#二宮

[inve-tarot]

星空的秘密|星盤裡決定是否“暴富”的關鍵

钱财的来源、是否能存下钱、赚钱是否容易，都可以从2宫看出来！

1. 上一期文章中，我們解析了1宮在古典占星中的重要作用，也介紹了古典占星和現代占星解讀方法的不同。 這一期，我們來看我們能從2宮當中窺見我們人生的哪一���分？我們又能夠從2宮裡得到何種對於人生的啟發。 2宮，名為財帛宮，現代占星一般認為，2宮代表了一個人在金錢上的價值觀，以及對於金錢的態度。這一點倒是沒有什麼問題，這個含義也得到了廣泛得到使用。 比如說當 土星 落到一個人的2宮，這個人對待金錢往往非常吝嗇，而且花錢很固執，他認為不該花錢的地方，無論誰勸，都不會多花一分錢對待。 而如果落入的行星恰好是 木星，那麼這個人多多少少在花錢上，會比較大手大腳，而且對待金錢的態度很積極，往往認為自己無論花多少，都會掙回來，這種天真的消費態度，在消費主義盛行的現在，造成的危害可能比土星還嚴重。 但僅僅把2宮當做價值觀的呈現，那麼還真有些大材小用了。 因為作為一個代表金錢的宮位，我們理應有…

[peach-bbbb]

ω Cute butt like a peach ωฅ(^ω^ฅ) 二宮和香 Waka Ninomiya japanese AV idol ass ლ(╹◡╹ლ)

[paparun0714]

#チャーシューチャーハン #大盛 #968円 チャーハン大盛はかなりのボリューム。普通でも他所の大盛レベル。チャーシューの存在感はないけど、しっとり系で美味しい。さらに大きめの餃子が3個。これこそ本物のボリューム満点❗ 2023/01/23 #香港小厨 #二宮 #東京ランチ協会2023 #ランチ #Lunch #東京ランチ協会 #チャーハン #炒飯 #チーハン #friedrice #東京チーハン協会 #東京チーハン協会2023 №2 #東京デカ盛り協会 #東京デカ盛り協会2023 #デカ盛り #大盛 #大盛り #ギガ盛り #メガ盛り #東京餃子協会 #東京餃子協会2023 #gyoza #potstickers #panfrieddumplings https://www.instagram.com/p/CnwdnFSSMZZ/?igshid=NGJjMDIxMWI=

[isthepame]

Blue Lock XI

Starting Team

11 潔世一 ISAGI YOICHI

While he may not stand out in terms of achievements, technique, or physical prowess, his exceptional spatial awareness and positioning skills enable him to break through defences and score. Though he started from the lowest-ranked group in Blue Lock, he has steadily blossomed as a striker, evolving through fierce clashes with rivals and learning to draw out his own unique strengths.

ESP: Si bien no destaca en cuanto a logros, técnica o habilidades físicas, su excepcional capacidad para comprender el espacio y posicionarse le permite abrirse paso y marcar goles. A pesar de haber comenzado en el grupo con la clasificación más baja en Blue Lock, ha logrado florecer como delantero, desarrollando su talento a través de intensos enfrentamientos con sus rivales y aprendiendo a sacar a relucir sus propias fortalezas.

10 糸師凛 ITOSHI RIN

The ace striker of Blue Lock. His scoring ability is exceptional, thanks to his precise kicking and all-round skills, and his obsession with goals borders on madness. At the same time, he possesses a calm side, assessing his opponents’ abilities carefully and even controlling them to coordinate strategic plays. Itoshi Sae is his older brother.

ESP: El delantero estrella de Blue Lock. Su capacidad para anotar es excepcional, gracias a su precisión en los tiros y a sus habilidades integrales, y su obsesión por marcar goles roza lo demencial. Al mismo tiempo, muestra un lado sereno, evaluando cuidadosamente las habilidades de sus oponentes y, en ocasiones, controlándolos para coordinar jugadas estratégicas. Itoshi Sae es su hermano mayor.

7 凪 誠士郎 NAGI SEISHIRO

Though he has only been playing football for half a year, he is an extraordinary talent with unparalleled potential. With his impressive physical abilities and his incredible trapping skills, which seem to freeze time, he continues to create artistic goals that no ordinary person could replicate. The genius who has finally awakened now waits for the ball in the penalty area.

ESP: Aunque lleva solo medio año jugando al fútbol, es un talento extraordinario con un potencial inigualable. Con sus impresionantes habilidades físicas y una asombrosa capacidad de control del balón, que parece detener el tiempo, sigue creando goles artísticos que nadie más podría replicar. El genio que finalmente ha despertado ahora espera el balón en el área penal.

5 雪宮剣優 YUKIMIYA KENYU

Despite his smart appearance and work as a model, on the pitch he is a powerful and speedy dribbler who takes on opponents with sheer strength. He has a particular obsession and confidence when it comes to one-on-one situations, and the U-20 Japan national team will likely be forced to respond with a more organised defensive strategy.

ESP: A pesar de su apariencia elegante y su trabajo como modelo, en el campo de juego es un driblador imponente que se enfrenta a sus rivales con potencia y velocidad. Tiene una obsesión y una confianza particular cuando se trata de situaciones uno contra uno, y es probable que la selección nacional sub-20 de Japón se vea obligada a responder con una defensa más organizada.

9 乙夜影汰 OTOYA EITA

He comes from a rare lineage as a descendant of ninjas. Using his high agility as a shadow attacker, he applies pressure with off-the-ball movements that exploit defensive blind spots. His partnership with Karasu in midfield is among the top-tier in Blue Lock, with a level of completion that stands out in a place where individual skills usually dominate.

ESP: Proviene de una rara línea familiar como descendiente de ninjas. Aprovechando su alta agilidad como atacante en sombra, ejerce presión con movimientos sin balón que aprovechan los puntos ciegos de la defensa. Su asociación con Karasu en el mediocampo es de las mejores dentro de Blue Lock, destacando por su nivel de perfección en un entorno donde las habilidades individuales suelen ser lo más destacado.

6 烏旅人 KARASU TABITO

One of the most eccentric players in Blue Lock, he dominates the distance between himself and his opponents with keen observation and impeccable handwork. With his high football IQ, he carefully analyses his opponents' abilities and marks their weaknesses with precision. He tears apart defensive lines with feints that seem to mock the defenders he faces.

ESP: Uno de los jugadores más excéntricos de Blue Lock, domina la distancia con sus rivales gracias a su aguda capacidad de observación y su impecable manejo del balón. Con un alto coeficiente de inteligencia futbolística, analiza cuidadosamente las habilidades de sus oponentes y marca sus debilidades con precisión. Desgarra las líneas defensivas con fintas que parecen burlarse de los defensores a los que se enfrenta.

B 蜂楽 廻 BACHIRA MEGURU

His unique dribbling style, almost like a dance, is truly captivating. Due to his overwhelming personality, he struggled with discord among his teammates in his youth and became somewhat isolated. However, his encounter with Isagi in Blue Lock marked a turning point, leading to his mental growth. The unleashed monster now takes to the stage, dancing through the enemy's territory.

ESP: Su estilo de dribbling único, casi como si estuviera bailando, es verdaderamente cautivador. Debido a su personalidad arrolladora, en su niñez sufrió de desarmonía con sus compañeros de equipo, lo que lo llevó a sentirse algo aislado. Sin embargo, su encuentro con Isagi en Blue Lock marcó un punto de inflexión, llevándolo a un crecimiento mental. El monstruo liberado ahora pisa el escenario, danzando por el territorio enemigo.

3 二子一揮 NIKO IKKI

His sharp gaze, peering through his long bangs, constantly surveys the entire field, guiding him towards the path to goal. Unlike many strikers in Blue Lock who rely on physical ability, he excels in cerebral play. A hidden key player, he serves as the catalyst for both attack and defence in this hastily formed team.

ESP: Su mirada afilada, que se asoma a través de su largo flequillo, observa constantemente todo el campo, guiando su camino hacia el gol. A diferencia de muchos delanteros en Blue Lock que dependen de la habilidad física, él destaca en el juego táctico. Un jugador clave oculto, es el punto de partida tanto para el ataque como para la defensa en este equipo improvisado.

2 蟻生十兵衛 ARYU JYUBEI

A narcissist with a high sense of individuality and a unique, creative aesthetic. His weapon is his unusually long reach, which sets him apart from the average Japanese player. He values his unique sense of "fashion" above all else and shows respect to those he recognises as "stylish." Can he launch an artistic attack from the unfamiliar position at the back?

ESP: Un narcisista con un alto sentido de individualidad y una estética única y creativa. Su arma es su inusualmente largo alcance, que lo distingue de los jugadores japoneses promedio. Valora su sentido único de "moda" por encima de todo y muestra respeto a aquellos que reconoce como "estilosos". ¿Será capaz de lanzar un ataque artístico desde la posición poco familiar en la parte trasera?

4 千切豹馬 CHIGIRI HYOMA

His weapon is his blistering speed, with a 50m time of 5.77 seconds. As Blue Lock's No. 1 speedster, he is expected to make explosive, vertical runs on the pitch as an ultra-aggressive full-back. His incredible acceleration could become an option in any attack. If vigilance slips, the red leopard will quickly invade dangerous territory.

ESP: Su arma es su velocidad deslumbrante, con un tiempo de 50 metros en 5.77 segundos. Como el velocista número uno de Blue Lock, se espera que realice desbordes explosivos y verticales en el campo como un lateral ultracompetitivo. Su increíble aceleración podría convertirse en una opción en cualquier ataque. Si se baja la guardia, el leopardo rojo invadirá rápidamente la zona peligrosa.

1 我牙丸吟 GAGAMARU GIN

A "wild child" boasting an incredible physical spring. With little experience in football, he relies more on his potential than his technique, making him a physical elite. He excels in unorthodox movements and physical confrontations, using his body’s spring to full advantage. His physical abilities were recognised in the national team, where he plays as a goalkeeper.

ESP: Un "chico salvaje" que presume de una asombrosa elasticidad física. Con poca experiencia en el fútbol, se basa más en su potencial que en su técnica, lo que lo convierte en alguien de élite físico. Destaca en movimientos poco convencionales y enfrentamientos cuerpo a cuerpo, aprovechando al máximo la elasticidad de su cuerpo. Sus habilidades físicas fueron reconocidas en la selección nacional, donde juega como portero.

Substitute Players

13 馬狼照英 BAROU SHOUEI

A confident individual who calls himself the king, possessing a strong ego. An innate striker who boasts incredible physical strength and flawless shooting technique, regardless of friend or foe. His fierce self-assertion, capable of disrupting team harmony, creates a destructive power that forces open a crack in any wall.

ESP: Un individuo confiado que se llama a sí mismo el rey, con un ego fuerte. Un delantero nato que presume de un físico increíble y una técnica de tiro impecable, sin importar si es amigo o enemigo. Su feroz autoafirmación, capaz de alterar la armonía del equipo, genera una fuerza destructiva que abre una grieta en cualquier muro.

16 氷織 羊 HIORI YO

His weapons are precise passing, ball control, and an exceptional ability to read the movements of opponents, making him an incredibly skilled player. He has a keen sense for the scent of a goal, reliably turning it into a team score. Therefore, he demands high technical standards from his teammates as well.

ESP: Sus armas son los pases precisos, el control del balón y una capacidad excepcional para leer los movimientos de los rivales, lo que lo convierte en un jugador increíblemente habilidoso. Tiene un agudo sentido para detectar el aroma del gol, convirtiéndolo de manera fiable en un pasador para el equipo. Por ello, también exige altos estándares técnicos a sus compañeros.

14 御影玲王 MIKAGE REO

The heir to the large corporation, Mikage Corporation. A versatile player with game-making abilities that make the most of his broad perspective, he is a rare all-rounder in Blue Lock. On the flip side, he lacks a standout weapon, and for him, the U-20 Japan representative match will be a tough battle to face his own challenges.

ESP: El heredero de la gran empresa Mikage Corporation. Un jugador versátil con habilidades para crear jugadas que aprovechan su amplia visión, siendo un tipo de jugador poco común en Blue Lock. Dicho de otro modo, no tiene un arma destacada, y para él, el partido de la selección Sub-20 de Japón será una dura batalla para enfrentar sus propios retos.

[findflower96]

二宮沙樹

[asiangirlsrockit]

Waka Ninomiya (二宮和香)

[azzurro-due]

[inve-tarot]

星空的秘密|星盤中人生的組成部分（2）

十二宮位進階篇

1. 之前我們講到了十二宮的基礎含義，本期我們要更深入的探討十二宮，探討星盤當中，是如何對於我們的人生進行劃分的。 但是本篇的閱讀要建立在對十二宮基礎含義有所瞭解的前提下，所以如果還對十二宮的含義不甚瞭解的小夥伴可以戳下方連結複習一下十二宮的基礎含義哦~  星空的秘密|星盤中人生的組成部分（1） 上篇說到，十二宮，便是將我們的人生歷程進行劃分，把我們人生要經歷的方方面面劃分整理成了十二個。 在韋特塔羅當中，有一個體系叫做愚人之旅，也就是將韋特塔羅當中的22張大牌看做人一生的旅程，經歷了出生、成長、衰老、死亡，跟著時間，縱向的將人生進行總結與歸納。 那占星中的十二宮也類似，只不過更像是橫向的將人生裡的方方面面歸納和總結起來。 寫小說有三要素，時間、地點、人物。 這三個要素如果安放到占星當中，宮位就像是地點，星座像是人物，而行星像是時間。 先天宮位（星座）帶來的特質作用於後…

[penny4545]

[yaekaidou]

Welcome to our Chaldea! Iori!

[classic-shoujo]

Zodiac P.I. (2001) by Natsumi Ando

[jidaohuashi]

#TakamiyaMio

#極道畫師

#たかみやみお

#デートアライブ

#DATEALIVE

#JidouArtStudio

#illustration

たかみやみおを捧げて、サポートに感謝して、幸運が続いています( *ˊᵕˋ)✩︎

Offer Takamiya Mio,thank you your support,and have good lucky (ૢ˃ꌂ˂⁎) 

獻上崇宮澪,感謝支持,好運連連(ღˇ◡ˇღ)

[myhotfav]

[findflower96]

二宮沙樹

[japanesedoramaandanimelover91]

Kazunari Ninomiya, who won an award in the Arts and Culture category, made his debut as a member of the popular idol group Arashi and appeared in many popular films and TV series. Even after going independent from the agency he belonged to for many years, he remained active as an actor, entertaining many fans with his "YouTube" videos and writing. We asked Ninomiya-san, who is at the forefront of the Japanese entertainment world, about what he values in his creative endeavours and his future aspirations.

-I often watch the "YouTube" channel that Ninomiya-san created with Yuichi Nakamaru, Ryosuke Yamada and Fuma Kikuchi. This "Yonino Channel" has gained the highest popularity in the entertainment world, and the other day, "All Night Nippon Premium" was also broadcast, where the members act as hosts. Ninomiya-san's passion for entertaining his fans is clearly felt these days.

Ninomiya-Thank you very much. On "YouTube" i want to be able to show you what i really like and how i like it, in its purest form.’

-So Ninomiya-san shows the part where he's genuinely having fun.

Nino-If we don't do that, i don't think the audience will be able to fully enjoy it. The staff suggests different projects, and after we're in full agreement with them, we do what we like. We may cancel projects that look too much like television or seem forced. In this case, i think fans will enjoy it more if we just talk. -Is it because Ninomiya-san built his career that he was able to do this? Or is it because "YouTube" is a place with a lot of freedom? Has the environment changed significantly since you became independent from the agency?

Nino-The environment can be a big factor…. But my mindset hasn't changed much. The desire to share the fun with my fans has always been a prerequisite for any job. We have worked hard to make "Arashi" concerts a time and space that people can still enjoy, whether they are close to the stage or far from it, or even if the blind or hearing impaired come. That's what we did it for. to have fun in the first place. It's ingrained in us. But "YouTube" is a step down from that, and in a good way it's a little bit easier to get into, so maybe that's why people are so favourable to it.

-Watching "YouTube" and entertainment shows on TV, I realised that Ninomiya-san has very good small talk skills. The conversation is very natural and interesting. I think you're very adept at choosing your words, whether it's on "X" (formerly Twitter) or in an essay for a series of magazines.

Nino-is this true? If so, i think my life has been shaped by encountering more words than the average person in film and TV scripts. After receiving the script, when i'm forgiven, i feel like i change the line text as i see fit so that the words can come out and i haven't given it too much thought.’ -This Suits Of The Year was chosen under the theme of "Stimulating the Five Senses," and we chose people who excelled in their fields. Ninomiya-san, you've helped many people in many different fields, including acting, but is there anything you keep in mind while doing your expressive activities or anything you're doing to improve your skills as an artiste?

Nino-Hmm, that's a tough one. If i had to pick one thing, it would be games, even when I'm busy (laughs).

-You like games, don't you? Do you feel rested?

Nino-Instead of trying to change my mood, i want to keep my energy up by playing games. The more i have to work, the more i end up playing "Puzzle and Dragons". I get a lot more ideas that way. It's a strange story, but i have to create a situation where i don't have enough time. In the past, i was always short of time, doing doramas, appearing on entertainment shows, and then going on tour. I really don't mind that kind of busyness. I actually prefer this high rotation speed, so i try to maintain a high rotation speed during games and i feel like I'm already mentally prepared.

-Wouldn't it be a good idea to rest here?

Nino-No. Maybe i'm the kind of person who doesn't need a long rest.

--I feel like the game makes me immerse myself in the world.

Nino-This is a bit contradictory, but the more you immerse yourself in the world of the game, the more you don't have to think about anything. For example, even when I have to memorise lines for a TV drama, i still play games, i can concentrate on a lot of things.

--This feeling is a bit interesting. It would be the best environment for me.

Nino-Right. When words come into your head when you're not thinking about them, it's hard to get rid of them. If you're in a hurry and you're thinking, ‘i have to remember, i have to remember,’ they won't come in at all. Even during meetings, i write them down on the board. Sometimes i come up with better ideas while playing than when i face them face to face. Sometimes i get scolded and ask, "Are you really listening to me?" But that's never a problem for me. Now that i've started working in the entertainment industry myself, i often catch myself thinking, "Wow, this is how things work." For example, when it comes to working in film, so far someone has had to do all the work for me. All i had to do was memorise the script. When i think of the people who have done all this for me, i am truly grateful. I want to work feeling that gratitude. It's good to try new things, but i also want to acknowledge again what i've done, is very important to me right now, and that in itself is a challenge. For example, if i were to start making music again, where would i release my album and how would I do it alone, i think that would be a huge challenge.

-What do you see for the future of "offices"?

Nino-If the company wants to keep going the way it is, i want to attract all kinds of people. I started this company for myself, but i want to help people who share the same thoughts as i do and feel stuck in some way. There is someone, i would be happy to take them on and work with them, whether i can help them or not. I hope some kind of chemical reaction happens between us.

Ninomiya-san has worn a variety of suits due to his job, but he has surprisingly few suits and isn't particularly picky about them. However, it seems like it took him a long time to choose the fabric for this suit from Paul Stewart.

Nino-I wanted to use a fabric that could be worn in a variety of situations and that would fit well on the body. This suit was recommended to me in the shop and I liked it because when I saw it, it had a soft texture. I tried it on and it was just as comfortable as I expected. I think suits are worn when you want to look fresh, but the feel of this fabric allows you to relax and act casual, I felt that way.

The colour pattern with light grey base and wide stripes is also new to him.

Nino-Was a type of fabric with a narrower pitch of stripes, but I thought this one gave a softer impression. The tailoring is very lightweight and I think it will make people I meet feel more relaxed, as I heard from the stylist. I said earlier that this suit looks good with knitwear, but I'd like to try wearing it a bit more fun.

Paul Stewart in a tailored suit.

A bespoke tailored suit based on the Baker model, which is a relatively new model amongst the brand. The very soft-textured flannel fabric is made by the prestigious Italian company Vitale Barberis Canonico. It has a light grey base with a touch of green and slightly wide stripes. The trousers have a neatly tapered silhouette. A single fit is included to create a moderate amount of space around the waist. Combined with the laid-back vibe of the lightweight, shoulderless jacket, it feels like a go-to suit for going out to work.

Kazunari Ninomiya was born in 1983, in Tokyo. He is a member of the male idol group ‘Arashi’ and is active in various fields including acting, voice actor, TV host and blogger. He made his Hollywood debut in the 2006 film "Letters from Iwojima". He won the 39th "Japan Academy Award for Best Actor" for the 2015 film Kurashiba and His Mother and the sixty-fifth "Blue Ribbon Award" for "Best Actor" for "From Camp with Love", released in 2022. Declared independence in October 2023 and established the Office ni no.

Interviewer: Kazuka Matsumoto, Editor-in-Chief of NIKKEI Magazine, Composition: Iwao Yoshida, Photo: Yoshiaki Tsutsui.

[kunosiu]

My top 10 favorite Arashi's Music Videos

To celebrate the 25th anniversary and the fact that MV are now available on YouTube (what a time to be alive...) I wanted to compile a top 10 list of my favourite Arashi's MVs. And it turned out to be quite hard. My last cut from the list ("truth") was painful. 😭 But I did it.

Just couple of things before we start.

This is my very subjective list. If your favourite MV isn't here, I'm sorry, we just have different taste.

I'm choosing basted on the MV itself. For example, I love "I seek" as a song; it's my go to karaoke song, but MV for it is... Not my cup of tea to say the least. In other cases, like "Bittersweet", live performances outshines MV itself.

MVs are in chronological order. Don't make me rank them, I can't 😭

And now, without further ado...

1. A･RA･SHI

What can I say? It's their first MV, it's their debut song... It's iconic. It's also nice to see how far they've come. They are still babies here. 😭

2. Kitto Daijoubu

I honestly forgot about this until I was watching all MVs on November 3rd. And omg, it's so fun! The bad green screen, 4th wall breaks, rainbows, Arashi acting silly... it has it all!

3. Happiness

Let's be honest: you knew this was coming. If someone held a gun to my head I asked me to choose one of Arashi's MV as my favourite, I'd choose "Happiness". Aeons ago, someone said that this MV is 100% Arashi in Arashi and I can't disagree. You have it all: Arashi acting silly, pure chaos, Ohmiya... A LOT OF OHMIYA. And some small moments for other pairings too. xD

And it was also the first MV of them I saw.

4. Crazy Moon~kimi wa muteki~

This maybe an unorthodox choice because it's a very simple dance MV... And that's the reason I chose it. Arashi don't have any other video like this. Just them dancing to the song in an empty hall. Without any backdrop or outfit change. They had to sell it to us by just dancing. And I think they succeeded. The choreography is interesting and bravo to the stylist because I think they all look so good here.

5. My Girl

Story MVs are rare in Arashi videography. Practically just "Aozora pedal" and "My Girl". And since my best friend hates MV to "Aozora pedal", I have to choose "My girl" xD

But in all seriousness, it's really cute story where Arashi play siblings who are moving out of their family home after the death of their mother. Their mom is Photoshop monstrosity made of different parts of members' faces xD But MV it's cute nonetheless.

I remember all the fan fiction this video inspired... Good times... xD

6. Troublemaker

This is the first MV I remember waiting for. And I don't wanna say it is here just because of nostalgia. I think it's just really good video on its' own merits. I like stop-motion sequences, I think those suits are impeccable outfits and... there's a lot of Ohmiya. xD Look, I'm a simple gal, if Ohno and Nino are acting cute together, I'm putting the video on this list. xD

7. Aozora no shita, kimi no tonari

I think this maybe another unexpected entry. It's not a very popular MV. It's very simple. And maybe that's why I like it. It was shoot in outdoor locations; stylists again done wonderful job - they all look so good. I love their individual shoots, especially Aiba sitting on the edge a platform looks angelic. And the bbq at the end... ♥ This MV just feels cosy.

8. Fukkatsu Love

It's just good, I don't know what else to tell you guys. I love the parts they shoot in those long takes... Touma is there! It's just so good!

9. Don't You Get it

Another obvious entry I think. They all look good here, they all acting goofy, Sho and Nino do magic tricks, Ohno has hilarious face expressions whenever you pause the video, there's a doggie and Ohmiya dance (I've told you, guys xD)

10. Do you...?

We started with the their first MV, it's appropriate to end at their last. (AT THIS MOMENT! I HOPE 😭) "Do you..." if wonderful homage to Arashi's journey, full of easter eggs to all the previous MVs. And it might be its' only flaw - that it doesn't work so well in a vacuum. But if you were on November 3rd 2020 when this MV and Arashi's last album dropped, you were feeling it. You were crying, you were smiling and you tried to notice all the references to previous MVs. Maybe even at the same time. xD

And that's all. 😊 Thank you if you made it here. Please let me know your favourite MVs! As I've said, this is very subjective list and I had to cut off a lot of MV I love to make it just 10 videos T_T.