#❛ ✧ ┊ she will sing to those who hear. audio.

[piningpercussionist]

ALL YOUR CHILDREN ARE POOR UNFORTUNATE VICTIMS OF SYSTEMS BEYOND THEIR CONTROL

A PLAGUE UPON YOUR IGNORANCE AND THE GRAY DESPAIR OF YOUR UGLY LIFE

Wow, been a second since I heard that one. That's like... late 60s, right? My dad's played it for me before.

How did the next part go again...?

🎵 Where did Annie go, when she went to town?

Who are all those creeps that she hangs around? 🎵

And then- I think I remember this a bit better, it stuck with me when I was younger-

🎵 All your children are poor unfortunate victims of lies you believe-

A plague upon your ignorance, that keeps the young from the truth they deserve! 🎵

*Kim grins, briefly, seeming rather pleased with herself, despite the relative scratchiness of her mumbled singing.*

Yeah, pretty sure that's how that goes. It's by... Mothers of Invention, right? Or is there a "The" in front of that?

[vintersang]

🥁 A battle song for your muse

song associations meme / happily accepting / @historiavn

Snow Queen’s Palace by Derek Fiechter.

Dive deep down into her sound?

[dontexpectmuch]

i know how much you guys love this series, so i give you a new part. this one how ever will be;

comments/feedback is highly appreciated! please, im getting desperate :d

Habits Jude Bellingham might develop before you guys get into a relationship!

(a Lost in Madrid drabble!)

it is no secret that jude just loves to talk. he genuinely enjoys it so much to share any and every thought that goes through his mind, no matter how small it might be. he couldn’t tell when it started exactly, but suddenly he found himself on his way to you, a tired student that just wants to finish their work. as soon as he lifts his hand, knocks on your door and enters the room his lips start moving, talking so lively and fast that you need some time to register what is even happening.

“what do you mean ‘m talkin’ your ear off? you literally study literature and shit!” - “it’s more about reading, jude.” you sigh, wishing for any kind of help at this moment.

it is also nothing new for you to receive messages from jude during your quiet evenings when you decide to stay home. jude recently got into sending audio messages, you being his number one victim [forced] friend, whom he shared this new passion with. and most of the times he won’t even say anything important. he’ll just sing a new spanish song he has learned that past week. and he will sing. no matter how terrible it sounds and how much it makes your ears bleed. though, you also always listen to those audios, even though you know what the content will be.

“jude?” opening your door after hearing a desperate knock, you did not think that you would see your [not] friend standing there. he looks tiredly at you, clothes wrinkled and sandals on, “mum wanted me to bring you some cake she baked.” he gives you the tupperware filled with slices of cake, energy low. you feel your shoulders relax as you look up at him, “tell her i love her, please.” he just nods. and even though he always complains to you about how he is not some delivery boy, he can’t help but get excited at the thought of seeing your soft eyes when you receive food his mum made. it makes him feel giddy inside.

he makes you trip purposely whenever you walk in front of him, and then giggles and jogs away to join the others on the field when you send daggers his way with your glare.

he forces you to play two-touch, even though you have told him multiple times already that you cannot play really well. he quite literally forces you to become better, giving you tips while making you pass the ball against the wall back and forth. “i don’t want to do this anymore, jude.” - “well, that’s too damn bad.” his gaze serious as he corrects your form once more. “bitch.” you murmur under your breath, praying for him to just disappear somewhere and leave you alone.

“what?” you ask as you look up from your notes, eyes wide as you watch jude place a cup of coffee and a cinnamon roll onto your desk. “i heard that you like sweets, or whatever.” he says, [desperately] wanting to look cool. your heart starts to pick up in speed when you look back and forth between jude and the things he just gave you, warmth spreading through your body. “thanks.”

“watch me.” he smirks at you, who looks quite annoyed tired at him. “i’ll hit this first time.” - “like you did to me on my first day here?” - “dude! i told you not to talk about it anymore, ‘t’s a sensitive topic for me, ‘kay?”

heartfelt conversations between you are not as rare as one might think. whenever jude comes to you to talk your ear off while toi work on your research, you sometimes tell him about your own stuff. that leads to various topics you two discuss, which also results in sharing some intimate thoughts. it makes jude, who usually looks so confident and well put together, look more human, like a 20 year old guy who also learns something new every day.

—————————————

surpriseee! hope you like it!! :)

[lunarzstarz]

Jealous

Pairing: Rockstar!EddieMunson x Rockstar!Fem!Reader

Content Warning: NSFW 18+ minors dni, unprotected sex (wrap it b4 you tap it guys!) slight degradation, spanking, edging/denial, slight humiliation?? slightly proofread

Summary: Eddie finally figures out why you've been acting like such a bitch towards him and won't stop until you finally admit it to him (or Eddie fucking you till you admit you're jealous of him getting with other girls (I'm so shit at summaries bye)

A/N: based off of this ask, been meaning to write some rockstar!eddie for a while so I just had to write this, not sure how I feel about it yet, but hope you guys like it!

Also for those asking about the link to the audio mentioned in the original ask here you go: https://soundgasm.net/u/misterblissful/M4F-Its-Not-About-The-Party

(btw I'm making an Eddie Munson taglist so if you're interested just lmk AND TYSM FOR 1K+ FOLLOWERS WHAT?!)

As always, likes, comments and reblogs are very much appreciated <3

Word Count: 2.7k

You had just finished your third encore, the crowd chanting and cheering as you made your way off stage, the rest of the band following, all of you high off that post show buzz. The boys are still shouting and laughing behind you as you head backstage, exhausted after putting on one of your best performances yet. 

Opening the door that had a “Corroded Coffin” sign stuck to it, you’re met with a room filled with a handful of girls, all clad in leather and red lipstick, girls that you noticed the boys had been eyeing up all night, especially Eddie. It was routine for him to pick his favourites and invite them backstage after the show, new girls every night so he could let out some of that adrenaline. 

The girls stare as the rest of the band follow you inside, each of you taking a seat on the beaten up leather couches that were scattered around the room. Eddie sits facing you, already pulling one of the girls into his lap as she congratulates him on such a good show, practically shoving her tits in his face. You fight not to roll your eyes as he thanks her, he really couldn’t care less about what she had to say, cutting off her rambling by shoving his tongue down her throat, she wasn’t gonna protest. 

“Definitely one of our best, the crowd was insane!” Gareth says, lighting up a post show joint, taking a seat on the opposite end of the couch, one of the girls making their way over to him. 

You think about biting your tongue, but when the girl practically started moaning as Eddie groped her, you couldn’t help yourself. “Hmm I don’t know…” you sigh, chipping away at your nail polish. 

Eddie pulls away from the girl, snapping his head in your direction “Here she goes, what now?” 

You hear Gareth and Jeff groan, they knew what was about to happen, it always did after a show. “I don’t know, just think you sounded a bit…pitchy is all” you lie. Eddie played and sang perfectly tonight, you all did, but you knew that commenting on his performance would get under his skin, it always did, maybe even bruise his ego a little. 

He laughs, no humour behind it “pitchy?” 

“Yeah, pitchy” you glare at him “Sounded like you were dying on the fifth song, just saying…” 

“Yeah? Well you were out of tune the whole night, don’t see me commenting on that or the fact you weren’t in time with the band for half the songs” he snaps.

“Me? Your the one who fucked up your solo and-” 

“Right, guys can we not do this tonight? Heads fucking killing me” Gareth groans, sinking further into is seat. 

“No, no, if she has something to say she can say it!” Eddie says, pushing the girl off his lap, she huffs, sulking in her seat, shooting daggers at you for interfering with her fun. 

“Well all I’m saying is it can’t be that hard to sing a few songs” you roll your eyes at him and he scoffs.

“And all I’m saying is, is it that fucking hard to not be a bitch after every show!” He starts raising his voice.

“I’m a bitch? Well you’re a shit singer and a dick, I was only giving you constructive criticism” you shout right back, getting up to leave.

“I’ll give you constructive criticism-” he stands with you and Jeff grabs him.

“Sit down! The both of you need to chill out” he said, sounding exasperated. You and Eddie stare at each other, blood boiling, looking ready to tear one another apart any second now. 

“What is your fucking deal?” Eddie spat, getting in your face this time.

“My deal? My deal is you don’t care about this band or putting on a good show, all you care about getting your dick wet and fucking whores after shows!” You spat right back at him, you weren’t afraid to fight.

Eddie said nothing, but it was like a lightbulb went off in his mind as he stared down at you, his gaze darkening. Jeff urged you back into your seats, Eddie still watching you intently. “Now can I trust you not to rip each other’s throats out while I go call Steph?” Jeff asks, standing between the two, scolding you like children.

The silence was a good enough answer as he disappeared out back to call his girlfriend. You sat back in your seat, lighting up a cigarette, puffing on it angrily, the only thing filling the quiet was the music playing over the staticy speakers and the sound of Eddie’s lips smacking against the girl's neck. 

You couldn’t help but spare a glance at them. She was straddling his lap at this point, his hands gripping at her waist as he attacked her neck. He makes eye contact with you as he slides his hand up her skirt. You swallow hard, tearing your eyes away, if you didn’t leave now he’d probably fuck her in front of you too. 

“I’m going to the bathroom” you announce bluntly, not caring if anyone acknowledged as you stubbed out your cigarette and left. You couldn’t stand to sit there and watch Eddie be with that girl, it was the same every night, girls, girls, girls. He clearly couldn’t get enough of them and most of the time you had no other choice to watch. 

You walk down the corridor, earning a few compliments on your performance from the stage crew on your way. You head into the small bathroom and lock the door. The fluorescent lights flickered above you as you took in your reflection. Hair a bit dishevelled and eyeliner smudged after hours of performing, you sigh, doing your best to fix it.

Checking the time, it was still quite early considering it was a show night, but maybe you should just head back to the hotel? There wasn’t much to do here, you could maybe head out to the bar for a few hours, find yourself someone for the night, but you didn’t feel like it.

You were raking your fingers through your hair, trying to tame it in some way when there was banging on the door “Occupied!” you called, hoping whoever it was would leave. They banged again, harder this time “Hey I said-” 

“It’s me” Eddie’s voice came from the other side. 

“So? I’m busy, go away” you ignore him, going back to fixing your lipstick. 

“Just open the fucking door” he snaps, jiggling he handle. 

You sigh, turning the lock and swinging the door open “What?” He doesn’t give you a second to move before he’s pushing his way inside, almost knocking you over. “Jesus- let me out first!” You shove him, but he locks the door behind himself and blocks you from leaving.

“Let me out you creep!” You push him again but he wouldn’t budge.

“No.” He says, crossing his arms.

“No?” You scoff at him “Eddie get the fuck out of my way.”

“No, not until you admit you’re jealous.”

You look at him, confused “jealous?”

“That’s right” he stands up straighter. 

“Why would I be jealous?” You mirror his stance, keeping up your act.

“I don’t know” he takes a step towards you “I think you’re jealous of me fucking other girls, think you want me all to yourself.”

You step back, though there wasn’t much more you could move, your back hitting the sink “Please..” you sneer, diverting your eyes to the tiled floor.

“No need to beg for it sweetheart” he takes another step closer, placing his arms on either side of the sink, caging you in as he towered over you.

You could feel his smokey breath on your neck as he leaned down “Just admit it and I’ll let you go.”

You took a deep breath, bringing yourself to look up at him, the way he was looking at you, it took everything not to give up your act. “I’m. Not. Jealous.”

He laughs “fine, don’t want to admit it?” he grabs your waist and forces you to turn around.

“Eddie what the-“ he gripped your chin, making you meet his gaze in the mirror.

“Sooner you admit it, sooner you can go” he says, moving your hair out of the way, watching your reflection as he lowers his mouth to your neck. Before you can object, even if you didn’t want to, you feel his teeth grazing over your sensitive skin, tugging it between his lips and soothing his tongue over each bite. 

You hold back from letting any sounds escape, you weren’t giving into him that easily, even if it did feel great. You watch as his hand loosens its grip on your chin, sliding over the expanse of your throat, down to your chest, cupping at your tits through the thin fabric of your tight dress. 

A small sound bubbles in your throat as he pinches your nipples and sucks on that sweet spot behind your ear, you feel him smirk against your skin. “What was that?” he mutters, breath tickling your neck. 

He lets his free hand wander down over your chest and stomach, to the hem of your dress, lifting it up round your waist. You feel his fingers press on the damp fabric of your underwear, dragging them up over your clit.

You bite back a moan, eyes fluttering shut. He pulls away, landing a hard smack to your ass causing you to hiss and buckle forward. You glare at his reflection.

“Want you to watch yourself while I fuck you” he says, hooking his fingers into the waistband of your underwear and dragging them down your legs till they fall around your ankles. 

He stared down at your bare cunt, knocking your legs wider so he could spread you open. He makes eye contact with you as he glides his fingers through your slick “this for me?”

“A-as if” you say, a little breathless, he smiles.

He starts to undo his belt and jeans, you listen to the clinking as he pulls them down his thighs, taking out his cock and stroking himself “See what you do to me? I can admit I want to fuck you, it’s not hard.”

“I don’t want to fuck you” you say through gritted teeth, feeling his hand run through your folds. 

“No? Then why aren’t you stopping me?” He pushes you forward, forcing you to lean on your elbows as he positions himself behind you. “I think this is what you wanted all along, isn't it. Want me to fuck the truth out of you?”

Your silence is all the answer he needs. He grabs your hips, letting a glob of his spit drop onto your folds, grabbing himself by the base to slide his head through it.

You whine, grip tightening on the porcelain, his smug smile only grows as he pushes the tip of his cock into you. You couldn’t stop the gasp that escaped you as you felt him stretching you out, your eyes screwing shut.

He stops, landing another smack to your ass “hey, told you I wanted to you watch” his voice stern.

You force yourself to look at him again as he pushes the rest of his length into you, making you feel impossibly full. “Now I’ll give you one more chance to confess.” 

You stare at his reflection, you hated that he was right, but you weren’t letting him win this time. Admitting to Eddie that the reason you’d been a bitch to him was just because you wanted to fuck him, he’d never let you live it down. “I’m not jealous.” 

“Fine” he sighs, pulling all the way before slamming right back into you. You practically squeal, rushing to cover your mouth with the palm of your hand. Eddie tsks, grabbing both of your wrists and holding your arms behind your back with one hand. 

“Want you to hear how pathetic you sound when I’m fucking you on my cock” he grunts, starting his fast pace, using his grip on your wrists as leverage. You could do nothing but fall into submission, the feeling of him so deep inside, dragging over all those perfect spots, it made you a mess in seconds. 

You watch the two of you in the mirror, Eddie has his lip tucked between his teeth, watching himself fuck into, while you unravel beneath him. “Poor things pulling me in, been neglected for so long hasn’t she” he face pouts at your reflection, you can do nothing but whimper in response, the room filling with the wet sounds of your slick.  

Your whole body was on fire, your arms beginning to ache as he pinned them back. “Fuck- you feel fucking amazing, better than all my whores huh?” he taunts, watching you try so hard to keep your eyes on him. “Bet you knew you were better, bet that's why you were jealous, jealous that they had all my attention and not you?” 

You weren’t giving in. He let go of your wrists, bringing up one of your knees to rest against the sink, hitting you at a new angle that drove you crazy. Pleasure shot through your core, building fast, you collapsed onto the counter, forehead resting against the cool porcelain. Another hard slap to your ass had you rocking back into him. 

“Thought I told you to watch? Pick your head up” he orders, but you can’t, you were so close already, you’d felt like you lost control over your body. 

“I- I can’t” you pant, huffing in defeat, gripping onto the sink so hard your knuckles turned white.

He laced his fingers through your hair, tugging on it harshly, the burn making you moan “Got to do everything for you huh? You that fucking dumb?” you shake your head in response. 

“P-please Eddie- I’m-” you couldn’t finish a sentence, your head was spinning, the knot in your stomach tightening. 

“Please what? You gonna cum?” he asks, reaching around you to rub your clit. 

“Fuck! Please Eddie, please” you beg, feeling yourself approaching the edge of your release. 

“No, not until you admit you wanted this, that you’re oh fuck- not until you admit you’re jealous” he brings you right to the edge, losing it when he feels your walls tightening around him “Don’t you fucking dare cum.” 

Hot tears were streaming down your cheeks from the intensity of it all “P-please I need to-” 

“All you gotta do is admit it, better hurry, so fuckin’ close I’ll cum in you and leave you here to help yourself out” he hisses, he’d been holding off long enough. 

You couldn’t hold on any longer, the ache between your legs growing, you needed your release. Swallowing your pride you make eye contact with him “I-’m sorry for being such a- oh shit-” 

“Come on you can do it, I’m so close baby come on” Eddie was also losing it, watching you fall apart. 

“For being s-such a bitch, I was- I was jealous” you whine, no longer able to keep yourself up. 

“Apology accepted” Eddie grips your hips, pounding into you at a brutal pace “You can cum.” 

You finally let go of all that tension, crying a mantra of his name as you cum, listening to Eddie curse behind you as he empties his load inside of you. “Jesus- fucking- christ-” He pumps into you a few more times, making sure you took every last drop. 

You lay resting against the sink, breathing uneven and legs weak. You feel Eddie pull out, fixing your underwear in place to keep his release inside of you, pulling your dress back down. “Got anything to say about that performance?” he teases, soothing a hand over your back, you groan in response, he laughs. 

“Maybe next time you can be a big girl and come tell me what you want from me instead of being such a brat about it.”

taglist: @reidsaurora-replies @hornyhornyhimbos @niyahwhoreworld @hargrovesswifee @iunaelumen777

[chrissv4mp]

౨ producer!fem!reader × billie e. headcanons ৎ

★ — yipepepepeee cheer for me bc im posting something that isn't badddd yayayayayaaayy / first round of hcs in a while actually omg i js realized while writing??

☆ — smut & fluff

navigation...

— fluff :

★ — PROD!READER WHO... is always coming home to tell your girlfriend about the new beats you've worked on & making her listen to them because her feedback is more important than anybody else's (well, expect the artist themselves).

☆ — PROD!READER WHO... never misses the chance to bring billie along to the studio with you. the constant need to talk to someone about your beats and decisions eats you up inside, so who better than your hit music artist girlfriend to listen to your rants?

★ — PROD!READER WHO... helps billie make her beats and puts the song all together perfectly, all while billie is right by your side beaming at you with the biggest smile on her fave imaginable.

☆ — PROD!READER WHO... always makes sure billie is okay and ready to record before anything. you never hesitate to stop an entire session just because she had a sad look on her face. those times usually end with both of you on the couch in the back of the studio, her in your arms while she rants to about what's bringing her down.

your lips curl into a smile as you tap your fingers to the slow beat, "THE GREATEST," it's the 6th track of your girlfriends 3rd studio album, and you couldn't be more proud of her. as your head turns to look over at the mastermind herself, though, your smile fades and your fingers stop.

you're met with the sight of your girlfriends sad face, her eyes focused on the ground as she toys with the zipper of her jeans. the unplugged headphones around your neck come off as you place them down on the table, pausing the song before getting up and making your way over to billie, who sits on the couch in the back of the studio.

"don't even say nothing's wrong because that look on your face says otherwise," you start, taking a seat next to her as you reach over to set her on your lap. this surprises the girl, but she just gives you a gentle smile. a sigh leaves her pink, plump lips before she begins to speak about what's going on.

★ — PROD!READER WHO... is at every single one of billies concerts/shows and is always cheering her on. you're her biggest fan in and outside of the studio.

☆ — PROD!READER WHO... watches in awe as billie sings into the mic, hitting the notes perfectly. you're always blown away by her impressive vocals, praising her for it any chance you get.

★ — PROD!READER WHO... always makes billie watch the premiere of a new single/album that you helped an artist work on, pointing out little things that you're super proud of as billie just sits back and listens with a smile on her face. she never turns you down, even listening to the music while doing work on her laptop.

"the beat drop, oh my gosh! listen, list—did you hear it?" you ramble with a huge smile on your face, looking over your shoulder at billie who just hums and nods her head.

her eyes stay focused on your face the entire time, though, not caring very much about the music video or the album cover art that's displayed on your laptop screen, "yeah, it's amazing, ma." her words are both directed at you and the actual music, mainly at you... but you already know that.

☆ — PROD!READER WHO... makes your watermark an audio clip of your girlfriend saying your producer name. every time you've showed the girl a song you and an artist worked on, her own voice is the first thing that she hears.

— smut :

★ — PROD!READER WHO... loves to have billie ride your thigh while you work on a song from home. whenever she gets too noisy or touchy, you reprimand her for distracting you and threaten to leave her needy all while your eyes are glued to the laptop screen, not even giving her the smallest amount of attention.

billie gasps as her clit bumps against your thigh in time with the way you flex your leg, resulting in her head falling back as she lets out a long, breathy moan. when she hears your voice, her hips stutter, eyes snapping open to look over at you, "i told you to keep your fuckin' mouth shut, baby. 'm'tryna work and you know that. do you want me to lose my job?"

her immediate reaction is to shake her head, whining quietly as her hips pick up in speed. her pleasure seems to be increased just at hearing your low, raspy voice, and you smirk proudly, "js' wanna touch you, ma. please? been s'good."

your eyes finally meet hers, and the dominant look swirling in your pupils makes her realize that she's fucked up, "don't start with that shit. you've been acting like a needy fucking slut this entire evening, and you expect for me to let you touch me?" a cry falls from her lips as you push your laptop away and grab her hips, stopping her from moving anymore, "you've been bad, baby. bad girls don't get to cum and you know that."

☆ — PROD!READER WHO... recorded billie's breathy moans and gasps (with her consent) and used them for the background vocals of the 2nd track, "LUNCH," on her new album.

★ — PROD!READER WHO... loves to trick billie into opening an audio file that's just minutes of your moans and the filthy squelching sounds of your pussy. she always thinks it's a new beat or background vocals for a new song, and sometimes it is, but the times where it isn't, she's always rushing home from wherever she's at.

☆ — PROD!READER WHO... makes billie sit on your strap while in the studio putting together beats and background vocals for a new artist, thrusting your hips up only when you feel her start to relax and get comfortable. by the time you've finished for the day, she's already so overstimulated and fucked-out she can't even speak.

"almost done, bils." you whisper in her ear, pressing a gentle kiss to her neck that makes her shiver. her walls flutter around the silicone cock buried deep inside of her, moaning loudly when you thrust your hips up, "bein' so good, love. always so good f'me, huh?"

all she can do is nod, dumb babbles leaving her mouth and falling right into your ear as she clings onto your body. her eyes are brimming with tears, the need to cum almost overpowering her want to please you, "wanna move, mamas, please. need to cum s'bad,"

when she hears the room go silent, her body tenses up and she whines into your ear, "you couldn't jus' wait a few more minutes, could ya?" you taunt, moving your hands off the mouse and keys in front of you and resting them on her hips. billie lets out a pornographic moan as you begin to pound up into her, "you wanted to cum, so don't start cryin' when i make you. ts' what you wanted, and i'm not gonna stop til' i'm satisfied, baby."

★ — PROD!READER WHO... fucks billie into the mattress after coming home from a successful awards show. the songs that you've both worked on play quietly in the background, setting the mood as you whisper praises into your girlfriends ear, telling her how much she deserved the awards and how amazing she is.

☆ — PROD!READER WHO... always seems to find your girlfriend in your lap, pulling at every article of clothing you wore that day as she whispers about how sexy you look so concentrated on the music you're working on. those times usually end with her eating you out like a starved woman.

★ — PROD!READER WHO... will push everything out of the way just to fuck the bratty attitude out of your girlfriend.

"this is taking too long, mamas. can't you jus' hurry up?" the tone of her voice was the thing that finally made you crack, and now you had her bent over your desk, your strap thrusting into her from behind as you pull her hair.

you huff into her ear, "since when were you allowed to speak to me like that, huh? tell me, slut." she only whines out into the room, eyes squeezed shut as she clenches around your strap, "'m'sorry! please, baby, please..! i js'—"

your hand meets her ass harshly, the pale skin slowly turning red from harshness of the slap. her body jolts forward, and she takes that as a hint to shut her mouth.

☆ — PROD!READER WHO... will always make sure everybody around you knows that billie is yours and only yours. your hand is always on her, and if it isn't, then there's multiple hickeys displayed on her neck for everyone to see. you don't like anybody stealing what belongs to yoi, and that goes beyond music.

@livialifesblog @mseilishmwah @mxqdii @sophloveswomen @devynscomet @her-favorite @br4ttyeilish @wiidfi0wer33

[loveothislife]

You’ll be in tears by the end of André Aciman’s 2007 novel Call Me By Your Name. Turning that last page feels like being rudely cast out of the love story between Elio and Oliver, two men who must be together, who have to be together, because, in the words of Faith Evans, “I never knew there was a love like this before.” But if you’re going to be heartbroken, at least let it be via Call Me By Your Name’s audiobook, read gorgeously by the upcoming film adaptation’s star, Armie Hammer, whose voice is the audio equivalent of ordering a Lyft Line and having it all to yourself.

In this new excerpt from the audiobook, out October 3, teenage Elio (played in the film by Timothée Chalamet) describes having sex for the very first time with Oliver (Hammer), the 24-year-old graduate student studying under his father for the summer. Elio’s had a crush on Oliver for weeks, and in this scene, we finally learn the significance of the book’s title. In this excerpt (and at all times), Hammer’s voice is brimming with such melody that, if you listen to it long enough, you can probably get drunk off it. Because you’ll need a way to explain to your friends why you have to cancel on your plans because you have a date with Armie Hammer’s voice, here are 20 descriptions of that supernatural sound:

1. Armie Hammer’s voice sounds a little like Jon Hamm’s voice, if Jon Hamm’s voice was dunked in honey.

2. Hearing Armie Hammer say “fuck” in the Call Me By Your Name audiobook makes it totally fine that he had to say “Let’s gut the friggin’ nerd” in The Social Network, because, you know what, some things are just worth the wait.

3. To hear Armie Hammer say “languorous” is to feel like Obama is still president, he’s just taking a vacation, but he and Michelle will be back in the White House soon.

4. Armie Hammer’s voice is the physical manifestation of those wooden decorative signs at Marshall’s or TJ Maxx that sell for $24.99 that say “Your Husband Called And Said It’s Ok To Buy Anything You Want.” Armie Hammer’s voice sounds like the fantasy of luxury.

5. Sometimes, when Armie Hammer is in the heat of a particularly vivid description, Armie Hammer’s voice sounds a little like the man who does the Men’s Wearhouse commercials. You know, the guy who says, “You’re going to like the way you look,” and now you kinda want to Google the nearest Men’s Wearhouse. You know, just in case.

6. I suspect that Armie Hammer’s voice would smell like linguini, seasoned with Tasmanian pepper and lemon with Parmesan cheese on top. I’d need to speak with Armie Hammer in person to confirm this. 7. You know when you’re a regular somewhere? And there’s a long line, but, say, the barista or the clerk or the tailor motions you around the long line because they’ve got your order ready? That’s what Armie Hammer’s voice sounds like.

8. Armie Hammer’s voice is so deep and viscous it sounds like when Beyoncé performs “Love on Top” live and she sings the chorus again and again and again and again, but that last time she sings “Baby it’s you,” she switches it up and goes to a lower key!

9. Armie Hammer’s voice sounds like it’s soaked in maple syrup and — surprise! — you’re at Bubby’s, and there’s no line, and lucky for you, your James Beard pancakes with peaches have just arrived to your table.

10. Armie Hammer’s voice sounds as euphonious as Oprah’s voice, which is quite possibly the highest compliment you could ever pay another human.

11. The way Armie Hammer says “kiss” feels like you have literally been kissed, not by his lips, but by the sun itself. You took a picture of this sun-kissing, posted it to Instagram, and you’ve gotten a lot of likes.

12. The way Armie Hammer says, “Call me by your name and I’ll call you by mine,” feels like a shared secret too tender for this savage and cacophonous place called the internet, but here we are.

13. Armie Hammer’s voice feels like when you’ve decided to take a nap, but to hell with setting an alarm! You’ll wake up when you wake up, and everyone texting you will have to deal with it!

14. Armie Hammer’s voice sounds like when the violins come in on Nelly’s “Grillz,” which is to say that it sounds like the ideal combination of highbrow and lowbrow.

15. Armie Hammer’s voice sounds like the opposite of that swish-swish a nylon sweatsuit made in the ’80s, because Armie Hammer has never worn nylon, he exclusively wears corduroy or linen.

16. The timbre of Armie Hammer’s voice is identical to the timbre of the bells ringing on the last day of school, when you could dump the entire contents of your backpack into the dumpster right in front of the teacher who wouldn’t round your 89 percent up to an A-.

17. Armie Hammer sounds so sumptuous and moneyed, you might think you’ve paid off all of your student loans.

18. Armie Hammer’s voice inexplicably sounds like he’s both speaking to you and listening to you and deeply interested in every fleeting thought that pops into your head, even the ones about Mother!

19. Hearing Armie Hammer’s voice is like going to the salon and getting a really good shampoo, where they use a little bit of tea tree oil and massage your temples and then say it’s on the house.

20. There’s such melody in Armie Hammer’s voice that the devil has to work overtime to get a new Nickelback song in the world, just so everything stays in balance.

Vulture (September 21, 2017)

[andy-wm]

Andy, I dont think JM is queer, coz in WHO he is singing about a her, not a they.

She/her pronouns leave no scope for ambiguity.

Anon, that's like me saying 'Anonymous' must be your real name because that's who the ask came from.

Makes sense?

No.

No it does not.

If the pronouns were THEY, Jimin would be

a) slammed for being woke

and

b) not clearly telling you that he lives in a society that makes him think his love MUST be a she/her. And he can't find love, he can't find it anywhere.

If he had grown up thinking he could find love with (he/she/they... any pronouns) don't you think he would have found it by now? I mean, look at him, he's so beautiful and kind and smart. How could he not find someone?

Would he be singing songs about how he can't find love?

The way he specifically says HER tells you THAT'S WHERE THE PROBLEM LIES.

Please, Anon (not your real name, yeah?)

Please, for your future self, for you to navigate the information you encounter every day, don't just grab the first thing you see and run with it. Sure, consider your immediate reaction, but also consider what else might be happening.

Because theres always more than one way to look at a situation.

(Thats why we have a jury of 12 and courts of law, and we don't just let people claim revenge for perceived wrongs by vigilante justice. Because there's two sides to a story, and you need different perspecives to see all the angles.)

Critical thinking skills are important because often messages are hidden.

Sometimes it's because the author wants you to misunderstand at first, because their real meaning will have more impact when you discover it later.

Sometimes there are two different messages directed at two different types of audience (like kids movies with adult jokes hidden in them)

Sometimes it's because they actually cannot say what they really want to say because they aren't allowed to or because it'snot safe or because they simply don't want to be upfront.

In the case of this song, it's all three of those reasons.

Context clues tell us that this album is very queer themed. There are rainbows and smeraldo flowers everywhere.

Smeraldo flowers LITERALLY mean a hidden truth/ truth untold/ I couldn’t tell the truth.

The original posts about Smeraldo flowers are translated here:

You'll find this here: https://cafearmy.wordpress.com/category/flower-smeraldo-blog-post-translations/page/2

There are also clues in the WHO music video - the extended metaphor of the weather, and the rainbows and colour flares. These tell us THERE'S MORE GOING ON HERE.

Read the lyrics and also watch the mv and think about what you are hearing and seeing.

Follow the story and think about WHY everything is happening the way it happens.

The director didn't just randomly yell "ok dance! Now run a bit, now look at the camera, now sing!"

There's a plan. The plan is based on a story they're telling. The story has an ending that THEY ALREADY KNOW, but that we don't.

Until we've seen the whole thing and thought about it, and then gone back to see what we missed the first time around, we dont know.

Like Spring Day isn’t REALLY about the seasons, and Bapsae isnt about birds, and The Truth Untold isn't about growing flowers.

Go back and watch the MV with the audio muted and think about the story thr MV tells without the music.

Read the lyrics as though you are reading a poem.

Genuinely, i care about this (i am a school librarian Anon, i wouldn’t be one if i didn't care about how people interact with information) so listen and think about it.

Then come back and tell me if you still think he's not queer because the pronouns in this song are she.

Borahae 💜

[alicent-vi-britannia]

Lelouch's relentless search for purpose in life

I've previously talked to you about Lelouch's trauma through the enneagram to explain why Lelouch refuses to open up and trust others and insists on doing everything alone to feel self-sufficient and strong. I've also used the enneagram to explain that Lelouch has locked himself into a protective shell and is uncomfortable feeling vulnerable because of his trauma and his upbringing in Darwinian values ​​in Britannia. However, I haven't talked to you directly about one thing that is very important and perhaps because it is so obvious I have overlooked it until I stumbled upon a small thread on Twitter.

In the last conversation Lelouch has with his father, Charles nullifies the meaning and value of his existence by telling him: "But you're dead. You've always been dead, from the moment you were born. Who gave you the fine clothes you wear, a comfortable home, the food you eat, and your own life? I gave you all of that. You are nothing to me because you have never existed." At that moment, Charles kills Lelouch in symbolic terms, causing him enormous psychological and emotional damage from which he never recovers.

We have this flashback in episode 7 of the first season and later Lelouch threatens CC with suicide if she does not let him go to face his sister, Cornelia: "Until I met you, I was dead. A corpse that existed behind a false appearance of life, a life in which I did nothing real. I experienced the emotions of living day to day as if I were a zombie, with the feeling that I was dying little by little. And if I have to go back to that, then I prefer… [And he places his finger on the trigger of the gun]." The series connects those two scenes through a Dutch shot focused on Lelouch's gaze. The Dutch shot is a steep horizontal tilt shot that is used to indicate instability or danger or that something is not right. In this case, it warns us, on a superficial level, that Lelouch has felt dead since his last meeting with his father and that he has been fighting against that (unfounded) belief and these negative feelings and, on a deeper level, that this is a wrong and harmful belief of Lelouch's that has been poisoning his mental health ever since.

(It's sad to compare the two shots. Little Lelouch's eyes show deep pain. As the Bart and Lisa Simpson meme says: it's the exact frame in which his heart broke. Teenage Lelouch's eyes, on the other hand, are empty. A dead look.)

There are several moments in the story that give us an idea of ​​the young prince's struggle. For example, in the first Audio Drama, "The Uninvited Prince," a young Suzaku rescues Lelouch from some children who are beating him and reproaches him for not standing up for himself and disregarding the hospitality his home provides him and his sister, to which the child Lelouch replies, "I am here and I will live. If I live by my own strength, then I will never be dead again." Little Suzaku, of course, finds Lelouch's statement absurd and just thinks he is a strange child. But this response reflects the boy's insane desire to be self-sufficient (to the point of rejecting the help of others) in order to feel that he is alive (remember that Charles told him that he is alive because he has given him everything he has).

We also have a Picture Drama (I'm sorry I don't remember or have the exact number of the PD, but if it's part of the alternate universe, we can ignore it because they are different universes that shouldn't be mixed) with a monologue by a teenage Lelouch: "I've made a vow to use the strength I have to save Nunnally. That will be the proof that I exist in this world."

These words evoke in me a part of Lelouch's song "Back to Zero" (for the fantastic Code Black album in Ashford) in which our hero sings: "Oh! Can you hear me? This fight is how I know I'm alive."

That is, Lelouch tries to prove his father wrong by looking for a purpose to live that reaffirms his existence and, in principle, Lelouch finds it in Zero and the rebellion since they are the means he has to destroy Britannia and create a kind world for Nunnally. And that's why later on he abandons Ashford Academy, the Zero mask and his friends and gives in to depression (in the future, I'll talk about this moment in more depth in another analysis). Then his goals change and his motivations are reconsidered for a series of reasons and events that I won't stop to explain here, but I will point out that I find it interesting and moving how Lelouch goes from clinging to a purpose in life to giving up on it and dying, in order to fulfill his new goals, obtain results and atone for his sins (the magic of a powerful script and a narrative arc, Larry).

Also, all of this explains why Lelouch lost his temper in the season 1 finale when Suzaku yelled at him that his existence was a mistake and that he needed to be wiped off the face of the Earth. Not only did it bring back memories of Vietnam for Lelouch, it was another important person to him who was denying his existence. Suzaku's words hurt him because, as President Snow said in the Hunger Games trilogy, "the people we love the most are the ones who destroy us." I'm not sure if Suzaku knew what Charles told his friend since Lelouch never reveals his secrets to anyone (people around him, including his loved ones, find out on their own), but Suzaku certainly hit a sensitive button that mentally unsettled Lelouch.

Poor Lelouch. He just wanted his existence validated.

[emerald-dragonflame]

Told you I had a silly idea for a Transformers Animated OC.

Anywho, Here's Gentle Audio, a former nanny-bot, turn space bridge repairer, turned... nanny again, but this time for a human child. Gentle becomes Sari's mother figure of sorts, her being specifically programmed to care for and nurture protoforms, it was only natural for her to latch on to the single child that got attached to the Autobots.

She's very friendly and kind, but some would consider her voice a bit... creepy, with it's mechanical singsong-like nature (if you've ever heard how Vocaloids talk, that's what she sounds like). Her voice was quite literally taken from her, as it was her unique power, being able to sooth and disrupt those who could hear her. When it was taken, she felt like she lost a bit of herself, like she became far more useless after losing it. She can still sing, but it's just not the same...

She tries not to fight if she can help it, due to her having no real weapons, but she is protective of anything she considers a protoform. To the point she will not discriminate tearing the threat limb from limb with her "hair", or shake them to death with her sound-waves, which are the only things that could be considered weapons on her. Despite my explanations of how they could be used, she's still very weak, and small.

One of her biggest joys (and flaws) is that she's a hopeless romantic, and adores learning about human culture and customs. Her favorite kinds of stories consists of romance and fantasy, to the point she's a little "boy crazy". "Falling in love" with any man, bot or otherwise, that treats her kindly. Which, yes, that includes the entire Autobot cast (excluding Sentinel Prime and Ultra Magnus) at one point or another. She gets over it pretty quickly though, and it's more of a gag then anything.

[kateweathermachine2]

My thoughts on the Wisdom Saga

Legendary

TELEMACHUS MY BOY!!!

Honestly most of the stuff I have to say about him deals with the next two songs instead of this one…

Okay, but the more I listen to Antonius the more his voice is just ✨✨✨? Like Calypso’s voice being gorgeous was on SIGHT (on… hear? Heard? Audio?), but Antonius keeps getting better the more I listen to him. Don’t get me wrong he’s a bad dude, but his voice acting? Beautiful

I love the setup in this song, you don’t even notice because it’s so catchy

ARGUS CRUSHED MY HEART IN THE ANIMATIC (like I knew he would) poor dog boi… if Jorge doesn’t have Odysseus say hello to him in a song I will be heartbroken.

Little Wolf

This song… the appearance of Athena in this song brought my prospective ranking of it from likely low to battling it out with Love in Paradise for top spot (I’m STILL not sure which one I like more).

When Athena first appeared in the livestream I (mentally) SCREAMED- MY FAV IS BACK SHE’S BACK AND I LOVE HER (very platonically)

I love the little interlude with her and Telemachus- speaking of which-

I’ve seen some people mention how Telemachus seems much younger than 20/21. Something about the portrayal of Telemachus as this naïve inexperienced child? I’m not sure. But I have my own thoughts to share on this, because as someone who’s close to that young adult age, I think it’s actually pretty accurate for Telemachus’s character. He’s lived in the palace all his life, he’s longing to adventure in the world beyond, but he doesn’t know how to fight… I mean, I don’t specifically relate to Telemachus but I can see aspects of this in my own life. I’ve taken my first baby steps into the big adult world, and it’s intimidating and scary, and I don’t know how anything works, but I’m trying anyways. Point being, I don’t understand how people think that Telemachus has to be younger just because he doesn’t have certain life experiences or knowledge yet. I think it’s a very good portrayal of a young adult being unsure of his coming into the world but excited for it anyways.

Anyways back to ATHENA MY GIRL

I love that we get an in-musical explanation of Quick Thought!! I think it’s really important for a musical to be self-contained with its important lore/information and Jorge does such a great job with that.

Athena’s entire speech about the suitors and bullies and inspiring Telemachus and reframing his “Little Wolf” title CHUCKED THIS SONG SO HIGH IN MY BOOK I need to find a character of mine to associate this part to

The little “ooohhhh, maybe I pushed him a bit to hard” is hilarious

Interesting thing we’re doing with transitions into the next songs with this saga. I do agree with some of the people who said it sounds kind of off in this song; I think it might’ve flowed better if it introduced the next one, but honestly, I’m entirely willing to ignore that because this song is *so* good

We’ll be Fine

I have one glaring complaint about this song…. WHY ISNT IT LONGER?!?! I NEED MORE OF THIS

I can honestly see this becoming a comfort song for me, it holds such great messages to remember

“Cause I got in a fight, and I didn’t die!” The bar is on the FLOOR with Telemachus

The voice actors are rocking their respective high notes! Jorge pushed them and they owned it!!

Speaking of those good encouraging messages- I absolutely adore Telemachus’s chorus. Every time I listen to it, my brain auto-fills the lyrics ahead, and I hear, “maybe it’s all gonna be okay,” but then Telemachus actually sings the verse and it’s “maybe it’s all gonna turn out great!” And that’s just… such a good thing to think about. Yeah, it’s gonna be okay in the end, but what if it was better than okay? What if it turned out to be absolutely amazing?? That’s… such a positive way to view things and I need it more in my life. Of course it could get toxic but for me, it’s a great reminder of how good things can become

Love in Paradise

I read a post that mentioned how the happiest song in the Thunder Saga is called Suffering, and the saddest song in the Wisdom Saga is called Love in Paradise, and I hate how accurate that is T^T

THE TIME DIVE MONTAGE WAS SO GOOOD- such a fun mini mash-up of the rest of the songs! I wish I had more to say about it because I want to keep gushing over it but I’m just gonna end up repeating myself saying it’s so good

The little replay of the “Captain?” “I have to see her” ;-;

WANGUI’S VOCALS— I CAN’T— THEY’RE SO GORGEOUS *unintelligible squealing*

“She’s my wife”

“…”

“…”

“…”

“…”

“…”

“Anyways-“

Her voice is so pretty help I don’t approve of her actions but her VOICE HER VOICE

Can I also just say the animatic/visuals for this section were also gorgeous, such a great compliment to the audio

The way it goes from all sweet and bouncy to “oh ****” and right back to sweet was so good

“Last I checked goddesses can’t die!!” *cue the Wisdom Saga stream crash of 2024*

The cliff scene… oh my goodness it’s so *good* it’s all so *good* Jorge how are you so good at writing

He pays such close attention to characters and motifs and lines too- you can hear how Calypso triggers Odysseus’s flashback.

NOT TO MENTION- when Odysseus yells his line “All I hear are SCREAMS”, it’s in response to Calypso’s line “I’ll stay inside your heart”- which is Odysseus’s mom’s lyric from the underworld!! I literally just noticed the connection between the line and his reaction and I haven’t seen anyone else mention it before so-

And Athena’s little “he needs my help”- aaaaaa we all feel the pain

God Games

Oh *boy howdy* this one is a doozy

The intro is great, I adore Zeus’s voice- this cast is just FULL of talented voice actors man

“… Hera!…. Or me” …. A-wha-huh? I’m sorry didn’t you used to be “and”???

I was intrigued what Apollo’s grievance would be based on the whole “who’s cows” debacle- the sirens kinda threw me off guard xD

His voice is ✨✨✨ though, I love listening to him

JORGE’S DAD HEPHAESTUS!!!!! Aghhh his voice was so good for the part! And I loved the commentary on trust too

Aphrodite’s and Ares’s parts are still amazing even after all this time- I LOVE the details of Ares’s musical motif! He has the same melody as Athena, but played on this raw-sounding violin/cello? And he *also* has quick thought- but it still all feels different from Athena’s too! Because they’re both gods of war but with different domains and attributes AAAA so good!

And Athena’s lyrics in response- I love the re-do and the little extra quirks in it, like the extra growl on “ARES!!!” And the little riff(?) on “his son’s my FRIIIIEND”

Hera’s part was amazing. 100/10. Her voice was a lot… smoother than I was expecting honestly. It took a bit of getting used to but now I love it. And I am HERE for the dance battle

“Never once has he cheated on his wife”

“Release him.”

10/10 ✨✨✨

I was… really excited for an Athena/Zeus debate in this song when listening to all the snippets. I couldn’t wait to see how Athena would try and persuade Zeus, what arguments he would use specifically, how it would all go down… instead I got uh-

“I played your game and won! Release him.”

Oh so, no Zeus round? Ohh this is why it got changed to “or” isn’t it-

“You DARE to defy me?”

Huh-

“To make me feel shame?”

What’s happeni-

“No one beats me, NO ONE WINS MY GAME!!”

Oh boy howdy-

“THUNDER BRING HER THROUGH THE WRINGER, SHOW HER I’M THE JUDGEMENT CALL, THE ONE WHO MAKES HER KINGDOM FAAAAALL—“

I’M SORRY THIS WENT FROM 10 TO 100 SO FAST WHAT IS HAPPENING?!—

Athena in the flashback scene- holding baby Telemachus- the music- my HEART

And the end instrumental is so triumphant aaaaaa

“Let him gooooo! Please-“ JORGE WHEN I GET YOU JORGE—

Uh, so

My thoughts on God Games right after it came out were

Mixed

At first I was so absolutely frazzled from the livestream I could barely put thoughts together outside of incoherent screaming

But then I read a few tumblr posts about how some others were disappointed in how God Games ended and Zeus’s character- and I found myself agreeing :/

I do have a propensity for latching onto different opinions because I think they’re the “expected” one for me to have- and I totally think a bit of that was going on here- so I took some time off of tumblr/limiting my scrolling (which needed to be stopped anyways-) to really sort out how I felt on this

And I think I feel a bit stilted by God Games from its ending. The ending was… underwhelming? Which sounds INSANE considering the end of the stream but it’s underwhelming less because of actual shock factor and more because of what specifically happens versus my expectations.

Zeus just kind of… blasts Athena in the face??? Without provocation?? Athena DID win his game, she passed the terms he set out, she did all of that… and he shocks her anyways. It just. Doesn’t really sit right with me.

But I love Epic, and want to enjoy every song I come across, and I REALLY didn’t want this view of the ending of God Games to taint the rest of the song or the rest of the musical. So in my next big post, I’m going to do a mini “rewrite”/reworking of God Games that I’ve been toying around with in my mind for a little while now!!

I’ll explain more about why and what and the details in that post but for now, just know that it’s been a helpful exercise in enjoying God Games as it is too, and I’ll get to posting that the next time school isn’t absolutely crushing me with long homework assignments

Anyways, those are my kinda-in-depth thoughts about the Wisdom Saga!! I’ve been so excited to write this out and I’m happy to be posting it finally

[jolieblack]

Jolie’s thoughts on

The Dancing Men (Sherlock & Co. podcast)

OK, deep breath.

What a ride.

There’s a reason why I’m so late putting my thoughts into words this time round. This case really hit different, at least the final 15 minutes did.

Let’s talk about the earlier four fifths first… Lots of great moments as usual!

John getting into another tussle with London water fowl. "Get a life!" Who needs to get a life, we wonder fondly.

"I bring soup, glorious soup!" - So sweet! Even sweeter with the reversal at the end.

"Never mind Sherlock, his best mate is that bloody microphone." - Not the most hilarious punchline ever, Stamo, but what I love most about this comment is how John doesn’t find it funny at all.

John being a tech nerd with the audio editing of the cryptic message! Pop culture knowledge and tech nerdery doing what Sherlock Holmes couldn’t. Wa-hoo!

Another highlight: The Stamfords singing for fun (and John ruining it by insisting on singing along). And *then* the Stamfords becoming absolutely instrumental in making the final musical puzzle! (Not that they couldn’t just have used a regular recording for their trap, like Abe did for his message to Elsie, but then where would have been the fun. I’m surprised that Sherlock can’t hold a tune, btw. I’m even more surprised that he was trying to sing for an audience.) But the whole music puzzle theme was lovely altogether. Very clever, very creative. "The Police! It’s The Police!" 😂

Not entirely sure what to think of the NYPD behaving like a third rate action drama NYPD… but yeah, we got the message. And I guess it was also a necessary preparatory scene for the end of Part 3. I mean, there’s actually no way in hell that the London police would set a trap for a murder suspect pretty much with the main objective of killing him right away, rather than arresting him. There’s also no way in hell that the London police would shoot at two nerds running around in their crime scene just like that. But I’m getting ahead of myself.

I was left wondering after Part 1 what the significance of the Lost Rivers of London was going to be. That mention and the explanation seemed just too random to be random. And then it came back in part 2… And then I turned out to be right. Yay!

Poor harassed Inspector Martin is a whole mood. 😆

And then - tadah - we finally find out about "Lestrade"! 🥳 Didn’t I say she was the character I was most interested in meeting? Love "Gwen", which I’m taking as a nod to "Greg", my personal favourite Lestrade of all time. Also, good choice to make her a very high ranking officer, to explain why it’s OK for the police to cooperate with an irregular freelancer like Sherlock (a major headache in any modern adaptation).

"A lot has changed in those 8 seconds" - This is just bound to be another absolute classic in our fandom.

John playing a BBC presenter! Dream on. And boo John for not acknowledging how absolutely correct Sherlock’s comment about war never being "other news" was. I love that they got to officially hijack the actual BBC for their stunt though.

John getting a too-tight bullet proof vest and making a new friend. 😝 Seriously Sherlock, your status was never in question here.

"Don’t stereotype Americans!" - "He’s from Chicago, for God’s sake!" - Love how John just never takes his own advice.

And THEN…

I have so many questions. Sherlock and John should have so many questions, too, for themselves and for each other.

I would like to know what John thinks it is that makes him run after Sherlock into situations so frightening and dangerous that he literally wets himself. That really is no joke.

I would also like to know why these two are convinced that they’re fine going after an armed, mentally unstable killer on their own, especially when a police team armed to the teeth is standing ready just around the corner. Is an unhealthy adrenaline addiction a necessary prerequisite of being Sherlock Holmes and Doctor Watson, and if yes, will we see (hear, I mean) them actually talk about it, reflect on it, deal with it? Nobody forced them to confront Abe with zero backup like that. Are they just OK with it?

Yeah, like all of you, I forgot about the bullet-proof vest, too. Not that I could tell, in audio format, that John *didn’t* get shot in the head or in the leg or in any other place that might as well be fatal…

The way Sherlock says "please" kills me.

As does the way he goes back and forth between "John" and "Watson" in this scene, depending on whether he’s being coolly calculating or horribly worked up emotionally.

Is John actually telling Sherlock to shoot Abe before Abe shoots them (again), when Sherlock is about to drop the gun? Our Jonk, who hates gun violence and who keeps telling Sherlock that he can’t just shoot people, even if they’re very bad people?

I won’t be shouting and screaming and yelling about Sherlock completely losing the plot and taunting and abusing a dying man (a certified mentally ill man, too) and - according to the official transcript - actually strangling him, too, because we’ve been doing nothing else for a week now. But I want this addressed, too. I want this to be reflected on by the characters. I want them to figure it out live on audio where that came from and what it means. If I was John I’d be effing *scared* of my flatmate after this, even if he called me his best friend in the same breath.

A lot of us are seeing the parallel to the showdown of the first episode of BBC Sherlock, of course, and what Sherlock does to the dying bad guy in that scene… and I think it’s legit to wonder what this parallel means for the podcast. Especially since it has no equivalent in ACD canon. ACD’s Holmes does taunt bad guys sometimes after they’re defeated, but only ever verbally, and not when they’re physically hurting, let alone dying. And he sometimes lets fate run its course, rather than stepping in and saving a bad guy from the consequences of his own actions (like Baron Gruner, or Charles Augustus Milverton), but that’s only *allowing* bad things to happen, not actively inflicting physical and/or emotional pain on an already suffering/dying villain with his own words or hands. BBC Sherlock could plausibly do it because that was still the Sherlock without John, the Sherlock before John, the Sherlock that eventually got changed for the better by John’s positive influence. Here in the podcast, Sherlock has been sharing his life with John for months already and he’s *still* doing this? I find that disquieting, to say the least.

I guess what I want most from this episode is CONSEQUENCES. And I’m worried that we’ll just not get any. Starting with John needing at least one broken rib after being hit by a bullet at such close range, if not several. But more importantly, consequences in terms of "what the fuck did we do there and let’s count in how many ways it wasn’t OK". I mean, seriously, our boys are in for YEARS of therapy now.

I am so curious to find out just how badly that will all be glossed over in the upcoming episodes. I mean, I know this is fiction. I know the Podlock Universe is a place where you can be back making music within a day or two of shooting yourself in the head and being in a coma. But I don’t want realism for the sake of realism, I want it for the sake of the characters' journeys and their relationship.

I also want to know how on earth Joel is planning to top this one once he gets to the Three Garridebs.

[vintersang]

🎺 An instrumental song for your muse

song associations meme / happily accepting / @historiavn

Glass Princess by Adrian von Ziegler—

Dive down deep into her sound?

[putschki1969]

Kaji Fes.2023 Day 1 FULL Video [Reupload]

Find the original post from last night HERE. It doesn't show up on the Tumblr dashboard so only people who actively check my blog have seen it. I exchanged the video with an official one so I guess it might have been a copyright issue. Don't think I've ever had one, very interesting.

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I was quite excited to watch this since I only attended Day 2 last December. I didn’t necessarily regret not going for Day 1 but there were a couple of really neat songs in the setlist that I kinda wished I had been able to see performed live. The audio seems a bit dull but maybe it’s just me… Anyway, it’s still a pretty epic live. Please note that they decided to cut a handful of songs from the broadcast (probably to keep the whole thing at roughly 2 hours). The following songs are not included: fake garden, canta per me, she has to overcome her fear, I beg you and 砂塵の彼方へ.

Here are some random thoughts┗(•ˇ_ˇ•)―→

fake garden

canta per me

the world: Nothing much to say here. Decent performance but I liked the song more when it was led by Keiko.

Liminality: Loved, loved, loved this version with the amazingly talented Yuri Kasahara, Keiko and Kaori. The bridge here might be my favourite of all time.

in the land of twilight, under the moon: Never been a fan.

swordland: Another highlight for me. I think it’s easy to tell that I am a real sucker for YK’s guest vocalists that use a more operatic singing style.

she has to overcome her fear

luminous sword: Always been a big fan of Yuki’s SAO soundtrack. I understand why it gets performed a lot.

星屑: Even though this is a Keiko-centric song, I’ve never really liked it all that much so I don’t have much to say about it.

花守の丘: Solid.

ｗe’re gonna groove: Those who have followed me for a while know how I feel about the accordion. I dislike this instrument with a passion and it’s just featured way too heavily here. Fun fact, when Day 2 started with the accordion, I got really scared and wondered whether or not I would enjoy myself.

Obsession: Can’t say I’ve ever heard this song before. Sadly, it’s nothing that leaves a lasting impression. Also, that accordion…(¬_¬) Weird choice for LINO LEIA. It was fun hearing Keiko sing a bit of English though.

千夜一夜: Once again, not familiar with the song. Like this one a bit more though. Generally, I think I prefer rito’s vocals over LINO’s even though I don’t really know why.

Point Zero: This is one of my all-time favourite YK songs and one of the few tracks I really regret not seeing live on Day 1. Another epic performance by Yuri Kasahara. God, I love her so much.

salva nos: Speaking of regrets, yup, I’ll admit it, I am pretty bummed that I missed this one. “salva nos” and “a song of storm and fire” were the very first YK songs I ever listened to and they quite literally changed the trajectory of my life. Without those two songs, I wouldn’t have looked into more of YK’s stuff and I certainly wouldn’t have discovered Kalafina. One day, I wanna be there for a live performance. At least I got to hear “a song of storm and fire” on Day 2. So grateful for that!! Anyway, super epic.

花の唄: No thoughts.

I beg you

櫂: Ahh, I almost forgot about Aimer’s Mizu no Akashi 2.0. It’s so funny to me that this is literally copy/paste. Lovely melody, I don’t even mind the vocals all that much but damn, it’s not even coming close to Wakana’s Mizu no Akashi.

朝が来る: Decent but nothing to write home about.

My Story: Ohhh, another score track from “Hanako to Anne”. I was actually blown away by Day 2’s “希望の光”. This is not as good but still quite nice. Weirdly enough I am obsessed with the uilleann pipes. How come I can’t stand the accordion but I absolutely love this instrument? Probably because I am really into the celtic sound?

Parallel Hearts: Ugh, never liked this song, not even when Wakana was still around.

stone cold: This on the other hand is a song I’ve always enjoyed but with Wakana no longer in the picture, it’s just not the same. Will never get used to the Kaori chorus. Sorry T_T Still like this though.

the image theme of Xenosaga II: Good stuff.

蒼穹のファンファーレ: Love that this is focusing on the FJ regulars. My favourite performance of the song so far.

[lukkabloom]

Fun facts abt residents according to Ikevamp Radio (ヴァンなま) Part 2

Continuing with the Ikevamp radio findings (& some stuff w/the VAs) I have episodes 4-7 this time!!! (also pls take this with a grain of salt bc idk how much of this is canon according to Cybird)

Episode 4: It’s just Vincent and Sebas’s VAs!!

Morishi emphasizes that he’s a special guest, not a permanent part of the show, Makki says that there should prob be only one MC. They settle on Morishi being a guest-regular

ANYWAYS ONTO THE BATH SEGMENT

Vincent’s learning to sing the song Sebas taught Leo in episode 1 & 3 (for anyone curious, the original song is called Ii yu dana [いい湯だな] by the Drifters [ザドリフターズ] and it was a song the group sung at the end of their TV show/stage from the 70s–late 90s. Sebas knowing that song would mean he was alive during this time period)

Sebas hears him hum, Vincent is embarrassed, telling him to forget he ever saw him singing

During the day, Vincent saw Sebas cutting and sorting the gardens, to which Sebas references Nippon Mukashi Banashi (Folktales of Japan) where so many Japanese folktales start with a character cutting grass/weeds

Vincent recalls that Theo called MC “hondje” and “dog”, worries that she might be offended at those names

Sebas reassures him that MC has a strong spirit, and shouldn’t worry abt her much

Sebas comments that while Vincent and Theo are siblings, they have completely different personalities

Vincent answers that many people have stated this, wonders what he has to do to make others believe that they are brothers

Sebas has Vincent do impressions of Theo, starting w/Vincent calling Sebas “hondje” but Vincent just calls him “wanchan” (doggy/puppy) instead

Sebas makes a weird/loud noise, saying that that’s just an angel playing with a puppy (the part where Sebas loses his sanity. Actually he’s losing more of it as the episodes continue)

Vincent relents, quietly mumbling “hey, hondje” to Sebas

Sebas says he’s so close, just needs to be a bit more intimidating

Vincent repeats “hey, hondje” with more determination, Sebas replies “I have received Master Vincent’s ‘hey hondje!!!!’” (Sebas is crazy I swear)

Sebas pressures Vincent to say “I will make you my dog,” like Theo, to which Vincent questions if Theo has ever said that

Sebas quickly answers yes, forcing Vincent to say the phrase but worded more respectfully “I will make you my dog, okay?” (peer pressure is never okay, ESPECIALLY concerning Vincent)

Sebas is satisfied with the result, saying that the two brothers are really related

(I LEGIT DON’T KNOW WHAT’S WITH THIS EPISODE)

Sebas confesses that he just wants to see Vincent as a sadist and Vincent just sweat-drops

In this episode’s “Can you tell me… your name?” segment… (aka my fav part of the livestream—lol it’s not even the skit in the thermae) 

Sebas’s chosen line was “I’ve boiled the pumpkin” (this was done during Halloween, that’s what’s with the pumpkin). There were a lot of food-related names, so Sebas would say “Cucumber, I’ve boiled the pumpkin” or “Miso soup, I’ve boiled the pumpkin” and many others (mushroom, pig, tomato, sweet potato, radish, shiitake, hanpen)

There was also one in which Morishi said “Aramaki, I’ve boiled the pumpkin” to which Makki replied “thank you,” and another with “Vincent, I’ve boiled the pumpkin”

Episode 5: feat. Theo’s VA Sato Hisanori & Earl Rose (ローズ伯爵)

First episode where there is video in the livestream (it was previously just audio)

(I love watching VAs play their roles so this episode is prob one of my favs)

Sato realizes what kind of crazy show this is when he has to say “konvampire” instead of “konbanwa” (good evening) as a greeting. I feel like every guest other than Tsuda has said this (at least implied) but Sato just straight up says this

Sato calls Makki “nii-san” (big brother) when they first greet each other, referencing their roles as Vincent and Theo (also, fun fact, the two VAs are born in the same month of the same year)

Sato asks the viewers who they like the most out of Vincent, Theo, and Sebas. The viewers overwhelm them with calls of “Vincent!!!”

Sato asks for them to stop, changing questions, asking the viewers who wears the best clothes out of three (Makki, Morishi, and Sato). The viewers still say Makki, though there are some saying Sato

Earl Rose is a guest for this episode. He is the lord (read: owner) of the vampire cafe in Ginza. (he’s basically here to promote the ikevamp collab w/his Vampire Cafe) Sato looks freaked out/uncomfortable by the earl. The three eat the collab foods and drinks provided (it looks pretty good tbh)

NOW ONTO THE “I LOVE YU” SEGMENT

Vincent sinks down to his shoulders in the waters, Theo can’t find him for a bit

Theo and Vincent enjoy spending time w/each other

Sebas can hold his breath underwater (in a hot bath) for 5 min. He did so to not interrupt the two brothers’ conversation (Sebas becoming more and more ooc)

Vincent stated that his previous record was 3 min 46 sec. Sebas said that “as a butler of this mansion, I shall keep on improving” (Theo doesn’t know what the heck is happening, but Vincent seems to be enjoying himself so he let’s go)

Vincent & Theo have never fought (as expected of such bros. Now that I’m rereading this I’m sure this is reinforced in various routes so maybe I don’t need this info)

Sebas (who tries to create some tea---figuratively) asks Vincent what he would do if his pancakes were covered by tons of syrup by Theo, to which Vincent replies “I will give those pancakes to Theo.”

Sebas switches over to Theo, asking him what he will do if Vincent steals his syrup before he can eat the pancakes. Theo answers “Easy. I’ll give the pancakes to my brother. It would mean that he wanted to eat pancakes so badly that he would steal the syrup”

There’s around 2-3 times where Theo almost gets angry at Sebas and Vincent has to stop him (pats his head and stuff)

Theo asks why Sebas is acting weird, to which Vincent believes its bc he’s working too hard, so they should help him out & fulfill his hopes/wishes

Sebas has a voice recorder??? Theo doesn’t know what it is

Theo doesn’t approve being recorded, but Sebas goes to Vincent for protection, who calms Theo

OK I don't talk about this segment much but for the first time since the episodes’ release, there was a tie in the votes in the drawing segment (van Gogh’s drawing section) between Morishi and Makki. Usually, they’ll give the best voted piece to a randomly selected winner w/the VA’s signature, but instead of giving out both pictures, they gave out Makki’s art piece (bc he’s van Gogh lol)

(they didn’t do the “Can you tell me…your name?” segment this episode, but this episode is legendary in my mind!!! So funny and entertaining)

Episode 6: No special guests!! Just Sebas and Vincent

Makki finally lets the viewers choose the official position of Morishi (guest, regular-guest, regular, or dyungyun). He’s officially the dyungyun (でゅんぎゅん) It’s an exclamatory phrase meaning exciting/heart-beating I think… I’ve been watching 6 episodes of the radio but I still don’t know what that phrase means exactly

Welcome to another episode of Sebas slowly losing his sanity! In today’s “I love yu” segment, Sebas makes his appearance by jumping into the baths!!!

Apparently Sebas has an urge to swim when he sees the large baths, and even is a first-class swimmer (スイミング一級) I think it’s a scale on how great he is at swimming, and it would mean he’s pretty good

Vincent has also seen him swim butterfly (idk if it's in the baths or in a pool but imagining Sebas swimming butterfly in the hot baths is amusing)

Vincent likes eating the motsunabe (もつ鍋), a type of hotpot that Sebas made

As an adult, Vincent spends his Christmas season painting, but as a child, he would spend time w/Theo baking cakes, decorating trees, or playing in the snow

One time, Theo cried when a snowball hit him in the face

The two decide to do yaminabe (闇鍋) w/the residents. It is when you darken the room, and anyone can put anything in the hot pot. Vincent’s curious what the others will decide to put in the hot pot.

They created a new segment in the show called “Vanmana Involuntary Awards 2017” (ヴァンなま勝手にアワード) where they review the year 2017 with things related to Ikevamp and the radio. The first award is the most popular phrase which ended up being voted as “dyungyun”. The second is deciding on the best artwork produced in the “van Gogh’s drawing section” with the winning piece being a drawing by Makki titled “A woman being kabedon’d by an Ikemen in a dark room” (yes that’s the title). The third is voting on what the viewers want ikevamp to do in the future (ex. Voice drama CDs, more livestreams, raiding Ikesen, etc.) with the winning choice being to raid Ikesen. And in turn, it is implied that Ikesen would raid Ikevamp. The last is asking the viewers if there has been any change (physically, mentally, emotionally) ever since they started watching the radio, with the most votes on the viewers being more interested in Morishin and Makki.

AND of course, my fav segment “Can you tell me… your name?” Vincent’s chosen line was very nice “Christmas? I don’t need anything. All I want is (y/n) alone.” 

BUT Sebas’s chosen line is (drumroll please…) “(y/n), did you write your New Year’s greeting card?” and the first name he called out was “Santa-san, did you write your New Year’s greeting card?” AND I CAN’T STOP LAUGHING

Other names used were reindeer, postbox, and dyungyun (most were legit names tho)

They also did a third phrase where after saying (y/n), Sebas and Vincent will say a line, and I guess the staff felt bad for Sebas or smth bc he has legit lines in all of the available options. It was decided that Vincent would say “(y/n), I love you,” (大好きだよ) and Sebas would say “I love you” (愛していますよ) after Vincent (Both mean the same thing, just worded differently. Vincent's "Daisukidayo" would prob be closer to "I like you" meanwhile Sebas's "Aishitemasuyo" would be "I love you" if I were to be very specific)

I thought people would submit serious names (many did) but there were names like ice, carbonara, butter, napolitan (many varieties of pasta). There was also Rose and the two VAs were like “Earl Rose??? You watch this???"

Episode 7: feat. Comte’s VA Horie Kazuma

OMG Comte’s VA has such a sexy cool voice I can’t

So I didn’t know this, but you can talk to Vincent on Amazon Alexa?? I don’t have one so idk if it still works but apparently it’s called “Vincent’s time” (フィンセントの時間) and Vincent can tell you the time of day and you can talk to him and stuff??

Video showing Vincent's Time here part 1 part 2 part 3

It’s so funny how similar Horie is to Comte bc Makki and Morishin will be loud and talkative while Horie just watches over the scene like a parent

ANYWAYS for the thermae skit…

It’s rare for the others to meet Comte in the thermae since Comte baths at a later time than the others

The topic of today’s thermae episode is mainly about the construction they have in the baths (prob in another part of it??) Sebas came back running after looking at it, Comte and Sebas told Vincent not to worry about it (WHAT IS HAPPENING OVER THERE??? we'll never know...)

Vincent wants to paint scenes he’s never seen so he’d like to go out to various places

After living for so long, Comte said he’s starting to lose the concept on the importance of New Year’s and New Year’s resolutions (this episode was broadcast on Jan of 2018)

Vincent says that Comte’s like a father, to which he replies, “Haha, I’m not like a father. When you call me something as young as a ‘father,’ it makes me feel embarrassed. I’m probably way older than you two think I am”

Sebas replies, “Oh, of course. None of us know how old Comte actually is”

Comte continues, “It’s rude to ask a vampire their age. Besides, men like to keep their secrets hidden.” To which Sebas is like “As expected of le Comte. That is admirable.”

According to Sebas, Jean has a breast fetish?? Sebas apparently knows nothing else abt Jean other than that single fact

So… the “Can you tell me… your name?” is *chef’s kiss* amazing as usual

Comte’s line was “(y/n), I won’t let you go” and for one of the names, he said “Aramaki, I won’t let you go” & you can tell the staff were laughing. 

So Sebas… his chosen line was “(y/n), isn’t this bed a bit hard?”

There was “Comte, isn’t this bed a bit hard?” and Horie replies “No,” in his Comte voice & it’s amazing. There’s also “Aramaki, isn’t this bed a bit hard?” and Makki replies “Yup.”

Other notable names include bed, obachan (Auntie), Morishima (yes the VA’s asking himself) and employee (店員さん)

Also Morishi does voice-percussion at the end of the stream and… I’ll just say it’s interesting :))

(Also the updates will prob be daily since I've watched & have the next couple parts written already. I just have to watch the last couple & write about it, which should be done soon)

[2n2n]

I love the opening song of jibaku shounen hanako-kun and when I see the comments and reviews about the anime, there are a lot of positive reviews about the opening. So out of curiosity, what do you think of the opening in question, music and other aspects. And if there's anything you don't like

I have talked a bit about the mysterious lyrics of it here, if that's interesting (it might not be).... I'm really intrigued that it is a bespoke song for the anime ABOUT its subjects-- not just a pop song retooled or something-- I find that sweet, for aidairo-sensei it must have felt like a dream.

as for the OP's audio, it's not really my genre or style of music. It's kind of typical sounding for an anime OP, lol.... you know, 'cool'. I find it difficult to listen to all the way through-- for me, the sound is grating & unpleasant.

.... I would also say it doesn't quite suit the story to me.... ? It's 'cool' in such a straightforward way, when this is 'a heartfelt toilet comedy' as aidairo-sensei put it... it's neither particularly ah, playful, nor tender. In terms of sound/tone it feels like it could be the OP of any shounen, like a BNHA, or a sports anime. Even if lyrically, it's doing something quite intriguing.... I wish the instruments had more of a ghost-y feel to them, if nothing else... but ideally, I want a hint of romance!!

As for the visual component, I like the Yugi imitating each other's gestures, and I overall like the high-saturation or jewel-tone color of the anime. It's mostly just re-using shots from the anime itself, so I can only comment on so much of the animation. It's like a clip show.... I accept that the budget might have necessitated that, I won't harp on it-- it's lucky it has an anime at all...! but I don't have much to say about it.

On the one hand, I'm really glad they decided to animate this interstitial illustration aida-sensei did (I wish they could animate all of her stylish interstitial!) because it's a wonderful illustration.....

... on the other hand, I seriously think it was ruinous for the western fandom, who proceed to obsess over it endlessly as though impossibly significant (maybe to justify their own fixation on it lol...). By virtue of the repetition of it as one watches episodes, forcing one to consider it again & again, this image may as well be a School Mystery, for all the rumors surrounding it. I seriously think this shot alone is responsible for at least 75% of 'Tsukasa is a sexual menace' headcanons, no matter what has happened since....

In reality however, it's really fun the OP elected to pull its audience in THIS direction with THIS kind of fanservice image. It's a sexy shot and it's using its sex appeal for the greater good. This is one of the few wholly original pieces of animation in the OP, so... damn, they really made that decision, you know? I respect that. Of all the things to represent, LOL. It would have gotten me as a teenager, so..............................................

well, moving from the OP to other things you didn't ask about:

I actually like both the ED & After-School boy's ED songs much more....! I think they suit the tone, respectively, better! Also... both of those are sung by Nene-chan's VA, which is so wonderful! She's our star, truly... it's very moving that she was cast with a VA with singing experience (Hanako/Tsukasa's too though, and we know Tsukasa & Nene-chan sing together in canon eventually, so....)... TT__TT.... you don't really get any better than the VAs of characters themselves singing for the anime!!!!

in terms of the ED, the tone represents the heart of JSHK well... love, devotion, preciousness... the visuals are also simplistic, strong, beautiful, minimalist, powerful. Of all the material thus far, it's my favorite.

And then, in terms of After-School Boy's ED.... it represents the silly & flirty-wirty aspects of JSHK well LOL, I remember hearing it the first time, and being like.... they really did that.... !!!!! ....this one,, captures Nene-chan's energy so perfectly HAHA... visually it's boring, but urrggh it's a great song haha, it really ruined my husband when it came out... he had to like, forget about it to protect himself....

Cannot overstate my love for both of those songs!!!

I'm really hoping for season 2, we get a new OP/ED, & I'm hoping that the manga has enough of a presence now that it can afford to do something bolder for its OP....? I would love wholly original animations for it.... perhaps taking more inspiration from Aida-sensei's many full-color illustrations.....

I guess in terms of anime OP that I really like overall, I think Brotherhood's first OP was really, really strong. It had the right tone, beautiful animation, powerful imagery (and I'm not an FMA stan overall?)... however, obviously such a powerfully funded & supported anime/manga would be able to afford that kind of thing, I'm not that delusional to think JSHK could afford that, haha. ... JSHK also has such a wholly different tone & theme from FMA lol (a tone I like better, at that!) but something, hmm-- melancholy, tender, would capture the heart of Picture Perfect to me, you know....! Which is coming up....for the anime....!!!

This is such a basic pull I know because it's Literally a legendary anime that influences like all anime, but Rose of Versailles OP is absolute perfection from sound to visual. Oscar enveloped in the roses thorns....!!!!! it's minimally animated, but it uses its symbolism & iconography for deep impact!!! You really don't need crazy animation to have an amazing OP!!!!

I think JSHK's ED is one of my favorites overall, but another I love that suits its series so well to me, is Inuyasha's second ED. It's functioning on more of a budget & reuses footage from the anime, so there you have that-- but I like what they've added in. It feels attainable... for Inuyasha, this kind of moody song is ideal. Again it's a different tone from JSHK or FMA or RoV, but I hope you can understand what I mean by like... the vibes of the OP/ED suiting the series itself in some way.... it should be unique according to the anime's themes, you know?

[best-underrated-anime]

Best Underrated Anime Group A Round 4: Symphogear vs Trese

#A6: Symphogear (Senki Zesshou Symphogear)

Sad lesbians sing while fighting monsters

#A8: Trese

Badass woman deals with the supernatural

Details and poll under the cut!

#A6: Symphogear (Senki Zesshou Symphogear)

Summary:

The world is beset by creatures known as the Noise. Nothing can touch them, and if they touch a human being, both turn into carbon dust. But, with the symphogear system-magitech battle armor powered by music and singing, humanity has a chance to fight back.

Propaganda:

This is the best example of music fights I’ve ever seen. They sing WHILE fighting. It’s amazing. The fight choreography, how the music plays into it, and let’s not forget the incredible character development. The entire cast is full of characters that would be the highlight of any other show. And last but not least, it is off the walls insane fun. You think it reaches its heights at the end of season 1, but no. It keeps climbing, and you are along for the ride.

Trigger Warnings: Drugs, Emotional Abuse, Graphic Depictions of Cruelty/Violence/Gore, Guns, Kidnapping, Nudity, Slavery, Suicide

All warnings apply to the main characters, some are for the later seasons (drugs, guns (especially S2)). Slavery and kidnapping are rather said than shown and are from a flashback.

#A8: Trese

Summary:

In Manila, where dark supernatural forces pervade the criminal underworld, it’s up to one woman to keep the peace—but there’s a storm brewing.

Propaganda:

It’s the first Filipino anime (at least, that I know of) to feature the country’s supernatural creatures, so if you’ve only watched Japanese anime up to now, you will find the magic in Trese very novel. I also like how the protagonist is a woman when the Lakan, in Philippine history, tended to be a man. She’s also quite badass. Although she has two bulky twin sidekicks who can serve as her bodyguards, she is in no way less than them when it comes to fighting. The show’s on Netflix with different language audios. If you’re gonna watch it in English, you can even hear Dante Basco (Zuko’s voice actor) voicing one of the minor characters.

Trigger Warnings:

Child Abuse – for the episode about a reanimated baby

There’s Violence from fight scenes. There’s also Gore for when the monsters get killed brutally, but because of the art style, it doesn’t appear that extreme.

When reblogging and adding your own propaganda, please tag me @best-underrated-anime so that I’ll be sure to see it.

If you want to criticize one of the shows above to give the one you’re rooting for an advantage, then do so constructively. I do not tolerate groundless hate or slander on this blog. If I catch you doing such a thing in the notes, be it in the tags or reblogs, I will block you.

Know one of the shows above and not satisfied with how it’s presented in this tournament? Just fill up this form with your revisions, and I’ll consider adapting those changes.

New: Starting round 5, screenshots will be included in the poll post. You can submit screenshots through the form linked above, or through here, via ask or dm.

Guidelines in submitting screenshots:

No NSFW or spoilery images.

Pick some good images please. Don’t send any blurry or pixelated ones.

You may send up to 9 screenshots, but not all may be used.