#''Destiny can't have you- it can have me instead'' plays in my mind on loop

[imminent-danger-came]

RAGHGHGHG 5x09 of lmk is crazy. That's all

[strangesthirdeye]

Listen Before I Go (SH x Fem! Reader)

Summary: A quick call won't hurt, right?

Warning: It's Sherlock everyone like him..heavy angst? Attempt Suicide, mental breakdown, mental health, You are loved by people, don't do that. You need a hug, pleading, high ceiling, hanging rope, almost suffocating. The Empty Hearse episode.

As usual, I'm sorry if there are any wrong sentences or typos or grammatical mistakes, please forgive me and again English is not my first language, so I try to improve my language and writing in this way.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

One more loop and the knots are strong enough to support your weight. You sighed heavily. The creaking sound of the chair under your feet is heard when you make some motions on it. You look around your living room. Everything is scattered and unmanaged. Papers and books on the floor not to mentioned chairs are scattered around the living room, just like your wooden table.

you exhaled a heavy breath and looked up to see the noose hanging from the ceiling of your house. Well, here it is. After running around in your own mind and going through all the painful and stressful things in the real world, you are finally lost. Those things successfully kick your ass. Not to mention what happened to Sherlock two years ago. He committed suicide and claimed he was a liar, but that was not true. Why did he do that makes it a question mark for you, John, Mrs Hudson, Greg, Molly and Lestrade. Mycroft? hmm, he's just quiet. There was no news from him after that.

As if he has disappeared from existence.

Every dark plagued plays in your mind. All those rude people who curse Sherlock and proudly claim that Sherlock is a fraud. Not to mention those people have started bothering Sherlock's friends including you as his girlfriend. Those people don't know the meaning of grief.

You then look down. This is high enough. As long as your feet do not touch the floor is enough. Suffocate is not the first thing in your mind but because you don't want to commit suicide dirty with blood, you immediately decide to hang yourself. At least your life is taken slowly and in that time you can see all the happy memories at the end of your time.

You stand on your tiptoes and stick your head into the noose. The noose gently ends around your neck. Your hands started to tighten the noose around your neck so that it would be tight and not come loose when you hung it later. You sighed for the second time.

You are not afraid but nervous. Well, at least you know what your destiny is. You then close your eyes and your legs are ready to push the chair. All of the sudden, your phone rang in your pants pocket. You were shocked and almost pushed the chair under you but luckily the chair didn't slip.

You fish out your pocket and take your phone out of your pocket. You gulped your saliva slowly when you saw the contact on your phone.

John.

You immediately slide accept and open the speaker.

"Y/n"

"Hey, John"

"Where are you now? I need to tell you something.. Might be a surprise from me to you... I guess" John chuckled a little. Following with his hype tone means that John is in a good mood. Good. You're going to ruin his mood if you tell him what you're up to.

"what is it that you want to tell me? Is it Mary tho?" You pretend to hype your voice just to hide your crack tone.

"Well, I prefer to tell you at a cafe around your house only if you're not busy" John reasoned.

"well, i can't go out now.. can you just tell me on the phone instead? i kind of not really having a mood to go out anymore" You bit your lip slightly.

John was silent for a moment. You can imagine his confused face in your mind. Classic John. Gonna miss him.

"Are you alright?" John asked.

"mhmm.. I'm always alright" You replied.

"really? cuz' that's not how your 'alright' voice sounds like" John said suspiciously. "is it about Sherlock again?" John added.

Dammit. Why does he have to be the one who is always right? You are silent.

"It's been two years, Y/n. You have to let go that 'feeling'. It's not good for you" John said as if a father was advising his children to be useful human beings.

"you don't understand, aren't you? It's not easy. You have Mary.. while I don't have no one. No one to help me. Not even Mycroft. And I don't want to bring Mrs Hudson into this. She's already got a lot of plates in her hands." you paused you stand on your tiptoes.

"well, at least you don't have to deal with me anymore. I know what I'm doing now is a very useful thing. You don't have to worry about me." you added, the voice started to crack.

"What are you doing right now, Y/n. Don't you dare say that to me. I know exactly what you are trying to do. I'm coming" John's voice seemed to rush.

"tell me, John" you spoke up.

"what" John snapped trying to stop himself from yelling at you not to say negative things again.

"tell me what you want to say to me. That you expect me to be surprised" You closed your eyes. Tears streamed down your cheeks.

John let out a heavy breath. "I- oh god! this is not the situation I expected to tell you what it is. Taxi!" John yelled. John's voice then became muffled for a few moments before it became clear again. John then hurriedly told the cab driver your home address. Although the location is quite far from your house, John doesn't care about the fare. As long as he can save his other friend this time.

"just hold on. Don't end the call" John informed you firmly. John then sighed anxiously. "I-I plan to propose Mary tonight"

You smiled sadly. "is it going to be fancy? big?" you questioned him.

"fancy but simple.. oh gosh, why can't you just.. not doing all these things? You have many other things out there to go through! why now do you want to end it?" John is furiously rich.

"I think this is the end of my story. I've got nothing out there to go through. You have Mary. She's the one, John. Marry her. Make her half of your life. Have a family." You said lowly. your toes little by little push the chair under you.

"don't you dare say that. Think about it again. Sherlock doesn't want all this. He doesn't like any decision to end your life. He despises it. He wants you to move on and live a normal life. Normal life! Don't you want that? Find someone who can be with you for the rest of your life. Please.. I don't want to lose my best friend again" John begged.

Your line is quiet. Only the sound of the cab that John was riding in was heard. You look down. The hanging rope around the neck feels tight.

You know he's right but why don't you move away from the noose that is now resting on your neck? Sherlock doesn't like this. He despises it like John said earlier. Why then don't you open the rope and get off the chair? It's not going to work you know. Kill yourself. It's not.

Every thousand possibilities play in your mind as you hold the phone tightly in your hand. You bit your lips hard.

"I can't hold it anymore. The feeling of pain, grief and lost. It's not easy like what you say. It's just- Move on? no.. it's not working." you sobbed.

"No.." John paused. Probably is choosing and arranging the next sentence. "No, it's not easy. But, Sherlock wouldn't want that, right? So whatever you're doing now just drop it. Please. For the sake of Sherlock Holmes" John added in a tone of hope.

You paused and closed your eyes. Thumbs up on the screen. "I'm sorry, John" and you ended the call.

'just get on with it' whispered the demon in your ear. You choked on your own tears in your throat. You tossed your phone aside and stared for a moment then without hesitation you pushed the chair down so fast that it landed on the floor. But you don't fall, you float in the air with a hanging rope around your neck.

And there goes your oxygen is cut off quickly as you gasp for air while thrashing in the air. Both hands on the noose around your neck while your eyes darted around the living room. Mouth part away trying to get even a little oxygen. Your skin's colour is getting paler and your brain is in a state of shock when the oxygen is getting less and less to the brain.

You almost lost consciousness and then you see it. Life flashes before your eyes. Happy and sad memories. All in one. As the last piece of memories played in your eyes, you finally lost consciousness. Both your hands limp to the side while your head lolled forward. Your hair frames your pale face. But not before you hear the door of your house burst open by someone. Someone who you didn't get to see as your eyes are now tightly closed. Welcoming the feeling of a blanket of darkness.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Eyes opened slowly as you gasped to take enough oxygen into your body system. Every thought plays in your mind. Why can't you just go in peace? Why do people have to bother you?

You look around the living room. Now you are lying on the floor. Eyes on the ceiling while your breath is still panting. Everything is hurt especially in your neck. You can still feel the texture of the hanging rope around your neck.

You curse whoever messed up your suicide attempt. It could be John but the taxi John took could not be able to get here quickly. So who? You glared at the person who was kneeling next to you but then as soon as your eyes landed on the silhouette, you widened your eyes.

there he is, a man who claims to be a sociopath and never believes in sentiment but then falls into the terms boyfriend and girlfriend. His brunette hair, his eyes, his cheek bones and his face are still the same but at the same time he looks a little mature. While his eyes hold emotions that are very heavy plus panic and concerned etched on his face.

Sherlock Holmes. The so called 'fraud' is now on your side.

"What were you thinking?!" Sherlock said loudly.

You are stunned. Sherlock then touched your shoulder and shook it a little trying to get you out of the trance.

Oh, God. What you think is a dream is actually not a dream but real. The feeling of him touching your shoulder and his deep raspy and smoky timbre makes you miss him so much. Your eyes start to glaze over with tears.

"Sherlock?" you whispered his name.

Sherlock looked at you with concern and tried to help you sit up. "what were you thinking? Suffocate yourself to death? why? just why?"

"because you died! For two years. I thought you were dead once your body hit the ground in front of the hospital. Two years, Sherlock. Two years. And you think I can live without you just like that?" you yelled while slapping him on the chest several times.

Sherlock deflected your blow by holding both of your wrists to his chest. He looked at you with sympathy. "I want to save you and the others. This is all I can do. Moriarty will do worse than what you don't expect that's why I have to do that. Two years I tried to take down his network and now I'm here. What you did earlier there was the most horrible thing for me. I don't want to come back home knowing that you are dead."

You thought for a moment. Your red eyes looked at Sherlock's face with realization on your face. And then you sniffed and leaned your head on his chest.

Sherlock then put his arms around you. His right hand was placed on the back of your head and stroked gently while his head was placed on top of your head.

"You saved me.. oh, how stupid I am to do that" you sobbed.

"no you're not stupid. Don't say that. You are the most brilliant and courageous woman I know. Your intelligent and kind attitude makes me adore and fond of you more.. listen, I don't always say this but you are the only reason I'm coming home. Please.. don't do that ever again" Sherlock said while kissing your hair.

"John will be here soon." you say. Your voice is muffled in his chest.

"let him. might as well make it a surprise for him." Sherlock joked trying to lighten up the mood.

You chuckled tearfully and then hugged Sherlock tightly. Sherlock smiled gently and tightened his arms and rocked you left and right with his eyes closed.

[steviewashere]

Time loop fic where there's elements of Life is Strange; so a fusion of sorts, but not an exact au.

Steve Harrington, a seemingly normal dude—almost a nobody, is chosen to have these time-altering powers; similar to how Max Caulfield did in Life is Strange, where she traveled through old photos. In which he realizes the "destiny" of it all is to try and save Eddie Munson from supernatural danger/death. It happens when Eddie "dies" from the demobats. And right as Steve actually reverses time to save him, he's spat back out into 1983, following an aloof, and wanting to do good for the world, Eddie Munson.

(Also, Eddie would come to know about Steve's powers. He'd wonder: why me? Why Steve? He'd think of his life to be selfish, it would be a whole thing. Anyway.) My full idea is under the cut, I'm so sorry for rambling.

Eddie gets caught up trying to find Will Byers in 1983—nearly drowns when he discovers a "body"; Steve is there sulking (over something, you decide what) and notices somebody swimming out, doesn't think anything of it until they sink and don't come up for forty-five seconds—he jumps into lifeguard mode.

Eddie is at the junkyard trying to find metal scraps for a D&D map he's handcrafting for a campaign, gets caught up in the demodogs—Steve shoves him out of the way, all the while taking a gnarly claw to the chest. He survives, but it's a near sort of thing.

Eddie wanders out from a showing of a late night movie, Robin Buckley and Steve Harrington are drugged out by the water fountains, he follows them to the bathroom where they proceed to tell him how Steve got beat up, he overhears a confession he probably wasn't supposed to be privy to—eventually, he's out fighting the mind flayer, being told to duck and get down by Steve Harrington.

The events of 1986 happen, as they initially played out. Except, this time, Steve has the memory of what it's like to watch Eddie come close to death. Over and over and over again. He had moments in time where he knew what it was like to be covered in Eddie's blood; knowing he cared too much and had to go back.

He's in 1986, staring at Eddie Munson's big, doe eyes. "Don't be a hero," he says—a threat, no longer a warning. And he's faced with two choices:

Save Eddie Munson OR

Save Hawkins, Indiana

If he saves Eddie, he swaps places with Dustin. If Dustin takes Steve's place, the demobats are no longer distracted. Steve realizes something that he must do. He has to abort mission, like what should've happened in the first place. Instead of fighting, Steve hauls Eddie out as soon as the others leave for Vecna's lair. Eddie squawks, protests, tries to put up a fight. But it's no use. Steve is set in stone. He could've left Eddie to rot in the Upside Down, but coming to know him, coming to know every version of Eddie, coming to know his family and his life and his secrets over the years (even if it seems like seconds to everybody else), Steve can't stomach that. He cares too much; knows what he wants.

Eddie is what he wants.

And Vecna, the Upside Down, Eleven's powers, the resurgence of the ugly and awful every year can finally be over if he makes this choice.

Up to this point, he had used the missing posters of Eddie to save him, to go back through time. But each time he goes back in time, Vecna gets stronger and stronger. If he tries it again, he knows they'll be fucked even if he actually does save Eddie.

He can choose to save Eddie.

He can leave Hawkins all behind, right before the demobats come flooding through the trailer. He can quickly escort Eddie out. In doing so, however, the demobats get to Vecna's lair. The demobats kill the others. Vecna gets Max. Jason gets Lucas. And Erica doesn't fair any better. In the end, with Steve and Eddie skipping town, Hawkins is destroyed by Vecna and his powers, succumbing. Everybody in this scenario dies. Eddie will not be known as a "satanic murderer", he would not face the death penalty after surviving the Upside Down and coming back to Hawkins; nobody will know that he was there when Chrissy died.

With choosing to save Eddie, Steve will forever live with a gnawing guilt towards the others. He would become less of who he was. He'd be forever altered. He would know that Hawkins succumbing would be his entire fault.

If he doesn't save Eddie, the events of season four still happen. However, Vecna doesn't win. With Eddie's death, Vecna dies—almost like they have an odd hive mind connection (you choose how or why Eddie has this connection, I don't have the brain to do so).

Steve comes out of the Upside Down with Nancy, Robin, and Dustin. He comes out clean and harm-free. Max does, and Lucas, and Erica. Everybody is safe—except for Eddie.

Since the town doesn't go into ruin, Wayne doesn't go to the high school when the trailer is ruined. He's still putting up the posters around town.

I think, too, that outside of Eddie knowing, Nancy would know. Because I mean, come on. She's the journalist, knows of the crazy other worldly shit. She had been somebody that Steve trusted, and he trusted her in turn. He comes to her with this knowledge. And they know, with the outcome of Eddie's death, they have to break the news. Edit: I also think Robin would come to know, she'd spot something wrong with Steve and she'd beg for him to tell her; she believes him, of course, and helps however she can.

They tell Wayne. Who takes it as well as any mourning father would.

And in the end, when Wayne isn't looking, Steve and Nancy take the rest of the missing posters. They take down all the other ones around town.

They burn them. Burn all of the missing posters. They burn any trace Steve has of interacting with Eddie in 1983, 1984, 1985. He gets rid of it all.

Steve won't forget who Eddie Munson is. And, yes, unfortunately, the town will still think of Eddie as the "satanic murderer". But everybody else would be safe. And in Eddie's last moments, right before he succumbs to his injuries, he tells Steve, "Do it. For Dustin. Nancy. Robin...Wayne."

If he doesn't save Eddie, Steve will forever live with a gnawing guilt anyway. He will know that Eddie's death was something he could not prevent, even if he wanted to. He would know that Eddie's death isn't his fault, it was supposed to happen in the first place, but he interfered just in time. Only Nancy would know of Steve's choice, of his guilt. (This wouldn't bring them together romantically (don't think of this as me pushing a stancy agenda onto you or whatever), but this would lead to a deeper understanding of their friendship; Nancy couldn't save Barb, Steve couldn't save Eddie. Something, something: You can't save people, you can only love them.)

And that's the dilemma that Steve would have to wade through. Does he sacrifice the guy that meets everything that Steve has ever wanted, the guy that he created literal years worth of memories with, the one he was so set in stone over saving; does he live with the guilt of killing his other friends? Or does he save the family he's come to know, just with a black, absent spot where the rest of his family should be—Eddie Munson; the guilt from his death instead?

Is Eddie worth saving?

That's the thought going through his head when he looks back at Eddie in the Upside Down. Is Eddie worth saving?

(Also, this could work as Jonathan x Steve or, another angsty one I just thought of, Jonathan x Nancy.)

[iaintyourbro]

The Unknown Journey Continues

Part 1

I know it's been a while... but I've been going down a rabbit hole with @starlight-samurai regarding time loops, Jenova, Minerva, and more fun. So I figured I'd try to put it into one post to get the insanity out of my head. Everything in here is based on things we've found by either going through more obscure Ultimanias, learning more about Dirge of Cerberus and trying to decipher what the hell Jenova is by putting together various sources - including other Square Enix games - and how they handled freakishly similar scenarios.

Did you know there is a companion mobile game for it that was out on the good old flip phones? Did you know there was an online mode in Dirge of Cerberus only available in Japan, but had story elements that were not in the main game?

The sad part is, there's still so much to go through...

(I've also had various discussions with @ourfinalheaven, Manu, who doesn't have Tumblr, so here is her Twitter. and Somebody's Nightmare (here is her Twitter). So I wanted to tag them here, as it's much more fun to discuss these ideas as a group, since it'll only help you build on and strengthen your own ideas.)

Please be aware, there will be Spoilers for FFVII - Almost all Compilation titles, Xenogears, and NieR Automata throughout this.

So let's go on a journey where we explore what actually already exists in the compilation - including the idea of the whispers and timeloops - how Minerva may play into everything, and what exactly Jenova is capable of doing.

I asked Sesi if he'd ever played any of the NieR games, because he'd said something that made me wonder if they were going to take a similar approach. As a very, very quick high level summary: NieR Automata deals with a time loop type of idea. The androids will be rebooted and repeat the same things over and over again. This is broken when 2B is killed by A2 because she becomes infected with a virus. That being said, you have the option after Ending E to either erase all of your data and end the cycle OR you can try again. The Pods have a discussion, and one asks, "But won't they just do the same thing again?" and the other replies with "Maybe. But it could also be different this time."

Here's Sesi's message back to me when I asked him about this (cleaned up a bit since we were having a casual conversation over Discord):

Maybe I could just guess based comparatively on the Dirge storyline, because that was sort of SE's first flirtation with “robots and androids” since they’re all programmed and locked behind like task managers and shit that can shut them down. The story of the online mode for DoC that came out in Japan, we never got to see it, you’re basically an Android OC and you have to get to “the end of the level” and then essentially die, and a new one takes its place. This keeps happening until Weiss is essentially freed from being able to be task managed by the guys who are suppose to be able to control them and I know from tons of years with Square games that they’re verrrrry bad at differentiating their narratives they tend to just keep “ripping themselves off” so is it anything close to that?

Cuz if so I think I kinda know what you’re saying and yeah, I agree, I think with CC bringing in its poetic symbolism and LOVELESS, and DoC bringing back the cyclic nature of the lore, whispers, premonitions and future visions, proto-Materia and the perversion of this next cycle since the planet can no longer cleanse and protect itself and its will is weakening lesser and lesser to the point where it’s fate is “in a true sense of jeopardy This time essentially it’s all tied in together and sort of played as though it's a fated track; a cycle of events and something has hitched it, thus the whispers manifesting and Sephiroth's higher implied control over his destiny. Of course, even all that is just their new red herring game, but it’s definitely a part of the lore they want to play with, in order to go back and reMAKE the OG with the comp inserted from inception. Also gut punch a lot.

Time Loops

I was somewhat surprised to find out that this concept is NOT new to FFVII's universe. It's discussed in Dirge of Cerberus... probably one of the least played and least understood of the compilation. (Trying to sell a third person shooter with terrible controls to a market of mostly people used to turn-based combat wasn't going to go well.)

On top of it, we didn't even get all of it, since online mode was never released outside of Japan, and the Dirge of Cerberus Lost Episode was on Amp'd Mobile and Verizon flip phones back in 2006. Were you around for the cell phones in 2006? I had the ones on the list, and how somebody could play a game on those blows my mind.

Square has a tendency to reuse themes from their other titles. Probably one of the most blatant is the similarities between Xenogears and Final Fantasy VII. They were both being developed at the same time and a lot of ideas that didn't make it into FFVII ended up in Xenogears.

NieR

So how does this work? In NieR (both Replicant and Automata), you play the same path multiple times. Each time, it's slightly different depending on what side quests you did your first and second playthrough, but there's also other subtle differences throughout the story. In Automata, you get to play as 2B your first playthrough and 9S for your second. They follow the same path, but you get it from his perspective the second time and it reveals a bit more of what is going on. However, even with some slight differences, the main plot points stay the same and the ending result it also the same.

Then on your third playthrough, you wake up in the Bunker, and you're getting ready to go on a new mission. This time, though, 2B is killed and shit hits the fan. Things get crazy, you play as a new character: A2. In the end, pretty much everyone "dies", but you can choose to "reboot" and try again. You also can say you are done and let them all rest and delete your save data (the game gives you the option for both Automata and Replicant, and with Replicant, it actually leads to a new ending).

The striking thing for me is... There are certain events that will always happen, no matter what.

Fixed Points in Time

It's been years since I've watched Doctor Who, but there was something that stuck with me, and that was the fixed points in time. You can read about all of them here, but here's the basics:

Now, of course Doctor Who goes into this with much more detail and it's a recurring theme. However, as you read through that page, you'll probably find many aspects that have been used in various JRPGs that you've played. And Doctor Who most likely pulled some of the idea from classic Science Fiction novels. Each story puts its own spin on it.

How does this relate to FFVII Remake? Well, when they say that the major plot points will stay the same, it reminds me of this. No matter what, Cloud must fall into the Sector 5 Church, the Sector 7 Plate must be dropped, Aerith and Zack both must die, and Meteor has to be summoned, to name a few. So, with a time loop, those things would still have to take place in order to prevent a complete collapse of reality (at least in how Doctor Who uses it).

Therefore, the Whispers are ensuring that the Will of the Planet is followed.

One of the major themes in FFVII is that of loss. People die and they do not come back. Yes, other FF games do allow this to happen (FFX, FFXIII, FFXV), but VII is not those games. It was written with that idea in mind, that once a person dies, they, just like in real life, are dead and cannot be brought back.

I've previously written that I think they'll make us believe we are able to change fate, but we will eventually be slammed with the reality that we can't. That is because the planet has determined that certain events are fixed points.

Xenogears

Xenogears takes a bit of a different approach to the loop idea. Instead of repeating the same time period over and over, it has the characters reincarnated, and the same outcome happens each time: Elly dies. However, each time it's different. After all, they're in various time periods, in some cases thousands of years apart.

In all of the lives of Fei (who will have a different name in each time period) and Elly (who is always Elly/Elhaym), Elly will end up dying trying to protect Fei and the others. In one life, she is a religious figure at a totally not Catholic church, in another she's the wife of a scientist who was working to create children from nanomachines due to mass infertility issues. But she is ALWAYS with Fei, even if his name changes.

In her Mother Elhaym time, this is when Lacan (Fei) finally snaps. Though he's not fully aware of his past lives, he becomes aware, the anger consumes him, and he becomes Grahf. Fei is then reborn into the time period you play the game in.

There's a lot to unpack with this, so I won't go into it. Grahf wants to destroy God (Deus) because he thinks if he does, then it'll stop the suffering (his suffering).

If you do want to read more about Grahf, you can do so here, but it probably won't make much sense unless you've played Xenogears up to that point... Since it's much later in the game that this is all explained.

Lacan's desire was to stop the cycle of Elly always sacrificing herself for his sake. Though Grahf is not a perfect existence - he's not fully "The Contact", he sacrifices himself in order to let Fei move forward, and hopefully stop the cycle, by destroying the Deus system. (Elly also tries to sacrifice herself here, but Fei goes after her and stops her.)

Now, some people may think I'm saying that Cloud or somebody is going to do this in order to save Aerith or Zack (or his village or mom), but in FFVII if they do the loop method, I don't think Cloud, Tifa, Barret, and the others are aware of it. Most likely, it's only 'Sephiroth' and Aerith who are aware of it.

How this Could Be used for Final Fantasy VII

I'm stressing could because there's so many different possibilities on how they use this (if they are using this), so please, don't take this as fact. This is based on speculation based on what we know.

A time loop is a great way to explain away the differences in the story that we've seen: Biggs being alive, Wedge living for longer than he should have, etc. Since these are not major plot changes, they can simply say that this time it'll be slightly different... but your fixed points (major plot points) will remain the same.

It's a way to pull in some of the more obscure themes from Dirge of Cerberus and also play with the LOVELESS lore.

It could all simply be a big red herring and it's really just a remake of OG, but with the compilation tied together nicely... since it works much better when it's combined and not in 50 different games, books, movies, etc.

I don't think it's a "sequel" per say, not in the way I generally perceive a sequel. It's more of a loop of the same thing. The question is, when is the loop started and what will cause it to end? When will the planet (if it even is the planet) determine that it's good enough to begin moving forward?

JENOVA, Sephiroth, Genesis, and Minerva - Oh My!

Let's be real... Genesis isn't exactly the most popular character in the FFVII Compilation... but what if they make him one of the most important to the story? //Ducks as various fruits and vegetable are thrown in my direction//

I think what Genesis is probably most known for is his love of LOVELESS. He has the entire thing memorized and randomly says lines from it throughout Crisis Core. LOVELESS lore is still something I'm trying to grasp, so I am not going to comment much on it. Once I understand it more, I'll update this.

...And then this happens. The secret ending for Dirge of Cerberus, where Genesis picks up Weiss. Weiss, who has now been introduced along with Nero in FFVII INTERmission and is an optional ridiculously hard boss in the Shinra battle simulator in chapter 17 of the main story. There is some lore associated with the battle sim - so if you don't plan on beating it or you just can't, you can look up the pre-battle and post-battle cut scenes on YouTube. They're very short, but interesting. (I beat this asshole last night - it's a hell of a fight.)

....To Be Continued because apparently Tumblr won't allow more than 10 images per post now.... Next will be more on JENOVA and Sephiroth along with Minerva.