#'dont you have work to do' dont YOU?

[gorillaxyz]

why does he look so sad and hungry and pathetic

[cosmicpines]

I think a lot of people haven't actually read Flatland so you may not realize A. What Bill's eye mutation means and B. What precisely Bill did to destroy his homeworld.

Bill's home isn't completely the same as Edwin Abbott's Flatland: A Romance of Many Dimensions (notably, women and men can be both polygons #feminism) but we can assume most of the mechanics are the same. The basic premise is that the world is 2D. Everyone perceives the world in a 1D way, along the plane. There's a part of Journal 3 that describes this pretty well.

Bill can see up to the stars because his eye is on the flat surface instead of on the side like everyone else, like this:

(He's also slightly 3D, as we can see in the show.)

But there's one more important Flatland detail. The denizens of Flatland (and therefore likely Euclydia) do still have organs "inside" their bodies. Since there is no depth, they're just on the inner radius of their bodies. The 2007 Ehlinger movie adaptation shows that:

If Bill wanted to "give his world a new perspective" and "show everyone what they were missing," he wanted to get everyone to look upward.

Meaning he probably tilted the entire world.

Meaning everyone not only slid off of the plane, but all of their organs spilled out and everyone died.

...Hence "so much blood."

(The only issue with this is that it doesn't account for the number of times Euclydia is referred to have been burned ("saw his own dimension burn / misses home and can't return", he only has ashes leftover), but I'm sure the act of turning an entire dimension upwards expends a lot of energy.)

[basalting]

literally sick with grief that Bruce never got to have a baby

bruce never got to stumble, bleary-eyed in the predawn light to a crib already gently shushing and hold a small, warm body to his chest.

never got to sing a silly song about tying your shoes or help sound out words on a page.

all of bruces babys came to him half grown already, small enough to hide in his shadows but big enough to already dream about stepping out of them

[mortuarybees]

same people crying about ups drivers winning $42/hour are the same people who dismiss unions and say they just take your money and don't do anything for you. Bet you'd like $42/hour!!!!!!!

[faerieomenart]

An old sketch of Damian Wayne and Jason Todd ofc ofc. Damian has always been one of my favorite dc characters (next to Bart!! ik. drastic difference), but I never draw him (or Bart but I'll fix that dw).

I always like it when these two get along. They are like opposite sides of the same coin to me.

Drawn Nov 5, 2020 (prob the oldest art piece that I'll repost lol).

This was in my queue but I'm posting it early bc why not?

[bacchuschucklefuck]

they licensed his ass

my finished piece of the FWMS (official name definitely 100%) thing we started a few days ago! I had fun I hope folks had and/or continue to have fun with the sketch as well.

[ibahibut]

💀: Fewer wounds, more kisses from me.

🐦‍⬛: Contract's accepted, mi amor.

Music inspiration: A Little Death by The Neighbourhood

[gophergal]

Guilt tripping people does nothing but cause vulnerable folks to spiral and make folks who dont live with moral OCD feel negatively toward your cause

[albaharu]

bg3 the princess bride au ⚔️ no idea who vizzini would be

[deep-space-lines]

okay but like. I just had the weirdest thought about that ‘don’t look I’m naked’ comic. Which is that that’s essentially the same thing Adam and Eve did after they ate the fruit of knowledge of good&evil. So I feel like the theological implications of that could kneecap Gabe if he doesn’t think V1 is a being with free will.

yeah ok. i dunno man. is this anything

((side note. this isn’t necessarily meant to be in-character or story-accurate or take place at any particular point in time, just a way to explore some Thoughts. i was also imagining more that V1’s words aren't actually spoken, more like Gabriel’s more articulate interpretation of whatever garbled mechanical noise V1 is using to communicate. I think an angel could do that.))

and then they fucked nasty the end

[mushroom-through-the-stargate]

romantic partner? no, i want a lab partner. i want to run experiments and solve the secrets of the universe together. maybe we're wearing lab coats. maybe the cafeteria has bagels.

[pcktknife]

baby frye jumpscare

[androdragynous]

I think a lot of people's advice for selling commissions as a fledgling artist really skims over the fact that selling commissions is like. 90% customer service.

as a small sampler of examples, to sell commissions you have to:

be approachable and professional when advertising and selling your work;

have a clear and understandable terms of service that is either provided or easy to find;

set personal boundaries for what you will and won't draw, AND be able to enforce them, AND be able to do this without explaining every possible reason you have for not doing something (you can Just Say No.);

communicate clearly and often frequently to know what your clients want and ensure you're following their expectations;

be comfortable asking questions about those expectations, and know how to ask for clarification if something is described in a confusing way;

take accountability for mistakes, miscommunications, or delays;

be able to refuse to work for people who are exploiting you without feeling guilty;

manage payment information and receipts in a timely and organized manner (PLEASE use invoices rather than direct transfers)

like everything about selling art is its own post of advice really (I could go on for ages about advertising, and that's not even something I do a lot of) but a lot of people just. overlook the fact that as the artist you are providing a service and you do need the basic skills to provide that service or you're going to run into issues.

[aibafiles]

metaphor prologue

[obsob]

the accolade ( the...the cat-olade...)

[drurrito]

Night Drive (18+)

Summary: You get a new car

AN: 18+ only y'all--we're gonna pretend that there are plenty of other self-driving cars that aren't t*sla...I hope this makes up for me not putting out another part of AYTO yet! All mistakes are mine.

Pairings: Natasha Romanoff x Reader

Warnings: cursing; reader has a dick; dom//powerbottom!Natasha; sub//top!reader

----------------

You sink lower into your seat as you rev the engine of your new car with the widest grin Natasha can't see. Natasha looks hardly impressed from your view beyond the barely-legal tint of the windows.

You decide to roll down your window and plead your case.

"Hey baby."

Natasha rolls her eyes. You already screw yourself coming right out the gate with pleasantries, Natasha knows you're desperate to get on her good side when you do that.

"So...what do you think?" You vaguely gesture to the rest of the car and Natasha scoffs.

"I think you were a finance bro in your past life," she crosses her arms, and you relent, "probably," you sing as you round the car to lean against the hood. The gun metal gray still holds a shine in the moonlight. This wasn't an impulse purchase, you had been talking about buying a new car for a while now. You would go on little rants about the specs of certain cars whenever you saw them on the road or on TV. It's not like you were waiting when you had the money, being an avenger was a pretty-paying gig. You were just waiting for the right one, at the right time--a method you mastered by the time Natasha came around.

"Wanna go for a joyride?" You offer, already leaning off the hood and spinning the key in your hand.

Natasha wants to keep giving you a hard time, but you look so damn good in front of your sleek, expensive, new backdrop. Your muscles bulge under your fitted black shirt, and you have the cockiest smile on your face, like you knew you were winning this race.

"And if we get pulled over?"

"With SHIELD plates? I'm not worried about it," it almost comes out like it's scripted. You're not above rehearsing a speech for Natasha if it means getting your way. You're pulling out all the stops, but Natasha wants to remind you who's really behind the wheel. Her eyes rake over you slowly, intensely--the same way fresh lava travels over earth. You're standing at attention and you don't even know it.

"You gonna open the door for me or just stand there like you forgot your manners?" Natasha watches in amusement as you fumble for the door handle. She slides onto the cool leather while you make your way into the driver's seat yet again. You wait patiently for her to get comfortable and buckle in.

It's only when you rev the engine with a wink that Natasha muses this might have been a bad idea on her part. You punch the gas pedal and she's quickly acquainted with the back of the cherry red bucket seat.

----------------

Natasha decides that she doesn't like going fast unless the fate of the world depends on it. She also decides this is the one exception when she sees the freeway system of veins in your forearms as you grip the steering wheel. Natasha feels like she's flying when she watches your triceps flex while you turn the wheel or do something as mundane as turning on her seat heater.

Natasha slides her seatbelt off in a way that doesn't set off the sensor--she didn't want this moment to be ruined by a lecture on why it's important to buckle-up. You're too distracted by the beat of your night drive playlist to notice her crawling closer to you.

You feel her lips on the shell of your ear, "eyes on the road, got it?"

"Yes ma'am," you try to say cooly, you don't dare chance a look over at her. She hums with satisfaction and rewards you with a kiss on the skin behind your ear and a nibble on your lobe that tightens the coil in your belly.

Natasha sucks and licks at your neck while her deft fingers work to undo your belt and zipper. Her hand explores the border of your waistband before dipping under and finding what it was looking for. You let out a whisper of a gasp when Natasha admires your full length and girth. Your grip on the wheel tightens, Natasha chuckles when she hears the leather under your fingers groan.

Natasha begins to stroke you slowly, agonizingly so, but that doesn't keep your hips from bucking up into her hand.

"Tash," that only elicits a rumble against your neck. Natasha's other hand curls around your neck and gives a light squeeze that makes your vision blur for a second. Her stroking picks up speed, you have to work impossibly hard to keep your foot off the brakes.

"Natasha, please."

"I like the way you say please, baby," she mumbles with your skin between her teeth.

"What did I tell you?"

"Eyes on the road, ma'am," you say with a quickness that makes the corner of her lips curl up in satisfaction.

"So smart," she praises before you helplessly watch her head lower until you feel her lips greet your cock with a sloppy kiss. You throw your head back against your seat with a pathetic moan.

"So desperate," Natasha teases, and your mind feels like it's going a million miles an hour--multitasking is usually your strong suit, but it seems damn near impossible now.

Natasha's tongue travels the length of you, your hips feebly buck into her mouth when she finally grants you entrance. You slow your speed to safely take a hand off the wheel and hold her hair back. She thanks you with a gentle squeeze on your thigh and the prettiest sounds you could have only ever imagined.

Your playlist is already repeating itself by the time Natasha comes up for air. She can barely hear it over your panting anyway. You're rock hard and right where she wants you.

"The car can drive itself, you know," you breathe out. Natasha's brow quirks with curiosity.

"Show me," it's a gentle command, but your fingers rush to press the right sequence of buttons. You ease the seat back with haste, and Natasha just lets you sit there for a few beats to take you in and also leave you in suspense.

Your fingers dumbly flex against your legs while you wait for further instruction from Natasha. She doesn't even try to hide her smirk when your eyes begin to dart between the road and her.

"You're not gonna let us crash right, dove?" Natasha's finger traces a feather-light trail down your arm. It's a genuine question, even though she knows you probably did some sizable research on the safety features of the car before you even entertained buying it.

"No ma'am, you're precious cargo," you give an easy smile and that's Natasha's cue to move and straddle your lap. You help her with your hands on her hips, your hands quickly retreating to your sides when she's situated over you.

Natasha swears your eyes are sparkling as you watch her slide her panties to the side with one hand and take your length in the other.

"Eyes on me, baby, just for a second," she coos and you obey. Natasha can't help but admire the striations of your muscles working overtime to restrain yourself. You've always been intoxicatingly obedient, even when it's downright painful. Your eyes are locked on Natasha's, you have to bite your lip to stifle a moan when she finally eases down onto your cock. She's already working her hips in a way that has your entire body buzzing. You can count on one hand how many cars have passed you by this whole time, just like you expected.

Your fingers dig into the leather of your seat, your eyes periodically glancing at the road to make sure it hasn't veered off course for whatever reason. Natasha steals a few sloppy kisses when she leans into you to get a better angle and bounce on your cock at a speed that should be illegal.

"Tash, I'm gonna-," you choke out between labored breaths.

"What was that baby?" she leans back and oh god, you wish you had the kind of self-control your car has right now. You feel like you're going to pass out watching Natasha ride your cock, you're too blissed out to realize that she's spelling out 'm-i-n-e-' with her hips.

"I'm gonna come so fast."

"I know baby."

That seals your fate. Your arm reaches back to brace yourself against the seat. With a long and drawn-out "fuck," Natasha feels you push deeper into her, filling her up with every last drop of you. You both fall into a sweaty, moaning heap against the seat. Your body trembling with aftershocks as Natasha scratches at the skin on the back of your neck. You only get to drink this feeling in for a few seconds until you see red and blue flashing lights in your rearview mirror.

"Shit," you sit up and Natasha freezes when she sees what you see. You feverishly check your speedometer, you're not speeding. You start rifling through your brain to see if you forgot to do something, insurance? Plates? Registration?

Your questions are answered when you watch the cop car speed off into the night. Natasha lets out a heavy sigh of relief that makes your dick twitch, reminding you both that you're still inside of her.

"Told you," you try not to sound so exasperated. Natasha just rolls her eyes before kissing your temple. Night drives might just become a regular thing now.