#'It's not what you feel it's what you show' line is from 'the song 'Misery' by Maroon 5

[toon-tales]

Hiya! Ok, so, I'm here to analyze, again. But! Not a scene. I'm here to analyze the evolution of the one and only #Broppy, from the first movie. I've been planning to include the three movies and the holiday specials, but I figured I can't add that many pics in one post. I can only add ten, soooo-

Let's take it from the beginning: the first appearance for Branch.

If you ask me, he was being rude, maybe even embarrassed Poppy in front of everyone. Yeah, I love Branch, and he's my baby and all, but dude, you shouldn't have done that, especially not in front of everyone. Like, yeah, we later know his backstory and his grandma and his brothers, but still, it's not Poppy's fault, he shouldn't have treated her like this. Sure, her believing life was all cupcakes and rainbows might have been provoking to Branch, but he's still at fault, and I think more people need to make peace with that.

Also, something I noticed, is that Branch and Poppy were close even before the events of the first movie, cause, literally everyone calls her 'Princess Poppy', except the snack pack. They just call her Poppy, and the fact that Branch also calls her Poppy just proves they were close.

Now, later, we see Branch holding Poppy's scrapbook, then staring at even more scrapbooks on the shelves. Like, cute, sure, but it's not what you feel, it's what you show, Branch.

Okay, now, this scene:

The fact that Poppy was knocking on the rock just means she never got into Branch's bunker before. But she knows the address, so that counts. Maybe he had given it to her when they first met in case she needed something after he'd found her hurt with a broken arm or something then they became friends- I'm totally drifting from the post. Sorry about that.

Now, there are two theories:

Annnywayyyy, let's focus on the scene after:

"Which is why I have to ask you..." she hesitated, before continuing, "will you go to Bergen town with me and save everyone?"

She hesitated! She freaking hesitated! Meaning? She probably never asked Branch to help her before. She surely had problems in her life, but she also had her friends, so I belive she always went to them whenever she was in trouble. But now those friends aren't here, which forces her to ask the person who she trusts the most after them. Branch. And, disappointedly, he refuses, because of the fear he's living in.

Moments later, Poppy surprisingly invites the entire village to Branch's bunker to keep them safe. Which was wrong of her. True, she was trying to protect everyone, but using Branch's house without his consent was wrong. Sorry. Sure, it was the safest place for now, but that still doesn't justify it. You can see he was clearly annoyed (which she loved). But I don't really blame her, just like I don't really blame Branch. They both did wrong.

Skip, skip, skip, skip, skip- hold... rightttt here:

Ah, yes. That scene. Now, look. He showed up, because he knew there was no way Poppy could do this by herself, and he wasn't wrong. Poppy, in return, also knew he would come, because it was the third hug time by then.

"I guess we were both right." That line. It speaks volumes for their relationship, yet no one talks about it! They both look at things from different perspectives, BUT, it doesn't mean either of them is wrong.

Like when they arrived at the troll tree: "The troll tree." "Bergen town."

Or when they found out the others were still alive: "They're alive?" "And on a silver platter too. We were both right."

Please writers and artists, we need more content with this line. Add it to your fanfics/art!

Skip, skip, another skip (yes, I skipped the part where Branch tries to avoid talking about his feelings cause it's kinda... i don't know, i just don't know what to say about it. It's sorta obvious), skiiiiiip, annnndddd, right here:

THEIR. FIRST. HUG.

My babies, oh my sweet precious babies. They've been through so much together, and finally, Branch has found it in himself to actually open up about his past (mostly).

I've spoken about this scene in more details in this post.

Now, we're going to talk about one of the most important scenes in the history of Broppy. This:

Branch is talking. He's always used to being in the shadows, never helping anyone, and here he was, helping a Bergen. If that's not a big change, I don't know what is.

And let me tell you, not only Branch was changing in this scene. See Poppy?

She's learning to look deeper into things, even persons. She's finally realizing that Branch, the grumpy, sarcastic troll, might not be as bad as she thought. They're both developing.

Until the rules are swapped.

Branch is the one to find the bright side, and Poppy is the one to cover it. And you can see how disappointed he is.

"I can't wait to see the look on your face when you realize the world isn't all cupcakes and rainbows." But when it happened, Branch realized that this wasn't what he wanted. He didn't want her to be like him, because this was him - a person who doesn't see the cupcakes and rainbows in life, not even in the slightest.

The way he was trying to cheer her up

And the way she actually smiled. Poppy was still there, her happiness was inside, not gone but hidden, and Branch was trying to find it again.

Yet she didn't even notice her own colors returning. Maybe because she was focused on the change in Branch? She wasn't startled when he sang at first, she wasn't happy, just like he used to be. He didn't use to care, until later, when his feelings began to resurface again, because Poppy helped him. Just like he was doing now. Neither did he notice his colors coming back

Aaaaaand, I think the rest doesn't really need analyzing.

Feel free to add or comment on anything.

Part two

Part three

[teamcavota]

50 milo murphy's law facts

5 not so fun and 45 fun!

Not so fun to start!

The only Milo Murphy's Law official merchandise is a notebook released in Japan for the MML X PNF crossover.

Disney actually apologized to Dan (and I assume Swampy) for the treatment of Milo Murphy's Law. Dan has expressed frustration at the MMLs treatment before, citing the Hiatus between s1 and s2 and the fact it did not air on the main Disney Channel.

Doof appears in more episodes than Cavendish and Dakota in s2 (this is the real reason we needed a s3). Also, while PNF/Doof stuff was planned from the start, Disney did push for more PNF.

When season 2 was airing, new episodes would randomly be released in other countries.

Milo was cut from CATU due to a feeling from Disney that audiences would not recognize his cameo.

ok LAME ones out of the way

On the first drawing of Milo there are three names beside it: Milo, Mikey, and...Monty. As you probably know the Mikey one got pretty far and is the name used in the pitch bible (and was referenced with "I am Mikey!".) The reason Mikey was changed to Milo was not a creative choice, but because there was a popular YouTuber named "Mikey Murphy."

Speaking of, Milo was also just going to be another character apart of a different pitch, but Dan kept thinking he should go into his own show. He went to Swampy and asked him what he thought of Milo (at the time Mikey) and the idea of a show about Murphys Law. it took them about an hour to come up with the concept pitch.

You can find several of MML song dubbings on YouTube and other platforms. Most notably the Japanese version (マイロ・マーフィーの法則) highly worth checking out. Fun fact in a fun fact, Doof and Dakota also share the same voice actor in this dubbing.

In re-airings of some of the first MML episodes, second versions were made that included Cavendish and Dakota in the background.

Yes, Melissa was originally going to feel the lasting effects of the pistachion uprising by remaining looking like one instead of Bradley having his arm turned into a vine. This would have been a source of conflict for her in season 2, but in the end they felt it was too much of a change. As far as Bradley's plant arm it was originally only going to come out sometimes before it was changed to being a constant thing. He does have feeling in this arm.

The Island of Lost Dakota's was going to include a scene with merman Dakota's ("merkotas"). There was also going to be "mutation" Dakotas, such as ones with multiple heads.

There exists a live action version of the Milo Murphy's Law theme song. well, sorta, watch it

Before Milo came out Dwampy made the song "we're gonna do it again."

MML was originally set to debut in early 2017.

Weird Al did not originally come to mind for Milo. One of the idea voices they had was Noah Z Jones (Fish Hooks). They auditioned hundreds of people for Milo, but many had issues such as sounding too nervous in their lines. It wasn't until Alex Hirsch (Gravity Falls) posted a photo with Weird Al that Dwampy realized he'd be perfect for the role.

Sara is based on a friend of Dwampy.

In tune with the popular headcanon/fan theory, it's possible they did actually consider making Cavendish a descendant of Milo. When Cavendish was going to agree he also liked Milo, he was going to say he was his descendant. *this may have also just been a joke line

Milo and Cavendish are meant to mirror eachother in the fact Milo deals with Murphy's Law and Cavendish is the "author of his own misery" in regards to things going wrong.

Another thing they considered was the possibility of Dakota and Cavendish being in a romantic relationship, but they ultimately decided they wanted them to have them represent a strong male friendship.

The Milo Murphys Law crew did keep up a fanart and concept art wall. Here, here, and here are some photos.

There was a baby Cavenpus cut from final productions.

There are no official ages for Dakota and Cavendish. Dan has said he believes Cavendish to be older, while Joshua Pruett has said he believes Dakota to be the older one and by a bit of a margin.

Pistachios came to be a thing in the show because a son of some of Dan's neighbors had been allergic to specifically pistachios. They needed an idea for the larger plot and somehow those two came together. (Swampy also notes it's a funny word).

Several of the scripts for MML storyboarders included just the words, "and Murphy's Law happened."

Dan has made at least one Vinnie Dakota dedicated Tiktok similar to his Doof ones.

The Doof and Dakota lines were recorded together, back and forth.

Melissa was going to have a hamster nemesis named Ham. In the Pitch Bible the name wasn't included, but it's explained it was a pet class hamster that would always escape and end up on her things.

The secret handshake Milo and Zack do in scream-a-tourium was intended to be longer.

The studio executive for MML originally thought The Island of Lost Dakota's was a joke idea until he read the script.

There was a MML kids menu at Disneyland circa 2016.

Dakota and Cavendish were originally not in the shows ideas, nor was any B-plot, but being used to it in PNF the writers room felt they "needed something to cut away to"

Joshua Pruett pitched for the MML x PNF crossover for where when Milo opened his backpack to pull out the thing he needed to save the world it'd be...Phineas and Ferb.

Dakota is the reason parking tickets exist, as he can be a bit careless about leaving time vehicles all over the place. Dakota is proud of this.

Melissa's likeness and name is based on Dan's daughter Meli, as to sorta "balance out" Isabella also being based on his other daughter.

They considered a twist where Bob Block would be an alien wearing a face mask.

"Cavendish Farms" is an episode that never came to be pitched by Pruett where in order to track Cavendish Dakota would try to duplicate Cavendish, though none of them would quite be Cavendish. One of the Cavendishs would have a heart to heart with Dakota, while Doof would ultimately call out Dakota for what he's doing and tell Dakota "you already know what he would do." dwampy rejected this idea because this was a bad idea, to which pruett felt that is exactly why Dakota would have tried it. if renewed, pruett would have tried to convince them more on it.

Chop Away at My Heart was originally called "Jump Jump Jump" and was made for another project by one of Dan's friends. After Dan have asked to transform it into something else for Milo, Joshua Pruett suggested a "Lumberjack themed boyband" in the script.

unfortunate split for character block limit

Dakotas voice was inspired by Elvis Costello. It's also the harder voice for Dan in comparison to Doof.

Mark Hamill originally auditioned to play a teacher on the show, but Dwampy liked his audition so much they decided he'd better fit Mr. Block.

In the MML pitch bible it is stated, "Mikey has a destiny to fulfill, something vital to the future of the planet." The goal of Cavendish and Dakota would be to make sure he stays on the right path.

There IS a full version of We're Going to the Zoo, which was played by Dan in this interview at 3:00:30. Several MML songs have had full versions leaked, implying this is probably the case for some other songs too.

Like several other characters, Sara in the MML pitch bible was different from her show counterpart, being "a hipster like Thora Butch in Ghost World."

The song "A World Without Milo" is based on the song "Happy Together" by "The Turtles"

Almost every character, including creatures or minor one-offs had a name in the script. An example is "Pia," the name of the poodle Diogee falls in love with.

In regards to when Dakota talks about cutting through the Mesozoic in First Impressions and the fact it is illogical, Dan says this is likely just Dakota being Dakota (aka, it was a mistake), and not every such line should be taken serious.

In a deleted "Snow Way Out" line it was confirmed that the raccoon in Going the Extra Milo and Fungus Among Us is recurring raccoon.

Brick and Savannah were going to have a role in the crossover.

Story ideas from the MML pitch bible that never came to include a beach episode, a Friday the 13 episode, and an episode where Cavendish and Dakota try convincing Milo to take a self defense class leading to conflict with a hidden ninja gang.

For unspecified characters (probably multiple different sets) Pruett wrote in hugs that were cut by (mostly) Dan. In response, he says he "put 4 in so at least 1 stays."

S3 would have likely included: A third Block (yes, still voiced by Mark Hamill and a Block "family meeting"), Milo creating the universe, Dakota and Cavendish getting the promotion they wanted but being unsatisfied, Elliot cleverly being connected to the overarching plot, AU exploration (akin to pnf) including an episode where Dr Zone is real, and a conclusion to the Prof Time arc. The overarching plot would have been the "biggest yet."

credits to: danvillecheese for suggestions + encouragement, cheetochild989 for facts the fact about going to the zoo and a world without milo, the 2nd dimension on YouTube, my hamsterward friends, and of course all the talented people who worked on MML :3

[cerebralisis]

Has Taylor been drawing connections to Barbie’s journey from Barbieland into the real world?

I rewatched Barbie a few days ago after streaming the Amsterdam N3 show and found some interesting parallels, particularly the scene where Barbie and Ken go through the transportation sequence.

Like Barbie and Ken, Taylor and Travis started their journey by setting off in the getaway car (a rather loud hint at how this whole thing is gonna end). Since then, Taylor has played Getaway Car twice - once in Melbourne mashed up with August and The Other Side of the Door, and again in Edinburgh mashed up with The Bolter - three more songs that reference cars.

Next, Barbie and Ken ride in the boat. I’m sure by now that most of us have seen the Taylor-Travis pap-walk on their way to a boat ride - with the chessboard sweater and the not-so-subtle AO3 shot in the background making everyone question if this is just a fanfic. Taylor also played the “murder mashup” which includes a song referencing a boating license and another song used in a movie where they boat through the marshes of North Carolina.

From the boat, Barbie and Ken move onto the rocket ship. This is substantially more challenging for them to recreate, but I did notice that there were a hefty amount of spaceship/rocket references throughout June. Most notably: a new merch drop featuring the Down Bad spaceship and lyrics; a TikTok from Ice Spice where she’s reading the WSJ issue featuring Karlie Kloss as a “Rocket Woman” that’s “suiting up at Spacex;” Kam yelling out “bolt ya rocket” during WANEGBT; and a timely insta post from Travis promoting the Accelerator Rocket Pop energy drink (while wearing a Ken wig?)

After that, Barbie and Ken ride bikes through a scene set with windmills in the background, which heavily implies the Netherlands. This is what caught my attention because - while Taylor was in the Netherlands for Amsterdam N3 - she sang imgonnagetyouback, which of course has the line about smashing up your bike. She then sits down at the piano and says “I mentioned bikes, and man do you love bikes in Amsterdam! You just see a bike rack with 3,000 bikes on it.” Then, Travis was papped riding a bike out in Amsterdam. All of this happened only a week after Travis told us on his podcast that he suggested riding out on stage on one of the Blank Space bikes (before Taylor came up with the idea to make him a circus handler instead).

Next in the sequence are a camper, snowmobile, and rollerblades, so we will have to keep an eye out and see if there are any related hints.

It wouldn’t be the first Barbie reference that Taylor has made. In addition to all her Ken lyrics, I’m convinced that Peter references the Barbie movie with the line: “I hoped you’d return with your feet on the ground, tell me all that you’ve learned.” To me this feels a lot like Barbie choosing the Birkenstock over the high heel so she can go to the real world and learn the secrets of the universe. Especially when contrasted with “in stilettos for miles” when Taylor is lamenting her misery during I Can Do It With a Broken Heart, as if she’s stuck in Barbieland.

What do you think? Am I just cherry-picking or does the transportation sequence seem like an intentional countdown? Given the themes of the Barbie movie, the connections are hard to miss.

[adventuringblind]

Deserving

Charles Leclerc x Reader

Genre: hurt/comfort

Summary: while she falls into the pit of her mind, Charles is there to pull her out.

Warnings: mentioned self-harm, anxiety, toxic media, mentions of addiction

Notes: A Nonny request, I hope you like it!! This one is definitely an insight into how my brain works.

Masterlist // Request Form // My Website // buy me a Ko-Fi

Everyone says rookie years are the hardest. Which, she won't say everyone is wrong, just that she also had consistently bad years. They blend into each other now. A never-ending cycle of the same lame excuses as to why she's so downcast.

She's a rookie driver and having a pretty decent season. Logan and Oscar are two of her closest friends. She's dating Charles Leclerc of all people.

So why is that piece of her brain still nagging at her? Years of therapy and help hasn't done the trick. The stinging still pushes through to the front of her mind.

The habit started so young. It was a distraction from the pain of whatever she'd been going through at the time. A means to satisfy her the voices in her head. Now it's to remind her she's still alive. That the media hasn't shattered her already frail will to live quite yet.

Everything in her wants to just... stop. Everyday she's reminded that her place is somewhere else. Not in the car, not with Charles, not even on the planet.

It doesn't matter that she's having a good year, that the car is good, or that she has people who love her. The voices always come back in those dark hours when she's alone.

She staggered herself in the beginning. Enough that her physio wasn't catching on. She lived in Charles' hoodies, and he thought nothing of it. Just another source of comfort.

He'd seen the faded scars, asked her about it every occasionally. He never pushes her to talk about it.

She doesn't deserve Charles, or anyone for that matter. Mentors, family, friends, they are all to wonderful for her to drag them down into her misery. The constant pity party she throws herself has no guests, only her and her demons.

Redbull isn't the best environment for someone as fragile as her. Despite the boosts of confidence Christian gives her daily and the constant reassurance from Max, she doesn't feel like she deserves it. The media is eating her alive. The next teammate to be crucified to Redbull and Mad Max.

It's starting to become noticeable again. The lack of sleep and covering clothes. Charles is skeptical and keeps reassuring her she can talk to him.

If she does that, he'll leave. Her mind can't take being alone yet.

Max is the first to catch sight of the new lines adorning her wrist. He asks if she's alright, but again, nobody pushes for more. Maybe if they did, she would break. Her fragile walls would come tumbling down.

Oscar is the next to push. A good friend of hers and they've both had good seasons. He and Logan show up one night with comfort food and cards. It manages to make her smile like when they were younger.

But they have to leave eventually. The voices swallow her whole the second she's alone again.

Charles finally pushes for answers. He finds her alone, body slumped along the hotel bathroom wall. She's exhausted, but manages to give a crooked, tired smile.

He crouches down in front of her and looks at the fresh line on her thighs. Bandages are something she has readily available, and Charles knows exactly where to find them.

He works quietly, just humming softly as he patches her up. It's a classical song that he listens enough that she knows the tune but not the name.

Charles dresses her into comfy clothes and tucks her into bed. A hand plays with her hair and strokes her cheek.

She doesn't deserve him.

"Tell me what's eating away at you, chéri. Please, I hate that you won't talk to me."

She scoots her body closer to Charles so she doesn't have to see his face. "Just hard - I guess."

"It's okay to have hard days. It's okay that you feel the way you do. But this thing, hurting yourself, is not the way to make it better."

"I know that, Charlie!" Her voice cracks at saying his name. "I just can't help it."

Those fragile walls she has come tumbling down. The pit of despair finally swallows her, and she can't stop the tears.

It hurts. Her head, her heart, her bones, it all hurts. She falls and shatters, but Charles is here to put the pieces back together.

"I don't deserve you. You're everything people love, and I don't want to drag you down with me."

"Who put that idea in your head?"

"The voices," She sniffles. Her words muffled when Charles pulls her into his chest.

"Well, the voices are incorrect. I, of all people, know what it's like for the media to pick you a part. Whether it's appearances, my driving, my relationships, they will always find something." Charles pulls her back just a bit, enough for him to make eye contact. She hates how his eyes are as glassy as hers. "You don't have to suffer all alone, in silence. You have people around you that understand and want to help. None of us are asking for perfection. We - I - don't want to see you hurting so much."

"What if it's too much?"

"Then we figure it out together."

She falls asleep in Charles' arms. Tears soak into everything, but he doesn't tell her to move. He comforts, because Charles loves her.

She has people who want to be there for her. Yes, slips happen, healing is never straightforward, but she can try. She can lean on Charles, let him love her; let him be the steady rock she needs in her life.

"Progress chéri, not perfection."

"You sound like all team principles."

"And? It's a good saying!"

Charles pulls a laugh out of her. A genuine laugh at something that isn't even funny. She blames her love for him.

"Maybe I do deserve you."

"If this is an insult, I'm taking all the covers tonight."

[doublel27]

I’ve been thinking about Moo’s very publicly r video essay ever since @petrichoraline and I were talking about Moo’s very public declaration of his relationship here and the irony is if no one had said anything to Moo there’s a chance he wouldn’t have done anything.

In episode 8, Neth and Kang had already convinced him he might need to be quiet about their relationship. Kang and Moo agreed that “as long as we know” it doesn’t matter what other people do or don’t know.

And I think it was even worse for Moo because the dance video wasn’t a declaration of anything. That’s what he states before making the Kang fan edit. The video he was asked to delete was simply just boys dancing. And as an idol, he’s gonna be dancing on stage with a lot of boys. He’s probably already posted clips with Tae and Yos as well.

And sure it’s different because Kang isn’t also out here trying to be a dancer and he is Moo’s boyfriend. But a lot of what he was being asked to tone down were things that were what Moo considers normal. And I think that’s what made him so angry when everyone asked him to take the video down. Shone and Moo’s mom didn’t know they were boyfriends from that clip. To Moo’s point that wasn’t an announcement.

And as @luthienmpl points out here it’s not like Moo didn’t very publicly court Kang at school where everyone knows he’s written Kang a song and sang it over the intercom and gave away food for people who congratulated them on being boyfriends. There’s information out there.

Moo got mad at the idea he would have to lie. And everyone was insisting they weren’t asking him to lie, but to not share. To Moo, who if the thought is in his head it’s out of his mouth, omitting facts, deleting posts because of how someone might interpret it even if it’s not explicit what the video is of, to cut parts of himself off, well that’s a lie. After being pushed too far by the repeated requests by others to be less, he snapped with the very loud video of l not only do I have a boyfriend but let me tell you all about him and why he’s perfect.

With the preview showing that the contract is going to say expressly no relationships and Moo’s determination to not lie and Kang being the bluest boy (who tend to be martyrs….I am very curious where Only Boo is going with this story. As I am curious where Thame Po will take this story as they’re doing a similar line.

Another show with a similar storyline from GMM, Be My Favorite just dropped in 2023 and I adored it, but they took a particular stance on this conundrum. You should watch it, but spoilers…in one of the futures Kawi makes for himself, he ends up an idol and is at first delighted to find himself living what he thought was an impossible dream. But it’s quickly clear that he is miserable, drinking. He had gotten his dream girl Pear, but she left him because he wouldn’t marry her and start a family. As an idol, he couldn’t, or wouldn’t, give her the time, attention, and public commitment she was looking for. We also find out that Piesang disappeared around the same time. It’s heavily implied after Kawi chases Piesang and kisses him drunkenly, that Kawi probably did something similar after Pear left as Piesang says “You cannot keep doing this.” (They’d had a similar moment in episode six but this made it feel like we had a bigger pattern and explained his absence)

In the final future, Kawi is happily a songwriter, making songs for other people to sing. It’s the future Kawi chose knowing where the idol path sent him. Piesang even questions him on it. He asks Kawi if he gave up on those dreams because of Piesang and Piesang offers to hide if that’s what it takes. Kawi, thanks to the power of time travel, tells Piesang he’s absolutely certain he couldn’t be happier if he traveled that path. Only misery lies that way. Kawi’s whole lesson though is about making choices in the moment that spark joy rather than letting fear or jealousy lead your choices and living a life that makes you truly happy.

Only Boo, of course, is a very different show with a very different lead. Moo is 1000 times more confident and certain than Kawi ever could hope to be. He knows what he wants and while everyone sees them as two disparate pictures, Moo sees them fully integrated. He’s also a much younger character, just out of high school and has yet to face the reality of what it means to be an idol beyond getting to do the things he loves most and feels confident about.

Thame-Po will take us somewhere entirely different with an idol at the peak of their game who signed their right to a personal life away at a much younger age.

So when confronted with a contract that explicitly says you cannot date and Moo, who has no interest in lies of omission or hiding his boyfriend, and is in fact highly reactionary to people insisting he delete rather innocuous posts incase someone wants to speculate…I am very interested in the choices that will get written in here.

It is especially interesting considering the the litany of drama that has come out of highly entitled fan reactions to social media posts and in some cases leaked videos of Thai artists in their own home. Sure, everyone is trying to “protect” Moo in theory, but entitled fans will be entitled whether you hide your personal life entirely or not. These types of fans seem to exist across fandoms of many types and with a level of wild inappropriateness regardless of how open or closed a celebrity is to others. If they post too much with someone that’s a sign. If they avoid posting with someone that’s a sign. Like…there’s no winning.

And to that point, what is the takeaway going to be for Moo as he is faced with a moral dilemma and the two things he wants most in conflict? And what is the messaging going to be from Only Boo/GMM about young idols and talent (as the two leads of this show are) and their rights to their own lives? And are we gonna talk about the extra layer of homophobia of it all or because the fact that even straight relationships seem to be a PR nightmare for some talent, that GMM/Only Boo is content to leave it ambiguous for now?

[robo-milky]

Sometimes, you feel like you’re being watched.

The burning gaze of a person unknown, drilling its way into your back, staring into your very soul. It used to make you uneasy, wary, even. Yet you tried your very best not to show it.

Turning around discreetly around every corner, peeking from the corner of your eye. Stealing glances at shadowed nooks and crannies, trying to pinpoint the source of your unease. Remarkably, you’ve never seen anyone, even after all this time.

Not even the smallest glimpse of fabric, or a wayward footprint. Sighing to yourself, you resume your journey. Most stalkers tend to get conceited by now. They think they’re ever so sly, that they let down their guard. They get a little cocky, if to put in it such crude terms.

Unfortunately this stalker seems to be rather skilled in their profession. Despite your annoyance, you find yourself grudgingly admiring the ability of your wonderful little “friend”. Musing to yourself, you hum softly to yourself. A sweet little tune from the depths of your memory. You’ve heard it, somewhere before, but the memory seems determined to evade you.

“À la claire fontaine m'en allant promener

J'ai trouvé l'eau si belle que je m'y suis baignée.”

(As I was walking by the clear fountain,

I found the water so lovely I had to bathe.)

You pause, struggling to remember the next line. Only to hear another voice humming softly along with you. The same sweet little tune in a deep, passionate voice.

“ (refrain) Il y a longtemps que je t'aime, jamais je ne t'oublierai”

((refrain) I've loved you for so long, I will never forget you)

The voice had the richness of fine wine, yet there was something gravelly about it. It intoxicated you, creeping deep into your heart. A siren’s voice, you mused. A wonderful sound that was simply music to your ears.

You could curl up right next to the singer and listen forever, until your body rotted away. It was mesmerising, enchanting… spiriting you away from the present like a prince in a fairy tale.

While you were lost in your thoughts, you felt a warm breath, waft against the nape of your neck. Before a pair of soft lips pressed against it, gentle and tender. A kiss, like one a gentleman would yield towards a fine lady.

A soft chuckle was laughed as your skin flushed pink, before another kiss was pressed into your skin. But like the meek light from a sunset, the sensation was gone all too soon.

A weight pressed into your shoulder. Turning around, you see a flash of blonde, before those soft, gentle lips press against yours, capturing them in a lovely kiss. A greedy one, where he took every last bit of your air from your lungs like some depraved beast.

Yet the feeling… wasn’t totally unpleasant.

In the middle of it all, you catch a raspy whisper, words spoken ever so softly, just for your ears alone.

“Happy Birthday, Cloche dear.”

Anyways happy birthday from the mage of misery🫶 wishing you a great one!!!!

[Cloche’ Birthday Bash]

UWAHHHHHH CERUUUUUUU WHAT IS THIS- CLOCHE SINGING ONLY FOR ROOK TO CONTINUE AT THE RIGHT TIME??? THE PECKS BEFORE THE MAIN EVENT?? AND THE FACT THAT THEY FINALLY KISS ON THE LIPS- I’M GONNA LOSE IT- Oof this feels like watching those really long TV shows and finally getting to watch the will-they-won’t-they couple finally get together 😭😭

Ig it’s canon now that Cloche has French nursery songs drilled into her head from Canadian elementary- they pop in there at the worst times (as someone who was once in a half French immersion school- the war flashbacks are real-) But in all seriousness I just love this detail??? I will never not be salty that we were robbed of Rook singing more

Ofc Rook goes out of his way to tail Cloche instead of going to the party like normal people 😩 What is so special that it just can’t be shown to others??? Show off PDA, cowardly huntsman- assert dominance like an alpha— 👁️👁️ /j

Thank you so much for taking the time out of your day to write this!! This will now forever be my brainrot- Like holy— I can feel this in my soul, hear it, see it-

Schedule’s tight now but one day….

[rotting-and-so-beautiful]

sharing this here even tho nobody’s gonna really care but it’s my blog and i can do what i want

the hozier brainrot has been mingling side by side with the TMA brainrot and this playlist is the idiot baby of that.

explanation of why i chose each song under the cut :p

The Eye 👁️ - Take Me To Church: despite being first on the playlist i actually struggled a bit to find a song that would fit, but i felt like TMTC had some really good lyrics for the Eye (“I’ll tell you my sins so you can sharpen your knife,” “let me give you my life,” etc)

The Lonely 🌫️ - To Be Alone: i feel like this one is pretty self-explanatory. even though it’s technically about being with another person, it really emphasizes the “no one else is around” vibe. also…like, the title. yknow?

The Desolation 🔥 - Arsonist’s Lullaby: again, even more self-explanatory. the theme and lyrics of burning and fire and destruction. very Agnes Montague coded.

The Buried ⚰️ - Work Song: this one was mainly chosen for the chorus lyrics. “when my time comes around, lay me gently in the cold dark earth. no grave could hold my body down, i’d crawl home to her.” it feels very reminiscent of Daisy and Jon crawling out of the coffin.

The Vast ✈️ - I, Carrion (Icarian): for me it was either this or Sunlight, since both have references to Icarus and falling from the sky into the ocean, which all scream Vast. but I, Carrion places more emphasis on the actual fall, the wind rushing by and watching the sky expand, so i felt it was a better fit.

The Dark 🌑 - Son of Nyx: this one was hard. all the songs that i felt like could fit the Dark better I had already assigned to other fears, so this one is really off vibes and the title alone since SON doesn’t actually have lyrics. i still think it fits though, as the song does have a very “dark” feel to it.

The End 🪦 - Abstract (Psychopomp): originally i was going to assign the End to All Things End, but i actually feel like this song fits better. it feels so close and zoomed into the actual theme of death. “the fear in its eyes, gone out in an instant.” yeah…very End vibes.

The Corruption 🪱- It Will Come Back: this one too is based very much on the over all vibes as well as the literal lyrics. the idea of showing something kindness (being a host) until it will not leave feels very much like an infestation of sorts. where do we draw the line between a lover and a parasite? yeah this is Jane’s song.

The Flesh 🥩 - Eat Your Young: do i even have to explain? i can see this one also working for the Slaughter, but the Flesh is all about meat, eating, cannibalism, etc. “it’s quicker and easier to eat your young,” “i’m starving, darling,” “old and young are welcome to the meal.” it also touches on how people just want to consume, to own, and to have.

The Slaughter 🪖 - Nobody’s Solider: another one which is pretty self-explanatory. the fear of being seen as nothing but a tool for violence, the disdain for fighting. it’s an anti-war song, ofc it’s perfect for the Slaughter.

The Hunt 🐺 - In The Woods Somewhere: fun fact this song is actually the reason i decided to make this playlist. i just felt like it reminded me so much of when Basira had to hunt down Daisy in s5, putting her out of her misery. it just radiates Hunt vibes as well with its lyrics, both the pov of the hunter and the prey. “i turned and ran, to save a life i didn’t have.”

The Spiral 🌀- To Noise Making (Sing): this one was also a bit tricky but i actually think it fits pretty well, though it does lack the sense of fear that a lot of the others capture better. the idea of singing without a rhythm or purpose but just to make noise feels very Spiral-esque. also the obligatory “how would a melody describe itself?”

The Stranger 🎭 - Foreigner’s God: it was a tough choice between this and Someone New, but i think FG has a lot more of that fear and heartbreak that the Stranger stresses. A few of the lines are just so Stranger it’s ridiculous. “always a well-dressed fraud,” “wondering who i copy,” “all that i’ve been taught, and every word i’ve got, it foreign to me.”

The Web 🕷️- Swan Upon Leda: the Web was also a bit hard for me to pick because i was so caught up in the mindset of the Web being arachnophobia, but then i realized that such a big part of it manipulation and the loss of control over your own body. That control and loss of bodily autonomy is obviously a theme in this song, so i think it fits.

The Extinction ☢️ - All Things End: i actually wasn’t going to include the Extinction in the playlist, but i just felt like ATE fit it so well, i threw it in there anyways. the idea that all things are finite, everything will end, and we will all return to dust we were made from can feel pretty End (like i said, i was originally going to assign it to that one) but it just feels so much bigger than one person, and much closer to the Extinction imo.

[fuck-you-upmusicbracket]

Cicada Days (Will Wood)

And God knows crying ain't gonna change a thing/She said take care But I take more than I bring/She said, "It just feels inhumane to lose this much"/"'Cause when you leave you know you takе more than your love"

"LET ALL MY RED FLAGS FADE TO WHITE, YEAH, I GIVE UP DON'T LET ME LEAVE, I'LL ONLY TAKE MORE THAN I GAVE OKAY, I'LL PACK MY STUFF HERE AT THE END OF DAYS, MY GOD, WHAT HAVE I DONE?! CHRIST, NOW IT FEELS DAMN INHUMANE TO GET ALL I'VE DREAMED OF"

"It is just so so so sad and such a good representation of how grief and loss feels sometimes. It really shows that sort of quiet misery and helplessness and how at some point you just give up and stop waiting for tomorrow to get better. Also “it just feels inhumane to lose this much” is the most relatable and best line ever written or sung by anyone ever."

"it's the shouted out lyrics at the end. it's the themes of losing people. it's the final album feeling"

Fast Car (Tracy Chapman)

You got a fast car, I want a ticket to anywhere/Maybe we make a deal, maybe together we can get somewhere/Any place is better, starting from zero got nothing to lose/Maybe we'll make something, me myself I got nothing to prove

So I remember when we were driving, driving in your car/Speed so fast, I felt like I was drunk/City lights lay out before us/ And your arm felt nice wrapped 'round my shoulder/And I-I, had a feeling that I belonged

You got a fast car/Is it fast enough so we can fly away?/We gotta make a decision/Leave tonight or live and die this way

"I know it's an obvious one but YOU try playing it without crying I dare you"

"I cant explain the yearning but this makes me howl"

"OH GOD the longing!! The yearning in the recurring central image of the narrator and her lover on the highway, feeling this sense of limitless possibility and incredible hope!!! And then the verses take us with brutal efficiency through the collapse of their marriage, the way that the cycle of poverty stomps down on their hopes, and how with nothing left, the narrator does what her mom did and leaves!! Leaving the kids to experience the same thing she did growing up!! But it’s all punctuated and bookended by these callbacks to that central iconic memory of hope!!!!! But by the end we realize that the last line “leave tonight or live and die this way” offers only the illusion of a choice: when the narrator first runs away and later when she leaves her husband and kids, she’s still fulfilling her role in this cyclical generational story. God!!"

Cicada Days submitted by @localvoidcat

Fast Car submitted by @smallboyonherbike + @uchihasasukeofficial + @all-our-exploring

[moibakadesu]

I have been rotating one of Haruka's lines from the earphone collab in my brain for a while now, because it stood out to me as very important.

And that would be the line in which he apologizes to Amane in a very distressed and tearful voice.

So, Yamanaka had mentioned that these lines are important to canon or "critical to uncover the secrets of the prisoners", which is also why I think they made sure that they are not hidden behind a paywall, you can read up on all of them on the website of the collab.

And I think this line gives us hints for things to come in t3.

//cw for the topics of suicide and Milgram-typical violence

Alright, so let's assume that the restrictions of the guilty prisoners don't work the way we imagine. For context, I always assumed that they are not physically bound (after all they still have to eat, use the bathroom etc), but it's more of a emotional barrier that keeps them from inflicting violence or defending themselves. But we never got a confirmation on that, this is just what I combined by observation, but it might as well just be that they consider the longer straps (and in some cases sleeves) as restriction, which is ... well, that is not something that is stopping someone with the intent to kill, that is for sure.

So I would say we are all terribly aware about Haruka's threat of suicide. But I think his plan might have changed a bit, he had a long time to ruminate about it after all. And he clearly does not want to die (AKAA even has the lyrics "I don't want to die" translated as "Don't wipe me out", but we are all aware how scuffed the translation for that song is). His conversation with Kotoko on her birthday already made me rise an eyebrow. My first assumption was that he is planning a murder-suicide with Muu, in a way to safe her both from being scared in Milgram and from being alone when he is gone.

But what if he came up with a third option? An option that would show he is serious without destroying the time with his mother. (I still think Muu won't want to hang out with him anymore in t3, but that is beside the question here.) Our blue boy once stated that "he can kill anything that is smaller and weaker than him", and who fits that description the most in the prison and also has a bit of an overlap with his presumed victim? Amane.

An important detail is, that Amane is a prisoner that Haruka had no interaction with whatsoever. He does mention her, in his t1 VD explaining that he is not good with children of her age and in the t2 VD that he apparently does not have problems with her anymore. Still, he seemed to (understandably) always keep his distance from her.

So why of all things does he get a line in this collab addressing her directly? It doesn't feel like a "sorry I'm not interacting with you" kinda line, it's very pained, you can feel the tears in his voice there.

And this lead me to think that Haruka will attempt to attack Amane, which ... oh boy, it will be all kinds of messy. We know Amane is armed, even with the overwhelming strength disadvantage she could easily stab him with her scissors in a death-struggle. Not to mention the conflicts that will bring among the prisoners (I don't even want to think about how that could sour how Fuuta thinks about Haruka tremendously).

And it would be a very interesting turn story wise, instead of going the way too obvious and telegraphed path of Haruka attempting to kill himself and Amane planning an attack on Shidou etc.

It would also be a very mean and ironic way to repeat Haruka's misery (I am crying), getting abandoned by Es/us and very possible his second mother Muu and trying to change things by taking the life of a young girl.

[cuckoo-on-a-string]

Promises Four: A Request

Dark!Morpheus x (female)reader, fantasy/medieval AU, 18+

Master List

Dream of the Endless had been promised a bride.

Chapter Track: "Blue" bardcore cover by Cornelius Link A/N: SHORT chapter. A necessary bit before a bigger scene. Obviously not updating as often as I'd like, but I have some mental health stuff going on that's actively interfering with my creativity/ability to write. Your comments and support mean the world! <3

A Request

The bard found her opportunity in the midafternoon.

The court wheeled slow. Too early to dine, too late for anything but quiet meetings over tea. Gossips bartered in corners, warmed by sunlight and conspiracy. The oldest and youngest members of court disappeared for a private rest before the night’s feasting, and the empty spaces they left behind became walls between cliques and families. Everyone found a place and settled there. Or most did, at least. Even the king wandered from his guest to attend to matters of state – his new mistress, rather – and Dream of the Endless sat like a black tear in the golden hangings and wreathed roses.

A cat, perfectly still, intent on everything and nothing as it watched for something worth the bother to hunt. A flicking tail would suit him well.

She’d spent the morning watching his frown cut over the assembled nobles, more judge than hopeful husband, and each failure to notice a pretty girl or answer an eager boy drew a new line in the web she suspected he wove over the court, the trap under the façade. The Endless’s true motive and threat.

She twiddled inoffensive tunes with her lute, banished by her own free will to the minstrels’ corner. Her songs had a purpose, even when played softly. She saved a queen’s reign once, sitting quietly and listening to courtiers sing in traitorous whispers. With busy hands and a clear purpose, she was invisible. Even her friends only remembered her every hour or so, and most knew her well enough to let her be.

The Endless did not leave his seat on high. He did not lower himself to converse with the lowly mortals gathered for his pleasure, and he raised his wine to his lips but rarely. Everything moved like a dull play someone bribed him to sit and watch.

Stealing strings from the growing web, the bard wove a tapestry, working until she could see the shapes and faces, until something resembling sense appeared. The scene in the unfinished fabric looked more like a war than a courtship.

And when the slow hours crept over the castle, and Dream of the Endless sat alone, she turned like the shadows over the wall to settle at on the steps of the royal dais.

“You must enjoy your misery, King of Dreams, to subject yourself to seven full days of this.”

He looked at her, nearer than the rest of court, but still so clearly beneath him, and lifted a brow.

“My misery?” It was the most he’d engaged with any of the lesser beings he sat amidst, and each word weighed heavy, spoken slowly so she’d feel the burden of his attention. “What inspires your assumption?”

Assumption was not presumption, and she took it as permission to continue. He would deign indulge her questions. For the moment. But she must tread carefully, and she continued playing, a gentle ballad a half-step removed from a lullaby.

“Your bearing,” she said, keeping her eyes on the chords. “Your face, your manner.”

Music and mathematics came from the same house. A simple melody and simple addition led to answers most preferred to ignore.

 “You seem terribly bored, majesty.”

A ghost of a smile shadowed his face, a passing eclipse over the moon’s bright face.

“And you would entertain me, little bard?”

“I would not presume to know your tastes, though they clearly do not walk this court.” He didn’t even pretend to show interest. When the king left the room, the Endless’s starry eyes turned flat and cold, proof that the promised bride hadn’t lured him back. Which left only one possibility. To ensure she was heard, she turned to meet his gaze, filling the natural pause of her lute’s tune with her request. “I wouldn’t ask it as a favor, but if you would deign consider it – perhaps whatever cautionary tale you spin will spread farther carried by survivors.”

Now, she truly had his interest. Graceful as a snake, he shifted in his throne. His dark figure blocked the sun, and the only light to creep over his shoulders caught in the ruby at his throat. The bloody glint drew the hair along the back of her neck to stand straight, and she hoped the goosebumps didn’t betray her by running down her arms. She didn’t dare look away to check.

“Do you fear for your life?”

Not at all, and the unnatural confidence of immortality buoyed her courage, lifting a smile from the deep pit in her chest where it sank before she came to sit at Dream’s feet.

“Your sister will not have me, as I’m sure you know.”

The stars in his eyes flashed, and while his shadows didn’t grow any brighter, their knife’s edge softened.

“I’m asking so I might advise a few wiser birds fly the coop before the fox comes calling. They’d make excellent messenger pigeons, if they escape.”

It was too much to hope for a direct answer, and she didn’t wait for one. She rose from the step to sink back down in a far more honest curtsy than she’d offered the mortal realm’s king the night before. Here was a monarch due much greater respect.

And for the second time, she took her leave of him.

[earlgreytea68]

hi egt

what fob songs scream hiatus to you?

i need to experience emotional ruin real quick

God, there are so many, like, basically allll of Save Rock and Roll feels like them working through the hiatus together (not least because of how it has a higher percentage of Patrick lyrics than usual, probably because of him coming off his solo work). But the hiatus loomed so large for them as this nuclear blast in their relationship, it seems to bleed all through Pete's words (and hence their songs) for years afterward.

And it actually even starts before the hiatus, with the "What a Catch, Donnie" music video, which is the most hiatus-y thing to ever hiatus, Pete going down with his ship while he sends everyone else away to party without him. IT'S ALL SO SYMBOLIC.

And then to title a song on the first Believers Never Die album "From Now On, We Are Enemies." WHAT THE HELL hahahahaha WHAT A CHOICE, PETE WENTZ. (a downward spiral, just a pirouette and I only what what I can't have -- wanting what you can't have is a total hiatus theme for me that shows up a bunch in Pete's lyrics. I have not done an empirical analysis to see if it's a more prevalent theme after the hiatus or not.)

"The Phoenix" has obvious symbolism for their life as a band, raising their career from the ashes, changing themselves up like a remix, wearing their vintage of misery better than everyone else. Also, I love the imagery it has of peace, the "release the doves, surrender love" bit. Waving the white flag and putting down your weapons (in contrast to put on your war paint). But I've always kind of felt like surrender love is one of Pete's deliberate ambiguities: It could be "surrender your love" but it could also be "surrender, love." And Pete doesn't often use "love" as a term of endearment in his lyrics but he called Patrick "love" on stage not too long ago, so, you know, it seems not too outside the realm of possibility to think that these are really lines about reconciliation. It feels like time is running out, so let's surrender and hold tight.

Then there's "Alone Together": I'm outside the door, invite me in so we can go back and play pretend. The image of playing pretend / make-believe with someone also recurs in Pete's poetry, and it's something else I always read as Patrick-coded. Who did he used to "pretend" with for the sake of the shippers? And, of course, starting at the end of the road to ruin sounds like people who have burned everything down but are finding their way back.

I wrote a whole fic about "Where Did the Party Go" :-)

What is there to say about "Miss Missing You" that hasn't already been said? The infamous "hot whiskey eyes" line that honestly can only be about Pete Wentz lol. The imagery of the person you'd take a bullet for being behind the trigger: they have both at separate points in time proclaimed their readiness to take a bullet for the other. The fact that Pete wrote in a poem once before the hiatus I miss you missing me, and this song is I miss missing you. Like, everyone just die over this song.

To me "The Kids Aren't Alright" is a hiatus song in that it's about surviving the hiatus, coming through it, reversing the curse, it's our time now if you want it to be, in the end, I'd do it all again, I think you're my best friend.

"Fourth of July" is another hiatus song for me, the reference to the burned bridges being the light that leads you home is just so hiatus-y. Also, the torture of small talk with someone you used to love just smacks of the hiatus, of how they stopped talking to each other, of how they knew so little about each other and had to start over. This is more wanting what you can't have, too: my favorite what-if, my best I'll-never-know. I said I'd never miss you. I wish I'd known how much you loved me. It's so much, this song lol

Twin Skeleton's: ouch. This song is so painful. This song scrapes over your skin like sandpaper. This song is so angry and bitter. This song is I need a new partner in crime and you shrug. oh my GOD that line kills me every single time. That one and the way Patrick snarls, I could just die laughing on your spiral of shame. This is an angry song, but the anger is born of a depth of emotion and it ends with Patrick promising hold on, hold on, hold on, hold on over and over, and that's what makes it extra-hiatus to me, like, hold on, it all gets better, I'm coming back, hold on, hold on, hold on...

I find the hiatus infects their songs less and less the farther they get away from it, which is good. It's healing. As we've discussed, they've almost forgotten the whole thing even happened, it's been blurred over by the sands of time.

[thebibutterflyao3]

Day Eight - Prompt: Cigarette @rosekiller-microfic

March Daily Series - 593 words

<<<Previous Part OR Start Here

“Evan? Do you think soulmates are real?”

The question startled him from the mad twist that his mind had spiralled down while she blathered on about her ex. Of all the questions that Dorcas could have asked him about relationships, this one sounded almost foreign in her voice. She was supposed to be the reasonable one.

“Soulmates? How did you land there?”

“Pandora goes on about it sometimes. She swears that she’s found hers in Wales and that Regulus and Sirius did too. What if she’s right? What if I go to Wales today and Marlene is there—”

“Then what? Some secret Welsh magic fixes everything?”

Dorcas fell silent again, but this time she wasn’t pensively tapping her nails. This silence was an awkward moment that forced Evan to mentally step back and evaluate his words. Perhaps his snark had crossed the line. Not everyone appreciated his cynicism.

Barty does. He loves it when...enough. Leave it.

“Alright, Cas? Was I rude?”

“No, you’re right. I just wish it was real, I suppose.” There was a subtle sort of shifting coming through the speaker and Evan imagined that she was straightening bits and bobs on her desk or a handful of tchotchkes on a shelf. “Rom-com shite doesn’t happen to me, but sometimes I wish it did.”

“Nah, you’d hate it if she showed up at your flat and blasted a cheesy love song at your window.”

Dorcas laughed, a low, breathy sound that reminded him of wind in a rainstorm. “True, that would be mortifying.”

“Or worse, if she showed up at your work and shouted a soliloquy of her undying love for you.”

“At work? Absolutely not.”

Evan grinned for the first time that day and revelled in the momentary reprieve from misery that shadowed him. “See? That lovesick nonsense is for the softies like Reg and my sister. We don’t need it.”

Dorcas hummed in agreement, then cut herself off with a sharp click of her tongue. “Maybe the movies get it wrong though, Evan. What if it looks like her giving you the last cigarette, even though she’s craving it? Or punching a bloke twice her size because he grabbed your arse in a club? What if that’s what soulmate shite is really like?”

“Oh,” he breathed out. Evan’s chest clenched hard as the amusement rushed out and the emptiness lingered in its wake. “I-I had that once.”

“Me too. It was kind of nice, wasn’t it?”

“Yes.”

She inhaled deeply, then sighed. “Do you think that we only get one chance with a soulmate?”

“Like they get reassigned?” Evan’s attempt at levity fell flat to his own ears.

“Maybe, or you both just end up alone.”

Oh. Oh, that’s so much worse.

“Being alone isn’t so bad though,” he lied, shaking his head. “There’s no one to hurt you or make a mess that you have to clean up.”

“Right, but life is a bit tedious without the mess. It feels pointless to clean when there’s nothing out of place. I miss the stupid little spats about her smelly hockey gear in the middle of the floor and the debates over dinner. She made me feel alive.”

Evan swallowed hard and nodded. The words were cement in his throat and he couldn’t dislodge them one way or another. He was glad that she couldn’t see the way he struggled to contain the choked sound that threatened to burst free.

“I think messy people are meant to find clean-freaks, you know? They aren’t so consumed with appearances and remind us to live.”

“Yeah,” he forced out.

[imreallyloveleee]

Where do you think it all went wrong with Riverdale?

honestly, part of me is like, the show's over and nothing but fandom matters. so who cares?

the other part of me loves to complain about Riverdale and will continue to do so until the day I die in the parking lot of Michael's Diner in Montgomeryville, PA at the age of 86. so, long-winded answer under the cut

I'm tempted to say it's the s4 b*rchie kiss. It was so wildly out of character for both Betty and Archie that it's laughable. You know how you can tell when something is just blatantly OOC with no justification? They...don't justify it. They find ways to dance around any interaction that might offer clarification. They mute the reactions of the characters who should be devastated by it. And then they jump ahead 7 years so it's easier to just handwave it away as something that happened a long time ago.

but the thing is, I did keep watching after that. I thought: okay, at least we should get an exes-to-lovers arc out of this, which is one of my favorite tropes. there is no way they would spend 4 seasons developing Bughead as this loving, supportive, communicative, sexy, and almost-unbelievably-compatible couple just to tear them apart and never do anything with that dynamic again. maybe it'll be even sweeter seeing them come back together after so much hurt and longing.

boy was i wrong!!!!!!!!!

so, the episode that actually made me stop watching for good, with the exception of some standalones like The Jughead Paradox and the finale, was the s5 musical. that was when i realized that this team of writers was 100% willing, maybe even eager, to completely drop storylines they themselves had been building over the course of a season - do a 180 with all of the characterization and relationships - and then act as though the buildup they wrote never even happened.

in this case, i'm specifically talking about the Bughead reunion storyline they dropped in s5. i'm not going to pretend like it was a GREAT buildup - and it was mostly on Jughead's side, Betty's character in s5 was basically an emotionless misery bot that had sex sometimes - but it was there. Jughead told Tabitha he had unresolved feelings around Betty. that's followed by an entire episode that lays out Betty & Jug's time jump relationship, and how Jughead still believes she's the one who saves him from himself. they work on a case together, they start opening up to one another. Jughead's so worried about her he can't eat.

and then...you know what happens.

(i'll also note here that there was random bts stuff that strongly indicated the musical ep storyline had a drastic last-minute rewrite: lili tweeted a blue dress, suggesting the song with that line was meant for her character; RAS said cole had to do last-minute recording sessions; supposedly crew members have confirmed this was the case, too. since none of it's 100% confirmed you can take it all with a grain of salt, but i believe it.)

it was so fucking insulting as a viewer to give my time and attention to a show made by people who would not only randomly drop the threads they set up, but torpedo them altogether, and then behave like the fans are the ones somehow at fault for expecting a story that actually follows through on its own emotional and plot beats. we're just shippers, so our opinions are dumb and biased! it's just a tv show, so who cares! get over it!

so, i stopped watching, because i knew they would continue to write without any thought or respect for their characters or their audience, and therefore inevitably write themselves into another corner. and, shocker, i was right. they did it again, whisking everyone away to the 1950s because actually resolving any of the scenarios they set up was ToO hArD. why bother when you could just make every single character Righteously Angry and Incurably Horny all the time, lecture the audience about social issues that have already been mainstream progressive for the last several decades, and call it a "love letter" to your fans?

[happypotato48]

Only Boo! EP 8 Unhinged Tangant Thoughts

The Boyfies era begin, will these gaybies be insufferable? probably but that what i'm here for.

Ok this running gag of them rubbing each other foreheads for the brain power is very Qute. as a person who forget how to function as an adult sometime i'm too, wish to have someone to do this with.

No! give that baby all the kissies.

This boy is so me. my family loves taking photos but i aways hated it so i usually made faces like this to their chagrin.

Moo you aren't fooling anyone. there is literally no dirty thoughts in that tiny head of your.

How did you fucked up mostly pre cooked food boy!

Nooo don't make me cry this early show!

Kang, you don't need to call her out like that! also remember kids Sis before dicks. always appreciate all the sisters that will aways be there for you.

Ok Potea really need to get smacks before the show end. i don't care by whose i just need it.

This boy is in too deep RIP.

Oh hell no! jang come save this boy come save him from his first love stupidity!

Moo is so dumb and i respect these girls hustles. i would too sweet talk my way for free food. using our words for free/cheap stuff is in our DNA and i wouldn't have it any other way.

Oh no screaming high school Y girls this brought back so many memories.

*crying in single again* this happened to me a lot watching BLs i really need to do something about that.

This song is indeed "written by a teenager" i lost count how many time the word Rak been repeated.

Ahhhh! them cheeks.

Here Moo used the word แยกแยะ *separate so they're probably not talking only about being gay.

Good for them. talking about this early is really important.

i really loved this line. also the words that got translated to discomfort are probably closer to misery. i think misery is definitely more fitting and more poignant.

Confession through graduating shirt writing, never change Thai teen media.

Fuck, i don't remember what my graduation gift was. but it was definitely wasn't a kiss from a cute guy. wahhhhhhhhhhh!

Moo and Kang Boyfies era are indeed too cute for this world. idk how to feel about the angst being very minimal in this ep but seems like they're setting up a lot of hurts in the final 4 EPs. and oh boy, Potea and Payos still contiuned to slightly annoyed me. i don't think this side couple is working for me. if Jang is Payos endgame and not just a foil to make Potea jealous then i would be thoroughly impressed. but that likely not going to happens with gmmtv being gmmtv and all.

[dontyoufinditstrange]

From Under The Cork Tree Lyrics That Alter My Brain Chemistry

Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued

"the ribbon on my wrist says 'do not open before christmas'" "we're only liars, but we're the best" "its just past 8 and i'm feeling young and reckless"

Of All The Gin Joints In All The World

"i used to waste my time dreaming of being alive, now i only waste it dreaming of you" "we're sleeping through all the memories"

Dance, Dance

"tonight it's 'it can't get much worse' versus ' no one should ever feel like'" "i'm two quarters and a heart down" "and i don't wanna forget how your voice sounds" "these words are all i have so i'll write them so you need them just to get by" "this is the way they'd love if they knew how misery loves me"

Sugar, We're Going Down

"i'm just a notch in your bedpost, but you're just a line in a song" "a loaded god complex, cock it and pull it" "isn't it messed up how i'm just dying to be him?"

Nobody Puts Baby In The Corner

"i keep my jealousy close cause its all mine" "hand behind this pen relives a failure every day" "so wear me like a locket around your throat, i'll wear you down, i'll watch you choke"

I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song)

"we're the kids who feel like dead ends" "and the poets are just kids who didnt make it and never had it at all" "force our smiles, baby, half dead, from comparing myself to everyone else around me" "please put the doctor on the phone cause i'm not making any sense" "blame everyone but me for this mess" "and my back has been breaking from this heavy heart" "i'm hopelessly hopeful you're just hopeless enough"

7 Minutes In Heaven (Atavan Halen)

"i keep tellin myself, i keep tellin myself i'm not the desperate type, but you've got me looking through blinds" "trying to forget everything that isn't you" "i'm not going home alone, cause i dont do too well on my own"

Sophomore Slump Or Comeback Of The Year

"cause i swear i'd burn the city down to show you the light" "no matter what they say, don't believe a word" "cause i'll keep singing this lie if you keep believing it" "take our tears, put em on ice" "ashamed of the way the songs and the words own the beating of our hearts" "got a sunset in my veins" "i need to take a pill to make this town feel okay" "i need to keep you like this in my mind"

Champagne For My Real Friends, Real Pain For My Sham Friends

"you are a getaway car, rush of blood to the head" "we only do it for the scars and stories, but not the fame" "at least everyone is trying, everyone is shining, everyone deserves the flames, but its such a shame" "the sounds of this small town make my ears hurt" "the tide's out, the ship's run aground, we drown traitors in shallow water"

I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me

"you're the only place that feels like home" "i'm the first kid to write of hearts, lies, and friends" "i am sorry my conscience called in sick again" "i've got arrogance down to a science" "they call kids like us vicious and carved out of stone" "but for what we've become we just feel more alone" "so progress report: i am missing you to death"

A Little Less Sixteen Candles, A Little More "Touch Me"

"you're just the girl all the boys wanna dance with and i'm just the boy who's had too many chances" "i don't blame you for being you, but you can't blame me for hating it" "write me off, give up on me, cause darling what did you expect?"

Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows)

"we never stood a chance and i'm not sure if it matters" "i'm mailing letters to addresses in a ghost town" "i know this hurts, it was meant to" "it's mind over you don't, don't matter" "it must be said again that all us boys are just screaming into microphones for attention because we're just so bored" "we never knew that you would pick it apart" "i'm falling apart to songs about hips and hearts"

XO

"i left my conscience pressed between the pages of the bible in the drawer" "love never wanted me, but i took it anyway" "choose love or sympathy" "loose lips sink ships"

[the-priestess-of-dawn]

it's not love but i still want you: a toxic chrima playlist

Tracklist + thoughts under the cut

1. L.A. LOOKS - HEALTH

I want another life (Don't hold your breath) I want to try again (But you can't swim) But it's not love It's not love It's not love, but I still want you It's not love, it's not love It's not love, but I still want you (It's still us)

2. Suffer - Hurts

Touch me and make me feel your misery And play me like you play your twisted little symphony 'Cause I'm just addicted to you, I'm just addicted to you I'm just addicted to the way you get the worst of me

3. Fight for Me -AlicebanD

I'll make you cry for me and lie for me (I'll make you cry for me) And bleed for me and die for me (And die for me) But most I'll make you right for me I'm sure I'm right for you

4. Follow You - Bring Me The Horizon

Show me what I can't see when the spark in my eyes is gone You got me on my knees, I'm your one-man cult Cross my heart and hope to die Promise you I'll never leave your side

5. Hate That You Know Me - Bleachers

Sometimes I, I hate that you know me so well Some days I, I wish that I wasn't myself No luck! And I hate that you know me so well

6. My Boy Only Breaks His Favorite Toys - Taylor Swift

My boy (My boy), only breaks his favorite toys, toys, oh I'm queen (I'm queen), of sand castles he destroys, oh, oh 'Cause I knew too much, there was danger in the heat of my touch He saw forever, so he smashed it up, oh, oh

7. Shadows - Red

There's a hate inside of me like some kind of master I tried to save you but I can't find the answer I'm holding onto you, I'll never let go I need you with me as I enter the shadows

8. Get Away - CHVRCHES

I'll be your guide so you can see The other side and I will never let you get away Never let you get away

And so they continued on eternally, partners never to be parted.

So yeah, I'm back with another mini playlist curated from my main one, this one focused on toxic chrima inspired by Fell Exalt Chrom and his Forging Bonds, but not staying 100% true to that canon because that Grima is able to send Chrom away to have a better time in Askr, and we're not having any of that nonsense in THIS playlist, oh no. The invisible ties that bind them have been dyed red in blood, and there is no escaping fate when they'd both choose ruin over breaking that bond.

The songs I used here aren't necessarily in a particular order in a narrative sense, though they are grouped in pairs corresponding to Grima's POV followed by Chrom's POV. I did take care to make sure that My Boy Only Breaks His Favorite Toys was paired with Hate That You Know Me because of the "I knew too much" line—in my mind, this ties into Grima trying to harshly distance himself from the past he shared with Chrom, insisting that the Robin Chrom knew is dead and that Chrom will never be reunited with him, because he thinks that it would be less painful for Chrom to believe there is nothing human in him left than to be constantly looking for signs that his partner is still himself... even though the signs are all there and not too hard to pick up on for someone who knows Grima well.

I also deliberately ended the playlist with Get Away because it's a sort of... lighter note than the rest. It also pairs particularly well with Shadows just before it because "I'll be your guide so you can see" is a perfect response to "Caught in the darkness, I go blind/Can you help me find my way out?" Even though this is toxic chrima, there's still relief from their despair to be found in each other. This also plays nicely with Follow You from earlier in the playlist, "Crossing your heart and hoping to never let you get away" serving as a callback to "Cross your heart and hope to die/Promise me you'll never leave my side" and "Cross my heart and hope to die/Promise you I'll never leave your side." I really like the way that worked out. Grima, you are never getting away from your other half, and that is both a threat and a promise.