#✧ ’ everyone’s a critic ( anonymous )

[seeker-ophelia]

Ophelia Rants: Veilguard is Weird

I had another post (Review, Pt 4) composed about how much I love dragons, but the AMA kinda knocked me on my ass.

* * *  

[INTRO]

* * *  

I’m going to share the image I made collected from the results of my survey:

And while everyone only contributed one word for this, it IS possible for Veilguard to be ALL OF THESE THINGS AT ONCE.

Now. We need to take this with a grain of salt and remember that most of these responses came from tumblr, and often ones Social Media Frens are an echo chamber of ones own thoughts.

The words that repeat over and over are all similar; sanitized, shallow, underwhelming, trimmed, incomplete… Fun But Not Dragon Age.

And I could not agree with this more.

Caitie (YT: Ghil Dirthalen BS: Ghil Dirthalen), (Mythal’enaste her and her data-mining efforts) has released so much information from Datamining Veilguard. So much dialogue not used, paths ignored or forgotten, Keep choices abandoned, Lore identified.

Flipping through the Art Book shows how much time and effort and ideas have been put into DA4; all of its iterations. All the creativity, the different worlds, the different possible paths. YEARS of work, abandoned.

Which feels soooo… opposite. I’m not a writer. What’s the word for a complete opposite dichotomy in all things? Contradictory? Inconsistent? Irreconsilable? Antithesis?

How can Dragon Age be Sanitized and Shallow… but so much work be put into it?

* * *

[OPINION]

* * *

After I removed my emotional connection from Dragon Age, IMO, it really does feel like something is missing from this game. Even if one tries to lay down their preconceptions of what the game might have been in their dream world, this game, to me, could not decide what it wanted to be. Narratively, it’s a sequel to Inquisition. Solas’s story matters from Inquisition, the Inquisitor matters from Inquisition… and yet it spends so much time onboarding new players. The story feels simple, the world is straightforward, like its dumbed down for players new to the series.

Inquisition, even though in a gameplay sense it is different from Origins and 2, still feels like its building off of a complex world that the player might not understand. And when I played Inquisition, I hardly understood any of it. That’s part of the joy of Dragon Age. People who read LotR or Malazan or WoT or ASOIAF, don’t expect the author to hold their hand. They’re dumped, unceremoniously, into a world, and they have to figure it out themselves (figure it out through strategically placed tidbits from the author). Dragon Age (O through I), was a masterclass in this, I think. Somehow, no matter how deep you want to dive into the game, whether just playing superficially one-and-done, or playing it over and over to capture as much lore and depth as you can, Origins through Inquisition does that. It gives you just enough crumbs to keep you going, keep you questioning, and to point you enough in the right direction, that when you DID get a lore reveal right, you felt GOOD. Yes, plot-twists and subverting expectations are important, but so is letting your audience figure things out, giving them concrete answers. Veilguard drops you, sure, literally in Minratheous into a Gods Magic Ritual. But then it takes your hand, and skips with you through beautiful landscapes, phenomenal level design, and whirlwind combat, to place you right in front of the information you need. And then gives you a cutscene explaining, just in case you didn’t get it 😉).

We, as fans, need to realize that while the Personality of Veilguard is Toothless, the Lore, The Skeleton, is not.

Yeah, Epler said some things that hurt my feels during the AMA. (I’m ignoring the Solas stuff, because I really do believe Epler is speaking from a personal bias and not from a cannon-perspective. [edit: he just talked bout this on BlueSky]) But do you know why? Because they broke my personal headcannons. They proved MY theory crafting wrong. The real problem with Veilguard is that it came out too late. 10 years is too long to have people care so much about a game and theorize and craft worlds for themselves.

* * *

[LORE]

* * *

Superficially, VG dropped a lot of lore. But Deeply? To the DA Lore-Core? I don’t think they dropped ENOUGH.

[Image Credit: Helena Hansen on ArtStation]

HOW did Soals cleanse the dagger? HOW can Elgy & Ghill control the blight? HOW do they control their archdemons? HOW does the veil work? (How can it be weak with Elgy & Ghilly holding it up but 100%-strong-no-holes-perfectly-good with only Solas providing power for it?) HOW do spirits work? HOW do souls work? WHATS the difference? HOW does a Dragon-thrall-bond work? WHY isn’t Lusacan a Great Dragon? HOW does the rite of tranquility work? WHAT happens to Solavellan in the Fade? Is it different from what happens to a tricked Solas in the fade? WHAT happens now to Hawke/Stroud in the fade? WHAT is an orb? WHAT is a cube? WHATS the difference? WHERE is The Black City? WHAT is the ‘real blight’? (Because according to VG Solas, it’s still in the prison and its still super dangerous and way more dangerous than the blight that’s out in Thedas.) HOW did Solas burn his Vallaslin off? WHAT is the Calling? WHAT is the NEW song in the calling? WHY did ‘Mythal speak the calling’? WHY does lyrium sing? How is lyrium mined? WHY can tranquil work lyrium safely? HOW did Dirth & Falon split? WHY did Dirth & Falon split? WHERE are the rest of the Evanuris? WHERE is the Abyss? WHAT is the Abyss? WHAT do you MEAN there was more than 8 Evanuris?? HOW did you make your lyrium bodies? HOW can Elgar’nan destroy a FEELING?

WHERES MY ELVHEN DICTIONARY.

Obviously not ALL. But SOME of these NEEDED to be answered, or at least strongly alluded to, IN GAME. NOT in an AMA.

“We're leaving that ambiguous on purpose…”

“We haven't been SUPER specific about this…”

“I'm so glad these stories have their hooks in you! We have to leave some threads to tug on for future stories.”

What DID get answered in game?

Some of the Evanuris hats. Archdemons/Old Gods = Evanuris. Solas (w/ Mythal?) tranquil’d the Titans. Solas (accidentally) created the Blight. Solas used a Blood Magic Ritual to create the veil. Solas regrets a lot of things & has mommy issues. Worm-Solas (which, do not get me wrong, a million thank you’s and blessings for werm-Solas… But…) That’s it. That’s IT?

Oh, and there’s a shadow organization that’s been pulling all the strings from behind the scenes but I am NOT getting into how much I hate that idea in this post we don’t have time. Do we? No, we don’t. You know what, fuck it. This is my blog. Once you introduce that idea there is no way anyone NOT the author can know how much sway the puppeteer has over the marionette. ‘Oh it’s just a nUdGe, just a *whisper,* ‘they still have their free will’. Bitch get fucked what does that MEAN. That doesn’t MEAN anything its just a lazy retcon-y way to tie in a new villain to old material. Completely erasing the autonomy of they characters your fanbase has come to love (and love to hate). Do not corporate-speak at me with synergy and circle-back and deliverables. WHAT is a WHISPER? WHAT is a NUDGE? Because unless you lay it all out in an ELI5, NO ONE CAN KNOW- EXCEPT FOR YOU.

Ok obviously I have feelings about that we need to move on.

You can argue Veilguard was about the Evanuris, you can argue that Veilguard was about Solas. You can argue that Veilguard was about Regret and Pride and letting it all go. You can argue that Veilguard was about the ~*Power of Friendship*~ But for me, who has been obsessed with whatever the ever-loving-fuck has been going on in Thedas since 9.30 Dragon, Veilguard is about the Blight.

Corrine from the AMA: What really captures my imagination now that we've resolved some of the mysteries pertaining to the blight and the Elven gods, is exploring the aftermath of this crisis in a deeply destabilized Thedas.

Sorry… What did you answer? We actually know nothing about the Blight except that Solas created it, and with Antonie and Evka claiming the song has changed… what does that mean? Is a Titan consciously controlling the blight now? Is it soothed because Harding Soothed it? Is all the blight from the Kal-Sharok Titan? Are all their orbs/cubes in the Black City? Do the Executors control the blight? What is a calling, then? Will the Wardens never be called to the deep roads again? The Blight is different in a Warden than it is in a darkspawn, or an Archdemon? How? WHY? The wardens are just going to fade from existence because… all the darkspawn are just going to disappear now? Where in game is this stated as truth? Actually, in fact, ZERO questions were answered.

But Wait…

I feel like the news of the AMA COMPLETELY overshadowed the two IGN articles that came out; 1 & 2. Because… holy shit you guys. There was A LOT of lore dropped here.

Unfortunately for Epler & Corrine, and this is a hill I will die on, ALL OF THIS SHOULD HAVE BEEN ANSWERED IN GAME. The fact that it was NOT? Is inexcusable. You cannot drop giant lore reveals like this outside of the game and hope it smooths everything over. The lore dropped in these interviews could have been a DLC, a side quest in game, or at the very least a novel or WoT Vol 3.

* * *

[What IS Dragon Age?]  

* * *

I've used this photo before and I'll use it again I fucking love it so much

I wish Veilguard came out a year later, I would have waited longer, paid more for it, if it was a more a whole, inclusive game.

The problem with dumbing down a pre-existing franchise is that you’re alienating the fans that are carrying you on their shoulders. They carried you through a game-less 10 years, and through Andromeda. And you can bet your ass when they drop you, the new fans you roped in with VG are not going to be picking you up.

Dragon Age feels like it cannot find its identity. That Veilguard, inexplicably, does not feel like Dragon Age.

“But how can you explain what Dragon Age feels like when every Dragon Age that came before it was so different?”

New Protagonists, new companions, new locations, everything is different. On top of more meta things; new gameplay, new combat, new art styles, its all different.

So what makes Dragon Age, Dragon Age?

Well, when I was nervous about the game back in September, I asked Kala, when she got pre-access to the game, if she FELT anything.

“I’d love for you to touch on how the game made you FEEL… Did anything you played in Veilguard make you Feel™?”

She sent me a private message with 1 word: Yes.

We can go into the design decision to have the companions react with each other instead of Rook and how that can be alienating to the PC. We can talk about how shafted the romances were. We can go into how gentrified Minrathous and the Crows were. We can go into how child-locked the lore was. We can discuss the toothless-ness of Veilguard.

But Veilguard still made me Feel.

And, even if that emotion is anger, if Veilguard made you Feel, it did it’s job.

[pocketgalaxies]

respectfully i have no idea what you're talking about with imogen not feeling like imogen but i also am sick of ludinus showing up every ten seconds so i understand the spirit of the letter

DKFJSKFJSKDF i'll take it!!

yeah idk what i'm talking about either? it's not rly that imogen doesn't feel like imogen anymore bc laura bailey characterization is stabler than the foundation of my own home, i think i just need this campaign to be about the pcs again bc it hasn't felt like that for a long time. even when Character Stuff happens it mostly just feels like a distractor from whatever mission they have to go on next. i'm tired of the pacing i need them to breathe i need to see how they're FEELING! i need these people to be people and not mission-completing machines! do you know what i'm saying!

[fala-alfredo-pasta]

One of the most weirdest things to me about the fandom is the idea that Nagito would be extra-warm towards Hajime upon waking up, due to Hajime retaining all of Kamukura's talents. To me I think it would be the total opposite. I think there'd actually be a lot of angst deriving from just how alienated Nagito feels around this Hajime, who's not quite the same person he fell in love with anymore. Taking into account what 2.5 implies about his true feelings about talent (that deep down he's always resented what talent has done to the world and his life), I think it could be especially aggravating if Hajime tried to act as if there's no power imbalance between the two.

"...Stop pretending like I'm still your equal. I'm a talentless freak with a brain that's falling to bits, and I'll be gone in a few years. You're the most talented ingenious human being on Earth, and you've probably got a life expectancy of like 250. You don't get to reap all the benefits of being the Ultimate Hope, and then act like you're still an average joe just because you had some profound revelation in a computer world about how okay it is being talentless."

Yeah I feel that. Though it's understandable fandom would run with the "Talent-sexual" Nagito joke given how much he fawns over those with talent and to then apply the logic to "the more talents = the more Nagito will like you". The moment in the anime when he's overwhelmed with adoration simply being in Izuru's presence for the first time also doesn't quite help in this regard, though pretty sure that was put in there more so for fanservice and comic relief.

Funnily enough, as you mentioned, the anime also brought into question how much sincerity Nagito's love for talent truly is. So then it makes you think--if Nagito actually resents talent, then applying the earlier logic: wouldn't the more talents = the more Nagito resents you? Both things are somewhat of a flawed logic, but it's interesting to explore that side of Nagito because it really paints a picture of how deeply entrenched his delusion with hope and talent are. How many layers of denial and repression do you have to be in order to act so sincerely and consistently with your fake ideal that talent=hope and the Ultimates are destined to bring forth that hope? To the point that you circled back around and gaslight yourself into believing it to be a fundamental truth?

At what point did that resentment arise? Did it grow alongside his admiration for talent? Every time he felt his resentment towards talent did he push it back down with positive thoughts of talent instead to try to "look on the brightside/find the silver lining"? Did it get to the point that his resentment was so incredible that he had to think talent positive thoughts 24/7 just to keep it at bay? Is he doing this because otherwise all he'll have left will be hatred, despair, and a bleak view of the world being cruel and unfair? And he'll constantly be wondering why some are blessed with advantage and prodigy while others are seemingly born to suffer and stay stagnant despite their best efforts? Why does the world continue to favor some and crush everyone else? What has everyone done to deserve the life they have?

Honestly, this just further proves that Nagito's obsession with hope and talent are his last ditch attempts at giving himself purpose in a world cursing his existence. Ironically, this unhealthy coping mechanism is the better of two mindsets he chose to follow. Really goes to show that Nagito, despite everything he says, has not given up on himself if he's trying THIS damn hard to keep up the facade and have a reason to keep going everyday. And this is the reason why that OVA is my favorite episode from all the anime as that one line adds so much more nuance to Nagito's already complicated ideology.

Sorry, I sorta derailed things to ramble about Nagito but what did you expect from a Nagito simp after all? He's been rotting my brain for over four years now. But to come back on topic, this post-game Nagito with his looser chokehold on hope and talent would most likely have to contend once again with that resentment, but now with a weaker shield. As such, I do think he'd have mixed feelings about Izuru/Hajime. Part of him would probably sympathize with Hajime's pain from the surgery and the fact that he'll never quite be only Hajime anymore. Izuru is and will always be there. Learning to live with the permanent changes to his body and mind is something Nagito knows intimately--way before he became a remnant. That being said, well....Hajime did get the best case scenario for his outcome. Even some of his emotions returned despite the physical improbability of it happening. And yeah--he gets to keep all those useful talents now too. He's also in better physical health than most of their other classmates and his real name isn't inherently associated with Ultimate Despair. He could go back into society looking the way he does with his legal name and no one would even know he was ever involved with Hope's Peak.

So yeah, that sympathy Nagito has would not be enough to squash down his resentment. I can't imagine him fawning over Hajime post-game given everything that's happened and especially after finding out how Izuru was created (as I talked about in a previous ask). There will definitely be an adjustment period where in Nagito may even be passively hostile towards Hajime. But I think a part of Nagito--the part that white knuckled that silver lining for talent---would try its best to look past that and accept Hajime as a sincere friend. It's just going to take a while for him to get there. But he'll try. Doesn't mean he won't be a snarky passive aggressive guy through out it though. I do think he'll be more blunt about his honest feelings towards others whether they like it or not. Talent be (slightly) damned.

[kelin-is-writing]

Girl, you're an immature aspiring writer (key word: aspiring) who is shitting on Horikoshi's work even though your entire fucking blog is literally dedicated to Hori's work. How pathetic and hypocritical must you be. There is a reason why people rather talk to you anonymously rather than directly because frankly you're an embarrassment and a loser. Your misandry needs to be dealt with. Stop blaming all real life men for you unhappiness with the MHA ending. That the fault of one man, not billions of other men. Just because you're pissed and throwing tantrums doesn't mean you have to blame all men. That's extremely childish though not surprising since you're blog itself looks childish. Why are you even watching MHA, its clearly not for misandrists like you. In case you forgot MHA is a Shonen manga/anime so you're clearly not wanted. You're not the type of audience that Hori wants in the first place. You rather talk about useless characters like Rei Todoroki or squeal about a man's attractiveness rather than the watch and assess the actual fights/battles. Seriously. Stop watching MHA and go watch sailor moon or some shojo shit.

Yo I know, I’m childish and immature that reeeeeeally sucks man. Doesn’t change the fact that you still are a misogynist, abuser and rapist defender, childish, immature, rude, mannerless, ignorant and a gaslighter who came on their own in my childish blog, to ask for my childish opinion though. You did, and are still doing all this on your own accord, so guess who’s the real hypocrite here honey 🤭

[northern-passage]

one thing i find really difficult about navigating the IF space is the direct line of contact between readers and authors. we share the same space, and i think that plays a big part in this weird blurred line we have in this community and overall lack of boundaries.

for a lot of people this is a fun hobby and while i personally try to keep it... semi-professional most of the time, it's easy to get wrapped up in having fun on tumblr (or the forums, or reddit, wherever it is that you mainly post/interact) and have a lot of personal interactions with both readers and authors alike - which is fun! i like it more often than not, but i also think that's why a lot of comments in this space can end up being really entitled, over-familiar, and inappropriate.

it's no secret that most authors get really weird messages on here, and while this is also a problem on social media at large and not just specific to IF tumblr, it is still definitely a big problem in this community.

and to be clear i'm not saying that you can't be friendly with authors or readers (i've become friends with a handful of readers myself) and i definitely don't mean to imply that there needs to be a huge divide between us; that's silly - again, most authors are readers, most readers are authors, we’re just people on the internet sharing the same space. but all of us deserve to have our boundaries respected. this is my story, and we are strangers. as a general rule of thumb: if you wouldn't say it out loud to someone you just met, you probably shouldn't be saying it to a stranger online. especially anonymously.

[battle-subway-ghost]

"my meat guy" is what i call ** **** ****** ********** **** ***** ****** ***** ***

[daenystheedreamer]

jahaerys when I get my hands on you omg. alysanne why were you with that man you seemed cool. imagine being responsible for all your daughter's deaths which are all SEPARATE INCIDENTS and then being like I'm just like The Father

and the way alysanne tries to divorce him three times and he crawls back to her and its this like magical romantic thing about how hes the conciliator. maybe go conciliate with the daughter you exiled?ok cunt?

[newpotatomash]

Just saw this interaction on a blog and I feel like I need to rip off my skin.

[utilitycaster]

My unpopular opinion is that Im0dna is a great example of "just because someone knows you the longest, doesn't mean they know you the best". They don't really underwater each other like other people in the party already do

Hi anon,

So the ask meme is done but I don't actually know if this was intended as part of that, as I also have the sort of personality that solicits unpopular opinions into my inbox anyway. (Also I am guessing underwater is a very funny autocorrect mishap for understand; I have been there).

Anyway, yeah. I think my favorite meta I've seen is that what Imogen and Laudna actually ask of each other is just to be there - because it is true that they have both lived incredibly lonely lives. For what it's worth I think loneliness/missing someone is perhaps the most common thread among Bells Hells, with a secondary theme being victims of circumstance/irrevocably altered by events beyond their control, and it frustrates me that a lot of framing of the ship ignores that Imogen and Laudna are not uniquely suited to understand this about each other. But it is true they have experienced loneliness that, in my opinion, is at least partially self-inflicted (also not unique) and that their response has been to be there for each other.

But it also means there's little room for change, because change threatens that status quo, and there's therefore no space to delve deeper. It's a little bit of the classic problem of if you start a romantic relationship with a friend and then break up, you might lose both the romantic relationship and the friendship. But it's more than that - Chetney and Imogen have zero romantic interest in each other and aren't even terribly close within the party, but when Chetney asks Imogen if she's okay Imogen is actually able to answer with some amount of honesty without pretending everything will work out, as she's not worried about making sure he feels comfortable. Deanna, who's known Imogen for less than a week, is able to address Imogen's constant use of psychic powers in a way that's not unkind but is in fact the honest sort of thing a best friend should be able to tell you. Or for another example, FCG's tendency to strongly urge people, including Imogen, to confront their pasts isn't always the most skilled, but it usually comes from a place of good intentions, whereas Imogen and Laudna's relationship feels...unconsciously transactional? I think we saw in the gnarlrock fight that they're just absolutely terrified of being in a fight and don't really know how to resolve conflict in a way that actually moves forward rather than smoothing things over. Like, it's not an unfair relationship - they're both getting the same companionship out of it - but there's not really space for one person to be angry at the other or to feel wronged. There's no room to breathe.

Anyway - I think the party split is really illuminating this! Imogen is benefiting immensely from this arc, as it both spotlights her relationships with other party members and gives her some time to process after being the central focus for so long. While I have to admit that Team Wildemount is the one I'm far more interested in for a number of reasons (fantastic guests, all the main PCs have cool plot hooks to explore, I love Uthodurn and Molaesmyr) I do hope that we get to see Laudna similarly have a chance to branch out (pun kind of intended).

[hs-critical-confessions]

i hate the fandom. i hate interacting with it because the people are intimidating. most of them are mentally ill teenagers. they make those stories their entire life and personality and become completely attached to them. and will never accept any kind of critism about alice/the characters/the ships/problematic stuff regarding it. they always have the same opinions, and don't have any kind of debate/discourse. they'll hate on characters *cough cough ben cough* for the same things they praise the main characters for,and never think about what's on the other side. i genuinely think if they ever go through anti tags they will explode.

this rant is probably not suitable for the blog's content bc it's not heartstopper-related, but i don't want to post this on my own blog

.

[pocketgalaxies]

FOR REALLL RE: WHEN MATT ASKED IF ANYONE WANTED TO DO ANYTHING. And then, when they went to Keyleth and Orym said "we want to be useful in the downtime"... my jaw fucking dropped. You all JUST got back from aeor, and right before that you got back from the moon - where your friend fucking DIED. No one wants to process any of that??

From how Matt had framed it, the feywild meeting between Ludinus and the Unseelie was an optional mission they could have delegated to NPCs, yet they jumped right into it with no prep or plan.

[And ohhh, the instant amnesia about why they were there. It was like they completely forgot the intent of the mission, and when Dorian raised that point ("is this what we are here for? To fight?") They all just shrugged and acted like there was no other choice!] I love them all dearly, so my frustration is borne of concern (they just walked into a HUGE fucking fight they are ill prepared for), and I am TERRIFIED Fearne will die now because of it. But also, I wonder - do they even want to be in this campaign anymore?

The way they keep rushing forward...maybe it's bc they've been conditioned by the rest of this campaign's pacing. Part of me feels it's Orym. This whole campaign it's felt like he's been using his pushing attack on the team. [Telling them early on (ep 30s) they need to promise him to be better together, forever reminding them of the ticking clock which means they need to get to Yios, to the malleus key, to reunite post-solstice. Then, an hr into the reunion: they need to keep going to address things "fast and fully". They need to get to Keyleth, to the moon, to stay on the moon even if it's risky bc "it isn't a vacation." Oop Letters died, but let's get back to keyleth, now we need to go to aeor, back to keyleth, and after all of that...well they need to "be useful in the downtime"! That might be too uncharitable? I don't know.

Above the table, I think they are all overworked from making two animated series, running a company, and their professional work outside of CR. It seems like too much. Like they need a break, and maybe subconsciously are running headlong to the finish so they can finally have one. I don't begrudge them that, but it does make me sad for these specific characters that they've been so constrained by the plot.]

yeah for sure, the campaign is sharing space with a million other responsibilities when it used to be The Flagship the single most significant project they were working on. i think it's very likely that both animated series are perceived as a higher priority than the campaign now given the budget, wider audience, etc. which just kinda sucks when the campaign also requires the highest level of emotional and time investment out of all of those projects

orym has definitely played a role in the Always Business No Pleasure vibe of the campaign but i guess i hesitate to put that much blame on him, i think the overall story has been go go go and orym is largely a reflection of that. but also i do agree that it certainly isn't helping and many ppl have made more eloquent posts than i ever could about the space his grief has been allowed in comparison to other aspects of other characters and how that has affected the party and the campaign overall

i really do wish they could've taken this week to recuperate, do something for themselves. literally anything. go shopping. any loose ends they would want to tie up before going into a battle to the death. but they either don't have connections to outside npcs or those connections simply aren't prominent enough. relvin, milo, birdie and ollie, family in zephrah, dariax, etc.? anyone?? imogen v. groon battle was sitting right there? and i just don't understand the necessity of adding in this ludinus unseelie situation it seems like something extraneous that the story could've gone entirely without and now it's just another Thing they have to do?

ANYWAY just struggling a lot about all these things! having a great time!!

[msnihilist]

oh, you're not the only one. I saw your post and went "oh that episode! the one that specified that they broke up" and it's still so weird that he's somehow in the wrong for saying they broke up. Like, what was he supposed to say in response? what was he supposed to do?

which is an opinion I've held in the decade-plus it's been since I saw the episode.

that omniverse had a scene repeating that they broke up always felt weird bc I went "wait, didn't we already go over them breaking up in a previous series?"

To be fair, Ben and Julie did get back together in Ultimate Alien. They were on-off for a little bit there.

[wistfulwatcher]

Did you see the post saying how the wilderness chose Nat and Misty saved her, so the wilderness chose Misty to be the one to kill Nat 25 years later? I am unwell over it tbh. I don't exactly mind Nat dying, per se, not when Juliette very clearly wanted to leave (and maybe they weren't able to give her that till after season one had finished and it was too late to find a good way to do it, that's the only thing I'm clinging to to make it all make sense), I just wish it could've been in a way that wasn't labeled an OD. Though I do like that post I mentioned, it helped me a bit to rationalize it a little more.

i haven't seen that, no. to be honest i'm feeling a little burnt out on the 'i don't mind her dying' takes. i've laid out my reasons why i don't think it was a good narrative choice (even excluding the details like the overdose), and i think i've just seen too many people repeat the same arguments that i explicitly disagree with in my post. (most of whom also treat anyone who doesn't see the """poetry""" of her death very condescendingly, and write us off as lacking critical thought/media literacy.)

i also don't agree that juliette so clearly wanted out, and i'm getting really frustrated on that being a focal point of arguments because at the end of the day it doesn't matter: either nat was always planned to die for the story (which means her struggle with sobriety and depression was always going to end in death, which i find distasteful and harmful), or her death was written because of juliette (in which case death was not their only choice - there are a million ways to write a character off instead of killing them after that kind of struggle).

no offense to you personally, anon, and i appreciate you telling me about the post. i may look for it in a few days, because i can see the value in that concept (had they not crafted nat's entire arc the way they did, which is my fundamental issue)

[rawliverandgoronspice]

Or the reason you’re overthinking it is because you’re just trying to find a reason to be mad at the game when you could use that energy at something else to make you happy instead of nitpicking at it.

I suggest you block my account and go have fun with the game unfettered by my takes, you have my Blanket Permission! I'm just a rando with a tumblr blog. Worry about your own happiness first.

[alltimefail-sims]

People taking the time out of their day to send anonymous hate really is wild to me.

Welcome to Simblr kindergarten! Before you take your wimpy anon ass into someone's inbox to send some foolish (or downright deplorable) shit, ask yourself the following:

If it isn't one of these things, maybe just unfollow and/or log off. It is really not difficult!

[northern-passage]

;-; I was on my way to replay faith for like the 34895487 time and it's gone ;;;;;;-;;;;;;

it was one of the best pieces of the jam

are u ok?

thank you this is very sweet :-)

i did take faith down... the short of it is just that faith got a really weird reception and it made me feel really weird and just overall, while i don't regret the experience, i think i had different expectations going into a jam and because of that i just didn't feel good about it in the end. i think i have just learned that game jams are not for me hahaha

this isn't me trying to discourage people from participating or anything (it was still fun making something like that) but it's just my personal experience. if you want to join any jams you should try it for yourself and see, i know a lot of people had fun with this jam so i'm not generalizing at all & you may have a different experience than me. and it was still really cool to see all the different stories that came out of it :-)