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[buckingham-ashtray]

aw it's so sad looking at molly standing there right next to her boyfriend staring NOT at the newly married couple dancing but instead at sherlock playing the violin oh hey wait isn't she a mirror of j- [gunshot]

[yurilvr4]

these two are probably the only queer people with 0 death probabilities in the series rn save us blonde snapback and dude with scar

[moo-savr]

[bronzetomatoes]

November in university moodboard

[tyrianludaship]

me when my F/O is depicted as a sexually aggressive / abusive daddy dom "yandere":

Proship / Comship / RPF Do Not Interact or Repost Please !

[theblue-hairedarcadian]

(SPOILERS!)

content warning ⚠️ subtle implications of assault.

yes, i am still not sold with the sequel.

i do agree that ‘double exposure has an interesting plot and new characters AND it could’ve been written better or it didn’t include max at all to sell the game’ can still exist in the same sentence.

but i have to admit that this video i stumbled upon tiktok today exploring max’s trauma back in the first game was beautifully made and devastating to witness at the same time. (i refuse to watch the whole scene because i personally think it’s so corny, i might take back my statement.)

hannah’s performance as max—especially when she is raising her voice; breaking out from her “shy, nerdy, camera geek” person that she constantly boxes herself in—always sends a chill down to my spine.

this is the same girl who watched her best friend get killed in the junkyard and was also drugged during that process, who had to hold the burden of knowing almost every single female student in blackwell is also a victim of the professor he looked up to, who had to rely on no one but her destructive rewinding powers at the age of eighteen, reliving it all over again after how many years.

“no, no... never again!”

“once is all you get!”

my heart breaks so much for you. i love you, max caufield. 🦋

i just hope that the deck nine developers treat you and chloe price better in the next game.

[yuhlmaooo]

four Four sketches

[silverhalla]

anyone else hearing how when lucanis says “caterina gave me a contract” his voice hitches at the end of the sentence like he’s fighting back tears or is that just me

[d8tl55c]

hey yo the circles (1:50-ish)

wasn't that a weapon type in the AvA browser game?

[cobra-wives]

i love how terry very visibly gets more and more physically disheveled at the show moves forward. his pony tail stops looking so sleek - strands are poking out, it isn’t pulled so tight, it’s mostly there to have it out of his face - and no amount of pretending can cover up the glaze of pure madness over his eyes. you can’t even tell if he’s still playing the act or if he’s let it take him over. my god, and he’s doing it mostly sober.

[rotisseries]

actually love that we saw vi crying this season I hope that happens again but sexually next time

[buckingham-ashtray]

carl powers victor trevor and john fucking watson

[feyres-divorce-lawyer]

i’m losing

[doorp]

NEVERMORE AND FLOWERS !!!!!

one of my favorite things to think about with nevermore is the flower symbolism and how it correlates to Lenore’s mental health/perception of herself, as well as when she arrives and departs. A lot of the times people say that the flowers represent Annabel, but I think they actually represent Lenore herself.

1. The Funeral

there are so many instances where Lenore compares herself to flowers/flowers represent her departure or return, but the first time is in the maze when she is thrown into the memory of her brothers funeral. She goes up to her past self, and memory Lenore asks her to remove a fallen lily thats found itself on theos casket. Lenore responds to her request, telling her that you can’t put a flower back once it falls from its stem, and that you can only throw it away. After the accident, Lenore threw the old version of herself away. They locked her away, called her damaged and tried to pretend she didnt exist.

2. The wall paper + Annabel’s arrival

The wallpaper in the attic room that Lenore is locked away in has a yellow flower pattern on it. As she lost herself to the isolation and madness of being stuck up there, she ripped the wallpaper off the walls proclaiming “there’s no need for flowers here. After today there will be no more flowers” The flower wallpaper is gone, as is her sanity, and her hope of healing and being herself again. The flowers are gone, and she believes she leaves with them. Then Annabel’s carriage arrives. She is taken down to the sitting room, and sees flowers on the table. Lenore thinks “I thought there would be no more flowers” She thought there would be no more of *herself*, of freedom or feeling whole again. She then has the first actual conversation she’s probably had in forever. Annabel, if even for her own gain, treats her like an actual person and asks her about herself. Lenore even says herself that Annabel coming to see her brought her back to life long before she died. She sees the flowers on the table, and sees herself again.

3. Smashing the vase

When Annabel tells her that their whole friendship was an act, Lenore becomes furious. As Annabel leaves, Lenore turns around and leans on a table with a vase of flowers on it. When Lenore sees the vase of flowers on the table, she’s weak, leaning over, clutching her stomach. She calls the flowers insipid, cloying, devious, things that could describe Annabel as she’s just seemingly betrayed her. But then she says “pointless, Fragile, Disgusting, beautiful flowers” as she shifts to anger towards herself, she’s referring to herself with those last few lines, infuriated that she can’t do anything abt this situation, that she’s weak and can barely stand, her hair done up and trapped in her flowing dresses. She hates this weakness, her lack of agency, how she knows Annabel did not want to do this but has no choice, that Annabel’s desperately clinging to any lie of control she can. She hates herself, how she can’t help the person she loves, that the person she loves has to help her up and fan her face and be terrible to her so she’ll feel hate instead of loneliness when she has to leave. She refuses to believe that she’s a wonderful pianist. She thinks herself guilty, of theos death and tearing her family apart. She thinks a person so guilty and weak and pointless as her can’t be capable of the talent Annabel speaks of.

4. Annabel’s flashback

In part of Annabel’s flashback after their conversation at the widows watch, Annabel sits in her bath. As she sits she starts reciting hamlet, of all things. Specifically Ophelia’s monologue. She floats in her bath, and repeats to herself lines speaking of flowers and mourning. As she attempts to calm herself after learning her friend has died in a vicious fire, she distracts from thinking by reciting poetry about FLOWERS. And what cuts her thoughts off? What does she see, what does her subconscious cause her to hallucinate, as she’s thinking about flowers and flower poetry in her bathtub. She sees LENORE. She thinks of flowers and hallucinates LENORE. Lenore driving her under the water, Lenore strung up with beautiful red ribbons, charred, embers flitting through her hair, berating her and haunting her, telling her the same words she did when they last met. Telling annabel that anything could tip those close to her off to the fact that she might not be all there. She recites flower poetry and proceeds to have horrific hallucinations of lenores ghost haunting her.

In the morning, annabel pulls some flowers out of a vase, holding the lily of the valley. She holds it after learning that there’s a mysterious man no one knows waiting to meet her. That he’s asked for her specifically. The lily of the valley in Victorian flower language represents return to happiness, and who shows up minutes later, dressed as a man and ready to wreak havoc upon her fathers estate? Lenore vandernacht. She then says, staring at the flowers that she’d like to wear something floral.

Annabel’s mourning clothes

As Annabel walks down to meet this mysterious visitor, she wears a black dress with FLOWERS ON IT. The day after learning a very dear “friend” has been killed in a fire, she wears a black dress with flowers on it, after having hallucinated said friend in the bathtub after talking to herself about flowers. She wears a black dress with a flower pattern on it in mourning of Lenore.

5. Pet, and the flower ring

Pet - in some places (not too sure on this one) pet can be short for petal, Annabel literally calls Lenore my petal

The engagement ring Lenore gives Annabel has a flower in it. The gift that’s supposed to symbolize lenores love for her, that’s supposed to be a piece of Lenore that Annabel wears, IS A FLOWER. ANNABEL IS WEARING LENORE. SHE WAKES UP IN PURGATORY, STILL WEARING THOSE RINGS. NOT EVEN DEATH COULD GET HER TO GIVE UP THAT PIECE OF LENORE SHE CARRIES. THE FLOWERS ARE LENORE LENORE IS THE FLOWERS.

All that is to say RAHHHH FLOWERS RAHHHH LET LENORE RELAX AND FEEL DESERVING OF LOVE AGAIN RAHHHH

[link7057]

Ya no se si me gusta pero..... Hm... Nature.

[tyrianludaship]

Imagine dressing up pretty for your F/O's...

Soldier giddily clasping his hands together, with a beaming smile, as you tip the helmet slipping over your eyes up with one hand, as the other holds a rifle over your shoulder. You got the nicest army uniform, with a lovely patch of the American flag or three decorating you. You will be an anti-commie-hippie-nazi force together.

Demo's scrumpy pouring from his bottle to the floor, as he watches you, slack-jawed, in the garb of an ancient Scottish warrior, furs reminiscent of explosions, and a beautiful sword serving as little more than decoration. The thing is heavy, but as he put it, you look bloody mesmerising.

Heavy sighing wistfully, as his eyes study your dress, befitting a knyaz, or a tsar, the hefty jewellery of bullets weighing your neck, head, and hands down, as you try to stand with a straight back, the very model of a painted figure he'd admire on the pages of history books. He's already pretty quiet, but, he is utterly speechless this time.

Engineer whistling lowly, as he admires you from the cowboy hat, down to the spurs, several handsome tools in place of a gun in your holster. Caterin' just to him, that you are, with the proud combo of his spirit and his passions in your clothes. Yer spoilin' him, he says with a shy smile.

Medic gasping softly, as he watches you twirl in your nurse dress, half-laughing half-ooh'ing and aah'ing at every little detail that reminds him of home. The hat, the suspenders, the boots, it's a little silly to most, but to him, you're the best, cutest assistant he could ever ask for! ... Excuse his excitement, schatz, he's just very pleased to see you, is all.

Sniper murmuring "Holy Mother of...", looking at you above his sunglasses, and from under his hat, his face getting even longer - the hunter-esque attire is a personal attack. And the handsome rifle you apparently got as a gift for him, and presented with the rest of yourself? When you already look like Cupid himself gave you an unseen bow to strike his heart with? Crikey, he's in love...

Spy raising his brows, and giving an appreciative "Hmm!", as he nods. The béret? The classy, yet casually appropriate suit? You could approach him anywhere any day, and his focus on the façade of suave calm might dwindle just a little bit. Positively enchanting, he says, eyes fluttering just a tad too dreamily to truly hide how enamoured he is.

Miss Pauling stammering and stumbling over her words, when you catch her off-guard. You look really nice- That's what she's trying to say, yeah, because the way you did your hair, and the shoes, and the tie- Is that a gun in the hidden inner pocket of your jacket? That's, wow, she- Can she look at it? And also generally move closer to you? For no reason at all, you're just so gorgeous- ... Did she say that out loud?

- Penis Anon. (Jumpscare again.)