#╳┊ carrie dreyer

[jasondeansgothwife]

final destination characters + reductress headlines (part 1 - part 2 can be found here)

[theshad0wsmadamme]

Final Destination 3 Cast (2006)

[aboyisagunasterisk]

who has the footage of ian’s execution

[seikointelli]

Fd3 cast

What is the worst thing Frankie has done and what did you do?

Ashley: He would, like, totally keep trying to touch my ass and it was so fucking weird! So I got my boyfriend to beat him up :)

Ashlyn: Everything Frankie does is the worst. He totally can't stop outdoing himself!

Lewis: I've had to punch the shit out of him more times than I can count.

Erin: Being born is the worst thing hes done. I can't really do anything myself so I either go get Ian and or just walk away.

Perry: Hes never done anything to me. Hes weird though.

Ian: He kept trying to come onto Erin at the amusement park, so I had to take care of some business.

Julie: The worst thing hes done to me was probably trying to kiss me at the damn funeral. He can go to hell for all I care. Oh, and I slapped him.

Kevin: I don't really know what the worst thing hes done is but I can effectively say that hes an asshole.

Wendy: Sometimes when he was wandering school grounds, i'd call the cops or try and scare him away myself. The former worked better than the latter.

Jason: Coming to a high school grad night when you've graduated 2 years ago is pretty weird if you ask me.

Carrie: He put his arm around my shoulder, I gave him a mean right-hook.

[finald-pug12345]

[bloodsvcker]

Here are my favorite media with general Christian imagery. Which one resonates with you the most?

Film: the Last Temptation of Christ, dir. Martin Scorsese, 1988.

Film: Carrie, dir. Brian de Palma, 1976.

Film: Monty Python and the Holy Grail, dir. Terry Gilliam and Terry Jones, 1975.

Show: Fleabag, created by. Phoebe Waller-Bridge, 2016-2019.

Film: la Passion de Jeanne D'arc, dir. Carl Theodor Dreyer, 1928.

Show: Hilda Furacão, written by. Glória Perez, 1998.

Band: My Chemical Romance, 2001-2013, 2019-present.

Show: Supernatural, created by. Eric Kripke, 2005-2020.

Show: Good Omens, showrunner. Douglas Mackinnon, 2019-present.

[pollicinor]

Psyco (1960) Alfred Hitchcock Il mago di Oz (1939) Victor Fleming Il padrino (1972) Francis Ford Coppola Quarto potere (1941) Orson Welles Pulp Fiction (1994) Quentin Tarantino I sette samurai (1954) Akira Kurosawa 2001: Odissea nello spazio (1968) Stanley Kubrick La vita è meravigliosa (1946) Frank Capra Eva contro Eva (1951) Joseph L. Mankiewicz Salvate il soldato Ryan (1998) Steven Spielberg Cantando sotto la pioggia (1952) Stanley Donen e Gene Kelly Quei bravi ragazzi (1990) Martin Scorsese La regola del gioco (1939) Jean Renoir Fa' la cosa giusta (1989) Spike Lee Aurora (1927) Friedrich Wilhelm Murnau Casablanca (1942) Michael Curtiz Nashville (1975) Robert Altman Persona (1966) Ingmar Bergman Il padrino - Parte II (1974) Francis Ford Coppola Velluto Blu (1986) David Lynch Via col vento (1939) Victor Fleming Chinatown (1974) Roman Polanski L'appartamento (1960) Billy Wilder Tokyo Story (1953) Yasujirō Ozu Susanna! (1938) Howard Hawks I 400 colpi (1959) François Truffaut Gangster Story (1967) Arthur Penn Luci della città (1931) Charlie Chaplin La fiamma del peccato (1944) Billy Wilder L'impero colpisce ancora (1980) Irvin Kershner Quinto potere (1976) Sidney Lumet La donna che visse due volte (1958) Alfred Hitchcock 8 1/2 (1963) Federico Fellini Ombre rosse (1939) John Ford Il silenzio degli innocenti (1991) Jonathan Demme Fronte del porto (1954) Elia Kazan Io e Annie (1977) Woody Allen Lawrence d'Arabia (1962) David Lean A qualcuno piace caldo (1959) Billy Wilder Fargo (1996) Joel e Ethan Coen Il mucchio selvaggio (1969) Sam Peckinpah Moonlight (2016) Barry Jenkins Shoah (1985) Claude Lanzmann L’avventura (1960) Michelangelo Antonioni Titanic (1997) James Cameron Notorious - L'amante perduta (1946) Alfred Hitchcock Mean Streets (1973) Martin Scorsese Lezioni di Piano (1993) Jane Campion Non aprite quella porta (1974) Tobe Hooper Fino all'ultimo respiro (1960) Jean-Luc Godard Apocalypse Now (1979) Francis Ford Coppola Come vinsi la guerra (1926) Buster Keaton In the Mood for Love (2000) Wong Kar-wai Interceptor - Il guerriero della strada (1981) George Miller Il lamento sul sentiero (1955) Satyajit Ray Rosemary's Baby (1968) Roman Polanski I segreti di Brokeback Mountain (2005) Ang Lee E.T. - L'extraterrestre (1982) Steven Spielberg Senza tetto né legge (1985) Agnès Varda Moulin Rouge! (2001) Buz Luhrmann La passione di Giovanna D'Arco (1928) Carl Theodor Dreyer La vita è un sogno (1993) Richard Linklater Bambi (1942) David Hand Carrie - Lo sguardo di Satana (1976) Brian De Palma Un condannato a morte è fuggito (1956) Robert Bresson Parigi brucia (1990) Jennie Livingston Ladri di biciclette (1948) Vittorio De Sica King Kong (1933) Merian C. Cooper e Ernest B. Schoedsack Beau Travail (1999) Claire Denis 12 anni schiavo (2013) Steve McQueen Il matrimonio del mio migliore amico (1997) P. J. Hogan Le onde del destino (1996) Lars von Trier Intolerance (1916) D.W. Griffith Il mio vicino Totoro (1988) Hayao Miyazaki Boogie Nights (1997) Paul Thomas Anderson The Tree of Life (2011) Terrence Malick Agente 007 - Missione Goldfinger (1964) Guy Hamilton Jeanne Dielman (1975) Chantal Akerman Sognando Broadway (1966) Christopher Guest Pixote - La legge del più debole (1981) Héctor Babenco Il cavaliere oscuro (2008) Christopher Nolan Parasite (2019) Bong Joon-ho Kramer contro Kramer (1979) Robert Benton Il labirinto del fauno (2006) Guillermo del Toro Assassini nati - Natural Born Killers (1994) Oliver Stone Close Up (1990) Abbas Kiarostami Tutti insieme appassionatamente (1965) Robert Wise Malcolm X (1992) Spike Lee Bella di giorno (1967) Luis Buñuel The Shining (1980) Stanley Kubrick Scene da un matrimonio (1974) Ingmar Bergman Pink Flamingos (1972) John Waters Frank Costello faccia d'angelo (1967) Jean-Pierre Melville Le amiche della sposa (2011) Paul Feig Toy Story (1995) John Lasseter Tutti per uno (1964) Richard Lester Alien (1979) Ridley Scott Donne sull'orlo di una crisi di nervi (1988) Pedro Almodóvar La parola ai giurati (1957) Sidney Lumet Il laureato (1967) Mike Nichols

Dall’articolo "I 100 migliori film della Storia del Cinema secondo Variety: 1° Psyco, 5° Pulp Fiction, 33° 8 1/2, 45° Titanic" di Antonio Bracco

[5starcinema]

The Passion of Joan of Arc

(1928, Denmark-France, silent, directed by Carl Dreyer)

Carl Dreyer's legendary picture about the martyr Joan of Arc has been cloaked in mystery from the day its production began. French nationalists were concerned that such a controversial project was being carried out on French soil by avant garde (read: non-Catholic) artists. Predictably, censors severely edited the film for its French premiere. Meanwhile, Dreyer's original version was destroyed in a fire. After the director composed an identical second print from remaining elements, a second fire destroyed that print. As the notes in the Criterion DVD version of the film point out, Dreyer's film endured the same fate as Joan herself: judges, scissors, and fire.

Over decades, badly altered and "musically enhanced" versions could be seen in theaters, and Dreyer is said to have been devastated by the sorry state of affairs. He died believing that his greatest work had been lost forever. However, in 1981, someone discovered in an office closet several canisters of film, one of which contained an original print . The office was located in a mental institution in Oslo, Norway.

For almost half a century, the only audiences enjoying an authentic version of this marvelous film were comprised of the mentally ill and their caretakers. Yet there's an uncanny consistency in that fact. Renee Falconetti, the actress who portrays Joan, is said to have never worked in motion pictures again because she was so emotionally spent by the experience (she did suffer some emotional breakdowns during and after production).

Another key player, Antonin Artaud, the Dada-Surrealist wild child, opium fiend, and Theatre of the Absurd founder, was eventually institutionalized (after a short and notorious career) because he was tormented by "voices." All of the bizarre circumstances of the film's history notwithstanding, Dreyer's work remains a landmark example of cinema as art.

Regarding its impact—primarily through a highly stylized conveyance of a real event—Jean Cocteau commented, "It seems like an historical document from an era in which the cinema didn't exist."

Dreyer's achievement is remarkable considering that he abandoned every common cinematic technique that might convey anything approaching reality. Art director Hermann Warm (The Cabinet of Doctor Caligari) found inspiration in the primitive art of illuminated manuscripts, in which perspective is entirely ignored. The result is an Expressionist take on medieval art (a successful convergence of Surrealism and medieval minimalism, one could argue) manifested in one of the most peculiar sets in film history. In this realm, physical structures, light, and angles do not observe geometry, and it is not possible to perceive their scale in relation to the actors.

The "geometry" and rhythm commonly associated with motion pictures are also absent from Dreyer's work. Spatial relationships between actors are seldom consistent, if they can be determined at all. There are no establishing shots as such, and cuts from one player to another do not always match dialogue or action. Most of the shots are close-ups of faces—but what amazing faces they are. Gifted veterans from the French stage are captured in carefully sustained, intricately detailed shots, and the result is unforgettable. Except for a few brief glimpses, almost none of the set is visible.

Dreyer's production notes indicate that he merely wished to employ a set that could immerse his actors in a milieu that might emotionally transport them to the historical setting. That speaks to Dreyer's confidence considering that he was working with gifted set designers at the peak of their talents. Notes also suggest that the disorienting visual style works at "unmooring from the present" the imaginations of viewers.

This method provides a stunning emotional immediacy appropriate to a historical subject. The resulting series of images is also beautiful (that's hardly surprising with cinematographer Rudolph Maté at the helm), and at some point it is uncertain if the film seems like a work of art because we are so disoriented, or if encountering such a deeply satisfying image disorients us. Add to this Renee Falconetti's performance, which utterly defies comparison, and you have a rare motion picture experience.

[aerodynamicc]

tag yourself as a fd3 character I’m Carrie dreyer 😁

[capellilavita-blog]

FINALISTS ANNOUNCED FOR THE 2023 DINERS CLUB WINEMAKER

AND YOUNG WINEMAKER OF THE YEAR AWARDS

The finalists for the Diners Club Winemaker and Young Winemaker of the Year awards have been announced. Six winemakers have been shortlisted to compete for the prestigious Winemaker of the Year award, and six will vie for the Young Winemaker of the Year title.

The Winemaker and Young Winemaker awards focus on quality and the recognition of excellence and are among the country’s most prestigious and most-respected wine industry competitions. While most wine industry awards focus on the winning wines, the Diners Club Winemaker and Young Winemaker of the Year awards celebrate the creators of the winning wines, honouring the skills and talents of the vintners.

The awards are presented to winemakers who produce a wine that the judging panel considers to be the best in the two specified categories for the annual competition. This year, the category for the 43rd Winemaker of the Year award is Syrah/Shiraz, with White Wine the category for the 23rd Young Winemaker of the Year award. As in previous years, winemakers can be shortlisted for more than one submission. These awards are open to all in the South African wine industry at no cost, thus affording all winemakers an equal opportunity.

There were over 180entries this year and the field was narrowed down to twelve finalists through rigorous judging over two days by a team of wine experts. All the judges agree that it will be a close race for the top prize, a clear indication that the finalist wines are outstanding.

THE 2023 DINERS CLUB WINEMAKER AND YOUNG WINEMAKER OF THE YEAR FINALISTS

Winemaker of the Year category: Syrah/Shiraz

Annamarie Fourie – 2018 Holden ManzSyrah Reserve

Charles Hopkins – 2020 De Grendel Shiraz

Dewaldt Heyns – 2021 Dewaldt Heyns Weathered Hands Shiraz

Josef Dreyer – 2020 Raka Biography Shiraz

RJ Botha – 2020 Kleine ZalzeFamily Reserve Syrah

Tertius Boshoff – 2020 StellenrustArtiSons Blueberry Hill Shiraz

Young Winemaker of the Year category: White Wines

Marnich Aucamp – 2021 Stellenbosch VineyardsCredo Chardonnay

Michelle Waldeck–2019 Benguela Cove Catalina Semillon

Morgan Steyn– 2022 De Grendel Op die Berg Chardonnay

Nongcebo Langa –2022 DelheimGewürztraminer

Pieter Coetzee–2021 Quoin RockChardonnay

Richard Schroeder–2022 Groot PhesantekraalMarizanneSauvignon Blanc

THE 2023 DINERS CLUB WINEMAKER OF THE YEAR JUDGES

Carrie Adams – Head Judge; Winnie Bowman; Yegas Naidoo; Shane Mumba; Denzel Swarts

The finalists for both awards are invited to a black-tie gala dinner at the Five Star Arabella Hotel & Spa on 18 November 2023, where the winners will be revealed and presented with their trophies. The winning winemaker receives R50 000 and the young winemaker R25 000. In addition, both winners receive a round-trip air ticket to a wine-producing region – terms and conditions of the presenting sponsor apply.

*content supplied*

Posy Hazell

[newmusicradionetwork]

Indie Country Recording Artist Andy Pursell Set To Release New Single “Me Myself And The Tide”

Florida-based singer-songwriter and indie country recording artist Andy Pursell (Southern Dreams Entertainment) announced the scheduled release of his new single “Me Myself & The Tide.”* Written by Victoria Banks, Joe Hanson and Judy Klass, and produced by Mark Dreyer, the track is the second in Pursell’s 2023 waterfall series of releases and will be available via all digital retail outlets and streaming platforms Friday, July 28, 2023. (Presale/pre-save event begins July 14, 2023.) Recorded at Studio 23 Lakeside Recording in Nashville, the track features instrumental performances by award-winning, A-list musicians, including four-time ACM “Steel Guitarist of the Year,” Mike Johnson (Jason Aldean/Carrie Underwood/Jon Pardi/George Strait/Willie Nelson/Merle Haggard), Kevin Grantt (Willie Nelson/Merle Haggard/Colt Ford/Josh Turner) and Mike Rojas (George Strait/Tim McGraw/Brett Eldredge). The pedal steel opener sets the mood for the easy-does-it Caribbean vibe and storyline. Appropriately dressed with “hey-oh’s,” the beachy tune is a sunset postcard of solo seclusion where the beach and the breeze chase the blues away, and heartache is swept out with the tide. “‘Me Myself & The Tide” is a break-up song, with a first-class, one-way ticket to ‘goodbye’,” said Andy Pursell.“The instrumentation and groove paint the ambiance of sand between your toes, swaying palm trees, ocean sunsets, and a long, tall cool one where you can let the heartbreak go.” I WANT TO BE WHERE THE HORIZON IS WIDE WHAT CAN I SAY OH, IT’S HARD TO FEEL LOW WHEN THE SUN IS SO HIGH SALT ON THE RIM SALT ON THE BREEZE BUT THERE AIN’T NO SALT RUNNING DOWN ON MY CHEEKS FROM A GOODBYE TAKING MY TIME TWISTING A LIME JUST ME MYSELF AND THE TIDE The new track follows the success and momentum of Pursell’s recent single “Right Amount Of Wrong” released in March (AT COUNTRY RADIO NOW). Andy will embark on a radio tour in support of the single (including station visits in his home state of Florida, traveling to Tennessee, Alabama, Arkansas, Kentucky and Missouri). The corresponding “Right Amount Of Wrong” music video, produced by Jered Allen/Crazy Horse Productions and shot at various locations in Pursell’s hometown of Arcadia, FL, premiered on Country Rebel. Read the full article

[spinstrackingsystem]

Indie Country Recording Artist Andy Pursell Set To Release New Single “Me Myself And The Tide”

Florida-based singer-songwriter and indie country recording artist Andy Pursell (Southern Dreams Entertainment) announced the scheduled release of his new single “Me Myself & The Tide.”* Written by Victoria Banks, Joe Hanson and Judy Klass, and produced by Mark Dreyer, the track is the second in Pursell’s 2023 waterfall series of releases and will be available via all digital retail outlets and streaming platforms Friday, July 28, 2023. (Presale/pre-save event begins July 14, 2023.) Recorded at Studio 23 Lakeside Recording in Nashville, the track features instrumental performances by award-winning, A-list musicians, including four-time ACM “Steel Guitarist of the Year,” Mike Johnson (Jason Aldean/Carrie Underwood/Jon Pardi/George Strait/Willie Nelson/Merle Haggard), Kevin Grantt (Willie Nelson/Merle Haggard/Colt Ford/Josh Turner) and Mike Rojas (George Strait/Tim McGraw/Brett Eldredge). The pedal steel opener sets the mood for the easy-does-it Caribbean vibe and storyline. Appropriately dressed with “hey-oh’s,” the beachy tune is a sunset postcard of solo seclusion where the beach and the breeze chase the blues away, and heartache is swept out with the tide. “‘Me Myself & The Tide” is a break-up song, with a first-class, one-way ticket to ‘goodbye’,” said Andy Pursell.“The instrumentation and groove paint the ambiance of sand between your toes, swaying palm trees, ocean sunsets, and a long, tall cool one where you can let the heartbreak go.” The Read the full article

[newmusicweekly]

Indie Country Recording Artist Andy Pursell Set To Release New Single "Me Myself And The Tide"

Florida-based singer-songwriter and indie country recording artist Andy Pursell (Southern Dreams Entertainment) announced the scheduled release of his new single “Me Myself & The Tide.”* Written by Victoria Banks, Joe Hanson and Judy Klass, and produced by Mark Dreyer, the track is the second in Pursell’s 2023 waterfall series of releases and will be available via all digital retail outlets and streaming platforms Friday, July 28, 2023. (Presale/pre-save event begins July 14, 2023.) Recorded at Studio 23 Lakeside Recording in Nashville, the track features instrumental performances by award-winning, A-list musicians, including four-time ACM “Steel Guitarist of the Year,” Mike Johnson (Jason Aldean/Carrie Underwood/Jon Pardi/George Strait/Willie Nelson/Merle Haggard), Kevin Grantt (Willie Nelson/Merle Haggard/Colt Ford/Josh Turner) and Mike Rojas (George Strait/Tim McGraw/Brett Eldredge). The pedal steel opener sets the mood for the easy-does-it Caribbean vibe and storyline. Appropriately dressed with “hey-oh's,” the beachy tune is a sunset postcard of solo seclusion where the beach and the breeze chase the blues away, and heartache is swept out with the tide. “‘Me Myself & The Tide” is a break-up song, with a first-class, one-way ticket to ‘goodbye’,” said Andy Pursell.“The instrumentation and groove paint the ambiance of sand between your toes, swaying palm trees, ocean sunsets, and a long, tall cool one where you can let the heartbreak go.” I Read the full article

[aboyisagunasterisk]

guys hear me out PLEASE because i already think im going crazy

ian and wendy

carrie wendy erin and ian

[seikointelli]

@ devils flight kids: worst fear?

Carrie: Well, besides falling to my death on a roller coaster again, snakes, both figuratively AND literally.

Jason: Probably losing all my loved ones.

Ashley: For some reason i'm, like, scared to death of being hit by a semi-truck!

Ashlyn: Totally getting into a bad car crash!

Lewis: I ain't really scared of anything.

Erin: Dying a painful death. I don't think I can go through that again.

Perry: Dying again.

Ian: Not to sound stereotypical but having my loved ones-mainly just Erin-suddenly start hating me someday. That would sting a little bit.

Julie: Spiders are the bane of my existence.

Kevin: I can't really think of one off the top of my head but probably being publicly hated.

Wendy: Not being believed, especially when I know i'm right and just trying to help.

[therooftopsofketterdam]

Sneaking up on Kaz Brekker was an impossibility, no matter how much Inej wrapped herself in shadows, no matter how quiet she willed herself to be. After that first time in the Menagerie it had never happened again. It was like once he had seen her, truly seen her, he was always able to find her, sense her near. Even now, standing in the shadows, coat abandoned and cane in gloved hands.

Inej pulled herself into the warmth of the small office, slipping a piece of paper out of her pocket with slender fingers and a raised eyebrow. "I followed van Dreyer. The Merchant is indeed hosting several mistresses in his city apartments. I'm sure the the Ghezen fearing Council and his wife won't like this bit of information." She placed the piece of paper down on his desk, then came to a stop close to Kaz, watching him through the mirror.

He looked angry, a stain spreading over his vest and shirt. A heavy red liquid almost like the colour of blood. It smelled like cherries.

"I didn't know someone could get the drop on you this easily." Inej teased as she walked to the back of the office where they kept some supplies on hand. She pulled out a small bag of corse salt that she used to adjust the grindings of her whetstone. "If you want to save that vest, salt and hot water should do the trick. But you might want to get changed. Or dirty hands will need to content with a dirty outfit."

Inej was in a good mood today. Despite the exhaustion that settled into her bones from scaling the mansion earlier and then holding tight to the thin beams of the ceiling in order to eavesdrop on the mercher and his secrets, she had found travelers from Ravka that shared stories with her about a Suli caravan. The feeling of home in her heart made her brave.

"Have mercy on the people who wrong you. An easy heart is better to carry then a heavy conscience."

She had only snuck up on him one time since they had met, something which Kaz was keen to never have repeated again. He had always prided himself on his ability to remain aware of his surroundings at all times; possessing a sort of hyper awareness that could only have been bred at the bottom of the Barrell. He had told Inej as such, and had since grown accustomed to detecting the subtle shift in air current when she entered a room, silently as the wraith she had been so apatly named after. Kaz's trust was something that was earned, not given freely and there were only a handful of individuals whom the leader of the Dregs could truly feel safe around. Besides Inej and Jesper, even the other Crows were people who Kaz kept at a cautionary arm's length. Even Jesper couldn't be trusted as far as the Barrell boss could throw him at times; particularly where it came to money. Not Inej. Inej was the one person alive whom Kaz Brekker trusted implicitly. She was the one person who was capable of seeing past his walls into the tortured soul that lay beneath. Sometimes when she looked at him, he almost thought that she could read his mind; hear his innermost thoughts by the minutest of shifts in his expression. As such, he trusted her with his life. If only he was capable of giving her what she needed. "Nor did I, but some imbecile spilled a drink over me while I was doing my usual scoping of the floor. Let's just say that that will be the last time he steps foot in The Crow Club."