really know how to explain this one it just. gives me ex-companion vibes, specifically with 'I look for a picture of you / to keep in my pocket / but i can't seem to find one / where you look how I remember'.

Long Live by Taylor Swift — In reference to a companion departure, from the Doctor's pov with 'will you take a moment? / promise me this / that you'll stand by me forever / but if, god forbid, fate should step in / and force us into a goodbye / if you have children someday / when they point to the pictures / please tell them my name.' & 'i had the time of my life fighting dragons with you.' I think, if we're going for a specific companion, it's very the Doctor & Donna coded.

Walking All Day by Graham Coxon — something about how multiple companions have followed the Doctor to the end of the universe (specifically martha & jack but I think it could also work with clara) & how devoted companions are to them, especially the ones that are interested in him romantically (that one rory quote that's him talking about how the doctor makes people want to impress them).

Never Love An Anchor by The Crane Wives — Part of my interpretation with this when it comes to Doctor Who is how the Doctor, after losing a companion, is always 'i will never love again this is the end for me...' & then he meets the next companion & does it all over again (& in specific situations, such as Donna & Amy & Susan & Vicki, they're very similar to the person he just lost), and also how awful ten was to Martha (& Jack) & oblivious to most of it because of the loss of Rose (it's a secret i keep tucked inside my chest / with this heart of mine that's guilty not remorseful / there is love that doesn't have a place to rest / but it would've buried you if it had settled on your shoulders). The Doctor just also (as seen in the Church On Ruby Road) just thinks they're bad news in general (no comment from my end on this) &. yeah

Two paragraphs for this one! The second interpretation I have is specifically the first doctor after the loss of Susan, and how he was (for the end of their time together, which was what we saw in Susans serials) very hard on her especially for her last two serials. Also, him leaving her behind & 'so I did the only thing that I could / and severed the rope that set you sailing from my harbor'. I don't have a lot to say about this but. the doctor & susan make me so :(

Be Safe, Be Good (For Rachel) from Ride The Cyclone — do you ever think about how many deaths (companions or otherwise) (no spoilers please i'm on series ten for nuwho & season two (soon to be three!) of classic who so) the doctor has caused. indirectly or directly. do you ever think about clara & how her family and her students will likely never know what happened to her. do you ever think

Blue Lips by Regina Spektor — originally when i added this to the playlist (back when i was first making it, probably around me watching series five) i had intended it to be about the doctor but now i think it's more about ashildr / lady me and how much she's seen and how much she's lost. she forgets anything she hasn't written down (and rips pages of things she wants to forget out) and she's seen the world in most of it's phases, she's seen societies crumble and rise &. yeah

The Main Character by Will Wood — I have so much 2 say about this one. buckle in. i'm that first person they talk about in all the books.' him being referenced in literally the first episode of torchwood (for valid reasons he is a very important part of jacks story). & 'imagine if protagonists just died in the first scene.' cut to jacks death in everything changes. & 'I loot plot armor from NPCs / well they are to me.' again. the amount of people that have tried to help him & died. specifically one off ones. & 'Villains are everywhere / that's how I know that I'm a hero.' yhe battle of canary wharf. enough said. & 'Her majesty says the royal we demand a stander of loyalty / an agreement to be reverent / link the emperor's new boots' something about tooth & claw. + so much more that i don't feel like elaborating on rn !!!! they even mention daleks in the song <3

Right Where You Left Me by Taylor Swift — SARAH. JANE. SMITH. It is so her coded. The way the doctor left her, and how in School Reunion she talked about how the Doctor was her life (such a good episode btw). & . she was just waiting. for him 2 come back. & . godddd. i'd break down these lyrics too but i'd be saying the same thing (basically just what i've already said) about all of them so. just listen 2 it or look up the lyrics & you'll see.

Thinking About A Potentially Awkward Interaction With An Old Friend by Crywank — another ex-companion song !!! I don't have any in particular for this but i feel like whenever past companions return for an episode or two it's never nearly as awkward as it should've been, especially with Martha & Sarah Jane, especially how much the tenth doctor had grown (& how much Martha had grown !!!) in between s3 & s4 Alone !!!! 'Well memories sure / they're precious / that's true / but I don't want to make any new ones with you' is sooo Martha. & 'It would be nice to underline it / but i know we're both doing fine without the other in our life.' & ESPECIALLY 'yes / time away has taught me that I like this distance from you'.

River Like You by Maya Hawke — the riverdoctorjack polycule is insane. man. & this is on here for them <3 i think a lot about how jack's other male love interests at least vaguely resemble the ninth doctor in some ways, and how he & river are both immortals so they'd be the perfect people to travel with. & how the doctor tries, at times, to separate himself from both of them (much more severe with jack). 'i've loved a river like you before / i'm a river too'.

Motion Sickness by Phoebe Bridgers — Martha Jones deserves to be SO bitter about how the doctor treated her. SO bitter. 'you said when you met me you were bored.' & 'i have emotional motion sickness / i try to stay clean and live without.' & . yeah. martha jones you will always be famous. also 'and while you're bleeding on your back in the glass / i'll be glad that i made it out / & i'm sorry that it all went down like it did.' in reference to the end of time part two.

Smoke and Mirrors by Emily Rohm — certain parts of it. are kind've the like traditional backstory for a companion (with nuwho) like. 19-25 year old girl who lives with her parents & is bored of everyday life & still waiting for her life to begin & then the doctor comes along & she's swept away into time & space & now she's sosososo important !! + 'She walks alone every morning / down the same old street / and wonders how she let her days get stuck on this endless repeat / she wants that movie life / a hero comes to sweep her off her feet / they'll run away'. & there's other parts that could fit but generally. just the same idea

Black Sheep from Scott Pilgrim — 'Hello again, friend of a friend / knew you when / our common goal was waiting for the world to end / now that the truth is just a rule that you can bend / you crack the whip, shape-shift and trick the past again.' literally no other part of this song matters in reference to this playlist. it is just that & the fact that it reminds me of the master <3

The Lucky One by Taylor Swift — companions drive me so crazy btw. specifically companions after leaving the doctor. 'It was a few years later, I showed up here / and they still tell the legend of how you disappeared / how you took the money and your dignity and got the hell out / they say you bought a bunch of land somewhere / chose the Rose Garden over Madison Square / and it took some time, but I understand it now.' with a current companion thinking about a past companion. & just. idk. something about bad wolf & the girl who walked the earth & the most important woman in all of creation & the girl who waited & the impossible girl & so on. the lucky ones.

Mr. Perfectly Fine by Taylor Swift — I've realized that from this playlist it makes me seem like a swiftie but i'm not i just enjoy some of her music & mr perfectly fine is the most tenjack coded song in all of existence. nine being at the very least interested in jack, traveling with him & flirting with him & kissing him & then ten turning around & running away from him & calling him wrong ('mr change of heart'). 'oh he's so smug / mr always wins'. 'hello / mr casually cruel'. 'always at the right place at the right time'. 'he goes about his day / forgets he ever even heard my name' . & last. but oh so definitely not least. ''cause I hear he's got his arm 'round a brand-new girl / i've been pickin' up my heart, he's been pickin' up her / and I never got past what you put me through / but it's wonderful to see that it never phased you'. I am so emotional about doctorjack can you tell.

Viva La Vida by Coldplay (Covered by Annapantsu) — don't ask me why i didn't add the original version on here i just didn't feel like it. anyways. it reminds me a lot of elevens era, with a good man goes to war & rory's line about how he (the doctor) doesn't make people brave, he makes them want to impress him (SO TRUE KING !!!) & the day of the doctor. i think it could also work with the time war & eight & the war doctor (i've only listened 2 some of eighths audios, working my way through them rn). & Maybe the battle of Canary Wharf. just generally. the doctor. & war. & how he is respected. oh & also him being the PRESIDENT OF THE WORLD IN CRISIS ???

Soldier Poet King by The Oh Hellos — saw a post about this in relation 2 ninejackrose & it got me thinking. rory soldier eleven poet amy king. i think if you tried hard enough this template could fit a lpt of the tardis teams. that's all <3

Little Soldiers by The Crane Wives — the master & the doctor. again. 'on the broken backs of all the words we spared / like little soldiers in the trenches' we're gonna take the metaphors a little seriously here & i'm gonna mention how the doctor has a habit of turning companions into soldiers and fighters. & . again. he makes people want to impress him. i think the rest of the song is still very them but that's the only part that i really have anything to talk about (besides 'i swear that you loved me / i swear that i loved you).

Not Strong Enough by Boygenius — 'Always an angel, never a god / Aways an angel, never a god /Always an angel, never a god / Always an angel, never a god / Always an angel, never a god / Always an angel, never a god / Always an angel, never a god / Always an angel, never a god / Always an angel, never a god / Always an angel, never a god / Always an angel, never a god / Always an angel, never a god' is so. companions in general coded. why can't they just have a nice time :(

Nowhere Man by The Beatles — I think this may be one of the only songs on here that portrays the doctor in a semi positive light :-) !!! — oh wait nvm forgot the lyrics. sorry we're criticising the doctor again (i adore them i swear. what a guy) 'He's as blind as he can be / just sees what he wants to see' @ ten. sorry buddy. you're really being attacked in this post aren't you. 'Doesn't have a point of view / knows not where he's going to.' do you ever think about how the doctor just sort've. wanders aimlessly in between companions. like. sir how'd you end up in victorian london wearing amy's glasses. 'Nowhere man / the world is at your command.' They are PRESIDENT OF THE WORLD IN EMERGENCIES. UNIT why would you let them have this power.

Interplanet Janet from Schoolhouse Rock — Added as a joke . for the sillies of it <3

Partner in Crime by Madilyn Mei — another Jack song (can you tell he's my favorite companion) but only like. a certain part of it (i have not listened 2 it all the way through but i heard a clip from it & went oh my god jack harkness... & here we are). 'Run for it / I'll keep 'em occupied for you / 'cause i love you / i love you so / left me hangin' at the station / but you'll be back for me soon / i'm 'bout to die / yet the only thing i'm worried about is you / something tells me you aren't coming / i guess i'm truly doomed.' it is so INSANELY PARTING OF THE WAYS CODED !!! Me when he sacrificed himself for the doctor & rose me when he was so ready to die for them. me when he woke up from DEATH to the tardis dematerializing and leaving him surrounded by dead bodies so far away from his home (which is the tardis. but yk). he was about to die and the only thing he was worried about was them. something tells him they aren't coming. he guesses he's truly doomed. j just. raigdhdjdhhdjd. he drives me crazy.

Don't Look Back in Anger by Oasis — 'Please don't put your life in the hands of a rock 'n roll band / who'll throw it all away.' so. many. fatalities, tumblr. that's all.

Oh Distant You by Wilbur Soot — okay i've already written this specific part out but tumblr deleted it when i switched from the page that i had the next songs lyrics in so i'm just gonna take a photo of the lyrics that are SO ten post rose coded & hope you read them

am i the biggest tenrose fan? no :( not on their own, at least, however i will accept that he loved & adored her. he loved her So Much. she was the first face that face saw !!!! & there are other companions that this song could work with but in my head. it's a them song. (this would probably be like. at the end of the end of time part two. him thinking about this.)

The Ballad of Lucy Gray from The Ballad of Songbirds and Snakes — i've never seen the ballad of songbirds and snakes (or consumed any hungergames media) however i do think that this song is clara coded <3 i can't really explain it but. amelia pond i love you dearly. i think that specifically 'it's sooner than later that I'm six feet under / it's sooner than later that you'll be alone / so who will you turn to tomorrow, I wonder? / for when the bell rings, lover, you're on your own'. her talking about how twelve needs to be on his own in face the raven. & how she needs him 2 understand that he cannot keep her from dying & that it's her time (he's already lost her at least twice, and that's just when we see her in the show). ''cause I am the one who looks out when you're leaping / I am the one who knows how you were brave / and I am the one who heard what you said sleeping / i'll take that and more when I go to my grave' i think this is more twelve or ashildr about her. & how she said 'let me be brave' before she died, and how she slowly became more daring after spending time with the doctor because that's just what he does (not gonna quote rory again but. yk) & how the original clara oswald (not oswin oswald or clara oswin oswald)s first appearance in the show was her standing over her own grave !!! 'Well, all right, I'm bad, but then, you're no prize either / Al right, I'm bad, but then, that's nothing new / You say you won't love me, I won't love you neither / Just let me remind you what I am to you.' clara, you are exactly what he deserves. & vice versa. they are both so awful & it is so insane. the doctorification of clara is so much worse than the other companions.

No One Lives Forever by Oingo Boingo — i . cannot explain this one. it is PURE vibes.

All My Little Words by The Magnetic Fields — last song (as of rn! there may have been more added by the time you're reading this) & surprise surprise. it's a doctorjack song. 'I could make you fly away / but i could never make you stay.' imagine you're jack harkness & the man you loved (& the only other immortal you know) is REPULSED by you. he keeps running away. 'You said you were in love with me / both of us know that that's impossible' i think this is from the doctors pov. it just seems like something he'd think. 'Now that you've made me want to die / you tell me that you're unboyfriendable' the tenth doctor after flirting by asking jack if he wants 2 die & then holding the man that tortured jack in his arms as he died in a similar fashion to jacks first death (being shot in some way). his ass Is Unboyfriendable

[lecsainz]

race strategy — charles leclerc + single mom

I don't know how it works sorry

✩ I'm not sure if this is what you wanted sweetheart, buuut I hope you like it! 💗

single mom — you make me smile. every. single. day.

✶ purpose by justin bieber I put my heart into your hands learn the lessons you teach no matter what, wherever I am you're not hard to reach and you've given me the best gift that I've ever known

⟡ bad reputation by shawn mendes she got a bad reputation nobody gets too close a sight of a soul when it's breaking making my heart grow cold and into the deeper she's sinking I'm begging her please don't let go

✶ long live by taylor swift if you have children someday when they point to the pictures please tell them my name

⟡ maria by justin bieber maria, why you wanna do me like that? that ain't my baby, that ain't my girl maria, why you wanna play me like that? she ain't my baby, she ain't my girl

✶ nothing new by taylor swift ft. phoebe bridgers and will you still want me when I'm nothing new? how long will it be cute all this crying in my room when you can't blame it on my youth and roll your eyes with affection? and my cheeks are growing tired from turning red and faking smiles

⟡ matilda by harry styles you don't have to be sorry for leaving and growing up, matilda, you talk of the pain like it's all alright but I know that you feel like a piece of you's dead inside you showed me a power that is strong enough to bring sun to the darkest days // you can start a family who will always show you love

★ and I included maria cause it's one of my favorite songs OF ALL TIME and now it's going viral on tiktok which makes me a little 🤏 jealous of her 😭

[forzadiavoloale]

Will you take a moment?

Promise me this

That you'll stand by me forever

But if, God forbid, fate should step in

And force us into a goodbye

If you have children someday

When they point to the pictures

Please tell them my name

Tell them how the crowds went wild

Tell them how I hope they shine

olivier giroud x long live✨️🖤❤️

[strangeweirdgirl]

Today i will share that Luke Castellan is indeed a Swiftie. NO BUT IMAGINE. He hears his first Taylor Swift song on the run with Thalia. AND ITS LONG LIVE.

"Cause for a moment, a band of thieves

In ripped up jeans got to rule the world"

That scream Thalia and Luke!!!

"I had the time of my life fighting dragons with you

I was screaming, 'Long live that look on your face'

And bring on all the pretenders

One day we will be remembered "

LIKE!!???!

From what i remember, didnt they meet in a dragon cave( i can completely be wrong but then dragons can be monster as well)

They are an amazing team fighting together and i just know they look at eachother while battles and it gives them hope and strength.

And that "one day we will be remembered" is Luke and Thalia hoping to change things for others and he would be remembered for that.

"Hold on to spinning around

Confetti falls to the ground

May these memories break our fall"

This reminds him of running around with Thalia, fighting monster, monster dust(confetti) falling around them.

That last line is for future Luke. When he bathes in the river Styx and those memories save him. And when the very last moment when he's dying annabeth and Thalia memories save him.

"Will you take a moment?

Promise me this

That you'll stand by me forever"

This is all the promises Luke makes but also Young Luke hearing this and keeping out hope that he'll have his friend by him and the next few lines :'(.

"But if, God forbid, fate should step in

And force us into a goodbye

If you have children someday

When they point to the pictures

Please tell them my name"

He makes Thalia listens and make a similar promise to remember eachother and tell other about eachother. Thalia of course gets angry and tell him to stop thinking like that but he still makes her promise and he makes a promise too. And in a way this promise he did keep:'').

"Long live the walls we crashed through

I had the time of my life with you"

He loves the whole song the first time he hears it. But this line hits the most for him. It even played through his mind as Thalia turns into a tree.

"Long, long live the walls we crashed through

How the kingdom lights shined just for me and you

And I was screaming, "Long live all the magic we made"

And bring on all the pretenders, I'm not afraid

Singing long live all the mountains we moved

I had the time of my life fighting dragons with you

And long, long live the look on your face

And bring on all the pretenders

One day, we will be remembered"

Overall the song gives him hope. It gives him hope that he and Thalia will make it. It gives him hope they will have a future. It gives him hope that even if something happens to him, he will be remembered.....

[taylor-swift-bracket]

🎇Please reblog!🎇

Notable Bridges

(Under the cut)

Fearless (Taylor’s Version)

You Belong With Me

Oh, I remember you driving to my house

In the middle of the night

I'm the one who makes you laugh

When you know you're 'bout to cry

And I know your favorite songs

And you tell me 'bout your dreams

Think I know where you belong

Think I know it's with me

Love Story

But I got tired of waiting

Wondering if you were ever coming around

My faith in you was fading

When I met you on the outskirts of town and I

Fearless

Well, you stood there with me in the doorway

My hands shake, I'm not usually this way but

You pull me in and I'm a little more brave

It's the first kiss, it's flawless, really something

It's fearless

Oh, yeah

Fifteen

When all you wanted was to be wanted

Wish you could go back and tell yourself what you know now

Back then, I swore I was gonna marry him someday

But I realized some bigger dreams of mine

And Abigail gave everything she had

To a boy who changed his mind

And we both cried

Mr. Perfectly Fine

So dignified in your well-pressed suit

So strategized, all the eyes on you

Sashay your way to your seat

It's the best seat in the best room

Oh, he's so smug, Mr. "Always wins"

So far above me in every sense

So far above feelin' anything

And it's really such a shame

It's such a shame

'Cause I was Miss "Here to stay"

Now I'm Miss "Gonna be alright someday"

And someday, maybe you'll miss me

But by then, you'll be Mr. "Too late"

Speak Now (Taylor’s Version)

Dear John

You are an expert at sorry and keeping lines blurry

Never impressed by me acing your tests

All the girls that you've run dry have tired lifeless eyes

'Cause you burned them out

But I took your matches before fire could catch me

So don't look now

I'm shining like fireworks over your sad empty town

Oh, oh

Enchanted

This is me praying that

This was the very first page

Not where the storyline ends

My thoughts will echo your name

Until I see you again

These are the words I held back

As I was leaving too soon

I was enchanted to meet you

Please, don't be in love with someone else

Please, don't have somebody waiting on you

Please, don't be in love with someone else (Ooh)

Please, don't have somebody waiting on you (Ooh, oh)

Back to December

I miss your tanned skin, your sweet smile

So good to me, so right

And how you held me in your arms that September night

The first time you ever saw me cry

Maybe this is wishful thinkin'

Probably mindless dreaming

But if we loved again, I swear I'd love you right

I'd go back in time and change it, but I can't

So, if the chain is on your door, I understand

Long Live

Hold on to spinning around

Confetti falls to the ground

May these memories break our fall

Will you take a moment? Promise me this

That you'll stand by me forever

But if, God forbid, fate should step in

And force us into a goodbye

If you have children some day

When they point to the pictures

Please, tell 'em my name

Tell 'em how the crowds went wild

Tell 'em how I hope they shine

Long live the walls we crashed through

I had the time of my life with you

Mine

And I remember that fight, 2:30AM

As everything was slipping right out of our hands

I ran out crying and you followed me out into the street

Braced myself for the goodbye

'Cause that's all I've ever known

Then you took me by surprise

You said, "I'll never leave you alone"