#†- REED TALKS.

[whocaresstillthelouvre]

Hello, your resident comic girl checking in. Here's a reminder that Reed and Sue are IN LOVE (and horny for each other). So, let's prepare ourselves accordingly for seeing Vanessa and Pedro doing this next year.

[jessmalia]

Mal's Teen Wolf rewatch: Frenemy (2x06)

[mostlyghostlyy]

SOMEBODY GET THESE TWO A PODCAST TOGETHER

[cary-elwes]

[moeblob]

[visenyaism]

hello visenyaism, love your blog :) do you have any favourite trans headcanons for asoiaf chaacters?

I am a huge truther of Targaryen nonbinary dragongender activity in general I think a lot of them are on that wavelength. Cersei Lannister would’ve loved being a fascist transmasc political operative and her trying to do this in westeros is the plot of affc anyways. I think Arya is nonbinary full stop. Sam Tarly has something going on go read the spectacular amazing show stopping generational Mummer essay about Sam tarly gender and war and masculinity. Also a huge fan of T4T Shiera and Bloodraven that one is so powerful.

[noshowscon]

*reed900 reverse au*

GV900: any other stupid questions?

Nines: no

Nines: actually yes. Why'd they make you look so rat ugly?

[ballad-of-the-lamb]

Thy Ballad, I have a question for thee. What inspired you to make the designs for the cat and the lamb? I've not really seen many who puts the lamb as a more muscular force, while having the cat more of a stick figure that looks like he can't compare to the lambs lift

i like big bitches

[glass-noodle]

for dana. thank you for everything.

[3d-wifey]

The amount of NSFW alphabets I have lined up is diabolical, and yall wouldn't even guess who I'm writing them for

Plus Walter de ville and that one cannibal sebastian Stan plays

Might even add those two hotties from Masters of the air

[d1rthaus]

CBGBs by David Godlis

[idkwhatimdoingbutslay]

The Hitler and KKK jokes were never funny tbh

[jessmalia]

Mal's Teen Wolf rewatch: Restraint (2x07)

[artbyblastweave]

I just saw someone posit that the first step on Ultimate Reed richards' path to becoming the Maker was his encounter with the Reed Richards of the Zombie universe. Do you think that there's any meat to that interpretation?

Yes and no. The thing about Ultimate Fantastic Four is that the first six issues in particular are a really interesting re-imagining of the team to bring the entire thing in line with the artistic and political sensibilities of Ultimate Spider-Man, Ultimate X-Men and The Ultimates. The biggest and most important change is that the FF aren't well-established adult professionals who fucked around and found out, and they aren't driving the bus- they've been swallowed up by the same military-industrial pipeline that Nick Fury is grooming Peter Parker to become a part of over in Ultimate Spider-Man. Reed in this version slingshots from a neglectful/abusive home life where he was completely unappreciated, to a think-tank that's purely interested in juicing him like a lemon for actionable military technologies. There was a very deliberate psychological pressure-cooker situation that Bendis was setting up there, this kid was never going to be as successful or as well-adjusted as 616 Reed.

That said, though, the zombie situation isn't totally unrelated to this, because 2149 Reed was presenting himself as 616 Reed as part of the honeypot, he was presenting himself as an aspirational vision of Ultimate Reed's future development. Here's what you could be a part of! A dimension where you're globally respected, an elder luminary of a community of thousands of superheroes, happily married with a family! And then Ultimate Reed he takes the bait and from there it's Whoops! All Cannibals. And I can't imagine that you'd come away from a rugpull like that with a less bleak outlook on your either your personal prospects or the prospects of the world at large. And more than anything in the world I want any video essayist trying to do an involved rundown of The Maker's character arc to have to give a deep sigh and spend a couple of minutes talking about the long-term implications of the Zombie Dimension. I am not going to let anybody memory hole the Zombie Dimension

[ray-rabies]

my most favourite of Lou's put downs

[jup1tersparx]

A dam falls, eve breaks

I smash my old self to bits

And would you drink poison for a body that fits?

(ID under cut)

[ID: Art of Percy Reed from hello from the hallowoods.

On the right is his decaying corpse in a sketchy art style. It is wearing a tattered dress, has black curly hair and is partially transparent. It is coloured in loosely, as if scribbled with colouring pencils. It is loosely suspended in the air by piano wires like a puppet, one arm above it’s head, one pointing to the side and one leg slightly bent, mimicking a dance. It is visibly slumped over. It’s face is indistinct, but has dark circles for what could be eyes and a mouth that has been stitched over. The colours are sepia toned and muted.

On the left is Percy Reed as a ghost, his form roughly carved from what appears to be fire; no lineart only negative space. The fire fills the bottom left third of the image and spills into the center. The style resembles a painting. The colours are extremely blown out, resembling heat map vision. There is an extremely saturated almost-red hot pink for the dark areas and a more muted cyan for light areas, with violet to bridge the gap when needed. You can roughly make out a collared shirt, an oversized jumper, trousers and short curly hair. His face, part of his torso and his hands are the most distinct part of the painting, the edges across the rest of him being more softly blended with the fire behind him. He is partially facing the corpse, but has turned his head to stare directly into the camera. With one hand he grips the wire suspending the corpse’s left arm and with the other he holds a burning hand underneath the arm, with the arm starting to catch fire. His stance is confident.

The background is dark and loosely sketched, resembling charcoal art. It depicts a clearing in a thick pine forest, a gothic style house in the center and a path leading to where the viewer is positioned. a cross is visible at the top of the spire. It is Solomon Reed’s house, as depicted in the episode art for 34, ‘Towers’. the sky is dark cyan and everything in the foreground under the charcoal is a dark ruby red. The colouring is also scribbled, barely lining up with the lineart. The fire percy is carved from covers part of the house, giving the illusion that it is also catching fire. The sky also may be filled with smoke. The image has a grain overlay and is square. The faces of the two percy’s are positioned at the crossover points of a (theoretical) rule of thirds grid. End ID]