#┅┅┅ MAIN ARC. ┉ ( TIMELINE UNDETERMINED. )

[rewritix]

repost pt 3

reposted from deleted blog under same name.

Combining the two posts talking about ships and the new timeline. Mostly just wanted start by staying I love rarepairs and wanted to change the order of villains and fairy forms.

brandon x thoren, bloom x diaspro, stella x aisha, nabu x riven, sky x chimera, daphne x nereus, icy x triatannus, taea (mirta/tara) x techna, nex x roxy

any suggestions for flora, timmy, helia or roy, feel free to drop them!

Backstory: The ancestral witches messed with the entire magical balance by attacking the Dragon, several planets are on the verge of destruction and the rest of the planets are putting all current resources into maintaining them. Daphne sent Bloom through the magix dimension instead of the solar system which resulted in time distortion. Winx Club is an abandoned club between all eight schools for camaraderie, the meeting room is the only room magically connected to all other schools.

Season 1:

Bloom is discovered by Stella same as canon but when brought to Alfea, and explained Faragonda is nervous whether Bloom is tied to Terra or another off-balance planet. Explains that because of the missing past and link that it’s best they keep Bloom’s origin a secret. 

The party is hijacked and Bloom’s secret comes out so the group joins the Winx Club to help tie their relationship tighter: Bloom, Stella, Flora, Techna, Musa, Aisha, Sky, Brandon, Timmy, Helia, Riven, Thoren, Nex, Roy, Mirta, Diaspro, (Chimera, Roxy, Daphne, Nabu later seasons). 

Instead of each new aspect + pet coming each seasons we have them mentioned here but not relevant until later in their respective seasons. 

Explain all the fairy forms and how one version is more useful depending either on the fairy aspect or the planet that is their guardian planet. (ex: Sirenix is good for water based fairies or water based planets).

Introduce all of the new schools + planets (maybe not this season but one per season or a cameo in season one and expanded in later seasons). 

Explain what a nymph is and the difference between a normal fairy. 

Introduce multiple magic creatures (creation myth for the planets etc etc) alongside the great dragon. 

Main plot of Trix trying to find and capture the Dragon Flame, discover that Bloom has it, army of darkness, etc. 

The crushes that start is Bloom x Diaspro, Mirta x Techna. 

Season 2: 

Fairy animals are now the main plot, similar of evil boss wanting to use the magic to unlock specific types of powers, miniworlds are cut out, everyone gets a fairy animal (name undetermined), and charmix is discussed at earlier point in season. 

Trix have been sent to Lightrock but attempt to escape constantly before faking the therapy working, but it did affect Stormy, who now attempts to prove to herself that she is evil to a harder degree. 

Different type of wildlands with strange issues, upside down mountains, no magic, too much magic, etc, every arc is at a different wildland focusing on one or two fairy animals. 

The wildlands end up with Stella and Aisha developing crushes and then at the after party for defeating BBEG, they confess to each other.  

Season 3:

Darkar attacks the pixies and tries to use an artifact to open the dimension and go into the solar system, since he was banished into the dimension. 

Mythix is the form focused, using stories and myths of pixies and the creation of the dimension to gain power. 

If Darkar opens the solar system, the dimension will shatter and die completely. 

Trix join him, and flees before the Winx can capture them. 

Romance Plot of Aisha being told of engagement and Stella and her come out about the relationship, at first the parents believe they’re lying to protect Aisha but they realize that they are in love, call off engagement. 

Nabu shows up to see why the engagement was called off, and joins the group at this point, him and Riven start a mutual crush. 

Palladium x Avalon. 

Season 4: 

Tritannus attacks the infinite ocean, power from the ties between infinite ocean and other planets. 

Trix joins him, but he does go insane via the magic and attacks the Trix several times, almost killing Stormy which pushes her into actually wanting to change herself and runs from the Trix to Lightrock. 

Romance of King Radius and Cassandra, Stella helps romance this time, and her and Chimera bond over the issues of the infinite ocean. 

Sky develops crush on Chimera.

Daphne is rescued and crush on Nereus. 

Season 5: 

The magic between the infinite ocean and terra’s connection (pillar? Tether? etc), restarts the magic of Terra, letting the frozen time bubble on the dark circle wizards pop, and start the hunt for the last Terra fairy, who they think is the infant princess of the limbo’d fairies in Tir Na Nog, who spent centuries healing their wings. 

Believix is the fairy form focused on Terra magic, still the wings of (maybe?): speedix (speed enhancement), Zoomix (teletransportation), Tracix (time traveling), Lovix: Gift of Heart, Sophix: Gift of Wisdom

Nex develops crush on Roxy. 

Nabu doesn’t die from the wizards but instead falls into a coma and Riven takes him to his home for healing.  

Season 6: 

Selina discovers her witch magic, becomes obsessive with cursed book, attends Cloudtower. 

Icy and Darcy reenter the school with fake identities and replaces Stormy with Selina to make a new Witches Trio. 

Takes over the school and almost kills Griffin which gets them sent to Omega Dimension. 

Fairy Form Focus is Enchantix, now about being a guardian fairy. At this point is the highest form. 

Riven returns a few episodes in, and mentions Nabu healing and recovering and prob several mentions and hints. 

Season 7: 

Valtor’s new backstory, Trix find him at Omega, wakes him up and he attempts to steal magic of planets, and stars in the solar system. 

Fairy Form Focus is Winx, basically redid Bloomix, dragon flame magic. New highest form.

[uslivin-a]

MEMES || ACCEPTING @horrorempathy​ asked: “ we’re through with games.” to rick from andrea

“ is that what you think we’ve been doing up until now...? playing games?”   rick asked, as he looked over at andrea with a slight tilt of his head, eyes squinting from the sunlight hitting his eyes. if that’s what she thought they’d all been doing, then he couldn’t really say he agreed.

[wclsh-a]

MEMES / ACCEPTING @peletier​ asked :“ ain’t sure what we’re gonna find out here.”

𝐚   𝐡𝐞𝐚𝐯𝐲   𝐬𝐢𝐠𝐡   𝐟𝐚𝐥𝐥𝐬   𝐟𝐫𝐨𝐦      the   ex - cop’s   lips,   gaze   drifting,   for   once   not   sure   on   what   to   say.   he   knows   what   he’s   supposed   to   say,   that   they’re   going   to   FIND   something   and   that   everyone’s   gonna   be   okay,   but   that   could   end   up   being   just   false   promises.      ❛❛   ...   yeah,   ❜❜      he   mutters   instead,   hand   coming   up   to   comb   through   dark   strands   of   hair   for   a   moment,   before   letting   his   hand   drop   back   down   again.      ❛❛   yeah,   me   either.   but   whatever   we   find   or   don’t   find,   we’ll   figure   somethin’   out...   ❜❜

[biscuitreviews]

Biscuit Reviews Star Trek Discovery (Season 2) (SPOILERS)

After watching the first season of Discovery, I thought, “what first season of Trek isn’t awful, maybe Discovery will hit its stride in the second season.” Then I watched the second season... 

That was a thing.

As mentioned previously in my season one review, technological inconsistencies will not matter and Lore will be taken on a case by case basis. Season 2 will be judged on Season 2 alone, but I will bring up Season 1 events if appropriate. I won’t be going over every episode as Season 2 had a continuing storyline.

Spoilers will be discussed so if you haven’t watched either the first or second season, you’ve been warned.

Season 2 immediately picks up where Season 1 left off, with the USS Discovery answering a distress signal from the USS Enterprise under the command of Captain Christopher Pike. With the Enterprise heavily damaged, Starfleet has tasked Pike to take command of Discovery to continue his mission on investigating seven signals that mysteriously appeared with no explanation.

Having Pike come in is once again an excellent way to bridge this series with the TOS timeline. We also get to see more of Pike himself as our only experience seeing Pike in action is the TOS pilot. Pike is a Captain that will do anything for the crew he serves. He upholds Starfleet’s ideals of peace and exploration. We even get to see Pike still continue to carry the guilt of being able to do nothing during the Federation/Klingon war, something that we also saw in the pilot episode of TOS which was a really nice touch of connecting that this Pike we are seeing is the same Pike from the pilot.

As for where we are exactly in accordance to the TOS timeline, Season 2 takes place at an undetermined amount of time after the events of the TOS pilot. However, from what I have observed with what Discovery presents to us, my guess would be we are about 8 years away from the first episode of Kirk’s command of the Enterprise which we saw in “The Man Trap”. Which would put the events of the pilot happening around the first or second year of Pike’s command of the Enterprise. Take that little detail with a grain of salt, but again, with what we’re presented, I feel this makes the most sense in terms of the timeline of the Prime Universe.

However, despite how awesome Pike was, I felt season 2 used him as a crutch to keep the series up. It seems that the second season wanted to highlight Pike as the main character rather than Michael Burnham, you know, who the series is actually supposed to be about?

Speaking of Michael, what’s her story this season? Finding Spock after he broke out of a psychiatric hospital. Why is Spock in a psychiatric hospital you might ask. He’s there because he’s connected to the seven signals somehow and believes that the creator of the signals, known as the “Red Angel” is communicating with him. Spock also enters a “logic breakdown” trying to figure out if the Red Angel is real or not, seeing how he’s the only person that has had any form of contact with this being.

We’ll get more to Michael’s story soon, but first let’s go ahead and address the elephant in the room. How is Spock in Discovery? He’s fine. I don’t have a problem with this Spock showing more of his emotional side as it lines up more with how Spock was portrayed in the pilot of TOS. However, what I do have a problem with the conflict he has with Michael Burnham and how the writers handled the rest of Spock’s family. Spock resents Michael, why does he resent Michael? The reason for said resentment is what I consider to be one of the most offensive things to happen to Spock himself.

Amanda Grayson, Spock’s mother, saying how she couldn’t give all her love and support to Spock because she didn’t want to confuse him with his Vulcan/Human heritages and being raised the Vulcan way.

What the fuck.

Look, I know canon established that Amanda had difficulties with raising Spock and how she faced challenges with the Vulcan upbringing. But even through all of that, she still showed her love towards Spock and did her best to give Spock the support he needed during his formative years. We’ve even seen Spock in TOS and the movies be very warm towards his mother, even AOS reflected this. To have Amanda say she gave everything to Michael not only gives more unnecessary resentment Michael faces to the longtime Trek audience, but also does a disservice to the established relationship between Amanda and Spock that we see in TOS and the movies.

Let’s not forget the other reason Spock has resentful towards Michael, because she called him a half-breed when they were kids. The reason Michael did that was also really weird, which was for the sake of protecting him from the Logic Extremists to show that they hated each other. I’m sorry, but I don’t think that would stop a terrorist organization trying to harm Spock. This seems like another case of the writers needing a patchwork reason to show why they never went after Spock as a child to uphold established Lore and that was what they came up with.

As for Spock himself, well my complaints for Spock are the same as Pike’s. He was used as a crutch for the season to keep interest, which was not necessary. A Spock appearance was inevitable with the adoptive nature he shares with Michael, but to have him play the large role was unnecessary, especially with what we learn about Michael’s connection with the Red Angel.

Now Sarek, this season, I will have to admit, he was handled much better than the previous season. We see a Sarek that cares for Spock, even partaking in Vulcan rituals to attempt to reach out to his son when Spock is missing. We see Sarek doing everything possible to help Spock. Even when he’s faced with a dilemma between turning Spock over to the Federation for questioning, we see that internal conflict he faces on whether it’s the best course of action. 

However, his reason for turning him over was a really dumb reason. 

“Because the Federation can take better care of Spock.” 

I’m sorry, but every piece of Lore, every Star Trek series, has shown that nothing can take care of a Vulcan better than another Vulcan when it comes to these mental issues. We see this in TOS, we see this in DS9, we see this in Voyager, and we see this in the movies. But it’s the thought that counts I guess? Not really.

Another reason for turning Spock over is that it’s because he believes in Spock’s innocence and that he believed it was logical to have Spock, Pike, and Michael provide their evidence regarding the Red Angel and why Spock didn’t commit the murders he was framed for. He knew that for Spock to be cleared, it was logical to appear cooperative and with the Discovery crew actively investigating the Red Angel and Spock’s alleged crime, it made sense. That part I get, and I wish that was just the reasoning, instead of tacking on the whole “Federation can take better care of Spock because of his condition.” It would have really highlighted Sarek’s loyalties to the Federation, while at the same time showing his love for Spock. But we didn’t get that. Instead we got the Federation can take better care of a Vulcan than another Vulcan.

Now, what about the other characters? Staments’ storyline dealing with the revival of his husband Dr. Culber I’ll admit is something I was not a big fan of. If anything the revival of Dr. Culber, got rid of the development and drive Staments had in the end of the first season and the need to want to leave Starfleet at the beginning of Season 2. It had the potential to tackle a sci-fi issue, is this alternate version of a character the same person, or are they a completely different person?

The initial answer I’ll admit was rather intriguing. Dr. Culber can recall the experiences, but those experiences are not his and he even stated as such. He even moves out of the shared quarters with Staments to figure out who he is as well as show that this Dr. Culber is indeed a different person. I was looking forward to the two of them getting reacquainted and see a new type of relationship develop. A new romance, a friendship, or maybe not get together at all. Instead, we got the new Culber picking the relationship back up with Staments without any real meaningful development or reasoning as to why he chose to re-enter said relationship. 

Now Trek has always played with character deaths. In fact, Voyager is a series that played with it alot, at least every character died at some point, but got revived because of either breaking time loops, changing the past, or having alternate universe versions just take over. The reason it worked with Voyager is because the crew were in an unknown part of galaxy and were doing everything possible to get back home. All of it was written and ingrained in Voyager’s story and DNA.

With Discovery, this felt more like a mistake they were trying to correct in season one by negating the “killing the gay” trope to be like “see, he’s not dead. It’s Trek, just write it off!” No, I’m not going to write that off, Alex Kurtzman, you just did more of a disservice towards these two characters just like the disservice that happened to them in season one.

Saru’s arc is not only amazing, but also in many ways relatable to his self-discovery as a Kelpian. We learn that Saru’s planet, his species actually used to be the oppressors towards the Ba’ul many years ago. Now that the Ba’ul have risen to power, they have turned their revenge on the Kelpians and are now oppressing them. Saru begins to enter a stage in a Kelpian’s life where it has been long believed that he is entering death. Instead he’s entering an evolution in his species. The fact that he doesn’t know what this new stage will do or how to go about it is very relatable. As a human person, I sometimes don’t know the inner workings of my body. Everytime we see a species in Trek, they know everything about their biology so to see an alien species actually not know something about theirs is very relatable.

I did love Tilly’s arc with communicating with the mycelinal network. Thinking she’s losing her grip of reality little by little, coming up with the conclusion on what was happening, reaching out for help when she needed it and the Discovery crew giving her actual honest help. If only they actually provided that level of support for another character that reached out for help. Don’t worry, I’ll be getting to Ash Tyler later. Hell, when Tilly was taken into the mycelinal network, Discovery did everything they could to get her out. The second part of her arc, which occured in the finale, was handled terribly in the writing sense as it actually required you to watch another series known as “Short Treks” to understand as it introduces a new character, Me Hani Iki Hali Ka Po (which I will refer to as Queen Po moving forward).

Yeah, I’ll deviate from Discovery a little to briefly mention Short Treks. Short Treks was meant to be more of a supplemental series telling short stories within the Trek universe. It’s a great idea for lore building but to have one episode required to understand how something in the finale happened left a bad taste in my mouth. 

Take Saru for example. He had a Short Trek episode that showed how he joined Starfleet. Yet it’s not required to watch as Saru gives what you need to know in the main series, but if you want the full experience you can watch the Short Trek episode or don’t, either way, you have everything you need. Even the Picard prologue episode doesn't require you to watch it first as again, what you need to know is in the series itself.

But Tilly’s episode regarding Queen Po, if you don’t watch it, you’ll be lost as to why this new character is important as well as her connection to Tilly.

So what about Ash Tyler, what’s he up to. He’s on Kronos!  Maybe he’s acting as a liaison between the Federation and the Klingons? Nope, he’s now the husband of the new Klingon Chancellor, who was his rapist. He forgave his rapist and then married her. 

Do the writers just not know what to do with him? 

I’m sorry are we going to forget everything that he went through in season 1? How he would enter a mental breakdown at the mere mention or sight of her. Are we going to forget all of the physical and mental abuse that was done to him, just sweep it under the rug and forget that everything happened because they now love each other? 

Look, I know canon established that Klingon women are very violent and physical towards their mates. But you know what Trek also established, that it was consensual when someone would engage with a Klingon in any sort of courtship or sexual relationship. But everything that happened to Ash Tyler wasn’t a part of Klingon culture and courting, it was not consensual, it was torture and rape in a time of war!

Look, the writers need to do better. He had some great potential to highlight issues such as PTSD and male rape victims. But it got bungled so hard that I don't even know how they can fix the mess they have made of his narrative. Would certainly be better for him if the writers stop trying to have him be a posterboy of issues that they clearly do not understand how to convey. 

Oh, they have a kid too. But the father was the Klingon who’s personality and soul was fused into Ash Tyler and now he needs to protect the kid, because reasons. So he and the Chancellor fake Tyler’s death and the death of their child. Those events bring him to join Section 31.

Now, Section 31 has been mentioned here and there in Trek lore, we would see their presence every now and then in DS9. We learn that Emperor Georgiou has actually become a member of Section 31 and would be an ally to the Discovery crew. Seeing a Mirror Universe person try to acclimate themselves to the way of life in the Prime Universe, which is a very drastic change compared to what she’s used to was a very refreshing change of pace involving anything that deals with the Mirror Universe. 

From being a leader of an empire that nearly brought the galaxy to its knees, to now taking orders from Starfleet. Not only that, but she must also obey her superior officers and report to her commanding officer, Leland. Whom in classic Mirror Universe fashion, does what she can to become a new commanding officer of the ship.

I’ll admit seeing more of this is something that I would like and I really hope that the Section 31 series starring Emperor Georgiou really takes off.

Leland will actually be our “big bad” for the season. He will be killed and have his body taken over by a Section 31 AI known as Control. Control’s immediate goal is to obtain consciousness, however, it’s the connection with the Red Angel that explains why Control is a threat.

The Red Angel is Michael’s mother, Gabrielle, who was thought to be dead. This actually added a lot to Michael’s backstory. Michael’s mother worked for Section 31 and was developing a time travel suit. Why was she working on a time travel suit? Because Section 31 obtained evidence that the Klingons were developing time travel technology. That little part I’m a bit weirded out on as I don’t think Klingons would even waste their time on time travel tech. Honestly that seems more like something a Romulan would do than a Klingon, but ok, I guess we’ll go with that.

When the Klingons attacked, she attempted to use the suit to go back in time to get her family out before the Klingons came. But, instead of going into the past, she ends up 950 years into the future, where Control has evolved and eradicated all life in the galaxy.

With Michael hoping for a joyous reunion with her mother, we find Gabrielle determined with one mission and one mission only, to stop Control. I actually really liked Gabrielle’s coldness towards Michael as it shows that she has been trying to stop Control for a long time. The exhaustion on her face, the zero emotion she had when reuniting with Michael and the sharpness of her dialogue delivery show a woman that has seen everything she cares for die in front of her repeatedly. So much so that Michael’s attempts to reach out to her are met with a callous mindset that Gabrielle knows too well. Why should she bother trying to reconnect with her daughter, if to her she’s simply going to die soon anyway for what is probably the thousandth time?

We even see Michael desperately trying to find some sort of connection, some sort of in to allow her mother to feel what she is feeling and that moment right there you really feel for Michael and just wish that her mother would at least hug her or something. 

It’s these moments that help Michael grow more as a character and help her stand on our own, without the need of Sarek or Spock holding her back. These moments show a Michael that just wants to save her mother, and show her that this long battle she has fought can end and that the future can change. Michael has lost her mother once and she is now in a position to save her.

This is how you bring a reunion, this is how you make a character standout. By having Michael show herself and her feelings. Not attach her to something that she really doesn’t need to be attached to for the sake of creating a connection with legacy characters for the buy-in. 

After the final battle and stopping Control, we see the USS Discovery and its crew find themselves 900 years into the future and that is where season 2 ends and where season 3 will begin.

Once again my main complaint is terrible writing that disrespects the characters. It disrespected Michael by having her continue to be held back by Sarek, Amanda, and Spock. It disrespected Spock by completely trashing his relationship with his mother. It disrespected Staments and Culber by just negating a major death from the previous season, tackle an interesting topic, and then just back out and move on like nothing changed. It disrespected Ash Tyler by continuing to have him be a representative of not-so-much talked about issues and still doing everything wrong on bringing awareness. 

Hopefully being in the future can free Michael and allow her to grow now that Sarek and Spock are no longer holding her back since they’re now dead. Hopefully this allows Ash Tyler to no longer be tortured by the writers ignorance. Hopefully, they stop messing around with Staments and Culber and actually show both of them starting a new relationship, or just have them both remain friends or show them finding new love. Also, I hated that they used this to essentially “test the waters” on their version of Pike and Spock to see if a new “Strange New Worlds” series would be welcomed. Despicable!

But with how the first two seasons have been so far, I’m not holding my breath.

Star Trek: Discovery Season 2 receives a 2 out of 5

[codesworn-blog]

my verse page is still the old one and needs updating so just a quick ‘fyi’ post to explain my verse tags.

the arc i tag it with will determine the timeline so like arc / season 1. etc.

the verses are as follows:

verse / main. is my main verse where allison is alive and a number of other canon things i don’t like are ignored but we can talk about that if they’re relevant. this is default. this is what you get automatically so don’t be throwing a ‘since allison’s death---’ in there cause i’ll drop the thread tbh.

verse / canon. follows canon. it’s by request only and tbh the only way you’ll get it is if you give me a damn good reason why allison argent needs to be dead.

verse / alt. doesn’t fit main and doesn’t fit canon. it’s everything in between.

verse / undetermined. means idk no one knows no one cares.

and then other aus have tags like... verse / asoiaf. etc. you get the gist.

[usxpp-moved-blog]

:tagdrop: usopp

about

°     ☆  ◞    iii.   ⌜  aesthetic  ／  you're more than you give yourself credit for  ⌟

°     ☆  ◞    iii.   ⌜  musings  ／  the inferiority you feel is the quality of a king  ⌟

°     ☆  ◞    iii.   ⌜  ship aes  ／  I will protect them  ⌟  

°     ☆  ◞    iii.   ⌜  char. study  ／  more than a coward  ⌟

°     ☆  ◞    iii.   ⌜  ic  ／  to be a brave warrior of the sea  ⌟

°     ☆  ◞    iii.   ⌜  visage  ／  a period of self reflection  ⌟

°     ☆  ◞    iii.   ⌜  nakama  ／  family doesn't end in blood  ⌟

verses

°     ☆  ◞    iii.   ⌜  arc : pre-timeskip  ／  one piece  ⌟

°     ☆  ◞    iii.   ⌜  arc : main  ／  one piece  ⌟

°     ☆  ◞    iii.   ⌜  arc : alt. timeline  ／  one piece  ⌟

°     ☆  ◞    iii.   ⌜  arc : undetermined  ／  unwritten  ⌟

[whitesuited]

"WHERE ARE YOU? 'cause i can't see you, but i feel you watching me.”

*  𝙻𝚈𝚁𝙸𝙲 𝙲𝙰𝙻𝙻.    |    @murdcck​.

[whitesuited]

"AND IT’S NONE OF MY BUSINESS, and i don't wanna get involved.”

*  𝙻𝚈𝚁𝙸𝙲 𝙲𝙰𝙻𝙻.    |     @myatonements​          

[whitesuited]

★ ✰  𝚑𝚘𝚣𝚒𝚎𝚛 -- 𝚠𝚊𝚜𝚝𝚎𝚕𝚊𝚗𝚍, 𝚋𝚊𝚋𝚢 !   |  @strikethunder​​​ said :  “It’s gin o’clock.”

IT’S THE SECOND TIME HER COMM HAS PINGED AND SHE’S IGNORED IT, keeping herself focused on the task at hand and not even so much as GLANCING in the direction of the pockets on her belt. but his crediting the repeat sound to as a reminder to some kind of preset HAPPY HOUR ALARM ------ like it’s something she would have set up ahead of time as an excuse to CLOCK OUT is both amusing and a little dismal all at once. (   mostly because she’s kicking herself for not thinking of something like that on her own; a ‘set - in - stone ’ excuse to take a break because she knows deep down how shit she is at that. and if there’s a drink waiting for her? bonus.   )

            “gin o’clock? god, i wish.” though to be fair, anyone who’s had to look at osborn’s digital paper trail from H.A.M.M.E.R. for more than five minutes would want a tall glass of gin for their troubles ----------- not to mention the amount of times in the past she’s expertly paired her hacking sessions with a HEINEKEN or two. tonight though, it doesn’t appear that there will be drinks all around. at least not until she figures out the coding on these files to bring back for hank to look over.

            “ ------------- are you even old enough to DRINK?” considering how OLD she feels the moment the question leaves her lips, it was pretty certain she wouldn’t be giving steve a hard time about being a SENIOR CITIZEN any time soon. “you know what, don’t answer that. i have a bad feeling i have scar tissue older than you as it is.”

[whitesuited]

“YOU’VE GOT NO PLANS to make things better, you're not trying to forget her.“

*  𝙻𝚈𝚁𝙸𝙲 𝙲𝙰𝙻𝙻.    |     @ironmaidan​       

[whitesuited]

“THIS COULD BE my greatest mistake.”

*  𝙻𝚈𝚁𝙸𝙲 𝙲𝙰𝙻𝙻.    |     @hercbled​      

[whitesuited]

》𝚑𝚊𝚕𝚜𝚎𝚢 𝚜𝚕𝚘𝚠 𝚜𝚘𝚗𝚐𝚜.   |   @fastcunt​ said :  ‘ you think i’m lying but i’m being dead serious ’

SHE’S TRYING TO FIGURE OUT JUST WHERE THIS ASSUMPTION OF HIS THAT SHE DOESN’T BELIEVE A WORD HE’S SAYING COMES FROM -------- sure, it certainly doesn’t help that she’s barely budged from her chair since he came in, whirlwind as it was. a frozen - but - not state that’s at least partially due to the fact he’d completely caught her OFF - GUARD (   she’d made a sound somewhere between a SHRIEK and a SQUEAK when he’d appeared, followed by a long run - on paragraph’s worth of ' for fuck’s sake ’s   ), and the fact that if she hadn’t gone and thrown herself at the top of the table, four weeks worth of RECON would be turning the floor and whatever else the papers landed on a dull, depressing, and anemic lemon yellow. 

           “i believe you, alright? i believe you,” and really, what other choice did she have? risk him leaving and making a second entrance with only the POP of the poor sound barrier getting run over to let her know when? “so on a scale of one to we’re fucked, where do you think we are exactly?”

[whitesuited]

tag drop 3 of -- ( i think this is it? for now?? )

[whitesuited]

*   𝙻𝙾𝚄𝙳 & 𝙳𝙴𝙰𝙵𝙴𝙽𝙸𝙽𝙶 𝚂𝙸𝙻𝙴𝙽𝙲𝙴.     |     @gilgahmess​ said :  company .   silently  sit  with  my  muse  to  comfort  them.

SHE’S GOTTEN PROFICIENT AT BEING ABLE TO SNEAK AWAY ----------- it’s part of the job description, right? disappearing without anyone knowing? sometimes she thinks she’s gotten TOO GOOD at it. right now, though, the only thing she’s thinking about is the way her right thumb keeps rubbing against her left palm while both hands are perched on her lap.

it’s good to have something to FOCUS ON ----------- especially something meaningless like this. keeps her PREOCCUPIED and numb to what’s really bothering her enough to pull herself out of the group.

she notices him pass in front of her ----- his movement caught in her peripherals even though she doesn't look up, still picking away at the skin on the callus of her palm. (   there’s genuine surprise when he opts to take the empty seat beside her; the fact that they’ve barely had a chance to have a REAL conversation makes it even more CURIOUS that he’d seek her out now, a variable STRANGER to him.   ) so it takes her a moment to glance in his direction, sitting there STOIC next to her but somehow also WARM AND INVITING. the smile she gives him might be a little LATE as far as a proper greeting is concerned, but it doesn’t mean it’s any less GENUINE.

             “thank you.”

[whitesuited]

“I SAY ‘YES’ too many times.”

*  𝙻𝚈𝚁𝙸𝙲 𝙲𝙰𝙻𝙻.    |     @argenpluma​       

[whitesuited]

tag drop.

🇹​🇦​🇬​ 🇩​🇷​🇴​🇵​. ᴛᴀɢ ᴅʀᴏᴘ. ᴛᴀɢ ᴅʀᴏᴘ.