#ビ��ン

[jamiepaige]

🍤エ​ビ​チ​ャ​ー​ハ​ン​! (You​’​re Telling Me A SHRIMP Fried This Rice​?​!​)🍤

i made a fucking song for shrimp miku thank you.

it's available on bandcamp and spotify/apple music/etc now! please listen to it! please listen or the demons possessing my shrimp miku doll won't let me sleep

[womenofnoise]

My new work Heberekes Ponpoon Breakbeat へ​べ​れ​け​の​ぽ​ぷ​ー​ん ブ​レ​イ​ク​ビ​ー​ト​バ​ー​ジ​ョ​ン is a song created with the original sound of the game Heberekes No Ponpoon Do Super Nintendo in two versions, one in breakbeat made by me and a second track made in techno by my partner from Germany Swazyé, currently the album is available on bandcamp and soon on all music services streaming in the next 20 days, check it out on the bandcamp link below or by clicking on the album image 👇

Bandcamp: https://darcksamamusic.bandcamp.com/ All My Links And Social Midia: https://linktr.ee/darcksama

[conlangcrab]

0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Ъ Ы Ь Э Ю Я Ѐ Ё Ђ Ѓ Є Ѕ Ї Ј Љ Њ Ћ Ќ Ѝ Ў Џ Ѡ Ѣ Ѥ Ա Բ Գ Դ Ե Զ Է Ը Թ Ժ Ի Լ Խ Ծ Կ Հ Ձ Ղ Ճ Մ Յ Ն Շ Ո Չ Պ Ջ Ռ Ս Վ Տ Ր Ց Ւ Փ Ք Օ Ֆ ֏ ᚠ ᚡ ᚢ ᚣ ᚤ ᚥ ᚦ ᚧ ᚨ ᚩ ᚪ ᚫ ᚬ ᚭ ᚮ ᚯ ᚰ ᚱ ᚲ ᚳ ᚴ ᚵ ᚶ ᚷ ᚸ ᚹ ᚺ ᚻ ᚼ ᚽ ᚾ ᚿ ᛀ ᛁ ᛂ ᛃ ᛄ ᛅ ᛆ ᛇ ᛈ ᛉ ᛊ ᛋ ᛌ ᛍ ᛎ ᛏ ᛐ ᛑ ᛒ ᛓ ᛔ ᛕ ᛖ ᛗ ᛘ ᛙ ᛚ ᛛ ᛜ ᛝ ᛞ ᛟ ᛠ ᛡ ᛢ ᛣ ᛤ ᛥ ᛦ ᛧ ᛨ ᛩ ᛪ ᛫ ᛬ ᛭ ᛮ ᛯ ᛰ Ⰰ Ⰱ Ⰲ Ⰳ Ⰴ Ⰵ Ⰶ Ⰷ Ⰸ Ⰹ Ⰺ Ⰻ Ⰼ Ⰽ Ⰾ Ⰿ Ⱀ Ⱁ Ⱂ Ⱃ Ⱄ �� Ⱆ Ⱇ Ⱈ Ⱉ Ⱊ Ⱋ Ⱌ Ⱍ Ⱎ Ⱏ Ⱐ Ⱑ Ⱒ Ⱓ Ⱔ Ⱕ Ⱖ Ⱗ Ⱘ Ⱙ Ⱚ Ⱛ Ⱜ Ⱝ Ⱞ Ⴀ Ⴁ Ⴂ Ⴃ Ⴄ Ⴅ Ⴆ Ⴇ Ⴈ Ⴉ Ⴊ Ⴋ Ⴌ Ⴍ Ⴎ Ⴏ Ⴐ Ⴑ Ⴒ Ⴓ Ⴔ Ⴕ Ⴖ Ⴗ Ⴘ Ⴙ Ⴚ Ⴛ Ⴜ Ⴝ Ⴞ Ⴟ Ⴡ Ⴢ Ⴣ Ⴤ Ⴥ Ⴧ Ⴭ あ い う え お か が き ぎ く ぐ け げ こ ご さ ざ し じ す ず せ ぜ そ ぞ た だ ち ぢ つ づ て で と ど な に ぬ ね の は ば ぱ ひ び ぴ ふ ぶ ぷ へ べ ぺ ほ ぼ ぽ ま み む め も や ゆ よ ら り る れ ろ わ ゐ ゑ を ん ゔ ゞ ゟ ア イ ウ エ オ カ ガ キ ギ ク グ ケ ゲ コ ゴ サ ザ シ ジ ス ズ セ ゼ ソ ゾ タ ダ チ ヂ ツ ヅ テ デ ト ド ナ ニ ヌ ネ ノ ハ バ パ ヒ ビ ピ フ ブ プ ヘ ベ ペ ホ ボ ポ マ ミ ム メ モ ャ ヤ ユ ヨ ラ リ ル レ ロ ワ ヰ ヱ ヲ ン ヴ ヵ ヷ ヸ ヹ ヺ ㄅ ㄆ ㄇ ㄈ ㄉ ㄊ ㄋ ㄌ ㄍ ㄎ ㄏ ㄐ ㄑ ㄒ ㄓ ㄔ ㄕ ㄖ ㄗ ㄘ ㄙ ㄚ ㄛ ㄜ ㄝ ㄞ ㄟ ㄠ ㄡ ㄢ ㄣ ㄤ ㄥ ㄦ ㄧ ㄨ ㄩ ㄪ ㄫ ㄬ ㄭ ㆠ ㆡ ㆢ ㆣ ㆤ ㆥ ㆦ ㆧ ㆨ ㆩ ㆪ ㆫ ㆬ ㆭ ㆮ ㆯ ㆰ ㆱ ㆲ ㆳ 𐌰 𐌱 𐌲 𐌳 𐌴 𐌵 𐌶 𐌷 𐌸 𐌹 𐌺 𐌻 𐌼 𐌽 𐌾 𐌿 𐍀 𐍁 𐍂 𐍃 𐍄 𐍅 𐍆 𐍇 𐍈 𐍉 𐍊 𐐀 𐐁 𐐂 𐐃 𐐄 𐐅 𐐆 𐐇 𐐈 𐐉 𐐊 𐐋 𐐌 𐐍 𐐎 𐐏 𐐐 𐐑 𐐒 𐐓 𐐔 𐐕 𐐖 𐐗 𐐘 𐐙 𐐚 𐐛 𐐜 𐐝 𐐞 𐐟 𐐠 𐐡 𐐢 𐐣 𐐤 𐐥 𐐦 𐐧 𛀁

idk just thought of the twitter bot that used code to assign every unicode symbol a meaning and thus created a hyper-compact writing system that could get a incredibly high amounts of info compressed into a short message. that counts as a megascript to me so all i'm doing is pondering the magic.

[mkdoes711]

Space Vixen - 宇 宙 · ビ ク セ ン (1969)

For @bakertoons

[declanlikesmusic]

Today's Listens: Episode 003

August 7th, 2023

I almost considered not doing this day in full or just resorting it to a new mini-version of this series on the side, but that was because this day was quite busy and overbearing. I had to take care of some errands and deal with a good bit of a cramp, but by the end of the day, I felt much better and wanted to write more and more about each album I listened to today. So thank the unavoidable passage of time for this one. Let's get started.

Valve Studio Orchestra – Fight Songs: The Music of Team Fortress 2 (2017)

Yes, I kicked off this day after a very busy morning by treating myself head on to a soundtrack. Better yet, the soundtrack to one of my favourite video games of all time, Team Fortress 2. Seems a bit goofy for me to do, but even as I haven't played this game for a very long time (nor have I been able to thanks to my shitty laptops), I thought it'd be worth revisiting at least one of its greatest aspects. Obviously, this is a very good soundtrack. So many cuts on here are among some of the most iconic in video game history, especially to any fan of the game itself. I also just want to say that I love the album cover too and everyone's unique but stoic looks to the camera. I don't see why you wouldn't like something like this, most of the time, so I'd definitely go for it.

7.2 / 10

Highlights: Medic!, Intruder Alert, The Calm, Faster Than a Speeding Bullet, Drunken Pipe Bomb, Right Behind You, Team Fortress 2

Cut Copy – Bright Like Neon Love (2004)

After that, I wanted to tackle this debut album from what I thought were a french house group at first. I thought they were that because I knew about this album from the one-two punch of That Was Just a Dream and Zap Zap that one of my favourite artists christtt had featured on one of his most recent mixes, plus the fact that he sampled both of them too. It was great to hear those two in context, but when it turned out that they were more focused on pretty scant electropop singing, I was not as easily invested. I still got some very good tracks out of it by the end, but maybe I had wrongly anticipated what they were capable of as a band. Still, very good album all the same.

7.4 / 10

Highlights: Time Stands Still, Going Nowhere, That Was Just a Dream, Zap Zap, Autobahn Music Box

P A T H S パス – ビ​ジ​ョ​ン​ロ​グ​: S T A I R W A Y (2017)

I had always adored what PATHS was composing in 2017. I discovered him through this short-lived ビ​ジ​ョ​ン​ロ​グ (Vision Log) series of super long tracks / mini-albums of constantly flowing, seamlessly & originally composed vaporwave material. However, when I was revisiting this second instalment STAIRWAY, I was going through a bit of a stomach cramp, so I was unfortunately far from the ripe mood to revisit this very underrated and obscure piece of music. Which is a shame because, as a result, this shrunk on me very hard. I reckon I'll come back to loving it at a better time and a better mood, but as for right now, it just wasn't the right time to vibe to it as much as I wanted to "force" myself to.

6.0 / 10

Highlights: N/A

Tim Buckley – Starsailor (1970)

Now, you'll know this particular man for being the father of one of the most legendary yet sorrowfully short-lived prodigies in music history: Jeff Buckley. But that's not to undermine Tim at all, because not only does he also have a uniquely powerful voice, but he also has his own catalogue of critically acclaimed music. Albeit, in the case of Starsailor here, it was much stranger. This album is a freak; when I heard it for the very first time years ago, I was just in complete awe of what I was hearing. But as I revisit this one, what pulls me away from it was just that these individual songs don't hold up as… songs. It's a respectable listen, but one that I'm no longer anticipating to revisit myself, nor am I dying to recommend it.

6.1 / 10

Highlights: Come Here Woman, Moulin Rouge, Song to the Siren

魚魚 & Ｆｕｔｕｒｅ░Λｑｕａｒｉｕｍｓ░ＬＴＤ – fish​​​ス​​​プ​​​リ​​​ッ​​​ト (2023)

Now, this here is a random, newly released split record from the deep, fishy corners of the vaporwave community. This came about to me as a recommendation from an obscure vaporwave review Twitter blog and I'm glad I stumbled across it and took it upon myself to bookmark it then, because this was great first listen! 魚魚's side is especially dense, enrapturing and gorgeous, but Future Aquariums Ltd. deserves some credit as well, as their music seems to be more originally composed by comparison, even if it's overall thinner in sound. This was a great slushwave (wait, sorry, "fishvapour") offering from the two and I look forward to exploring more of their catalogues. Try it out if you're curious!

7.8 / 10

L. Media – new love rhapsody (for your entertainment, no. II) (2023)

Finally, this one is a lot, but it's the sequel to L. Media's for your entertainment from back in 2021. This new one released on New Year's Day is a very heavy sound collage / broken transmission album and it overloads the senses constantly; it's even more complex and all over the place than that first album already was to begin with. I can't say it's bad at all, this was a very good listen all around, but it's just much more complicated to even comprehend, because it switches between samples constantly and leaves me having to go back a certain track or two to properly even rate this thing. Try this one out of curiosity though, because there are some great sample flips scattered all over this record! You just have to look more closely for them.

7.2 / 10

Highlights: prayer I-IV, BELL, prayer V / 90210, #wearetheworld, RAYTHEON

There you go! Another day's worth of listens, reviews and ratings in the bag, despite all the hardships to get there. I may have rushed a few details here and there to get this out, some of these are complete rewrites, some of them are messy edits, but all the same, I hope you enjoy reading these.

[frierenscript]

Hiragana and Katakana / ひらがな、カタカナ

There are 3 types of characters in Japanese - Hiragana, Katakana, and Kanji.

Hiragana(ひらがな) is the easiest to read, and every sentence can be written in it, just like alphabet in English, even if we don't know correct Kanji.

Katakana(カタカナ) is another version of Hiragana, used for the words from foreign countries. For example, we write "ケーキ"(from "cake" in English) or "パン"(from "pão" in Portuguese, which means "bread" in English) as both didn't originally exist in Japan.

Kanji was brought from China, of course, and were developed as Japanese characters. Each Kanji has each meaning, so it makes us easier to understand what it exactly means. For example, when we see "いし", we don't know what it means because we have many words of the same sound ;石(stone), 意思(intention), 医師(doctor), etc.

Japanese sentences are made up of a mixture of these three types of characters.

Hereunder you can see the list of Hiragana and Katakana.

基本ひらがな（Basic Hiragana）

-for keyboard input-

あ(A)   い(I)    う(U)    え(E)   お（O）  

か(Ka)  き(Ki)   く(Ku)  け(Ke)  こ(Ko) 

さ(Sa)  し(Shi)  す(Su)  せ(Se)  そ(So) 

た(Ta)  ち(Chi)  つ(Tsu) て(Te)  と(To) 

な(Na)  に(Ni)   ぬ(Nu)  ね(Ne)  の(No) 

は(Ha)  ひ(Hi)  ふ(Fu)  へ(He)  ほ(Ho) 

ま(Ma)  み(Mi)  む(Mu)  め(Me)  も(Mo) 

や(Ya)          ゆ(Yu)         よ(Yo) 

ら(Ra)  り(Ri)   る(Ru)  れ(Re)  ろ(Ro) 

わ(Wa)                      　　　　  を(Wo) 

ん(N)    

As for pronunciation...

orange colored characters are sometimes different from the original sounds.（は may be pronounced "Wa", へ may be "E", and it depends on how to use the character in the sentence.)

Red colored ones are completely different.(を is always pronounced "o", not "wo".)

                           

濁音(Daku-on)～濁点付き(With ゛　Dakuten)

が(Ga)  ぎ(Gi)  ぐ(Gu)  げ(Ge)  ご(Go)

ざ(Za)  じ(Ji)   ず(Zu)  ぜ（Ze) ぞ(Zo)

だ(Da)  ぢ(Di)  づ(Du)  で(De)  ど(Do)

ば(Ba)  び(Bi)  ぶ(Bu)  べ(Be)  ぼ(Bo)

Pronunciation : ぢ＝"Dzi" or "Ji"

づ＝"Dzu" or "Zu"

半濁音(Han-dakuon)～半濁点付き(With ゜Han-

　　　　　　　　　　　　　　 　　　dakuten)

ぱ(Pa)  ぴ(Pi)  ぷ(Pu)  ぺ(Pe)  ぽ(Po)

拗音(You-on)

きゃ(Kya)       きゅ(Kyu)      き��(Kyo)

ぎゃ(Gya)       ぎゅ(Gyu)     ぎょ(Gyo)

しゃ(Sha)       しゅ(Shu)      しょ(Sho)

じゃ(Ja)　      じゅ(Ju)       じょ(Jo)

ちゃ(Cha)       ちゅ(Chu)     ちょ(Cho) 

ぢゃ(Dya)       ぢゅ(Dyu)     ぢょ(Dyo)

にゃ(Nya)       にゅ(Nyu)     にょ(Nyo)

ひゃ(Hya)       ひゅ(Hyu)     ひょ(Hyo) 

びゃ(Bya)       びゅ(Byu)     びょ(Byo)

ぴゃ(Pya)       ぴゅ(Pyu)     ぴょ(Pyo)

みゃ(Mya)       みゅ(Myu)     みょ(Myo)

りゃ(Rya)       りゅ(Ryu)      りょ(Ryo)

Pronunciation : ぢゃ＝ "Dza" or "Ja"

　　　　　　　　ぢゅ＝"Dzu" or "Ju"

　　　　　　　　ぢょ＝"Dzo" or "Jo"

促音(Soku-on)＝ っ 小さい「つ」（Small“tsu”）

There is no romaji for single small “っ”,

because we add one more next character,

like きって＝Kitte , or はっぱ＝Happa.

基本カタカナ（Basic Katakana）

Pronunciation is completely same as Hiragana and please read above in detail.

ア(A)   イ(I)    ウ(U)   エ(E)   オ(O)

カ(Ka)  キ(Ki)   ク(Ku)  ケ(Ke)  コ(Ko)

サ(Sa)  シ(Shi)  ス(Su)  セ(Se)  ソ(So)

タ(Ta)  チ(Chi)  ツ(Tsu) テ(Te)  ト(To)

ナ(Na)  ニ(Ni)  ヌ(Nu)  ネ(Ne)  ノ(No)

ハ(Ha)  ヒ(Hi)   フ(Fu)  ヘ(He)  ホ(Ho)

マ(Ma)  ミ(Mi)  ム(Mu)  メ(Me)  モ(Mo)

ヤ(Ya)        　　 ユ(Yu)         　 ヨ(Yo)

ラ(Ra)  リ(Ri)   ル(Ru)  レ(Re)  ロ(Ro)

ワ(Wa)                       　　　  ヲ(Wo)

ン(N)

濁音(Daku-on)～濁点付き(With ゛　Dakuten)

ガ(Ga)  ギ(Gi)   グ(Gu)  ゲ(Ge)  ゴ(Go)

ザ(Za)  ジ(Ji)   ズ(Zu)  ゼ（Ze）  ゾ(Zo)

ダ(Da)  ヂ(Di)  ヅ(Du)  デ(De)  ド(Do)

バ(Ba)  ビ(Bi)   ブ(Bu)  ベ(Be)  ボ(Bo)

半濁音(Han-dakuon)～半濁点付き(With ゜　

　　　　　　　　　　　　　　　　　　Han-dakuten)

パ(Pa)  ピ(Pi)   プ(Pu)  ペ(Pe)  ポ(Po)

拗音(You-on)

キャ(Kya)       キュ(Kyu)      キョ(Kyo)

ギャ(Gya)       ギュ(Gyu)      ギョ(Gyo)

シャ(Sha)       シュ(Shu)      ショ(Sho)

ジャ(Ja)    　    ジュ(Ju)       ジョ(Jo)

チャ(Cha)       チュ(Chu)      チョ(Cho)

ヂャ(Dya)       ヂュ(Dyu)      ヂョ(Dyo)

ニャ(Nya)       ニュ(Nyu)      ニョ(Nyo)

ヒャ(Hya)       ヒュ(Hyu)       ヒョ(Hyo)

ビャ(Bya)       ビュ(Byu)       ビョ(Byo)

ピャ(Pya)       ピュ(Pyu)       ピョ(Pyo)

ミャ(Mya)       ミュ(Myu)       ミョ(Myo)

リャ(Rya)       リュ(Ryu)       リョ(Ryo)

促音(Soku-on)＝ ッ 小さい「ツ」（Small “tsu”）

[sou-m-007]

□ガッてなる話

20240202

物理的支配欲がうっかり出ちゃったクラズｻﾝ

普段より強い力でレフをｶﾞｯてやって

例えば噛み痕とかアザが

レフの残るくらい肌が赤くなってしまったとして、

勢いで頭ぶつけたりしてゴツンって結構な音がする。

強くやり過ぎた事というか

自分がチカラの調整をできなかった事や

レフを(物理的に)傷つけた事で、

こんな事するつもりじゃなかったのにとか

いろんな気持ちで頭がぐるぐるするのに

上手く言葉が紡げなくて黙っちゃうクラズｻﾝ

何も言えずに固まっちゃったクラズｻﾝを見て

攻撃意思が無い事を判断したレフが

弱めのチカラでクラズｻﾝをぎゅっとして

「これでいいか？」って聞くと

　長い沈黙の後に

「うん」って応えて

応答があった事確認したレフが長い溜息して

「ビ………っくりしたぁ

（↑別にビビッてねぇ、びっくりしただけだ）

　何？頭ン中真っ白って顔かよ？」って聞くと

首傾げながらクラズｻﾝの顔見ると

「逆、頭の中が沢山になってる」って応えてくれて

「痛かったぞ」っていうと

「ごめん」っていう

「受け身くらい覚えろよ」っていうクラズｻﾝに

「なんでお前に投げ飛ばされる為に

　オレがンなコト覚えなきゃなんねぇんだよ」って言って

クラズｻﾝはちょっと考えた後に

「それもそうか」って呟いて

「やんなら痛くねぇ方法で頼むわ」って

　キスしてうやむやにしようとするﾚﾌﾕｰﾊﾟﾗｲﾄいる

　　＊　　＊　　＊

レフが「痛かったぞ」っていう事で

クラズｻﾝが「ごめん」って言いやすくなるみたな感じ

元からありがとうやごめんなさいは

2人共ちゃんと言えそうだけど、

言葉が出て来ない時とか

コミュニケーションを円滑にする為に

言葉を相手から引き出す手法としてレフは言いそう

[anzi-monami]

篭手┊望波（もなみ）

呼び方のメモ▼

モナちゃん⇔ここさん（小_出ﾞ.恵/介）

⇔ウ－ちゃん（ク_ォ.ン/ウ´ン⌒ビ）

⇔マイマイ（倉_木.麻/衣）

せら⇔シンくん（山_﨑ﾞ.賢/人）

セイラちゃん⇔たぁくん（川_西.拓/実）

⇔ハルさん（目_黒ﾞ.蓮）

なみちゃん⇔瀧くん（小_瀧.望）

せ―ちゃん⇔ほ―ちゃん（吉_岡.里/帆）

もなちゃん⇔まなさん（比_嘉ﾞ.愛/未）

⇔あいちゃん（鈴ﾞ_木.愛/理）

⇔りのちゃん（村_上.璃/杏）

⇔み－み（浜_辺ﾞ.美/波）

もっちゃん⇔つきちゃん（出ﾞ_口ﾞ.夏/希）

モナ⇔キー（キ_ヨ）

もなみちゃん⇔すい君（愛_刃ﾞ.健/水）

ナミ⇔う－さん（大_野.智）

なっちゃん⇔ねるるん（長ﾞ_濱.ね/る）

ナミちゃん⇔キョウちゃん（深_田ﾞ.恭/子）

モナミちゃん⇔うみちゃん（宇_野.実/彩´子）

⇔けいくん（町_田ﾞ.啓/太）

モナミン⇔アズミン（植_村.梓）

もなむーる⇔モモくん（戸_塚.祥/太）

もっちゃん⇔け－くん（田_中.圭）

[laugheditoff]

あんたは善い人　あんたは良い人

あんたは好い人　あんた悪い人

僕の目が　そういつか

潰れてしまったら

君の目が　そのときに

潰れたらいいな

ハ・ン・ム・ラ・ビ

君の見る目　変わったら

い・い・な

もうどうでもいいや

あんた悪い人　あんた悪い人

あんた悪い人　あんたはイイ人

僕は旅人　君は恋人

僕は悪い人　君は踊り子

[baccaratgamebaccarat]

韓?人ジャ?ナリストが米紙に寄稿「憎めと?えられた?、日本を私は愛している」

韓?生まれ��ジャ?ナリストが米紙「ニュ?ヨ?ク?タイムズ」に寄稿した。韓?はもう?用工や慰安婦の問題から前に進むべきだ、日本統治時代にこだわり?ける不健全な感情を捨てるべきだと綴る。

【?像】?用工、慰安婦…「反日の洗?」から解かれ、「日本の美と文明」を愛でよ

1990年代初め、메이저슬롯사이트 韓?で少年時代を過ごしていた私は、母から全60?の?記シリ?ズをもらった。その半分は、ブッダやリンカ?ン、キュリ?夫人など世界の偉人で、?りの半分は韓?人だった。

そうした韓?人の大半にはある共通点があった。彼らは、日本に抵抗したことで知られる人たちだった。

私は母に、슬롯사이트추천 なぜもっと他の理由で記憶されるべき韓?人がいないのか聞いてみた。答えはこうだった。

「日本との?いこそが韓?の?史だからでしょう」

韓?人は何十年もの間、日本が朝鮮半島を植民地支配していた時代（1910～1945年）から前に進めずにいる。日本による?引な占領、??者の?制?用、슬롯사이트먹튀 「慰安婦」と呼ばれた性奴隷──これらの事柄がまるで?を?げた洗?のように繰り返し唱えられてきた。

だが、こうした不健全な感情はもう手放すべき時に?ている。韓?は日本と多くを共有している。??とも近代民主主義?家であり、目?ましい??成長を遂げ、米?の同盟?だ。そしてどちらの?にも、中?という大きな脅威が迫っている。

私たちが?校で?えられたこと 私が韓?で育った頃、?校では、슬록잭팟 4世紀以上も前に日本の侵略を退けた李舜臣（イ?スンシン）?軍が、まるで昨日の英雄かのように??されていた。韓?の?展が?れているのは、日本統治時代の略奪や破?行?のせいだと言われていた。

韓?からすれば、?時中の?虐行?を美化するような?科書が日本の?校で使われていたり、?犯がまつられている靖?神社を政治家が??したりするなど、日本側に?史への反省が見られないことも反日感情を煽った。

植民地から?立した多くの?と同じように、韓?の?民感情はたびたび葛藤していた。

1990年代初め、直?すると『日本には何もない』というタイトルの本��韓?で出版された。슬롯머신777 日本の?家としての欠点が延?と?べられた同作はベストセラ?になった。その直後、ベストセラ?がもう一つ誕生した。?照的に『日本には何かがある』と題したその本は、より?容な視点から書かれていた。

いま韓?の保守政?を率いる尹錫?大統領は、?化の必要性を認識している。片方の目を中?（と北朝鮮）に向けながら、日本に?み寄ろうと努力しているのだ。

尹政?は3月、슬롯레전드 第二次世界大?中に?制?用された韓?人??者への賠償をめぐる?十年?の問題の妥協案を提示した（韓?最高裁が日本企業に命じた賠償金を韓?政府傘下の財?が代わりに支?うという）。

尹はこの提案後、すぐに日本への公式訪問に踏み切った。韓?大統領の訪日は?に12年ぶりで、岸田文雄首相との夕食?ではビ?ルを?み交わした。

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Title: ブ​ズ​ー​ブ​ズ​ー​ビ​チ​ー​ビ​チ​ー​ブ​ベ​ベ​ベ​ベ​ベ​ピ​ー​ゴ​ゴ​ゴ​ゴ​ゴ Artist: t+pazolite Album: リ​フ​ァ​ク​タ​リ​ン​グ​・​ト​ラ​ベ​ル -Refactoring Travel- (2019)

[ktk-tsuki]

オ ヤ ブ ン ビ ッ パ 統 一

[kitsunenonihongo]

Writing System

This is super important, before we begin with learning words and sentences.

Japanese has 3 writing systems so to speak. Two of them are syllabaries, you may refer to them as "Alphabets", and the third writing system is sort of symbol based, like Chinese.

There's also ROMAJI. Which we'll be using to help you learn sounds and to speak. But please, work on learning the syllabaries as soon as possible. Romaji is terrible for many reasons, including the fact that everyone and their mother writes Romaji in a different way. You may notice that my Romaji is different than some others you've come across. So again. Try to get away from it as soon as possible. Don't be afraid. I know you can do it!

We'll start with Kana, namely Hiragana as you'll be seeing it the most.

HIRAGANA

Hiragana is used mainly for native Japanese words. You will see Hiragana everywhere. So you'll be wanting to learn that first.

A:あ　I:い　U:う　E:え　O:お

Ka:か　Ki:き　Ku:く　Ke:け　Ko:こ

Sa:さ　Shi:し　Su:す　Se:せ　So:そ

Ta:た　Chi:ち　Tsu:つ　Te:て　To:と

Na:な　Ni:に　Nu:ぬ　Ne:ね　No:の

Ha:は　Hi:ひ　Fu:ふ　He:へ　Ho:ほ

Ma:ま　Mi:み　Mu:む　Me:め　Mo:も

Ya:や　Yu:ゆ　Yo:よ　*yes there are only 3 of these

Ra:ら　Ri:り　Ru:る　Re:れ　Ro:ろ

Wa:わ　Wo:を　*yes there's only 2 of these

N:ん

Okay, now some of these characters get whats called a "Dakuten" that's a little " or ゜that's next to the Hiragana that changes it's sound. those are as follows:

Ga:が　Gi:ぎ　Gu:ぐ　Ge:げ　Go:ご

Za:ざ　Ji：じ　Zu:ず　Ze:ぜ　Zo:ぞ

Da：だ　Zi:ぢ　Dzu:づ　De:で Do:ど

Ba:ば　Bi:び　Bu:ぶ　Be:べ　Bo:ぼ

Pa:ぱ　Pi:ぴ　Pu:ぷ　Pe:ぺ　Po:ぽ

ぱ　ぴ　ぷ　ぺ　ぽ are the only ones that use the ゜dakuten.

You'll notice that 「ぢ」sounds like "zi" ... or "dzi"... and not "di" and that 「づ」sounds like "dzu" and not "du" ... that's.... that's a pain in the butt but it is what it is. In order to get the "di" sound it's written 「でぃ」"de" and a little "i" makes "di" ... and actually you'll probably only ever see that written in Katakana 「ディ」

Which brings me to the next part. Little vowels and Little Y sounds.

We covered some of the little y sounds last lesson. You'll see more little Ys than little vowels. The biggest thing you need to remember about little Ys is that they're always stuck to an "-i" character.

Kya:きゃ　Kyu:きゅ　Kyo:きょ　Gya:ぎゃ　Gyu:ぎゅ　Gyo:ぎょ

Sha:しゃ　Shu:しゅ　Sho:しょ　Ja:じゃ　Ju:じゅ　Jo:じょ

Cha:ちゃ　Chu:ちゅ　Cho:ちょ

Nya:にゃ　Nyu:にゅ　Nyo:にょ

Hya:ひゃ　Hyu:ひゅ　Hyo:ひょ　Bya:びゃ　Byu:びゅ　Byo:びょ

Pya:ぴゃ　Pyu:ぴゅ　Pyo:ぴょ

Rya:りゃ　Ryu:りゅ　Ryo:りょ

You'll notice some of these don't have "y"s in the romaji reading. Don't freak. That's just how it works. And is part of the reason I don't like Romaji.

Like I said you'll also see little vowels: ぁ ぃ　ぅ　ぇ　ぉ but like with 「ディ」"di" you'll probably only ever see them in Katakana. Here's a few anyway:

Fa:ふぁ　Fi:ふぃ　Fe:ふぇ　Fo:ふぉ

She:しぇ Je:じぇ　Che:ちぇ　Ti:てぃ　Di:でぃ

Finally there's little "tsu" っ this little symbol DOUBLES the next consonant!

っか = kka っさ = ssa

etc. a っ can be near any other kana it doesn't really have a restriction besides not coming before あ, い, う, え, お, or ANY of the "N"s

If you come across a double n it will be written with the lone N first 「ん」 followed by one of the Ns with a vowel next to it.

Ex: Konnichiwa = こんにちは

Like English the double consonant doesn't change the sound, it just lengthens it by a fraction (if even that).

っき = "kki" pronounced the same as "ki" って= "tte" pronounced the same as "te"

Does that make sense? :)

KATAKANA (less explanation here because it's the same rules and sounds)

Katakana is used mainly for loan words. Words borrowed from other languages. It's also used in some names.

A:ア　I:イ　U:ウ　E:エ　O:オ

Ka:カ　Ki:キ　Ku:ク　Ke:ケ　Ko:コ

Sa:サ　Shi:シ　Su:ス　Se:セ　So:ソ

Ta:タ　Chi:チ　Tsu:ツ　Te:テ　To:ト

Na:ナ　Ni:ニ　Nu:ヌ　Ne:ネ　No:ノ

Ha:ハ　Hi:ヒ　Fu:フ　He:ヘ　Ho:ホ

Ma:マ　Mi:ミ　Mu:ム　Me:メ　Mo:モ

Ya:ヤ　Yu:ユ　Yo:ヨ

Ra:ラ　Ri:リ　Ru:ル　Re:レ　Ro:ロ

Wa:ワ　Wo:ヲ

N:ン

Ga:ガ　Gi:ギ　Gu:グ　Ge:ゲ　Go:ゴ

Za:ザ　Ji:ジ　Zu:ズ　Ze:ゼ　Zo:ゾ

Da:ダ　Dzi:ヂ　Dzu:ヅ　De:デ　Do:ド

Ba:バ　Bi:ビ　Bu:ブ　Be:ベ　Bo:ボ

Pa:パ　Pi:ピ　Pu:プ　Pe:ペ　Po:ポ

Kya:キャ　Kyu:キュ　Kyo:キョ　Gya:ギャ　Gyu:ギュ　Gyo:ギョ

Sha:シャ　Shu:シュ　Sho:ショ　Ja:ジャ　Ju:ジュ　Jo:ジョ

Cha:チャ　Chu:チュ　Cho:チョ

Nya:ニャ　Nyu:ニュ　Nyo:ニョ

Hya:ヒャ　Hyu:ヒュ　Hyo:ヒョ　Bya:ビャ　Byu:ビュ　Byo:ビョ

Pya:ピャ　Pyu:ピュ　Pyo:ピョ

Mya:ミャ　Myu:ミュ　Myo:ミョ

Rya:リャ　Ryu:リュ　Ryo:リョ

Ti:ティ　Di:ディ　She:シェ　Je:ジェ　Che:チェ

Va:ヴァ　Vi:ヴィ　Vu:ヴ　Ve:ヴェ　Vo:ヴォ

ッコ= kko ッソ= sso ッタ=tta ッシ=sshi

... there are probably other possibilities I've left out, but these are all the common ones you should see. and even if that's not true I trust that you can see and understand the pattern here. :)

KANJI There's thousands of Kanji, so I'm not going to list. I will have Kanji in with the lessons, but learn them at your own pace. No worries. :) I've found that once I got to the point where I could start learning Kanji it's made reading a lot easier for me.

Sorry if this is a HELLISH ammount. Just write the syllabaries down and come back to them now and then as reference. You don't have to learn them all today, or this week, or even this month. I just want you to be familiar with them. :)

[shinmegamitensei]

ビシャモンテン - 真・女神転生V 日めくり悪魔 Vol.078

[oh-boy-me]

HONESTLY I am really endeared to leviathan being the more incomprehensible brother AND am very interested to know what makes him particularly difficult to translate (both in text and when he’s speaking)... you’ve mentioned he uses a particular dialect and a lot of slang and I am so intrigued to hear the details 👀

Oh I will take ANY excuse to gush about language; I’m more than happy to dissect some of the more frustrating lines I’ve translated from Levi.

There are lots of times where Levi uses slang, either general colloquialisms or gaming terms, but because it’d take too long to find them all I gathered the ones I specifically complained about in the posts.  I’ll sacrifice myself and re-translate them, breaking it down lol.  With luck I’ll be able to get across why it was so frustrating.

First, I’ll break down a simple comment, to give an idea of what straightforward Japanese looks like.

俺もやってみたいな (ore mo yatte mitai na)

(Simeon’s comment from Create Your Own Avatar?) 俺: I も: also やって: From やる (to do), more colloquial than する み: From みる, in this case “to try” たい: Want な: A little bit of emphasis So together, it’s “I want to try it too.”

Japanese takes some getting used to, because the word order is very different, it loves postpositions, and you have to figure out what parts to group to get the right meaning, but it’s nothing that you can’t handle with a little practice and base knowledge.

As for Levi, well... that’s below the cut for length purposes.

神企画キター！！ (kami-kikaku kitaa)

(From Idol Mammon) 神: Before a noun, 神 means “top notch.”  It’s a productive prefix, so you can add it to a lot of things to suggest that it’s good quality.  In the gaming world “godlike” is the general meaning. 企画: Planning, design キター: きた comes from くる (to come), and if it doesn’t make sense in the sentence literally, it probably means “here it is.” So together, it’s “Godlike planning!!”

By the way, in linguistics “productive” means that it’s still being used to make new words today.  For example, -s to make a plural is productive, but -en (like in oxen) is unproductive.

これぞ真のリア充！ (korezo shin no riajuu)

(From Chronicles of an Otaku) これぞ: This, but like.  More powerful.  It’s like “THIS,” emphasis on the this. 真の: Real, genuine リア充: Normie I think I translated it as “This is the true ultimate normie!”, where “ultimate” came from the strength of これぞ.

ぴょんブームだったんだよね (pyon buumu dattanda yo ne)

(From Mammon the Bunny) ぴょん: Boing, or jumping like a rabbit would ブーム: A boom, as in a fad だった: The past form of です (to be) ん: Kind of implies an explanation だよね: Either “isn’t it?” or “yep,” depending on the context. Since everything from だった on basically means “it was,” all we have left is “boing” and “fad.”  So… “That was a bouncy boom”

そのままやないかーいwww (sono mama yanai kaai)

(From Where Did the Rabbit Go?) そのまま: The way things are, without anything changing やない: This is the kansai-ben part.  The kansai dialect is (obviously) spoken in the kansai region, and is mainly characterized by the language of Osaka.  やない replaces じゃない to mean “isn’t.” かーい: Also common in kansai-ben, but it’s basically an elongated か, which is a softer, more masculine question mark.  やないかーい means “it is, isn’t it?” ＊Previously I said that it was specifically kansai-ben, but I don’t think it’s actually exclusive to that area. www: lolol It basically means “Nothing’s changed has it?” but with the obvious colloquialism I stylized it to be “Business as usual, huh?”

I don’t think Levi uses kansai-ben consistently, so I’m not entirely sure why he threw it in here.  Maybe he’s just borrowing it because it sounds cool to him.

レッツサバヘルゲー！ (rettsu sabaheru gee)

(From I’ll Protect You) This one is either pretty interesting, or kind of annoying. Survival game is サバイバルゲーム (sabaibaru geemu) or サバゲ (sabage).  ゲー and ゲーム are the same, so there’s no problem there.  But Levi says サバヘル (sabaheru), which has two options:

It’s a play on words, because ヘル means hell.  Which is cool

Levi doesn’t pronounce things ever.  Which would be really cool if Japanese wasn’t my third language and I wasn’t trying to understand it

I don’t remember if I talked about that in the post, but I was very tired when I made that post specifically, so.  If it’s the wordplay option, unfortunately I couldn’t think of any way to give the same idea in English at the time (maybe survivhell itself would work?).  The meaning is just “Let’s (play a) survival game!”

--

In terms of speaking, he’s mainly frustrating because the way words would be pronounced in textbook Japanese aren’t always how he pronounces them because... well, in the real world people don’t pronounce things the textbook way.

For example, if you listen to him say Leviathan (pronounced reviatan in Japanese) when entering battle, I kept hearing “rebiadang.”  Phonologically, here’s probably why:

bi (ビ) is the more natural way to pronounce vi (ヴィ) in Japanese.  Vi is pronounceable, but not natural.

da (ダ) instead of ta (タ) is a common case of voicing a voiceless consonant when it’s between two vowels.

In Japanese, /ng/ and /n/ are both ン, as in they don’t differentiate between those two sounds, and it went to the velar /ng/ because the next sound is /k/, also velar.  Although you could argue that he does say /n/.

Looking back, it probably should have been obvious that “rebiadang” was “Leviathan,” but when you’re stressing to figure out what it is, the answer isn’t as clear.

I’m not going to try to explain how he pronounced ざまみろ because he kind of just... doesn’t say that.  It sounded more like wario than mamiro to me.

If I had to explain what makes transcribing him hard, I’d say that he often cuts corners and sacrifices enunciation for speed.  Lucifer also has a few consonants that get blended, usually with /k/ and /g/.

Honestly though, after the frustration in the moment, it’s great that Levi doesn’t sound like he’s right out of the Genki II textbook.  It forces me to exercise my language muscles, and shows off how unique everyone can make their own manners of speaking!  Keep being you, Levi, and I’ll keep figuring out what you mean by that.

[lo-eyv]

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