#'SOME things should NEVER be talked about or if you HAVE to they can ONLY be done THIS specific way or else you should KILL YOURSELF'
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frudoo · 2 days ago
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I’ve only had your baker! simon for one day and I already know that I would cause mass destruction if something happened to him 😁 no but seriously such a cute and fun read I loved it thank you so much for sharing!
He is my BABY and I am obsessed <3
Part 2 of this!
Warnings: Simon is healing 🤍 Fem!Reader.
Simon’s heart skips a beat. It’s a scam, it’s got to be. No way such a pretty woman would dare talk to him, business move or not. Although, the more he looks through your profile and sees the amount of posts you’re tagged in, it’s easy to conclude that you are, in fact, real. Regardless, he’s still wary as he finally begins typing out a response.
— No charge? Sounds too good to be true. What’s the catch?
Maybe a little harsh, but hey—can never be too careful nowadays. If there’s one thing the military instilled in him, it’s to trust nobody. Simon flops down onto his couch, fingers anxiously tapping along his knee as he watches you type, the ellipses disappearing and reappearing again. He wonders if you’re just as nervous as he is, but if that were the case, surely you wouldn’t have contacted him first.
— No catch, I promise! No offense, it’s just that your pictures are a little grainy and I don’t believe they act as a great showcase for your talent. Really, I just want to show you how pretty your treats can look on camera!
Simon sucks his teeth stubbornly. He knows his pictures aren’t the best, but fucking hell, must everybody point it out? He’s about to type a scathing response and block you, but another message pops up beneath your previous one.
— Please, just a chance. We’re in the same area, so I can just come to you, wherever you want me.
A heavy sigh escapes the big man. His therapist has been telling him he’s too uptight, suggesting that he should balance out his peace by stepping out of his comfort zone once in a while. Besides, when’s the last time a sweet girl has given him the light of day? He’d be a fool to pass up this opportunity. Simon pinches the crooked bridge of his nose, trying to talk some sense into himself. It’s not like it’s a date, simply just two businesses helping each other out. If it doesn’t work, he never has to see you again.
Yeah, that sounds good. If everything goes up in flames, he can simply block you and move on with his life, continuing to post shitty pictures of his desserts. His thumbs twitch before tapping the screen once again.
— You’ve beat it out of me. When are you available?
Your response comes faster than he can blink.
— Saturday?
Two days. That gives him plenty of time to prepare (and maybe get Price to order an extensive background check on you). Simon can do that, no problem.
— I can be ready for you by about half 11.
Ready for you? Fucks’ sake, what is this? She’s not a bloody prostitute.
— That sounds good! Just send me your address day of. I’m looking forward to it!! :)
Simon smiles. Simon smiles, and he doesn’t even realize it. If he did, he would fix it immediately—but he doesn’t. Instead there’s a pep in his step when he stands from the couch, grabbing his journal and scribbling down his thoughts and ideas for what he’ll make on Saturday. His therapist will be proud.
Simon allows himself to be proud as well.
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oediex · 2 days ago
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You know what, yeah, that bell hooks quotation wasn't appropriate, it doesn't say what the person who added it think it says.
But I don't think it's fair to say that that man who everyone is pissing on somehow claimed we had to "hold his hand" or "coddle" him or whatever. Or even that women had to do it.
He never once even mentioned the word 'woman' in that post. I'm not excluding that that what he was implying - it's very possible! - but what he said was "the left", and let's be clear, this is his understanding of what the left is. I saw people saying that a "self-proclaimed leftist" should understand that his answer was still drenched in patriarchal thinking. But he never once proclaimed he was a leftist. Perhaps he thinks he is, but all he said was that he got "out" of the "alt-right". For all we know, that means he voted for the Democratic Party and we, who are on the left, all know that's not the fucking left.
The question that was posed was how do we keep young men from turning right wing, and he offered an explanation. An explanation! Not an excuse! Again something that a lot of people just assumed.
And yes, it was a flawed explanation, and yes he has some things to learn, and yes it was uncritical and terribly phrased.
But can we recognise that not everyone has the necessary critical thinking skills to completely dig their way out of the overarching ideology that fucking rules our lives? Critical thinking skills aren't something that we are born with. It's something that is learned, something that you have to train. It's a never-ending project. And from what I know of the educational system in the US? That's not where you get it.
Speaking of bell hooks, at least she understands this. In that book (The Will to Change) she writes that "most men never think about patriarchy - what it means, how it is created and sustained." She writes how the patriarchy sees men's violence and the one emotion they're allowed to have, anger, as "natural". Understanding the patriarchy is something that has to be learned, and you either figure it out yourself by reading, but most of us probably had someone in our lives who talked to us about it, taught us about it, and then we might have started reading more about it.
What if you don't have someone like that? What if all you hear is that the things feminists tell you is bad is what was imprinted on you as "natural" to you?
Here's bell hooks:
Yet no one talks about the role patriarchal notions of manhood play in teaching boys that it is their nature to kill, then teaching them that they can do nothing to change this nature—nothing, that is, that will leave their masculinity intact.
Here's what she says of her own brother:
As patriarchal thinking and action claimed him in adolescence, he learned to mask his loving feelings. He entered that space of alienation and antisocial behavior deemed “natural��� for adolescent boys.
She clearly pinpoints the moment of these patriarchal ideas taking hold to be in adolescent, and the question that was posed was, what can we do to stop that from happening? I've seen people say that nothing can be done until we change the material conditions that make it so that men systematically have power over women. And yeah, undoubtedly that is a fight we need to have. But is that truly the only way we can keep (some) boys from falling into the grasp of the (alt-)right? Is there no hope in at least reaching them in the meantime?
I've seen a post saying, "omg of course he goes for misandry" and while misandry isn't real in that men are not systematically oppressed, that doesn't mean that there aren't some out there who express hatred or disgust of men. That's not what the left stands for, obviously, but it is not absent. Here are some comments from the notes on some of these reaction posts (and presumably these are all people who consider themselves leftists):
"you should be hunted for sport"
"makes me want to commit homocide"
"kys right now"
"'leftists constantly said i should die' yeah fucking right"
"we need to double male loneliness and I'm not even kidding"
"I HATE MEN AND THERE IS NOTHING WRONG WITH THAT. THEY HATE US MORE AND THEY HAVE ALL THE POWER TO DO ACTUAL HARM TO US. Misandry is NOT FUCKING REAL but I wish it was"
"we should kill people who don't get it"
Is that hatred of men (non-systematically)? Not all of it, but some of it definitely or possibly qualifies. And it sure does look like some people (who probably think themselves leftists) think this man (or men in general) are the "scum of the earth" and that they want him/them dead. How else do you interpret some of these phrases?
Now imagine that this is something that you encounter online, and with the help of the stranglehold of the patriarchy, whispers of right wing ideology, confirmation bias, and negativity bias? I can imagine you might end up concluding they "hate you for your immutable traits" (remember patriarchy teaches boys that violence and anger is natural to them) and that they "blame you for everything that's wrong in the world".
Is that the right conclusion? No. But as much as being able to use reason is part of being human, so is not being immune to ideology and propaganda. We wouldn't fucking be where we are right now if that wasn't the case.
How do we teach boys that anger and violence aren't "immutable traits"? How do we educate them about the power of the patriarchy? Well, where does it have to come from if not from the fucking left?
Does it have to be you? No. Does it have to be women? Also no. It's probably good if it's men, and especially men who themselves walked with the right at some point (if someone has already been pulled into the right, rather than catching them before).
It can be a woman though, if there's someone who wants to do it. I don't mind doing it if someone wants to talk about it. Will I be nice? No, I won't hold back and I will tell them if what they're saying is wrong. Will I coddle them? Fuck no. Will I keep trying if someone clearly isn't listening? No. Will I be compassionate? Yeah, I think I will.
Because compassion is really important when you're trying to keep people from falling into the far-right, or even if you're trying to get them out of it (which again, isn't what we were talking about in the first place).
Here's Pete Simi, professor of Sociology, talking about Life After Hate, an American non-profit that tries to help people leave the far-right:
The organization was started by former hate group members who have been doing a lot of outreach in terms of providing testimonials and trainings to schools and law enforcement and other community groups across the country. The focus of their message is the importance of using compassion to inform prevention and intervention efforts and aftercare for individuals who want to change their lives but may need various types of support. I think LAH is a very promising development and I hope it will continue to find the resources that it needs to expand the services it provides.
Being compassionate doesn't mean coddling. It doesn't mean holding their hands and it doesn't even mean being nice to them. It doesn't exclude holding people accountable for their views. It does require patience, though. And I understand that if someone is holding the belief that you are not allowed to exist, that isn't something you can do. And that's fine. It doesn't have to be you.
But somebody has to do it, and it has to be someone on the left.
Now none of that means that the suffering of men under patriarchy, and the fact that this has to be addressed loud and clear, are more important than the suffering that women, and especially women whose oppression intersects with other levels of oppression. I've seen some tags on reaction posts that stated "omg of course centring men in discussions of gender" - but the post was about men. That was the whole starting point!
Because men do suffer under the patriarchy. And it's pushing them to the right, towards misogyny and racism, unless they develop the necessary critical thinking skills to understand their own suffering. And you know who thinks so too? bell hooks.
Often men, to speak the pain, first turn to the women in their lives and are refused a hearing. In many ways women have bought into the patriarchal masculine mystique. Asked to witness a male expressing feelings, to listen to those feelings and respond, they may simply turn away.
Since men have yet to organize a feminist men’s movement that would proclaim the rights of men to emotional awareness and expression, we will not know how many men have indeed tried to express feelings, only to have the women in their lives tune out or be turned off.
It is a form of abuse that this culture continues to deny. Boys socialized to become patriarchs are being abused. As victims of child abuse via socialization in the direction of the patriarchal ideal, boys learn that they are unlovable.
The patriarchal model that tells men that they must be in control at all times is at odds with cultivating the capacity to be responsible, which requires knowing when to control and when to surrender and let go. Responsible men are capable of self-criticism. If more men were doing the work of self-critique, then they would not be wounded, hurt, or chagrined when critiqued by others, especially women with whom they are intimate. Engaging in self-critique empowers responsible males to admit mistakes. When they have wronged others, they are willing to acknowledge wrongdoing and make amends. When others have wronged them, they are able to forgive. The ability to be forgiving is part of letting go of perfectionism and accepting vulnerability. At the same time, constructive criticism works only when it is linked to a process of affirmation. Giving affirmation is an act of emotional care. Wounded men are not often able to say anything positive. They are the grump-and-groan guys; cloaked in cynicism, they stand at an emotional distance from themselves and others. Affirmation brings us closer together. It is the highest realization of compassion and empathy with others. One of the negative aspects of antimale feminist critiques of masculinity was the absence of any affirmation of that which is positive and potentially positive in male being. When individuals, including myself, wrote about the necessity of affirming men and identifying them as comrades in struggle, we were often labeled male-identified. The women who attacked us did not understand that it was possible to critique patriarchy without hating men. Indeed, recognizing all the ways that males have been victimized by patriarchy (even though they received rewards) was a way of including men in feminist movement, welcoming their presence and honoring their contribution.
“in order to create loving males we need to love males” means teach boys that they can be themselves without being less of a man. it means being encouraging and nurturing of their emotions so they don’t become cold and hateful. it means showing boys, early in their lives, that they have value outside of what our society deems proper masculinity. what it doesn’t mean is that it’s our job to handhold men who see women as walking sex toys through the concept of empathy, and maybe if we’re really really nice to them and don’t say things that hurt their feelings they’ll stop killing us for saying no
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felassan · 3 days ago
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Lucanis and Crows snippets, under a cut due to spoilers.
How would Viago and Teia react to a Crow Rook being romantically involved with Lucanis? "Teia is going to plan the wedding, and insist that Viago give Rook away at the ceremony. Viago will sigh dramatically, lecture Rook about it, and then spend a week picking out the right gloves to wear." [source]
If Illario wasn't locked away, how would he react? "Under any circumstances, Illario would be upset since it's a whole lot of attention that's STILL not on him. He would definitely get drunk at the reception and tell the same two most embarrassing stories about Lucanis over and over until Viago knocked him out and put him upstairs." [source]
With Rook romancing Lucanis, is it possible that Spite could become affection or benevolence? "Spite's basic aspect is defiance. He can be more or less difficult depending on influence (rebellion vs. vindictiveness, etc), but at his core he's always going to be a spirit of "NOPE"" [source]
Lucanis' mother was the heir apparent to House Dellamorte [source]
Does Spite have any kind of feeling about Rook? "Spite is fond of Rook in his own Spite-like way. He and Lucanis agree on the point of trusting Rook over and above other people or themselves. He does go to Rook for help with Lucanis, after all." [source]
For the Lion King reference in Murder of Crows, Mary Kirby went to the cinematic animators and described it as Illario's "Scar at Pride Rock" scene [source]
User: "I cut Lucanis' hair and shaved his beard and I almost feel like I should apologise to him" / Mary Kirby: "Now he can't tell himself from Illario, and you've given them both a complex." [source]
Teia and Viago were half-written by Mary Kirby and half-written by Luke Kristjanson [source]
Lucanis likes his coffee black [source]
Would he judge your coffee order? "As long as it's not boiled, or instant coffee, or whatever that stuff from a can is, he's fine with it. Or at least, he will only judge you silently for it." [source]
What kind of treats does Lucanis like? "Sweet, because it goes better with his coffee. Savory, if somehow he is NOT drinking coffee at that moment." [source]
Lucanis grew his beard and long hair while in the Ossuary. "He hasn't exactly had a haircut in a while." [source, two].
Would Lucanis make Powerpoint presentations about jobs or to talk? "No, he doesn't want to talk to anyone, let alone explain things and present them. That's 300% an Illario thing. That man has a powerpoint to introduce his powerpoint about why you should listen to his powerpoint." [source]
"Lucanis would never be on social media. He'd be on YouTube watching videos of people restoring rusty cutlery with no dialogue until four in the morning." [source] Could he tell when content is manufactured? "Yes. And he gets upset and finds Bellara or Neve (whichever is unluckier) to rant about it." [source]
Lucanis' favorite stove burner? Right front [source]
"Spite doesn't have any concept of physical appearances. It looks the way Lucanis sees himself. Lucanis is never relaxed, even in casual wear." [source]
Along with Lucanis Mary Kirby also wrote Spite [source]
Mary Kirby wrote Illario, Luke Kristjanson wrote the Crow faction quests [source]
Lucanis' perfect date night? "I'm gonna be honest: There is a non-zero chance it would involve assassinating somebody and getting coffee, and I'm not entirely certain which would come first." [source]
Lucanis "has so much [trauma] to sort through, and he could really use some help. Like, a Marie Kondo level of help with that." [source]
What sparks joy for Lucanis? "Coffee, paella, wyverns, knives, REDACTED, book club, REDACTED, revenge..." [source]
Lucanis is older than Illario by a few months [source]
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carolperkinsexgirlfriend · 3 days ago
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can you see the stars in your dreams (and do they have a lot to say about me) - Part 6
Or: a secret Admirer AU
PART 1 || PART 2 || PART 3 || PART 4 || PART 5
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In the next letter, Eddie makes no comment about their differing opinions. Chrissy knew he wouldn’t. She doesn’t know Eddie, not really, but he’s never seemed like the kind of guy who’d stop talking to someone over such shallow, small differences, no matter how he comes off in his little cafeteria rants.
       Secret Admirer,
       You’re enough, just the way you are, brown eyes and all. I bet they’re real pretty. I could look into them for hours, mesmerized by every color differentiation, spend days counting every one of your eye lashes.
       Just say the word—I’ll pick you up in my van and we can go to the drive-in and hold hands the whole time. I’ll wear my silver jewelry, and you can wear gold. I bet your hands would look real pretty wrapped up in mine.
       I’ll be a gentleman, sweetheart, I swear.
       Only the best for you.
       Yours,
       Eddie
       P.S. Romantic meeting spot. I can’t wait to put this note right next to your heart. Next time maybe I can put my letter in Moby Dick. After all, you’re my white whale, baby, I’m always looking for you.
She likes Eddie, really she does, but the way Steve blushes as he hands the letter to her is ridiculous. The guy’s not exactly smooth, or suave, or any of the things that should leave Steve all hot and bothered.
Still, she dutifully helps him write his reply:
       Eddie —
       Maybe someday, we’ll get to go to that movie. When we do, you don’t have to be a gentleman at all—I’m easy, if it’s for you, and it would be such a waste not to make use of all that space in your van.
       I don’t have any rings, but if I did, I think I’d want one of yours. That way, whenever I look down at them, I’d be reminded of you.
       How was your day? All I want to do is ask and hear your reply.
       Yours, always
       Your Secret Admirer
       P.S. I’ll search the seas for you.
“I know he’s your friend, but I just don’t get it,” Chrissy says to Jeff, walking close enough to his side that their shoulders brush. “The guy looks like a mangy poodle, and he’s not exactly Shakespeare.”
Jeff snorts. “Hey, he’s at least a cute mangy poodle,” he replies, bumping their shoulders purposefully this time.
“I guess if you’re into that sort of thing,” she mutters, and somehow, Steve is. It still shocks her, sometimes, when she thinks about it too much.
“The heart wants what it wants,” Jeff says, sounding wise, but when she glances at him, he’s grinning, eyebrows jumping up and down at her like this is all just some joke.
She scoffs, “I just wish what Steve wanted wasn’t leading toward a broken heart.”
Jeff’s expression drops at that, mouth pursing. He’s quiet all the way to Eddie’s locker. She slips Steve’s letter between the slats and keeps walking, only stopping when she realizes Jeff’s no longer beside her. When she turns around, he’s staring at Eddie’s closed locker like it holds the answers to the universe.
“I’m not so sure about that,” he says, finally turning back toward her and catching back up with quick strides.
Chrissy doesn’t respond, at a loss for what to say. She can’t see it, but for all the letters she’s helped write, her and Eddie aren’t friends. She doesn’t know him as well as Jeff, who’s been by his side for years, or even as well as Steve, who watches him every chance he can get.
“Yeah, maybe,” she replies, unwilling to let any hope build, not when it’s Steve’s heart on the line. “Want a ride home?”
“Yeah, thanks,” Jeff replies.
And when he slides into her passenger seat, she feels a little less alone.
The letters keep coming, and Steve keeps blushing and pushing them across the table at her.
       Secret Admirer,
       Oh, a flirty one, aren’t you? I like it. But maybe I’m shy, did you ever think about that? Maybe I want to walk you to your door, slide one of my rings on your finger, and give you a little kiss. You can pick the ring, baby—I’ll even resize it to fit you just right.
       My days are always brighter when I hear from you. I go to the quarry on Wednesday’s to peddle my wares, but all I want to do is go home and play my guitar (my sweetheart). I’m writing a new song and I really want to get it down by next week’s practice, but I’m stuck on a riff I just can’t get right.
       Do you play any instruments?
       Sincerely,
       Eddie
       P.S. You’re going to make me swoon, babygirl.
And Steve keeps responding using Chrissy’s pen and Chrissy’s brain, and his own bleeding heart.
       Eddie —
       My mom made me take piano lessons when I was little, but my dad refused to keep paying for them. I didn’t want to at first, but I really liked it. Maybe I’ll brush up my skills so I can play a song for you. Any requests?
       Does your band play anywhere? I remember you from the middle school talent show, are you still going by Corroded Coffin? I bet you look hot when you play—I want to see it, someday. Your rings would glint under show lights, hypnotizing the entire audience. Especially me.
       Did you figure out your riff? I’m waiting with bated breath.
       Sincerely,
       Your Secret Admirer
       P.S. leave this one in The Taming of the Shrew.
She wants to build a cage and lock him inside, or shake him and shake him until he sees what a risk he’s taking. Jeff might not see it, his priorities are different. But her first concern is Steve, always will be Steve, whose heart isn’t the only thing on the line. And she can feel it coming—the moment, inevitably, when this whole thing falls to pieces.
       Secret Admirer,
       Have you read this play? It’s not the romantic story you think it is. Since you’re already holding the book, why not check it out? I promise not to look at the checkout card to figure out who you are (I say, unrepentantly lying).
       My band actually just got our first gig at the Hideout. It’s next Tuesday, and you should come! I would love to see you in the audience, cheering me on. I’ve been trying to respect your boundaries, but darling, I want to see you. Will you come? Please?
       Thinking of you, always,
       Eddie
Chrissy doesn’t want to stand by and watch Steve Harrington break.
*** 
Part of Eddie wonders if he won’t get another letter—if she’ll just show up at the Hideout next Tuesday with a smile. Still, when he hasn’t received an answer for a couple days, he checks if anyone’s checked out The Taming of the Shrew, but no, it’s still there, nestled on its shelf in the library, Eddie’s damning letter no longer inside.
He’s starting to wonder if he made a terrible mistake.
It’s happenstance, the way he finds out. He could have just as easily not forgotten his campaign notes. He could have been prepared, and not left all his little sheep moaning and groaning about what amounts to a five minute delay, if he’s quick about it.
He could have, but he didn’t.
Instead, Eddie stands at the end of the hall, transfixed, as he watches Chrissy Cunningham’s distinctive high ponytail sway back and forth as she walks away. From his locker. Where he just saw her slip something in.
She’s well out of sight before Eddie walks up to the looming hunk of metal on shaky legs. It takes three tries to get it open, and there, for all and sundry to see, is an envelope with his name written in a familiar scrawl.
He doesn’t open it.
“What took so long?” Doug gripes as Eddie shuffles back into the room, clutching his notebook to his chest.
Eddie walks slowly to his throne without replying, eyes still unfocused and fixed on the swishing of Chrissy’s hair.
“Are you okay?” Jeff asks.
Eddie shakes the thoughts out of his head, leans back on his throne, and smiles. “Sometimes a quester is besieged on his travels and must defeat a mighty foe before he can return from whence he came.” He says it with all the gravitas of his dungeon master voice.
Doug laughs, Gareth rolls his eyes, but Jeff’s eyes are narrowed on his face for the next ten minutes until he gets sucked into the campaign. And Eddie? Eddie’s heart isn’t in it. No matter how determined he is to put it out of his mind, it keeps sticking to his neurons.
Because Chrissy? She’s nice, sure. And pretty, definitely. Her hair’s…nice? Bouncy? It’s probably soft. And yeah, she’s a jock, but she’s not like most of them—too kind to give a kid a swirly or call any of the other girls fat.
Which brings him to the King of the jocks, Steve Harrington, whose name is practically branded on Chrissy’s shoulders by this point, whose arm is pretty much super-glued around her waist. Steve, with his perfect hair, and long eyelashes, and those big brown eyes, and all those muscles.
Something too squirmy to be hatred sinks in his gut. Jealousy, maybe? Because how could someone like him compete with King Steve for a lady’s hand, love notes or no?
He’s distracted for the rest of the campaign, says half-hearted goodbyes to the boys before finally closing the van door on them and driving away.
When he opens the letter in the safety of his bedroom, it’s shorter than usual:
  Eddie —
  There’s nothing more I want than to see you up on that stage, rocking out, in your element, but I’m just not ready. I hope you’ll forgive me.
  Yours,
  Your Secret Admirer
  P.S. If you still want to respond, I’ll look in the big print edition of The Hobbit.
He goes over the words again and again, finger running along the lines of each character, trying to picture Chrissy pouring over them with her pen.  He loves all the words in all the letters, wants to carve them all on his skin, helplessly charmed by each vulnerability shared.
He can’t quite make the words fit the girl.
Eddie still drops his next reply in the big print edition of The Hobbit the next morning. He watches Chrissy all day. He’s surprised, somehow, when she meets his eyes once across the insurmountable distances between them in the lunchroom. She ducks her head immediately and blushes, even with Harrington’s arm wrapped around her shoulders.
There isn’t another note by the end of the day.
“So, wait,” Gareth says, stoned out of his mind and sprawled out on Eddie’s bed after the hell they call education finally released them. “You’re saying Chrissy has been leaving you all those notes?”
Eddie spins around in his desk chair, but it’s not one of those fancy wheeled ones that Harrington probably has, so he’s forced to turn and straddle the back, letting his head hang over the headrest as he groans.
“For the last time, yes!” he says, more to the little bits of his carpet that he can see than to Gareth himself. “It’s Chrissy!”
Gareth takes another hit, blowing smoke toward Eddie’s ceiling to swirl around and join the rest of the stains up there. “Are you sure it wasn’t just someone who looked like her? How close to her were you?”
Eddie groans again, shuffles off his uncomfortable chair to flop beside Gareth and steal his joint back. “She was wearing a cheerleading uniform, man,” he says before taking a puff and letting all the smoke out with his next words. “And no one else on the team has that color hair.”
Gareth hums, twisting on his side to burrow his head into Eddie’s only pillow. “What is that color even? Like, blond but with a weird red in it? What’s it called, bluh-red?”
He laughs like that’s the funniest joke in the world, so Eddie doesn’t hand back the joint, just pulls on it until he’s down to the quick and ashes it on his nightstand as Gareth whines.
“It’s strawberry blond, you idiot.”
Gareth wrinkles his nose at that. “That’s a stupid name.”
Eddie smacks his hand out, lets it hit Gareth’s arm with a solid thwack. “You’re supposed to be helping me!”
“With what?” Gareth replies, rolling away from Eddie when he goes to hit him again. He ends up on Eddie’s floor, fall cushioned by all of his dirty clothes scattered about. “Just like, talk to her?”
“Chrissy Cunningham?” Eddie demands. Gareth doesn’t seem to be understanding the severity of the situation. “Whose head cheerleader and, oh yeah, dating Steve Harrington?”
“So what? The guy’s a douche,” Gareth replies.
Instead of getting back up on the bed, he snuggles further into Eddie’s dirty clothes, rolling around like a pig in a mud puddle until he’s got enough of Eddie’s discarded shirts on him to function as a makeshift blanket.
Harrington is a douche. He’s got to spend an obscene amount of time on his hair in the morning, and he hangs out with those hyenas on the basketball team all the time, and he’s Steve Harrington. Rich kid, lady killer, King Steve Harrington.
Maybe all Chrissy really wants is an excuse to leave him. If that’s what his lady wants, he will provide.
*** 
Steve’s been sitting on Eddie’s letter for a few days now, at a loss for what to say. He puts it under his pillow at night, hoping the perfect answer will come to him in his dreams. He finds himself unfolding it and refolding it again and again, wondering if the words will change.
  Darling,
  If you’re not ready, that’s okay. But the heart wants what it wants, and you can’t blame me for trying, can you? Even still, I’ll be singing just for you.
  Of course I still want your letters, never doubt that. They’re still, always, forever, the best part of my day.
  Always,
  Eddie
  P.S. Excellent choice in hiding places, have you read it?
It’s just, a big part of him had expected Steve’s dismissal of meeting up would end this thing they have. He’d braced for it, and instead, Eddie was sweet.
And Steve can’t give him what he wants, isn’t what he wants, so he keeps the letter with him and stews on it, Chrissy sending him worried looks when she thinks he’s not paying attention.
No matter how lost in thought he is, a part of him is always tuned into Eddie’s presence, so he sees him coming before Chrissy does.
“Miss Cunningham,” Eddie says, leaning forward like a gallant knight as he takes her small hand in one of his own. She jumps, eyes darting up from her lunch to meet Eddie’s own. “Can I have this dance?”
The rest of the lunch table titters. It might have been charming, if they were at a dance, or anywhere aside from shoehorned to the side of the table with all of Steve’s shitty friends laughing.
It might have been charming if Eddie’d looked at Steve at all.
Chrissy’s sure looking at him, though—eyes all wide in her face as she shifts her gaze back and forth from Steve sitting across from her to Eddie crouched at her side.
“Um—” is all she gets out before Jason stands from the far end of the table and starts taking threatening steps forward.
“What the hell do you think you’re doing, Freak?” Jason demands, chin raised.
Steve’s about ready to stand, insert himself in the whole thing, but then Eddie’s lips graze Chrissy’s hand.
Jason stumbles back like he’s been shot. Eddie grins against Chrissy’s skin, turns his gaze away from Jason, and lands on Steve. He can almost feel it on his own skin as Eddie puckers his lips again and presses another kiss to Chrissy’s skin, this time to the smooth surface of her wrist.
He never looks away from Steve.
“Um!” Chrissy says again.
Only then does Eddie break eye contact with him. He drops Chrissy’s hand, placing it gently back to the table, says, “until next time, mi amore,” and saunters away, continuing until he’s out of the cafeteria entirely.
Steve doesn’t look away until the door swings shut and blocks his view of Eddie entirely.
“What was that, Chrissy?” Jason demands. He’s moved closer while Steve was distracted, absolutely towering over her, looking more like a beleaguered father than an ex. “First Harrington, and now the Freak?”
Steve wants to defend himself, defend Eddie, defend Chrissy. But despite what Jason clearly thinks, she’s never needed defending, so he asks, “do you want to get out of here?”
“God, yes,” Chrissy sighs.
They leave their lunches uneaten and their tables unbussed, hustling out the same doors Eddie’d just sauntered through, leaving a scolding Jason in their wake. Something about devil worship and blaspheming?
Steve’s not exactly the church-going type; he’s just glad when the doors swing shut and cut off Jason’s little speech.
“What was that?” Chrissy asks in a whisper despite the deserted corridor.
“Jason?” Steve asks at his normal volume. “I don’t know, he’s always been a bit like that, hasn’t he?”
“Not Jason,” Chrissy snaps, slapping at Steve’s arm, taking any sting out of the motion by wrapping her arm in his after and reeling him right back in. “Eddie!”
Steve, who had sort of been hoping that he could pretend the whole thing had been a vivid hallucination, has nothing to say.
“Do you think he knows?” she asks, voice quiet again as she looks furtively around the deserted halls, for random passerby’s or even Eddie himself.
“About you?” Steve asks, stomach sinking even further when he continues, “or about me?”
Chrissy stumbles, eyes going impossibly wider at the thought. She pulls him into an abandoned classroom and pushes him into one of the uncomfortable chairs. She sits in front of him, looking across the desk between them like he’s a sad woodland creature she’d just hit with her car.
“He can’t know about you,” she says. “He was flirting with me.”
Steve grimaces. Chrissy’s too nice, always thinking the best in people like she doesn’t have Jason Carver as living, breathing proof that sometimes, beyond all expectations, people can suck.
“He could be fucking with me. Eddie seems like the type to play with his food.” Steve stares down at the grooves of the desk he’s seated in. Someone had carved FUCK on it in big, bold letters. Steve’s never agreed with a sentiment more. “Do you think Jeff told him?”
Chrissy shakes her head so hard that her ponytail whacks her in the face. “No way, he promised!” she reminds him.
Jeff seems like a good guy, but Steve’s not sure how far that goes. He doesn’t have the wherewithal to trust like that, not with this.
“Well, what do we do?” Steve asks. “Should you just flirt back next time?”
Chrissy bites her lip, worrying at the dry skin there until Steve taps her chin in reminder, and she puts her teeth back in her mouth.
“Maybe it won’t happen again?”
Steve sighs, thunking his head down against the desk. “Yeah, maybe,” he murmurs into the wood, Chrissy’s hand patting his shoulder a paltry consolation to the nightmare he’s found himself in.
*** 
It happens again.
“Carry your books, my lady?” Eddie asks. He’s already got his hands out expectantly, but he’s too much of a gentleman to make a move without her say-so.
She watches his hopeful grin for a moment before sliding her pile of books into his awaiting arms. Once secured, he does an endearing little fist bump before taking up residence at her side like it's his birthright.
“What are you doing, Eddie?” she asks.
“What do you mean?” he asks, almost sounding clueless enough to convince her, if it wasn’t for that little smirk on his lips.
Everyone in the hallways are giving them a wide berth, clearly shocked by the unexpected pair. It’s nice, almost, to be given so much space. But—
But.
“You know I’m with Steve, right?” Chrissy asks.
Eddie grimaces, like just hearing Steve’s name is enough to sour his mood. “What, is it illegal to walk a pretty girl to class now?” he asks.
Chrissy’s own mood sinks to the pits, and she sighs, disappointed. “No,” she replies before letting the silence between them linger uncomfortably.
Eddie’s fidgeting with her books, anxious fingers fluttering against the loose pages of one of her notebooks, and his eyes dart toward her every couple of seconds.
“Chrissy—”
“You know, for someone who spends so much time ranting about the status quo, you sure can’t seem to look past skin deep.”
Eddie jerks like she struck him. Chrissy would feel bad if she wasn’t thinking about having to tell her best friend about this in a couple hours. “I see you,” he murmurs, shifting on his feet and not meeting her gaze as he holds out her books for her to take.
When Chrissy sighs, he flinches again. “I don’t think you do,” she says, not sticking around to see how it lands.
She’s got class to get to, and a best friend’s heart to break.
Chrissy snags Steve’s hand before he can walk through the cafeteria’s swinging doors and pulls him the other way. They settle into the same, abandoned classroom in the same, abandoned seats.
“It happened again,” she says, not letting go of Steve’s hand.
He’s still got a bit of polish clinging to his nails, the chipped yellow making him look almost jaundiced with how patchy it is. She uses her own fingernail to chip at it, ignoring the sunshine yellow flakes dropping down to the empty desk separating them.
Steve doesn’t ask what happened again; he doesn’t need to.
“Did you flirt back?” he asks.
Chrissy bites her lip. “I let him carry my books.”
She hadn’t flirted, is the thing, but she hadn’t gotten rid of him either. She knew, no matter how heartbroken he looks across from her right now, he wouldn’t have wanted her to.
“Okay,” he says, like it really is, like he means it. “Thank you.”
“Don’t thank me!” she snaps, snatching her hands back for a second before the bewildered look on his face has her reaching out again. “What are you thanking me for?”
Steve smiles—it’s small, and sad, and he’s beaming it right into her soul. “For keeping me safe.”
Chrissy groans, dropping her head onto their clasped hands and just keeps groaning. He means it—of course he does. If there’s one thing she’s learned since this whole thing started, it’s that Steve Harrington is somehow, inexplicably, too nice for his own good.
“I love you, you know,” she says, lips brushing against his skin with every word.
She’s been thinking it since he’d called her his best friend in that letter, since he’d said it and she hadn’t said it back. It sits unsaid behind her teeth every time he smiles, or frowns, or anything at all. He’s just too dang easy to love.
When he doesn’t reply, she forces herself to raise her tired head and get a look at his face. His eyes are big and round, mouth hanging open far enough that she’s tempted to close it for him, and there’s a damning sheen to his eyes that makes her own water.
“Really?” he asks, voice cracking. “You do?”
“Of course,” she replies, the way he always does to her, no matter what she asks for.
He smiles again, and it’s big this time, happy and watery around the edges as he says, “love you, too,” leaving the “I” out of the confession like that’ll somehow make the whole thing less real.
They’re smiling at each other like damn fools when Steve’s stomach growls and they dissolve into giggles.
“Buy me lunch?” she asks.
“Of course.” He jumps up from the desk and holds out his hand for her, an unknowing mirror of Eddie this morning.
She doesn’t put her books into his arms, just takes his hand.
PART 7
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wannaeatramyeon · 17 hours ago
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Your Adventures as the Lookismverse Designer
G/N. Run-ins with Burn Knuckles, Goddog, Allied and Big Deal. Masterlists
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Being in the Fashion department, you had assumed your classmates had a passion for fashion. For god's sake, it's in the name.
But no, you're wrong.
Apart from using it as an excuse to wear designer brands from head to toe, no one really gave a shit.
No one cared about the history, about design, fabrication, construction.
No one... apart from you that is.
.
.
Your first client wasn't really someone you could say no to unless you had a death wish.
When the whole of the Architecture department shows up along with Vasco, their terrifying leader, you consider running off and screaming.
It was only Jace Park, who seemed to understand a more subtle approach and how intimidating they looked, that stopped you from wanting to flee to the teacher.
(Strange. You actually don't recall seeing your teacher for months.)
"Please," Jace murmurs to Vasco and he's practically begging. "You didn't need to turn up with everyone. Just leave this to me. Please."
If you didn't know better, you would think Vasco was giving him grateful puppy eyes. But that can't be right. He's a thug.
"Sorry," Jace turns to you, looking contrite and fiddling anxiously with his big ears when you're finally on your own. "Are you the Fashion Designer?"
It should have been a stupid question, considering you're in the Fashion Department.
Except you look around at the so-called boxer who pitifully simps after the brunette all day, the rich blonde kid who never talks to anyone, the other girl who is an aspiring streamer and you sigh to yourself.
"Yes, that's me."
.
.
All things considered, the Burn Knuckles are very easy to please.
It's a design printed on some pre-made boilersuits, not exactly avant garde.
You did touch up the logo though and provided some more clothing options than requested. Boilersuits in a small selection of colours, bomber and leather jackets.
When you hand over the boxes to Vasco and Jace, the latter shakes your hand and the former stares at you with tears in his eyes and asks how they can ever repay you.
You shrug. Because he did already pay you for your time and the materials.
"Don't worry about it." You say, giving him a polite grin.
Vasco beams and you think maybe this guy isn't so scary.
.
.
.
.
Somehow your reputation precedes you.
To be honest you didn't even realise you had any sort of reputation until a guy with a messy mop head and two dogs corners you in an alleyway.
"I heard you're the Designer," he grunts.
A part of you thinks of fleeing once again. A smaller part of you thinks damn, that nickname is kinda cool.
"I am?"
"Don't play dumb. I know who you are."
You would have found him rude and menacing if not for his dogs picking that exact moment to roll around on the floor belly-up, desperately wanting some attention.
"Fuck's sake," he mutters though he squats down anyway to pat them. "So?" he continues, trying to regain his previous threatening aura even as the pups wriggle around under his touch.
"So what?"  you ask, not able to stop the smile creeping over your face at this adorable sight.
"I need some clothing."
.
.
Perhaps the Burn Knuckles gave you a false sense of bravado, thinking everyone would be as easy as them. Unfortunately, this guy is a goddamn headache.
He wants hoodies, which isn't an issue but he wants matching dog-sized ones and he wants you to design the logo from scratch too.
"But I don't do graphic design," you cry and he pretends he can't hear you.
On your twelfth iteration, he doesn't glare at it and praise the heavens; he's finally happy.
Well, happy is an overstatement. He doesn't exactly look happy but he's no longer glaring at you, so you assume in Johan Seong's world, that means he's exhilarated.
The hoodies fit, both Johan and the dogs, and the logo looks good too.
You wave goodbye to the back of all three. Your bank balance is healthier except you hope they never darken your doorstep again.
.
.
(You have no such luck. He returns, months later, requesting tracksuits.)
.
.
.
.
It's a sorry state of affairs when three of the members of Allied are part of the Fashion Department, and come to you asking for help.
"Why don't you design it yourself?" you ask Daniel Park, Zack Lee and Jay Hong.
They look at you like you've grown two heads.
.
.
You will be eternally grateful that Jay Hong is mute, that Vasco is actually the sweetest cinnamon roll, and Daniel Park is pretty easy-going because having Vin Jin and Zack Lee constantly bickering and criticising your design is bad enough.
Apparently these men are very adept fighters. Caught up in some gang shit. It didn't matter. You still wanted to ram your pen through their skulls.
Then throw in someone else called Hudson Ahn who also seems to like giving rude, overly critical comments concealed as constructive criticism -
You threatened to quit more than once.
.
.
Eventually, after staying awake for 46 hours - you all agree on a logo.
"Here." You thrust the USB drive with the files at Daniel Park.
"What do I do with this?"
"You're in the Fashion Department too." You rub at your tired eyes, patience long gone with these morons. "Find a clothing printer yourself. Search for it on the internet. You know what that is right? The internet?"
Somewhere to your right, Vin Jin bursts into laughter.
.
.
.
.
You can't decide if this guy is trying to sell you something or if you're actually falling in love with him by the second.
Hell, he could sell you some snake-oil and you're so charmed you don't mind.
"So, you'll do it?" he asks, holding your hands in his larger gloved ones and you feel yourself simpering like an idiot at the contact.
"Sure thing, Mr. Kim."
"Jake," he says, giving you a toothy grin. "I'm Jake. And this is Jerry."
"Who?"
"Jerry Kwon," A large hulking man steps up besides Jake, offering you a handshake.
What? How did you miss him? You didn't notice him at all.
"Oh. Uh. Of course. Nice to meet you too Jerry."
"Come here, guys." Jake signals for the other men hanging back to come forth. "Ths is Brad and Jerry and Lineman."
Shit. Damnit, you've been so fixated on Jake Kim that you ignored everyone else.
Hell. You didn't even realise there was anyone else.
"Hi," you say, wanting the ground to swallow you up and blushing furiously.
Jake catches your eye and gives you a wink.
.
.
Being completely honest, the Big Deal tracksuits aren't your best work.
You're not too sure on the logo design (though hey - that's not really your handiwork). The placement is a little awkward and the design is sort of plain.
You added gold elements to at least make it a bit more cohesive, and sourced extra durable fabrics with lots of movement as apparently the guys have a tendency to damage clothing during fights.
"What do you think?" Jake says, modelling your finalised version.
From the smile on his face, you could tell he's very much satisfied with your work.
"Looks great," you say and you're telling the truth. Although it's not really the tracksuit that looks great, but the man wearing it. His broad shoulders and tight waist, long muscular legs and-
Oops. You silently apologise for objectifying him.
The way your eyes rake over his form isn't subtle, though it's definitely flattering. Jake playfully throws another wink your way.
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infiniteaugends · 23 hours ago
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Okay! I need to get this out of my head. I’ve seen some posts that are upset that people are upset about the BuckTommy break up. The core gripe of these posts is that the show still has HenKaren and so we shouldn’t be upset about the handling of the other main queer couple. Which makes no sense because BuckTommy and HenKaren fulfill different niches. One is a bisexual man exploring a new relationship and the other is two gay women who are settled with multiple kids.
However, this post is to talk about HenKaren. Yes I love them! They were the main thing that drew me to the show long before bi Buck became a thing. They are two black women in a relationship. Neither is ‘conventionally’ attractive. Hen is pretty visually queer. I love them. I want more of them in the show. However I don’t relate to them. Almost all of their storylines revolve around motherhood. There is very limited exploration of them as queer women outside of motherhood. Karen is a literal rocket scientist and that has never even been used as any sort of plot point. Like the amount of physics she knows and understands could be used to great effect. Micheal got to help break into a bank vault with Bobby, but Karen has never been used in a similar way. Like the amount of STEM knowledge stored in her brain 100% could have solved at least a few rescues. Can we explore these amazing woman as queer women instead of mothers just sometimes pls.
I read a fanfic that explored how Don’t ask, Don’t tell could have affected Karen. That she couldn’t become an astronaut because of it. I would love more of that energy in the show.
So yes you are right I am bemoaning the way Buck and Tommy’s break up was handled. I am bemoaning the lack of care given to exploring Buck’s bisexuality within monogamy. I am allowed to be upset. I am allowed to not relate to the storylines given to Hen and Karen. What happened to Hen being kinda witchy and blaming the moon cycle for her cheating? What happened to Hen and Karen and Athena’s wine mom nights? Where is our exploration of Karen as partner to a woman in a dangerous field of work? Where is our exploration of their relationship outside of kids?
You want me to appreciate the crumbs of queer representation being tossed my way? Well won’t you’re right we should be angry that Hen and Karen are treated as second class citizens in the narrative. We should be upset that their importance has been reduced to only motherhood. We should be upset that this show is mishandling all of its queer characters and letting Eddie Diaz have freedom and joy while our queer representation suffers.
BuckTommy was the straw that broke the camels trust in 911 ability to craft realistic queer lives and continue to care about them more than a diversity check mark. I will continue to watch HenKaren clips on YouTube and read fan-fiction. I will continue to engage with Bi Buck fan-fiction that heals the parts of me that Glee and this show have bruised. I will not thank them for the stale crumbs they brush from the table. Do I love Hen and Karen? Yes! Is it enough? Not anymore!
Anyway, I got a little heated and upset, but all this discourse is really just rubbing me the wrong way. Let people be upset and hurt. Their feelings are valid whether you agree.
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moosesarecute · 3 days ago
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Day 2: Scared
@azrielappreciationweek
Masterlist
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Azriel’s missions rarely went wrong. And if they did, he usually easily found a way to make the situation lean in his favor.
So when he didn’t come home at the time he should, you started to worry.
It wasn’t unusual for him to spend an hour or two longer on missions, but it had been twelve hours and you felt the worry take over your body.
“He’s probably just delayed. Maybe the weather made it hard for him to fly or he just got a lead and needed a little longer to get enough information,” Rhysand tried to convince you. But you could see the worry he carried.
“But then he would have let us know! He never stays longer without letting us know first.”
“I’m afraid I have to agree with the motherhen here,” Cassian agreed ruffling your hair. “It’s unusual for him.”
“Okay, we’ll give him two more hours and then we’ll go get him.”
Luckily, you didn’t need to.
The doors to Rhys’ office opened and in flew the shadows. They immediately clung to your body. Some of them wrapped around your waist, others held your thighs and the rest twisted around your hands so that you brushed them.
Their behavior was unusual. After a mission the first thing they did was usually to check you for injuries.
Then, Azriel walked into the room. His back was as straight as it usually was, his face was neutral and his movements seemed pain free.
He seemed unharmed.
But his eyes gave everything away. They seemed almost dull. He was good at hiding his emotions, but you knew him.
You immediately walked over to him, the shadows made it a little harder to walk, but you needed to be with him.
You wrapped your hands around his waist and he leaned his head onto yours.
“What took you so long?” You asked.
“I got caught,” he answered.
Your eyes widened with worry at his words.
“I’m okay,” he said as kissed your hair. He lifted his hand as spoke to Rhys. “Can we take debriefings tomorrow? I need a bath.”
“Of course,” Rhys answered without hesitation.
Azriel didn’t let go of your hand as he led the way to your shared room. The second you left the room, you felt talons on your mental shields. You let him in.
“Let us know if he needs anything.”
“I will.”
“I’m going to take a bath,” Azriel muttered as you walked into your room. He gave your head a small kiss and moved into the bathroom before you could stop him.
The worry only grew in your chest as you waited for him to finish.
Even though some of his shadows helped him in the bathroom, the most of them still clung to you.
“You’re not fine, are you?” You asked them as you brushed your hand through them.
They only clung harder to you as an answer.
The shadows were cuddly, but never this anxiously quiet.
The door to the bathroom opened and Azriel walked in. His back was still as straight as before and his face neutral.
“Hi there,” you said to him. He looked at you, but you could see that his mind was far away. “Come here, love.”
He hesitated for a moment before he made his way over to you. He sat down on the bed beside you and wrapped his arms around you. He held you tightly against his chest and even though you really wanted to hold him, it felt good.
“Do you want to talk about it?”
The way he didn’t say no immediately made you realize this was bad. He tightened his arms and lowered his head onto yours. He swallowed and let out a shaky breath.
“I’m here,” you told him. “I’m not going anywhere. Take your time.”
One more shaky breath made you look up at him. His eyes were tearing. Azriel didn’t mind being vulnerable around you, but he rarely cried. You hated to see him like that.
“They put me in a cell. And, usually that wouldn’t be a problem, but it was identical to…” he stopped. “It was identical to the one I grew up in.
“And even though most cells are without light, the sounds of the walls, the smell, the songs from the warriors, they were all the same. It brought me right back.”
It only took you half a thought to move up and hold Azriel. He relaxed a little in your arms, but he still didn’t let go completely. You could almost feel the tension he was holding.
“It’s okay, baby,” you tried telling him. “You’re home now. If you need something or need to let something out, please let me help you.”
It took him a few more shaky breaths, your tighter hold and his shadows brushing away his tears, before he continued.
“One of the guards walked by holding a lit torch,” he whispered and you didn’t need to hear more.
You moved your hand and brushed through his wet hair. Your emotions were all over the place, mostly aching for little Azriel that lived a lifetime of suffering even before he was a decade old, but you focused to only pour comfort and love through the bond.
You looked down at Azriel and saw him gazing at the wall.
He was in some form of shock.
You leaned down and kissed his head before you spoke.
“Azriel love, you’re home. We’re at the House of Wind in Velaris. You haven’t been in that place in over two hundred years and the people that forced you to be there are no longer here, you made sure of that.
“You are safe and with your friends and family and none of us will ever let you be hurt and alone like that again.”
You ended with another kiss to his head before you lifted his left arm and kissed his hand. You then did the same to his right hand.
“I love you,” he said. His words were quiet, but honest.
“I love you too, Azzie,” you answered back. “Do you need anything?”
He shook his head and pressed himself closer to you.
“Can you just hold me?”
Your heart melted a little at his request.
“Of course, my love,” you answered. “I’ll hold you for as long as you’ll like.”
“Then we’ll stay here for a while,” he answered. His voice was lighter than before.
“Perfect,” you replied happily.
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Dividers by @cafekitsune
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planetpedri · 14 hours ago
Note
hey queen! Could you do a angst of Pau cubarsi? Pau and reader having an argument before going to his family gathering. Pau’s sister noticed that reader is quite upset and talks with Pau about it. When they return home, they’ll talk about it and everything! 🫶🏼
Coming clean — Pau Cubarsí.
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Pairing: Pau Cubarsí x Fem!Reader
Summary: An unresolved argument with Pau had ruined your whole night. Luckily for you, Irene is right there to help you get Pau to come clean.
Word count: 1.17k
Disclaimer/s: arguing , angst to resolved ending.
A/N: it’s 3:45 am and i can’t sleep so here is this! + hi Bea! how about you try to end a fucking post w out it ending in a kiss???🤦‍♀️
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The car ride to Pau’s parent’s house was silent. No music, no talking, just pure and tense, silence. The lingering anger from the argument that had only happened ten minutes ago was still fresh.
Even when you arrived, at least a foot apart, you still hadn’t talked. You separated from each other instantly; Pau finding his cousins and you wandering around aimlessly.
Irene watched as you arrived, she could sense that something was off when instead of finding her or her parents, you milled around the food table.
She pushed off the counter she was leaning against and made her way towards you. When Irene called out your name, you plopped a grape into your mouth before turning to face her with a forced smile.
“Irene! Hi!” Your expression falters when you see the way she was looking at you—pity. “What?”
“Let’s go take a walk, yeah?”
Your eyes dart to Pau, who was busy conversing with his cousins. “Okay, yeah. Where to?”
Looking around, the girl points to the back door. “My mom’s flowers started to bloom, want to take a look?” Subtle. Very, very subtle, Irene.
Lips pulling into a thin line, you nod. Irene spins on her heels and marches her way towards the door. You pass Pau, but he doesn’t bother looking in your direction, though you knew he saw you by the tick of his jaw.
Trying not to scoff, you take a deep breath and follow Irene out the door. The spring air hits you comfortingly and the view of Mrs.Cubarsí’s flower garden brings a genuine smile to your face.
“It’s really improved since the last time I was here.” You comment, bending down to sniff one of the vibrant flowers.
Irene hums in agreement. “So, what happened with you and Pau?” When your head snaps in her direction, she chuckles. “Sorry, I just noticed you two were unusually distant and you looked upset.”
You let out a quiet, “oh!” Before you continue. “We argued. It’s a communication problem.” You wave your hand as if to dismiss the problem, but a butter taste lingers on your tongue.
“Okay… tell me about it? Pau is usually an open book, or at least, he used to be.”
You snort at the last part. “Used to be, yeah. Not anymore. For some reason, he’s been holding things back recently, and oh! Yesterday, I went to hold his hand and he—well, he pushed his hand back into his pocket.” You point at the house, though not directly to wherever Pau probably was. “Him avoiding affection? Not normal.”
Irene’s forehead creases in confusion. Pau had never, not once, refused to show you affection. In fact, he was always seeking it out. “Okay, yeah, weird. What did he say when you tried to talk to him?”
You couldn’t help but scoff, “he said that I was ‘reading too much into things’ and that I was, ‘being dramatic’. I’m staring to think—“ Your mouth clamps shut, you couldn’t say that.
Giving you a look, Irene urges you to continue. “Think..?”
“That he’s..” You run your hand over your mouth, “that maybe he’s falling out of love. It’s stupid, I know, but I can’t help but assume, y’know?”
Frowning, Irene nods in understanding. “He loves you, i’m sure of it. He’s just being difficult. Maybe you two should leave early, talk it out?” She pauses, “or I can give him a talking to.”
Your eyes widen, “no! No. Do not talk to him, i’ll figure it out. Just.. need to figure out what to say first.”
“Let’s go back to the party and you contemplate while we stuff our faces, perhaps?”
“That sounds like a brilliant idea.”
When the gathering was over and Pau was driving you back home, you play with the hem of your skirt. “Pau?” You speak quietly, not sparing him a glance.
Pau turns in your direction momentarily, offering you a short, “hm?”
“Can we talk.. please?”
No matter how upset, or annoyed Pau maybe be, he couldn’t resist the pleading tone in your voice. “I guess.” He answers, “what do you want to talk about?”
“Why you’re upset with me. I mean, before our argument. Clearly I did something to hurt you, or maybe you just..” Your voice fades into nothing, scared to speak.
“Just what?” He doesn’t comment on the parts before that, so you know you definitely did something wrong.
You pick at the lace harder, “I know it’s probably me reaching, but, I just thought that maybe you are like—“ You were tripping over words, too embarrassed to speak them out loud. Forcing yourself to come clean, you take a breath, “maybe you were falling out of love.”
The car lurches to a halt, right at a red light. Pau’s head whips in your direction, “what? No! Jesus, baby, no! Not that! I love you, I do.”
His words of reassurance made you feel a sense of relief, but still, your theories about upsetting him were only becoming easier to believe. “I love you too, but, my question still stands. What did I do to upset you, and how do I make it right?”
As Pau begins to drive again, he sighs. “The other day, when we were having dinner with the guys and their girlfriends, why did you lean away from me when I tried to kiss you?”
You did that?
Genuine surprise takes over your face. “Wait, what did I do? Shit, Pau, I didn’t even realize.”
His bottom lip tugs between his teeth as he turns into your driveway. “Are you sure? Because it felt intentional.” His words had bite to them, whether he meant to or not.
“Seriously, I would’ve never done that intentionally. Is that why you’ve been so withdrawn?” You frown, leaning your head back against the headrest and unbuckling while Pau parks.
He nods shamefully, “sorry, I just got upset. I was being a dick when I should have just talked to you about it. I’m sorry.” He couldn’t meet your eyes, to annoyed with himself to face you.
“Pau.” You sigh out, “look at me.”
He does just that, meeting your eyes with a pained look. “I’m sorry.”
“I know. You can’t do this again, though.” You give him a warning tone, “and you owe me, big time.”
Nodding, Pau grabs your hand, giving it a tight squeeze. “After my next game, we should go on a date. Anywhere you want to go, i’ll take you.”
Tapping your chin, you ponder the idea. “How about a movie night? I want alone time, and you will be watching every movie I chose, got it? Oh, and please bring snacks.”
A smile forms on Pau’s lips, causing one to grown on yours. “Anything you want. Make a list, i’ll stop by the store on the way here.”
Sitting up and gathering your things, you nod. “Will do! Goodnight, I love you.”
“Goodnight, I love you.” Pau leans over, meeting your lips in a soft kiss.
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likes , comments , and reblog’s are all appreciated. lmk if you’d like to be tagged in future pau posts.
DTS , @halfwayhearted @ar4ujos @sakashq @joaoflms @hrts4havertz @spidybaby @unx100to !
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teencopandthesourwolf · 18 hours ago
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op re your tag: #do you think they played 20 questions
yes! yes, i absolutely do! because—as you said—two hours is a very long time to spend treading water while maybe possibly probably about to die, but especially with somebody you don't know all that well.
and this is stiles we're talking about! adhd motormouth stiles stilinski, who cannot bear uncomfortable (or even comfortable lol) silences at the best of times. so put him in an incredibly tense situation? with somebody he doesn't know very well? somebody he is nervous around (because contrary to popular belief stiles does actually have some self preservation instincts, plus, y'know, there's the whole derek is objectively hot as all sin thing) and of course he would start babbling away incessantly! ofc he would!
so yeah yes uh-uh you can absolutely bet your bottom dollar that stiles is gonna rope the local creeper wolf into playing 20 questions!
that boy will also absolutely be getting derek to play the “i go to the shops and buy...” recall game that his mom used to play with him when he was a little kid! he will absolutely be forcing der to sing the national anthem with him (derek does not sing, he doesn't, but he's maybe about to possibly die and is losing his mind a little so sue him if he grumbles through the verses an octave deeper than stiles's ridiculous soprano)! stiles absolutely asks derek what his favourite thai order is (it's pad thai, which stiles mocks him for because it's such an unbelievably basic choice, and derek resolutely tells him to fuck off) and stiles in turn shares with derek that his favourite is tom yum goong which obviously means he is more adventurous than derek (which is when derek tells stiles that hot and sour shrimp soup is not really that adventurous, and then reminds stiles that stiles can resolutely fuck off)! and then, what with the whole probable death thing, stiles absolutely starts to wonder if derek might be thinking about his family, and wonders when the last time was that derek got to talk about them, so he asks derek to tell stiles stuff about them, and at first derek is too stubborn (upset) to talk about them, but stiles keeps asking him more and more questions about his mom and dad and brothers and sisters and cousins and aunts and uncles and grandparents, and derek realises that he really does want to talk about them all so he starts answering stiles's questions in only short sentences at first but then finds himself regaling funny stories about them and thinks about all sorts other fond memories because of this, ending up telling stiles things he hasn't thought about in years and it's really nice, so then he's then asking stiles about stiles's family, and stiles says he's never had that much of it really but talks about how losing his mom when he was little was and is the fucking worst thing that ever happened to him because she was his best friend in the whole wide world (he loves his dad too, but saw even less of him back when he was a deputy) and he tells derek how he misses her like a lung and that he talks to her sometimes (which derek does with laura, too, but isn't about to admit to that) and that derek's deadpan humour often reminds him of her, and then he hears derek huff a little bit and it's the kind of huff that sounds almost like a laugh, a kind one, and stiles knew that talking and talking and not shutting up to try and break the ice during this week's perilous situation would pay off and hey! look at that! he absolutely got the trauma edgelord lycanthrope to not only open up about his life but to cheer up a bit and not be such a sourwolf and even laugh a little, too! which hey, if they're about to die, that's objectively actually the best thing a human and werewolf could do together, right?
so yeah, maybe op is spot on and we don't talk about this scene enough. which is a shame because there is SO much scope here, and we absolutely should delve into it more, again and again and again—because i think it is absolutely what stiles (and derek) would do xp
We really need to talk about the fact the stiles was prepared to drown to keep Derek alive.
He was treading water for two hours with Derek weight on him and only when his muscles started to give up did he try and hang onto the diving board. If Scott didn’t get there in time both stiles and Derek would have drown.
Also they couldn’t have been completely silent the entire time. Do you think as they both felt stiles weaken that they’d have to come to grips with the idea of dying. Do you think how Derek was paralyzed in the arms of a human (he doesn’t trust humans) and spent the entire time thinking “well this is the moment he’s going to let me go and I drown”; and how shocked he must of been when stiles refused to let him go. I know that stiles was definitely thinking about his dad. I wonder when the moment was that they realized they might die in that pool. The final moments before they both went under when stiles is trying so hard to keep them both alive. The way that stiles talks about drowning after this incident.
I really feel like we don’t talk about this enough.
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hunter470 · 3 days ago
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My 9-1-1 RANT
Ok, I don’t normally do these types of posts, but I can’t move on until I get some things out. These are just my thoughts about the latest episodes of 9-1-1 as well as overall comments on the Buck/Tommy relationship. These opinions are mine and are based on the countless hours of TV I’ve watched in my 54 years on this planet, as well as my knowledge of writing and how Hollywood operates. I’m not confirming that any of this is true or are the real intentions of anyone involved with the show. Just my opinions. So, you can agree with me or not. I’m not trying to persuade anyone in any way. Also, I’m not going to get into endless arguments about my opinions but feel free to comment if you want, I just don’t promise I’ll reply. 
Ok, here we go. Sorry it’s so long. Like I said earlier, I just needed to get it out. So many wasted opportunities.
If you think TM cares what the fans want, you’re seriously kidding yourself. If he did, Buddie would have been canon a long time ago. The only thing he cares about is ratings and his vision for the show, which can change at a moment’s notice with no rhyme or reason as we’ve seen. 
Although I loved Buck and Tommy together, I knew the show wouldn’t do their story justice. So, no matter what TM or OS have said, the bi story was only to garner publicity, draw in new viewers, and increase ratings especially with the show moving to a new network. There was no altruistic reason behind it so don’t kid yourself. They knew there was an audience for the story because of all the Buddie shippers. Just remember, it’s called show business, not show friends for a reason.
Do you think OS really cares about bi representation? Based on his latest comments and non-apology it’s obvious he only cares about getting the stories that garner him the most screen time and press. Seriously, read his latest interviews. He’s excited to get to have fun now. So, congrats OS, Buck gets to F around. Just shows how most, if not all, actors are ego driven no matter what they say. Sorry not sorry.
TM has commented that he doesn’t owe anyone anything. In fact, I recall him saying to Buddie fans if they don’t like it, read fanfiction. If that didn’t clue you in, then you weren’t reading the room. Kinda reminds me of another show runner…for those who watched H50 you know who I’m talking about. That’s why I don’t get heavily invested in these shows. I’ll watch but I never expect anything I like to last…especially if it has to do with gay relationships.
It says a lot that the show remained completely silent about the bullying and death threats Lou received just for playing a role he was happy to play. Again, they really didn’t care because they knew he wasn’t going to be there after episode six. What a great message for all the bullies…just keep bullying and you’ll get what you want. 
Again, reread OS’s interviews. He was doing the Hollywood double speak. Says just enough to keep you hooked with hope to get you to watch even when he knew all along it wasn’t lasting. It really was as clear as day if you go back and read what he said. 
Also, if you thought Buck was going to get into a meaningful long-term relationship, then you didn’t watch the video from the You Tuber “Call Me Chato” that TM posted on his Facebook. The video was all about characters and how they should always stay fundamentally the same with minimal development - I’m paraphrasing. However, Buck is the golden retriever, heart so big it gets broken, character who will remain on a hamster wheel and unlucky in love because that’s who he is. If he changes too much it shifts the dynamic, which only happens if the show was ending. 
If you thought the writers would do justice to a bisexual story, then you haven’t been watching the show closely. There’s been minimal Buck/Tommy relationship development on screen. Taylor got more. Viewers were lucky to get crumbs in the limited screen time Buck and Tommy got. Then, a breakup out of left field? One minute Buck is saying Tommy is it for him and he wants him to move in, and then it’s over? If he truly felt deeply for Tommy, why not fight to keep him? Why give up so easily and let him walk away? What’s the point? Also, to end it on a terrible stereotype is yet another clue. Horrible writing and another sign that TM and OS had zero investment in the relationship. The whole break up was rushed and made no sense. Essentially, it was just used to draw people in and to get Buck single and sleeping around again because that’s who he is. I for one won’t care for any of Buck’s future relationships. I mean, why would I when they never last. 
Also, writers that give you a 66-year-old police sergeant and a 10 y/o boy landing a heavily damaged plane on an active freeway in LA with no prior training, and sorry playing video game flight simulators is not training, is some Sharknado level writing, which is not a compliment. Oh, and that whole story was truly the shows “jumping the shark” moment. If you don’t know what the term “jumping the shark” means, look it up and try to tell me I’m wrong. 
Not having Tommy involved in the three part premier episodes, other than a few minutes at a birthday party, was so obvious as to the show’s intent. I mean, the fake captain from Hotshots got more screen time. 
They claim they wanted someone for Buck that was connected to him and the 118 and then you don’t use the character at all. You wanted Buck off the hamster wheel? What a crock! Such a wasted opportunity.
Since it’s been confirmed episode 6 was filmed before 5, Tim’s just playing god with peoples’ feelings and crushing their hearts at this point. I mean, how do you have such a great episode (5) and a wonderful speech by Josh (6) just to break them up? Plus, having Tommy break up after six months? That man was all in, which was obvious in episode 5.
Guess it shouldn’t be a surprise that’s how TM would handle things after that horrible Tarlos breakup. At least on Lone Star we knew Rafa (Carlos) was a main cast member so there was hope. Lou was a guest star so it seems kinda final based on his interviews. Again, what was the point? They could have had Buck's bi revelation be with a random character. So, building up the Buck/Tommy relationship just to take it away was to inflict the most pain. Good job. 
Do I think the show will make Buddie canon? Who knows…one thing I do know is I wouldn’t trust them if they did. Also, even if Tommy somehow returns, I don’t trust TM with anything related to this story. Sure, hope he’s happy with ruining the show for so many people. Again, like another show runner I mentioned in item 4 above. Honestly, I can’t believe the Buddie fans have stayed for so long. That’s commitment, I guess. 
Do I think Lou should go back to 9-1-1? Hell no! He was screwed over by both TM and OS. Prove it to me otherwise. However, it’s up to him and of course, he loves acting so I wouldn’t blame him.
Finally, even though I’ve watched the show since the beginning, it no longer brings me joy. There are too many other TV shows to stick with one I no longer enjoy. So yes, I’m announcing my departure, and I don’t give an F what OS, you, or anyone else thinks about it. Not that any of this matters any way…
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doeeyeseddie · 17 hours ago
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Piaaaaaa "brushing their arm against the other's, hoping the other would finally catch their arm and hold it close" please, we already know they constantly brush arms anyway!
fridaaaa this took me, once again, many months to get to and i sort of only vaguely filled the actual prompt, but i hope you still enjoy it <3
5+1 things, rated t, wc: 4k
[read on ao3]
I.
Eddie’s first day as a probationary firefighter is…interesting. Captain Nash welcomes him with the same warm smile he gave him the first time they talked, then leads him inside and shows him around the app bay.
“We’ll give you the full tour later,” he promises, “after you’ve met the rest of the team. You’re the first one here, if you want, you can change into your uniform now.”
He points towards the locker room – which has glass walls for some reason – and Eddie nods.
He’s just finished buttoning up his shirt when Captain Nash ushers a group of firefighters inside. Eddie runs a hand through his hair to make sure it’s tidy and smiles as Hen and Chimney introduce themselves to him with warm smiles and handshakes, welcoming him to the team.
There’s a third person with them, hovering in the background and glowering at Eddie. He’s young, probably around Eddie’s age, tall and very built, and despite his hostile expression, he doesn’t give Eddie the impression of being an asshole. It’s like the expression doesn’t fit on his face, like he’s not used to wearing it.
Chim grabs him by the arm and pushes him forward, giving Eddie a commiserating smile.
“And this guy is Buck,” he says. “He was our probie before you.”
“Nice to meet you,” Eddie says politely, stretching a hand out to offer a handshake. “You’ll have to show me how things work around here, then.”
Buck glowers down at his hand, and when he finally grabs it, he squeezes it too tightly, like he’s trying to prove something. Eddie squeezes back, amused by the pretense this guy is clearly putting on.
Behind Buck’s back, Hen rolls her eyes, but she’s also wearing a fond look, which only confirms Eddie’s assumption that Buck isn’t half as bad as he’s pretending to be.
From Captain Nash, he knows that they’re supposed to work together a lot of the time, so that’s gonna be interesting. He doesn’t know why Buck is acting like this, but he’s gonna find out, and then he’s gonna figure out a way to work with Buck anyway.
He didn’t come here to make friends, but he’ll be spending 50 hours a week with these people, and he has to trust them with his life for a lot of that time, so they at the very least need to bury whatever hatchet Buck is carrying right now.
Eddie lets go of his hand with a nod and a polite smile, and gives himself a week to figure Buck out.
II.
The days between the accident and the funeral are kind of a blur.
There’s too much to do and think about, too many decisions to make, too many people to call, too much to organize. He has help – Abuela, Pepa, the entire 118, but it still feels too much.
Shannon was 27, she didn’t have a will, they never talked about any of this. How is Eddie supposed to know how she would like to be buried, or if she’d rather be cremated? What kind of music she would want them to play at her funeral? This wasn’t supposed to happen. Not for a very, very long time.
But it did happen, and now Eddie is somehow supposed to know all this about her, his wife, the woman he’s only just let back into his and Christopher’s lives, the woman who asked him for a divorce and completely pulled the rug from under his feet just a day before she died.
Sometimes, he feels like he didn’t know her at all.
His parents are here “to help”, which should be a relief but really isn’t. They never liked Shannon and aren’t making a secret of it, even now that– now that she’s gone. So Eddie can’t involve them in the funeral planning, and he can’t even leave Christopher with them because he’s scared that they’re gonna take the opportunity to grab him and run, and someone needs to make sure that Shannon’s memory is honored, but she didn’t have any family except him and Christopher, and Chris is seven, so Eddie has to be the one to make this funeral beautiful, something she’d deserve, but he doesn’t know– there’s so much–
“Eddie,” someone says next to him, snapping him out of his spiral. “Come on, breathe with me.”
Eddie stares at Buck’s chest as it rises and falls with exaggerated breaths, trying to match him. When did Buck get here? He doesn’t remember letting him in, doesn’t really remember what he was doing before he started hyperventilating on his couch.
“Chris,” he gasps when he realizes that also means he’s not sure where his kid is. And of course he’s the kind of father who would do that only days after his kid lost his mom, maybe his parents are–
“Is with Hen and Karen,” Buck says firmly, grabbing his forearm. “He’s gonna spend the day with them and Denny, probably getting spoiled rotten. I borrowed Pepa’s key when we went over there so they could pick him up, she told me you might not open – sorry for barging in here, but I’m glad I did. I know you– I wanted to– Bobby and Athena are running interference with your parents. And I’m here to help you with all that.” He gestures towards the couch table that’s covered in forms, leaflets from funeral homes, and cards from grief counselors. “After Abby’s mom– I helped plan her funeral. So I’ve got some experience.”
Eddie just stares at him, biting the inside of his cheek hard to stop himself from crying. He trusts Buck, but he still doesn’t want to cry in front of him, doesn’t want to cry in front of anyone. But he does think that maybe he should give Buck his own copy of a key, so he won’t have to borrow Pepa’s next time.
Buck squeezes his forearm and gives him a small, sad smile. “We’re all here for you, Eddie. I got your back, remember?”
Eddie blinks against the tears in his eyes and swallows around the lump in his throat that’s keeping him from saying anything.
Instead, he twists his arm from Buck’s grip and grabs his hand instead, squeezing it in a silent thank you.
Buck squeezes back and keeps holding on.
III.
Buck gets to go home earlier than anyone expected, but Eddie has been to his new apartment, so he isn’t surprised when Buck texts him a picture of his couch with a sad face. It’s not ideal, but at least he has a bathroom downstairs and a girlfriend who can help if he struggles with anything.
Until he doesn’t have that girlfriend anymore.
Eddie doesn’t find out until after his shield ceremony, days after, actually, once his parents have finally gone home to Texas.
Buck says he’s fine, obviously, but Eddie starts going over every day he doesn’t have a shift anyway, because he knows Buck and can see how much he’s struggling with the whole situation, with the uncertainty of when and how he can return to work.
He brings Christopher most of the time. They’re not having the best summer either, Eddie still worries that he’s not doing enough to help Christopher deal with his grief, when he can barely keep his own head above the water of grief, guilt and fear.
Carla is doing what she can, watching Christopher whenever Eddie’s working, she found him a grief counselor and is even looking into more permanent therapists.
None of it changes the fact that they’re grieving. 
But when Christopher gets to hang out with Buck, he lights up every time, and so does Buck, which makes this a two birds with one stone kind of situation. Hanging out with Buck helps them both, too, makes their grief not the first thing on their minds for a little while.
Buck can’t move much, so they play board games and try to find one they all enjoy equally – it’s not easy, since Eddie likes luck-based games (he plays poker with his abuela and tía whenever he can), Buck prefers trivia and games relying on knowledge, while Christopher likes strategic games most.
But everyone gets to pick sometimes, and when they don’t want to play board games, they switch to video games instead.
Eddie knew that Buck and Chris get along well, they have ever since the first time they met, when Buck drove Eddie to Chris’ school after the earthquake during Eddie’s second week at the 118. But with how much time the three of them are spending together now, he can see them growing closer every day – and he loves it.
Buck is his best friend, and he genuinely cares about Christopher in a way that feels completely independent from Eddie.
One evening, while they’re playing a few rounds of Christopher’s current favorite video game after dinner, the kid falls asleep between them on the couch.
Buck smiles down at him and lowers the volume of the TV, which means he loses even more clearly to Eddie, but he had the win in the bag anyway, he’s sure.
Buck rolls his eyes at him when Eddie celebrates his victory with big, silent gestures, but he’s smiling, too.
Eddie grins at him, resting his arm on the back of the couch behind Chris, and Buck twists a little to face him. His leg, resting outstretched on the couch table in front of them, moves with him, and Eddie slides Christopher’s glass of water out of the way in a practiced move.
“I know you’re here to keep an eye on me,” Buck says, “and I should probably be annoyed. I– I was kind of annoyed, at first. But it’s hard to stay annoyed when he’s here, right?” He nods down at Christopher. “And I guess you’re okay, too.”
“Wow, thanks,” Eddie says, but he knows his glare isn’t convincing. “To be clear, we’re all keeping an eye on each other.”
“Yeah, yeah.” Buck reaches for Eddie’s hand, still on the backrest between them, and squeezes it – just for a moment, like he’s trying to get Eddie’s attention, like he doesn’t already have it anyway. “Thanks.”
IV.
Everything sucks.
It’s the uncertainty that gets to Eddie most, the not knowing how to help, how to stay safe, how to keep his loved ones safe. How long this is gonna last.
Every day, they have to see people die from a virus they know nothing about, and can’t do anything against.
And afterwards, they can’t even go home.
Christopher is part of a high risk group, and Eddie risks exposure at work every day, so obviously, he can’t endanger him by living with him. Chimney feels the same way about Maddie, and Hen also wants to keep her family safe, which is how the three of them ended up at Buck’s apartment, where they’ve been camped out for the past three weeks.
It’s generous of Buck to let them all stay with him, but the loft is not made for four people to live there, and they’re all feeling it.
Eddie loves his friends, but spending every minute of every day with them is starting to wear on him. They all try to give each other space, using the balcony as an extra room or going for runs outside, but there’s only so much they can do. 
He hates being separated from Chris, it makes him feel like he’s breaking his promise to never leave him behind again. Christopher says he understands, but Eddie worries anyway. He trusts Pepa, who’s working fully remote and offered to stay with Chris, and they talk every day, but it’s not the same as being there.
Whenever he talks to Chris on the phone, he feels better in the moment, but worse the second they hang up. While they’re talking, he can almost pretend that things are normal, but it all comes crashing down afterwards.
He hasn’t hugged his son in weeks, and he has no idea when he’s even gonna see him in person again.
Buck joins their calls most of the time, at least for a few minutes, and he sits next to Eddie on the bed now, shoulders slumped where they’re touching Eddie’s. In a world where he has to keep his distance from almost everyone, except the patients he’s treating and the people he’s living with, touching and being touched by Buck is a real comfort.
“This won’t be forever, Eddie,” he says, almost desperately. 
“But for how long?” Eddie asks, and it comes out sounding a little wobbly.
He’s not embarrassed by it anymore – Buck’s seen him in all kinds of situations, and they’re currently sharing a bed, so he’s seen him cry anyway.
“I–I wish I knew,” Buck says. “I wish I could– fix this.”
Eddie wipes at his eye and laughs a little. “The whole pandemic?”
“If I could, yeah.” Buck shrugs.
Eddie presses even closer to him for a moment, a gentle pressure of their shoulders, arms and thighs against each other. “I wish you could, too. But even if you can’t – I’m glad you’re here.”
“Of course.” Buck smiles at him and places his hand on Eddie’s thigh, palm up.
Eddie smiles back and grabs his hand, squeezing tightly.
“Okay,” he says, taking a deep breath. “I think it’s our turn to make dinner tonight – you ready?”
“Ready when you are,” Buck says, but he doesn’t let go until Eddie does.
V.
After Chris has gone to sleep, after Eddie has finally stopped crying, after Buck has wrapped his knuckles and cleaned up the worst of the mess in Eddie’s bedroom – the shards, the pieces of drywall, the fallen furniture, he makes up the couch for Eddie to sleep on. Eddie wants to help him, to tell him that he’ll just sleep in his room, but he can’t seem to move from his seat at the dining table.
Everything feels like too much, his hands hurt and his head worse, and he can’t stand the thought of Buck leaving. He’s exhausted, but he knows he won’t sleep if Buck goes home now.
But he can’t ask him to stay, not after Buck already dropped everything because Eddie couldn’t keep it together. He probably had plans, and Eddie ruined those too.
He can already feel the hot burn of tears behind his eyes again and drops his forehead onto his arms, folded on the table in front of him.
Buck’s hand lands on his back, warm, then travels up to squeeze the back of his neck gently.
“You ready to sleep?” he murmurs, and Eddie makes a noncommittal sound. “Come on, you must be exhausted.”
Eddie shrugs and Buck’s thumb brushes along his hairline.
“You don’t have to go in there, I can get you anything you need,” Buck says quietly. “And I’ll be right next to you in case you have a nightmare.”
“You’re staying?” Eddie asks, lifting his head. Buck’s hand stays where it is.
“Of course, Eddie,” Buck says, like it’s that easy.
And maybe it is that easy, Eddie thinks when they settle in next to each other in the living room, Eddie on the couch and Buck on a makeshift bed next to it. He’s pushed the couch table to the side to make room for it and it looks like he’s dragged Eddie’s mattress here, so at least Eddie doesn’t need to worry about him sleeping on the floor.
They’ve been by each other’s side through so much shit, maybe it’s not such a surprise that Buck wants to be here now too. He’s just not sure he deserves it.
“I’m sorry,” he says, staring up at the ceiling instead of looking at Buck. “You had plans– I’m sure you didn’t want to–”
“You have nothing to apologize for,” Buck says firmly. “Of course I’ll come whenever Christopher calls. O–or if you need me. I’m here, okay?”
“I keep thinking about her,” Eddie mumbles, pressing the heels of his hands to his burning eyes. “Mills. Last August– I should’ve– if I’d picked up the phone earlier–”
“This isn’t on you.” There’s rustling and then Buck is gripping Eddie’s forearms, trying to gently pull his hands away from his face. “I d-don’t know what Mills was going through, but I know that you couldn’t have known how bad it was. It’s sad, and it’s unfair, but it’s not your fault. And I know you’re feeling all these things now, but Eddie– I’m so happy you’re still here. I need you to– know that. Okay?”
Eddie finally lowers his arms, but instead of letting go fully, Buck just grabs his right hand and holds on. His eyes are wide and scared, and Eddie has scared too many people he loves tonight.
“Okay,” he says, even though– well. What makes him special? Why should he be the only one to get out? He’s not a better person than any of them, he doesn’t have a right to happiness or whatever he’s been deluding himself into believing he could have. 
But he knows that he can’t tell Buck that now (or ever), knows that it’s a dark road to go down.
Maybe for tonight, with Buck by his side, he can keep the thoughts at bay for a little bit longer. After that– he has no idea. But Buck is still holding his hand, and Eddie may not deserve him, but he trusts him.
He thinks it may just give him enough hope to get through this night.
+ I
“This was nice,” Buck says, holding the door for Eddie as they leave the restaurant. “You, uh, you really didn’t have to pay, though.”
“I wanted to,” Eddie says with a smile, glancing right towards their cars and then left to where the beach is only a short walk away, and finally back to Buck’s face, finding him already looking back. “How do you feel about taking a walk?”
Buck grins, turning left. “Let’s go.”
They’re not on a date, or at least they haven’t called it that, but Eddie has been thinking that it feels like one all night. Technically, they’re two friends trying out a new restaurant together. They drove here separately, no one pulled anyone’s chair out, they talked the same way they always do.
But Eddie spent half an hour picking something to wear tonight, Buck is wearing a shirt that looks new and gorgeous and fit for a date, and every time their eyes caught across the table, Eddie thought that maybe, Buck wouldn’t pull away if he reached out and took his hand.
It’s not the first time Eddie has thought that. Ever since Buck and Tommy broke up, it’s felt like maybe they’re heading towards something, familiar touches lingering and turning into something new, gazes catching and then holding instead of looking away.
Buck was upset for a little while afterwards, but he admitted to Eddie that it was more about another failed relationship – and his first one with a man, after he thought he’d finally figured out what was missing, than about Tommy as a person.
He went on a couple of dates, with men and women, but nothing ever stuck.
Eddie was going through his own stuff at the time – he eventually came out to Buck a week before Chris finally came home, and Buck hasn’t been on a date since.
Sometimes, Eddie wonders (hopes), if the two things are related.
Still, neither of them has called tonight a date – yet.
Eddie glances at Buck’s profile while they’re walking, and wonders what he’s waiting for.
Yes, it’s scary because Buck is the most important person in his life right after Christopher, but it’s also not, because this is Buck. Who has been by Eddie’s side through the worst, most painful, most humiliating times of his life, and is still here. Buck, who Eddie trusts with his life, and his son, and his heart.
Buck smiles at him and Eddie smiles back, heartbeat picking up. He’s doing this, he’s gonna tell Buck how he feels. Any minute now, he’s gonna be brave enough.
“Hey,” Buck says, “it’s just me.”
“I know,” Eddie says, and his heart thumps against his ribs. He lets his fingers brush against Buck’s on their next swing and watches as Buck bites his lip, smiling down at the ground. Hushed, like a confession, he adds, “Are you nervous, too?”
Buck looks back up at him then, eyes glittering in the dark. “Y-yeah. I am.”
They’ve reached the edge of the beach by now and bend down to take off their shoes without having to talk about it.
When they start walking again, they’re even closer than before, the backs of their hands, their elbows and shoulders all brushing with every step.
Eddie keeps stealing glances at Buck, and almost every time, Buck is already looking back.
There aren’t many people at the beach at this time of day, so they don’t come close to anyone else, and all they hear is the sand beneath their feet and the waves crashing a few feet away. The moon is big enough to be reflected on the sea, a beautiful sight, but Eddie still can’t look away from Buck for long.
“So, this is, uh, kind of romantic,” Buck blurts out after a few quiet minutes. “Right? I–I’m not misreading that?”
“No,” Eddie says. “I mean– you’re not misreading it.”
“But you’re nervous.”
When their knuckles brush again, Eddie stretches out his fingers and catches Buck’s, holding on. Buck’s own fingers tighten immediately, and it gives Eddie the last bit of courage he needs.
“Well, yeah. Buck–” He stops walking, and Buck follows, turning so he’s facing Eddie. He’s close enough that Eddie can see his expression despite the dark, and he looks terrified, hopeful, nervous and excited at the same time, all of which Eddie feels, too. Eddie takes a deep breath. “I’m nervous because– nothing…no one’s ever been this important.”
A smile spreads out across Buck’s face, slowly deepening the crinkles around his eyes. “So this was a date?”
“Did it feel like one to you, too?”
Buck’s smile widens. “Yeah, i–it did. And I’m–I’m nervous too, of course. Eddie, if we do this, there’s no going back for me. I can’t– lose you. You and Christopher, you’re too important.”
He pulls on Eddie’s hand a little, and Eddie takes another step closer, drops his shoes in the sand and places his free hand on Buck’s shoulder, thumb resting against his collarbone.
“It’s the same for me,” he says quietly. He shivers when Buck grabs his waist, the warmth of his hand seeping through Eddie’s shirt. “I– We don’t know what’s gonna happen. But, Buck– I love you. I love you so much, I have for…way longer than I was aware of it, and I just don’t see that going away. And I don’t think it’s fair to us to deny ourselves when I really think we could make each other– so happy. I know I can make you happy, and I want to prove it to you every day of my life, Buck.”
Buck is just staring at him with a dazed expression, his lips slightly parted, and Eddie suddenly can’t stand not kissing him for a second longer.
He slides his hand from Buck’s shoulder to the back of his neck, watches Buck’s eyes flutter shut and feels his fingers tighten on his waist, and then he’s finally, finally closing the distance between them.
Buck makes a soft sound against his mouth, like he’s still somehow surprised this is happening, but he gets on board very quickly, and Eddie stops thinking entirely.
When they pull back breathlessly, Eddie’s hair is a mess – he can feel the loose strands on his forehead – his lips are still tingling, and Buck’s got both arms wrapped around him tightly.
“In case that wasn’t clear,” Buck gasps, and lifts a hand to cup Eddie’s cheek. His thumb brushes over Eddie’s chin and caresses his lower lip, and Eddie presses a kiss to the pad of it. “I love you, too.”
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forthegothicheroine · 3 days ago
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I've made a post about great lesser-known noirs, but it occurs to me that some of you might not be familiar with the classics, and might want to know where to start. This is a ridiculously short list- I have a million more to talk about- but here are some of the big stars of the genre.
The Maltese Falcon: Sam Spade, a clever but callous private detective, gets wrapped up in intrigue relating to an artifact that is functionally cursed. If he's an unscrupulous character, just wait until you meet everyone else. The whole damn cast is electrifying, lending charm and cruelty in equal measure.
The Big Sleep: Philip Marlowe, a kinder and more poetic detective for Humphrey Bogart to play than Spade, is called upon to deal with a wealthy, dysfunctional family, and it keeps on getting weirder from there. Is the sharp-tongued Vivian Sternwood the femme fatale she seems, or is she just another person trying to find the right thing to do in desperate circumstances? And will she and Marlowe keep their hands off each other until the plot has had its last twist?
Double Indemnity: Rich housewife Phyllis Dietrichson and sleazy insurance agent Walter Neff are, by their own admission, rotten people. It's only natural that they should plot a murder together, and that they should turn on each other the very second things go wrong. Every single domestic murder movie since 1944 has ripped this off.
Kiss Me Deadly: This is nominally an adaptation of a Mike Hammer story. Screenwriter Bezzerides hated Mike Hammer. As depicted here, he is one of the worst people in the world. Depending on the cut of the film you see, he may inadvertently cause the nuclear apocalypse. (For once, the theatrical cut is darker.)
Sweet Smell of Success: Cruel, all-powerful columnist JJ Hunsecker wants his sister's boyfriend out of the way (for reasons that are, um, ambiguous.) To accomplish this, he enlists the biggest weasel in New York, Sidney Falco, and the two completely deserve each other as they spend the rest of the movie trading elaborate insults. Popular on tumblr for its dialogue and chemistry between the leads.
Sunset Boulevard: Broke screenwriter Joe Gillis thinks he can con a has-been into hiring him as a script doctor, and that's the last free decision he ever gets to make. From then on, his life is in the hands of Norma Desmond, silent film starlet turned crazed recluse, terrifying yet intensely pitiable. This is as much gothic horror as noir.
Ace in the Hole: The story of a man trapped in a cave is turning out to be a big hit in the newspaper, and if the publicity will make a reporter's career, then what's the harm in delaying rescue just for a little while? This is as vicious as noir gets, but damn it, you've just got to see what happens next. (Watch Jacob Geller's video Fear of the Depths after this.)
Sorry Wrong Number: Of all the films on this list, this is the one that really scared me. In the days of switchboards, a rich hypocondriac woman is connected to the wrong phone line and overhears a murder being planned. It doesn't take her long to figure out she's the intended victim, and each call she makes or recieves makes the situation darker. But how can she escape her fate if she can't- or won't leave her bed?
The Asphalt Jungle: The heist movie. Maybe the only heist movie ever made. Every line is quotable. Every member of the team is an unforgettable personality. When things go wrong, they go horribly wrong. One minute you're laughing, and the next minute you think you'll never laugh again.
Gun Crazy: Laurie and Bart, two practiced sharpshooters, are perhaps the most perfect match in all of noir- and that's a bad thing. When one half of the duo gets a criminal idea in their head, the other can't say no. When the opportunity to ditch her man like a sap comes up, the femme fatale throws it away to be doomed at his side. He fell in love with her when she first aimed a gun at him. Quentin Tarantino kissed star Peggy Cummins's feet at a showing of the film, and I hope she kicked him in the head.
Laura: Everyone was in love with Laura Hunt, and somebody killed her- or did they? Did they get the right person? Is the cop on the case in love with a dead woman? Was her columnist mentor just her gay best friend, or was there something darker beneath that facade? And what would Laura think of all this? A big inspiration on Twin Peaks.
In a Lonely Place: Bogart isn't at all heroic here, as a screenwriter with a drinking habit and a violent temper. He's obviously a bad idea to date, but just how bad an idea? He's not the type of guy who'd kill a woman, is he? Bogart and Gloria Holden give perhaps their best performances here, and they'll wound your soul.
Touch of Evil: A Mexican cop (played, unfortunately, by Charlton Heston) finds out a nasty secret about the big hero cop Hank Quinlan: he's framed the culprit in most of his cases. Not because he's crooked, but because his intuition tells him they're guilty. Director Orson Welles as Quinlan is frightening, grotesque, and a little bit tragic in what some consider the last classic noir.
The Killers: The first twenty minutes or so are an adaptation of a Hemingway story, where out of town hitmen gun down a man so depressed he won't even bother to run from them. The rest of the film is an investigation into how he got that way. It had something to do with a radiant gangster's girl, and something to do with a few botched crimes. Sometimes a man can die before the bullets even touch him.
The Third Man: Everybody is lying about the whereabouts of an American expatriate named Harry when his friend comes looking. Did they do something to him? Or, more frightening still, is he the one who's been doing things to other people? Orson Welles is a more charming monster than he was in Touch of Evil; the light and shadows on his face cast him as a vampire, while his fingers sticking up through the sewer grate look like something terrifying emerging from the earth.
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gilbertscurls · 21 hours ago
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Treat You Better ➵ Matt Sturniolo
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summary: matt could treat you better than your current boyfriend. he's sure of it.
It’s raining, of course.
Matt pulls his hood tighter around his face, eyes cast down as he trudges through the wet pavement on his way to class. The rain isn’t that heavy, just a slow drizzle, but it feels heavier with every step, like the sky is mocking him. The world around him feels gray, blending into the dull ache he’s been carrying for weeks now, ever since you started dating him.
Matt clenches his fists in his pockets, trying to shake the thought away, but it clings to him, relentless. It always does.
He imagines you now, sitting in his car, laughing at some joke as the two of you drive to class together. He picks you up every morning, without fail. The perfect boyfriend.
And Matt? Well, Matt walks alone.
He can picture it so clearly: the way your eyes crinkle at the corners when you smile, the way you throw your head back when you laugh, like you don’t have a care in the world. He can almost hear your voice, light and carefree, filling the silence of the car, a sound that he’s only ever heard from a distance.
Because you’re not his.
In his head, though, you are. In his daydreams, in the moments when he allows himself to think about you—and God, does he think about you all the time—you’re his. You’re sitting next to him, your hand in his, your head resting on his shoulder as you talk about everything and nothing. You’re his, not some guy who doesn’t even seem to appreciate what he has.
Matt kicks a loose rock down the road, watching it skid along the pavement before it disappears into the gutter.
He hates that guy. Not just because he’s your boyfriend, though that’s a big part of it. But because Matt knows—he knows—that he could treat you better. He knows that when you’re feeling down, he’d be there for you in a heartbeat. He wouldn’t let you hide your pain behind that brave smile you wear so well. He wouldn’t just brush it off like it’s nothing, the way your boyfriend seems to do.
Would he hold you when you’re feeling low?
Matt shakes his head, trying to clear the thoughts that are starting to spiral. It’s not his place. It never was.
He stops at a red light, watching the cars pass by, and his heart sinks when he sees a familiar car pull up to the intersection. Your boyfriend’s car. And there you are, sitting in the passenger seat, looking out the window with that same distant expression you sometimes get when you think no one’s watching.
Matt bites his lip, hands tightening in his pockets. He knows he should look away, should keep walking, but he can’t. Not when you’re right there, so close yet so far away.
As the light turns green, your boyfriend’s car pulls forward, and Matt watches as you disappear down the street. The rain continues to fall, soft but unrelenting, and he’s left standing there, alone again, wondering how he ended up here.
He doesn’t even remember when he started falling for you. Maybe it was that day in biology class when you partnered up for a project, or maybe it was when you started hanging out more with his brothers and him, laughing with Nick and Chris in a way that made Matt’s heart twist with something unnameable.
Whatever it was, it doesn’t matter now.
Because you’re not his.
But, God, if it were him, he would love you in a way that would make you feel like you were the only person in the world. He’d hold you close when you felt like everything was falling apart, he’d be there for the big moments and the small ones. He’d make sure you never had to feel alone again.
Matt swallows the lump forming in his throat. He’s never been good with these kinds of things—feelings, emotions, letting someone in. But with you, it’s different. With you, he wants to try. He wants to let you in, to show you the side of him that he hides from everyone else, the part of him that’s terrified of rejection but even more terrified of missing out on something real.
If only you weren’t with him.
Would he say he’s in love?
Matt snorts bitterly to himself. He doubts it.
Sure, your boyfriend’s got the car, the looks—everything Matt doesn’t. But does he love you the way Matt would? Does he even know how lucky he is to have you?
Matt kicks at another rock, his heart heavy in his chest.
You deserve more than someone who treats you like a prize to be shown off. You deserve someone who looks at you like you’re their entire world, someone who holds you when you’re feeling low and doesn’t just brush it off.
And if it were him, Matt knows he’d do all of that. He’d love you with everything he has.
But he’s not him. He’s just Matt, the guy who walks to class in the rain while you ride in a car with someone else. The guy who’s stuck on the outside looking in, constantly playing a game he’s destined to lose.
Reality ruined my life.
The thought hits him hard, sinking into his chest like a stone. Because no matter how much he dreams about what could be, no matter how many times he imagines you being his, it doesn’t change the fact that you’re with someone else. Someone who, for whatever reason, has what Matt wants more than anything.
But Matt keeps walking. He always does. Because that’s all he can do. Keep moving forward, even if it feels like the weight of unspoken words and missed chances is dragging him down.
Would he treat you like I would?
The answer is no.
Matt knows that. But you don’t. And that’s what hurts the most.
With a heavy sigh, he turns the corner, his mind still spinning with thoughts of you and what could have been, the rain falling around him like a reminder of all the things he can’t control.
And he keeps walking.
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tag list: @stuwniolo, @sturnobsessedwh0re, @matts-myloverboy, @imjusthereforthesturniolosmut, @lizzymacdonald06, @asherrisrandom, @sturniolowhore69, @faith5drpepper, @emely9274, @psychologyloverfr, @lovetaylorrussellgrr, @conspiracy-ash, @helpimateenagerinlove
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aro-culture-is · 8 hours ago
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aro culture is i lost a friend I've known for decades because his romantic partner demanded that i, along with many other platonic friends, should gtfo his life. I know this isn't an aros only thing but I am aro and i never thought that this shitshow would happen to me too. So it's only a matter of time before i get yeeted out of all of my friend's lives because for some reason the romantic partner is of higher importance than the platonic companions. God.
... so like. I just want to be clear: when a romantic partner insists that their partner should not have friends (whether along gender lines or not), that is either explicitly an act of abuse (isolating them from other social structures) or at minimum a red flag of emotional immaturity (ie, jealousy) that will often become a component of abuse. it is not a normal thing. it is, at times, normalized by a culture that expects unhealthy relationships, but it is a blaring red siren for problems.
there is a huge difference between the friend themself choosing to leave you and their partner demanding control over their social circle. it doesn't make being thrown to the curb hurt less, but I do highly recommend leaving the door open for him, and in some way explicitly saying he can always still talk to you, even if you are upset with him. generally, at this point, it's not worthwhile to say "I think that this person is abusing you", because the control is being initiated and is actively monitored at this stage; you saying anything bad is going to be used as why he should cut you off, because "I can't believe you'd be friends with someone who hates your romantic partner!" is a thing.
If you can, please please read up about how to help friends in emotionally abusive relationships. the main point is: be open to listening, never initiate a negative comment about the abusive individual, but if he starts it? Listen. Say how you can see that, how does he feel about it? Does he want to do anything about it? If not, you gotta learn to say "Okay. Let me know if that ever changes." and move on. If he's not ready, it's way more important that he's still able to come to you and doesn't feel pressured, because then when he is ready, he knows who has never pressured him, always listened and let him make his own choices, and offered to help.
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steviewashere · 1 day ago
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CW: Infertility (Coming from my own experience just...with a uterus.)
Thinking right now about Steve who wants his own family really bad, but finds out he's 100% infertile.
He only finds out after a failed marriage. His first marriage. Has a beautiful, wonderful, just absolutely incredible wife who accepts everything about his past—stuff he won't talk about and otherwise. Yet, the one thing they knew for certain was a definite in their relationship was children. However, for some reason (that I don't have), his wife rejects the idea of adopting children. So they try. They try and try and try.
Eventually, they get their eggs and sperm analyzed. Her eggs are healthy, her uterus is fine, no complications associated with her ovaries.
Steve, in his next visit, finds out he's infertile. It's not genetically caused. His parents were very fertile, just decided to have only one child. And—maybe due to some Upside Down bullshit; bat bites being untreated, injuries being too traumatic—his sperm production and his sperm vitality are completely destroyed.
He's devastated, of course he is. Brings it up to his wife. They agree to go their separate ways because this was something they both wanted, but now can't have.
And then he just floats about for a while. Quiet and disheartened.
He goes back to Hawkins and bumps into Eddie. Now, I'm thinking, personally, that this isn't some romance story. They're strictly platonic in this scenario (for now).
They get to talking and somewhere in the conversation, Steve's infertility comes up. Eddie tries to gently explain to him that there's other options to have children. "Foster care," he says, "it's where I was for a while. You can adopt from an orphanage, from a hospital. There's always the option for surrogacy, y'know. A lot of different"—
"Eds," Steve interrupts, "I appreciate this, but I...I don't want to talk about it anymore. It hurts too much to think about."
"Sorry," Eddie apologizes.
Steve just shakes his head, resigned. "It's not your fault," he murmurs, "guess I'm just upset that my body doesn't work the way it's supposed to."
"Not everybody's works the way it's supposed to, Steve."
"Yeah," he whispers, "but I was sorta hoping my own would."
There's a lull in the conversation. A long while of just silence and a cigarette being passed and the gentle rustle of trees around them. Outside, in the Forest Hills trailer park, staring down a set of rusted swings.
"How do you think I should handle this, Eddie?"
"Hm?"
"This...this body issue. What am I supposed to do about it? I'm, like...like grieving over nothing."
"You grieve, Steve," Eddie answer simply, "you get angry and you cry. That's all you can really do."
"I don't want to be angry, though. I want...I want to be happy. I want my dream to come true! I want"—he sighs and swallows and looks on ahead of him. To a place he once visited constantly when he still lived full-time in Hawkins, not just passing through. Out on a town that he once called home, a place where he couldn't be the person he wanted to be. Couldn't get what he needed.—"I want to love my kid in a way I never got."
And Eddie looks to him. To his profile. Shuffles closer, cigarette out on the porch. Arm wrapping over Steve's shoulders, tugging him in. "I know," Eddie whispers, "I'm sorry, Steve. I'm really, really sorry."
"It's not your fault, Eds."
"It's not yours either."
He keeps staring out. To a place that was hopeful. Where his dreams bared new. When things seemed reasonable and he could face everything head-on and knew exactly what he wanted for himself. A future of laughter and soft lullabies and hugs warm enough to soothe the world.
There'll be other chances. But not now. Not when he's like this.
"I know," he merely mutters, "I know."
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gilverrwrites · 3 days ago
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Dick being a bit of a perv towards Tim’s friend…you and Tim obviously have crushes on another, but Dick subtly convinces you that it’s unrequited, that Tim is turned off by how naive you clearly are…unless you want Dick to teach you some things, he’s be more than happy to *do it*…of course his hands are already creeping down your pants as he says this.
What?! Anon you're crazy. Dickie would never ever do something like this! Anyway... Warnings: Coercion, manipulation, choking, slut shaming, implied age gap Virgin!Reader.
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The very first time he met you; Dick made it his mission to ensure he was your favourite member of the family. He’s often the first to invite you to events. He’s always cutting in at galas, much to Tim’s chagrin, and telling you how great you look. Not just the fancy stuff either, he showers you with compliments all the time. He just loves your cosy hoodie, and did you get a haircut? It looks great.
Sometimes he’ll make a show of staring at you, all starry-eyed as he says shit like “Wow. You really are just sooo beautiful. Tim’s a lucky guy.” Knowing full well Tim and you are not an item.
“If only I’d got there first.” Knowing that his comments will almost certainly embarrass Tim.
“What did Tim do to deserve you, anyway?” That the embarrassment is liable to make Tim push you away a little bit.
But it’s not all flirtation. Dick also asks about your life, your friends and family. He learns about your hobbies, and watches your favourite films so he can talk to you about them. He's always offering advice, warranted or not. He just wants to be ‘the best soon-to-be brother-in-law’, you know?
So, he's unsurprised and elated when you call him one night, on the brink of tears after seeing Tim on what looked like a date with someone else. “I feel so weird calling you since you're brothers but you're the only one who knows us both.”
“No, no, no. Don't ever feel like you can't talk to me. You can always come to me for anything! Why don't I come over?”
Half an hour later he's on your couch, listening to you lament about your hopeless crush on Tim. He pats your shoulders, and rubs your back throughout, subtly getting closer and closer until you're all but sat in his lap with his hand dangerously high up your thigh.
“Listen, Tim is my brother, and I love him, I do. And I don't believe in slut shaming, that's not what this is, but he does get around. A lot.” He catches a stray tear with his thumb. You don't move when he lingers, so he keeps shooting, caressing your cheek until he reaches your lips where he grazes their softness far longer than is appropriate. His cock is rock hard from cradling you, there's no way you haven't noticed it digging into your asscheek. You can't be that dumb? “I shouldn't say this, it’s not my place but you deserve to know. He’s a cheater. He's cheated in almost every relationship he's been in. I think he gets bored… Sexually.”
He hadn’t thought you could look any sadder, but you managed it. He almost feels bad. Almost.
“You should be fine though. You know what you're doing, right? No? That's crazy, you're so lovely.”
It takes a little persuasion, but it's cursory more than anything.
“Tim doesn't need to know; it’ll be our little secret.” He promises as he slides his fingers under your waistband.
That night he makes it all about you. He practically spoils you, never using anything but his hands and mouth to make you melt for him, over and over. It takes all his resolve not to kiss you stupid, only because you make such captivating sounds. Such moreish whimpers and moans. For his ears only.
He’s the worst brother in the world.
But that doesn’t stop him from calling you every chance he gets.
He knows he’s going to hell when he’s filled with a sick sense of pride, after dropping you off for a coffee date with Tim, having cum all over your tongue only moments earlier and driven you there with his hand practically lodged between your legs.
Sometimes he fantasises about sucking his name into your chest. Just so Tim will know exactly where you've been if he ever has the balls to close the deal.
But the veneer can only last so long, and you unknowingly chip away at it, bit by bit every time you say Tim’s name. “Do you think Tim would like this?” “I can't believe I'm asking but do you know if Tim…” “Oh, I can’t tonight, Tim and I…”
It finally shatters the first time he fucks you though. You take it so well, slowly letting him stretch out your tight, virgin hole. He barely even has to coach you through it, just a few sweet words of praise, his fingers brushing you in all the right places and your bouncing on his cock like it was made for you.
But then you go and spoil it. He barely even remembers what you said exactly. “Something, something, Tim.” and he's seeing red.
The next thing out of your mouth is a startled gasp as he fixes his hand around your throat and squeezes, pulling you close and pushing his length so deep inside that your eyes roll back as he spits; “Tim doesn't want you.”
You're like a deer in the headlights, wide-eyed and confused but still moaning like a slut as he ruts up into you. “He did, but do you really think he'd ever touch you now? When he finds out you've been hanging off his big brother's dick? Should of taken photos so he can see how bad you wanted it.”
“But- but you said-”
“I know what I said.” You look the most aggrieved when he cuts you off. Never in a million years did you think golden boy Dick Grayson would be so callous. “And you bought it all. God- you’re too easy.”
He trails off for a moment, getting lost in how fucking good you feel, walls tight and twitching around him, milking him a little bit more every time he pinches your throat or bites out another nasty comment. All this time he’s been so nice to you; he should have known you’d like him mean.   
“Fucking shit~ I was never gonna let Tim have you. You were mine the moment you walked into the manor.”
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