#๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ธ
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layzeal ยท 1 year ago
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not to be antiamerican but on god i'll live to see the day the US' empire falls still in my lifetime ๐Ÿ™
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rvndrkhlme ยท 10 months ago
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tag dump 2/?
#erik/raven || ๐Ÿ‡ฎ ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡น ๐Ÿ‡พ๐Ÿ‡ด๐Ÿ‡บ ๐Ÿ‡ธ๐Ÿ‡ด ๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ญ#erik || ๐Ÿ‡ง๐Ÿ‡บ๐Ÿ‡น ๐Ÿ‡ฎ ๐Ÿ‡ญ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ช ๐Ÿ‡พ๐Ÿ‡ด๐Ÿ‡บ๐Ÿ‡ท ๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡น๐Ÿ‡ธ#hank || ๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡น ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡ฉ ๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡บ๐Ÿ‡ฉ#irene || ๐Ÿ‡ฑ๐Ÿ‡ด๐Ÿ‡ธ๐Ÿ‡น ๐Ÿ‡ฎ๐Ÿ‡ณ ๐Ÿ‡ง๐Ÿ‡ฑ๐Ÿ‡ช๐Ÿ‡ฆ๐Ÿ‡ฐ ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ด๐Ÿ‡ณ๐Ÿ‡ธ#irene/raven || ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ณ ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ท ๐Ÿ‡บ๐Ÿ‡ธ ๐Ÿ‡น๐Ÿ‡ด ๐Ÿ‡ง๐Ÿ‡ช#jean || ๐Ÿ‡น๐Ÿ‡ด ๐Ÿ‡ฉ๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ผ๐Ÿ‡ณ ๐Ÿ‡ฎ๐Ÿ‡ณ ๐Ÿ‡พ๐Ÿ‡ด๐Ÿ‡บ๐Ÿ‡ท ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฉ#kurt || ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ช ๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡พ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡พ ๐Ÿ‡ญ๐Ÿ‡ช ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡จ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฉ#logan || ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ณ'๐Ÿ‡น ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡พ ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡จ๐Ÿ‡ช#loki || ๐Ÿ‡ง๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ช ๐Ÿ‡ฎ๐Ÿ‡ธ ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ท ๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡พ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡พ#loki/raven || ๐Ÿ‡ฒ๐Ÿ‡พ ๐Ÿ‡ธ๐Ÿ‡ผ๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡น ๐Ÿ‡ฉ๐Ÿ‡ด๐Ÿ‡ผ๐Ÿ‡ณ๐Ÿ‡ซ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฑ#magda || ๐Ÿ‡ฑ๐Ÿ‡ด๐Ÿ‡จ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฉ ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ช ๐Ÿ‡ฆ ๐Ÿ‡ญ๐Ÿ‡ด๐Ÿ‡ฑ๐Ÿ‡พ ๐Ÿ‡ผ๐Ÿ‡ฆ๏ฟฝ๏ฟฝ#magda/raven || ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ท ๐Ÿ‡ด๐Ÿ‡ซ ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ธ#moira || ๐Ÿ‡ฒ๐Ÿ‡พ ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฉ ๐Ÿ‡ฎ๐Ÿ‡ธ ๐Ÿ‡ฑ๐Ÿ‡ด๐Ÿ‡ธ๐Ÿ‡น#pietro || ๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ธ ๐Ÿ‡ฆ๐Ÿ‡น ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ญ๐Ÿ‡น#sean || ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ช ๐Ÿ‡ฐ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ธ ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ช ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ท๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ญ๐Ÿ‡น#shaw || ๐Ÿ‡ญ๐Ÿ‡ช๐Ÿ‡ฑ๐Ÿ‡ฑ ๐Ÿ‡ฎ๐Ÿ‡ธ ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡พ#tony || ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ช ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ช#victor || ๐Ÿ‡ฎ ๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡บ๐Ÿ‡ณ๐Ÿ‡ฉ ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡ช ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡ฑ#wanda || ๐Ÿ‡ฆ ๐Ÿ‡ผ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡ญ'๐Ÿ‡ธ ๐Ÿ‡ญ๐Ÿ‡ช๐Ÿ‡ฝ#tag dump
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xtruss ยท 10 months ago
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โ€œWar Criminal, Hypocrite, Hegemonic, Two-Faced, Liar, Conspirator and Fake Democracy Preacher United Statesโ€ Reopens Ports to Russian Oil Despite Sanctions
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The United States has imported Russian oil for the first time since April 2022. The imports, totaling 36,800 barrels in October and 9,900 barrels in November, were conducted for $2.7 million and $749,500, respectively.
The US imposed a ban on the import of oil, gas, and other energy resources from Russia in March 2022 as part of sanctions related to Russiaโ€™s special military operation in Ukraine. ะowever, specific licenses from the US Department of the Treasury's Office of Foreign Assets Control (OFAC) have now made such imports possible.
According to the data, the US purchased Russian oil for consumption in both October and November. At the same time, one barrel of Russian oil cost the US $74 in October and $76 the following month. This is significantly higher than the "price cap" set by the country at $60 per barrel.
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In 2022, the US, along with other G7 countries, the EU, Switzerland, and Australia, implemented price ceilings on Russian oil to reduce Moscow's income. Companies from these nations were prohibited from providing transportation, insurance, and financial services for Russian oil sold above the set limit of $60 per barrel. The price ceilings for petroleum products vary by type, with diesel capped at $100 per barrel and discounted fuel oil at $45 per barrel.
โ€” Thursday January 11, 2024 | Sputnik International
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bambooochan6 ยท 8 months ago
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Congratulations to Thailand ๐Ÿณ๏ธโ€๐ŸŒˆ
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Countries Where same-sex marriage is legal: โฌ
2001: Netherlands ๐Ÿ‡ณ๐Ÿ‡ฑ
2003: Belgium ๐Ÿ‡ง๐Ÿ‡ช
2005: Canada ๐Ÿ‡จ๐Ÿ‡ฆ, Spain ๐Ÿ‡ช๐Ÿ‡ธ
2006: South Africa ๐Ÿ‡ฟ๐Ÿ‡ฆ
2009: Norway ๐Ÿ‡ณ๐Ÿ‡ด, Sweden ๐Ÿ‡ธ๐Ÿ‡ช
2010: Argentina ๐Ÿ‡ฆ๐Ÿ‡ท, Iceland ๐Ÿ‡ฎ๐Ÿ‡ธ, Portugal ๐Ÿ‡ต๐Ÿ‡น
2012: Denmark ๐Ÿ‡ฉ๐Ÿ‡ฐ
2013: Brazil ๐Ÿ‡ง๐Ÿ‡ท, England ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ, Wales ๐Ÿด๓ ง๓ ข๓ ท๓ ฌ๓ ณ๓ ฟ, France ๐Ÿ‡ซ๐Ÿ‡ท, New Zealand ๐Ÿ‡ณ๐Ÿ‡ฟ, Uruguay ๐Ÿ‡บ๐Ÿ‡พ
2014: Luxembourg ๐Ÿ‡ฑ๐Ÿ‡บ, Scotland ๐Ÿด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ
2015: Finland ๐Ÿ‡ซ๐Ÿ‡ฎ, Ireland ๐Ÿ‡ฎ๐Ÿ‡ช, USA ๐Ÿ‡บ๐Ÿ‡ธ
2016: Colombia ๐Ÿ‡จ๐Ÿ‡ด, Greenland ๐Ÿ‡ฌ๐Ÿ‡ฑ
2017: Australia ๐Ÿ‡ฆ๐Ÿ‡บ, Malta ๐Ÿ‡ฒ๐Ÿ‡น, Germany ๐Ÿ‡ฉ๐Ÿ‡ช
2019: Austria ๐Ÿ‡ฆ๐Ÿ‡น, Ecuador ๐Ÿ‡ช๐Ÿ‡จ, Taiwan ๐Ÿ‡น๐Ÿ‡ผ, Northern Ireland
2020: Costa Rica ๐Ÿ‡จ๐Ÿ‡ท
2021: Chile ๐Ÿ‡จ๐Ÿ‡ฑ
2022: Switzerland ๐Ÿ‡จ๐Ÿ‡ญ, Slovenia ๐Ÿ‡ธ๐Ÿ‡ฎ, Cuba ๐Ÿ‡จ๐Ÿ‡บ
2023: Andorra ๐Ÿ‡ฆ๐Ÿ‡ฉ
2024: Estonia ๐Ÿ‡ช๐Ÿ‡ช, Greece ๐Ÿ‡ฌ๐Ÿ‡ท, Thailand ๐Ÿ‡น๐Ÿ‡ญ
Happy Pride Everyone ๐Ÿ’๐Ÿณ๏ธโ€๐ŸŒˆ
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taylornation ยท 11 months ago
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Taylor Swift | The Eras Tour concert film has been free rent, living in our minds. But mark your calendars for the magical nights when youโ€™ll be able to rent it at home! ๐Ÿ ๐Ÿฟ
Dec 13: ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ฎ๐Ÿ‡ช
Dec 14: ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ณ๐Ÿ‡ฟ
Dec 21: ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ง๐Ÿ‡ท
Additional countries to be announced soon!
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girlactionfigure ยท 10 months ago
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HERE is the list of the 134 countries that are NOT supporting South Africa's ๐Ÿ‡ฟ๐Ÿ‡ฆ claims of genocide against Israel ๐Ÿ‡ฎ๐Ÿ‡ฑ:
๐Ÿ‡ฆ๐Ÿ‡ฉ Andorraย 
๐Ÿ‡ฆ๐Ÿ‡ด Angolaย 
๐Ÿ‡ฆ๐Ÿ‡ฌ Antigua and Barbudaย 
๐Ÿ‡ฆ๐Ÿ‡ท Argentinaย 
๐Ÿ‡ฆ๐Ÿ‡ฒ Armeniaย 
๐Ÿ‡ฆ๐Ÿ‡บ Australiaย 
๐Ÿ‡ฆ๐Ÿ‡น Austriaย 
๐Ÿ‡ง๐Ÿ‡ธ Bahamasย 
๐Ÿ‡ง๐Ÿ‡ง Barbadosย 
๐Ÿ‡ง๐Ÿ‡พ Belarusย 
๐Ÿ‡ง๐Ÿ‡ฟ Belizeย 
๐Ÿ‡ง๐Ÿ‡น Bhutanย 
๐Ÿ‡ง๏ฟฝ๏ฟฝ Bosnia and Herzegovinaย 
๐Ÿ‡ง๐Ÿ‡ผ Botswanaย 
๐Ÿ‡ง๐Ÿ‡ฌ Bulgariaย 
๐Ÿ‡ง๐Ÿ‡ฎ Burundiย 
๐Ÿ‡จ๐Ÿ‡ป Cabo Verdeย 
๐Ÿ‡ฐ๐Ÿ‡ญ Cambodiaย 
๐Ÿ‡จ๐Ÿ‡ฆ Canadaย 
๐Ÿ‡จ๐Ÿ‡ซ Central African Republicย 
๐Ÿ‡จ๐Ÿ‡ฑ Chileย 
๐Ÿ‡จ๐Ÿ‡ณ Chinaย 
๐Ÿ‡ฐ๐Ÿ‡ฒ Comorosย 
๐Ÿ‡จ๐Ÿ‡ฌ Congoย 
๐Ÿ‡จ๐Ÿ‡ท Costa Ricaย 
๐Ÿ‡ญ๐Ÿ‡ท Croatiaย 
๐Ÿ‡จ๐Ÿ‡บ Cubaย 
๐Ÿ‡จ๐Ÿ‡พ Cyprusย 
๐Ÿ‡จ๐Ÿ‡ฟ Czech Republicย 
๐Ÿ‡จ๐Ÿ‡ฉ Democratic Republic of the Congoย 
๐Ÿ‡ฉ๐Ÿ‡ฐ Denmarkย 
๐Ÿ‡ฉ๐Ÿ‡ฒ Dominicaย 
๐Ÿ‡ฉ๐Ÿ‡ด Dominican Republicย 
๐Ÿ‡น๐Ÿ‡ฑ East Timor (Timor-Leste)ย 
๐Ÿ‡ช๐Ÿ‡จ Ecuadorย 
๐Ÿ‡ธ๐Ÿ‡ป El Salvadorย 
๐Ÿ‡ฌ๐Ÿ‡ถ Equatorial Guineaย 
๐Ÿ‡ช๐Ÿ‡ท Eritreaย 
๐Ÿ‡ช๐Ÿ‡ช Estoniaย 
๐Ÿ‡ธ๐Ÿ‡ฟ Eswatiniย 
๐Ÿ‡ช๐Ÿ‡น Ethiopiaย 
๐Ÿ‡ซ๐Ÿ‡ฏ Fijiย 
๐Ÿ‡ซ๐Ÿ‡ฎ Finlandย 
๐Ÿ‡ซ๐Ÿ‡ท Franceย 
๐Ÿ‡ฌ๐Ÿ‡ช Georgiaย 
๐Ÿ‡ฉ๐Ÿ‡ช Germanyย 
๐Ÿ‡ฌ๐Ÿ‡ญ Ghanaย 
๐Ÿ‡ฌ๐Ÿ‡ท Greeceย 
๐Ÿ‡ฌ๐Ÿ‡ฉ Grenadaย 
๐Ÿ‡ฌ๐Ÿ‡น Guatemalaย 
๐Ÿ‡ญ๐Ÿ‡น Haitiย 
๐Ÿ‡ญ๐Ÿ‡ณ Hondurasย 
๐Ÿ‡ญ๐Ÿ‡บ Hungaryย 
๐Ÿ‡ฎ๐Ÿ‡ธ Icelandย 
๐Ÿ‡ฎ๐Ÿ‡ณ Indiaย 
๐Ÿ‡ฎ๐Ÿ‡ช Irelandย 
๐Ÿ‡ฎ๐Ÿ‡น Italyย 
๐Ÿ‡ฏ๐Ÿ‡ฒ Jamaicaย 
๐Ÿ‡ฏ๐Ÿ‡ต Japanย 
๐Ÿ‡ฐ๐Ÿ‡ช Kenyaย 
๐Ÿ‡ฐ๐Ÿ‡ฎ Kiribatiย 
๐Ÿ‡ฐ๐Ÿ‡ต Korea, North (North Korea)ย 
๐Ÿ‡ฐ๐Ÿ‡ท Korea, South (South Korea)ย 
๐Ÿ‡ฝ๐Ÿ‡ฐ Kosovoย 
๐Ÿ‡ฑ๐Ÿ‡ฆ Laosย 
๐Ÿ‡ฑ๐Ÿ‡ป Latviaย 
๐Ÿ‡ฑ๐Ÿ‡ธ Lesothoย 
๐Ÿ‡ฑ๐Ÿ‡ท Liberiaย 
๐Ÿ‡ฑ๐Ÿ‡ฎ Liechtensteinย 
๐Ÿ‡ฑ๐Ÿ‡น Lithuaniaย 
๐Ÿ‡ฑ๐Ÿ‡บ Luxembourgย 
๐Ÿ‡ฒ๐Ÿ‡ฌ Madagascarย 
๐Ÿ‡ฒ๐Ÿ‡ผ Malawi
๐Ÿ‡ฒ๐Ÿ‡น Maltaย 
๐Ÿ‡ฒ๐Ÿ‡ญ Marshall Islandsย 
๐Ÿ‡ฒ๐Ÿ‡บ Mauritiusย 
๐Ÿ‡ฒ๐Ÿ‡ฝ Mexicoย 
๐Ÿ‡ซ๐Ÿ‡ฒ Micronesiaย 
๐Ÿ‡ฒ๐Ÿ‡ฉ Moldovaย 
๐Ÿ‡ฒ๐Ÿ‡จ Monacoย 
๐Ÿ‡ฒ๐Ÿ‡ณ Mongoliaย 
๐Ÿ‡ฒ๐Ÿ‡ช Montenegroย 
๐Ÿ‡ฒ๐Ÿ‡ฒ Myanmar (Burma)ย 
๐Ÿ‡ณ๐Ÿ‡ท Nauruย 
๐Ÿ‡ณ๐Ÿ‡ต Nepalย 
๐Ÿ‡ณ๐Ÿ‡ฑ Netherlandsย 
๐Ÿ‡ณ๐Ÿ‡ฟ New Zealandย 
๐Ÿ‡ณ๐Ÿ‡ฎ Nicaraguaย 
๐Ÿ‡ฒ๐Ÿ‡ฐ North Macedonia (Macedonia)ย 
๐Ÿ‡ณ๐Ÿ‡ด Norwayย 
๐Ÿ‡ต๐Ÿ‡ผ Palauย 
๐Ÿ‡ต๐Ÿ‡ฆ Panamaย 
๐Ÿ‡ต๐Ÿ‡ฌ Papua New Guineaย 
๐Ÿ‡ต๐Ÿ‡พ Paraguayย 
๐Ÿ‡ต๐Ÿ‡ช Peruย 
๐Ÿ‡ต๐Ÿ‡ญ Philippinesย 
๐Ÿ‡ต๐Ÿ‡ฑ Polandย 
๐Ÿ‡ต๐Ÿ‡น Portugalย 
๐Ÿ‡ท๐Ÿ‡ด Romaniaย 
๐Ÿ‡ท๐Ÿ‡บ Russiaย 
๐Ÿ‡ท๐Ÿ‡ผ Rwandaย 
๐Ÿ‡ฐ๐Ÿ‡ณ Saint Kitts and Nevisย 
๐Ÿ‡ฑ๐Ÿ‡จ Saint Luciaย 
๐Ÿ‡ป๐Ÿ‡จ Saint Vincent and the Grenadinesย 
๐Ÿ‡ผ๐Ÿ‡ธ Samoaย 
๐Ÿ‡ธ๐Ÿ‡ฒ San Marinoย 
๐Ÿ‡ธ๐Ÿ‡น Sao Tome and Principeย 
๐Ÿ‡ท๐Ÿ‡ธ Serbiaย 
๐Ÿ‡ธ๐Ÿ‡จ Seychellesย 
๐Ÿ‡ธ๐Ÿ‡ฑ Sierra Leoneย 
๐Ÿ‡ธ๐Ÿ‡ฌ Singaporeย 
๐Ÿ‡ธ๐Ÿ‡ฐ Slovakiaย 
๐Ÿ‡ธ๐Ÿ‡ฎ Sloveniaย 
๐Ÿ‡ธ๐Ÿ‡ง Solomon Islandsย 
๐Ÿ‡ช๐Ÿ‡ธ Spainย 
๐Ÿ‡ฑ๐Ÿ‡ฐ Sri Lankaย 
๐Ÿ‡ธ๐Ÿ‡ช Sweden
๐Ÿ‡จ๐Ÿ‡ญ Switzerlandย 
๐Ÿ‡น๐Ÿ‡ผ Taiwanย 
๐Ÿ‡น๐Ÿ‡ฟ Tanzaniaย 
๐Ÿ‡น๐Ÿ‡ญ Thailandย 
๐Ÿ‡น๐Ÿ‡ด Tongaย 
๐Ÿ‡น๐Ÿ‡น Trinidad and Tobagoย 
๐Ÿ‡น๐Ÿ‡ณ Tunisiaย 
๐Ÿ‡น๐Ÿ‡ฒ Turkmenistanย 
๐Ÿ‡น๐Ÿ‡ป Tuvaluย 
๐Ÿ‡บ๐Ÿ‡ฆ Ukraineย 
๐Ÿ‡ฌ๐Ÿ‡ง United Kingdom (UK)ย 
๐Ÿ‡บ๐Ÿ‡ธ United States of America (USA)ย 
๐Ÿ‡บ๐Ÿ‡พ Uruguayย 
๐Ÿ‡ป๐Ÿ‡บ Vanuatuย 
๐Ÿ‡ป๐Ÿ‡ฆ Vatican Cityย 
๐Ÿ‡ป๐Ÿ‡ณ Vietnamย 
๐Ÿ‡ฟ๐Ÿ‡ฒ Zambiaย 
๐Ÿ‡ฟ๐Ÿ‡ผ Zimbabwe
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hetalian-veteran ยท 2 months ago
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Hetalia Sleep Headcanons
Here, have my headcanons about how the Hetalia characters sleep because I'm still awake at this ungodly hour of the night.
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๐Ÿ‡ฎ๐Ÿ‡นItaly needs to cling to something to sleep well. Whether it be a pillow, a plushie, or another person, the poor guy needs something or someone there to cuddle.
๐Ÿ‡ฉ๐Ÿ‡ชGermany has really bad insomnia and can only get at most four or five hours of sleep a night, and that's if he's lucky. But when he does sleep, he probably sleeps on his back, still as the grave.
๐Ÿ‡ฏ๐Ÿ‡ตJapan also sleeps on his back and is so still and quiet that every now and then, someone comes by to check and see if he really is asleep and not dead.
๐Ÿ‡ฎ๐Ÿ‡นRomano sleeps on his side with his arms sort of stretched outward, almost as if he's reaching for someone. That, or he's dreaming of beating someone up. You know, one or the other.
โš”๏ธPrussia will lay down on his back and fall asleep that way. However, he's the kind of guy who moves around a lot in his sleep. So when he wakes up, he's sort of on his face and stretched out like a starfish.
๐Ÿ‡ช๐Ÿ‡ธSpain sleeps like a freaking baby and gets a full nine hours every night. Lucky son of a gun.
๐Ÿ‡ฌ๐Ÿ‡งEngland has a pretty hard time quieting his mind down enough to get to sleep. So he spends his nights slowly sipping on a cup of tea to try and calm himself down enough to get some shut-eye.
๐Ÿ‡บ๐Ÿ‡ธAmerica moves around, twists, and rolls over so often in his sleep that when he wakes up, he typically finds himself tangled up in his blankets. Sometimes, he accidentally rolls out of bed.
๐Ÿ‡ซ๐Ÿ‡ทFrance can only sleep if the room is completely dark. Like, pitch black. He also sleeps on his side and sometimes hums a little in his sleep.
๐Ÿ‡จ๐Ÿ‡ณChina has insomnia pretty bad and, as a result, will often find himself staying up at night drinking tea. When he can sleep, however, he sort of curls up into a ball under the covers.
๐Ÿ‡ท๐Ÿ‡บRussia sleeps on his back and stays in that position the entire night. Sometimes giggles and smiles a little in his sleep.
๐Ÿ‡จ๏ฟฝ๏ฟฝCanada needs several layers of heavy blankets to sleep, as well as something or someone to cuddle.
๐Ÿ‡ฉ๐Ÿ‡ฐDenmark sleeps on his side and has sometimes been heard singing in his sleep, though nobody has been able to make out what exactly he's singing. He also occasionally snores.
๐Ÿ‡ธ๐Ÿ‡ชSweden usually falls asleep whilst looking through Ikea catalogs. They seem to really help calm his mind.
๐Ÿ‡ซ๐Ÿ‡ฎFinland often smiles while he sleeps, sometimes even giggling a little every now and again. He also sleeps best when listening to some of the most intense, heavy metal you've ever heard.
๐Ÿ‡ณ๐Ÿ‡ดNorway plays white noise and curls up into a ball under a couple of layers of thick, heavy blankets. He probably hugs a pillow, thinking of the days when Iceland used to call him big brother as a little kid.
๐Ÿ‡ฎ๐Ÿ‡ธIceland can only get to sleep in total darkness and in total silence. He's also a light sleeper, so anybody walking around the room will immediately wake him up.
๐Ÿ‡ญ๐Ÿ‡บHungary sleeps like an actual normal person. I really don't know how else to describe it. Though she has been heard saying some pretty weird crap in her sleep before.
๐Ÿ‡ฆ๐Ÿ‡นAustria sleeps best if he has soft classical music playing. Unfortunately for him, Prussia hacked into his playlist and threw in some of Finland's heavy metal songs.
๐Ÿ‡ฑ๐Ÿ‡ฎLiechtenstein is a fairly light sleeper. She's also afraid of the dark, so she typically has a nightlight somewhere in her room.
๐Ÿ‡จ๐Ÿ‡ญSwitzerland is also another character with insomnia. This is because he is low-key paranoid about making sure the entire house is locked up before he goes to bed at night. He wants to make sure he and Liechtenstein are safe.
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copper-16 ยท 10 months ago
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Masterlist
Majority of my works can be found on ao3 (which can be found here), but Iโ€™ll link a few of the big ones below along with anything posted on here!
No longer an active writer ๐Ÿฉต
AO3 Advice Can Be Found Here
Ingrid Engen/Mapi Leon
did she feel better than me?
You Didnโ€™t Let Me Finish
Do You See Something I Can't
Success is Easy
Haunted By The Ghost Of You
How You Get The Girl
la princesa
How Do I Trust Again?
Ingrid Engen/Mapi Leon x daughter
I Wanna Thank You Baby, You Make It Feel Like Christmas
Why Would She Say That?
She Feels Safe With You
Scary
You Can Do This
We Can't Figure Out What It Means
Sheโ€™s Perfect
Iโ€™m Sorry
Mascot
The Beginning
Elena and Alexia Day!
Elena - The Later Years
First Meetings
Tulips and Two Embarrassing Mothers
Misa Rodriguez/Marta Cardona
You Canโ€™t Talk No Sh*t Without Penalties
Lena Oberdorf/Jule Brand
Hothead
Andrea Medina x Lola Gallardo (platonic)
I Try, I Try
Lia Wรคlti/Mariona Caldentey
I'm Scared I'll Always Be This Way, That People Will Not Want To Stay
Jana Fernandez/Jill Roord
Heaven Wonโ€™t Be The Same
Couples I will write for/have written for (placed in order of who I am most willing to write about, starting at the top):
Ingrid Engen๐Ÿ‡ณ๐Ÿ‡ด/Mapi Leรณn๐Ÿ‡ช๐Ÿ‡ธ- 26 worksย 
Jana Fernรกndez ๐Ÿ‡ช๐Ÿ‡ธ/Jill Roord๐Ÿ‡ณ๐Ÿ‡ฑ - 4 worksย 
Mariona Caldentey ๐Ÿ‡ช๐Ÿ‡ธ/Lia Wรคlti๐Ÿ‡จ๐Ÿ‡ญ- 3 worksย 
Caroline Graham Hansen๐Ÿ‡ณ๐Ÿ‡ด/Marta Torrejรณn ๐Ÿ‡ช๐Ÿ‡ธ - 4 worksย 
Ona Batlle ๐Ÿ‡ช๐Ÿ‡ธ/Aitana Bonmatรญ๐Ÿ‡ช๐Ÿ‡ธ - 1 workย 
Ona Batlle๐Ÿ‡ช๐Ÿ‡ธ/Lucy Bronze๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ - 1 workย 
Misa Rodrรญquez๐Ÿ‡ช๐Ÿ‡ธ/Marta Cardona๐Ÿ‡ช๐Ÿ‡ธ - 1 workย 
Lola Gallardo๐Ÿ‡ช๐Ÿ‡ธ & Andrea Medina ๐Ÿ‡ช๐Ÿ‡ธ- 1 workย 
Fran Kirby๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ/Maren Mjelde๐Ÿ‡ณ๐Ÿ‡ด - 4 worksย 
Ana Maria Crnogorฤeviฤ‡๐Ÿ‡จ๐Ÿ‡ญ/Lia Wรคlti๐Ÿ‡จ๐Ÿ‡ญ - 1 work
Leah Williamson๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ/Lia Wรคlti๐Ÿ‡จ๐Ÿ‡ญ - 1 workย 
Sam Kerr๐Ÿ‡ฆ๐Ÿ‡บ/Kristie Mewis๐Ÿ‡บ๐Ÿ‡ธ- 4 worksย 
Frida Maanum๐Ÿ‡ณ๐Ÿ‡ด/Emma Lennartsson๐Ÿ‡ธ๐Ÿ‡ช- 5 worksย 
Magdalena Erickson๐Ÿ‡ธ๐Ÿ‡ช/Pernille Harder ๐Ÿ‡ฉ๐Ÿ‡ฐ- 2 worksย 
Jessie Fleming๐Ÿ‡จ๐Ÿ‡ฆ/Niamh Charles๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ - 1 workย 
Laura Wienroither๐Ÿ‡ฆ๐Ÿ‡น/Stina Blackstenius๐Ÿ‡ธ๐Ÿ‡ช - 1 workย 
Tobin Health๐Ÿ‡บ๐Ÿ‡ธ/Christen Press๐Ÿ‡บ๐Ÿ‡ธ - 1 work
Patri Guijarro๐Ÿ‡ช๐Ÿ‡ธ/Claudia Pina๐Ÿ‡ช๐Ÿ‡ธ - 1 work
Cata Coll๐Ÿ‡ช๐Ÿ‡ธ/Claudia Pina๐Ÿ‡ช๐Ÿ‡ธ - 1 work
Lucy Bronze๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ/Keira Walsh๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ - 5 worksย 
Ruesha Littlejohn๐Ÿ‡ฎ๐Ÿ‡ช/Katie McCabe๐Ÿ‡ฎ๐Ÿ‡ช - 2 worksย 
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revnah1406 ยท 7 months ago
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OC INTERVIEW!
I was tagged by: @alypink thank you pookie!! ๐Ÿงกโœจ
Abby ๐Ÿ‚๐ŸŒฟ
Name: Abigail Mason
Nickname: Abby, Abs
Gender: Female
Star Sign: Capricorn โ™‘๐Ÿ
Personality Type: Chaotic Neutral
Height: 1.65m/5.4 ft
Orientation: Lesbian
Nationality/Ethnicity: American ๐Ÿ‡บ๐Ÿ‡ธ
Fave Fruit: Orange ๐ŸŠ
Fave Season: Autumn ๐Ÿ‚๐Ÿ
Fave Flower: Sunflower ๐ŸŒป
Fave Scent: Old books and leather ๐Ÿ“–
Coffee, Tea, or HC: Tea ๐Ÿต
Average Hours of Sleep: 4/6 hours
Dog or Cat Person: Dog person ๐Ÿ•
Dream Trip: Alaska, Fairbanks ๐Ÿ”๏ธ
Number of Blankets They Sleep With: if she can 2
Random Fact: Abby likes to wear silly socks with silly patterns. ๐Ÿงฆ
SPARROW ๐Ÿ”๏ธ๐Ÿ”ง
Name: Hannah Clayton
Nickname: Sparrow, Han
Gender: Female
Star Sign: Aquarius โ™’๐Ÿบ
Personality Type: Chaotic good.
Height: 1.85m/6.1 ft
Orientation: Lesbian
Nationality/Ethnicity: Swiss ๐Ÿ‡จ๐Ÿ‡ญ/ British ๐Ÿ‡ฌ๐Ÿ‡ง
Fave Fruit: Pear ๐Ÿ
Fave Season: Winter โ„๏ธโ˜ƒ๏ธ
Fave Flower: Rosemary ๐Ÿชด
Fave Scent: Rain ๐ŸŒง๏ธ
Coffee, Tea, or HC: Coffee โ˜•
Average Hours of Sleep: 6/8 hours
Dog or Cat Person: dog person ๐Ÿ•
Dream Trip: Nepal ๐Ÿ‡ณ๐Ÿ‡ต(she's been there several times but she loves it so much)
Number of Blankets They Sleep With: one
Random Fact: She's lactose intolerant ๐Ÿฅ›๐Ÿฎ
AMARA ๐ŸŒ•๐ŸŒ†๐ŸŒŒ
Name: Amara Thompson
Nickname: none
Gender: Female
Star Sign: Taurus โ™‰๐Ÿ‚
Personality Type: Neutral Good
Height: 1.65 m/5.4 ft
Orientation: bisexual
Nationality/Ethnicity: British ๐Ÿ‡ฌ๐Ÿ‡ง, Japanese ๐Ÿ‡ฏ๐Ÿ‡ต
Fave Fruit: Strawberry ๐Ÿ“
Fave Season: Summer ๐ŸŒžโ›ฑ๏ธ
Fave Flower: tulip ๐ŸŒท
Fave Scent: lavender ๐Ÿชป
Coffee, Tea, or HC: coffee and tea โ˜•๐Ÿต
Average Hours of Sleep: 4/8 hours
Dog or Cat Person: cat person ๐Ÿˆ๐Ÿฑ
Dream Trip: Japan ๐Ÿ‡ฏ๐Ÿ‡ต
Number of Blankets They Sleep With: three
Random Fact: she's vegetarian
Template:
Name:
Nickname:
Gender:
Star Sign:
Personality Type:
Height:
Orientation:
Nationality/Ethnicity:
Fave Fruit:
Fave Season:
Fave Flower:
Fave Scent:
Coffee, Tea, or HC:
Average Hours of Sleep:
Dog or Cat Person:
Dream Trip:
Number of Blankets They Sleep With:
Random Fact:
Tagging! @efingart @kaitaiga @applbottmjeens @sleepyconfusedpotato @welldonekhushi @mctvsh
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aimeedaisies ยท 11 months ago
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Aimeeโ€™s 2023 royal family engagement count: The final results!
Disclaimer; everyoneโ€™s counts will be different, people have different rules to their method of counting the Court Circular. It isnโ€™t a definitive count and is done just for fun ๐Ÿ’—
The court circular doesnโ€™t record any work behind the scenes, only public engagements, official meetings and luncheons/dinners. Itโ€™s more a gauge of their public facing roles.
๐Ÿ‘‘ Princess Anne ๐Ÿ‘‘
Once again Princess Anne tops the chart as the hardest working royal, completing 467 engagements.
She has done 393 engagements in the UK.
She travelled to 10 different countries this year and did 74 engagements there. ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฎ
Dubbed by some as the unofficial Queen of Scots she did 62 in Scotland.
King Charles III
In the first year of his reign King Charles did a grand total of 463 engagements
In the UK he did 386 engagements.
He travelled to 5 different countries where he completed 76 engagements and did 3 full royal tours in Germany, France and Kenya. He also hosted a state visit for South Korea at Buckingham Palace. ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฆ๐Ÿ‡ช
What is also worth mentioning is that he has Red Boxes that he has to go through every single day, except Christmas Day and Easter Sunday as well as a lot of work behind the scenes.
Prince Edward, The Duke of Edinburgh
This year, on his 59th birthday, Prince Edward became the Duke of Edinburgh, taking the title of his father. With this he increased his work with the Duke of Edinburgh award and travelling to visit international sections of the award. Prince Edward also visited a lot of theatre related organisations and youth centres and charities.
He completed 294 this year and visited 13 countries on solo tours and with his wife. ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ฟ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ท๐Ÿ‡ง๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡ฉ
Sophie, The Duchess of Edinburgh
In 2023 Sophie carried on her hard work in areas like womenโ€™s rights in disadvantaged areas, avoidable blindness, hygiene and agriculture.
She completed 226 this year in the UK and the commonwealth and visited 10 countries on solo tours and with her husband. ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡จ๐Ÿ‡ญ
Prince Richard, The Duke of Gloucester
The Duke of Gloucester has this year completed 208 engagements in the UK.
He continued his long lasting work in heritage, architecture, the St Johnโ€™s Ambulance and military organisations.
Hopefully next year we will see him do some overseas engagements. ๐Ÿ•ฏ๏ธ
Queen Camilla
In the year of her Coronation, Queen Camilla carried out 198 engagements.
She visited Germany, France and Kenya where she did 42 engagements whilst on official tours. ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฐ๐Ÿ‡ช
She focused a lot of her engagements this year on sectors close to her heart like womenโ€™s & childrenโ€™s charities, osteoporosis care and animal welfare.
Prince William, The Prince of Wales
The Prince of Wales this year carried out engagements in the UK and the Commonwealth in areas like mental health, homelessness and conservation. In 2023 he did 183 engagements.
Prince William travelled to 4 countries where he did 32 engagements related to Earthshot in USA and Singapore, visiting Ukrainian troops in Poland, attending the Jordanian royal wedding in June and finally travelling to Kuwait to give his condolences to to The Emir of Kuwait following the death of The Emir Nawaf Al-Ahmad Al-Jaber Al-Sabah. ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ฐ๐Ÿ‡ผ
Catherine, The Princess of Wales
The Princess of Wales carried out 134 engagements throughout 2023. Catherine continued her work in her Early Years foundation and childhood development.
She visited France for two, one off engagements for the rugby World Cup in France and to Jordan for Crown Prince Hussein and Princess Rajwaโ€™s wedding in June. ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฏ๐Ÿ‡ด
Hopefully we will see her and the Prince of Wales go on a couple of overseas tours next year now that their children are older.
Birgitte, The Duchess of Gloucester
The Duchess of Gloucester has this year completed 127 engagements in the UK. She continued her long lasting work in sports, the arts (Opera, Ballet, Acting etcโ€ฆ) and accompanying her husband to official engagements.
Vice Admiral Sir Tim Laurence
Although not an official working royal, Sir Tim often attends as a great support to his wifeโ€™s engagements as well as having his own non-royal patronages and interests. It was recently announced that he would become chair of the Science Museum group and is the patron of a number of heritage organisations.
He accompanied his wife to a total of 92, represented her 4 times and accompanied her to 27 engagements abroad in 5 countries. ๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ฎ
(Operation working royal Tim) ๐Ÿ‘
Prince Edward, The Duke of Kent.
Despite being 88, Prince Edward, the late Queens cousin, has carried out 75 engagements even with his ailing mobility.
He continued his valued hard work with organisations like the RNLI, the Royal Scots Guards and the Commonwealth War Graves Commission, which he recently passed on the presidency to the Princess Royal.
Princess Alexandra of Kent
Although she is practically retired now, we have seen Princess Alexandra attend four official engagements in 2023. Firstly she attended a Reception for British East and South-East Asian Communities, secondly to present medals to members of The Royal Lancers, thirdly she attended the Coronation of King Charles and Queen Camilla and lastly she visited the Royal Chelsea Flower Show.
This year the British Royal Family completed a grand total of 2476 in the UK and 29 different countries across the world.
๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡ท๐Ÿ‡ง๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ผ
See below for engagements from the past decade and the types of engagements carried out in 2023
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retromania4ever ยท 10 months ago
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Iโค๏ธThis Car... ๐Ÿ‘โ€๐Ÿ—จ
The Legendary Porsche 962
Notable drivers
Mario Andretti ๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡บ๐Ÿ‡ธ
Hans-Joachim Stuck ๐Ÿ‡ฉ๐Ÿ‡ช
Stefan Bellof ๐Ÿ‡ฉ๐Ÿ‡ช
Jochen Mass ๐Ÿ‡ฉ๐Ÿ‡ช
Gary Brabham ๐Ÿ‡ฆ๐Ÿ‡บ
Derek Bell ๐Ÿ‡ฌ๐Ÿ‡ง
Jonathan Palmer ๐Ÿ‡ฌ๐Ÿ‡ง
Marc Surer ๐Ÿ‡จ๐Ÿ‡ญ
Jesรบs Pareja ๐Ÿ‡ช๐Ÿ‡ธ
Gianpiero Moretti ๐Ÿ‡ฎ๐Ÿ‡น
Henri Pescarolo ๐Ÿ‡ซ๐Ÿ‡ท
63 notes ยท View notes
theboxfort ยท 1 year ago
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๐Ÿด๓ ง๓ ข๓ ท๓ ฌ๓ ณ๓ ฟ๐Ÿด๓ ง๓ ข๓ ณ๓ ฃ๓ ด๓ ฟ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ๐Ÿ‡ฟ๐Ÿ‡ผ๐Ÿ‡ฟ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ฆ๐Ÿ‡พ๐Ÿ‡น๐Ÿ‡พ๐Ÿ‡ช๐Ÿ‡ฝ๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ธ๐Ÿ‡ผ๐Ÿ‡ซ๐Ÿ‡ป๐Ÿ‡บ๐Ÿ‡ป๐Ÿ‡ณ๐Ÿ‡ป๐Ÿ‡ฎ๐Ÿ‡ป๐Ÿ‡ฌ๐Ÿ‡ป๐Ÿ‡ช๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ป๐Ÿ‡น๐Ÿ‡ผ๐Ÿ‡น๐Ÿ‡ฟ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡ณ๐Ÿ‡บ๐Ÿ‡ธ๐Ÿ‡บ๐Ÿ‡พ๐Ÿ‡บ๐Ÿ‡ฟ๐Ÿ‡น๐Ÿ‡น๐Ÿ‡น๐Ÿ‡ท๐Ÿ‡น๐Ÿ‡ด๐Ÿ‡น๐Ÿ‡ณ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฐ๐Ÿ‡น๐Ÿ‡ฏ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ซ๐Ÿ‡น๐Ÿ‡ฉ๐Ÿ‡น๐Ÿ‡จ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ฟ๐Ÿ‡ธ๐Ÿ‡พ๐Ÿ‡ธ๐Ÿ‡ฝ๐Ÿ‡ธ๐Ÿ‡ป๐Ÿ‡ธ๐Ÿ‡น๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ด๐Ÿ‡ธ๐Ÿ‡ณ๐Ÿ‡ธ๐Ÿ‡ฒ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ธ๐Ÿ‡ฐ๐Ÿ‡ธ๐Ÿ‡ฏ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ญ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ฉ๐Ÿ‡ธ๐Ÿ‡จ๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ผ๐Ÿ‡ท๐Ÿ‡บ๐Ÿ‡ท๐Ÿ‡ธ๐Ÿ‡ท๐Ÿ‡ด๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡พ๐Ÿ‡ต๐Ÿ‡ผ๐Ÿ‡ต๐Ÿ‡น๐Ÿ‡ต๐Ÿ‡ธ๐Ÿ‡ต๐Ÿ‡ท๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฑ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ต๐Ÿ‡ณ๐Ÿ‡ท๐Ÿ‡ณ๐Ÿ‡บ๐Ÿ‡ณ๐Ÿ‡ฟ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฆ๐Ÿ‡ต๐Ÿ‡ช๐Ÿ‡ต๐Ÿ‡ซ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ญ๐Ÿ‡ฒ๐Ÿ‡พ๐Ÿ‡ฒ๐Ÿ‡ฟ๐Ÿ‡ณ๐Ÿ‡ฆ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡ช๐Ÿ‡ณ๐Ÿ‡ซ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฑ๐Ÿ‡ณ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡ฝ๐Ÿ‡ฒ๐Ÿ‡ผ๐Ÿ‡ฒ๐Ÿ‡ป๐Ÿ‡ฒ๐Ÿ‡บ๐Ÿ‡ฒ๐Ÿ‡น๐Ÿ‡ฒ๐Ÿ‡ธ๐Ÿ‡ฒ๐Ÿ‡ท๐Ÿ‡ฒ๐Ÿ‡ถ๐Ÿ‡ฒ๐Ÿ‡ต๐Ÿ‡ฒ๐Ÿ‡ด๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡ช๐Ÿ‡ฒ๐Ÿ‡ซ๐Ÿ‡ฒ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ญ๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ฑ๐Ÿ‡ฒ๐Ÿ‡ฒ๐Ÿ‡ฒ๐Ÿ‡ณ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡พ๐Ÿ‡ฑ๐Ÿ‡ป๐Ÿ‡ฑ๐Ÿ‡บ๐Ÿ‡ฑ๐Ÿ‡น๐Ÿ‡ฑ๐Ÿ‡ธ๐Ÿ‡ฑ๐Ÿ‡ท๐Ÿ‡ฑ๐Ÿ‡ฐ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ฐ๐Ÿ‡ฎ๐Ÿ‡ฐ๐Ÿ‡ฒ๐Ÿ‡ฐ๐Ÿ‡ณ๐Ÿ‡ฐ๐Ÿ‡ต๐Ÿ‡ฐ๐Ÿ‡ท๐Ÿ‡ฐ๐Ÿ‡ผ๐Ÿ‡ฐ๐Ÿ‡พ๐Ÿ‡ฐ๐Ÿ‡ฟ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ง๐Ÿ‡ฐ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ฌ๐Ÿ‡ฐ๐Ÿ‡ช๐Ÿ‡ฏ๐Ÿ‡ต๐Ÿ‡ฏ๐Ÿ‡ด๐Ÿ‡ฏ๐Ÿ‡ฒ๐Ÿ‡ฏ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡น๐Ÿ‡ฎ๐Ÿ‡ธ๐Ÿ‡ฎ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡น๐Ÿ‡ญ๐Ÿ‡บ๐Ÿ‡ฎ๐Ÿ‡จ๐Ÿ‡ฎ๐Ÿ‡ฉ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡ฎ๐Ÿ‡ฑ๐Ÿ‡ฎ๐Ÿ‡ฒ๐Ÿ‡ฎ๐Ÿ‡ณ๐Ÿ‡ฎ๐Ÿ‡ด๐Ÿ‡ฎ๐Ÿ‡ถ๐Ÿ‡ญ๐Ÿ‡ท๐Ÿ‡ญ๐Ÿ‡ณ๐Ÿ‡ญ๐Ÿ‡ฒ๐Ÿ‡ญ๐Ÿ‡ฐ๐Ÿ‡ฌ๐Ÿ‡พ๐Ÿ‡ฌ๐Ÿ‡ผ๐Ÿ‡ฌ๐Ÿ‡บ๐Ÿ‡ฌ๐Ÿ‡น๐Ÿ‡ฌ๐Ÿ‡ธ๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ซ๐Ÿ‡ฌ๐Ÿ‡ฌ๐Ÿ‡ฌ๐Ÿ‡ญ๐Ÿ‡ฌ๐Ÿ‡ฎ๐Ÿ‡ฌ๐Ÿ‡ฑ๐Ÿ‡ฌ๐Ÿ‡ฒ๐Ÿ‡ฌ๐Ÿ‡ณ๐Ÿ‡ฌ๐Ÿ‡ต๐Ÿ‡ฌ๐Ÿ‡ถ๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ‡ท๐Ÿ‡ซ๐Ÿ‡ด๐Ÿ‡ซ๐Ÿ‡ฒ๐Ÿ‡ซ๐Ÿ‡ฐ๐Ÿ‡ซ๐Ÿ‡ฏ๐Ÿ‡ซ๐Ÿ‡ฎ๐Ÿ‡ช๐Ÿ‡บ๐Ÿ‡ฉ๐Ÿ‡ด๐Ÿ‡ฉ๐Ÿ‡ฟ๐Ÿ‡ช๐Ÿ‡ฆ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ช๐Ÿ‡ญ๐Ÿ‡ช๐Ÿ‡ท๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ช๐Ÿ‡น๐Ÿ‡ฉ๐Ÿ‡ฒ๐Ÿ‡ฉ๐Ÿ‡ฐ๐Ÿ‡ฉ๐Ÿ‡ฏ๐Ÿ‡ฉ๐Ÿ‡ฌ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡จ๐Ÿ‡ฟ๐Ÿ‡จ๐Ÿ‡พ๐Ÿ‡จ๐Ÿ‡ฝ๐Ÿ‡จ๐Ÿ‡ผ๐Ÿ‡จ๐Ÿ‡ป๐Ÿ‡จ๐Ÿ‡บ๐Ÿ‡จ๐Ÿ‡ท๐Ÿ‡จ๐Ÿ‡ต๐Ÿ‡จ๐Ÿ‡ด๐Ÿ‡จ๐Ÿ‡ณ๐Ÿ‡จ๐Ÿ‡ฒ๐Ÿ‡จ๐Ÿ‡ฑ๐Ÿ‡จ๐Ÿ‡ฐ๐Ÿ‡จ๐Ÿ‡ฎ๐Ÿ‡จ๐Ÿ‡ญ๐Ÿ‡จ๐Ÿ‡ฌ๐Ÿ‡จ๐Ÿ‡ซ๐Ÿ‡จ๐Ÿ‡ฉ๐Ÿ‡จ๐Ÿ‡จ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡พ๐Ÿ‡ง๐Ÿ‡ผ๐Ÿ‡ง๐Ÿ‡ป๐Ÿ‡ง๐Ÿ‡น๐Ÿ‡ง๐Ÿ‡ธ๐Ÿ‡ง๐Ÿ‡ท๐Ÿ‡ง๐Ÿ‡ถ๐Ÿ‡ง๐Ÿ‡ด๐Ÿ‡ง๐Ÿ‡ณ๐Ÿ‡ง๐Ÿ‡ฒ๐Ÿ‡ง๐Ÿ‡ฑ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ง๐Ÿ‡ฎ๐Ÿ‡ง๐Ÿ‡ญ๐Ÿ‡ฆ๐Ÿ‡บ๐Ÿ‡ฆ๐Ÿ‡ผ๐Ÿ‡ฆ๐Ÿ‡ฝ๐Ÿ‡ฆ๐Ÿ‡ฟ๐Ÿ‡ง๐Ÿ‡ฆ๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ง๐Ÿ‡ฉ๐Ÿ‡ง๐Ÿ‡ช๐Ÿ‡ง๐Ÿ‡ซ๐Ÿ‡ง๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡น๐Ÿ‡ฆ๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ท๐Ÿ‡ฆ๐Ÿ‡ถ๐Ÿ‡ฆ๐Ÿ‡ด๐Ÿ‡ฆ๐Ÿ‡ฒ๐Ÿ‡ฆ๐Ÿ‡ฑ๐Ÿ‡ฆ๐Ÿ‡ฎ๐Ÿ‡ฆ๐Ÿ‡ฌ๐Ÿ‡ฆ๐Ÿ‡ซ๐Ÿ๐Ÿšฉ๐Ÿด๐Ÿณ๐Ÿณ๏ธโ€๐ŸŒˆ๐Ÿณ๏ธโ€โšง๏ธ๐Ÿดโ€๏ฟฝ๏ฟฝ๏ธ๐Ÿ‡ฆ๐Ÿ‡จ๐Ÿ‡ฆ๐Ÿ‡ฉ๐Ÿ‡ฆ๐Ÿ‡ช
And now, the Nations of the World! Brought to you by Tumblr Anon!
United States, Canada, Mexico, Panama, Haiti, Jamaica, Peru
I forgot the rest of the song
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mapsontheweb ยท 1 year ago
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Population density (people per sq. km)
Macao ๐Ÿ‡ฒ๐Ÿ‡ด: 20,556
Monaco ๐Ÿ‡ฒ๐Ÿ‡จ: 18,215
Singapore ๐Ÿ‡ธ๐Ÿ‡ฌ: 7,919
Hong Kong ๐Ÿ‡ญ๐Ÿ‡ฐ: 7,125
Gibraltar ๐Ÿ‡ฌ๐Ÿ‡ฎ: 3,271
Bahrain ๐Ÿ‡ง๐Ÿ‡ญ: 1,882
Maldives ๐Ÿ‡ฒ๐Ÿ‡ป: 1,715
Malta ๐Ÿ‡ฒ๐Ÿ‡น: 1,610
Bangladesh ๐Ÿ‡ง๐Ÿ‡ฉ: 1,286
South Korea ๐Ÿ‡ฐ๐Ÿ‡ท: 531
Netherlands ๐Ÿ‡ณ๐Ÿ‡ฑ: 518
India ๐Ÿ‡ฎ๐Ÿ‡ณ: 470
Israel ๐Ÿ‡ฎ๐Ÿ‡ฑ: 426
Belgium ๐Ÿ‡ง๐Ÿ‡ช: 381
Japan ๐Ÿ‡ฏ๐Ÿ‡ต: 346
Vietnam ๐Ÿ‡ป๐Ÿ‡ณ: 308
Pakistan ๐Ÿ‡ต๐Ÿ‡ฐ: 295
UK ๐Ÿ‡ฌ๐Ÿ‡ง: 277
Germany ๐Ÿ‡ฉ๐Ÿ‡ช: 238
Nigeria ๐Ÿ‡ณ๐Ÿ‡ฌ: 229
Switzerland ๐Ÿ‡จ๐Ÿ‡ญ: 219
Italy ๐Ÿ‡ฎ๐Ÿ‡น: 201
China ๐Ÿ‡จ๐Ÿ‡ณ: 150
Denmark ๐Ÿ‡ฉ๐Ÿ‡ฐ: 146
Indonesia ๐Ÿ‡ฎ๐Ÿ‡ฉ: 145
France ๐Ÿ‡ซ๐Ÿ‡ท: 123
Turkey ๐Ÿ‡น๐Ÿ‡ท: 109
Spain ๐Ÿ‡ช๐Ÿ‡ธ: 95
Mexico ๐Ÿ‡ฒ๐Ÿ‡ฝ: 65
South Africa ๐Ÿ‡ฟ๐Ÿ‡ฆ: 48
USA ๐Ÿ‡บ๐Ÿ‡ธ: 36
Brazil ๐Ÿ‡ง๐Ÿ‡ท: 26
Sweden ๐Ÿ‡ธ๐Ÿ‡ช: 25
Finland ๐Ÿ‡ซ๐Ÿ‡ฎ: 18
Argentina ๐Ÿ‡ฆ๐Ÿ‡ท: 17
Norway ๐Ÿ‡ณ๐Ÿ‡ด: 15
Russia ๐Ÿ‡ท๐Ÿ‡บ: 9
Canada ๐Ÿ‡จ๐Ÿ‡ฆ: 4
Australia ๐Ÿ‡ฆ๐Ÿ‡บ: 3
Mongolia ๐Ÿ‡ฒ๐Ÿ‡ณ: 2
Greenland ๐Ÿ‡ฌ๐Ÿ‡ฑ: 0
World ๐ŸŒ: 60
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xtruss ยท 1 year ago
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Swiss Policy Research: The Propaganda Multiplier
It is one of the most important aspects of our media system, and yet hardly known to the public: most of the international news coverage in Western media is provided by only three global news agencies based in New York, London and Paris.
The key role played by these agencies means Western media often report on the same topics, even using the same wording. In addition, governments, military and intelligence services use these global news agencies as multipliers to spread their messages around the world.
A study of the Syria war coverage by nine leading European newspapers clearly illustrates these issues: 78% of all articles were based in whole or in part on agency reports, yet 0% on investigative research. Moreover, 82% of all opinion pieces and interviews were in favor of a US and NATO intervention, while propaganda was attributed exclusively to the opposite side.
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The Propaganda Multiplier:
How Global News Agencies and Western Media Report on Geopolitics
A Study by Swiss Propaganda Research: 2016 / 2019
โ€œTherefore, you always have to ask yourself: Why do I get this specific information, in this specific form, at this specific moment? Ultimately, these are always questions about power.โ€ (*) Dr. Konrad Hummler, Swiss Banking and Media Executive
Contents
Part 1: The Propaganda Multiplier
Part 2: Case Study on Syria War Coverage
3. Notes and Literature
Introduction: โ€œSomething Strangeโ€
โ€œHow does the newspaper know what it knows?โ€ The answer to this question is likely to surprise some newspaper readers: โ€œThe main source of information is stories from news agencies. The almost anonymously operating news agencies are in a way the key to world events. So what are the names of these agencies, how do they work and who finances them? To judge how well one is informed about events in East and West, one should know the answers to these questions.โ€ (Hรถhne 1977, p. 11)
A Swiss media researcher points out: โ€œThe news agencies are the most important suppliers of material to mass media. No daily media outlet can manage without them. () So the news agencies influence our image of the world; above all, we get to know what they have selected.โ€ (Blum 1995, p. 9)
In view of their essential importance, it is all the more astonishing that these agencies are hardly known to the public: โ€œA large part of society is unaware that news agencies exist at all โ€ฆ In fact, they play an enormously important role in the media market. But despite this great importance, little attention has been paid to them in the past.โ€ (Schulten-Jaspers 2013, p. 13)
Even the head of a news agency noted: โ€œThere is something strange about news agencies. They are little known to the public. Unlike a newspaper, their activity is not so much in the spotlight, yet they can always be found at the source of the story.โ€ (Segbers 2007, p. 9)
โ€œThe Invisible Nerve Center of the Media Systemโ€
So what are the names of these agencies that are โ€œalways at the source of the storyโ€? There are now only three global news agencies left:
The American Associated Press (AP) with over 4000 employees worldwide. The AP belongs to US media companies and has its main editorial office in New York. AP news is used by around 12,000 international media outlets, reaching more than half of the worldโ€™s population every day.
The Quasi-Governmental French Agence France-Presse (AFP) based in Paris and with around 4000 employees. The AFP sends over 3000 stories and photos every day to media all over the world.
The British Agency Reuters in London, which is privately owned and employs just over 3000 people. Reuters was acquired in 2008 by Canadian media entrepreneur Thomson โ€“ one of the 25 richest people in the world โ€“ and merged into Thomson Reuters, headquartered in New York.
In addition, many countries run their own news agencies. These include, for instance, the German DPA, the Austrian APA, and the Swiss SDA. When it comes to international news, however, national agencies usually rely on the three global agencies and simply copy and translate their reports.
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Figure 1: The three global news agencies Reuters, AFP and AP, and the three national agencies of the German-speaking countries of Austria (APA), Germany (DPA) and Switzerland (SDA).
Wolfgang Vyslozil, former managing director of the Austrian APA, described the key role of news agencies with these words: โ€œNews agencies are rarely in the public eye. Yet they are one of the most influential and at the same time one of the least known media types. They are key institutions of substantial importance to any media system. They are the invisible nerve center that connects all parts of this system.โ€ (Segbers 2007, p.10)
Small Abbreviation, Great Effect
However, there is a simple reason why the global agencies, despite their importance, are virtually unknown to the general public. To quote a Swiss media professor: โ€œRadio and television usually do not name their sources, and only specialists can decipher references in magazines.โ€ (Blum 1995, P. 9)
The motive for this discretion, however, should be clear: news outlets are not particularly keen to let readers know that they havenโ€™t researched most of their contributions themselves.
The following figure shows some examples of source tagging in popular European newspapers. Next to the agency abbreviations we find the initials of editors who have edited the respective agency report.
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Figure 2: News agencies as sources in newspaper articles
Occasionally, newspapers use agency material but do not label it at all. A study in 2011 from the Swiss Research Institute for the Public Sphere and Society at the University of Zurich came to the following conclusions (FOEG 2011):
โ€œAgency contributions are exploited integrally without labeling them, or they are partially rewritten to make them appear as an editorial contribution. In addition, there is a practice of โ€˜spicing upโ€™ agency reports with little effort: for example, unpublished agency reports are enriched with images and graphics and presented as comprehensive articles.โ€
The agencies play a prominent role not only in the press, but also in private and public broadcasting. This is confirmed by Volker Braeutigam, who worked for the German state broadcaster ARD for ten years and views the dominance of these agencies critically:
โ€œOne fundamental problem is that the newsroom at ARD sources its information mainly from three sources: the news agencies DPA/AP, Reuters and AFP: one German/American, one British and one French. () The editor working on a news topic only needs to select a few text passages on the screen that he considers essential, rearrange them and glue them together with a few flourishes.โ€
Swiss Radio and Television (SRF), too, largely bases itself on reports from these agencies. Asked by viewers why a peace march in Ukraine was not reported, the editors said: โ€œTo date, we have not received a single report of this march from the independent agencies Reuters, AP and AFP.โ€
In fact, not only the text, but also the images, sound and video recordings that we encounter in our media every day, are mostly from the very same agencies. What the uninitiated audience might think of as contributions from their local newspaper or TV station, are actually copied reports from New York, London and Paris.
Some media have even gone a step further and have, for lack of resources, outsourced their entire foreign editorial office to an agency. Moreover, it is well known that many news portals on the internet mostly publish agency reports (see e.g., Paterson 2007, Johnston 2011, MacGregor 2013).
In the end, this dependency on the global agencies creates a striking similarity in international reporting: from Vienna to Washington, our media often report the same topics, using many of the same phrases โ€“ a phenomenon that would otherwise rather be associated with ยปcontrolled mediaยซ in authoritarian states.
The following graphic shows some examples from German and international publications. As you can see, despite the claimed objectivity, a slight (geo-)political bias sometimes creeps in.
Figure 3: โ€œPutin threatensโ€, โ€œIran provokesโ€, โ€œNATO concernedโ€, โ€œAssad strongholdโ€: Similarities in content and wording due to reports by global news agencies.
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The Role of Correspondents
Much of our media does not have own foreign correspondents, so they have no choice but to rely completely on global agencies for foreign news. But what about the big daily newspapers and TV stations that have their own international correspondents? In German-speaking countries, for example, these include newspapers such NZZ, FAZ, Sueddeutsche Zeitung, Welt, and public broadcasters.
First of all, the size ratios should be kept in mind: while the global agencies have several thousand employees worldwide, even the Swiss newspaper NZZ, known for its international reporting, maintains only 35 foreign correspondents (including their business correspondents). In huge countries such as China or India, only one correspondent is stationed; all of South America is covered by only two journalists, while in even larger Africa no-one is on the ground permanently.
Moreover, in war zones, correspondents rarely venture out. On the Syria war, for example, many journalists โ€œreportedโ€ from cities such as Istanbul, Beirut, Cairo or even from Cyprus. In addition, many journalists lack the language skills to understand local people and media.
How do correspondents under such circumstances know what the โ€œnewsโ€ is in their region of the world? The main answer is once again: from global agencies. The Dutch Middle East correspondent Joris Luyendijk has impressively described how correspondents work and how they depend on the world agencies in his book โ€œPeople Like Us: Misrepresenting the Middle Eastโ€:
โ€œI had imagined correspondents to be historians-of-the-moment. When something important happened, they would go after it, find out what was going on, and report on it. But I didnโ€™t go off to find out what was going on; that had been done long before. I went along to present an on-the-spot report.
The editors in the Netherlands called when something happened, they faxed or emailed the press releases, and Iโ€™d retell them in my own words on the radio, or rework them into an article for the newspaper. This was the reason my editors found it more important that I could be reached in the place itself than that I knew what was going on. The news agencies provided enough information for you to be able to write or talk your way through any crisis or summit meeting.
Thatโ€™s why you often come across the same images and stories if you leaf through a few different newspapers or click the news channels.
Our men and women in London, Paris, Berlin and Washington bureaus โ€“ all thought that wrong topics were dominating the news and that we were following the standards of the news agencies too slavishly.
The common idea about correspondents is that they โ€˜have the storyโ€™, () but the reality is that the news is a conveyor belt in a bread factory. The correspondents stand at the end of the conveyor belt, pretending weโ€™ve baked that white loaf ourselves, while in fact all weโ€™ve done is put it in its wrapping.
Afterwards, a friend asked me how Iโ€™d managed to answer all the questions during those cross-talks, every hour and without hesitation. When I told him that, like on the TV-news, you knew all the questions in advance, his e-mailed response came packed with expletives. My friend had relalized that, for decades, what heโ€™d been watching and listening to on the news was pure theatre.โ€ (Luye ndjik 2009, p. 20-22, 76, 189)
In other words, the typical correspondent is in general not able to do independent research, but rather deals with and reinforces those topics that are already prescribed by the news agencies โ€“ the notorious โ€œmainstream effectโ€.
In addition, for cost-saving reasons many media outlets nowadays have to share their few foreign correspondents, and within individual media groups, foreign reports are often used by several publications โ€“ none of which contributes to diversity in reporting.
โ€œWhat the agency does not report, does not take placeโ€
The central role of news agencies also explains why, in geopolitical conflicts, most media use the same original sources. In the Syrian war, for example, the โ€œSyrian Observatory for Human Rightsโ€ โ€“ a dubious one-man organization based in London โ€“ featured prominently. The media rarely inquired directly at this โ€œObservatoryโ€, as its operator was in fact difficult to reach, even for journalists.
Rather, the โ€œObservatoryโ€ delivered its stories to global agencies, which then forwarded them to thousands of media outlets, which in turn โ€œinformedโ€ hundreds of millions of readers and viewers worldwide. The reason why the agencies, of all places, referred to this strange โ€œObservatoryโ€ in their reporting โ€“ and who really financed it โ€“ is a question that was rarely asked.
The former chief editor of the German news agency DPA, Manfred Steffens, therefore states in his book โ€œThe Business of Newsโ€:
โ€œA news story does not become more correct simply because one is able to provide a source for it. It is indeed rather questionable to trust a news story more just because a source is cited. () Behind the protective shield such a โ€˜sourceโ€™ means for a story, some people are inclined to spread rather adventurous things, even if they themselves have legitimate doubts about their correctness; the responsibility, at least morally, can always be attributed to the cited source.โ€ (Steffens 1969, p. 106)
Dependence on global agencies is also a major reason why media coverage of geopolitical conflicts is often superficial and erratic, while historic relationships and background are fragmented or altogether absent. As put by Steffens: โ€œNews agencies receive their impulses almost exclusively from current events and are therefore by their very nature ahistoric. They are reluctant to add any more context than is strictly required.โ€ (Steffens 1969, p. 32)
Finally, the dominance of global agencies explains why certain geopolitical issues and events โ€“ which often do not fit very well into the US/NATO narrative or are too โ€œunimportantโ€ โ€“ are not mentioned in our media at all: if the agencies do not report on something, then most Western media will not be aware of it. As pointed out on the occasion of the 50th anniversary of the German DPA: โ€œWhat the agency does not report, does not take place.โ€ (Wilke 2000, p. 1)
โ€œAdding Questionable Storiesโ€
While some topics do not appear at all in our media, other topics are very prominent โ€“ even though they shouldnโ€™t actually be: โ€œOften the mass media do not report on reality, but on a constructed or staged reality. () Several studies have shown that the mass media are predominantly determined by PR activities and that passive, receptive attitudes outweigh active-researching ones.โ€ (Blum 1995, p. 16)
In fact, due to the rather low journalistic performance of our media and their high dependence on a few news agencies, it is easy for interested parties to spread propaganda and disinformation in a supposedly respectable format to a worldwide audience. DPA editor Steffens warned of this danger:
โ€œThe critical sense gets more lulled the more respected the news agency or newspaper is. Someone who wants to introduce a questionable story into the world press only needs to try to put his story in a reasonably reputable agency, to be sure that it then appears a little later in the others. Sometimes it happens that a hoax passes from agency to agency and becomes ever more credible.โ€ (Steffens 1969, p. 234)
Among the most active actors in โ€œinjectingโ€ questionable geopolitical news are the military and defense ministries. For example, in 2009 the head of the American news agency AP, Tom Curley, made public that the Pentagon employs more than 27,000 PR specialists who, with a budget of nearly $ 5 billion a year, are working the media and circulating targeted manipulations. In addition, high-ranking US generals had threatened that they would โ€œruinโ€ him and the AP if the journalists reported too critically on the US military.
Despite โ€“ or because of? โ€“ such threats our media regularly publish dubious stories sourced to some unnamed โ€œinformantsโ€ from โ€œUS defense circlesโ€.
Ulrich Tilgner, a veteran Middle East correspondent for German and Swiss television, warned in 2003, shortly after the Iraq war, of acts of deception by the military and the role played by the media:
โ€œWith the help of the media, the military determine the public perception and use it for their plans. They manage to stir expectations and spread deceptive scenarios. In this new kind of war, the PR strategists of the US administration fulfill a similar function as the bomber pilots. The special departments for public relations in the Pentagon and in the secret services have become combatants in the information war.
For their deception maneuvers, the US military specifically uses the lack of transparency in media coverage. The way they spread information, which is then picked up and distributed by newspapers and broadcasters, makes it impossible for readers, listeners or viewers to trace the original source. Thus, the audience will fail to recognize the actual intention of the military.โ€ (Tilgner 2003, p. 132)
What is known to the US military, would not be foreign to US intelligence services. In a remarkable report by British Channel 4, former CIA officials and a Reuters correspondent spoke candidly about the systematic dissemination of propaganda and misinformation in reporting on geopolitical conflicts:
Former CIA officer and whistleblower John Stockwell said of his work in the Angolan war: โ€œThe basic theme was to make it look like an [enemy] aggression. So any kind of story that you could write and get into the media anywhere in the world, that pushed that line, we did. One third of my staff in this task force were propagandists, whose professional career job was to make up stories and finding ways of getting them into the press. () The editors in most Western newspapers are not too skeptical of messages that conform to general views and prejudices. () So we came up with another story, and it was kept going for weeks. () But it was all fiction.โ€
Fred Bridgland looked back on his work as a war correspondent for the Reuters agency: โ€œWe based our reports on official communications. It was not until years later that I learned that a little CIA disinformation expert had sat in the US embassy and had composed these communiquรฉs that bore absolutely no relationship at all to truth. () Basically, and to put it very crudely, you can publish any old crap and it will get into the newspaper.โ€
And former CIA analyst David MacMichael described his work in the Contra War in Nicaragua with these words: โ€œThey said our intelligence of Nicaragua was so good that we could even register when someone flushed a toilet. But I had the feeling that the stories we were giving to the press came straight out of the toilet.โ€ (Channel 4, 1985)
Of course, the intelligence services also have a large number of direct contacts in our media, which can be โ€œleakedโ€ information to if necessary. But without the central role of the global news agencies, the worldwide synchronization of propaganda and disinformation would never be so efficient.
Through this โ€œpropaganda multiplierโ€, dubious stories from PR experts working for governments, military and intelligence services reach the general public more or less unchecked and unfiltered. The journalists refer to the news agencies and the news agencies refer to their sources. Although they often attempt to point out uncertainties (and hedge themselves) with terms such as โ€œapparentโ€, โ€œallegedโ€ and the like โ€“ by then the rumor has long been spread to the world and its effect has taken place.
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Figure 4: The Propaganda Multiplier: Governments, military and intelligence services using global news agencies to disseminate their messages to a worldwide audience.
As the New York Times Reported โ€ฆ
In addition to global news agencies, there is another source that is often used by media outlets around the world to report on geopolitical conflicts, namely the major publications in Great Britain and the US.
News outlets like the New York Times or the BBC may have up to 100 foreign correspondents and additional external employees. However, as Middle East correspondent Luyendijk points out:
โ€œOur news teams, me included, fed on the selection of news made by quality media like CNN, the BBC, and the New York Times. We did that on the assumption that their correspondents understood the Arab world and commanded a view of it โ€“ but many of them turned out not to speak Arabic, or at least not enough to be able to have a conversation in it or to follow the local media. Many of the top dogs at CNN, the BBC, the Independent, the Guardian, the New Yorker, and the NYT were more often than not dependent on assistants and translators.โ€ (Luyendijk p. 47)
In addition, the sources of these media outlets are often not easy to verify (โ€œmilitary circlesโ€, โ€œanonymous government officialsโ€, โ€œintelligence officialsโ€ and the like) and can therefore also be used for the dissemination of propaganda. In any case, the widespread orientation towards the major Anglo-Saxon publications leads to a further convergence in the geopolitical coverage in our media.
The following figure shows some examples of such citation based on the Syria coverage of the largest daily newspaper in Switzerland, Tages-Anzeiger. The articles are all from the first days of October 2015, when Russia for the first time intervened directly in the Syrian war (US/UK sources are highlighted):
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Figure 5: Frequent citation of major British and US media, exemplified by the Syria war coverage of Swiss daily newspaper Tages-Anzeiger in October 2015.
The Desired Narrative
But why do journalists in our media not simply try to research and report independently of the global agencies and the Anglo-Saxon media? Middle East correspondent Luyendijk describes his experiences:
โ€œYou might suggest that I should have looked for sources I could trust. I did try, but whenever I wanted to write a story without using news agencies, the main Anglo-Saxon media, or talking heads, it fell apart. () Obviously I, as a correspondent, could tell very different stories about one and the same situation. But the media could only present one of them, and often enough, that was exactly the story that confirmed the prevailing image.โ€ (Luyendijk p.54ff)
Media researcher Noam Chomsky has described this effect in his essay โ€œWhat makes the mainstream media mainstreamโ€ as follows: โ€œIf you get off line, if youโ€™re producing stories that the big press doesnโ€™t like, youโ€™ll hear about it pretty soon. () So there are a lot of ways in which power plays can drive you right back into line if you move out. If you try to break the mold, youโ€™re not going to last long. That framework works pretty well, and it is understandable that it is just a reflection of obvious power structures.โ€ (Chomsky 1997)
Nevertheless, some of the leading journalists continue to believe that nobody can tell them what to write. How does this add up? Media researcher Chomsky clarifies the apparent contradiction:
โ€œ[T]he point is that they wouldnโ€™t be there unless they had already demonstrated that nobody has to tell them what to write because they are going say the right thing. If they had started off at the Metro desk, or something, and had pursued the wrong kind of stories, they never would have made it to the positions where they can now say anything they like. The same is mostly true of university faculty in the more ideological disciplines. They have been through the socialization system.โ€ (Chomsky 1997)
Ultimately, this โ€œsocialization systemโ€ leads to a journalism that no longer independently researches and critically reports on geopolitical conflicts (and some other topics), but seeks to consolidate the desired narrative through appropriate editorials, commentary, and interviews.
Conclusion: The โ€œFirst Law of Journalismโ€
Former AP journalist Herbert Altschull called it the First Law of Journalism: โ€œIn all press systems, the news media are instruments of those who exercise political and economic power. Newspapers, periodicals, radio and television stations do not act independently, although they have the possibility of independent exercise of power.โ€ (Altschull 1984/1995, p. 298)
In that sense, it is logical that our traditional media โ€“ which are predominantly financed by advertising or the state โ€“ represent the geopolitical interests of the transatlantic alliance, given that both the advertising corporations as well as the states themselves are dependent on the transatlantic economic and security architecture led by the United States.
In addition, the key people of our leading media are โ€“ in the spirit of Chomskyโ€™s โ€œsocialization systemโ€ โ€“ often themselves part of transatlantic elite networks. Some of the most important institutions in this regard include the US Council on Foreign Relations (CFR), the Bilderberg Group, and the Trilateral Commission, all of which feature many prominent journalists (see in-depth study of these groups).
Most well-known publications, therefore, may indeed be seen as a kind of โ€œestablishment mediaโ€. This is because, in the past, the freedom of the press was rather theoretical, given significant entry barriers such as broadcasting licenses, frequency slots, requirements for financing and technical infrastructure, limited sales channels, dependence on advertising, and other restrictions.
It was only due to the Internet that Altschullโ€™s First Law has been broken to some extent. Thus, in recent years a high-quality, reader-funded journalism has emerged, often outperforming traditional media in terms of critical reporting. Some of these โ€œalternativeโ€ publications already reach a very large audience, showing that the โ€œmassโ€ does not have to be a problem for the quality of a media outlet.
Nevertheless, up to now the traditional media has been able to attract a solid majority of online visitors, too. This, in turn, is closely linked to the hidden role of news agencies, whose up-to-the-minute reports form the backbone of most online news sites.
Will โ€œpolitical and economic powerโ€, according to Altschullโ€™s Law, retain control over the news, or will โ€œuncontrolled newsโ€ change the political and economic power structure? The coming years will show.
Britain secretly funded Reuters in 1960s and 1970s (Reuters, January 2020)
Reuters, BBC in Covert UK Program to Push Western Agenda (The Grayzone, February 2021)
The Formation of the Reuters-Havas-Wolff News Monopoly and Cartel (Winter Watch, 2022)
The CIAโ€™s Mop-Up Man (The Intercept, September 2014)
Case Study: Syria War Coverage
As part of a case study, the Syria war coverage of nine leading daily newspapers from Germany, Austria and Switzerland were examined for plurality of viewpoints and reliance on news agencies. The following newspapers were selected:
For Germany: Die Welt, Sรผddeutsche Zeitung (SZ), and Frankfurter Allgemeine Zeitung (FAZ)
For Switzerland: Neue Zรผrcher Zeitung (NZZ), Tagesanzeiger (TA), and Basler Zeitung (BaZ)
For Austria: Standard, Kurier, and Die Presse
The investigation period was defined as October 1 to 15, 2015, i.e. the first two weeks after Russiaโ€™s direct intervention in the Syrian conflict. The entire print and online coverage of these newspapers was taken into account. Any Sunday editions were not taken into account, as not all of the newspapers examined have such. In total, 381 newspaper articles met the stated criteria.
In a first step, the articles were classified according to their properties into the following groups:
Agencies: Reports from news agencies (with agency code)
Mixed: Simple reports (with author names) that are based in whole or in part on agency reports
Reports: Editorial background reports and analyses
Opinions/Comments: Opinions and guest comments
Interviews: Interviews with experts, politicians etc.
Investigative: Investigative research that reveals new information or context
The following Figure 1 shows the composition of the articles for the nine newspapers analyzed in total. As can be seen, 55% of articles were news agency reports; 23% editorial reports based on agency material; 9% background reports; 10% opinions and guest comments; 2% interviews; and 0% based on investigative research.
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The pure agency texts โ€“ from short notices to the detailed reports โ€“ were mostly on the Internet pages of the daily newspapers: on the one hand, the pressure for breaking news is higher than in the printed edition, on the other hand, there are no space restrictions. Most other types of articles were found in both the online and printed editions; some exclusive interviews and background reports were found only in the printed editions. All items were collected only once for the investigation.
The following Figure 2 shows the same classification on a per newspaper basis. During the observation period (two weeks), most newspapers published between 40 and 50 articles on the Syrian conflict (print and online). In the German newspaper Die Welt there were more (58), in the Basler Zeitung and the Austrian Kurier, however, significantly less (29 or 33).
Depending on which newspaper, the share of agency reports is almost 50% (Welt, Sรผddeutsche, NZZ, Basler Zeitung), just under 60% (FAZ, Tagesanzeiger), and 60 to 70% (Presse, Standard, Kurier). Together with the agency-based reports, the proportion in most newspapers is between approx. 70% and 80%. These proportions are consistent with previous media studies (e.g., Blum 1995, Johnston 2011, MacGregor 2013, Paterson 2007).
In the background reports, the Swiss newspapers were leading (five to six pieces), followed by Welt, Sรผddeutsche and Standard (four each) and the other newspapers (one to three). The background reports and analyzes were in particular devoted to the situation and development in the Middle East, as well as to the motives and interests of individual actors (for example Russia, Turkey, the Islamic State).
However, most of the commentaries were to be found in the German newspapers (seven comments each), followed by Standard (five), NZZ and Tagesanzeiger (four each). Basler Zeitung did not publish any commentaries during the observation period, but two interviews. Other interviews were conducted by Standard (three) and Kurier and Presse (one each). Investigative research, however, could not be found in any of the newspapers.
In particular, in the case of the three German newspapers, a journalistically problematic blending of opinion pieces and reports was noted. Reports contained strong expressions of opinion even though they were not marked as commentary. The present study was in any case based on the article labeling by the newspaper.
The following Figure 3 shows the breakdown of agency stories (by agency abbreviation) for each news agency, in total and per country. The 211 agency reports carried a total of 277 agency codes (a story may consist of material from more than one agency). In total, 24% of agency reports came from the AFP; about 20% each by the DPA, APA and Reuters; 9% of the SDA; 6% of the AP; and 11% were unknown (no labeling or blanket term โ€œagenciesโ€).
In Germany, the DPA, AFP and Reuters each have a share of about one third of the news stories. In Switzerland, the SDA and the AFP are in the lead, and in Austria, the APA and Reuters.
In fact, the shares of the global agencies AFP, AP and Reuters are likely to be even higher, as the Swiss SDA and the Austrian APA obtain their international reports mainly from the global agencies and the German DPA cooperates closely with the American AP.
It should also be noted that, for historical reasons, the global agencies are represented differently in different regions of the world. For events in Asia, Ukraine or Africa, the share of each agency will therefore be different than from events in the Middle East.
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In the next step, central statements were used to rate the orientation of editorial opinions (28), guest comments (10) and interview partners (7) (a total of 45 articles). As Figure 4 shows, 82% of the Contributions Were Generally US/NATO Friendly, 16% Neutral or Balanced, and 2% Predominantly US/NATO Critical.
The only predominantly US/NATO-critical contribution was an op-ed in the Austrian Standard on October 2, 2015, titled: โ€œThe strategy of regime change has failed. A distinction between โ€˜goodโ€™ and โ€˜badโ€™ terrorist groups in Syria makes the Western policy untrustworthy.โ€
The following Figure 5 shows the orientation of the contributions, guest comments and interviewees, in turn broken down by individual newspapers. As can be seen, Welt, Sรผddeutsche Zeitung, NZZ, Zรผrcher Tagesanzeiger and the Austrian newspaper Kurier presented exclusively US/NATO-friendly opinion and guest contributions; this goes for FAZ too, with the exception of one neutral/balanced contribution. The Standard brought four US/NATO friendly, three balanced/neutral, as well as the already mentioned US/NATO critical opinion contributions.
Presse was the only one of the examined newspapers to predominantly publish neutral/balanced opinions and guest contributions. The Basler Zeitung published one US/NATO-friendly and one balanced contribution. Shortly after the observation period (October 16, 2015), Basler Zeitung also published an interview with the President of the Russian Parliament. This would of course have been counted as a contribution critical of the US/NATO.
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Figure 5: Basic Orientation of Opinion Pieces and Interviewees per Newspaper
In a further analysis, a full-text keyword search for โ€œPropagandaโ€ (and word combinations thereof) was used to investigate in which cases the newspapers themselves identified propaganda in one of the two geopolitical conflict sides, USA/NATO or Russia (the participant โ€œIS/ISISโ€ was not considered). In total, twenty such cases were identified. Figure 6 shows the result: in 85% of the cases, propaganda was identified on the Russian side of the conflict, in 15% the identification was neutral or unstated, and in 0% of the cases propaganda was identified on the USA/NATO side of the conflict.
It should be noted that about half of the cases (nine) were in the Swiss NZZ, which spoke of Russian propaganda quite frequently (โ€œKremlin propagandaโ€, โ€œMoscow propaganda machineโ€, โ€œpropaganda storiesโ€, โ€œRussian propaganda apparatusโ€ etc.), followed by German FAZ (three), Welt and Sรผddeutsche Zeitung (two each) and the Austrian newspaper Kurier (one). The other newspapers did not mention propaganda, or only in a neutral context (or in the context of IS).
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Figure 6: Attribution of Propaganda to Conflict Parties (Total; N=20).
Conclusion
The results confirm the high dependence on the global news agencies (63% to 90%, excluding commentaries and interviews) and the lack of own investigative research, as well as the rather biased commenting on events in favor of the US/NATO side (82% positive; 2% negative), whose stories were not checked by the newspapers for any propaganda.
โ€” About the authors: Swiss Propaganda Research (SPR) is An Independent Research Group Investigating Geopolitical Propaganda in Swiss and International Media. You can contact us here. English translation provided by Terje Maloy, an SPR reader.
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jennibeultimate ยท 4 months ago
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Artistic gymnastics Olympics 2024 MAG Qualification
Number of Entries for individual finals (AA&EF) per nation with a team
China ๐Ÿ‡จ๐Ÿ‡ณ 9 finals (Zhang Boheng FX + PB + HB , Zou Jinyuan PB + SR, Liu Yang SR, Su Weide HB, Xiao Ruoteng + Zhang Boheng AA)
Great Britain ๐Ÿ‡ฌ๐Ÿ‡ง 8 finals (Jake Jarman FX + VT , Luke Whitehouse FX, Max Whitlock PH ,Harry Hepworth SR + VT, Jake Jarman & Joe Fraser AA)
Ukraine ๐Ÿ‡บ๐Ÿ‡ฆ 8 finals (Oleg Verniaev PH + PB, Igor Radivilov VT, Nazar Cherpurnyi VT, Ilia Kovtun FX + PB , Oleg Verniaev & Ilia Kovtun AA
Japan ๐Ÿ‡ฏ๐Ÿ‡ต 7 finals (Takaaki Sugino PH + HB, Shinnosuke Oka PB + HB, Wateru Tanigawa PB, Daiki Hashimoto & Shinnosuke Oka AA)
USA ๐Ÿ‡บ๐Ÿ‡ธ 3 finals (Stephen Nedoroscik PH, Paul Juda & Fredrick Richards AA)
Netherlands ๐Ÿ‡ณ๐Ÿ‡ฑ 3 finals (Loran de Munck PH, Casimir Schmidt & Frank Rijken AA)
Turkey ๐Ÿ‡น๐Ÿ‡ท 2 finals (Adem Asil SR, Ferhat Arican PB)
Germany ๐Ÿ‡ฉ๐Ÿ‡ช 2 finals (Lukas Dauser PB, Nils Dunkel AA)
Italy ๐Ÿ‡ฎ๐Ÿ‡น 2 finals (Yumin Abbadini & Mario Macchiati AA)
Switzerland ๐Ÿ‡จ๐Ÿ‡ญ 2 finals (Matteo Giubellini & Florian Langenegger AA)
Canada ๐Ÿ‡จ๐Ÿ‡ฆ 2 finals (Felix Dolci & Rene Cournoyer AA)
Spain ๐Ÿ‡ช๐Ÿ‡ธ 1 final (Rayderley Zapata FX)
Countries with finals without team:
Philippines ๐Ÿ‡ต๐Ÿ‡ญ 3 finals (Carlos Yulo FX+VT & AA)
Kazhakstan ๐Ÿ‡ฐ๐Ÿ‡ฟ 3 finals (Milad Karimi FX & AA, Nariman Kurbanov PH)
Croatia ๐Ÿ‡ญ๐Ÿ‡ท 2 finals (Tin Scrbic HB , Aurel Benovic VT)
Armenia ๐Ÿ‡ฆ๐Ÿ‡ฒ 2 finals (Artur Davtyan VT, Vahagn Davtyan SR)
Israel ๐Ÿ‡ฎ๐Ÿ‡ฑ 1 final (Artem Dolgopyat FX)
Ireland ๐Ÿ‡ฎ๐Ÿ‡ช 1 final (Rhys Mc Clenaghan PH)
South Korea ๐Ÿ‡ฐ๐Ÿ‡ท 1 final (Hur Woong PH)
France ๐Ÿ‡ซ๐Ÿ‡ท 1 final (Samir Ait Said SR)
Belgium ๐Ÿ‡ง๐Ÿ‡ช 1 final (Glen Cuyle SR)
Greece ๐Ÿ‡ฌ๐Ÿ‡ท 1 final (Elftherios Petrounias SR)
Iran ๐Ÿ‡ฎ๐Ÿ‡ท 1 final (Mahdi Olfati VT)
Taiwan ๐Ÿ‡น๐Ÿ‡ผ (Chinese Tapeih) 1 final (Chia-Hung Tang HB)
Columbia ๐Ÿ‡จ๐Ÿ‡ด 1 final (Angel Barajas HB)
Cypres ๐Ÿ‡จ๐Ÿ‡พ 1 final (Marios Georgiou HB)
Hungary ๐Ÿ‡ญ๐Ÿ‡บ 1 final (Krisztofer Meszaros AA)
Australia ๐Ÿ‡ฆ๐Ÿ‡บ 1 final (Jesse Moore AA)
Brazil ๐Ÿ‡ง๐Ÿ‡ท 1 final (Diogo Soares AA)
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grangvr ยท 4 months ago
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โŸถ ๐”พโ„๐”ธโ„•๐”พ๐•โ„ ๐•€โ„•๐•‹โ„๐•† โ„™๐•†๐•Š๐•‹ โŸต
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๐”ธ๐”น๐•†๐•Œ๐•‹ ๐•„๐”ผ:
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โค‘ ๐™„ ๐™–๐™ข ๐™– ๐™Ž๐™ฅ๐™–๐™ฃ๐™ž๐™จ๐™-๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™–๐™ฃ ๐™ฃ๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™–๐™ก ๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ฒ
โค‘ ๐™„ ๐™จ๐™ฅ๐™š๐™–๐™  4 ๐™ก๐™–๐™ฃ๐™œ๐™ช๐™–๐™œ๐™š๐™จ: ๐™€๐™ฃ๐™œ๐™ก๐™ž๐™จ๐™, ๐™Ž๐™ฅ๐™–๐™ฃ๐™ž๐™จ๐™, ๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™–๐™ฃ & ๐™๐™ช๐™จ๐™จ๐™ž๐™–๐™ฃ
โค‘ ๐™Ž๐™๐™š/๐™ƒ๐™š๐™ง - ๐™ƒ๐™ž๐™จ๐™ฅ๐™–๐™ฃ๐™ž๐™˜/๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™–๐™ฃ - ๐Ÿ‡ช๐Ÿ‡ธ๐Ÿ‡ฆ๐Ÿ‡ฒ
โค‘ ๐™„ ๐™Ÿ๐™ค๐™ž๐™ฃ๐™š๐™™ ๐™๐™ช๐™ข๐™—๐™ก๐™ง ๐™ž๐™ฃ 2019 ๐™ž๐™ฃ ๐™ค๐™ง๐™™๐™š๐™ง ๐™ฉ๐™ค ๐™˜๐™ค๐™ฃ๐™ฃ๐™š๐™˜๐™ฉ ๐™ฌ๐™ž๐™ฉ๐™ ๐™ค๐™ฉ๐™๐™š๐™ง๐™จ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™›๐™–๐™ฃ๐™™๐™ค๐™ข๐™จ ๐™„ ๐™ข๐™ค๐™จ๐™ฉ ๐™˜๐™๐™š๐™ง๐™ž๐™จ๐™ ๐™–๐™ฃ๐™™ ๐™ฉ๐™ค ๐™š๐™จ๐™˜๐™–๐™ฅ๐™š ๐™„๐™ฃ๐™จ๐™ฉ๐™–๐™œ๐™ง๐™–๐™ข (๐™—๐™–๐™จ๐™ž๐™˜๐™–๐™ก๐™ก๐™ฎ)
โค‘ ๐™๐™๐™ž๐™จ ๐™—๐™ก๐™ค๐™œ ๐™ž๐™จ ๐™– ๐™ข๐™ช๐™ก๐™ฉ๐™ž-๐™›๐™–๐™ฃ๐™™๐™ค๐™ข ๐™–๐™˜๐™˜๐™ค๐™ช๐™ฃ๐™ฉ ๐™ฉ๐™๐™–๐™ฉ ๐™ž๐™จ ๐™– ๐™จ๐™–๐™›๐™š ๐™จ๐™ฅ๐™–๐™˜๐™š ๐™›๐™ค๐™ง ๐™š๐™ซ๐™š๐™ง๐™ฎ๐™ค๐™ฃ๐™š
โค‘ ๐™„ ๐™–๐™ข ๐™˜๐™ช๐™ง๐™ง๐™š๐™ฃ๐™ฉ๐™ก๐™ฎ ๐™จ๐™ฉ๐™ช๐™™๐™ฎ๐™ž๐™ฃ๐™œ ๐™‹๐™ƒ๐˜ฟ ๐™ˆ๐™–๐™ฉ๐™๐™š๐™ข๐™–๐™ฉ๐™ž๐™˜๐™จ ๐™–๐™ฃ๐™™ ๐™„๐™ฃ๐™›๐™ค๐™ง๐™ข๐™–๐™ฉ๐™ž๐™˜๐™จ
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๐•„๐• ๐”ฝ๐”ธโ„•๐”ป๐•†๐•„๐•Š:
โ™›๐™๐™ค๐™ง๐™ข๐™ช๐™ก๐™– 1 ๐ŸŽ๏ธ
โ™›๐™ƒ๐™–๐™ง๐™ง๐™ฎ ๐™‹๐™ค๐™ฉ๐™ฉ๐™š๐™งโšก๏ธ
โ™›๐™‹๐™ž๐™ง๐™–๐™ฉ๐™š๐™จ ๐™ค๐™› ๐™ฉ๐™๐™š ๐˜พ๐™–๐™ง๐™ž๐™—๐™—๐™š๐™–๐™ฃ๐Ÿดโ€โ˜ ๏ธ
โ™›๐™†๐™ฅ๐™ค๐™ฅ (๐˜ฝ๐™ก๐™–๐™˜๐™ ๐™ฅ๐™ž๐™ฃ๐™ , ๐˜ฝ๐™–๐™—๐™ฎ๐™ˆ๐™ค๐™ฃ๐™จ๐™ฉ๐™š๐™ง & ๐™‰๐™š๐™ฌ๐™…๐™š๐™–๐™ฃ๐™จ)๐Ÿ–ค๐Ÿ’—๐ŸงŒ๐Ÿฐ
โ™›๐™€๐™ช๐™ง๐™ค๐™ซ๐™ž๐™จ๐™ž๐™ค๐™ฃ๐ŸŽถ
โ™›๐™ˆ๐™š๐™ง๐™ก๐™ž๐™ฃ๐Ÿง™
โ™›๐™Ž๐™ฉ๐™ง๐™–๐™ฃ๐™œ๐™š๐™ง ๐™๐™๐™ž๐™ฃ๐™œ๐™จ๐Ÿšฒ
โ™›๐˜ฝ๐™ง๐™ž๐™™๐™œ๐™š๐™ง๐™ฉ๐™ค๐™ฃ๐Ÿ‘—
โ™›๐˜ฟ๐™ž๐™จ๐™ฃ๐™š๐™ฎ ๐˜พ๐™ก๐™–๐™จ๐™จ๐™ž๐™˜๐™จ๐Ÿญ
โ™›๐™”2๐™† ๐™‰๐™ค๐™จ๐™ฉ๐™–๐™ก๐™œ๐™ž๐™–โš•๏ธ
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๐•„๐• ๐•๐”ธ๐•ƒ๐•Œ๐”ผ๐•Š:
โ™ฃ ๐™„ ๐™จ๐™ฉ๐™–๐™ฃ๐™™ ๐™ฌ๐™ž๐™ฉ๐™ ๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™– & ๐™ฉ๐™๐™š ๐™™๐™ž๐™จ๐™ฅ๐™ก๐™–๐™˜๐™š๐™™ ๐™ฅ๐™ค๐™ฅ๐™ช๐™ก๐™–๐™ฉ๐™ž๐™ค๐™ฃ ๐™ค๐™› ๐™ฉ๐™๐™š ๐˜ผ๐™ง๐™ฉ๐™จ๐™–๐™ ๐™ ๐™๐™š๐™œ๐™ž๐™ค๐™ฃ
โ™ฃ ๐™’๐™š๐™จ๐™ฉ๐™š๐™ง๐™ฃ ๐™ข๐™š๐™™๐™ž๐™– ๐™™๐™ค๐™š๐™จ ๐™ฃ๐™ค๐™ฉ ๐™™๐™ง๐™–๐™ฌ ๐™š๐™ฃ๐™ค๐™ช๐™œ๐™ ๐™–๐™ฉ๐™ฉ๐™š๐™ฃ๐™ฉ๐™ž๐™ค๐™ฃ ๐™ฉ๐™ค๐™ฌ๐™–๐™ง๐™™๐™จ ๐™ฉ๐™๐™š ๐™–๐™ฉ๐™ง๐™ค๐™˜๐™ž๐™ค๐™ช๐™จ ๐™ฌ๐™–๐™ง ๐™˜๐™ง๐™ž๐™ข๐™š๐™จ ๐™˜๐™ค๐™ข๐™ข๐™ž๐™ฉ๐™ฉ๐™š๐™™ ๐™—๐™ฎ ๐˜ผ๐™ฏ๐™š๐™ง๐™—๐™–๐™ž๐™Ÿ๐™–๐™ฃ ๐™–๐™œ๐™–๐™ž๐™ฃ๐™จ๐™ฉ ๐™ฉ๐™๐™š ๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™–๐™ฃ ๐™ฅ๐™š๐™ค๐™ฅ๐™ก๐™š ๐™–๐™ฃ๐™™ ๐™ฉ๐™๐™š ๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™–๐™ฃ๐™จ ๐™ค๐™› ๐™ฉ๐™๐™š ๐˜ผ๐™ง๐™ฉ๐™จ๐™–๐™ ๐™ ๐™ง๐™š๐™œ๐™ž๐™ค๐™ฃ.
โ™ฃ ๐˜ฟ๐™ž๐™˜๐™ฉ๐™–๐™ฉ๐™ค๐™ง๐™จ ๐™จ๐™๐™ค๐™ช๐™ก๐™™ ๐™ฃ๐™ค๐™ฉ ๐™—๐™š ๐™–๐™—๐™ก๐™š ๐™ฉ๐™ค ๐™˜๐™ค๐™ข๐™ข๐™ž๐™ฉ ๐™–๐™˜๐™ฉ๐™จ ๐™ค๐™› ๐™š๐™ซ๐™ž๐™ก ๐™–๐™ฃ๐™™ ๐™›๐™–๐™˜๐™š ๐™ฃ๐™ค ๐™ฅ๐™ช๐™ฃ๐™ž๐™จ๐™๐™ข๐™š๐™ฃ๐™ฉ. ๐™Ž๐™–๐™ฃ๐™˜๐™ฉ๐™ž๐™ค๐™ฃ๐™จ ๐™จ๐™๐™ค๐™ช๐™ก๐™™ ๐™—๐™š ๐™ž๐™ข๐™ฅ๐™ค๐™จ๐™š๐™™ ๐™ค๐™ฃ ๐™ฉ๐™๐™š๐™จ๐™š ๐™˜๐™ค๐™ช๐™ฃ๐™ฉ๐™ง๐™ž๐™š๐™จ ๐™ฉ๐™ค ๐™ฅ๐™ง๐™š๐™ซ๐™š๐™ฃ๐™ฉ ๐™ฉ๐™๐™š ๐™›๐™ช๐™ง๐™ฉ๐™๐™š๐™ง ๐™จ๐™ฅ๐™ง๐™š๐™–๐™™ ๐™ค๐™› ๐™จ๐™ช๐™˜๐™ ๐™ซ๐™ž๐™ค๐™ก๐™š๐™ฃ๐™ฉ ๐™–๐™ฃ๐™™ ๐™ง๐™š๐™ฅ๐™ช๐™ก๐™จ๐™ž๐™ซ๐™š ๐™ž๐™™๐™š๐™ค๐™ก๐™ค๐™œ๐™ž๐™š๐™จ.
โ™ฃ ๐™‰๐™š๐™ซ๐™š๐™ง ๐™๐™ค๐™ง๐™œ๐™š๐™ฉ 1915, ๐™™๐™ค๐™ฃ'๐™ฉ ๐™™๐™š๐™ฃ๐™ฎ, (๐™›๐™–๐™˜๐™š ๐™ฉ๐™๐™š ๐™จ๐™๐™–๐™™๐™ค๐™ฌ๐™จ)
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๐•„๐• ๐•€๐”ป๐•†๐•ƒ๐•Š:
โฆ ๐™๐™ค๐™จ๐™šฬ (๐˜ฝ๐™ก๐™–๐™˜๐™ ๐™ฅ๐™ž๐™ฃ๐™ )๐Ÿ‡ฐ๐Ÿ‡ท
โฆ ๐˜ผ๐™๐™ฎ๐™š๐™ค๐™ฃ (๐˜ฝ๐™–๐™—๐™ฎ๐™ˆ๐™ค๐™ฃ๐™จ๐™ฉ๐™š๐™ง)๐Ÿ‡ฐ๐Ÿ‡ท
โฆ ๐™ƒ๐™ฎ๐™š๐™ž๐™ฃ (๐™‰๐™š๐™ฌ๐™…๐™š๐™–๐™ฃ๐™จ)๐Ÿ‡ฐ๐Ÿ‡ท
โฆ ๐™‡๐™–๐™ฃ๐™– ๐˜ฟ๐™š๐™ก ๐™๐™š๐™ฎ๐Ÿ‡บ๐Ÿ‡ธ
โฆ ๐™Ž๐™ž๐™ง๐™ช๐™จ๐™๐™ค๐Ÿ‡ฆ๐Ÿ‡ฒ
โฆ ๐™Ž๐™–๐™—๐™ง๐™ž๐™ฃ๐™– ๐˜พ๐™–๐™ง๐™ฅ๐™š๐™ฃ๐™ฉ๐™š๐™ง๐Ÿ‡บ๐Ÿ‡ธ
โฆ ๐™‡๐™ž๐™ก๐™ž๐™ฉ ๐™ƒ๐™ค๐™ซ๐™๐™–๐™ฃ๐™ฃ๐™ž๐™จ๐™ฎ๐™–๐™ฃ๐Ÿ‡ฆ๐Ÿ‡ฒ
โฆ ๐˜ผ๐™ง๐™ž๐™–๐™ฃ๐™– ๐™‚๐™ง๐™–๐™ฃ๐™™๐™š๐Ÿ‡บ๐Ÿ‡ธ
โฆ ๐™Š๐™ก๐™ž๐™ซ๐™ž๐™– ๐™๐™ค๐™™๐™ง๐™ž๐™œ๐™ค๐Ÿ‡บ๐Ÿ‡ธ
โฆ ๐™๐™ค๐™จ๐™–๐™ก๐™žฬ๐™–๐Ÿ‡ช๐Ÿ‡ธ
โฆ ๐˜ผ๐™ง๐™–๐™ข ๐™ˆ๐™‹3๐Ÿ‡ฆ๐Ÿ‡ฒ
โฆ ๐™€๐™ฃ๐™ง๐™ž๐™ฆ๐™ช๐™š ๐™„๐™œ๐™ก๐™š๐™จ๐™ž๐™–๐™จ๐Ÿ‡ช๐Ÿ‡ธ
โฆ ๐™‡๐™–๐™ฃ๐™™๐™ค ๐™‰๐™ค๐™ง๐™ง๐™ž๐™จ๐Ÿ‡ฌ๐Ÿ‡ง
โฆ ๐˜พ๐™–๐™ง๐™ก๐™ค๐™จ ๐™Ž๐™–๐™ž๐™ฃ๐™ฏ ๐™…๐™ง๐Ÿ‡ช๐Ÿ‡ธ
โฆ ๐™๐™–๐™›๐™–๐™š๐™ก ๐™‰๐™–๐™™๐™–๐™ก๐Ÿ‡ช๐Ÿ‡ธ
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๐•„๐• ๐•‹๐•†โ„™ ๐Ÿ™๐Ÿ ๐”ผ๐•Œโ„๐•†๐•๐•€๐•Š๐•€๐•†โ„• ๐•Š๐•†โ„•๐”พ๐•Š (๐•Š๐•€โ„•โ„‚๐”ผ ๐Ÿš๐Ÿ˜๐Ÿ˜๐Ÿ˜):
โ˜๏ธ1. ๐™‡๐™ค๐™ง๐™š๐™š๐™ฃ - ๐™€๐™ช๐™ฅ๐™๐™ค๐™ง๐™ž๐™– (๐™Ž๐™ฌ๐™š๐™™๐™š๐™ฃ 2012)๐Ÿ‡ธ๐Ÿ‡ช
โ˜๏ธ2. ๐˜ผ๐™ก๐™š๐™ญ๐™–๐™ฃ๐™™๐™š๐™ง ๐™๐™ฎ๐™—๐™–๐™  - ๐™๐™–๐™ž๐™ง๐™ฎ๐™๐™–๐™ก๐™š (๐™‰๐™ค๐™ง๐™ฌ๐™–๐™ฎ 2009)๐Ÿ‡ณ๐Ÿ‡ด
โ˜๏ธ3. ๐™Ž๐™š๐™ซ๐™š๐™ง๐™ž๐™ฃ๐™– - ๐™ˆ๐™ค๐™Ÿ๐™– ๐™จฬŒ๐™ฉ๐™ž๐™ ๐™ก๐™– (๐˜พ๐™ง๐™ค๐™–๐™ฉ๐™ž๐™– 2006)๐Ÿ‡ญ๐Ÿ‡ท
โ˜๏ธ4. ๐™„๐™ฃ๐™œ๐™– & ๐˜ผ๐™ฃ๐™ช๐™จ๐™ - ๐™…๐™–๐™ฃ ๐™…๐™–๐™ฃ (๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™– 2009)๐Ÿ‡ฆ๐Ÿ‡ฒ
โ˜๏ธ5. ๐˜ฟ๐™ช๐™ฃ๐™˜๐™–๐™ฃ ๐™‡๐™–๐™ช๐™ง๐™š๐™ฃ๐™˜๐™š - ๐˜ผ๐™ง๐™˜๐™–๐™™๐™š (๐™‰๐™š๐™ฉ๐™๐™š๐™ง๐™ก๐™–๐™ฃ๐™™๐™จ 2019)๐Ÿ‡ณ๐Ÿ‡ฑ
โ˜๏ธ6. ๐˜ผ๐™ฃ๐™œ๐™š๐™ก๐™ž๐™ฃ๐™– ๐™ˆ๐™–๐™ฃ๐™œ๐™ค - ๐™‡๐™– ๐™ฃ๐™ค๐™ž๐™– (๐™„๐™ฉ๐™–๐™ก๐™ฎ 2024)๐Ÿ‡ฎ๐Ÿ‡น
โ˜๏ธ7. ๐™Ž๐™ž๐™ง๐™ช๐™จ๐™๐™ค - ๐™Œ๐™š๐™ก๐™š ๐™Œ๐™š๐™ก๐™š (๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™– 2008)๐Ÿ‡ฆ๐Ÿ‡ฒ
โ˜๏ธ8. ๐™‚๐™Ÿ๐™ค๐™ฃ'๐™จ ๐™๐™š๐™–๐™ง๐™จ - ๐™๐™šฬ๐™ฅ๐™ค๐™ฃ๐™™๐™š๐™ฏโ€๐™ข๐™ค๐™ž (๐™Ž๐™ฌ๐™ž๐™ฉ๐™ฏ๐™š๐™ง๐™ก๐™–๐™ฃ๐™™ 2020)๐Ÿ‡จ๐Ÿ‡ญ
โ˜๏ธ9. ๐˜พ๐™๐™–๐™ฃ๐™š๐™ก - ๐™Ž๐™ก๐™ค๐™ˆ๐™ค (๐™Ž๐™ฅ๐™–๐™ž๐™ฃ 2022)๐Ÿ‡ช๐Ÿ‡ธ
โ˜๏ธ10. ๐™ƒ๐™–๐™™๐™ž๐™จ๐™š - ๐˜ฟ๐™ชฬˆ๐™ข ๐™๐™š๐™  ๐™๐™š๐™  (๐™๐™ชฬˆ๐™ง๐™ ๐™ž๐™ฎ๐™š 2009)๐Ÿ‡น๐Ÿ‡ท
โ˜๏ธ11. ๐™‚๐™ค_๐™– - ๐™Ž๐™๐™ช๐™ข (๐™๐™ ๐™ง๐™–๐™ž๐™ฃ๐™š 2021)๐Ÿ‡บ๐Ÿ‡ฆ
โ˜๏ธ12. ๐™ƒ๐™ช๐™ง๐™ง๐™ž๐™˜๐™–๐™ฃ๐™š - ๐™‡๐™ค๐™˜๐™ค ๐™‡๐™ค๐™˜๐™ค (๐™Ž๐™š๐™ง๐™—๐™ž๐™– 2021)๐Ÿ‡ท๐Ÿ‡ธ
โ˜๏ธ13. ๐™„๐™ซ๐™š๐™ฉ๐™– ๐™ˆ๐™ช๐™ ๐™ช๐™˜๐™๐™ฎ๐™–๐™ฃ - ๐™‡๐™ค๐™ซ๐™š๐™’๐™–๐™ซ๐™š (๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™– 2016)๐Ÿ‡ฆ๐Ÿ‡ฒ
โ˜๏ธ14. ๐™Ž๐™ก๐™ž๐™ข๐™–๐™ฃ๐™š - ๐™ˆ๐™ค๐™ฃ ๐˜ผ๐™ข๐™ค๐™ช๐™ง (๐™๐™ง๐™–๐™ฃ๐™˜๐™š 2024)๐Ÿ‡ซ๐Ÿ‡ท
โ˜๏ธ15. ๐™Ž๐™ค๐™›๐™ž ๐™ˆ๐™–๐™ง๐™ž๐™ฃ๐™ค๐™ซ๐™– - ๐™‡๐™ค๐™ซ๐™š ๐™๐™ฃ๐™ก๐™ž๐™ข๐™ž๐™ฉ๐™š๐™™ (๐˜ฝ๐™ช๐™ก๐™œ๐™–๐™ง๐™ž๐™– 2012) ๐Ÿ‡ง๐Ÿ‡ฌ
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๐•„๐• ๐•‹๐•†โ„™ ๐Ÿ™๐Ÿ ๐•๐•Œโ„•๐•€๐•†โ„ ๐”ผ๐•Œโ„๐•†๐•๐•€๐•Š๐•€๐•†โ„• ๐•Š๐•†โ„•๐”พ๐•Š (๐•Š๐•€โ„•โ„‚๐”ผ ๐Ÿš๐Ÿ˜๐Ÿ˜๐Ÿ›)
๐ŸŒธ1. ๐™ˆ๐™–๐™ก๐™šฬ๐™ฃ๐™– - ๐™Œ๐™–๐™ข๐™ž ๐™Œ๐™–๐™ข๐™ž (๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™– 2021)๐Ÿ‡ฆ๐Ÿ‡ฒ
๐ŸŒธ2. ๐™‘๐™ž๐™ ๐™ž ๐™‚๐™–๐™—๐™ค๐™ง - ๐™Ž๐™ช๐™ฅ๐™š๐™ง๐™๐™š๐™ง๐™ค๐™š๐™จ (๐™‹๐™ค๐™ก๐™–๐™ฃ๐™™ 2019)๐Ÿ‡ต๐Ÿ‡ฑ
๐ŸŒธ3. ๐˜ผ๐™ง๐™š๐™ซ๐™ž๐™  - ๐™€๐™ง๐™–๐™ฏ๐™–๐™ฃ๐™ฆ (๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™– 2007)๐Ÿ‡ฆ๐Ÿ‡ฒ
๐ŸŒธ4. ๐™๐™ง๐™š๐™ฎ๐™– ๐™Ž๐™ ๐™ฎ๐™š - ๐™‡๐™ค๐™จ๐™š ๐™ˆ๐™ฎ ๐™ƒ๐™š๐™–๐™™ (๐™๐™ฃ๐™ž๐™ฉ๐™š๐™™ ๐™†๐™ž๐™ฃ๐™œ๐™™๐™ค๐™ข 2022)๐Ÿ‡ฌ๐Ÿ‡ง
๐ŸŒธ5. ๐™๐™–๐™ฃ๐™ฎ๐™– ๐™ˆ๐™š๐™ฏ๐™๐™š๐™ฃ๐™จ๐™ฉ๐™š๐™ซ๐™– - ๐™ˆ๐™ค๐™ฃ ๐˜ผ๐™ข๐™ž (๐™๐™ช๐™จ๐™จ๐™ž๐™– 2021)๐Ÿ‡ท๐Ÿ‡บ
๐ŸŒธ6. ๐™๐™ค๐™ ๐™จ๐™–๐™ฃ๐™– ๐™’๐™šฬจ๐™œ๐™ž๐™š๐™ก - ๐˜ผ๐™ฃ๐™ฎ๐™ค๐™ฃ๐™š ๐™„ ๐™’๐™–๐™ฃ๐™ฉ ๐™๐™ค ๐˜ฝ๐™š (๐™‹๐™ค๐™ก๐™–๐™ฃ๐™™ 2018)๐Ÿ‡ต๐Ÿ‡ฑ
๐ŸŒธ7. ๐™‘๐™ก๐™–๐™™๐™ž๐™ข๐™ž๐™ง ๐˜ผ๐™ง๐™ฏ๐™ช๐™ข๐™–๐™ฃ๐™ฎ๐™–๐™ฃ - ๐™ˆ๐™–๐™ข๐™– (๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™– 2010)๐Ÿ‡ฆ๐Ÿ‡ฒ
๐ŸŒธ8. ๐™ˆ๐™–๐™ง๐™ž๐™–๐™ข ๐˜ฝ๐™ž๐™œ๐™ซ๐™–๐™ซ๐™– - ๐™„ ๐˜ฝ๐™š๐™ก๐™ž๐™š๐™ซ๐™š (๐™‚๐™š๐™ค๐™ง๐™œ๐™ž๐™– 2022)๐Ÿ‡ฌ๐Ÿ‡ช
๐ŸŒธ9. ๐™ˆ๐™–๐™ง๐™žฬ๐™– ๐™„๐™จ๐™–๐™—๐™š๐™ก - ๐˜ผ๐™ฃ๐™ฉ๐™š๐™จ ๐™ข๐™ช๐™š๐™ง๐™ฉ๐™– ๐™ฆ๐™ช๐™š ๐™จ๐™š๐™ฃ๐™˜๐™ž๐™ก๐™ก๐™– (๐™Ž๐™ฅ๐™–๐™ž๐™ฃ 2004)๐Ÿ‡ช๐Ÿ‡ธ
๐ŸŒธ10. ๐™Ž๐™–๐™ฃ๐™™๐™ง๐™– ๐™‘๐™–๐™ก๐™š๐™ง๐™ค - ๐™„ ๐™ก๐™ค๐™ซ๐™ž๐™ช (๐™Ž๐™ฅ๐™–๐™ž๐™ฃ 2023)๐Ÿ‡ช๐Ÿ‡ธ
๐ŸŒธ11. ๐˜ผ๐™ฃ๐™–๐™จ๐™ฉ๐™–๐™จ๐™ž๐™ฎ๐™– ๐™‹๐™š๐™ฉ๐™ง๐™ฎ๐™  - ๐™‰๐™š๐™—๐™ค (๐™๐™ ๐™ง๐™–๐™ž๐™ฃ๐™š 2012)๐Ÿ‡บ๐Ÿ‡ฆ
๐ŸŒธ12. ๐™‹๐™ค๐™ก๐™ž๐™ฃ๐™– ๐˜ฝ๐™ค๐™œ๐™ช๐™จ๐™š๐™ซ๐™ž๐™˜๐™ - ๐™’๐™ž๐™ฃ๐™œ๐™จ (๐™๐™ช๐™จ๐™จ๐™ž๐™– 2017)๐Ÿ‡ท๐Ÿ‡บ
๐ŸŒธ13. ๐™Ž๐™š๐™ฅ & ๐™…๐™–๐™จ๐™ข๐™ž๐™Ÿ๐™ฃ - ๐™ƒ๐™ค๐™ก๐™™๐™ž๐™ฃ๐™œ ๐™Š๐™ฃ ๐™๐™ค ๐™”๐™ค๐™ช (๐™‰๐™š๐™ฉ๐™๐™š๐™ง๐™ก๐™–๐™ฃ๐™™๐™จ 2023)๐Ÿ‡ณ๐Ÿ‡ฑ
๐ŸŒธ14. ๐™•๐™ค๐™šฬ ๐˜พ๐™ก๐™–๐™ช๐™ฏ๐™ช๐™ง๐™š - ๐˜พล“๐™ช๐™ง (๐™๐™ง๐™–๐™ฃ๐™˜๐™š 2023)๐Ÿ‡ซ๐Ÿ‡ท
๐ŸŒธ15. ๐˜ผ๐™ฃ๐™–๐™๐™ž๐™ฉ & ๐™ˆ๐™–๐™ง๐™ฎ - ๐™๐™–๐™—๐™š๐™ง (๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™– 2016)๐Ÿ‡ฆ๐Ÿ‡ฒ
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๐•„๐• ๐•Šโ„๐•€โ„™๐•Š:
โ˜…๐™๐™ค๐™ฃ ๐™ญ ๐™ƒ๐™š๐™ง๐™ข๐™ž๐™ค๐™ฃ๐™š (๐™๐™ค๐™ข๐™ž๐™ค๐™ฃ๐™š)
โ˜…๐™ƒ๐™–๐™ง๐™ง๐™ฎ ๐™ญ ๐™‚๐™ž๐™ฃ๐™ฃ๐™ฎ (๐™ƒ๐™ž๐™ฃ๐™ฃ๐™ฎ)
โ˜…๐™Ž๐™ž๐™ง๐™ž๐™ช๐™จ ๐˜ฝ๐™ก๐™–๐™˜๐™  ๐™ญ ๐™๐™š๐™ข๐™ช๐™จ ๐™‡๐™ช๐™ฅ๐™ž๐™ฃ (๐™’๐™ค๐™ก๐™›๐™จ๐™ฉ๐™–๐™ง)
โ˜…๐™‚๐™ฌ๐™š๐™ฃ ๐™ญ ๐™ˆ๐™š๐™ง๐™ก๐™ž๐™ฃ (๐˜ผ๐™ง๐™ฌ๐™š๐™ฃ)
โ˜…๐™’๐™ž๐™ก๐™ก ๐™ญ ๐™€๐™ก๐™ž๐™ฏ๐™–๐™—๐™š๐™ฉ๐™ (๐™’๐™ž๐™ก๐™ก๐™–๐™—๐™š๐™ฉ๐™)
โ˜…๐˜ผ๐™ง๐™ฉ๐™๐™ช๐™ง ๐™ญ ๐™ˆ๐™š๐™ง๐™ก๐™ž๐™ฃ (๐™ˆ๐™š๐™ง๐™ฉ๐™๐™ช๐™ง)
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๐•„๐• ๐”ฝ๐”ธ๐•๐•†๐•Œโ„๐•€๐•‹๐”ผ โ„‚๐•†๐•Œโ„•๐•‹โ„๐•€๐”ผ๐•Š:
โƒ ๐™Ž๐™ฅ๐™–๐™ž๐™ฃ๐Ÿ‡ช๐Ÿ‡ธ
โƒ ๐˜ผ๐™ง๐™ข๐™š๐™ฃ๐™ž๐™–๐Ÿ‡ฆ๐Ÿ‡ฒ
โƒ ๐™๐™ฃ๐™ž๐™ฉ๐™š๐™™ ๐™†๐™ž๐™ฃ๐™œ๐™™๐™ค๐™ข๐Ÿ‡ฌ๐Ÿ‡ง
โƒ ๐™๐™ ๐™ง๐™–๐™ž๐™ฃ๐™š๐Ÿ‡บ๐Ÿ‡ฆ
โƒ ๐™๐™ค๐™ข๐™–๐™ฃ๐™ž๐™– ๐Ÿ‡ท๐Ÿ‡ด
โƒ ๐™ˆ๐™ค๐™ก๐™™๐™ค๐™ซ๐™– ๐Ÿ‡ฒ๐Ÿ‡ฉ
โƒ ๐™‹๐™ค๐™ง๐™ฉ๐™ช๐™œ๐™–๐™ก๐Ÿ‡ต๐Ÿ‡น
๏ฟฝ๏ฟฝ๏ฟฝ ๐˜พ๐™ฎ๐™ฅ๐™ง๐™ช๐™จ๐Ÿ‡จ๐Ÿ‡พ
โƒ ๐™‚๐™ง๐™š๐™š๐™˜๐™š๐Ÿ‡ฌ๐Ÿ‡ท
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๐•„๐• ๐•Š๐•†โ„‚๐•€๐”ธ๐•ƒ๐•Š:
โœ๐™„๐™ฃ๐™จ๐™ฉ๐™–๐™œ๐™ง๐™–๐™ข: @/๐™š๐™จ๐™˜๐™ญ๐™๐™ฅ
โœ๐™‹๐™ž๐™ฃ๐™ฉ๐™š๐™ง๐™š๐™จ๐™ฉ: @/๐™˜๐™๐™ง๐™ค๐™ฃ๐™ž๐™˜๐™ก๐™š๐™จ๐™—๐™ค๐™ค๐™ 
โœ๐™”๐™ค๐™ช๐™ฉ๐™ช๐™—๐™š: @/๐™ˆ๐™–ฬŠ๐™ฃ๐™š๐™จ๐™ ๐™ž๐™ฃ๐™€๐™™๐™ž๐™ฉ๐™จ
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๐™๐™๐™–๐™ฃ๐™  ๐™ฎ๐™ค๐™ช ๐™›๐™ค๐™ง ๐™ง๐™š๐™–๐™™๐™ž๐™ฃ๐™œ ๐™–๐™ฃ๐™™ ๐™š๐™ฃ๐™Ÿ๐™ค๐™ฎ ๐™ฉ๐™๐™ž๐™จ ๐™—๐™ก๐™ค๐™œ!
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