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[boyfriendblogging]

So I locked in and drew Clown Horn an official ref sheet + drew it with all my object show f/os!!

I'm flying out of state tomorrow so I figured I'd actually draw art of all my object f/os to feed yall. Smiles!

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[boyfriendblogging]

Ouhhhhhgghhh..

'How I need to be loved' vs my comfort characters...

(*curls into a ball and sniffles*)

[Saw this on twitter and decided to start it here- guys JOIN ME]

>> Link to the quiz!<<

[armydreamerr]

tag guide !

✿ jay’s soliloquies -> longer original text posts

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[jokeroutsubs]

🎈🍰Nace Birthday Special🍰🎈 ENG SUB: JokerOutSubs x RADIOaktivno collab: 'Demoni' Album Presentation

Audio + CC link: https://youtu.be/4plC7TteUGw

We are once again very happy to have been able to collaborate with Boštjan Najžar from RADIOaktivno podcast (Facebook, YouTube), with whom we already worked for 'Umazane misli' subtitles. He very kindly reuploaded the deleted Demoni album presentation video on YouTube and we were able to provide subtitles for it!

Below you can find the transcription of our translation of the interview, which originally aired on 23.11.2021, on Radio Prlek/RADIOAktivno YouTube channel.

Cr: Translation by drumbeat, @varianestoroff, and another member of JOS. Proof read by TWT klamstrakur, Anastasia and @flowerlotus8

Transcript 👇

Everyone: We are Joker Out.

Bojan: And you're listening to Radioaktivno.

Host: 'Katrina' by Joker Out, all the members are with me today on Radioaktivno. New member Nace, Kris, Jure, Bojan and Jan. Hi!

Nace: Hello!

Kris: Hi, greetings.

Jure: Hi, hi.

Bojan: Good morning.

Jan: Same… also from me.

Well, even though it's already evening, I see your days are short or they turn immediately into mornings.

Jan: Yes, we usually wake up at 8pm, and stay awake for two days, and then we go to sleep.

Isn't 8pm already the end of the day, or is that when the soundchecks are over?

Bojan: We basically call it vampire rotation. So… We skip the soundchecks and then, when we wake up, we get out of our coffins and go straight to the stage.

So you don't like the light?

Bojan: No, we're not really comfortable with light, yes. Sunglasses are mandatory.

Kris: That's why we live in Ljubljana, where it's never really bright anyway.

I disagree. I was looking at some photos today, and when the sun was out over there, here it was still foggy.

Kris: See, that is why we are here today.

Bojan: Well said.

'Katrina'

Jure, we started with 'Katrina', with the single that launched your new album.

Jure: Yes, it's true. 'Katrina' is the first single we released at the end of August, before the album was out. What can I say? We also made a video for it with Mark Pirc.

Bojan: Maybe the most energetic, or one of the more energetic songs on the album. It kinda feels like this album is maybe a bit calmer compared to the first one, or more oriented towards, how should I say, yes, frustrating, restless moments. So 'Katrina' is, and let's say, 'Ne bi smel', which we will hear later, kind of represent the high point in terms of rythm, we think.

Today we also have in our company a new band member, Nace. How did you integrate into the band after a few weeks?

Nace: I will say, musically, I never doubted it, but as mates, or, rather, band-mates, we've been slowly growing into a little family, I think. We've spent quite a bit of time together now, in the span of a month, and I have to say, they've grown on me so much, like, yes, a family, right?

Have you passed all the tests, taken all the exams?

Nace: I mean, I had the last one yesterday, but, I have to say, that I didn't quite get an A, right?

Kris: And what was that test?

Nace: Well, about the history of Joker Out.

Kris: Oh, yes.

Nace: So I learned something new as well alongside the mistakes, right? But I've still got time.

I see though you have integrated into the band well, you've already got your sunglasses on.

Nace: It was a must-have, right away, as Bojan called me at the time, he said, "Do you have (sun)glasses?" I said, "I do". And that was it and he said, "I think we've found the one."

Bojan, do you have difficult admissions exams, then?

Bojan: Well, I wouldn't say we have difficult admissions exams. Rather for the reason that there are practically no admissions exams, the same thing happened with Jure and Nace. Basically, when we kind of said, we want him, it was more based on this energy that they were radiating, not so much just on musicality, or whatever you want to call it. And in both cases we made the right decision. Now, I believe that we are done deciding.

The next one will be 'Ne bi smel'.

'Ne bi smel'

Jan: Yes, 'Ne bi smel' is a song that we "should have" written, and it's actually, along with 'Katrina', quite a bit, it's the second most most energetic one. I think we had, I mean that Bojan, had maybe the most trouble with the writing of its lyrics, but…

Bojan: The most and the least trouble simultaneously.

Jan: Yes.

Jure: But I think the least work we had was with the instrumental, it got put together really quickly.

Bojan: This song is, well, good thing Jan took the microphone, because I wrote the lyrics for 'Ne bi smel' practically as they are today, crossed them out completely and Jan came into the rehersal space very upset and said to me, that I had to go back to the old lyrics, and I'm really…

Jan: You shouldn't have changed it.

Bojan: Yes, but I didn't know how else to…. So, yes, well, that song was just a big frustration for me, actually, because I've changed the lyrics so many times and ended up going back to the first version. But yes, enjoy.

'Ne bi smel' and Joker Out with their album 'Demoni' on Radioaktivno. Fresh from 'Umazane misli', you've released a new album.

Bojan: Yes, our ghostwriter was really diligent, so we were able to get the new material out very quickly. No, actually, we can't believe it ourselves how quickly the second album came to be. Especially because the first album was quite a torturous process, at least in the finishing touches, when it came to mixing, and we all thought that we got tired of making music and that there wouldn't be an album at least for a while. Then we really reached a moment when…

Jure: You know what happened? We set up the rehersal space.

Bojan: Yes.

Jure: And we announced Križanke, and then we were like, "Okay, now what? Maybe we need to go to Križanke…" Yes, we announced Križanke earlier than we started the album.

Kris: We sold it out before we started the album.

Jure: Yes, well, that too. We went to Križanke and we said, yes, well, we gotta release a new album, right, for Križanke.

Jan: But we've also sold it out promising this… the debut of a new album that hasn't even been made yet.

Jure: Yes, yes, we haven't done anything yet!

Bojan: When it hadn't even been planned yet.

Jan: Not one song, nothing.

Bojan: Nothing. We were like, "Hey, ten really sick songs, that for now don't exist yet, but we'll handle this later ."

But then these songs were created very quickly, because Križanke was in September of this year?

Kris: Yes, they were created quickly. I mean, if we're being completely honest, some have been in the making, even when we were making the first album, because, you know, you can't frustrate yourself with only ten songs, that you've been twisting for two and a half years, and Bojan in particular and I have written a few songs in between, or outlines. Then we built from that, when we started, the first draft. For the first draft.

Bojan: A first draft and an outline.

Kris: Right, a first outline.

Which means that things have been happening very fast for you lately?

Kris: Yes, things are moving quite fast, maybe, maybe even too fast for some. [someone gasps dramatically and Kris laughs] No, but in my opinion, we're all excited about it, and we're basically happy that everything can evolve so dynamically.

Can you all keep up?

Jure: I think so far yes, we have a great team around us, who really help us a lot. So, yes, we're keeping up with everything so far. A problem would arise if we didn't, right?

Bojan: And then we would break up. And in ten years' time we'll have a reunion and sell out some venues again and then break up again.

Jan: No, we must not disband now, because there's one Instagram page, a page called Joker.Out_nesmerazpadt [Joker.Out_ shouldnotbreakup]. So, let's not disappoint our fans.

Do you follow social networks well?

Jan: Yes, we must. Because, I mean, as someone who deals with social networks in the band, I feel like I spend a lot more time on my phone, doing whatever it is I'm actually doing, than making music. Which is a bit of a shame, but it's just how it is today, if the band itself promotes a brand of its own, its own image, you have to take care of the other things as well, that are not music.

Bojan: I think you should be grateful for all these references that you're going to be able to put to good use in PR and strategic management…

Jan: What, you mean if I wanted to get a job at Telekom?

Bojan: …when we break up and you'll be looking for a real job as a TikToker.

Someone: Manager.

'Plastika'

With the second one, we'll undergo surgery. It's time for 'Plastika'.

Bojan: Yes, 'Plastika' is a song that was written in the studio a few days before the album was released, basically. I didn't know what to write about, and there was an article in Delo about how 1/3 of Slovenian teenage girls want plastic surgery, and producer Žarko Pak looked at me from his chair and said, "Write a song about this." And I did.

Joker Out, 'Plastika', album 'Demoni' which we're playing today. You're not the luckiest with electricity. And if we connect this to Ormož.

Jure: Oh yes, yes, I mean, at our place we installed the wiring ourselves, so we're good electricians. But if the fuel runs out in the generator, it's not our fault, right.

Bojan: Yes, Ormož was such a lucky-unlucky situation, because we ran out of electricity during the concert, but luckily, that's the lucky part then, we were so, I would say, in the right mindset, that we went to stand on the speakers in front anyway, and sang and strummed on the acoustic guitar, until the power came back on, so it was actually one of those special little moments, and the flashlights and the lighters were on, you know, romance, people kissing, dancing, hugging, so, nice.

Does that mean you are also working on an acoustic repertoire?

Jure: Not yet.

Jan: Only in Ormož.

Jure: [laughing] Only in…

Bojan: Ormož special.

Jure: No, not yet, I think it's a bit early for acoustics. We'll do it later, in our old age, when we don't know what to do anymore.

As the older musicians say, when you go to their concerts, or like when you start playing around 5 or 7 PM at the latest.

Bojan: Yes, yes, that's it. Acoustic. Have a seat, and we'll be done at five.

Jure: Then let's go home and watch the news, you know, at seven.

Anyway, you have a lot going on right now, you sold out Križanke not long ago.

Kris: Križanke was just now, yes, actually, they seem… Even though it may be, we've been on holiday and I don't know, I think we did ten concerts in between, so Križanke seems like a long time ago. But now we're basically already heading to another bigger venue, Stožice, on October 6th, 2023. Yes, exclusively, exclusively for Radio Prlek. On the other hand, especially now with our latest single 'Demoni', we also have our eye on the Balkans and we're waiting to see if anything happens.

How do sold-out venues affect you?

Nace: I mean, I'm looking forward to Stožice for now, right, which I have no doubt will be sold out. So, anyway I don't know, I wasn't with them in Križanke, so I can't say that I've experienced it, but let's just say, that I look forward to everything that is coming.

Does this give you extra motivation to practice more?

Nace: I mean, if I may be a little cocky, I think I don't need to practice, right. But if you don't believe that, I recommend to come to a concert and listen to me play.

I see you have a good new member.

Bojan: Yes, yes.

Jure: Good at lyings, good at lying.

Bojan: Nace is a few years older than us, right, and he's…

Jan: Just by 30 years, right.

Bojan: 30 years older. …that he has quite a lot of experience. and he's a professional musician, so we're really just a bunch of amateurs compared to him, right, as far as practice is concerned, so I think, that Nace is quite right at this point, that if anybody needs a little bit of practice, it's us, and maybe me most of all, well, but let's move on.

Kris: To be completely honest, since being in the band Nace has requested to reherase the most. And even then we were like, "No, no, we don't need to", so… It's not entirely true, this facade that he's put up.

Nace, how much musical experience do you have, then? In which bands?

Nace: Me? I mean, oh… This question surprises me every time. I mean, with time, when you play so much you tend to forget people and I always find it hard to put a spotlight on people because I know, I will forget someone and I don't want for them… Well. What should I tell you?

Jan: About the cruise ship.

Nace: Oh, yes, as a fun fact, I can tell you that as an 18 year old I already went into the world, on a ship, on a cruise ship, to play where I spent half a year, I saw a bit of the world I came home and started to get a bit more involved in the Slovene music scene. So, maybe it's one of those things that most people have seen and I'm still a member of the 'Diamanti' band. RTV Slovenia programme 'Friday Evening'. And I was an accompanist for quite a lot of Slovene artists, I also recorded some things. So, I think that I've already left a mark, but it's far from final, and I think I will also leave one with the band, I'll bring something new to the band and show that… Who is, not who is Nace Jordan, but that I deserved this spot.

I almost heard, who is Nace Junkar?

Nace: You're not the first, well, but… as much… I'll say that Nace is a great person, right, as far as I got to know him, but I don't want to be mistaken for him. Jordan and Junkar, there is a slight difference

'Demoni'

The next one is 'Demoni'.

Jure: Oooh, little demons.

Bojan: Mhm.

Jure: The first one in Serbian. Bojan, I think it's best if you tell us more about it.

Bojan: Well, 'Demoni' is actually one of the first songs that I've written in Serbian in my life. The reason behind it was mostly or rather, let's say that the reason can be split into two parts. The first part is because we share the aspiration to go out of Slovenia's borders, to the Balkans, which are familiar to us. And the second part is that my roots are Serbian and I always wanted for my grandma to understand what I'm singing about because she always tells me "Yes, it's a lovely song," but if you don't understand it completely then it doesn't have that much meaning, right I've always wished for her to be able to understand so now she understands. Though she wasn't that excited about…

Jure: Right, she wasn't, I was just about to ask…

Bojan: No, that there're demons, it confused her. Why demons, is there something wrong with them, like that. But nothing is wrong, grandma, everything is all right. Everything is all right, grandma.

Demoni' from Joker Out on the Radioaktivno show. Exit was this year. A Serbian festival, world renowned, with a lot of people. Did you have fun there?

Kris: We had a lot of fun. Above all it was our first non Slovene concert experience for us. Before that we played in Poreč but more for Slovene students. So it was our first time introducing ourselves to the international crowd. And one might say that the majority of the crowd were Slovenians, but I was under the impression that a few foreigners were also impressed by our concert and that we left a mark, now we're hoping to be called back to Novi Sad because we had so much fun during those days when we were there.

Bojan (in Serbian): Brothers, call us, we would very much like to come back.

Have you then made a grand enough entrance through the doors to the Balkans?

Jan: Yes, we rang…

Bojan: With a club.

Jan: …with a hammer on the door. I don't know, I mean… I think that after a concert in Stožice the band that does it, also needs something new, something fresh. So, outside of Slovenian borders, there are many ears who want good music. So I think that Serbia is a great destination.

Nevertheless, the title of the album is after a song that is in the Serbian language.

Bojan: Well, that isn't that relevant. The title of the album was actually chosen because we thought that the word demons sums up all these elements we were surrounded with from Cvetličarna onward pretty well. Demons represent good responses bad responses, demons were sleepless nights, a lot of concerts, demons are the new songs that aren't made yet, demons were Križanke, that we sold out without having an album. Basically, a lot of demons were keeping us company we were each other's demons, because we were together all the time, maybe we were fed up with each other in some moments maybe we missed each other in some moments. So we really thought that this very short and clearly defined word that covers a broad spectrum of things that were happening to us. Not just negative but also positive, but yes.

Are you ever asked why Serbian and not English? Because the majority of artists create in English to break into the international market?

Jure: Well no, I think we aren't asked this much but I think that each one who starts working in English in Slovenia comes back to Slovene at the end.

Kris: We'll come to that. We have …

Jure: But yes.

Kris: We have a more long term tactic than most Balkan artists. First, go to the South, then through the South to the North, through the diaspora. So, first we have to conquer Serbians and Croats and all the others and so…

Bojan: and Bosnians and North Macedonia...

Kris: …and all the nationalities in between then we can go to whichever German, Swiss Austrian club to play.

Bojan: Well, no, you know what, being an author and wanting to stay authentic it's beneficial to stay in the language that suits your creative process and Serbian is my mother tongue which I think I expressed myself quite well in, right. Especially considering it's my first try. We'll see about English, I need more practice. I listened to an interview and I am pretty stiff... In English I mean.

Everyone: [laughter]

Practice makes perfect, they say.

Bojan: It wasn't planned. Yes, practice makes perfect.

Kris: You mean, have you listened to that interview yet?

Bojan: No, I haven't. I lied. But It's not like anyone can tell.

'Padam'

Next one is 'Padam'.

Kris: 'Padam' may be the first song that we envisioned for the new album to me it seemed that it defined the direction and vibe for the album very well. But when Bojan was playing it to us, it was very, very different. It was more suited to a band format than it is now. Do you remember?

Jure: Yes.

Kris: Yes, it had a demo with drums and that. Yes, I think so. I was sure then, that, that it would be, because it was a strong song lyrically and melodically and I was sure that it would be the biggest single of the album. But then, over the album making process, we somehow changed it and stripped it down and turned it into some kind of an acoustic ballad that really forces you to listen to the lyrics. Maybe it's not a banger as it used to be but it stands out more.

Bojan: So if someone says that Joker Out is a band that only wants hits it's just not true. This is a lie.

Also ballads.

Bojan: Also ballads.

Jure: That are hits, of course.

Bojan: Yes, yes. Right, that's a given, it's a given, god willing.

This time you offered us ten songs. It's interesting that you haven't released singles before but you first offered the album and 'Katrina' at the same time. Different approach than with the previous album where singles were combined in an album.

Kris: Yes, well in an ideal world we could release a few singles before the album release but we wanted to have two whole albums released in such short time that we actually didn't have time to deal with the process of releasing singles before the album release. But we'll definitely release a lot of singles from this album after it's out. So, 'Katrina' is released and 'Demoni', and then a lot of things can come. Also, for example, a song that to many didn't look like a single from the album could be released with a music video. When we released the album, there were I wouldn't say mixed responses but different people liked different songs. Now they maybe figured out which ones are more favourites and which aren't. But anyway, there's something for everyone on the album every listener can find a song or two on the album that are their favourites. And it's not as if it's so unevenly distributed.

Nace, how many times have you listened to both albums?

Nace: To both? I mean, I listened to the first one more for sure, since it has been out for longer, right. Otherwise, I listened to the second one immediately when it was released, I started listening to it in order to learn it. So I practically listened to it at least once per day for a month when the boys were vacationing. And maybe I might have gone over the guitar part as well, while driving, so, out loud, through Ljubljana, windows down, you know how it goes.

Bojan: You were driving, you were driving with a guitar in your car. Are you insane?

Nace: Look, I knew that I couldn't come there and not know, so I took advantage of every minute. I'm driving from Kranj, you know that is half an hour every day, when you go to Ljubljana, and it comes in handy. You know, a rush hour and you can… At least that bit of 'Padam' where tha bass comes in you know, I can practice it in between.

If we focus on sound, can you compare it to the debut album?

Jan: No. I mean, in some aspects, yes we're still us, the same people that also created the first album but the first album was recorded very sporadically. First, we recorded some drums, then the bass three months later, then we were recording the guitars for half a year every day, for a few hours and it dragged on, the thought process wasn't connected but it was more fragmented. So yes, I think that this album because for the most part we recorded it all together it works more coherently, in regards to sound.

Kris: If I may add, besides the whole process that influenced the sound, with this album we paid much more attention to the sound in post-production and instead of Žare who mixed the first album we found Todd Burke from LA this time who is a mixing and recording engineer there and he actually contributed a lot and he elevated the professional level of the whole product.

It means that you went from disorder to order?

Jan: We went from a mess to a blooming meadow, yes.

Who is the main author, or rather how do you create?

Bojan: Well, I'm the main author but this album was really like… What can be heard… What can be heard on the album was really a product of all of us because it was actually being made at the rehearsal space Songs were changing a lot from day to day from moment to moment. We tried a thousand and one versions for each one all ideas were welcome so I think that we truly found what everyone liked the best for each song.

As can we can see, now your rehearsal space is pretty nicely done.

Bojan: Yes, our rehearsal space is actually like our holy temple that we built ourselves. And we are immensely proud of it. Here, I think Jure is the most suitable to talk about it because he was, I'll say, the main author.

Jure: Installed the wiring and… Yes. Yes, we have a lovely space now, yes. It's nice, it's nice to come to the space and feel at home. Because it's a different energy and you can be more creative. I remember the beginnings, when we made the space when we first played there, do you remember it?

Bojan: Yes, yes.

Jure: When it was like, "Oh, sick."

Bojan: And then Maček, he thought it was so sick that he slept there for a week.

Jure: I do that even now.

Bojan: The rehearsal space influenced the album's creation a lot. Really, so I would say that a space is one of key elements for the band.

'Vse kar vem'

The second part is the lyrics, who's in charge of those?

Kris: Yes, again, for the most part, Bojan. although on this album one was written entirely by me, and one was a collaborative effort, between me and Bojan. That's actually the very next song, 'Vse kar vem', which we basically, I had an outline of the chorus, when last year, in March 2021, we went…

Jure: That's almost two years ago then.

Kris: Right, no, a year and a half. A year and a half.

Jan: Where were we?

Bojan: You've already had that in Šentjernej

Kris: I'd had it in Šentjernej already? Okay.

Bojan: Yeah, you've already revealed a bit of the chorus.

Kris: Oh, okay, interesting. Well, but we worked it out in March 2021, when we went to a hunting lodge in Lower Carniola and we took the chorus, Bojči changed the vocal melody slightly, we kept the lyrics and we made it into a whole song, which is basically based on these four chords. And he wrote segments of the lyrics, from the verses and the stanzas and the song grew spontaneously. I don't know if either of us even really knows what it means, because the stanzas are kind of in contrast to the chorus, but they come together very well.

On the album cover you are surrounded by mirrors and flowers. Except Nace, you are not there yet.

Nace: That, you asked the wrong person. It's just, when I look at the album cover, ah, the cover's pretty wicked. If you look at all the details in the background, how the guys are positioned, take your time, because I think you should dig into it at least a little bit and admire.

Kris: The album cover, if I may add, basically, if you'd like to see more details of how it was made, or what it all looked like, our new video 'Demoni', which was released a while ago, was basically shot on the same set and the same day, as we were doing the photoshoot for the album cover and it kind of visually supports the title track of the album.

Jure, is there something you wanted to add? For the album cover?

Jure: That they should buy the CD if they wish to see it.

Bojan: I would just add, that we are extremely happy and very grateful for the team, that was responsible for this creation. There was Primož Lukežič on camera along with Mark Pirc on the conceptual design, Andraž Drobnič on the graphic design and Damir, or Ponorelli, who did such a good job of styling us.

Who is in charge of your image?

Jan: Partly ourselves, for…

Bojan: Partly our parents.

Jan: Partly the parents, yes, they take us to Nama occasionally. Well, for the big concerts, for the videos and for the album cover, for the videos 'Katrina' and 'Demoni' and for the concert in Križanke, Damir Ponorelii handled the projects for us. Damir Raković Ponorelii. A good name. Well done, Damir.

Bojan: Rakičan.

Jan: Yeah, I think he, sometimes it's good to have a sixth eye. When we try to style ourselves for a concert and things don't…

Bojan: You mean the 11th and 12th eye?

Jan: Yes. Yeah, I mean, yeah. Right. He's probably got a 13th eye as well, right.

As you mentioned, you also filmed the most recent single, 'Demoni', in the same style?

Bojan: Yeah, we shot the video on the same day, as Kris said earlier, the same day that we shot the cover photo. So, it's seemed quite logical for us to make the most of this set, that's been set up in the studio, the guys have brought from the Ljubljana Marshes the whole covering, the mirrors were set up and it really kind of encapsulated the mood of the song of 'Demoni' and the album itself. And I believe we were pretty much done in two hours. Actually, the post-production was probably more complex for Mark. As you can see in the video, it took a little bit of video-shop skills as well, or whatever they're called.

Kris: Uh, if I may comment, you haven't actually heard this before. A while ago, when Jure and I were guests on the radio, the host said that when he first looked at the video, he was genuinely frightened. That he was a little bit thrown off, right, when he watched it. So in my opinion, we've achieved with the video what we set out to do.

Today, actually, video production is a necessity.

Kris: Yes, it is. Especially for the Balkan market, I believe, a song doesn't exist if it doesn't have a visualization, right, and a video is your way in if you want to. In Slovenia, we still have this way of life, where one would indeed listen to an album or buy a CD, which is nice to know, no.

'Ona'

'Ona' will be next, also in Serbian, and Bojan curses in it. How so? Or is it coincidental?

Bojan: Yeah, you know what, this cursing infiltrated itself very spontaneously in the lyrics. And I'm not the biggest fan of that kind of thing in principle, but it seems to me that in the whole context of the song, that phrase was very fitting, it's just an expression anyway. The thing that you really don't give a * for something, is just part of everyday vocabulary, including me at home. and when I showed it to my parents, they thought it was pretty amusing, not vulgar, and I don't think it's vulgar either, so yeah.

Jure: I'm interested in what your grandma said.

Bojan: But Grandma was mor… Okay, here we go. Grandma was slightly offended the first time she heard it. The deal is, she couldn't quite imagine how anyone could just put something like that it in a song, right. But she told me a month ago, that she really, really loves listening to this song now and that she thinks it is hilarious.

Jure: Yeah, well, come on.

See, now Bojan is no longer a nice little boy.

Jure: Now grandma knows what you're up to, right.

Bojan: Now he's a nice little girl.

How did the listeners respond to the second album?

Jan: According to the interactions we had with them live and through social networks, I'd say pretty good, right. I mean, maybe it wasn't what they were expecting, it definitely wasn't, they weren't expecting techno, bangers and what else we've got, yeah, the Beatles on acid, but I think we've intrigued them, that we kind of poked them, which I think is quite welcome.

The reviews are also positive, as you can read online?

Kris: Well, you know, I've read two so far. One was Croatian and one Slovenian. The Croatian one was maybe even a little bit more positive. The Slovenian one was, basically, based on it still being Shagadelic rock'n'roll or not. See, I don't know, maybe it is, maybe it isn't.

Bojan: You know, how you can ask the creator…, anyway, we invented Shagadelic rock'n'roll, right, so, whatever is made by the one who invented it, it's just it.

Jure: It just is.

Bojan: You can't…

Kris: I mean, yeah, okay, I totally agree with that, but you know, they've just based their impression of what Shagadelic rock'n'roll is on our first album, and maybe for most Shagadelic rock'n'roll is, what 'Umazane misli' was. But you have to allow for the possibility, for it to develop, because if you don't you're going to be listening to 'Umazane misli' 2, 3, 4, and 5 for the rest of your life, and we wouldn't want do that. We have decided for the morning after 'Umazane misli' and that is what 'Demoni' is.

What about the initial reactions from the Balkans?

Bojan: Last time we were backstage with Buč Kesidi, who are, let's just say that, at the moment the most active band in the Balkans from the younger generation and they were very, very, very, very, very excited about the album. And for Demoni, they said, "This, bro, is such a bomb, bro, it's gonna be a megahit, bro. I mean, literally, it's killing it, bro."

I mean, Bojan, this sounded very authentic just now and exactly as they'd say it.

Bojan: Yes, yes. That's exactly how it was, right. I didn't make a thing up.

Kris: He basically played the recording just now, since the listeners won't be able to tell.

Probably. Nace, are the listeners the main critics then, underneath the stage, in front of the stage.

Nace: I mean almost certainly. I mean, that's who this music is being made for, they're the reason we go on the road and perform. So I think it couldn't be any other way.

How have they received you as the new member? Is there more buzz around you now?

Nace: I'm not sure if I'm in the spotlight. And I think that neither they nor I, or anyone else for that matter has tried to thrust me into it. But it seems to me, just moving from concert to concert, that they're warming up to me, and so on… They're already shouting, "Nace!" and it feels really nice.

Kris: Has anyone approached you for a photo?

Nace: Yes, they have…

Bojan: They already have.

Nace: They have, they have.

Kris: Oh, great. This is a good sign.

'Tokio'

Next one up will be 'Tokio'.

Jure: Oooh, 'Tokio'. We love playing that one at concerts. I dunno, it's such a vibrant song, really. I'm lost for words…

Bojan: You're full of fun ideas…

Jure: No, you know what, it's 8 PM and my mind's blank.

Bojan: Okay, okay, yeah, we just woke up. Well, the reason is, 'Tokio' is actually… 'Tokio' because my first demo was in English, it was a bunch of gibberish, but in between was 'Dancing in the Streets of Tokyo' and Žarko insisted that this catchphrase has to stay. So, then we were making jokes a bit, about playing in Japan, and that's why I included two sentences in Japanese. And it was really cool, because when we were recording the vocals, we were like, "Okay, what's the Japanese pronunciation now?" and then we called Jan's ex-classmates who are studying Japanese studies, to tell us how to pronounce it, and we called a Japanese lady, someone Žare knew…

Kris: Some Slovenian man, married to a Japanese lady, no idea really, but, Mami Narita…

Bojan: Yes, yes, Mami Narita…

Kris: Yes, yes, yes it's not a joke at all. It's, it's, maybe you should leave this out, so it's not on record, but, it was actually her name, Mami Narita.

Bojan: Don't put this in in, please.

Jure: Yeah, well, whatever, it's a name. Whatever?

Bojan: I mean, she could be the only one in Slovenia.

Or, if you know the singer Stella, you can get in touch now, she's just gone to Japan to study.

Jure: Really?

Bojan: Well, here we go.

Jure: We've met Stella, haven't we?

Bojan: We know Stella, yes. We haven't been in touch for a while, though, but, right, Stella's a great girl. We've met Stella, but, yeah, we're probably not going to be hanging out that much, obviously, if she's going to Japan.

She's already there.

Bojan: She's already there? Maybe we'll visit.

Kris: Maybe the song is about Stella.

You've had a vacation since Križanke, was it an active one or not?

Jan: Yeah, I went to Littoral Slovenia for a week, with a tiny keyboard , among the goats and the hills above the Vipava Valley. And then Jure and I went caravanning around Germany, where our tyre blew up twice, but let's leave out the details. And we bought some new equipment, so, yeah, it was spent actively in part and in part, we did rest.

What about you Bojan?

Bojan: I've spent a few days at the seaside, a few days in Banja Luka at my grandma's, lounging on the sofa all day, eating čevapi and drinking Coca Cola. One day I literally got up from the sofa in the evening, and my grandma said, " Where are you going?" And I said "I'm going to grab something to eat." "No, I'll go!" So I literally wasn't allowed to do anything.

Jure, besides Germany?

Jure: Besides Germany, a week at the sea and afterwards we went to the seaside together, for a couple of days. I don't know, it was nice, but we haven't vacationed in so long, it was a bit weird to go on holiday, right. It's not my usual mode.

Kris?

Kris: Yeah, I've had, let's say, the least, the least laid-back kind of vacation, because on the same night after Križanke, I flew to Peru, where I spent three weeks. We hiked and travelled and basically got very little sleep. All in all, it was a good experience and it basically was the only time when I could make a trip like that possible, a kind of collective vacation, but we had a chance to relax a bit when I got back, we went to Pula for a couple of days, as the guys have already mentioned. and that was my, let's say, my actual time off.

Nace, all you did was practice?

Nace: I did, for the whole month basically, like I've mentioned, and when I didn't practice, I was driving around in the car, and then I practiced in the car.

Bojan: What about the fish?

Nace: That's it, right. And then we went to Pula together that week, that was, what, the last week? Before the first concert, we got to know each other…

Kris: That was the first week of October.

Nace: …a little bit better. The first week of October, yeah. So we had a good time. And then straight to the gig, it was well, yeah. And the fish… Actually, yeah, Bojan and I got a new hobby, we took up fishing, but we've spent a fair amount of time fishing and I have to say, so far, without success. But it's nice, so if anyone knows, a serious fisherman, Bojan and I are really looking for someone, who would take us to a place where we could catch a fish. Even if it's to an aquarium. Just so it happens.

Did you set the wrong bait?

Nace: No, we've tried every bait in the world.

Bojan: I mean, really, we Googled it, we did everything right in theory, but we really didn't catch more than two seabream, and even they were really the size of this microphone I'm talking into. And a fun-fact, just a quick one, Nace took me to a pond, to go fishing, right, because that's where you catch fish. We got to the pond and the gentleman who manages the pond said…

Jure: Fish farm.

Bojan: I mean, yeah, he said… We said, "Where do we buy a ticket?" and he said "Well, no need, there aren't any fish anyway. You can just go for free." Naturally, we didn't catch a thing.

The interview will proceed a little differently, I'm not the one asking the questions anymore, you'll get a new interviewer. Last week I hosted Slick, a rapper from Velenje, with his album 'Sveža plat' ('Fresh Side'), and he asked you four questions. The first question is:

Slick: If you could collaborate with any musician in the history, who would you choose?

Jan: Well, let's say Vivaldi.

Jure (?): Oh, that's what I was going to say…

Jan: Imagine, you know, he shreds on a violin, I shred on a guitar… brrrrrr…

Bojan: I'd say, from the top of my head, Maček, you. Tell me.

Jure: Oh, I guess The Beatles.

Kris: David Bowie.

Nace: Led Zeppelin. To be fair, I've already got Bonham in the band, I'm getting there I'm getting there.

The second question:

Slick: How often do you tell yourself that you don't have time and is that really the case?

Nace: I mean, I say that to myself every minute, but I don't know if it is true. I mean, we all like to whine a little bit sometimes, don't we.

Kris: Yeah, I say I don't have time a lot, but I know that for certain things, that you want to make time for, you take the time.

Jure: Yeah, I agree with Kris, yeah. But our profession is such, that we're not home on the weekends and when someone asks you if you wanna go to a party, or have a drink, you just say you don't have time, right. So, yeah, we don't have time. That happens a lot.

Bojan: I would say, that if … I'd say I don't have time, I'd be lying at some point. But during the summer I actually didn't have time to even think about whether I had time or not. So I am glad that the summer is over.

Jan: Yeah, sometimes you have to put your feet up, so, sometimes I use that excuse to be able to…

Jure: Lie down.

Jan: To lie down, yeah. I mean, I don't actually have much time, but not to have time at all, well, there's that. And stil.

The third question Slick asks you is who in your family has had the biggest impact on the person you are today?

Jan: Probably my mother and my brother…

Bojan: You can't name more people, hey.

Jan: Oh, just one? I guess, as far as music goes, definitely my brother, because he's also a music producer and he was the one who first introduced me to music, and without him I doubt I would be heading in this direction.

Bojan: I would say my father. He's kind of also the biggest supporter of what's going on in my musical head, and whatever's going on with us and he's actually really, really, really happy with all the success. And even when there's failure, he knows just what to say to calm me down.

Jure: You know what, I've been locked in a cellar, and my dad's always said I was made for a pick and a shovel, so…

Bojan: And he wasn't far from the truth.

Jure: Well, yeah, yeah, parents, naturally, right. That's it.

Bojan: Why parents, you have to choose one person…

Jure: Well I can't choose one.

Bojan: How come?

Jue: I can't.

Bojan: Come on.

Jure: They come together.

Bojan: Break someone's heart, won't you?

Jure: Yeah, then I'll say my sister.

Bojan: Here, good one.

Kris?

Kris: For me, I would think it would be quite hard to tell, who has influenced my musical career the most, right, but it is definitely going to be my dad, who was the first who put a guitar in my hands when I wished for one.

Nace: For me, in music, it's must be my cousin, right, because we essentially grew up as brothers. and he brought the guitar to our house, and that's what made me… And he had a band and then I wanted that too, except he's a few years older than me.

And one last question, Did you eat cheese?

Nace: I did.

Kris: I did.

Jure: Yes, I like it very much.

Bojan: I love cheese, too.

Jan: Yes, I've eaten it many times.

Then afterwards you have the same task, so you can start thinking about it, each of you will ask one question to the next guest.

'NGVOT'

The second to last one we're going to play today will be 'Ne govoriva več o tem'. also known as 'NGVOT'.

Kris: More specifically Ngvot. We have chosen that title because, I think that when I first brought the song to the rehearsals in 2018, I already had it spelled out that way. And then, when we wrote it on the setlists it was always 'NGVOT', because it's just too many words, to cram them all into one setlist. But, what's the story behind this song? Because it's a bit different in atmosphere and maybe more naive than the rest of the album. It's a song, as I said, that was made in 2018 and which we kind of, we never really liked it very, very much, but we played it because we needed to be fill our setlist. And then, fortunately or unfortunately for us, it really clicked for us in the concerts, our fans really took to it as one of their songs, and they sang along beautifully at concerts and we basically couldn't imagine doing the second album without the song. So, then we got creative, and we adapted it a little bit into a form that fit us, that was very different from what we played before the album came out. But actually, it fits very nicely now, I think, right. It comes in handy.

Joker Out, to round up this conversation, I see you have very busy days what challenges lie ahead, besides Stožice next year? It's just around the corner.

Jan: We have quite a few plans for the future, which… I don't know if I'd give them away yet, no. But it's… Maybe, at this point it looks like we're going to Hamburg to record the English versions of our songs. That's also a partial answer to the previous question, for Kris, or for anybody, why Serbian and not English. English is coming too.

Bojan: So, that we can join those bands, that go to English and then go back to Slovenian really quickly.

I see you still have CDs as a sound medium? Is that it?

Jure: Yes, and we have a LPs as well. They sell out even faster than CDs, actually, I think. They've made a comeback recently. It seems to me that you have to have this product. When you release an album you have to feel the CD in your hand to say OK, now we've got this.

Bojan: I am absolutely thrilled. I thought we were selling tea coasters all along. Bear coasters, you know?

But you don't sell ID cards.

Kris: Yeah, here we go. Yeah, buy our CD or LP.

Everything about how to get the LP on the website?

Kris: Absolutely, our website is the best guide sign you'll ever see, It's all clearly visible on it, come and have a look.

Bojan: www.allyourneedsunderoneroof.com

And there's a mention of Joker Out somewhere.

Kris:Yeah.

Bojan: Yeah, somewhere at the bottom.

Kris: In sidenotes, right.

Bojan: Yeah, yeah.

You mentioned earlier that there's going to be more singles from the album, not just the two that are already released?

Nace: I think there will be, right. It's just a question of when. Well, 'Demoni' have arrived on Halloween, and now to the next step.

Kris: Yeah, so, well, what should I say...

Jure: Something else might be released, live from Križanke.

Kris: I'm sure there'll be some more live footage, but for now we've got a couple of songs coming out as singles. For me, maybe, I'm not saying it's going to be a single, but I feel 'Ne bi smel' is very much singlelike, the second song on the album. And maybe the others should share which one they see as a single.

Nace: I mean, I also see 'Ona' as a single, right. Definitely. If nothing else, when we play it live, it's it for me. It could be.

Bojan: Honestly, I'll say it like this. Let's give it time, but I think, sooner or later, every single one of these songs is gonna have its singlelike moment. So, keep your eyes open for the videos, the video material, let's not restrict ourselves, you can also find on our website a couple of nice pieces of furniture or home accessories, so you're welcome to visit.

And then in a few more sleeps, it will be the 6th of October 2023.

Jure: Yeah, that'll be quick.

Bojan: What happens then?

Jure: Yeah, Stožice, right. That's it, quick, get the tickets, because they're going to be sold out. I don't know, I feel like we can't wait. Although, we've been waiting six months for Križanke, and it's been pretty exhausting. Now we have to wait a year, so it's only going to get more exhausting.

Bojan: Yeah. Well, the problem with Stožice is, is that truthfully they're so surreal, that, I mean, I really remember the first time we ever set foot in Stožice, when we played at Ritem mladosti (Rhythm of Youth), as an opening band at 7pm, and we said, "Wow, hey, can you imagine everyone coming here because of you, can you?" And now, like three or four years later it's going to happen and it doesn't feel real yet.

'Novi val'

I think we tie this to the last track 'Novi val'.

Bojan: 'Novi val' is one very, very special song for me, because it emerged, from one, how should I say, direct impulse from nature and that was when the fires broke out in the Karst. That's when this phrase came, "Where shall we go from here if we are already setting the horizon ablaze?" and the song was built around that. We kind of felt, that there was a generation, a few generations younger, and maybe a couple of generations older than us, entagled in it, in this preconception that maybe we don't know quite what to do with ourselves or that we are not a good enough contrib… What do you call it, a contribuator to society? I've just made up a word for that. Basically, this song is a bit like I would say an expression of any young person at the moment, who knows that they matter, who knows that their voice counts. and who wants a better tomorrow.

'Novi val' to wrap up this conversation, Jan, Bojan, Jure, Kris and Nace, thank you, for being guests on Radioaktivno and may you be successful and hard-working on your journey. And see you again in a year with the new album?

Bojan: Absolutely, thank you very much for having us, we had a great time last year as well, we remember that interview as a nice one, next year we don't know if there will be an album, but we'll be fresh out of Stožice, really.

Jan: Yeah, thanks for the invitation, we'd love to come again. I agree with what Bojan said.

Jure: I wish everybody a good night, right.

Kris: Good night everyone, the third album may not be next year, but I'm sure there'll be a lot of things to listen to and see.

Jure: But it will be the next one.

Kris: It will be the next one.

Nace: Same from me, right, see you in Stožice. I'm Nace. Still, something like that.

All: We're Joker Out,

Bojan: and you're listening to Radioaktivno.

[mew-aka-mimichan]

📛🍀Mimi’s Blog!🌈

🎀🧩😋

Hai! My web tag is mew but you can also call me mimi chan! Welcome 2 mai blog!🍮🐾

…

🍀My nickname is mimi, but I also go by mew, clova or mootwoot online! I’m just ur average introverted borderline NEET gurl, obsessed with anything and everything loli, anime, cutesy, kewl, or even a bit ceepi… (*ﾟ∀ﾟ*)

🍓about me, pursonallly!

I go by she/they/meow/mew pronouns, I’m biologically a girl,I’m pan,I’m black,and I’m 14! I'm also a cat therian!!! (maine coon):3 I’m homeschooled sooo I’ve got plenty of time 2 be chronically online!!! 😋😋😋 I’m a beginner-transitioning-to-intermediate artist, and an aspiring model… I’m also mental LOL (I definitely have illnesses, but im undiagnosed, I suspect I have autism, adhd, or possibly ocd)

🌀I love decora and mainly jojifuku/cutecore/ kawaii fashion styles, and I’m OBSESSED w/ 2010’s intornet core :3 usually I stay in my room 2 rot all day :P most ov tha time you’ll catch me on 4chan, Reddit, Pinterest, yootoob, and sumtimes tumblr or discord! usually I’m pretty introverted irl anddd even online… so if you try 2 dm me I may or may not reply lolz >_<

🌈fandoms I’m in!

I luv luv luv attak on tittan, madoka magika, mha, ouran high school host club, Steven universe, OS tans and WEB tans, my little pony, lalaloopsy, tawog, touhou, netrun-mon, moetan, yatsouba, kodomo no jikan, K-ON,lucky star, precure, and vocaloids!!!! 😋🍀🍀

>expect me 2 switch between fandoms 🍟

👾i luv 2 ply fnaf, project sekai, danganronpa, Minecraft, beatsaber, roblox, splatoon, Kirby games and Mario gaems!!!💖

🧩and I luuuv listening 2 kikuo, siinamota,frenesi,kyary pamyu-pamyu,sasakure.kk, mitchie M, and snail’s house/ujico!!! 🍰

🏩Just so u know, art will be tha main content of mai blog, but occasionally I can post diff stuffs like vent posts, memes, and edits! _(:3 」∠)_🦴

🍖🌈,🐰🎀,🍼🍪,🎒🧃,🎱🎀 ^_^

🖍️my artttt

I think I’m pretty good at drawing, I’ve been doing digi art for a year, and I’m thinkin of taking commissions for anything! I’ll make a post ab it when I’m ready, ask me 4 more info! (^_^*)🍭

☆•. ♪ *｡♡＼(⸝⸝´▽`⸝⸝)ノ♡｡*♪ .��☆

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⚠️if u aren’t ok with this, then ok :3⚠️

-im a proshipper and a darkshipper!!!! i enjoy loli content and draw loli/shouta-looking characters, but I’m not a map(minor attracted person) and I don’t sexualize real kids or condone grooming irl, I’m addressing this because I look forward to posting my art and this is my safe space! ( ^ω^ )🎀

Welp, that’s prettyyyy much it! See ya!!🍰

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─━★. . +. *. •. . 。 ✩

☆ +. *。+. ☆. * ─=≡Σ((( つ•̀o•́)つ.

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。. ✩. .•. *. .*─━★. •. ✩.

. •. *. +. • . ･:*三( o'ω')o 。

✩. 。. .•. 。 .*. •. 。+. ☆. *. +

─━★. •. *. +. . *. •. +

*. ☆ +. *. • --==≡≡ଘ(੭ˊ꒳​ˋ)੭✧

─━★. . 。. *✩. •. . ☆ . *. +. •

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[boyfriendblogging]

I could be REALLY funny and submit Baseball but uh. He's already a ball. So.

Will you ball Two?

in honor of my final assignment report getting accepted...behold!

with the cost of reblogging with an f/o or an f/o AND an s/i, receive them in a BALL form

they're wonky, they're bouncy, and they love you!

pro/comship & doubles DNI!

[kittyplushy]

Welcome! I'm Julianne / Jenkins (they/she). I am 19 years old!

🍓 I'm Julianne / Jenkins! I'm an Multi Media Art student, amateur illustrator, self shipper, and professional silly little guy (autistic)!! I am nonbinary and a lesbian :3

🍓 This is my main blog which is an amalgamation of my art, my interests, written works, and reblogs!

🍓 Mainly a self shipping blog

🍓 Hey! I have a blog PURELY dedicated to Beneath The Trees Where Nobody Sees. Essays, fanart, fanfics, news, everything!

🍓 pssst...my comms are always opennnn!

🍓 I'm interested in animation in general, vintage and cutesy aesthetics, toys, sweets ^_^

Main Interests: (Pink text are my special interests!)

Beneath The Trees Where Nobody Sees, Don't Hug Me I'm Scared, Revolutionary Girl Utena, Sailor Moon, Saint Young Men, Avatar: The Last Airbender, Sonic the Hedgehog, Rodney Alan Greenblat works (PaRappa, Dazzeloids, mascot projects), Sanrio, The Mountain Goats, They Might Be Giants

🍰🍰My Self Ships! 🍰🍰

💐 House Guest: 💉Samantha Strong x Julianne Lucky I am not normal about them in da slightest tehehehe! main ship

💐 Stuffed Animal: 🧸Lesley x The Illustrator secondary self ship. Lesley is still a main f/o but you can blame DHMIS for being notoriously slow on any updates.

💐Sappho Suffocating: 🍰 Working on a interfandom polycule w both f/os!

I am not comfortable with sharing of any kind! I headcanon both these characters as lesbians. Do not derail!

These tags host my ramblings, writing, headcanons, and art for these ships. I also occasionally post non-specific imagines although most are targeted towards the fem!f/o demographic...

I also post. Normal BTTWNS art and analysis which you can find here! (seriously you should read this series..)

Guess this should also go without saying but PROSHIP / COMSHIP / DARKSHIP DO NOT INTERACT.

I explore heavy subject matter due to the source media of both f/os. Heavier warning for House Guest because it gets a bit intense. Please remember that none of my ships should be read as abusive. I just enjoy exploring these complex characters through hypotheticals and am only working within what the creators have stated about their personalities.

I sometimes post suggestive text/memes/art so please block tags such as [suggestive text] or [suggestive] if ur uncomfortable or a minor.

Do not also interact if you share f/os. Please just be nice! I'm still figuring out how to sort this blog up!

My askbox is always open if you wanna chat and be friends! I love you! ;O

[coqxettee]

How to romanticise Spring:

Some ideas and things you can do to romanticise the Spring season 🫧˚˖𓍢ִ໋🌷͙֒✧˚.🧚🏻‍♀️.

Spring Wardrobe - Spring is the perfect time to start integrating new pieces into your wardrobe. Long flowing dresses, maxi skirts, pretty blouses, milkmaid dresses/shirts, rompers, dungarees, mini skirts, cami’s and so much more. Make sure to add a pair of new Spring pumps (Mary janes are perfect) and some pretty floral hair bandanna’s and flower crowns in there too. Pastel pinks, yellows, blues, greens and white fit perfect for this time of year, along with patterns and materials like floral print and lace 🩰

Change your eating habits. Put away the comfort food from winter and indulge in the delicious delicacy’s of Spring. Fresh fruit and vegetables can make endless recipes for Breakfast, Lunch & Dinner, sweet things like Oatmeal, Honey, gelato and any particularly sweet fruits are perfect for this time of year 🍒🥗🍵

Consume Spring media 💐 The media you consume affects your mood, consuming uplifting Spring content will not only make you feel happier in yourself, but will also make you look forward to and romanticise the season more. I have a list of Movies, TV shows & books you can consume in Spring that I will be uploading shortly ☀️

Read Spring books. There are SO many out there, classics are perfect for this time of year but any whimsical, forest-core, fantasy story’s like “The Hobbit” or “The legend of King Arthur” are perfect too 📖

Listen to classical music, movie soundtracks and pretty instrumentals whenever you are doing any of the following activities (I find it helps romanticising a lot! 🎶🌷)

Have a picnic outside - Bring a wicker picnic basket, beautiful picnic blanket, fancy plates and cutlery and have a picnic fit for a countryside princess outside, either at the park or in a field. Wear a big sun hat to keep shaded from the sun and be sure to bring the essentials (Princess picnic food can include miniature sandwiches, scones, cookies, cakes & cupcakes, fruits like strawberries, cherries and apples, any snacks you can think of, lemonade and sweet iced tea) 🌷

Host a Tea Party (either indoors or outside) Set a table with all your finest dinnerware pieces, wear a floaty dress and white gloves, and use your most precious Teapot to pour fruity and sweet flavoured teas into any delicate teacups you can find. You can even make this Bridgerton inspired and have a high-tea esque party. With cookies and strawberry shortcake, cupcakes and miniature sandwiches. Make sure to set the table with a pretty tablecloth, fresh flowers and napkins/fine cutlery for yourself or your guests. Play some classical music and enjoy 🫖

Go berry/fruit picking. This time of year is perfect for Strawberry, Cherry’s & fruit picking in general. Wear a big straw hat, a long dress and don’t forget to bring your basket with you to collect the fruit in 🍓

Visit a flower field 🌸 💐 this time of year, flowers are in full bloom. Wear the most beautiful dress and a flower crown, so you are ready to twirl in the flower fields to your hearts content 🌷

Bake new Spring recipes. There are SO many Spring/Easter baking ideas on Pinterest. Have a look at any and compile a list of Bakes you want to try this Spring season 🍰

Cook new Spring recipes, you can even incorporate any new foods you have tried into the recipes and be sure to write them down in your recipe book 🥧

Make flower crowns! You can use fresh flowers or fake flowers, some wire or plain headbands. Get creative with them, use flowers, gems, lace, ribbon (this is a lovely activity to do with friends outside) 🌸

Press flowers (Such a Spring fairy activity!) any wild flowers you find (preferably dying or damaged) take them home and press them in a heavy book

Go on Forest Fairy walks. Explore your local forests, parks, meadows in the most vibrant green and pink dresses, wear flower crowns and just be one with nature, listen to fairytale music and take in the wildlife and nature around you 🧚‍♀️

Decorate your bedroom/space for Spring. This can be as simple as changing the bedding or by going all out and re-decorating your room completely. Fresh flowers, fake plants, cottage-core illustrations of animals look lovely too 🌷

Celebrate Easter like a Spring princess (really get into it this year) enjoy a beautiful Spring breakfast, paint eggs, eat chocolate, do some Easter bakes in the kitchen, make Easter Sunday a special day for you 🐣

Journal/Sketch/Paint - Painting outside is one of my favourite things to do, and you could even set up your easel/painting supplies in a garden or local field and paint the scenery 💐 Journalling all about your pretty Spring days can be uplifting and I find that sketching illustrations of Flowers, woodland animals and just Nature in general makes me feel so at ease any time I do so 🦢

Visit historical places like castles, botanical gardens and garden centres. These places are always abloom in Spring. Most of these places offer café’s and afternoon tea’s too! 🌸

Visit a cute Café for afternoon tea 🫖 (Make sure to wear a pretty outfit!)

Go frolicking in meadows. Roll down hills and twirl in flower fields 🌼

Feed birds and take time out to Spend time with nature and wildlife 🐰

I hope this helped and gave you some ideas, made you feel happy or comforted whilst reading and most importantly, inspired you to live life to the fullest and most beautiful it can be this Springtime 💐📖🎀 All my love ~ Kellen

[babyusagipeachy]

sfw agere discord serbr , newly opemed !

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ʚ ᕱ⑅ᕱ ɞ ﹕ ♡ comfort is our top priority ! 🍰🍼🐇 m umderstand how difficult it can be to join a new server ,, lots n lots n muchie anxieties . . shome times typimg in general chattie can seem sho dauntimg . . sho i made fun little activity channels ꒰ abc , 123 , emoji spammies ꒱ amd put them above th more anxiety inducimg ones ໒꒰ྀི ∩ ⸝⸝ ∩ ꒱ྀིა ♡

we alsho have smaller , secret chattie tht little omes may join , just in case chattimg n th main chat seems too much right now 🍼

꒰ ᘏ⑅ᘏ ꒱﹕♡ buildimg th most acceptimg amd nicest community evr ♡ ♡ 🧁

ణ﹕♡ ♡ bunches of rolesies ૮꒰ྀི ´ ∩∩ ꒱ྀིა ♡ 150 + n coumtimg ! !

woa ! ! custom drawm babie emoties n adorabl stickers 🌈

changimg festive holiday rolesies 🎄☃️

🍪 giveaways , mimu shoppie ( w i p ) , n fun

[tutumydear]

Princess Tutu 20th Anniversary Herbstfest Radio Event Treats 🍰

These are paper menus from the Herbstfest in Japan in which the VAs and directors hosted an autumnal radio show set in Gold Crown Town to celebrate the anniversary.

Treats are the most important part of any event, obviously, so let’s take a look!

One of treats offered, pictured left, was a chocolate mouse cake with vanilla ice cream, topped with gear-shaped baumkuchen cookies and fruit. The cookies are a special detail, not only for their shape, but because this specific food is enjoyed by both the German and Japanese. It was meant to be reminiscent of Drosselmeyer, who gleefully let audiences know that the dessert was in “limited quantities” e3e

Pictured right is a lemon and white chocolate cake with fruit. Suspiciously similar-looking to Duck’s bird form, the treat’s ahoge was made from white chocolate and was fully edible. The toppings were meant to represent her pendant, although, I can’t help but see a very high placed beak with no eyes and a beaded crown. It makes me laugh.

Two signature drinks were crafted and offered at the event as well!🍹

Pictured left is a drink, available in both alcoholic and non-alcoholic forms, that included five different colors of jellies. I’m not sure why five were chosen, as I can’t think of significant groups of five characters that they would represent. Maybe the five unnamed heart shards? Maybe five is just a solid number to use? If anyone knows, speak up! :0

And on the right is a cocktail themed after Mr. Cat! Available only in alcoholic form, something interesting about this drink is that it comes with a plastic straw with a paper cutout of Mr. Cat on it. You were meant to use it as a “muddler” and mix the drink yourself. I imagine multiple Mr. Cats did a lot of dancing in circles that night. Terrifying.

Lastly, audience members were given autumn-themed coasters from the event. The printed mail details might have been a nod to how viewers/listeners had the opportunity to mail in their questions to be answered by the cast and crew who attended the event. Very cute and I have 0 intentions to use it as a coaster :D

[stomach-rental]

Kin aasign Will or I explode immediately /j

William James Rowe is... Lorethan "Reth" McKinely! 🍰🌿

Both of them are so, so kind and sweet to others. Will has an engineering degree and has a background as working to be a medic in rescuing people, while Reth himself does quite a bit of his own engineering and learns how to create his own machines and tools to survive outside of the society he lives in. He also ends up having to figure out a way to save a child's life who was badly injured, and ends up eventually adopting her as his own little sister. They both have deep connections to the earth and the environment, and do a lot of work to try to save it from other people's destruction.

They are both a bit unstable emotionally in their own ways, though Will's nervousness and self doubt stim directly from the Eating Louis issue (as well as his betrayal from his past partners, but that's not relevant here). Reth isn't really nervous about a Single Thing and instead has general worries about...almost everything, being easily emotional and wanting to make sure people are safe, but second guessing everything until he becomes overwhelmed.

One thing is for sure that Reth has a leg up on, though, and that's that his society (Katterax) actually...does the whole eating people semi-regularly. It's not done ALL the time, but the fact that drakath bodies are made of shifting substance that is incredibly durable means that they can easily change to be able to be eaten by another and be completely safe through the whole process! It's actually something done by some especially disabled Drakaths whose bodies cannot easily live outside of specific environments because they can't form the organs that other Drakaths do. While this whole eating process can be done in many ways and for many reasons, it's most commonly done as a way to be close and intimate with another, without it really being sexual (think a form of deeper kissing, cuddling, etc.), so...Reth would not be nearly as phased or worried about Will's issues and honestly would be a bit confused about what the big deal was.

William James Rowe belongs to @peachnewt and her series, Getting in Deep! The lanky noodle of a guy belongs to me and my story, Their Scattered Hosts.

[boyfriendblogging]

ANOTHER TWO SELFSHIPPER IN THIS DAY AND AGE we r both kissing our silly partner awesomesauce style

BASED. BASED!!$!! BASED AS HELLL!!!!!!! Every Two selfshipper should hold hands and spin in a circle

[jackiequick]

Royalty AU - The Regency Era 💎

-> The Return Of An Old Set Of Posts (cuz I’m celebrating 3000 posts on Tumblr!) Check it out 📱

— @msrochelleromanofffelton inspired idea by Bridgerton

— Maiden Amelia Parker 🧹

Sweet and Sassy. Sometimes This girl got a serious eye roll

Works for The Feltons 💅🏽

Lady In Waiting (makes sure everyone is dressed up, brings in letters to her bosses and on time for events etc.)

Usually found wondering the areas to making sure things are alright, doesn’t like to hear the gossip around the halls from the family

— Sir Tyler Sharp 🧲

Nice, a bit of chatterbox, always tries to be serious and kinda silly

Works for The Marsh’s 🌸

A little timid a times but rather a bit of a charmer. He loves hearing the gossip with the the people of the court.

Makes sure the stables are fine, bringing in meals, standing behind holding umbrellas, and hanging out with the help

— Sir Jason Underwood 🛠

Always annoyed with everyone but rather sweet depending upon the person.

Works for The Strange’s 🪄

You can find him always reading a book, sending out letters to subjects, throwing out a few glares to the help and rather nice.

You can picture Afield Pennyworth but blonde, snapping at everybody to do their jobs lol

— Lady Stephanie Foster 📖

Darling, such a sweetheart and a bit of a caring maid

Works for House Stark’s 💰

She will spill secrets and hand over every newspapers with gossip around the land

A maid always trying to have a little bit of fun with the help. Hosting tea parties with the other maids & masters, has a shoulder to cry on, trying out the chefs latest treats and etc.

— Lady Sabrina Wilson 🍰

Darling, caring, respectful and a maiden with a soft smile

Work for The Lehnsherr’s 🛡as her big brother is a knight of the land.

Spends her time holding the peoples swords and weapons, having them sharpened and cleaned to perfection.

Doesn’t care for games and gossip, unless needed. Holding items for her lords and ladies, whenever called for. However she spends her time with the chef of the house

————

The Upperclassman Folk 💠

— Princess Estella Strange 👑

The runaway princess, rather not be dressed in a gown but out in the stables and walking the land.

She tends to be seen in the main hall trying to jewelry, making sure the guards know what needs to be done and questioning everyone.

Sweet, charming with a soft smile on her face, clever and gentle with most.

She tends to be very helpful and always tries to see the other person’s perspective.

As her brother rules, she’s in her corner of the palace reading and writing, setting up events for others in the land to attend, and getting fitted for certain items of clothing.

— Lady Alexandra ‘Lexi’ Banner 🍏

One wouldn’t think she’s upper class like her brother and nephew due to the way she acts and dresses, but she is.

Always told to say quiet, sit straight, talk when needed and act pretty like she’s romanized by the lifestyle.

Carries around a small pet, like a dog per say, since she’s found nearby the gardens.

She tends to have a bit of a temper, getting twitchy at times and playing quietly with her nails, listening to other people speak.

Not interested in falling into any man’s arms that walked past her. Mostly because she’s unseen by most at parties, so the girl will find herself nearby the treats table.

—-

Please keep the chain going: @gaminggirlsstuff @gcthvile @drspencereidhotch @meiramel @blueboirick @mandylove1000 @levijeanqueen @morgan108 @sherloquestea @superspookyjanelle @ohgodnotagainn @rickb-chaos

[pataphysics-sys]

intro post!!

about us!

hello!!! we r the pataphysics system!! (50+ alters, freq switching)

sys tag — 🔬🧫

we have autism, dcd, did, tics (not tourettes), and other disorders that we wish to not specify :3

we use discord (but our pluralkit is outdated,,,,,oopsies!!) + simply plural and we r happy to give out either one

veeeery woke /hj !

all may prefer dif terms! some of us like to be called alters, others prefer parts, others prefer headmates :33 as a general, most won’t mind being called alters as that is the most common term used

collectively, we use they/them — but again, all alters may prefer dif prns!!

boundaries !

little to no syscourse, sorry!

no extreme gore or sx things, without consent at least!

basic human decency pls!! (no fakeclaiming, no bigotry, no arguments)

we r a lil sensitive, pls be patient!! we r sry ;–;

alters have dif opinions between us! some may have outdated beliefs, strange spiritual beliefs, or opinions on things like endos that differ from each alter — again, we r sry ab that! they r learning (mostly)

sry if we get stuff wrong! while we have know we r a system for a while, we havent been involved in many of these communities yet! thanks for understanding :3

we r bodily a minor!!!!!!!!!!!!!!!!!! most alters r adults (we fr have like a 50 yr old like WHAT r u doing here ambrose), but STILL!!!!! we r a BBY!!

uhh ya we need friends always open to having friends!!

mutuals can ALWAYS message us!! a lot of us r a bit shy tho and may struggle to send the first message

asks r welcome if its turned on idk how it works oops

um we sometimes follow back if we think ur cool :3

freq fronters!!!

me (misha) durrrr! he/star/it,,,, socialiser maybe?? idek my role anymore, i front a lot! - (🩵💫)

Ambrose. I’m the co-host and main protector. I use he/him pronouns, and am questioning my sexuality. For the record, I’m 49, not 50. (-📚)

(written by yvette, as archie doesn’t type!) archie, ⚙️/⚙️s/⚙️self only (spoken as gear/gears/gearself or cog/cogs/cogself), agender + aroace, symptom holder (-🦾)

yvette <3! she/her, cis girl, bi fem pref ⋆౨ৎ˚⟡˖ ࣪ (-🎀💕)

hai i nana she n a lil :3 i ge scard a lot sory (-🍰)

jariden!! (˶˃ ᵕ ˂˶) .ᐟ.ᐟ octive!! im a bit awkward, heh! he/him pls!!! HATSUNE MIKU’S #1 FAN!!!!!!!!!!!! (-🖥️🌐)

casey, artist, unlabelled androgynous, bi (getting tumblr was my idea idrk why misha took over our first post) (-🎨)

full alter list HERE —> list of alters

userboxes!!!

thanks for reading!! we hope you’ll be our friend :33

baaaaiiiiiiiii! remember to drink water! (-🩵💫)

(edited a lil bit with new boundaries on asks and messages and mutuals :3!!)

[astralrpfinder]

[🕊️] 🎀🍰 Looking for an Ouran High School Host Club roleplay! Twenty, transfem (she/they), 18+ only. I have read the manga and read the show! Discord only.

I'm looking for OC x Canon and I'm willing to double. I can play most characters for your OC in return, except for Tamaki Suoh (who I pair with my OC).

I'm generally looking for those comfortable with discussing and writing darker topics. I'm looking for a dead dove roleplay that will include incest/stepcest, toxic & codependent relationships.

I mostly mirror (or attempt to mirror) my roleplay partner's writing (meaning I'll attempt to write as long as my partner does). I will not roleplay with one-liners.

I'm comfortable with headcanons being inserted into the roleplay! I love headcanons and I'd love if me and my roleplay partner can talk about our headcanons together! When not roleplaying and just chatting or whatever, we can also make memes of our OCs (you know those pinterest meme templates? those would be fun to do with OCs!) We can make Spotify playlists for our OCs/OC ships, make relationships charts (OC's relationships with canon characters), draw our OCs over random images, make up signatures/handwriting for our OCs, make fake tweets, etc…. Sorry for listing so much! Doing these things are very exciting and I enjoy befriending my roleplay partners!

As for discord… I highly prefer roleplaying in a private server (for organization) I can make a server! I don't do roleplaying in DMs because it honestly just gets crowded.

If you're interested, please like this post or message me at @kyosdeath! I probably won't answer right away, but after introducing ourselves in tumblr DMs, I can make the server and send the invite to you!

[jokeroutsubs]

[ENG SUB] 🎈🍰Bday Special🍰🎈Odkrito.si podcast with Kris Guštin and Bojan Cvjetićanin (Joker Out)

You can find the original podcast in Slovenian here.

We made a readable transcript of the podcast (which is audio only) and you can find it under the cut.

Transcript:

I've got two out of the four hottest guys in Slovenia in front of me, Kris Guštin and Bojan Cvjetićanin from Joker Out. Welcome to the Odkrito podcast.

Kris: Hi. Can I correct you right now?

Please.

Kris: Out of five.

Out of five. Well, right. I've obviously forgotten another one then, haven't I. How does a young person like you two feel when they become, sort of, instantaneously famous? And now, I don't know, girls are fainting, going to concerts… etc. How does that feel?

Bojan: It's actually quite okay because in Slovenia fame doesn't exist. So you can live an almost completely normal life. Except that girls do faint, but that's also always nice.

Kris: Well, yeah, it's an interesting feeling. I have to say that I don't really have a concretely articulated feeling about this. For now, I'm diving back into it every day. Now we'll see if it ever gets too much or not.

Back in the day, when the Beatles were around, or we had Bijelo Dugme in the former Yugoslavia, girls used to go (to concerts) in large numbers, screaming, etc. …and they were being pulled by the sleeves, chased through the streets. Is this happening to you too?

Kris: On the streets, not really, if anything, we get asked to take a picture. When you're in public, and when you're not presenting as your public persona, they usually leave you alone, but at concerts it's crazier, because you're with the whole band together, and you're this unit that everybody's screaming for. It can be exhausting at those times, but it's actually also fun.

Are there any panties, bras… being thrown on stage?

Kris: Pearl necklaces.

Bojan: Yeah.

Has that happened yet?

Bojan: It has already happened, yeah.

It has already happened. So you're saying that Slovenian women are not as reserved as one would think?

Kris: No.

Bojan: I mean, technically we don't know if it's the Slovenian women who are throwing. But, yeah, let's say they're not.

Aha. One of the famous singers in Slovenia said that fame helps her to maybe get a nicer cut of beef from the butcher. You said earlier, Bojan, that there is no fame in Slovenia. Is this maybe one part where (fame) can help you?

Kris: I haven't gotten a nicer cut of beef at the butcher's yet.

Bojan: Okay, I did have a couple of nice bonuses like that, perhaps because of that. Some little things, but they come in handy every now and then.

Kris: What's cool is that everybody invites you to movie premieres. That's a pretty nice thing.

Bojan: I found it sweet when I was late returning an item to the shop once and the saleswoman was insisting that I couldn't exchange it any more, but she kept looking down at the floor when she was saying that, and then when she looked up she said 'Oh, it's you! Okay, well, I'll let it slide.'

That is to say that there are small advantages nevertheless. As far as the fame is concerned, if that's what we're talking about, Bojan you are the most exposed as a frontman. You're also the most frequently featured. Kris, you have a famous - at least in Slovenian terms - father. So there's that, too. You two are all over the place now. Maybe it's getting a bit annoying, almost? Isn't it?

Bojan: Yeah. We're getting sick of ourselves.

You're getting sick of yourselves?

Kris: I mean, we often ask ourselves, gee, are we going to do that thing as well? Because we're really everywhere, but in the end you have to know that you're looking at it from your perspective, that you're exposed to yourself only, whereas an average person, even with how much Bojan is in the media, sees him maybe once a week, if that. Now that he's in all the commercials, maybe there will be more.

Bojan: There will be a little bit more.

Now we really see you in the commercials, you hosted EMA Fresh, you hosted EMA. That duet of yours with Maja Keuc, where you two performed Zitti e Buoni - for which many said was much better than the original! Do you consider that an honour?

Bojan: I mean, I count myself honoured, I would never say it was better than original. But I'm very pleased that there was such a good response. I just set out on a mission to infiltrate the Slovenian media space to the maximum.

And you're doing a pretty good job of it now!

Bojan: Yeah, yeah, but I have to do more still!

What else have you got planned then?

Bojan: Fifty commercials.

Fifty commercials, do you have any special… we can talk to somebody here.

Bojan: No, no, I'm kidding.

Kris: By the summer he won't be famous anymore because everyone will get sick of him.

Bojan: Exactly. You've got five minutes.

Five minutes. Okay, now your five minutes is going on right now. I hope they'll stretch out a little bit. Two years ago, you were nominated for Zlata Piščal (Golden Flute), as Joker Out, for Best Newcomer. Then performers of the year. You're nominated for four again this year.

Bojan: For three…

So for band of the year, and two… album of the year?

Kris: Artist, song - with two songs - I guess that makes four - and also for album of the year.

Also for album of the year!

Kris: Yeah yeah, quite an honour, I have to say. But I think I speak for both of us if I say that if we get the album, we'll be more than happy. Because we've been saying for a year or two now, 'Okay, now we've got artist of the year, newcomer, and now, because we've been doing this album for three years, it would be really sick to get that as well.'

It would be good to get the album as well. Then all you're missing is the Golden Flute Award for lifetime achievement. And that's when, in…?

Both: In one year!

Already?

Bojan: Our five minutes are running out, we're at 4.5 now, so next year.

So is this the end of Joker Out or what? Do you have that plan?

Bojan: Yeah, Kris and I are going solo. Duo solo!

Kris: Disco duo solo!

Oh, change of style and everything.

Bojan: Yeah.

Okay, that'll be interesting to see how that thing develops. But - because this is probably just a joke - what's your view on the future, let's say? Do you see yourselves in 10 years still in a band - in the same band - or maybe even in 20, 30…?

Kris: I don't know, I don't think that far ahead. I mean, whenever I did, I was like, 'Come on stop thinking, you can't know anything yet.' I think the less expectations we have for the future, the better it will be, but so far it's going very well and I think we're trying to make it last as long as possible. I wouldn't dare to claim what will happen, though.

What about you, Bojan?

Bojan: Well, I'll be more optimistic. I kind of always wanted, or rather, when we started this story, I always imagined that it would be something that would last. It will last until it feels good for us in reality, right. When it stops feeling good for us, when it stops being a pleasure… in reality, the only thing we don't want is to end up doing it just so we can live off it.

Kris: Yeah yeah, and that's why I'm maybe a little bit more pessimistic about it. Because I don't want to determine my own destiny like that, and then we end up doing something that we don't like to do. Which - it seems to me - happens a lot with some performers.

That they continue to force it-

Kris: They work just because they became 'somebody' and they just continue like that. I think that's why, for example, Duft Punk, who went their separate ways a year ago, I think that was… I mean, I was sorry to see them go their separate ways, but if it was the right decision I understand and I respect that.

Bojan: Exactly.

Well, then you two see yourselves as, say, Mick Jagger, at 70 on stage, but only if it's all still shagadelic?

Bojan: Yeah, but, I mean, ultimately, even if it doesn't happen, we're friends first and foremost, and I'm sure that even if at some point this story came to an end, we'd still be working in various forms, sort of together, or at least be some sort of supporting pillar for each other at some point.

Kris: For example, the Red Hot Chilli Peppers have accepted and thrown out one guitar player three times already, so.

Bojan: He's just come back.

Kris: Yeah, he's just come back.

So there's all these other scenarios, but basically, the main focus for, let's say, the two of you in the future is still music?

Both: Yeah.

Kris, seeeing as you are a chemical engineer, ah, no, an Engineer of Chemical Technology, you (Bojan) are a sociologist or I don't know if you have graduated already?

Bojan: No, this year.

Okay, so fingers crossed. I think you once said Bojan that if you were a professor, you would be a professor at the Poljane Grammar School, is that still true?

Bojan: I said that the only profession that I would be happy to do, apart from being a musician, would be a professor of sociology and I would prefer that to be at the Poljane Grammar School.

Why there?

Bojan: This is my high school, which I have really fond memories of, and I feel like I could take over the theater club, and those kinds of things, like being that cool professor.

Okay, so a cool professor, a professor that we like. What about you Kris, alternative to music?

Kris: Well, I'll put it this way: chemical engineering for me is more or less just on paper. Even if the music thing doesn't work out, I don't know if I'll ever really be doing that. Now I'm going to say I don't really have an alternative. The music comes first and I think it's going to stay that way. I don't know if anything will change, but the side activities are always there.

For example?

Bojan: Football on Sundays

Kris: No, one interesting thing that I talk with Martin, our bassist, about, is that maybe one day - because that's part of the music business as well - we could have our own record label. That's maybe something that we, or I, would be interested in, to get involved in this kind of support industry in music. Otherwise, I really have no idea what I'm going to do if the music thing doesn't go through.

In a way, you're still learning as you go along, given that you've now been 3, 4 years… What, 6? But out of that, you're a bit more at the front in the last 2, 3 years. You're still getting a bit of an introduction to the music industry. What's your opinion of the music industry in Slovenia?

Bojan: Yeah there's a lot of room for progress. What's absolutely happening is that music has again become kind of important for young people in Slovenia.Young people are very aware that Slovenian content creation in all areas is extremely, extremely important and that music is gaining in value, which was definitely not always the case. For the last 10, 15 years, I would dare to say that music has been treated very much as a hobby activity.

People simply just perceived it that way as well, so I think it's all going in the right direction now, but it would definitely be nice to do a lot more in the sense of professionalisation of music.

Is this still lacking in our country?

Bojan: Yes.

Kris: Yeah, it's quite interesting, this music business in Slovenia, because on the one hand it seems to me that all the musicians want to be taken very seriously, want to be serious professional musicians, and make a living out of it, but on the other hand, they have a full time job during the day and they can't really dedicate as much time as they could. That's why our producer, Žarko Pak, is always complaining why there aren't many good instrumentalists in Slovenia. It's because no one wants to spend as much time as it would take to become a really good instrumentalist of their era, by just practicing their instrument, because then it's like this: He goes to work and then he comes home and he has to get the kids from kindergarten, and then maybe he has half an hour in the evening, before he watches the daily news, to fiddle around with his instrument a little bit.

But there's one little vicious circle in all this, because you've got to live off of something somehow. How do you two manage to do it? I guess you two are investing most into music now? Music is way ahead of all the projects, let's say. Well, Kris, at least you've finished your education, you (Bojan) have yet to graduate. How do you manage to juggle the two together, how is that going?

Bojan: I think, in principle, we're really a very diligent band, as far as that goes, given that when I finish, we'll all have university degrees. And it was actually very much as Kris said. I mean, school was sort of a priority, but it was a very divided priority, in this case with music. Because really, besides that minimal effort that we had to put in to get the school part done, all the other effort, and indeed all the resources that we were raising as we went, in one way or another - like with student work and such - all of that was invested into the band. And we have a different starting point anyway, we can't speak for someone who is, let's say, in their 30s, because we are students after all, or rather, when we started, we were high school students. We live at home or we used to live at home, so that financial part was a little bit different for us as we were very lucky. But anyway, we ourselves, until practically very recently, even though we've been kind of in the media and presenting as successful - there were still more times where we had to go to ATM to withdraw the money we've earned to cover something, than to withdraw the money we've earned to spend it. So, yes.

But the future for you then is probably in music, to live off that then, isn't it? If not exactly from Joker Out, then from whatever else - from anything in the music industry. Is that possible in Slovenia at all?

Bojan: Yes, it is. But it's very, very difficult to get there.

Kris: It's just that, I mean, if you want to make a living exclusively from authorship, there are only 10, 20 people who do that. You have to be a really top-notch author, writer, arranger, whatever. The other big source of income are also concerts. The more gigs you do the better. Basically, nowadays when performers are looking at how they're going to survive financially over the year, the first thing they have to look at is 'let's do as many gigs as possible'. I think for us that will probably be the best thing as well.

Bojan: I have to correct myself in retrospect, actually. This exactly is the problem: It's possible, but there's quite a lot of other side activities that have to be included that don't directly involve music. I mean, they come with the music, but they are not part of the music. That is to say, you can make a living out of concerts and authorship and things like that, but it's more of a 'barely getting by' than anything else. So, on our own, there is a lot to be done here to raise the bar.

But can you imagine what it's like to live like that then. You have to keep going to the studios, you have to keep working on it. Where is the free time then?

Bojan: Well, where's the free time if you're in an office for 8 hours and you have to be with bitter people and bitter clients or whoever it is you're working with. At least here you're in the studio, you're creating something, you're with the people you love.

Kris: I might disagree with you on that. I'm just going to say, there's a certain rumour that musicians have a job like this where we can choose our own schedule. This is good, however, there's a catch: if you can choose your own schedule you also have to be available all the time, basically. So you have a very blurred line between work, leisure, workplace, home, studio, etc. It all becomes the same thing. I have a second hand experience in that, because I just see my father, how he lives solely from the music. He may be at home all day in the morning, but then he may have to be in the studio until 3 in the morning, because they are recording something, and because our producer, who is the same as our own, is a night owl or whatever you want to call him.

Bojan: Yeah, but then it just depends on whether you're comfortable with that or not.

Kris: Yeah, yeah.

Bojan: But what Kris said is just absolutely true. You don't really have a private life. It almost doesn't exist because of the fact that there is constantly something.

Kris: But you don't realize it until it's too late.

And as young people, are you two ready for something like that?

Bojan: For now, yes.

Kris: For now everything still works fine.

Does it all look a bit romantic, or not?

Bojan: It's honestly lost a lot of the romanticism for me, but it's still much more romantic than having to wake up in the morning and be on a fixed schedule. We are different, I know that Kris would for sure prefer to have everything neatly planned.

Kris: I really like to be on time, I don't like to be late, but I also don't like to get up early, so I'm somewhere in the...

From 11 onwards.

Kris: From 11 to… a 4 hour workday!

Bojan: Like this, yes!

That would be ideal wouldn't it? Probably for a lot of people. A musician's job is a creative job. What is the most beautiful part of it for you two?

Kris: The most beautiful? Yeah, it depends. I'll put it this way. For me, if we can divide the process of the song creation phase, the first thing is that somebody writes a song, it's usually Bojan or sometimes me as well. It's written at home on the acoustic (guitar), with some melody. Then, the second phase is that you bring it to the rehearsal space, you show it to the other band members and we do it together. Then it's the studio. For me, the arrangment part, when you coordinate with everybody on what you want, how you want the whole song to sound, that can be a very fun part, if you manage to do it quickly, if you're quick to understand what you want from one another. But if not, it can be the most torturous part. Although the studio part can be quite torturous as well, so let's just say that my favourite part on average is when I'm writing a song at home.

Bojan: I would say that the arranging part is my favourite. I mean, it's very nice when you write a song, but it's also always cool when you do it together with the band, because it always goes into some twist that you didn't expect. Almost always.

Kris: That's true.

Bojan: But what Kris said is the double-edged sword of arranging. When it's going well, there is just such… Some kind of dopamine is released and we're all so happy, we all love each other. But if it's not going well, it goes into some such bizarre depression, in fact, that when we say, 'Okay, break,' you feel like we're at odds with each other.

Kris: Yeah, yeah.

Bojan: Literally like that. We're not at odds with each other, of course we're not, but...

You're a bit sullen, aren't you? It's not a good feeling, is it?

Bojan: No, it's really miserable actually. So that really crushes you and sucks out your energy for the whole day. But it's then so much nicer, when it works out. So I'd still choose that part.

Okay. When are the lyrics made? In the morning, before noon, in the evening?

Bojan: For me, in the evening.

Kris: For me, also more in the evening.

The night has its own power.

Bojan & Kris: Yes.

Kris: Why, because it seems to me that in the morning you're still fresh, and you're still in the mood to deal with life, and then towards the evening, when you've had, I don't know, a hard day, then you start going, 'Gee, I wanna write something now, because I'm getting sick of it all'.

Bojan: My brain doesn't work at all in the morning. I'm pretty useless until the afternoon.

Most creators are, I'll say, night owls. There are very few who create during the day, or start early in the morning, sit down at, I don't know, somewhere, and start.

Bojan: Because the night is really… Things happen at night that, I'll say, sweeten the life. I mean, you go out at night, you go dancing at night. In the evening you probably had your first kiss or something...

Kris: The concerts are also in the evenings. Even if you didn't want to be a night owl, you can't do that as a musician. Unless you're going to be performing in community centres at 8 p.m.. But that's… We also have schedules where we go on stage at 1 in the morning and then that affects you for at least the next 2-3 days.

Is that exhausting?

Kris: Again, it depends when.

Bojan: It's nice.

It's nice? Okay, you're still enjoying it. I was talking to a Croatian singer recently, Goran Karan, and he said that he doesn't perform in clubs anymore because he goes to bed at 10 o'clock at night and everybody else is partying.

Bojan: But Goran Karan has done his part. I mean, the evening part of it, don't get me wrong. He's really really done a lot.

Well, you're still on that path, aren't you?

Bojan: Yeah. He can afford not to play clubs anymore. Now, that was terrible, I didn't mean it like that! (laughter)

Kris: It's interesting, because for example now. when we play with older, more established acts, they always tend to put us more towards the end, and I imagine that's also because we're young, and we don't really have any demands on when we want to go on stage, whereas these older bands, I know they've got some requirements that they don't want to go on stage after 10, and you can't really blame them.

Going back to the songwriting: your songs are kind of unique in our musical space, they're a little bit different, I'll say, mostly very lyrical. Do they come from personal experiences?

Kris: Yes, exclusively.

Bojan: From personal and from the experiences of people who are - I'm speaking for myself - who are close to me, and then I try to internalize these certain feelings or events from their lives.

Kris: It's the same for me. Though I haven't really - like Bojan said - written a song about somebody else that I sympathize with. I've more often than not just written songs because I wanted to clarify something inside myself.

But then is the song that is made, let's say the first version, the same as the one we hear afterwards?

Bojan & Kris: No.

Bojan: In the vast majority, no. It happens, but it's not-

Kris: Which one was done in one sitting?

Bojan: Gola practically hasn't changed since the moment it was written. For the whole version, ours.

Kris: But there were also like 3 choruses in between.

Bojan: Yeah, but not for Joker Out. That was before, right.

Kris: Oh, that was before.

Bojan: 'Omamljeno telo' was written whole.

Kris: Okay, okay. It's just that 'Omamljeno telo' was also, let's say, if I remember correctly, written in English at first, right?

Bojan: But all of them are now.

Kris: Well, yeah, okay. But here again the line is a bit blurred, because it happens a lot of times that a text is written in English and then-

Right in the beginning?

Kris: Yes, in the beginning.

Bojan: The second album is practically -I wrote all of it in English at the beginning. Because I am able to say gibberish, just enough to make it sound good and to make it singable. And then I add-

And then what do you do, a translation into Slovene or what?

Bojan: No.

Kris: You have to - you have to separate yourself from the original meaning - because it's just some nonsense anyway.

But then isn't something lost in the song itself, in the lyrics? The message, or something like that?

Bojan: Well, not really, because the basics of the song will remain- It's going to touch on the same themes. But the words will be completely different. Because in English - firstly I don't have a complete mastery of English, neither do I feel it enough to be able to- Let's say, to feel impacted /myself/ by what I have written. Actually, these are just some phrases that connect the melody as much as possible, whereas in Slovene, I go deeper into what I feel, what I want to pour out of myself and onto the paper.

So the melody comes first and then the lyrics, or how?

Bojan: For the first album, when I was writing, I was really writing simultaneously. It was always lyrics along with the melody. Then things could change in the studio, or something, but in principle I did those at once. When I brought it to the guys, I already had a rough outline of what it was going to be, whereas now we're doing a lot of songs that are already aranged, for the second album, but they don't have Slovenian lyrics yet, at all.

Kris: And that's not a bad thing either. Even if you do the lyrics at the start which you're not required to stick to throughout, and then you update the song first with how it's going to sound with the arrangement, and then you influence it once again. When you see how it sounds when the band plays it, you can adjust the lyrics.

Bojan: Exactly.

Kris: You adapt the lyrics to that and you get some new inspiration.

Bojan: Yeah, and in fact also with the lyrics: as he said: Rhythmically, you can play with it. You see that some of the things that we play with the band, in English, rhythmically don't fit together that well, and that you can shorten something somewhere. It's nice, basically. Well, I'll say that when I finish writing it.

You're still sticking to Slovenian lyrics for now, that's what you said earlier, Bojan, that the Slovenian-

Bojan: Yes, yes, the lyrics will be in Slovenian, or actually, there are Serbo-Croatian adaptations that are already happening.

Oh, into Serbo-Croatian. What about English versions for a wider…?

Kris: Not yet.

Bojan: Not at the moment.

You're not thinking about it?

Bojan: No. Unless we're just going to record these ones that are already-

But maybe they would be hits.

Bojan: Maybe.

Kris: For all the songs we've done so far, we could put out some early English version.

But are there any 'dirty thoughts' of maybe, at some point, going outside of Slovenia? Well now you've kind of covered the Serbo-Croatian speaking area a little bit, But further, Europe, the world, America, Wembley, Madison Garden… I don't know, something like that.

Bojan: Honestly, for me, because I am aware of how many artists there are in the world who are present in these markets that we're talking about and who have the ability to have gigs at clubs and be everywhere, like we are doing it here, it seems more often than not impossible to me. Secondly, it seems to me that it's precisely this lyricism of ours, and the fact that we feel what we are saying - I think that we would lose that, wouldn't we? If we went to create just in English now, at least I personally couldn't do that. Whereas in Serbian, I found that it actually flows very well, because it's also my mother tongue, so I can really put the same emotion on the paper. Actually, if we managed to go to the Balkans, I would be extremely happy.

You're working on that, aren't you?

Bojan: Yes.

Okay. Have you ever done any performances in, I don't know, Serbia, Croatia, Bosnia?

Kris: We've done a concert in Croatia, but it was for a Slovenian audience.

Oh, for a Slovenian audience?

Kris: That doesn't count for now.

Bojan: Yes. But this year it's in the plan. We have a couple of shows booked in Serbia, so.

Kris: Yeah, and also it could be that at least one song on the new album will be in Serbian from the begining

Bojan: And that is?

Kris: 'Ona'?

Bojan: Oh. Yes, indeed!

And if it kicks off for you there, what happens then? Some Slovenian authors then suddenly start to write only in Serbo-Croatian or Croatian or Serbian. Can that happen to you?

Bojan: Well, you know what I'll tell you. I think it would be very nice to introduce a little bit of Slovene to the Balkans, because, again, it's not that different. Whatever they say, that it is, it's not like they don't understand us at all there. Because if we understand them, I suppose they could understand us, too. So it seems to me that now maybe the world is a little more open to foreign languages - because no one understands Spanish either, but they all sing, and so on - so maybe they could try to sing a little bit in Slovene, too.

Kris: That would be quite interesting.

Bojan: That would be very interesting.

Well, when we were still in the former Yugoslavia, it kind of worked. Now that there's separate countries, it's a bit more difficult, isn't it?

Bojan: As far as I know, Predin's lyrics were-

Predin's* lyrics were sung, Videosex's* lyrics were sung, and so on. There were a bunch of them that were also sung in Slovene, but nowadays there's this time distance, secondly the linguistic distance has become greater, in a way. Will you be ambassadors of the Slovene language in the former Yugoslavia then?

*Zoran Predin, Slovenian singer-songwriter from Maribor. In the 1980s, he was the front man of the new wave rock band Lačni Franz.

*Videosex was a Yugoslav synth-pop band formed in Ljubljana in 1982.

Bojan: Maybe we will break this barrier, right?

Kris: I mean, I've always had the feeling, apart from the language barriers - maybe I'm wrong - but that, I don't know, Croats, Serbs… don't like Slovenians for some historical reasons. We were the first ones to leave Yugoslavia, and whatnot, so now they won't listen to anything in Slovene because-

But I guess that's getting a little bit lost in this younger generation, isn't it?

Kris: Yeah, it is a little bit. It's faded a little bit.

That negative connotation, maybe.

Kris: I hope so.

The songs that you have are often love songs. Or, I can say, almost all.

Bojan: Quite a lot, yes. Although 'Barve Oceana' isn't.

'Barve Oceana' isn't, but others are, especially 'Umazane Misli', to me is one of the most beautiful love songs at the moment, I have to admit that. What do your girlfriends, if you have them, say to that?

Kris: What, on the fact that they're love songs?

(What do they say) about these songs?

Bojan: I don't have a girlfriend, so Kris, if you have a girlfriend?

Kris: Yeah, I mean, I, when I had a girlfriend, when I wrote a song for her, she was infinitely happy, and when we also put one of those songs on the album, it means a lot to her.

Bojan: 'Omamljeno telo'. (laughs).

Kris: No… I don't know what else to say about it, I doubt anyone would be disappointed…

But do you ever say a line or something to your girlfriend? In a poem you pour yourself out, whereas in a speech, when you're talking… Are you being poetic?

Kris: Maybe it's really easier if you have something difficult to say, maybe it's really easier if you're like 'I wrote this song'. It flows better than it would in a normal conversation, so I… When I wrote something new, I've always shown it to my girlfriend, like 'Come on, listen to this, listen to that, is it good or not?' and then she always gave her opinion.

Kris: And then I told her what I really wanted to say through it.

You, Bojan, don't have a girlfriend, but you write love songs. Is that then a longing or what?

Bojan: Yeah, longing I would say is a good word. Actually, I think love is a kind of strange thing that we can feel quite often, not necessarily in its full form, but, I don't know, you can be walking down the street and see something that you fall in love with for a moment. And you can feel things that you can then put into a song later on. That's why there are also songs that are emotionally charged. They're charged with many different forms of emotion, for the very reason that they don't come from one experience in particular, but they encompass, in a way, all the love experiences that you're constantly picking up on. So yeah, I don't know. I would say that maybe, when I'm walking around, I'm always longing to fall in love with something or someone.

Okay. Then that's a future thing for the time being. We're hoping it happens.

Bojan: Me too.

So, are the songs going to change then?

Bojan: I mean, they'll definitely change. Every major thing in life changes the way you express yourself and the way you live and the way you exist in general, so yeah, for sure.

How would you describe yourselves, are you primarily musicians or lyricists?

Bojan: I'm not musically trained, and I'm also quite hasty, so I'd say I'm a lyricists rather than a musician.

Kris: I'd say I'm a musician before I'd say I'm a lyricists.

So you're kind of a combination then, at least the two of you together, aren't you? That goes together then. But what about the other members, do they also contribute something to the lyrics? The two of you are kind of the main ones in that.

Kris: So far it's just us writing the lyrics. The others, I don't know if they even have the desire to do that kind of thing. But they are very, very good musicians, the others. Let's say that our other guitarist, Jan, if I'm somewhere in between a musician and a lyricists, Jan is… Much more of a musician than me, I would say. Martin and Jure, the drummer and the bassist, are also musicians in that full sense. The two of us are somewhere in between.

Bojan: Right. Lost in Translation.

But together, the sum is greater than its individual members. Which is great. You, as a band, if we go back in history a little bit, you came into existence with… You've had a bit of a turbulent history. Is that a good thing?

Bojan: Kind of.

Kris: We were putting ourselves together a little bit.

You've been building the band for a while? Well, turbulent… there weren't any arguments, were there?

Bojan: The bass player and I were in… We made the first band back in 2012. And then Matic, the drummer, joined us and he was with us until last year. And then I went to a gig at Prulček bar in the evening, where Jan and Kris were in the band, and I wished I could have guitarists like that in the band. And I called Martin. Martin already knew Kris, because Kris went to the same school as him.

Bojan: And then we sort of very quickly got them to join our band. And that's when Joker Out was formed. That was in 2016.

And then you got the name from the internet. I read that somewhere, that you agreed on it very quickly.

Kris: We just wrote all kinds of stuff.

Bojan: It was during the May 1st school break. I remember I was in Banja Luka. Nobody except Kris knew Jan at all when we started the band, so the band was basically just a Messenger chat on Facebook.

You were virtually-

Bojan: Then we were getting to know each other in there, and we were writing down what name we wanted to have, and something like 1,000 options came up. And then there was something about Joker, and then Kris said Out. I don't know why 'Joker Out'. So, yeah.

Was that a little bit alcohol-induced?

Bojan: No, we were 17!

Oh, yeah, 17, you weren't allowed yet. Of course.

Bojan: But we don't drink now either (laughs).

So the name itself as such, Joker Out, doesn't have any deeper meaning?

Bojan: No, it simply sounds good.

Kris: For a while in the beginning we were still fooling ourselves, so to speak, wanting to find some meaning retroactively. Like, I don't know, you pull a card out from somewhere, nonsense like that. But now we're just like 'well it just sound good, it doesn't have to mean anything.' Because even when you look at what 'Big Foot Mama' means? Nothing, and in fact if you heard it out of context you'd think it was the most stupid name in the world, but because they've given context to the name with their music, it sounds good to you, and you just don't ask what it is at all.

Bojan: I was reassured when I heard that Alex Turner, the lead singer of Arctic Monkeys, finds the name Arctic Monkeys terrible, while we all love it.

Kris: I mean, I had a lot of people saying, 'Joker Out, wow, that's a sick name'. But I didn't think it was either.

Well, because some people are always explaining the history of their name… If it has some prior context, right?

Kris: I mean, it can have…

Well, after all, it's just a story, the one that's the context.

Bojan&Kris: Exactly. Yes."

Shagadelic rock n roll- Before I read what that 'shagadelic' was supposed to mean- I knew it from Austin Powers. But I kind of interpreted it as 'getting layed' rock 'n' roll, right?

Kris: Getting laid…

Bojan: Getting laid rock 'n' roll.

But it has a slightly different connotation, doesn't it…?

Kris: I think- You actually got it right!

Bojan: That, the getting laid part, is just one part of it all. But yeah, we're, we're big Austin Powers fans, and we felt that his mojo was the coolest thing in the world, and that, if for no other reason, at least we wanted to feel like we had that mojo. And then, in 2017, when we won Špil Liga*, we jokingly said that we were 'shagadelic rock'n'roll'.

*A student band competition organized by Kino Šiška.

Kris: We said this back then?

Bojan: Yeah yeah, in the first interviews that we had we said 'Yeah, shagadelic rock 'n' roll'. And then it really caught on, so that's great.

Kris: We didn't really think it would catch on at all.

Okay, but now it exists- Maybe it'll become a new genre of music! Kris: I don't know.

In the history of rock and roll - shagadelic rock and roll.

Kris: Yeah, that would be cool.

Bojan: And that it's only us.

Wikipedia, and it's just Joker Out.

Kris. Yeah we'll see if in 10, 15 years time when somebody's like 'Yeah, we're also shagadelic rock and roll' That would be sick.

What would be the characteristics of shagadelic rock'n'roll then?

Kris: I don't even know if it's that much in the music… It's in the music, it's a certain energy that I wouldn't be able to describe with words right now, but also with everything that comes with it. I think, for example, clothing is a big part of what you would call 'shagadelic rock'n'roll', the energy on stage would be a big part of shagadelic rock'n'roll for me.

Bojan: It seems to me that a very big part of this shagadelic rock'n'roll is being unbothered. They kind of throw this criticism our way constantly, that 'this isn't rock, this isn't I don't know what' so really, if somebody's watching this and they think that, we really don't care. Like, we don't give a flying f*ck. So, that's one part of shagadelic rock 'n' roll, that we just do what we like, if it's rock 'n' roll it is, if it's pop it's pop, if it's disco it's disco. That's what shagadelic is.

I wrote that down somewhere. 'Shagadelic' actually exists, it's in the English language dictionary, in Webster's.

Kris: Really?

There's 'shagadelic', which means…

Bojan: (in English) 'A member of the band Joker Out'.

Not exactly. It means 'sexy, especially in a psychedelic or retro way'.

Bojan: Okay. I mean, that's the retro part that he said, these clothes and so on. We rock that style, so yes.

So. We're almost out of time, so Kris and Bojan thank you so much for being guests on the podcast. See you at the concert sometime?

Bojan: See you whenever you want at the concerts.

Okay, the next one is now operation Križanke*?

*The Križanke Outdoor Theatre is a theatre in Ljubljana, mostly used for summer festivals. Joker Out held a concert there on 9th of September 2022, where they introduced songs from their second album, Demoni.

Bojan: Oh no, the next one is already in-

Kris: In Brežice.

Bojan: This Saturday in Brežice.

This Saturday, that is-

Bojan&Kris: But it's already sold out.

Is it already sold out? So we missed that one then. But we still have a chance in Križanke.

Bojan: Right. 9th of September (2022). I think you now have a few more days or so to get your tickets. So yeah, see you, have a good one, have a good time. What else?

Kris: Thanks for the invitation.

Bojan: Yes. Thank you for the invitation.

And the album will be good, won't it?

Bojan: Oh, no, the album will be extraordinary.

Excellent. Thank you very much.

Kris: Thank you.

- - - - -

Translation by @kurooscoffee , proof read by TWT @klámstrákur and TWT @janpetehoe