#青木裕

[modernheavy]

今日読んだ漫画 2023年8月17日(木)

コミックPASH!

🎮『私は敵になりません！〜悪の魔術師に転生したけど、死ぬのはごめんなのでシナリオに逆らって生き延びます〜』藤代千鶴+佐槻奏多

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私は敵になりません！〜悪の魔術師に転生したけど、死ぬのはごめんなのでシナリオに逆らって生き延びます〜|PASH UP!

ジャンププラス

🧙‍♀️『株式会社マジルミエ』岩田雪花+青木裕

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[第80話]株式会社マジルミエ - 岩田雪花/青木裕 | 少年ジャンプ＋

Twitter

🍎『きっと明日はハッピーエンド』杏野まこ

[zzznightzzz]

[seiyuu-gallery]

[showagravure]

[tokyo-akb48]

[sekasu2007]

山里亮太、『不毛な議論』第1回で青木裕子をディスっていて「これ、今の時代だったら…」と恐ろしくなった理由 #山里亮太 #青木裕子 #fumou954

[tk28rk]

陽だまりをくれたキミの隣で　キャラ一覧

↩️　最初（第1話）はこちら

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[vsxfbd]

[modernheavy]

今日読んだ漫画 2023年8月9日(水)

ジャンププラス

🧙‍♀️『株式会社マジルミエ』岩田雪花+青木裕

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[第79話]株式会社マジルミエ - 岩田雪花/青木裕 | 少年ジャンプ＋

Twitter／コミックライドアイビー

👹『蜜の巫女と花の従者』のくらじれ

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🦇『トーキョー黒赤ヴァンパイア』野崎アユ

アルファポリス

⚔️『詐騎士』75話 / 麻菜摘+かいとーこ

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アルファポリスの公式漫画「詐騎士」が面白い！！

[zzznightzzz]

[seiyuu-gallery]

[showagravure]

[tokyo-akb48]

[butaimatome]

薄桜鬼最新作,ミュージカル『薄桜鬼 真改』山南敬助 篇の舞台、輝馬初主演で開幕！山南敬助篇が魅せる闇の中の光

ミュージカル『薄桜鬼 真改』山南敬助 篇 ・ミュージカル『薄桜鬼…

[sekasu2007]

伊集院光、田中みな実vs青木裕子の『あったかタイム』での衝撃的なギスギスした放送回について語る「一生忘れないことにしてます」

伊集院光、田中みな実vs青木裕子の『あったかタイム』での衝撃的なギスギスした放送回について語る「一生忘れないことにしてます」 #ijuin #田中みな実 #青木裕子

2025年2月24日放送のTBSラジオ系のラジオ番組『伊集院光 深夜の馬鹿力』(毎週月…

[screamofdespair]

Thinking back on it, I found it funny that among my favorite original Detective Conan episodes, two of them are part of the Eri’s Courtroom Confrontation mini-series written by 金子裕 Yutaka Kaneko. I’d recommend episodes #264/#265 (Courtroom Confrontation I: Kisaki vs. Kogoro) and episode #489 (Courtroom Confrontation III: Prosecutor as Eyewitness), along with a Drive link if anyone wants to check them out or revisit them.

Episodes 264/265 & Episode 489 (1 hour)

The color palettes in these episodes are responsible for about 80% of their overall impact. Episodes #264/#265 are characterized by warm and vibrant colors, which align well with how colors were applied with care and nuance at that time, as well as with the photography techniques (though you can still feel that realistic and serious tone due to the story). As for episode #489, the palette is much colder and more desaturated, reminiscent of those Japanese live-action police or courtroom dramas. With this style of direction chosen by the episode director, a more realistic atmosphere is established, grounding its aesthetic in something more serious and modern.

It was after watching episode #489 that I realized 山本泰一郎 Yasuichiro Yamamoto (who storyboarded and directed the episode) is truly a very talented director. I’m not even sure if the movies he directed come close to the quality of this episode (this is just my personal opinion/taste, of course).

As for the story, I prefer the one in episodes 264/265!

#264/265 Art Direction by 渋谷幸弘 Yukihiro Shibutani

#489 Art Direction by 中久木孝将 Takamasa Nakakuki (so good...)

#264 Animation Director : 青野厚司 Atsushi Aono

#265 Animation Director : 平岡正幸 Masayuki Hiraoka

#489 Chief Animation Director : 宍戸久美子 Kumiko Shishido

She is sooooooo........

Note : I didn't talk about episode II (#297/#298 Courtroom Confrontation II: Kisaki vs. Kujo) and IV (#606/#607 Courtroom Confrontation IV: Juror Sumiko Kobayashi), because episode II aired very soon after the final transition to digital in the anime, and it lacked that personal touch episodes I and III have, making it hard to get into the episode and expect something on the same level as the last one. As for episode IV, it's even worse, it was made during the most chaotic period of Detective Conan.